He changed his mind.
Support me on PATREON!
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I love your ghost design. I wanna squeeze him :^)
If no hug then why hug-shaped???
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i think what pisses me off the most is that last year, nobody had trouble going against russia. companies dropped everything so they could keep russians off their sites, to block them from their news articles and to sanction in other ways. eurovision kicked it out. even steam, discord, any fucking western apps or websites have been so willing to perform in ‘activism’. musicians and celebrities speaking out and country-blocking their work, and so much more. but now what? where is all of that now for israel? where are all the brands leaving the country to ‘protest’? where is anything? what pisses me off the most is that none of them have actually really cared about ukraine, ever, and none of them care about palestine now.
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We've all talked about Leo and his affinity with being thrown through windows, but has anyone else notice how frequently Raph get eye trauma?
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my biggest fear is making a whole rant post about my favorite character or show and then completely fucking it up
like what if what i say about my blorbo isn't right. what if i missed the point. what if i took the symbolism a little too literally or didn't even catch it at all. i'd lose my shit
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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you know, i thought dan and phil setting boundaries in 2014 was protecting them from us but i failed to acknowledge how much it was protecting us from them
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Hello Mr. Gaiman,
I was wondering if you ever interact with another famous author/tumblr extraordinaire/unpaid coffee company intern that tends to circle many of the same spheres of the internet and fandom that you do. I believe he goes by the name of John Green.
I’m a big fan of the both you, your works, and your internet presence and think a collaboration in any form between the two of you would possible overwhelm the world.
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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a couple scribbles i cleaned up. also i think i like drawing him in varying states of distress
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Damian, all of seven and clearly wise to the ways of the world, decides he's going to find his father sooner.
So he does recon.
His father is Batman, and Batman is in Gotham. Clearly with how much Mother tells him he isn't ready to face Batman yet, no matter what he does, this is just a test to see how he will escape.
A test he will pass.
He concludes that the only way to escape his Mother and Grandfather's watchful eyes is to use magic to get to Gotham.
He gathers up as much intel as he can about summons, and summons the Ghost King in a circle designed to compel the King to do as he says. Since this being will be royalty, Damian puts down the constraint of only two days; it should be about that long to locate his father, and he isn't in the business of forcing another being to obey him like a slave.
What Damian doesn't know is that this is the wrong kind of summoning circle. It's just a normal kind of summoning circle with instructions to either find Damian's family or become it within two days.
Now Danny has to get Damian to Gotham and find this "Batman", in a dimension he's very unfamiliar with, or he's going to be a teenage single dad.
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seriously though nothing can stop me from interpreting Real Life as canon just for how it progresses the canary curse situation. i'm obsessed with it. the curse gets broken in secret life and then in the very next "series", as much of a joke as it is, you get a situation like THAT. jimmy enters a mineshaft and everyone but him dies. not just his team, though obviously it's more significant because they were all red, but ren/martyn/skizz all get a mineshaft-death apiece. that canary's not doing his job anymore. he escaped his cage and made a break for the surface and everyone else is paying the price for it, and i for one could not be more proud of that little bird.
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If I saw a nutcracker nobody could stop me
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incorrect jjk quotes [8/?]
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