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#WHO LET HIM DO THIS
whoisspence · 2 months
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currently googling HOW TO BREATHE
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ofmd-renewed-yet · 1 year
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this cannot be fr
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leo-kinnie · 8 months
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Slowly but surely, Sandro is making his own fandom
isnt that scary
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milkiematcha · 1 year
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BRO.
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DID YOU SEE THIS? WHAT. THE ACTUAL. FUCK. the urge to suck him dry
BESTIE YES I SAW THOSE CLIPS AND IMMEDIATELY THOUGHT OF YOU HES SO HOT
longer college!jaehyun fic is in the works JUST because of this he's derailed my whole life lmaooo
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nothidd3n · 2 years
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i do not know enough words to describe how this picture makes me feel
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nova-rpv · 3 months
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death leech shadoo.....
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design by @galaxylover06
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nalver · 7 months
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my cat laid down next to me and now i cant get up and get food because he is so warms on my arm
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bishy437 · 3 months
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he won
bonus:
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arabella-s-arts · 2 months
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Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:
The confession booth scene.
Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.
Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.
All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)
Having all the gay jokes be on Dean instead of Sam.
Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.
The boner Dean got when Cas cleaned up.
Dean gulping after Cas does an impression from a Western movie.
Charlie, a lesbian, calling Castiel "dreamy."
The way Mary looks at Dean and Cas when they hug.
Dean wondering why everyone assumes he's gay, while Sam not caring.
The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.
Dean seeming disappointed when learning that Aaron's flirting was fake.
The amount of time Dean and Cas spend staring at each other.
Dean canonically having an orgy with Crowley.
A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.
The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.
Edit: To the people who say I can't use the siren as an example because the siren is supposed to be his brother, and therefore his siren being a man doesn't work. If you reread that bullet point, then you will realize that I didn't put it down as just simply Dean's siren being a man. I recognize that the siren is supposed to be his brother. It's the fact that Sam still thinks the siren infects people through sex, not knowing that it's actually through saliva when he realizes who the siren is. So when he sees that Dean's siren is a guy, he had to assume they had sex, and he does not seem surprised by this at all.
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greenglowinspooks · 6 months
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The way that I’m brainrotting over a DCxDP crossover with a Danny who’s a vengeful villain rn
Like, let’s just say that the GiW finally get into contact with the JL. They need help neutralizing a threat, you see, and they’re on their last limb trying to keep civilians safe.
They have video evidence! They have studies to back their claims! The JL have to help them!
Unfortunately, the JL believe them. They join a fight against Danny, and defeat him due to being far more experienced than he is. Danny is locked away and experimented on by the GiW.
That would CHANGE a person. Your heroes turning against you and seeing you as a monster, being experimented on for who knows how long, not knowing if your friends and family are safe.
Danny gets out due to a simple mistake on the GiW’s part; having Blüdhaven as part of their transport route.
Of course the trucks were attacked, they’re government property!
So now, whoever decided to raid the government transport trucks (the Penguin or something) has a ton of experimental weapons with no idea how they work, and a heavily traumatized teenager.
Danny knows how they work. Danny can be useful! They won’t throw him out if he’s useful! And so, now Danny is working for the Penguin, altering the ectoplasm weapons to make them work on humans.
It’s a good deal for both parties. Danny gets to neurotically imprint on the Penguin like a small baby animal, and the Penguin gets a brilliant mind who will stop at nothing to achieve his goals.
But eventually, Danny finds out what happened to his family in his absence.
Jazz is in Arkham. Not as a psychologist, but as a “patient.” Apparently, she snapped and completely destroyed the house, leveled a few blocks of Amity Park, and conducted organized attacks on government bases (mostly GiW) for months.
Sam and Tucker helped her, eventually splitting once Jazz was captured. Sam travels to areas of extreme pollution, completely overgrowing them with her plant powers. Currently she’s in the Amazon rainforest, engaging in an ongoing feud with logging companies. Sam is winning.
Tucker faked his death, and Danny has no idea where he is. He only knows that the death wasn’t real because of a code that the three of them made together, just in case.
Ellie’s trapped in the Infinite Realms. Danny had a failsafe in place so that if she was ever cornered by the GiW, she would be sent to her haunt in the GZ. However, with the portal destroyed, she can’t come back. Danny just hopes she’s okay.
His parents are now top GiW scientists. They’re traveling the country giving speeches. They’re working on a battery powered by ectoplasm, but apparently started “having difficulties” around the same time that Danny escaped.
None of it is fair. None of it is right.
The Justice League destroyed his life, the lives of his friends, and they’re doing as good as ever. The GiW is respected, and his parents are happily working away for them.
Danny takes up some of his more experimental weapons and breaks Jazz out of Arkham. She’s a little different now, colder and more quiet, but she still loves him all the same. It’s an unimaginable comfort to him to see his sister again.
He can’t use his powers anymore. He’s so used to associating them with pain that even transforming into his ghost form is enough to take him down for hours.
However, he understands ectoplasm more than anyone else in the world. He knows how to use it in virtually everything; how it can become a weapon, how it can be used as a supplemental ingredient in poisons and nerve agents, how it can twist and distort the mind if applied correctly.
He doesn’t care what happens to him. He’s going to take down the GiW, and destroy the lives of the JL members who helped lock him away, just as they did to him.
No matter the cost.
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2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
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ew-selfish-art · 7 months
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DPxDC Au: Normally when Danny vandalizes ancient cave walls and historic places on his 'favor' missions for Clockwork, he gets sent back to erase them. But no, apparently this time, when Danny added his actual phone number into some painting, he's not allowed to go back and fix it. Ugh.
...
Tim has had the painting of Bruce professionally reviewed a few times since the old Bat was retrieved from the time stream. He's not entirely sure how the painting still exists, he's not even sure that it matters any more... But one day Tim catches something new in the painting.
It was small, and it could've just been the light at first but... Is that a phone number in the background?? It looks like black marker on the black curtains and it makes him feel feral. The family is kinder this time about how they think he's gone crazy- but each one of them admit that they can't remember a phone number ever being present.
The lab reports that the number was added over the paint- and that it's an ink based marking akin to a sharpie but like, hundreds of years old. So... It's been added recently but not at all recently enough for Tim to have an explanation.
Tim doesn't want to hear any more of his family members opinions on the matter and he certainly isn't going to just, stop investigating or something stupid like that. So, he takes the painting to the tower, gathers his team (Cassie, Kon and Bart), and they call the number in the middle of the night after a lot of planning/back-and-forth/catastrophizing.
It doesn't answer until the final ring, and the static that comes through the phone is bone chilling. A deep, monstrous groan which echoed with agony fills the room.
"I have a math test in like, three hours, who the fuck are you and why the fuck are you calling in the middle of the night?" The voice now complains, still sounding vaguely inhuman despite it's very human word choices.
"Your number is in a historical painting, we had a few questions but uh, you can call us back later?" Tim cringes as he says it but he hadn't planned on having to reply to someone trying to go back to bed. Or someone who was apparently also a teenager. (He had so, so many contingency plans for like, every kind of villain, alien or demon. lame.)
"...Ugh. might as well." The voice calls out, agreeing with a sigh that echos so deeply the team can feel it in their bones.
"Cool. Good luck on your test?" Tim offers.
"Mph." And the line hangs up.
...
Danny is at lunch with Sam and Tucker when he remembers the late night call. He'd spent the morning bitching about never getting a full night of sleep and it finally occurred to him what had happened. Of course his friends think it's hilarious that CW wouldn't let him erase his number. Of course they do.
They stop laughing when Danny calls the number back.
"Hello, this is Red Robin of Gotham. I have Superboy, Wonder girl and Impulse present with me. How did your math test go?"
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ballpitwitch · 6 months
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𝐊𝐞𝐚𝐧𝐮 𝐑𝐞𝐞𝐯𝐞𝐬 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐢𝐧𝐠 𝐚𝐭 𝐭𝐡𝐞 𝐇𝐚𝐫𝐝 𝐑𝐨𝐜𝐤 𝐇𝐨𝐭𝐞𝐥 𝐢𝐧 𝐀𝐭𝐥𝐚𝐧𝐭𝐢𝐜 𝐂𝐢𝐭𝐲, 𝐍𝐉 - 𝟏𝟎/𝟎𝟖/𝟐𝟑
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visenyaism · 2 months
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wyll ravengard fresh off the craziest most traumatic experience of his life like whole future ahead of him finally done with his exile and free of his pact for the first time in his adult life deciding to get married and adopt a child at age 24 less than six months after all that is easily the most insane decision any companion can make in the whole game. someone shouldve exiled him again. to the club.
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poorly-drawn-mdzs · 4 months
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Bonus 8: How met your mother (CSSR design by @qourmet!)
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#cangse sanren#wei changze#jiang fengmian#It was important to me that WCZ had the hereditary mole. I will die on this hill.#I have been *waiting* for the day to finally arrive when I could finally make this comic. It's been marinating for months.#My mission is to redraw all of qour's character designs one day. They are just *that* good.#CSSR has the vibes of a wandering menace who shows up in towns like a stray cat arriving at a new doorstep for treats. 10/10.#While YZY strongly leads us to believe that JFM was in love with CSSR and that's his whole motivation behind taking wwx in-#-I do think this is (once again) rumour being presented as reality. It's the juicer story to tell after all.#It is still possible that he did love her! But I think that story undercuts the relationship he also had with WCZ.#Yall ever think about how JC and WWX parallel their fathers? How Wei Changze also left the Jiang Leader's side? I do.#Unlike JC though It is far more hilarious and plausible to imagine JFM begging to be CSSR and WCZ's third. You know he would.#My wild headcanon is that JFM and YZY are in a mlm and wlw arranged marriage situation. Deeply unhappy as partners. Better as friends.#they care for each other and I'll admit that there is a beautiful tragedy in them having romantic feelings for each other the whole time.#But I am also here for the gaffs. Let them be unfulfilled homosexuals together.#Meanwhile cssr and wcz are having incredible hetrosexual sex in a bisexual way that WILL leave him pregnant by the end of it.
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confessedlyfannish · 19 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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