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#We stan a stylish villain
agentnico · 1 year
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Sharper (2023) Review
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Most folks love Sebastian Stan most as the Marvel character Bucky Barnes, however I personally think that’s his most dull role. I know, controversial opinion - let the internet destroy me. But really, Sebastian Stan is much more enticing to watch whenever he plays the unnerving crazy villainous roles, whether it be the abusive husband in I, Tonya, to the crazy mad Mötley Crüe drummer Tommy Lee in Pam & Tommy to a straight up cannibal in Fresh. Sebastian Stan is awesome whenever he’s at his most unhinged. Yet as Bucky in the MCU he’s always pretty straight-faced and inexpressive. Waste of his acting skill. Not good enough Marvel! 
Plot: A young man exacts revenge on his family for not accepting him and cons other rich people to gain the wealth he desires.
Only two months into 2023 and already we have a new A24 film, courtesy of AppleTV+. At this point for movie fans an A24 release is always an exciting moment, as this studio has been on fire in the past few years, starting out with suspenseful horrors and then progressing on to delivering some of the more unique and stylish films on the indie market. I mean, just observe at how well Everything, Everywhere All at Once is doing with those awards nominations! That movie is literally everything. It’s everywhere. All at once! You know?! Ahem, so anyway, Sharper is the new A24 movie that is all about con artists conning one another, so of course there are an abundance of plot twists throughout, so much so that one could wonder if M. Night Shyamalan had any involvement with this. And the result is an enjoyable if a tad silly affair.
This film reminded me a lot of that Will Smith/Margot Robbie caper Focus that came out a few years ago. A story involving con men that keep tricking one another, and as such we get a twist on top of a twist, no matter how ridiculous or outlandish it may be. Sharper plays out the same way, and to be fair the first half of the film is great. The story peels itself slowly like an onion (a not so casual reference to Glass Onion) revealing various puzzle pieces, and the twists all have enough thrill to them yet not being too crazy as to not be unrealistic. However the second half is not so clever, as the turns become too ridiculous and the ending especially doesn’t add up and feels way too over the top. So if you’re expecting a tight knitted plot that is as sharp as the title suggests, this is not that. But the movie is never boring, and even when you can predict certain plot beats, the actors all do a great job at keeping you engrossed throughout. So overall Sharper is an enjoyable yet definitely silly venture, that suffers from an imperfect script, yet that is balanced out by the movie’s style and cast performances.
Sebastian Stan is not as crazy in this as he was in Fresh, however he does still have that mysterious enigmatic presence to him, and you always end up questioning his true intentions and motivations. Julianne Moore too relishes playing the other con artist, and again with her you can never tell what she’s thinking, so both her and Stan are on top form as the antagonists. Justice Smith is one of the most monotone bland actors I have seen in recent years, however weirdly enough his stoic act works for him perfectly. He’s the regular dude, as such him being the target of a bunch of con artists is pretty fitting. John Lithgow shows up as a billionaire, and with Lithgow you always get the expected gravitas and heft, and its unfortunate that he isn’t in the movie much. And newcomer Briana Middleton rounds up the cast, and her role was very interesting in that she had to perform various different personas, and she was really good at that. Definitely one to look out for in the future.
Director Benjamin Caron makes use of a lot of neon light and shadows to signify the neo-noir atmosphere, and to engulf each shot in mystery and uncertainty. Also the style overall really reminded me of the movie Drive with Ryan Gosling, which turns out wasn’t a random connection, as both that film and Sharper share the same music score composer Clint Mansell. At one point in the movie one of the characters references a stuntman that recently came into town and could help with another con game, and I’d like to imagine that that stuntman is indeed Ryan Gosling and both movies are set in the same neon universe. Heck, these days cinematic universes are all the rage so why not, eh?
Overall score: 6/10
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bollywoodnewmovie · 1 year
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Ant-Man And The Wasp: Quantumania
Ant- Man and The Wasp Quantumania gives Marvel suckers a big little look at the coming investiture of the Marvel Cinematic Universe, which is only about a month down. It’s not an Ant- Man caravan like any we ’ve seen ahead, being short on jokes and long on angst, but let’s dig into those details before Paul Rudd and Evangeline Lilly return for the third and presumably final Ant- Man movie in February. snare your magnifying glass. After spending five Blipped times down, a vital knob of his teenage son’s life, it’s no surprise that Scott Lang is willing to trust someone as obviously evil as Kang to get further time. But considering he’s bringing his whole family to the Quantum Realm, it’s also possible that individuality happens in the movie that could beget Scott to be willing to turn back time no matter what the cost.
THE QUANTUM REALM IS A LONG WAY FROM HOME The Quantum Realm gets a little bigger in every Ant- Man movie, going from a kind of scary purgatory in the first, to an livable land in the alternate, and eventually a full-bloated macrocosm full of high- tech metropolises in the third. Of course, the only problem with this macrocosm is that Kang the Conqueror appears to control it.
MODOK While D23 cult saw him back in September, this is the first time the rest of us have gotten a look at MODOK, evil genius, grotesque laboratory trial, and among the stylish cherished Marvel supervillains( for being so awful). In Quantumania, he appears to be played by Corey Stoll, who portrayed the unlawful Yellowjacket in 2015’s Ant- Man, where he was eventually dispatched by being forced to shrink uncontrollably and presumably into the Quantum Realm.
MODOK first appeared in 1967’s Tales of suspension# 94, created by Stan Lee and Jack Kirby. The Mental Organism Designed Only for Killing took over the frenetic scientist association that created him. Despite his authentically awful visual deal, he’s one of Marvel Comics ’ foremost joke villains, as explored in Hulu’s recent MODOK amped series.
Is Ant- Man Dying? Ant- Man and the Wasp Quantumania broken helmetImage via Marvel The new trailer reveals a lot of Ant- Man and the Wasp Quantumania. It explains Scott’s provocation, reveals Kang will betray Ant- Man once the idol helped him, and that this disloyalty will put the two into a colliding course. The new caravan also shows how Kang will wipe the bottom with Scott, potentially killing the Avenger. One specific scene tells us that Scott isn't playing to win in the threequel. In fact, it seems like Scott understands his limitations and will pour all his powers into icing they both lose. As much as it’s sad to admit, that sounds a lot like another burial in the MCU. And with Cassie getting the heroine elevation for the threequel, that would be an emotional way to pass the cane to a new generation.
Ant- Man and the Wasp Quantumania premieres in theaters on February 17.
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rainy-may · 3 years
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silverdecepticon93 · 4 years
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The Bootleg Beatles villain is Mad Mod, probably. He looks like Austin Powers and it KILLS me to even think about him. I will admit his episode of TT was GREAT tho
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alldatwrite · 3 years
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⚠ WWK SPOILERS FOR EPISODE 7, SEASON 2 ⚠
Okay, so I just watched the 7th episode, then I entered Twitter, and as I was expecting, everyone was dissing characters like Alma or Isabel or Scooter or Catherine - BASICALLY EVERYONE WHO'S NOT RITA. And then again... it's the Lana stans...
Now, Rita gets arrested for murdering Carlo. We know she didn't do it. Okay, fine.
But my problem is, how people are praising Vern for helping her: he's only helping her because he wants the money (which is understandable, because that man is getting married AND having a child, he wants and needs to provide for his new family). And people is dissing Scooter for doing the same thing when a) Rita was LITERALLY pimping him out, b) she left him with nothing unless he did what she asked (which I'm pretty sure it's coercion) and c) he owns her nothing because she put him in that position. Also, I don't care if he's feeling something for Catherine or not, he's saving his ass, something we praise on women but... not on men??? The AUDACITY.
People are also dissing Alma (I swear, you don't need to bring up the fact she's fact to diss her) when, AGAIN, she's protecting her family. This goes beyond the Graden Club thing, Rita humilliated her, got her daughter fired, and threatened her family. I think she has every right to attack Rita. You could have pointed out how she manipulated Bertram but no, you went with the "she's hurting my poor baby". Well, she had it coming.
Also, dissing Isabel and Catherine????? Catherine has already stated that she felt she and Rita were friend and that Rita betrayed her because she was never her friend. Do we see pattern here? I say we fucking do. And Isabel... she left her to rot in jail, but we can't judge her UNTIL we know their full story. Because she was right, Rita gave her a job - as a maid. And to be fair, I hardly doubt Rita is the mastermind here, I think Isabel is smarter than what she looks like, I'm pretty sure she could have given her another job. Hell, even when it was the two of them she still treated her cousin, who apparently helped her get rid of an abusive man that was hurting her, like a maid. You don't do that to the people you love.
I'm tired of people justifying Rita's behavior, she's a bitch. And she had it coming. And no, you can't compare her to Regina, those two are way different characters, Regina had SEVEN seasons to develop, to change, to grow. Rita doesn't, and she's not that appealing in the way you may think. She's a good villain, a good antagonist, but she's not the main character, and she's not a good person. And that's okay, but what's not okay is people complaining that we feel not sympathy for her when she's that type of character. It's 2021, trust me, you're allowed to like a villain just because.
I feel a bit sorry for her, for being framed for a crime she didn't commit, but I don't think I can say much in her favor until I know her full story. In the meantime, I admit she's stylish and sassy, but she's also a horrible person.
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Drag race is trying to push the narrative of rolaskatox 2.0 but
We all love Mik. Like, we adore Mik, Mik’s the golden child. Beautiful and stylish and fun :)
Kandy is a loudmouth, but she’s aware and processing what she’s going through out loud. She actively was talking about how she hates how angry she come out. She’s reactive in the moment but she’s aware that’s a problem and I can’t be mad at that :)
Tina’s not that bad, she’s just a little boring and we here hate repetition in drag race.
People are REACHING for villains cause nobody’s being truly villainous. Idk about y’all, but I feel like as a person rejected by mainstream gay culture, I feel attatched to the queens who also feel rejected. “Making groups is bad” fuck off, solidarity is how you stay alive. And of course everyone stans Rosé and Denali and is so ready to call the big afro latino queen, the trans queen, and the mega mind bad guy queen the villains 🙄
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Persona 5 Strikers/Scramble
So! I finished the story of Persona 5 Strikers and I wanted to share my thoughts as I have soooo much to say but cannot share with my friends due to spoilers :’) I am currently playing on a New Game+ as, ya girl wants the Platinum Trophy :o
I will talk about some of the things that I really liked here (Spoiler free don’t worry) AND include spoilery things under the cut so I won’t ruin the experience for anyone else!
The Plot
Obviously this takes place after the original Persona 5 story finishes and as opposed to a whole year, you just get 1 month with the Phantom Thieves. I really liked exploring all the cities you travel to and the character interactions were so cute!! I really like the two new characters introduced (Sophia and Zenkichi Hasegawa). Both of them fit the story so well and their interactions with the other Thieves are honestly so good and pure! Also?? Their outfits? Amazing T_T It was such a nice change seeing everyone in casual outfits as opposed to their school uniforms!
I also loved the fact that you could choose to play with characters that get introduced late game like Haru for example straight away. I for one, always have her in my party as soon as she’s available so having her for the whole game was like a dream come true haha. I’ll talk about Sophia and Zenkichi a bit more under the cut but I will say that it’s so fun to play as them! I personally prefer Sophia more as she has healing skills which are always really useful and she uses yo-yo’s for her weapons which are so fun to use. Zenkichi uses a great sword which is very Final Fantasy of him and I am loving it. I love their Phantom Thief outfits! Sophia looks super cute in her floofy coat and boots and Zenkichi just looks so cool! His hat is goals, I want one T_T
The anime cutscenes in the game are also... Omg... I just can’t help but fangirl over how everyone looks... ESPECIALLY SOPHIA OML, she’s so... Bby... And of course, the dialogue options you can choose are so funny, then again what else can you expect from a game that had the option to say “you jelly?” to Ryuji.
I won’t spoil the main plot but this game works similarly to Persona 5 in the sense of, you still go into dungeons but these ones are a lot shorter and when you leave the dungeon, the days don’t actually move forward, only specific story points advance the days. So essentially if you wished, you can stay and grind for as long as you like!
The Gameplay
I won’t lie, as expected from a hack-and-slash it gets quite chaotic at first if you don’t fully know what’s going on but you get used to it pretty quickly! The game gives you tutorials whenever anything new appears and you get the hang of it pretty well by the first dungeon. You still only have 4 characters in your party and Akira must always be present but here you can actually run around as the other party members when the battles are over! Also? Morgana gets comical sound effects when he does things like jumping and running and I was LIVING for it.
The other thing that changed is, obviously it’s not turn based so if you were like me and wore the SP restoring accessories to get 7SP back each turn, you’re in for a last surprise! In this game you actually use your items quite a lot as there isn’t a limit to how much you can use as you access them mid battle by pausing. Later on you get specific skills that restore your SP after each battle or by performing All Out Attacks and 1 More’s so honestly, SP isn’t really a problem for regular battles. I mainly found it running out quickly when I was fighting some of the optional bosses but I always had SP restoring items so it was all good hehe.
You still do things like All Out Attacks and 1 More’s in this game but you also do something called ‘Showtime’ which is very similar to the ones introduced in Royal only in Strikers it’s for one character, you basically build up the showtime gauge as you battle enemies and, once activated, you deal significant damage to stronger enemies like bosses as well as all of the enemies in the area. The All Out Attacks also have their own little animation with your party posing and just looking really good!
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Yusuke being so extra is honestly such a mood omg... Also Mona T_T So smol.
Every party member has their own special quirks such as Ann and Makoto applying Fire and Nuclear affinity respectively to their regular weapons, Morgana turning into the Mona car and so on. I personally always had Haru and Yusuke in my party and kept switching between the other Thieves to see what I like best. Personally, I really like having Morgana or Sophia as they’re really good healers, Morgana obviously having the more powerful skills such as Mediaharan and Salvation.
Also... The menus... Omg... If you thought the Persona 5 menu was stylish then you will LOVE the Strikers menus. They’re so stylish! And I love that all the Phantom Thieves are there too, it’s so cute T_T
The only thing I don’t like is the game doesn’t pause when your controller dies so uh... I may or may not have died during a boss battle when I was like 2 hits away from winning and then just... Stopped moving letting the boss hit me with a killing combo :)
To be honest though the party that I had pretty much all the time was:
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But as I said, I liked to change Morgana and Sophia around every now and then.
The Music
Omg the music. Atlus really just said: Hey what if we made Persona 5 music again but like... More epic?
The song that plays right as soon as you have control of Joker is SO. GOOD. I legit had to pause for like 5 mins just to jam out. I don’t think it will come as much of a surprise but in my opinion, Persona 5 definitely has one of the best video game soundtracks, I absolutely love all the songs!
I will discuss some of the dungeon themes in the spoilers but I absolutely love the soundtrack for this game. Every dungeon theme is so fitting for said dungeon, I genuinely listen to them all the time, especially when doing my research for my essays!
The battle music is really energetic as opposed to the jazzy feel from the original Persona 5 soundtrack but it’s very fitting for the actual battle as you often fly all around the area instead of standing in one spot. I will say, Last Surprise made an excellent comeback despite being an already amazing song which is just, amazing, incredible, fantastic...
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Other things
Well, I can’t go into detail due to spoilers but they deadass put a JoJo reference as well as a character in the game :’) The moment I saw them I was fangirling so hard!!! Also? The villain designs in this game??? Amazing. Beautiful. Very creative!
The Phantom Thieves interacting with each other is also really cute! I ESPECIALLY liked the fact that Morgana and Ryuji got along a lot better! They still had small fights here and there but they pretty much apologised to one another straight away which I really liked! Also? Ryuji protecting his friends, especially the girls? Amazing. Wonderful. Cannot help but stan.
Well, that concludes the non-spoiler section which.... Is kinda long haha, Below the cut I will talk about the spoilery things so I advise looking at it AFTER you finish the game!
The Plot
The plot of this game is really fun if you ask me. You travel around Japan defeating Monarchs in Jails AND you get to experience the joys of summer vacation with your friends and your new Persona dad. I really like the fact that you don’t advance time when you leave the Jails because this gives you the chance to grind as much as you want before tackling harder fights like some of the optional bosses. The boss designs themselves were so good! Especially Alice?! My God? She’s beautiful?? Look at her!
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Persona 5 Strikers said you can be horny on main... Just this once o_o. She literally steps on Joker in the Jail which o_o Ma’am... Plz but she ALSO steps on her manager in the real world.
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I really liked all the bosses in this game because they felt so... Real? Obviously I don’t agree with them for brainwashing people into worshipping them, but I really like how the game gave them backstories that showed why they strayed away from the right path. The fact that the Thieves tell them that they understand their struggles because they themselves went through the same thing (Like Ann and Yusuke) honestly made me appreciate the story that much more. I really liked Haru’s little arc in Sapporo because not only did she help Mariko Hyodo and show her that despite mistakes you can always stand up and start again, but she also got to have more screentime, like that cute fountain scene she has with Akira! ALSO? The Hee-Horde?! I was laughing for a solid 5 minutes when I saw it! It was so cute how Haru, Sophia, Ryuji and Yusuke were so into it while Futaba was just there like: ????
I think my favourite Jail out of all of them will definitely have to be the Kyoto one, a.k.a. the Jail controlled by Zenkichi’s daughter, Akane. Despite how short it is, you can learn so much about her. The overall aesthetic of the jail shows her love to the Phantom Thieves and in the actual Jail theme you can hear fragments of ‘Life Will Change’ and ‘Wake Up, Get Up, Get Out There’ which I think is absolutely amazing! The boss fight for this jail honestly took me 3 tries to beat as the first time, I died due to not fully getting how Shadow Joker worked, and the second time, I was about 2 hits from beating him but then... My controller died :’) By the time it turned back on I was already c-c-c-c-comboed to death so :’) This is also the jail where Zenkichi awakens to his Persona and honestly? I found the little segment where he has to sneak around in his usual everyday attire so cute, bless him, he really did adopt 7 teenagers, their cat and an AI daughter.
ALSO?! They deadass put Dio in this game? Like when I first saw Natsume’s shadow I was like: Hm looks kinda familiar...
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BUT THEN?!
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Needless to say I was fangirling pretty hard.
I liked Akira Konoe, very much vibing with his Power Ranger aesthetic however, I have to say, his boss fights was surprisingly... Easy? At least it felt easy to me which was kind of... Disappointing I suppose for him supposedly being “the final boss” HOWEVER, I very much liked how his calling card was delivered, and the fact that Zenkichi could finally get his revenge was very satisfying! 
Now, let’s talk about the end game, mainly the Abyss Jail.  I did NOT see it coming (haha) that it was Ichinose all along! As I’m currently replaying the game, the fact that she doesn’t want to look at Sophia despite specialising in AI technology should have been my first clue that something is not quite right here! 
When she forces Sophia to attack the Thieves, it honestly broke my heart. The fact that she recognised Joker and Skull... And she threw herself off the ledge just so she can’t hurt them anymore... Yo, I love her so much T_T That’s why her awakening to her Persona (her true Persona) was such a satisfying scene! Her Persona (Pandora) has a really cool design, I especially like the fact that she represents the Hope Arcana (as there was hope left at the bottom of Pandora’s box) and that Pandora herself kept the box-y design from her original “Persona” Pithos. I found it quite funny that all the skills Pithos has ended with a “?”. Anyway, the scene where she tells Ichinose all the things she learnt, and that Ichinose herself has a heart despite believing that she doesn’t for so long was so touching. It showed that Sophia deeply cares for her, despite the fact that she literally said she’s the reason so many people are getting mind controlled by EMMA. The ending scene with the two of them laughing and holding hands... My heart T_T
Now then, let’s talk about EMMA.
I. Loved. The. Final. Boss. Fight.
The fact that the game makes you use ALL the characters for the final fight! As I usually switched out characters here and there, my reserve party members weren’t severely under-levelled which made the fight pretty okay! I had quite... Strange groups I would say as I had Makoto and Zenkichi being a team, Morgana, Ann and Ryuji being a team, and Akira, Haru, Yusuke and Sophia being the final team. The final boss itself, has an absolutely beautiful design. I especially loved the angel like wings because it really showed that EMMA saw herself as a saviour. The cutscene that plays after with all the Thieves dealing the final blows before watching all the desires fall around them was honestly so pretty... Man, this game series is just so aesthetic!
When the credits rolled and all the photos started appearing I couldn’t help but start crying. It really felt like you were actually there, living through all the memories and the fact that Sophia called the photo of all of them together “Treasure”... T_T
The Gameplay
I already pretty much said all I wanted for the gameplay in the non-spoiler section but I will say, the Showtimes and the Master Skills each character learns are so good! I love that once you master all of them you’re bascially unstoppable, I especially love Haru’s and Akira’s as it allows them to deal damage even if they’re a safe distance away from the enemy. The fact that you can learn Bond skills that restore SP with every All Out Attack and One More is honestly so helpful because it saves you going back and forth between the real world but then again, by this point you probably have way too many HP and SP restoring items!
I really liked that Zenkichi has no weaknesses and uses Almighty damage but I find the whole Fury/HP consumption combination a bit weird. After a while you get used to it and obviously you don’t have to activate fury at all but as I said before, I prefer playing as Sophia. Although, I will say that gun wise, I think Zenkichi’s are a lot more fun to use than Sophia’s blasters, but then again that’s just my personal opinion!
The Music
As I said, the music was so fitting for each Jail, I absolutely love it.
The first Jail, you honestly can’t help but bop your head to the beat. It really gives you the impression that you’re in some kind of twisted theme park which really fit the overall aesthetic of the Jail. I loved the vibrant neon colour scheme in such a dark looking place.
The Okinawa Jail... My God that theme was so good. I can’t really explain it but the song really made you feel like you were... Alone, like the place was truly abandoned and forgotten. As soon as the violin started playing I couldn’t help but just stop and listen to it. The overall jail was just so... Creepy. The Shadows there resemebled the shadows you would usually find in the previous Persona games, just this black mass slithering around. I think it was very fitting that they put the Reaper in this Jail. 
As I mentioned before, the Kyoto Jail theme is my absolute favourite. The fact that it has elements of other Persona 5 songs due to Akane being a big Phantom Thieves fan was such a good choice! I love how when you take a closer look, you can see the Phantom Thieves logo on the lanterns and the fact that Shadow Akane herself made a Phantom Thief outfit for herself... Big mood. I loved how all the Thieves encouraged her to try and get along with her dad better AND that they taught Zenkichi how to cook just so he can make curry for her, especially when you remember just how much curry means to someone like Futaba. 
I really liked the remix of Rivers in a Desert, then again what did I expect from a Persona game? The battle music is ALWAYS amazing. I really liked how this played when you fight Konoe as it parallels when you fight Shido in the original, supposedly the final fight, only to find out that there is something MUCH bigger than them.
Other things
This post is already way too long and if you read all of this... Thank you so much. Sadly, I cannot share this with any of my friends as it’s spoilers so I hope you guys don’t mind me sharing this here! I would love to see your opinion of this game!!!
Also? Yusuke and Akira are now canonically dating and I think that’s beautiful
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And then that scene later on
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Why do you think we came here with Yusuke, Morgana?
TL;DR: I love this game
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https://princeescaluswords.tumblr.com/post/647812292363386880/adds-the-stylish-fandom-logic-hat-to-my-ensemble#notes
@russianspacegeckosexparty: *adds the stylish Fandom logic hat to my ensemble today* Why didn’t the knowledgeable and wise Left Hand Peter emerge from his coma to provide wise counsel to Stiles and train him in using his spark?
@princeescaluswords:
Because it didn’t exist.
That’s the simplest answer. It’s actually quite a boring answer, really, but the why behind the question is far more interesting. First, I’m going to reproduce the offending passage.
Deaton: Not all there is. Think of it like gunpowder. It’s just powder until a spark ignites it. You need to be that spark, Stiles.
Stiles: If you mean light myself on fire, I don’t think I’m up for that.
Deaton: Let me try a different ANALOGY. I used to golf. I learned that the best golfers never swing before first imagining where they want the ball to go. They see it in their mind and their mind takes over. It can be pretty extraordinary what the force of your own will can accomplish.
My emphasis.
This scene was very important to the story of Teen Wolf, but as is a depressingly often occurrence, fandom took the scene and ran with it in the absolute opposite direction.
Stiles isn’t supernatural at this point. He is human. So are Deaton, and Morrell, and Henri, and Melissa. So are the Argents. With force of will, camaraderie, and the appropriate knowledge, humans can be every bit the equal of supernatural creatures.
Think about how the production talks about knowledge. How it’s always better when they know. How knowledge brings with it responsibility. How the pack’s first instinct is to find out more and they get in trouble when they can’t learn abou their enemies “They’re winning and we don’t even know what the game is.”
Scott doesn’t defeat the villains because he’s stronger than his enemies. He’s not. He defeats them because he’s wise enough to surround himself with people who know things, who trust him and he trusts them, and because he never gives up.
“Scott doesn’t care about power, he cares about people.”
It is an implicit rejection of the virtue of power in and of itself. Seems like a very simple idea, doesn’t it? That what we choose to do and how we treat people are more important than what we are capable of doing.
Take the conclusion of Lunar Ellipse (3x12). Going into that scene, Scott was a beta, but Scott isn’t a True Alpha because he was able to break a line of mountain ash. He was able to break a line of mountain ash because he was a True Alpha. And why? Because he was able to blind Deucalion because he didn’t reject Allison and Chris as “evil Argents,” so he was willing to take an evil old man’s pain to learn the knowledge he needed. He was able to put aside his problems with Derek in order to earn his trust, so Derek rejected Jennifer’s desire for revenge. He wasn’t alone facing the Darach and the Demon Wolf. Jennifer was far more powerful than he was. Deucalion was insanely more powerful than he was. But he had the right people on his side “My Pack,” he believed in Derek, and he trusted Chris and Allison.
We could go through every season and do the same calculus.
Then why does fandom try to turn Stiles into the Sparkiest-Spark-of-All-Sparks? Why do they try to turn Peter into the Left Hand of the Mighty Hale Pack? Why are they obsessed with making Derek an alpha again, when he was miserable and terrible at being one the first time?
Because not a single one of those scenarios require their beloved white men to trust other people or treat them as more important than themselves. They can kill as they desire, they can ignore anyone else’s wants and needs but their own, and if someone objects, they can bully them into submission.
Read carefully. Alpha Derek only has to listen to his High Spark Mate and no one else. Left Hand Peter knows what’s best for the rest of the Pack without consulting them. Betas exist to stand around in the background approvingly. I was reading a good-friend Scott story (Scott McCall is a Good Friend is one of those worthless tags). You know what Scott as a beta in that story, did? Stiles tossed him the car keys twice and ordered him to drive people around.
It’s why they call Scott weak, because he doesn’t ignore the people around him. it’s why they call Scott arrogant for not ‘ending the threats’ because he understands that he doesn’t have the right to execute people, that it is dangerous and damaging to see execution as a means or protecting yourself. it’s why they say that Scott never listens to Stiles, because Scott listens to other people as well as himself. It’s why they despise that Scott listens to Deaton, even though they can’t point out a single bit of bad advice Deaton selflessly gave him.
The same can’t be said for Peter Hale, which is why your scenario would only happen if Peter could figure out a way to use Stiles to his own ends.
//
Lmfao @ Scott Stans feeling so threatened by the Dark Stiles/Void Stiles and Druid/Magic/Emissary Stiles tropes because of the “power imbalance”, as if Scott McCall’s True Alpha Maleness isn’t the cheapest, most blatant case of self-insert power fantasy EVER 😂🤣
Pew should just admit he can’t stand other Teen Wolf characters being canonically more powerful and badass than his bland True Alpha fav Scoot and fuck off
Also: “Scott doesn’t defeat the villains because he’s stronger than his enemies”
What villain did Scott defeat exactly? He literally failed to kill a terminally ill old man who’s already dying, and he never even fought with Deucalion…
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fymagnificentwomcn · 4 years
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Women of Ottoman make me so sad especially when people hate on them. Those women lived horrible lives. Most of them were kidnapped, sold, thrown under a psycho Padisah. How can you wait for them to care for your kingdom? Of course they were going to survive for themselves and for their children. None of them deserves the hate they get. I hope God put all of them in peace. No human should go through such terrible things.
Totally agree Anon.
Women from Ottoman Empire cannot be for example compared with women from the West – first and foremost, they were slaves that at the very beginning lost their families, homes and even had to change their name and religion to have any chance at making a new life. Some lost their families very early, and often it also affected them emotionally when they grew up without having familial bonds. Even as consorts, they were one of many, and they had no legal status outside their children, Even mothers of princes other than hasekis were referred to as “Mother of Prince X” in records, and mothers of daughters were even more invisible. They had a very limited access to outside world, there was no way a woman could ascend the throne as a ruler in her own reign, other than as regent. Not to mention all matters connected with fratricide and kafes, it was living in constant fear. It’s hard to compare them to European queens, who had more stable and safe position even if they also had to face misogyny and oppression .
It was no fairytale, even in the show that didn’t show a lot of atrocities involved in slave trade and focused on those women who still somewhat “succeeded”.
I will use this opportunity to discuss some double standards about those who succeeded vs. those who didn’t pertaining to the TV show, but will later come to the crux, I promise.
The faux feminism in this fandom is astounding to me,including the glaring obvious double standards depending on who fan favourite is - and fan favourite is often who is simply “the coolest”, “most victorious”, “most stylish”, “most lucky”, generally young, beautiful, badass, and successful, not sad or depressed. We all know reactions to Hürrem and Mahidevran doing the same things back in original MY - when Mahidevran did awful things to Hürrem, she was just pathetic jealous woman, but when Hürrem did multiple times the same or worse things to other women it was “yass queen” and she ‘fights for her love, so touching, so strong, so great, self defence”. Suddenly Hürrem is allowed to do so because she”s “not like other girls, so not like these pathetic dumb losers”. Hürrem was strong, cunning, and smart, but she also had one clear advantage over all her “enemies” - the love of the most powerful man in Ottoman history. She made multiple mistakes too, but could always count on Suleiman turning a blind eye or forgiving her - something that Mahidevran or others could never count on.
Frankly, even Hürrem vs. Mustafa was often treated more as Hürrem vs. all this “pathetic” women that fought for Mustafa’s case aka Mahidevran or Suleiman’s sisters in fandom. Suddenly Mustafa cannot even defend his own mother because he immediately had it coming for “choosing the wrong side”. Even if you disapprove of him defending/not abandoning his mother, e.g. choosing to poison him sounds a little disproportionate, don’t you think? I said it and I will repeat it again – Hürrem is a character very similar to Cersei – yes, she suffered a lot because of a system devaluing women and yes she’s a survivor and a strong woman who managed to make life for herself in that system – but she’s not a feminist character because she actually only uses the system to her own advantage (and often perpetuates it), and actually displays a lot of traits of internalised misogyny, voicing multiple times how she is different from other girls and this is why she must be the only one by Suleiman’s side, while other women aren’t even entitled to dream about such things. She condemns Mahidevran for wanting to be the only one and being jealous, but then when Suleiman is with other woman she’s all “I’m not like pathetic Mahidevran, I must be the only one”. Same with multiple comments that she often makes… Hürrem was sassy &sarcastic, and had many good comebacks, but it makes me sad how people often cheered on and applauded those worst ones that again display internalised misogyny, like her mocking Mahidevran why she cares about her appearance so much when she doesn’t have a man to share a bed with? Or her again being all “I will give birth to many boys, and you won’t even give birth to a girl”. Again, that whole society was misogynistic and other women also were influenced by it, like they all wanted to give birth to a boy mostly…but often it is about status and wanting to raise/maintain rank, while Hürrem boasts the fact that she gives birth to many boys as again a trait to show how special&strong she is, even part of her reaction to Mihrimah’s birth is her unable to accept the fact that she could give birth to a girl and being disgusted by the fact.. yes, she accepts her later on and her reaction does also stem from being aware of how misogynist the system is, but it shows precisely that – yes, she is influenced by the system and suffered because of it, but at the same time she begins to display same behaviour that she suffered from, tries to cut herself from others in disadvantaged position. And yes, not all characters had similar reactions to giving births to daughters, and mind you Hürrem already had a son&became sultana, plus was Suleiman’s clear fave that could hope for more children. She wasn’t in the worst situation, even Hafsa and Suleiman were very happy at birth of a girl and nobody criticised her for it. Conversely, in MYK Kösem states multiple times that she wants to give Ahmed both sons and daughters, and when she’s pregnant with her second child, she says she wants a girl now for a change. Even when Ayşe hopes for a boy so that Murad’s anger may be melted, she’s happy about Kaya’s birth&clearly loves the baby from the start & is distraught when she is taken from her. Hürrem was never intended to be viewed as feminist, always justified heroine.. this is why instead of making her first bad deed be a revenge on Mahidevran, who had treated her horribly and unfairly, she attacked the person who was most kind to her of them all and who recently went through the same exact shit. Some people hate Gülnihal, but then say Hürrem wasn’t a homewrecker because she had the right to make life for herself in harem.. true, but so did Gülnihal, and it’s not like she could refuse to go to Suleiman’s chambers pls. It wasn’t to be seen as right, it was clearly shown that Hürrem can be both the oppressed and oppressor at the same time from the start. If they had wanted to make her character only all about revenge, they would have again made her gone after Mahi, not innocent Gülnihal, her “best friend”. And people going how Mahi is irredeemable, but with Hürrem it’s so okay because she’s cool while she slays..eh. I admit I never liked Hürrem because personally she never appealed to me, but I totally get why people stan her because she’s an interesting, three-dimensional character (and yes she does have a softer side too), I’m just bothered by some making her some empowered heroine who is excused for everything by the fact that she was a slave and suffered a lot because of it – because you know she is not the only one who went through the same shit – the harem is full of such women, for start. Even statesmen like Ibrahim or Rüstem are slaves (of course as men they have more opportunities for a career etc.), eunuchs attending ladies are slaves… This whole system is based on slavery, yet she often behaves & talks like she’s the only one who lost her family, was kidnapped & mistreated.
And even Nurbanu becoming her successor was accidental because she actually wanted her dead later, though of course Nurbanu was still clearly inspired by her. She never intended for anyone to follow her example and to make her elevation become a permanent element of Ottoman system, and it’s symbolised by her decision to bury the “ring of power” (lol) with her (though of course what Nurbanu did with taking it anyway was plain disgusting).
I think that trying to examine why this character behaves like that is more interesting than simply go YASSS QUEEN.
Thus said, I hate these reductive“takes” calling these women “bitches” because yes there are complex reasons why some of them have become pretty cruel, so while there are no excuses for some of the behaviour, the simple word “bitch” does not cut it at all.
/Yes, I discussed Hürrem here because out of all MY/K characters she seems to be the least hated among major female characters & biggest fan favourite,/
Anyway, the point is that neither Hürrem nor Mahidevran are the villains of the story. The show makes it clear in its last episodes that Suleiman is the true villain – he was the most powerful man at that time, when the padisah’s position was truly strong, as Gülfem put it in the finale “even leaf cannot fall without your approval”. He’s not as dumb or passive as it may seem at first glance -of course he needs to pretend to be objective and just, but he has his own agenda just as everyone else. Moreover, he pretended to be the one trying to ease conflicts… yet he was often the one enhancing them. Even from the start when he gave the ring he had promised Mahidevran to Hürrem&and in many ways humiliated her… then he did the same with giving Isabella necklace he had promised Hürrem. Bah, it was clear he often enjoyed making Hürrem jealous because it flattered his ego. He ultimately even enhanced the conflict between Selim and Bayezid to get rid of the latter, who was “the more dangerous son”. He was always pulling the strings.. he allowed Selim to buy Bayezid from Tahmasp by the way he conducted negotiations because he knew Bayezid would get rid of his brother on the road. It’s practically what Gülfem says to him in last episode again. He knew what backlash was directed at him following Mustafa’s death and he didn’t want another son killed in front of him. As Mahidevran said in the final episode to Mihrimah “It was your father who chose the lives we lived for all of us”. He was the one that determined the fate for everyone. And even if Mihrimah did not want to admit it in any way in front of her mother’s enemy, she pretty much understood then that Selim was also her father’s puppet in a way and it’s my guess why she ultimately decides to leave the palace instead of plotting revenge for Bayezid (and we know she would eventually be back). It was Suleiman who was pulling strings all along throughout the whole show, even sometimes by choosing to refrain from acting.
In MYK, the situation is different that we deal with incompetent, weak or even tyrannical sultans, who are also sometimes danger to ordinary people or break the Imperial law. Kösem acts here like the protector of sultanate and again we see different standards. Can you imagine how criticised Kösem would be if she had used similar methods to Murad’s or even once had gone to on “night spree” and executed people for banning all these dumb prohibitions? Yet for many Murad is the “cool guy” and “poor misunderstood Murad”. Calling Kösem a tyrant.. please you have an actual tyrant here. Look how much criticism she gets for saying “I’m the state”, while Murad calls himself “shadow of God on Earth” , “sole owner of the Ottoman Empire”, “I’m the justice” , “true death” etc. all the time and he’s “badass”. Or how she’s criticised because she dared to try to influence the Divan to convince Murad to change punishment for his prohibitions. She’s an “usurper”, not the guy who enacts unjust law and oppresses his subjects.
And here we come to crux – look at how Suleiman is treated in MY, everyone is flattering him, he’s the one who for most time isn’t blamed for what is happening, everyone strives to be in his good graces, his sons step on their toes around him and idealise him even when he behaves like a total asshat. Even when he dies people try to remember him for his “magnificence”
Now look at Kösem, a female ruler, who was turned by scapegoat by people when something went bad and she had far less freedom to make choices and yet far more criticism, blame shifting and insults thrown her way. Suleiman is credited “for making sacrifices for the Empire”… but he really didn’t have to execute all the people he decided to kill, and his decisions truly affected everyone badly and led to further mess, starting from Ibrahim’s.. It was especially visible in case of Mustafa – he was obviously innocent and didn’t intend to rebel, but after what happened rebellions did begin.Conversely, each difficult decision that Kösem made led to stabilisation in Empire and prevented unrest, yet what she does is interpreted by some as “wanting power for sake of power” because woman cannot act in favour of state nation or dynasty – there’s only personal interest or power hunger. Her life is clearly framed as tragedy both by the “curse” of her witnessing the death of everyone she loved and her death being a parallel scene to her capture - because she was never truly free.
Interestingly, IMO Suleiman for all his talent and his achievements, fucked up the succession issue – succession by combat truly began to run its course during that period & no longer even fulfilled functions for which it was practiced – to put on the throne “the strongest” contender, one with the biggest support, also most successful military commander – while it’s true that era of conquest was naturally over and Empire had to become more sedentary, it still doesn’t make Selim the strongest or best suited candidate for the throne after Suleiman – his not going on campaigns etc. and being more of palace sultan had nothing to do with him recognising the transformation, but simply lack of interest in state matters and preferring to have fun than to rule. He wasn’t some demon, but he was terribly passive & lazy. And him not being a warrior was the least of his problems. Suleiman had extreme power and authority, he introduced first law reform after Mehmed the Conqueror – the fact that he allowed such contest (and well his sons didn’t even wait for his death to start a civil war) was a bad decision when it came to long-term planning. Some may say maybe he would have done something concerning move to seniority if one of Hürrem’s sons had been the eldest… maybe, but we will never know. Contrary, while all Ahmed’s sons died during Kösem’s lifetime, we know her legacy connected with anti-fratricide law lived on – after her death fratricide was a rare occurrence with only a few special exceptions in specific circumstances.
Of course there’s also the matter that Suleiman’s era and Kösem’s era were totally different – here it was even a success to manage to stabilise Empire. And here we need to stress how important context is – I always stress how important it is to assess historical figures in context – for me it’s hard to even compare, let’s say Kösem and Hürrem, because they lived in different ages and fulfilled different roles, let alone comparisons between historical figures from other parts of the world, perhaps even from different age. I can’t understand e.g. why Peirce compared Kösem and Turhan to Elizabeth I and Mary Stuart in Empress of the East – both situations were completely different, the only thing they had in common was that there was a power struggle between two powerful women, which ended with one of them executing the other (and we don’t even have 100% confirmation of Turhan ordering Kosem’s execution because such thing wasn’t officially in her power). I appreciate Peirce a lot, but TBH this comparison was just dumb for a professional historian.
Kösem’s case really shows how loss of innocence may be used as weapon against you – very early on, she gets the lesson even with Ahmed – the moment she first became involved with scheming following the death of her father, he got mad at her for the duration of her whole pregnancy – he didn’t ask why she had done it or any other details – she wasn’t his “ideal fantasy” from the portrait anymore and this was what mattered – and only then changed his mind when after so many futile attempts made by Kösem to talk to him, she finally forced him to listen to her explanations & motivations, and subsequently he became all “I will make everyone pay for every tear of yours & for making us endure pain of separation”. Ah okay, but don’t forget about yourself ;) And once Kösem stopped being “şehzade’s dream” with death of Ahmed and was truly her own political leader, she became to be more and more exposed to this with the passing of time and once she acquainted more and more power.
And don’t forget some male historians praising Turhan for “giving the power back to the rightful hands aka men”… it tells you all, and it’s false anyway, since it didn’t mean Turhan losing interest in state affairs and only caring about the harem (and honestly, “Köprülü was “her man”, she didn’t choose someone she had no influence upon). That was what she decided the Empire needed at that particular moment, not because she realised that politically involved women sucked lmao.
- Joanna
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co-mixed · 4 years
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Old Marvel comics are naive? Wrong.
It’s a popular opinion that older issues of Marvel comics are naive. Obviously we’re talking pre-Claremont era (obviously!). But still, 1960s runs are perceived as easy going and often uninteresting. That might be fair, we’ve moved on to complex stories instead of adventure-of-the-week long time ago, but were those stories really that simple?
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Villains were, I agree with that. It’s enough to remember the real reason Zemo wears his stylish hood, the motivation behind Electro’s evil career or my fave baddie of all times — Whirlwind. They are ridiculous at best. But what’s there to say, I could’ve bought it when I was 6 or 7, so I’m fine with them now.
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Still, the lessons were all there, the ideas of doing what’s right, and sometimes doubting yourself or others. So not that shallow, not just for the sake of adventure after all.
This brings me to my favorite part — relationships. Let’s go with the established couple — Hank and Janet.
What immediately got me is how 60s they are, early 60s that is. She’s very feminine, a little giddy, smart and driven. Ultimately an interesting character. He is a bit more seasoned, serious and I want to say rational. They are both superheroes, he’s a scientist, and she will later go on to become a fashion mogul (though in those days she just got her inheritance).
No we back up a little more, and the beginning of their relationship is sort of a troublesome matter (gotta go all the way back to “Tales to Astonish” for that). Here’s a lesson we learn: when you fall for someone because they remind you of your ex, you inevitably set up a huge drama (Hi Scott, hi Maddie!). Doesn’t have to be the initial idea, I don’t think it even was, but the subtext is still there and I see absolutely no reasons to ignore it. They were doomed (I say that a lot about comic book characters).
Now tell me that’s not deep…
But that’s not all, and this one is actually a perfect example of how more serious these books actually are.
In Avengers #28-29 Hank gets stuck being 10 feet tall, and can’t go back to his regular size. Obviously, he ends up depressed, storms out of the mansion and then goes on to avoid everyone, including Janet. Then when she tries to get him to open the door he thinks this:
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And honestly, that’s a decent depiction of inner struggle that affects someone the character cares about. This is just one story, but these things happened a lot during Stan Lee era in Marvel. So it’s not entirely fair to attribute all the serious topics to Conway (that was 1972), or Claremont ( that was in 1973).
A lot of people still dismiss these runs as childish and simple. After reading them I can’t agree with that.
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monkey-network · 5 years
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Good Stuff: Into the Spiderverse
WARNING: Excelsior, my playas and players. Thank you, take care out there, and enjoy. [Spoiler-Free]
Spider-Man: Soarin’ Miles High into Web-slinging Greatness
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It’s a good movie. Stylish, footloose, well-animated, a little tear jerking, fun as heck. You’ve seen the scores. Any one who utterly hates this is either Armond White (whom is a cool contrarian with a solid review of this flic, don’t hate on him) or a snooty ass bitch. It’s a see to believe movie, and I won’t say my review will be any different.
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And this has been Spidey’s year, hasn’t it?
I’ll get the negatives out the way. For one is with the Kingpin’s motive. While the hulk ass looking mob boss was certainly an entertaining villain, his conviction for fucking up space time didn’t make much sense and for someone who has seen why the Kingpin does what he does for some time, this was a bizarrely out of place change to his character. Another thing was that, and few may agree, the movie can be hard on the eyes sometimes, especially the climax with the colors and somewhat blurry animation. Honestly, this movie felt blurry by design in some scenes, and I wasn’t watching the 3D take. I won’t take points away for giving me a great finale, cuz it did, but I was admittedly zoned out when it was over. And in hindsight, while we have so many Spider-men, while the quipping was on point and I love them all, half the team only got small doses of excellence and it’s mostly in the 3rd act; guessing the sequel will make up for it but can’t help but say the film was a little overstuffed. Now, if I may fangasm for a bit.... *inhale*
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Animation’s so fucking tight! Love the colors, it was a goddamn rainbow! While no J. Jonah Jameson, we got Stan Lee keepin’ it real as always! Ms. Frizzle as Aunt May! Doc Ock was great and Prowler was everything I DREAMED of! The cinematography makes this the most dynamic animation I’ll ever see since Redline. The text boxes and onomatopoeia words honestly made this movie work so well. Got the most diverse looking New York City, it’s too smooth. Spiderman 2099′s cameo was the maraschino cherry on top. This was like fucking Kung Fu Panda and The Lego Movie combined! We finally got an Afro-Latino Spider-Man, a Spider-Woman, a Batman Nick Cage Spider-Man, an Anime Spider-Girl with a Spider-Mech, and Peter Porker.
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Spider Pig, my NINJAS! HALLELUJAH, HOLY SHIT!
*breathes* But. If. There’s one thing that excels this as not only a great Spidey film, but a great hero film is how it handles the concept of Spider-Man, the hero. Better than Homecoming. BOOM, send tweet! While I say it’s overstuffed, this does take its time to give Miles the steps to become not only a Spider-Man, but a hero on his own accords. Spider-Man was never about a chosen hero or an already successful suit using their powers for good, it was about an average teen that suddenly receives amazing power and acts to use them responsibly because he felt it was the right thing to do. Miles didn’t have to become Spider-Man, even with his newfound powers, but he wanted to be and this desire is prominent throughout the film. His school life at the beginning presented this theme subtly well too. With Gwen and 🅱️eter by his side, Miles got to rise from being a regular teen to a hero both New York, and the audience in a meta sense, have come to root for and admire, especially after a long wait.
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Miles Morales got and earned the respect he deserves
So yeah, the movie was quite the spectacular. Such a great stand alone film that made way for possibly plenty more to come. Honestly became one of my favorite animated films not only of this year, but of all time (tho it can never beat Lego Movie or Redline) and I mean this earnestly. Surprised that this came from the same people behind the Amazing Spider-Man films and the Emoji Movie, I say Sony redeemed themselves with this and potentially more in the future. As for this.....
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4.9 out of 5. A Spidah Strong Masterpiece
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bloojayoolie · 5 years
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Adam Sandler, Alive, and Animals: Johnny Boy 'limbo', Marston Arthur More Organ Holland Hoseas Before Broseas swagalicious crunchy outside, self-deprecating chewy center - "how many licks does it take the squad's favorite disaster scrappy damsel squares up at a moment's notice can never seem to get their shit together to get to the center of my depression" goth jock dropout just wants to settle down - - dumbest smart person alive - denies being moe - "wanna know how I got these scars- wait where are you going" - makes 50+ post twitter threads nobody reads just needs a break - "Actually, correlation is not causation" - thinks they're charming, is actually charming - constantly forgets their age - "back in my day - only one who knows what the fuck they're talking about incredible artist, thinks their stuff is 'okay' still needs to shut the fuck up - one shot, one kill - "once I go viral it's over for you hoes" - has a 'Home Is Where The Heart Is' welcome mat-liked by practically everybody - productive procrastinator can never hold down a relationship - Instant Uncle, Just Add Baby suffers from chronic pushover syndrome "no questions, dammit, no questions" - jokes hit too close to home - Good bad influence - weed friend Make It Work Guy Fieri Will Billiamson Bad Santa -always knows what to play at a party - adopts everyone on sight - great with kids, great with animals, wants to hold your baby - scientific evidence good girls want bad boys - tsundere - burns salads - "have you eaten today" - owns etsy account, too busy to make anything - punches self for fun - professional alcoholic - always needs to borrow money - terrible drunk, never remembers what happened that night walks around the house in their underwear gives great hugs needs seven showers group's unexpected therapist patronus is secondhand embarrassment just wants to be part of the family "MCDONALD'S! MCDONALD'S! MCDONALD'S!"* is the party cultured, well-traveled and stylish; made for Instagram - *gestures to all of you* "we need to do something about this" - always starts drama, yet always seems to avoid it bad taste in literally everything, banned from recommending outings - will always have squad's back iron constitution, never gets sick - "say that to my fucking face" - may seem Mad, is actually Sad petty *pulls up in drive-thru, orders single starts the day with horoscope readings - Chaotic Loyal black coffee, leaves t" FUCKS.EXE STOPPED WORKING 'mSorry Ms. Jackson tOh) Bastard Millennial Green Hat McGuy "join team chat" - fashionable at all times, even when going to the grocery store can't do crime if you ain't cute -only dates fictional men won't leave the house for days need lives on cow tales and TVTropes says they can hold their liquor regularly tells squad to hydrate can't actually hold their liquor too nice for own good living boke and tsukkomi routine to shut up yesterday social interaction, naps for ten years it's basic hygiene and laying beneath the stars -"please stop talking" exhausted after two minutes of maybe they're born with it, maybe soft spot for animals, slow dancing cooler than you . living proof the scariest people frat brotryhard nerd gem fusion come in the nicest packages graceful loser, even more graceful winner - "what day is it again" nobody sees clapbacks coming until it's never learned how to drive every day is roast session day - "I'll roast you, I'll roast them, I'll roast me fuckin' self" - Has never completed No Nut November sings in the shower - adores Linkin Park late - "are you ready yet" "almost" - allergic to idiots Adam Sandler Regina O'George Let Me Speak To Your Manager - retired mom friend, back from retirement ages every time someone references a vine instead of responding normally - smokes sixty packs a day Goof Troop social norms are for dweebs just wants to play videogames - No Drama? No ProblemTM -"Local Mean Girl Refuses To Be Toppled From Throne" - loses shit over small things -THIS close to cutting someone and snack in peace shoves people in lockers to show affection forgets not to swear in front of other never forgets a birthday shaped like a friend only one in squad who can cook only one in squad who can drive people's children the queen of throwing down "fuck, sorry about that" given up on romance savwy businessowner resident gossip big problems are Whatever - needs therapy - Favorite Songs Are 'Find Me Somebody- smells amazing To Love' And 'Before He Cheats' common sense frequently left on read - hasn't seen most popular movies - a matryoshka of pain - wishes you didn't look like a dump truck knows Wicked by heart - only one in squad who does taxes Songs Are unforgiveable weeb - villain origin story is that stubborn chin hair that keeps growing back - always says 'gg' after every game incredible skin care regimen - "just drink more water" award winning sailor mouth - Big Hair, Don't Care "What's My Age Again" by Blink 182 World's Saddest Violin Bullshit Magician Expletive Noises Looks like a million dollars, is probably worth a million dollars - family person, loves everybody keeps Twitter on private - meows back at their cat - extroverted introvert -feels guilty for not logging into Animal Crossing for nine months thinks existence is kind of funny invented the word 'dapper - the living embodiment of when you try your best but you don't succeed' - just wants to be loved and cherished -great with animals, never scratched the life of the party, when they're not launching into drunken diatribes -smartest smart person alive -stays up until three in the morning thinking about the meaning of life - an essential addition to any squad - reads at 10,000 miles per hour wants to stab Banksy hates stan culture hoards comfort food beneath their desk gets sentimental over their Neopets used to hoard Beanie Babies - hates answering the phone - silently lurks in Twitch chatrooms - needs more friends - stylish drunk with two hollow legs - never fails to speak their mind great at impressions -not-so-secretly depressed - regularly confuses main for private "just forget I said that haha" preserves their right hook for justice - stared into the void, got bored quotes movies when provoked - "That's just, like, your opinion, man." the most perfect teeth Baby Boy...Baby Talk Shit, Get Hit Mr. Krabs A Dog - soft outside, softer inside - never ashamed to cry - weak spot for pups, needs to pet every dog they see -only one of the squad that's been punched squad's resident cheapskate needs to seriously reconsider things trolling game out of control A dog - never seems to accumulate debt, also never tips the waiter took college prep in high school - can't fight to save their life - surprisingly terrifying comebacks - multilingual gg ez clap" oves Bon Iver, Death Grips and Beyonce equally - Kappa Kappa KappaRoss CoolStoryBob workplace's local kissass likes to give gifts to sad friends living embodiment of a flower crown talks during movies home life is a mess - needs a vacation, too self-conscious - doesn't flush toilets in public bathrooms to take one - adopted by everybody - "Oh, I won't report you...yet" believes they were born in the wrong era - has never yelled once - in love with the smell of old books - wishes on stars when no one's looking leaves breadcrumbs in butter a well-rounded tool - nobody knows why they keep getting invited"Poverty is a state of mind." champagnesuperhoeva: red dead redemption 2 tag yourself masterpost now all in one spot for your convenient bullshit needs tag your chronic pain, tag your panic attacks, tag your existential crisis  I am all of these yet none of them at the same time
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templeofgeek · 4 years
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If you’re like us at Temple of Geek, your closet is already bursting with geeky t-shirts. Tees that reflect favorite fandoms have long been a staple for the pop-culturally obsessed.
If this describes you, you might be in need of a bigger closet.
Last September, A Geek Girl’s Tees joined a growing array of small shops specializing in t-shirts emblazoned with fandom-themed quotes, slogans, and designs.
Geek blogger Michelle Stallings launched A Geek Girl’s Tees after custom-making a trio of Haunted Mansion shirts for a trip to Disneyland. A Ravenclaw who enjoys geek culture and playing games, her motto is, “Flaunt your fandom.”
Her goal in starting A Geek Girl’s Tees was to tap into more niche fandoms and create merchandise with original designs she wasn’t seeing in the marketplace.
Stallings has long been active in the geek community, creating the blog A Geek Girl’s Guide in 2015 as a “place to be openly geeky about things I love.” The website features reviews, recommendations, guides, how-tos, and other geeky content.
She also founded Geek Blogs Unite, an online community of geeky creators that includes a Facebook group and Instagram and Twitter accounts.
A Geek Girl’s Tees offers tees, tank tops and hoodies, children’s shirts, baby bodysuits, bags, mugs, and stickers. The shop’s designs pay homage to everything from movies to video games, science fiction to anime, and tabletop gaming to Broadway.
Stallings’ designs feature playful quotes and graphics plucked from such properties as The Witcher, Avatar: The Last Airbender, Star Wars, My Neighbor Totoro, and Kim Possible, as well as Disney movies like Frozen and Moana. Some are instantly recognizable. Others allow fans to advertise their passions in a subtle, sneaky way.
Theater aficionados will appreciate the musical-themed tops referencing such productions as Hamilton, Les Miserables, Wicked, and Hadestown. Good, old-fashioned games are also well represented. Examples include Dungeons & Dragons, Settlers of Cataan, and Clue. And if you’re into girl power, you’ll find plenty of items to add to your wardrobe.
Stallings prints every item to order, allowing customers a broad choice of styles and colors.
Temple of Geek Chic recruited a group of seasoned cosplayers to rock A Geek Girl’s Tees at the Santa Monica Pier. The group included Rae , Alexandra, Christina, Madison, and Aaron.
Wicked Witch Women’s Flowy Top
What we love about it: The highlight of this Wicked-themed scoop neck tee is its flowiness. The cut is stylish, flattering, and bears a slogan inspired by one of our favorite songs from the musical.
Model Rae found the top “very comfortable.” She’s a fan of the witchy, Elphaba-green lettering and appreciates that it’s “kinda blousey,” making for an attractive fit. Rae wore a size medium.
The fabric of this top is a little sheer, so you might want to layer it over a tank top.
Mandalorian Mantra T-Shirt
What we love about it: We, too, are obsessed with Baby Yoda, but it’s nice to see some merchandise saluting Best Dad Mando. Our favorite thing about this design is that it’s simple but recognizable. It features The Mandalorian creed in a Star Wars-y font beneath the silhouette of the bounty hunter’s signature helmet. The white on black is an understated alternative to flashier Mandalorian merch we’ve seen.
Aaron modeled a large. He liked the fit and feel of this tee.
Hogwarts Heartline T-Shirt
What we love about it: We’ve never seen anything quite like this Harry Potter-themed top, which features a subtle outline in striking Gryffindor red. That’s saying something, considering the wealth of wizarding merch that exists in the Muggle world. The clever design is ideal for Potter-philes who want to advertise where their true home and heart is.
“I like that it’s reminiscent of a heartbeat,” model Madison said. “For those people who breathe Harry Potter, it’s perfect.”
Madison wore a size small. She liked the fit of this comfortable, flattering basic tee.
Grinning Ghosts T-Shirt
What we love about it: Disney has released a slew of Haunted Mansion apparel since the classic dark ride celebrated its 50th anniversary. However, as with the 999 Happy Haunts, there’s always room for one more. This distinctive design depicts the silhouettes of the Mansion’s famous Singing Bust Quintet, complete with bowler hat-wearing Cousin Algernon and toppled-over Uncle Theodore.
The spooky font features a favorite lyric from the “Grim Grinning Ghosts” song against a cheery turquoise that pairs well with “Haunted Mansion purple.” This is a fun alternative to official park merchandise.
Alexandra modeled a large. She said the fit is true to size and noted this style features a heavier cotton. She liked the top so much, she planned to wear it to Disneyland after our photo shoot.
“It’s perfect to throw on for a Disney day if you don’t want to go really aggressive with a bound,” she said. “It’s simple and unique, which is nice to see at Disney.”
Kuzco’s Poison Women’s Curvy Top
What we love about it: We’re happy to see underrated gem The Emperor’s New Groove getting more love lately. This homage to the animated classic – yep, we said it – is an ode to one of our favorite villains, murderous sorceress Yzma. We especially love the llama in the middle of the circular emblem with the not-so-subtle label signaling Kuzco’s impending doom.
Christina modeled a size 3X and illustrated how you can use the tee in an Yzma bound. She tends to size up her tops for comfort, so she liked the fit.
Overall:
While there are other shops that have been offering similar lettering-based apparel for years, Michelle Stallings brings her own creativity and original ideas to A Geek Girl’s Tees.
We love how the lettering and minimalist images blend seamlessly with the look and feel of the fandoms they represent. Stallings is obviously a super geek who has put thought into her designs.
Another great thing about the shop is the comprehensive and diverse selection of fandoms represented. Whether you’re into D&D, Disney, or a dose of female empowerment, you’ll find something you like. Stallings is constantly adding new designs. The sheer variety on offer guarantees a color, style, and fit that works for you.
As always, we stan a shop that accommodates plus-size fans, offering sizes up to 3X.
The simplicity of the designs means they pair well with jeans and leggings. They’re also versatile enough to build looks with a little more flair.
We wonder how the t-shirts and some of the lettering — especially the white, which already seemed a little faded — will hold up over time, but we look forward to seeing how this new brand grows and matures.
We geeks like to say we have too many t-shirts, but secretly we can’t get enough. If you’re looking to expand your collection, A Geek Girl’s Tees is a promising place to start.
To shop A Geek Girl’s Tees, visit the website or check it out on Instagram.
More Fashion Reviews:
https://templeofgeek.com/temple-of-geek-chic-tee-rex-tee-brings-playful-puns-and-mashups/
https://templeofgeek.com/temple-of-geek-chic-insert-coin-supplies-gamers-with-comfy-clever-tees/
https://templeofgeek.com/temple-of-geek-chic-horror-blazers-let-you-show-your-creepy-side/
https://templeofgeek.com/temple-of-geek-chic-hoodies-feature-art-inspired-by-dd-csgo/
#TempleofGeekChic: Clear out some closet space for A Geek Girl's Tees If you’re like us at Temple of Geek, your closet is already bursting with geeky t-shirts.
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gokinjeespot · 6 years
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off the rack #1223
Monday, July 30, 2018
 Many comings and goings here recently. I had a visit with a friend from Victoria, BC over the weekend. Treated him to a fishing trip and he had a blast. My niece is moving to Bahrain tomorrow after being home from Japan for 8 months. I will miss her but we will keep in touch via social media. Penny is off on a road trip today to visit family up north and friends in Huntsville and Barrie, Ontario. She'll be back in time to welcome dear friends from Calgary, Alberta arriving next weekend while they are here visiting family. I'm not going anywhere soon but that's the way this homebody likes it.
 Detective Comics #985 - Bryan Hill (writer) Philippe Briones (art) Adriano Lucas (colours) Sal Cipriano (letters). I like the short and sweet origin story for this new super villain Karma. We find out why he's terrorizing Gotham City and what his demands are. This is a really good challenge for Batman and his allies.
 Moon Knight #197 - Max Bemis (writer) Jacen Burrows (pencils) Guillermo Ortego (inks) Matt Milla (colours) VC's Cory Petit (letters). It's a sit down dinner with a select group of extreme sadists. I question the "Teen+" rating for this issue. It definitely should have been rated "Parental Advisory". I mean, even I got a little queasy reading each guest's story. I kept waiting for the host to announce that they were going to kill someone for the main course. Yuck.
 Infinity Wars Prime - Gerry Duggan (writer) Mike Deodato Jr. (art) Frank Martin (colours) VC's Cory Petit (letters). This story starts off promising enough with Loki in a library reading old stories about himself. This leads to Loki going to the Quarry of Creation to find some missing parts to one of his stories. I felt like I was missing a lot as I continued to read since I did not follow the Infinity Countdown and related tie-in books. I was left wondering what the fork was going on when Adam Warlock pays a visit to Doctor Strange. By the time the inevitable super villain was introduced I was feeling so lost that I decided to skip this war altogether. Other readers may be intrigued enough with the mysterious character with the infinity goggles to want to see what happens to the stones. I was completely shocked by the one death in this issue though.
 Justice League Dark #1 - James Tynion IV (writer) Alvaro Martinez Bueno (pencils) Raul Fernandez (inks) Brad Anderson (colours) Rob Leigh (letters). When Peter Milligan (writer) first introduced this team to the racks in 2011 I did read some of their adventures but I stopped before that run came to an end in 2015. I guess the team was disbanded but now there's a threat to magic in the DCU and all the mystical members have to join together to survive. This time they will be lead by Wonder Woman. Zatanna and Swampthing are front and center in this issue but there are plenty of other magic users waiting in the wings. I like the new Man-Bat but I'm not a fan of Zee's braid.
 Saga #54 - Fiona Staples (art) Brian K. Vaughn (writer) Fonografiks (letters). Many shocks this issue, the least of which is the announcement that Saga in going on a year long hiatus. Brian Michael Bendis (writer) walking away from Miles Morales bummed me out and this news also makes me sad. Having Hazel narrate this stunning issue prepares me for the major changes coming when this title hits the racks again next summer. I hope the creative team enjoys their much deserved break and look forward to the continuation of Hazel's story.
 Mr. & Mrs. X #1 - Kelly Thompson (writer) Oscar Bazaldua (art) Frank D'Armata (colours) VC's Joe Sabino (letters). Love & Marriage part 1. I did not read the heavily hyped wedding issue where Kitty and Piotr followed in the footsteps of Batman and Catwoman so I don't know why they didn't tie the knot. Somewhere in there though Rogue and Gambit decided to take their on and off relationship and really get it on Marvin Gaye style. So we are gathered here to witness the wedding and part of the honeymoon until they are called to duty and have to retrieve something out in space. I like that Kelly toned down the southern drawl for Rogue and the Cajun inflections for Gambit so that their dialogue didn't get too annoying in my head. I loved the art and wish that Storm would wear her hair like that all the time. Very stylish and classy. Good job Oscar. Remy and Anna Marie make a cute couple and a surprise appearance on the last page will make for a fun threesome.
 Silencer #7 - Dan Abnett (writer) Viktor Bogdanovic (pencils) Viktor Bogdanovic & Jonathan Glapion (inks) Mike Spicer (colours) Tom Napolitano (letters). Honor's mission to make sure Talia al Ghul stays dead takes her and her family into the friendly skies. Unbeknownst to her Cradle and Grave are on the same flight. I like how the inevitable fight shows off what her super suit can do. I know she won't be successful in killing Talia for good and gone but it will be fun to see her try.
 Doomsday Clock #6 - Geoff Johns (writer) Gary Frank (art) Brad Anderson (colours) Rob Leigh (letters). We're at the halfway mark and this is my favourite issue yet. It's an all villains issue. I like how the Marionette and the Mime's origin story is woven in. This mature version of the Joker is much more interesting and I can't wait to find out what he does with the incapacitated Batman.
 Multiple Man #2 - Matthew Rosenberg (writer) Andy MacDonald (art) Tamra Bonvillain (colours) VC's Travis Lanham (letters). This story is confusing enough with the time travelling but adding in the many Jamie Madroxes makes it even more confusing. I was almost willing to continue reading more issues when someone who knows stuff showed up but she was only there for a cameo. Layla was my favourite X-Factor member.
 Action Comics #1001 - Brian Michael Bendis (writer) Patrick Gleason (art) Alejandro Sanchez (colours) Josh Reed (letters). One of my favourite things about Brian's writing is his nice flowing dialogue and there's plenty of it in this issue. We find out who is setting fires all over Metropolis as a new super villain is introduced. Her name is Red Cloud and she is as fatal as a sarin gas attack.
 Amazing Spider-Man #2/LGY #803 - Nick Spencer (writer) Ryan Ottley (pencils) Cliff Rathburn (inks) Laura Martin (colours) VC's Joe Caramagna (letters). Back to Basics part 2. Boy, talk about getting back to basics. We start off with a little fight with Man Mountain Marco and the Ringer and then another fight with the Black Ant and Taskmaster. Gee, Stan the Man and Steve Ditko used to do this sort of stuff every issue too. What is really tickling my fancy are the changes going on in Peter Parker's life. For one thing Stan and Steve never showed Peter and Mary Jane waking up in bed together. Then there's the surprise on the last page. Who is that masked man?
 Marvel 2-In-One #8/LGY #108 - Chip Zdarsky (writer) Ramon K. Perez (art) Frederico Blee (colours) VC's Joe Caramagna (letters). Ben and Johnny are powerless now and stranded in a universe where Spider-Man is a despot. It's very dramatic when Johnny finds out that Ben didn't tell him that Reed, Sue and the kids are dead. I don't believe that for a second. Who's going to be in the new Fantastic Four comic book if that's true? Chip is doing an excellent job writing this.
 X-23 #2 - Mariko Tamaki (writer) Juann Cabal (art) Nolan Woodard (colours) VC's Cory Petit (letters). The Stepford Cuckoos suffer a death in the family and they go cuckoo for real. This leads to Gabby being captured and Laura needing to come to the rescue. This book gets my highest recommendation.
 The Sentry #2 - Jeff Lemire (writer) Kim Jacinto & Joshua Cassara (art) Rain Beredo (colours) VC's Travis Lanham (letters). I was not prepared to like this as much as I do now. Jeff has made this character a lot more interesting with the crazy situations and supporting cast. This book and Moon Knight are weirdly psychological.
 Wakanda Forever: X-Men #1 - Nnedi Okorafor (writer) Ray Anthony-Height & Alberto Alburquerque (pencils) Ray Anthony-Height, Ray Anthony-Height, Juan Vlasco & Keith Champagne (inks) Erick Arciniega (colours) VC's Joe Sabino (letters). It's Storm, Rogue and Nightcrawler's turn to team up with the Dora Milaje to fight Malice and her doomsday weapon Mimic-27. So just three X-Men then. Colossus isn't in this like he is on the cover. This issue leaves Mimic-27 more powerful than ever so we'll see what the Avengers can do when Wakanda Forever: Avengers #1 hits the racks August 22. I'm going to guess that T'Challa is going to set the lovestruck Malice straight and Mimic-27 will be blowed up real good with the help of, oh I don't know, Captain America and maybe She-Hulk.
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netunleashed-blog · 6 years
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Best Amazon Prime movies: the best films to stream in July 2018
http://www.internetunleashed.co.uk/?p=5201 Best Amazon Prime movies: the best films to stream in July 2018 - http://www.internetunleashed.co.uk/?p=5201 Amazon Prime's movie selection keeps getting better and better. While it's rival Netflix focuses on original content, newer movies and TV shows (something that Amazon does admirably at too), Amazon does a good job of keeping its movie streaming catalogue loaded up with classics and award-winning flicks. Having said that, there are lots of films in its library that are boring, mediocre and really, really rubbish. The cream is there, but there's a lot to dig through first.That’s why we've done all the hard work for you. We've scoured all of the movies on offer for anything and everything that's worth watching on Amazon Prime.We've collected together more than 100 movies that you can stream on Amazon Video (that’s the movies and TV streaming section of Amazon Prime) right now. Expect a mixture of recent releases and timeless classics, as well as films that are suitable for the whole family.     [Update: Amazon Prime has recently added The Wrestler, Darren Aronofsky's touching and heart-breaking movie about a wrestler (played by Mickey Rourke) who despite being too old and ill for the ring tries to cling onto the success he had decades before. Dark comedy classic Death Becomes Her has also landed on the streaming service, which stars Meryl Streep, Goldie Hawn and Bruce Willis.]We all know that streaming services like Netflix and Amazon Prime Video can turn an occasional movie-watching hobby into hours (and hours and hours) of endlessly flicking through film options. It's also worth bearing in mind that for every award-winning work of art on Amazon Video, there's lots of B-movie trash that isn't even worth putting on to ease away a Sunday morning hangover.Although we do love the odd guilty pleasure now and again, in this list we’ve created you'll only find the best picks. So let's dive straight in. Get your free 30-day Amazon Prime trial New Entry:  This dark comedy stars Goldie Hawn and Meryl Streep who are on a mission to stay young, beautiful and full of life forever. As you'd expect, that wish comes with pretty disturbing consequences, especially when you're buying a creepy elixir from a witch, played brilliantly by Isabella Rossellini. New Entry: This touching and (and at times heart-breaking) movie from Darren Aronofsky is about a wrestler (played by Mickey Rourke) who despite being too old and ill for the ring tries to cling onto the success he had decades before while trying to rebuild his relationship with his daughter. New Entry: The Mummy Sure Tom Cruise and co. tried to remake the 1999 version of The Mummy, but it just didn't have the cheesy charm of this original. If you haven't seen it already, it's a fun and at times actually quite creepy, classic adventure tale about awakening an ancient Egyptian mummy. Rachel Weisz and Brendan Fraser are kooky and lovable as the lead characters and the sequel, The Mummy 2, isn't half bad either. New Entry: The Theory of Everything Managing to be both beautifully heart-warming and heart-breaking at the same time, this biographical movie follows the early life of theoretical physicist Stephen Hawking. It's been adapted from the book Travelling to Infinity: My Life With Stephen, written by Hawking's ex-wife Jane. It particularly focuses on his time at Cambridge University, his relationship with Jane and his ALS diagnosis.  New Entry: True Romance It's not your standard love story, but True Romance stands up as one of the greatest in Hollywood history. Take two unlikely lovers, a bunch of crooks, drugs, guns and arguably the best script Quentin Tarantino has ever worked on, and you've got a cult classic if ever there was one.When comic book nerd Elvis falls in love with Alabama, the beau of a big time drug dealing pimp, the two have to race across country in an attempt to avoid the mob from whom they've accidentally stolen a suitcase of cocaine from. With violence around every corner, will they ever be free to just enjoy each other's company? Here's our Best Amazon Prime TV ShowsRival check: These are our best movies on Netflix UKAnd here are the best shows on NetflixThe best Netflix sci-fi movies you can stream right nowThe best horror movies you can scare yourself silly with Logan Lucky Brothers Jimmy, played by Channing Tatum, and Clyde, played by Adam Driver, plan to carry out an elaborate robbery during the Charlotte Motor Speedway. It's an action-packed comedy with a stellar cast, alongside Driver and Tatum, Daniel Craig, Hilary Swank, Katie Holmes and Sebastian Stan all star. Steven Soderbergh reportedly came out of retirement in order to direct and distribute Logan Lucky, if you wanted anymore proof it's definitely worth a watch. The Last Stand Arnie plays a small town sheriff on a border town who has to go head-to-head with a fugitive on the run from the FBI. It's not the best movie on offer, but if you like action, one liners and edge-of-yer-seat thrillers then it's one for you.   The Hurt Locker Kathryn Bigelow is one of the best action directors around, so it’s no surprise that The Hurt Locker won her the Best Director award at the Oscars - the first time a women won the accolade. What is surprising, though, is just how nuanced the film is. Given it’s about disposing of bombs, the tension is in the quiet moments, rather than when the explosions start.  Full Metal Jacket Stanley Kubrick's classic take on the Vietnam War follows the journey of Private Joker Davis, from his gruelling training regime all the way to marine status. It looks at the ups, downs, horrors and psychological damage of war. Free Fire Set in Boston in the late '70s, Free Fire is a fantastic, inventive film that mostly takes place in a warehouse. Because of the limited scenario, it's thanks to Ben Wheatley's effortless and stylish direction and the superb ensemble cast - and lots and lots of gun play - that Free Fire never becomes boring. The Man From U.N.C.L.E The Man From U.N.C.L.E is by no means a faithful adaptation of the TV show of the same name (the characters remain but everything else has changed) but it is a super-stylish crime caper from Guy Ritchie. It looks great, thanks to its '60s setting, and the cast are superb. Henry Cavill (a Brit playing an American CIA agent) finally shows the world the charisma he lacks as Superman, while Armie Hammer (an American playing a Russian) is fantastic as Cavill's KGB opposite. Alicia Vikander (a swede playing a German) shows off her funny side, while Elizabeth Debicki (a french woman playing someone who is not French) is great as the villain of the piece. It's a tad overlong and convoluted but a great, underrated watch. Heat Heat is widely regarded as Michael Mann’s best film. And it also has the classic combo of Robert De Niro and Al Pacino at the height of their acting powers. De Niro’s Neil McCauley is planning one last heist before retirement and Pacino’s Lieutenant Hanna has to stop him. A story of two flawed alpha males on each side of the law, their relationship is one of both enmity and respect. This isn’t your average by-the-numbers crime thriller. End of Watch Before David Ayer was assembling a Suicide Squad and creating one of the most abysmal comic-book movies ever, he made this highly original film that’s shot documentary style and focuses on a couple of cops whose job it is to patrol South Central LA and keep the peace. Jake Gyllenhaal and Michael Peña are superb as the pair who risk life and limb to do their job. Given Ayer grew up on streets not dissimilar to what’s being portrayed in the movie, End of Watch is a searing and honest portrayal of an area of America few would dare venture. The Wave Norway isn’t renowned for its disaster movies, but with The Wave and Troll Hunter it is making a decent name for itself. The Wave is about a tsunami that hits the country when a Norwegian fjord collapses. Given the relatively low budget, not much disaster is actually seen. Instead we are let to deal with the individuals who are trying to survive the wave. As disaster movies go, this is one of the more interesting to watch. Get your free 30-day Amazon Prime trial Pawn Sacrifice Tobey Maguire plays American chess legend Bobby Fischer in this dramatic biographical film. It follows the true story of the 1972 World Chess Championship when the troubled genius Fischer battled Soviet Grandmaster Boris Spassky, played by Liev Schreiber. Perfect if you're looking for a gripping Cold War drama.  There Will Be Blood Award-winning US drama There Will Be Blood tells the compelling, chilling and at times very, very emotional tale of a silver miner-turned-oilman desperate to make a fortune during California's oil boom in the late 19th century. Critics loved the movie and Daniel Day-Lewis, who plays the lead role, landed himself a BAFTA, Oscar, Golden Globe, Screen Actors Guild, NYFCC and IFTA Best Actor award for his performance. Wowee!  Last Flag Flying Based on Darryl Ponicsan's book of the same name, Last Flag Flying is Richard Linklater's latest movie starring Steve Carell, Bryan Cranston and Laurence Fishburne. That stellar line-up play three veterans who reunite after one of their sons is killed in the Iraq War.  The Florida Project Indie critical hit The Florida Project is one of the newer films on Amazon Video. It follows a summer in the life of six year-old Moonee, a joy-filled child who lives in a motel just outside Disney World. And the struggles of her mother as she tries to makes ends meet. The film is directed by Sean Baker, one of today’s most interesting indie film-makers. He also made 2015’s Tangerine, a low-budget hit shot entirely using iPhone 5 phones. Borg Vs McEnroe  Perhaps one of the most iconic tennis matches of all time has been immortalized in this drama from director Janus Metz Pedersen starring Sverrir Gudnason as Björn Borg and Shia LaBeouf as John McEnroe. This isn't just about the tennis though, as the drama follows how the legendary duel at Wimbledon affected the men's lives too. A Clockwork Orange We could argue all day about which of Stanley Kubrick’s films is the best. But A Clockwork Orange is up there with 2001: A Space Odyssey, Dr Strangelove and The Shining, no doubt. It’s an adaptation of Stanley Burgess’s novel of the same name. A Clockwork Orange follows Malcolm McDowell’s Alex and his gang of Droogs. They stalk the streets, committing acts of “ultra-violence” and talking in an affected argot. A description like this doesn’t uncover the unsettling and weird appeal of this 1971 classic, though. You’ll have to watch it. Falling Down William Foster is a man falling apart. He’s divorced, fired from his job, a middle-aged white man who feels like a victim of the world. So he takes to the streets with an uzi, terrorising ordinary people. Falling Down was a powerful film in 1993. The current issues of US gun policy and racial division make the movie seem as vital as ever. Michael Douglas plays the lead role, and some consider it to be the best performance of his career. Magnolia You’ll need to set an evening aside for this one. Paul Thomas Anderson’s 1999 Magnolia is a sprawling three-hour epic of the interconnecting lives of disparate people living in the San Fernando valley, Calfornia.Some criticise it for being overlong and melodramatic. But if you can submit to this film you’ll find it powerful and moving, an insight into human nature. “Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy,” said movie reviewing legend Roger Ebert. Goodfellas An unalloyed classic among gangster films, Goodfellas isn’t to be missed. Ray Liotta is Henry Hill, a young man who idolises the gangster lifestyle and rises up through the ranks under the guidance of De Niro’s menacing but charismatic James “The Gent” Conway.There are guns, drugs and the downfall of powerful figures. It’s all laced with black comedy, and director Martin Scorsese's masterful movie-making doesn’t waste any of Goodfella’s two and a half hour run time. Dial M for Murder We're sure you've heard of this one. Dial M for Murder is a Hitchcock classic starring Ray Milland and Grace Kelly. Milland plays a man who suspects that his wife (Grace Kelly) is having an affair and blackmails an old friend to murder her. What follows is a thrilling crime drama that's a true classic.   The Lost City of Z Largely overlooked upon its release, The Lost City of Z is in fact a fascinating tale, with Charlie Hunnam playing real-life British explorer Percy Fawcett. At the turn of the 20th century he ventured into the heart of the Amazon, and discovered an unknown, advanced civilisation. It become a great passion, understanding this culture, with Fawcett returning multiple times to demystify a people previously considered "savages", before Fawcett himself mysteriously disappeared. If you're adverse to films starring Robert Pattinson (co-starring here) after his Twilight days, don't let that stop you from giving this wonderful film a go. Jackie Jackie is all about Natalie Portman. Her portrayal of Jackie Kennedy, days after the assassination of her husband and president of the United States John F Kennedy, is a masterclass of acting. She has studied footage of Jackie and got her mannerisms and speech imprint spot on. The film is a stark and intimate look and the former First Lady and is a rollercoaster of emotions. It's endlessly watchable and it's all because of Portman who earned (and subsequently missed out on) a well-deserved Best Actress Oscar nomination. Silence Martin Scorsese has been in the movie business long enough to do whatever he wants. Silence is his him at his most uncompromising. A difficult sell after the fleeting fun that was Wolf of Wall Street, Silence is a meditative, hard-to-watch movie about pilgrimage. Starring Andrew Garfield and Adam Driver as two monks who go on a journey to find a place where Christians are put to extremes to prove their love for god. It's a trying movie and one that takes the utmost concentration. It's not quite the masterpiece Scorsese was seeking, given he's been mulling the story for decades but it's a worthy, if meandering watch. Moonlight Moonlight is stunning film. Split into three parts, the movie charts the life of Chiron, a black man growing up in Miami. It's heartbreaking and uplifting in equal measure and just so happens to be the lowest-ever budgeted movie that has won the Best Picture Oscar. While the acting is superb in all three of the sections - it's the storytelling that really shines and shimmers here. It's captivating, brooding stuff. Manchester By The Sea It's hard not to write about Manchester By The Sea without stepping into spoiler territory so here's the broad strokes: Casey Affleck stars as a Boston janitor who has to take care of his brother's son after his brother dies. What ensues is a heartbreaking movie. Its backdrop is a snowy Manchester in Massachusetts, something that echoes the characters in the movie. This isn't a film that wraps up neatly in a bow in the end - it's much more closer to fractured, complicated business that is real life. Lion Lion sounds like a movie that's been manufactured for awards season but it's much cleverer than that. It's based on the true story of Saroo Brierley, a child from India separated from his family when he was just five years old and adopted by a couple from Tasmania. The story follows Saroo in his younger years then flips to him as an adult on the lookout for his real parents. Dev Patel is brilliant as the adult who goes on a journey to find out his true heritage. While it all sounds a little melodramatic, it really isn't - director Garth Davis  of Top Of The Lake fame manages to make a movie that's not too overly dramatic but really rather moving. I, Daniel Blake Some 40 films into his career, you would expect director Ken Loach's talents to be on the wane but I, Daniel Blake may well be his masterpiece. It's a superb study of the class system in the UK, and what happens when someone tries to be a better person despite bureaucracy stopping them from doing just that. Yes, it's political but Loach doesn't play this part of it up - it just naturally seeps through because of the frustrations the film presents. Essential stuff. The Impossible The Impossible is what Tom Holland was doing before he became Spider-Man, starring in a true tale about the devastating tsunami in Thailand. He is one of three sons of Naomi Watts and Ewen McGregor's characters and part of a compelling character study of what happens to people with natural disasters strike. Director JA Bayona proved he is a talent to look out for with The Impossible. Jurassic World: Fallen Kingdom, which he is helming in 2018, should cement that fact. Room Brie Larson stars in this heartfelt study of human endurance. Larson is Ma. She has been imprisoned in a small shed for years, having to bring up her little boy Jack (a great Jacob Tremblay) in isolation. The film follows their story to the bittersweet end. For a film that’s mostly shot within the confines of a small room, director Lenny Abrahamson manages to eek out pathos in the mundane but it’s the acting of the two leads that’s the real reason to watch the heart-rending movie. Apocalypse Now Apocalypse Now is a rare gem of a movie. Born out of chaos, where leading actors had to be replaced, medical problems blighted the shoot and Marlon Brando went somewhat off piste, it’s a miracle there was any film at all to show for the shoot, let alone one of the greatest movies ever made. Based loosely on Joseph Conrad’s novella Heart of Darkness, the film follows a soldier’s descent into hell as he tries to track down the elusive Colonel Kurtz, a decorated war veteran who has seemingly gone mad. From the amazing visuals, to the sweeping score, to the acting chops of the main cast, Apocalypse Now is a terrifying masterclass in filmmaking. Tinker, Tailor, Soldier, Spy John LeCarre’s superb spy novel is given a decent adaptation, thanks to Let Me In director Tomas Alfredson’s measured, careful take on the source material. Gary Oldman is superb as George Smiley, the veteran spy catcher brought out of retirement to find an Russian mole in the ranks of the MI6. Even if you know who the mole is, the way the film unfurls this information is utterly captivating. Spotlight A deserved winner of the Best Film Oscar, Spotlight is a searing look at investigative journalism at its finest - trying to uncover the truth of child abuse within the Catholic church. The film is a true testament to real journalism and throws shade at online clickbait and its erosion of proper investigative news gathering. Oh. The King's Speech Another Oscar winner seemingly grown in a petri dish for the sole purpose to win awards, The King's Speech is one man's struggle to get over a speech impediment and subsequent fear of public speech - it just so happens this man is also the king of England. For all its faults, it tugs on the right strings and is very watchable. The Deer Hunter The Russian roulette scene may be what most people think of when someone chats about Deer Hunter but the movie has so much more to offer. It shows the horrors of war during and after the Vietnam conflict, shining a light on what a situation like that does to a person and their relationships. It's a gruelling but sometimes beautiful watch. Mulholland Drive What started off as a failed TV pilot ended up being one of David Lynch’s most accomplished films. As with any Lynch movie describing the plot won't do Mulholland Drive justice. What starts off as a portrayal of a woman seeking fame in Hollywood ends up being a nightmarish look at the duality of personality and what happens when reality turns into a fever dream. Captain Fantastic It’s great to see Viggo Mortensen back as a leading man and Captain Fantastic suits his eclectic sensibilities down to the ground. It’s a film about a family of homeschooled children who have lived off-grid with their eccentric parents. When their mother dies, they come back to civilisation with a bump. Mortensen is superb as the grizzled patriarch and the casting of the kids is spot on. In a film full of surprises, perhaps the most surprising thing about Captain Fantastic is its writer-director Matt Ross. He plays Gavin Belson in Silicon Valley! Get your free 30-day Amazon Prime trial Interstellar Even when Christopher Nolan missteps, he still manages to hide the stumble with a highly orchestrated dance routine. Interstellar is overblown and weighed down by its own importance but, boy, is it an epic watch. Matthew McConaughey stars as Cooper, a farmer and former test pilot who helps on a mission to save the people of Earth, which is ravaged by lack of land resource. The mission involves going to space and entering a wormhole and exploring a new planet that may have the means for sustaining human life. The film falls in on itself as it nears its conclusion but it’s a bold, measured ride into the unknown with some of the best visuals Nolan has created. Just don’t go expecting a masterpiece, however. The Island The Island may not be new, but it's new to Amazon Prime Video and it's a sci-fi action movie with a fairly smart, interesting plot. Directed and co-produced by Michael Bay, it follows the story of Lincoln Six Echo (played by Ewan McGregor) and Jordan Two Delta (played by Scarlett Johansson), who are trapped on an island for pretty dark and scary reasons. As you can guess, they escape and try to figure out the nature of their existence and why they're been kept captive. Colossal Fancy something a bit offbeat and wacky to watch today? This Anne Hathaway-starring film features an unemployed young writer who finds out she's the reason a giant monster is causing havoc on the other side of the planet. The film also stars Jason Sudeikis and Dan Stevens, and it's ready to watch on Amazon Prime now. Lord of the Rings: Fellowship of the Ring  It’s the movie that started two decades of Gollum impressions and Gandalf quotes. The Fellowship of the Ring is the first third of the Lord of the Rings saga, starting in the Shire. It dramatises all the delicious backstory that makes fantasy epics seem so grand.We only get the standard theatrical cut of Lord of the Rings: Fellowship of the Ring on Amazon Video, and neither of the two films that followed. But this three-hour cut is worth revisiting. While visual effects have improved a lot since this film’s release, its grand vistas filmed in New Zealand are still quite something to witness. Inception A dream with a dream within a dream. When Inception arrived it did so with a similar impact as The Matrix, a decade earlier. It made you think, but was wrapped around a blockbuster shell that demanded to be seen on the big screen. But, hey, lots of us have big screens in our living rooms these days.Leonardo DiCaprio is a thief who enters people’s subconscious to plant ideas in their minds. But when the border between the dream world and reality has been broken, how can you tell which you’re in? Inception had all the makings of a high-concept hokey mess on paper but Christopher Nolan turned it into one of the best action films of recent decades. Gremlins We know you know Gremlins. This is the film that tells the story of a young man who receives a Furby-like creature as a pet and fails to follow every instruction with regards to its care. What results is an army of destructive, evil Gremlins set on destroying a small town at Christmas. It's a festive classic. Arrival Like aliens and whiteboards? Get you a movie that can do both. Arrival was an astonishing science fiction film, released towards the end of 2016, and making its way to Amazon Prime Video before it's even landed on cable or satellite TV in the UK. Based on the novella 'Stories of Your Life' by Ted Chiang, and directed by Sicario director Denis Villeneuve (whose next task will be the long-awaited sequel to Blade Runner), it's a fantastic film exploring love, loss, communication and the lengths we should all be prepared to go to in order to understand, accept and value the differences between us. Super 8 If you bypassed this sci-fi movie from J.J. Abrams when it was first released in 2011, it's definitely worth watching now. It'll especially appeal to those who really got into Stranger Things, as well as those with a soft spot for classic coming-of-age adventure movies, like E.T. and The Goonies. There's a lot of great character development, mystery, action, sci-fi and, of course, lots of lens flare because it's a J. J. Abrams movie after all. Looper One of the more interesting sci-fi movies of the past decade and a huge reason why director Rian Johnson got the Star Wars: Episode VIII gig. Looper focuses on the timey wimey tale of a bunch of hitmen, whose job it is to send people from the future into the past to kill them. Bruce Willis and Joseph Gordon-Levitt are superb in the film, which manages to take complex ideas and boil them down into an entertaining popcorn thriller. Attack The Block Star Wars alumni John Boyega got his first break on this great UK indie, as did newly instated Doctor Who Jodie Whittaker. Attack The Block is the first movie by Joe Cornish - of Adam and Joe fame - and it’s an absolute corker. Aliens have come to earth to wreak havoc and it’s down to a South London gang to make sure their neighbourhood doesn’t become a disaster zone. Full of warm wit and fantastic humour - not to mention some startling special effects - the movie mashes together a number of genres together and has a whole lot of fun doing it. Source Code You wait years for a sci-fi movie that’s influenced by Groundhog Day to come along and then two appear at once. Yes, Source Code has a similar time-repeating plot to Edge of Tomorrow but it’s less bombastic and more thoughtful in its approach. Jake Gyllenhaal stars as the soldier who only has eight minutes to stop a bomber on a busy train, before time resets and he has to do the whole thing again. Duncan Jones does well in the director seat, managing to make a plot device that could grow old rather quick really work. Get your free 30-day Amazon Prime trial Legend It’s by no means a perfect movie, but Legend has two fantastic central performances… both played by Tom Hardy. Hardy is both Ronald and Reggie Kray, the notorious twins that ruled half of London’s underworld in the Sixties. Legend is about their rise and subsequent fall, shot through the lens of Reggie’s relationship with Frances Shea, the ever-brilliant Emily Browning. While Legend doesn’t offer anything different to the, er, legend of the Krays it’s still a brutal and occasionally funny watch. Jackie Brown Quentin Tarantino's 1987 crime thriller is about a stewardess called Jackie Brown who smuggles money from Mexico to L.A. for a big arms dealer. She gets caught, but strikes a deal with the agents to help them bring down her boss in exchange for her going free. Of course there are other plans afoot and a dramatic thriller unfolds about crime, deceit and corruption. It's got all the twists and turns of a Tarantino flick with some stellar acting from Pam Grier, who plays Jackie Brown, as well as Samuel L. Jackson and Michael Keaton.  Swordfish This slick and stylish thriller is about a mystery man who hires a hacker to steal billions from a government bank account. An FBI computer crime specialist is one step ahead and gets involved in the action too. It's got a stellar cast with John Travolta and Hugh Jackman in the lead roles supported by Halle Berry. It's fast-paced, thrilling and full of plenty of twists and turns.  The Killing of a Sacred Deer Directed by Yorgos Lanthimos or The Lobster and Dogtooth fame, The Killing of a Sacred Deer is an intense psychological horror movie based on the Greek play Iphigenia at Aulis by Euripides. It follows the story of a successful cardiac surgeon (played by Colin Farrell) who befriends a mysterious teen. As you'd expect from a psychological horror from Lanthimos, this is hardly an easy Sunday afternoon watch. You've been warned. The Handmaiden Describe a movie as erotic and it usually conjures up something that's utterly not sexy like 50 Shades of Grey or the Lego Movie. The Handmaiden, though, is erotic and shimmers as a result. Directed by South Korean's finest, Park Chan-wook, the movie is masterful in its suspense and when sex is shown - and it's a lot of the time - it's used to bolster the characters and the story, rather than for pure titillation. The Handmaiden is yet another new release that's headed to Amazon Prime Video - we're not sure why it keeps getting all these 'just released on Blu-ray' movies but we're happy that it's happening. Shutter Island Nothing is as it seems in Martin Scorsese's chilling Shutter Island. Leonardo DiCaprio stars as a marshal who investigates the disappearance of a patient at Boston's Shutter Island Ashecliffe Hospital. The hospital is one renowned for bizarre experiments on its inmates which ups the freaky ante somewhat. Then things get really scary and a lot more obscure when a hurricane cuts the island off from the mainland. This is definitely a film you will want to watch again, probably straight after you watch it the first time. Munich Steven Spielberg ratchets up the tension to near breaking point in Munich - a wonderful movies that charts the Black September aftermath. The movie follows the assassin's whose job it was to rid the world of those who created the atrocities that saw a number of Israeli athletes killed at the Munich Olympics in 1972. Girl On The Train It's difficult to talk about Girl On The Train without giving a twisty plot point or two away. So, let's just say that Emma Blunt is great in this tense thriller that does justice to the hugely successful book. The only issue we have is the whole plot has been transposed to an American town. We prefer the distinctly British setting. Other than that, prepared to be both shocked and entertained. Hell Or High Water Taylor Sheridan is a man of many talents. Not only has he starred in hit shows such as Sons of Anarchy and Veronica Mars, he's also penned some of the finest thrillers in recent years. First there was the superb Sicario and now Hell Or High Water, for which he was nominated for a Best Screenplay Oscar. It's easy to see why, this is a taut, tense film about two brothers who turn to bank robbery to help their family. Starring Chris Pine, Ben Foster and Jeff Bridges, the film is a fast-paced modern take on the Western. Chloe Director Atom Egoyan is not one to take the conventional route when telling his tales - and Chloe is no different. Starring  Julianne Moore, Amanda Seyfried and Liam Neeson, it’s about a seemingly normal couple who resort to using a sex worker to test the trust in their relationship. This turns out to be a very bad decision. The film is a remake of the superior French drama Nathalie but it’s a decent thriller that manages to walk the line between gratuity and maturity well. 99 Homes This is a devastating film. Based on the true events of what is still a recent economic disaster in the US, 99 Homes is about Andrew Garfield’s Dennis Nash, someone whose home faces foreclosure. To make ends meet he starts working for the real estate company - and the villainous Michael Shannon - that caused him and his family to lose his home. It’s a convoluted but brazen look at what can happen to a person when they are on the brink of losing everything. Fish Tank Andrea Arnold’s second movie was the one that cemented her as one of the UK’s best filmmakers. Fish Tank stars Katie Jarvis and Michael Fassbender as a teenager and the boyfriend of her mother. An uneasy relationship is struck between them both that goes from bad to worse. This is one of Fassbender’s first starring roles and watching it back, it’s easy to see why he’s such a big star now. The Place Beyond The Pines This is most definitely a movie of two halves - in that something significant happens midway through that changes both the pace and tone of the movie considerably. For some, the shift is too much but it really does work. Ryan Gosling plays Luke, a fantastic stunt motorcyclist turned bank robber who’s trying to do the best for his family. Eva Mendes is his estranged partner, while Bradley Cooper crops up as Avery, a good cop that’s trying to make the best out of some terrible situations. Brilliantly acted and expertly told, The Place Beyond The Pines is a powerful movie watching experience. Get your free 30-day Amazon Prime trial Submarine Richard Ayoade has proved over two feature films that he is a director to watch. While The Double was a fascinating Gilliam-esque comedy thriller, his first movie was much more in keeping with the French New Wave, despite being set in the depths of Wales. It’s set in 1980s Swansea and focuses on the relationship between a teenage loner and a girl who seems to share his passion for doom and gloom. Craig Roberts is fantastic as the loner - a role that won him plaudits and the starring role in Amazon Prime’s fantastic TV show Red Oaks. Clueless Is this the perfect film? You wouldn’t notice from Clueless’s bubblegum sheen, but its plot and characters are based on those of Emma by Jane Austen. This is no period piece, mind, but one of the best romantic comedies of all time. Alicia Silverstone is Cher, a pampered teen who gives the new girl in school, Tai, a makeover. She thinks it’s Tai that’s “clueless”, but finds it’s her who needs to re-think her life. That’s the cheesy movie poster version anyway. As usual, Paul Rudd oozes charm, playing Cher’s half brother. And the script is razor-sharp. Few movies hold up to repeat viewings over the years as well as Clueless. Anchorman Not every film on your must-see list needs to be from the IMDb top 250. Anchorman is a deeply silly Will Ferrel vehicle from 2004. He plays chauvinist, incompetent TV anchor Ron Burgundy who starts to fall apart when a female anchor joins his team.    On first sight it seems the pairing of comedy greats Steve Carrell, Ferrel, David Koechner and Paul Rudd that makes Anchorman work. However, just as Spinal Tap skewers something real, elements of Anchorman’s setting in the world of local news TV ring true. Practical Magic Starring Nicole Kidman and Sandra Bullock as two witch sisters who use their magical powers in a quest to break a curse and find love. A pretty standard romantic comedy elevated by an excellent cast, this is one worth watching if you're in the mood for something light-hearted. Addams Family Values While the first Addams Family was a fun but flawed reboot of the old TV show, Addams Family Values is a subversive gem. Comedy sequels are rarely better than the first movie but what Barry Sonnenfeld did with Values was make it far more twisted than anyone expecting. Whether it's cooking strippers alive (Lurch), various attempts by Wednesday and Pugsley to kill their newly born brethren or the constant references to Morticia and Gomez’s sex life it's a whole lot of ooky fun. Mindhorn A once-famous actor in the '80s tries to resurrect his career in Mindhorn, a superb pastiche of cop shows of old. Julian Barrett is on top form as the titular Mindhorn, whose desperate attempt to become relevant again means he unwittingly finds himself in a murder investigation on the  Richard Thorncroft. Goon As underrated movies go, Goon is pretty much on top of the list. Wrongly brushed aside as another farcical American Pie style movie, because it's got Seann William Scott in it, Goon is much more than that. It's funny, yes, but it's also an affectionate look at the underdog, filled with some pretty big scenes of violence and a number of tender moments too. There's a sequel in the works, which is fantastic news, as Goon is a little-watched gem. The School Of Rock This shouldn't work. Jack Black as a high school teacher teaching kids to play music sounds like it has 'straight to video' written all over it but School of Rock is a whole lot of fun. Director Richard Linklater and writer Mike White take most of the sickly sweet moments  out of the movie and leave a fun, riotous movie that is a brilliant showcase of Jack Black's talents. The film has been a big hit since its launch and has recently been turned into a stage production, sans Jack Black though - he's still raking it in through his movies. Toni Erdmann This is a superb movie. It's so good that a US remake has already been announced. Toni Erdmann is about an estranged father trying to reconnect with his daughter in a rather bizarre way: by pretending to be her boss's life coach.  It's a surreal movie, packed with embarrassing moments and some surprising empathy. Ted Ted shouldn’t work. It’s a comedy about a man and his childhood toy, which just happens to be alive. That man is the normally dour Mark Whalberg, the toy is voiced by Seth MacFarlane and sounds strangely like Peter Griffin in Family Guy. But it does work - it’s occasionally laugh out loud, funny throughout and proves that Whalberg does comedy best when he’s just playing a more earnest version of himself. Unfortunately all of this come untangled in its disappointing sequel, but the original Ted is well worth a watch. Four Lions It’s a shame that Chris Morris doesn’t do more stuff as when his new projects come along they always change the game in some way. Four Lions finds humour in one of the most serious subjects: terrorism. For a film shot in 2010, it’s still surprisingly current. It follows docu-style British jihadists who are trying to conjure up a terror plot. The problem is, they’re idiots. Starring, among others, Riz Ahmed, Four Lions is funny, frank and endlessly controversial. But it’s done in such a way that you can’t help but admire the movie. Moonrise Kingdom Wes Anderson's style is so unique that he’s following some of his director heroes - David Lynch, Stanley Kubrick etc - and becoming an adjective. If a film is Wes-like, then it’s filled with childhood wonder, symmetry and quirk. Moonrise Kingdom is packed with all of this and is about two children who escape from a town in the US, only to be tracked down by a search party. It’s a wonderfully innocent movie drenched in melancholy but funny with it. Bruce Willis, Edward Norton and Bill Murray all star but its real stars are the children - played by Jared Gilman and Kara Hayward. In The Loop It’s a shame that The Thick Of It never hit the big screen. What with Brexit madness and the UK government a mess of contradictions, a movie starring Malcolm Tucker swearing them all into shape is sorely needed. In The Loop is the closest thing we’ve got. It’s a strange movie as it takes strands from The Thick Of It and ports it to the US. This means the film is a hybrid of The Thick of It and the US show Veep. What we do get though is Malcolm Tucker (a never-bettered Peter Capaldi), full of vim and vigor, spinning his way through the choppy waters that is US politics. It’s not perfect, but as satires go it’s one of the most searing. Get your free 30-day Amazon Prime trial Where the Wild Things Are We tend to feel protective when movie producers get their hands on texts from our childhoods. However, Spike Jonze’s Where the Wild Things Are captures the wonder and adventure of Maurice Sendak’s children’s book, on which it is based. Max is a young boy who finds himself in the land of the Wild Things. They’re the big furry creatures you’ll have seen if you’ve ever walked down the children’s lit aisle at a bookshop. Max becomes their leader, and the film follows their adventures. Where the Wild Things Are is a little darker than you might expect, earning a PG rating. However, it is also a useful exploration of anger, with greater depth than many a family film.  Rango When Gore Verbinski set sail for The Pirates of the Caribbean franchise everyone thought we would never see him make an indie film again but then came Rango. A brilliant, subversive animation, Rango is an LSD-tinged Western where all the characters are animals or lizards. Johnny Depp plays Rango, a chameleon who leaves his family home and ends up in the strange town of Dirt. Brilliantly, nutty stuff. Your Name A surprise 2016 hit that saw a rare mainstream overseas success for Japanese anime, Your Name is a supernatural high-school-romance-come-body-swap disaster movie. Yep – there's a lot going on here, as a teenage boy and girl find themselves inhabiting each other's bodies, slowly unravelling the mystery surrounding their condition – and that of an awful disaster. J J Abrams of Lost and Star Wars fame is said to be looking into making a live-action version, such was the success of the animation – but it'll take something to top the magnificent original. The Red Turtle Will the magic ever dim at Studio Ghibli? The lyrical animation powerhouse delivers yet again with The Red Turtle, the story of a man shipwrecked on a remote island, inhabited just by turtles, crabs and other critters. What appears a simple story slowly peels back to reveal hidden depths, with Studio Ghibli's inimitable attention to detail in animation remaining the industry benchmark. Batman Beyond - Return of the Joker  Everyone loves it when Batman meets the Joker but this movie does it with a twist. The Batman that meets the joker here is Terry McGinnis, a new Batman mentored by an ageing Bruce Wayne. McGinnis is equipped with new-fangled tech to make sure the Joker and his gang don’t end up running the city, but it also takes some old-school advice from Bruce Wayne to save the day. Superman - Doomsday Based on the controversial Death of Superman storyline, this animated movie is all about Doomsday - the hideous creature that puts an end to Superman. Although it’s faithful to the comic-book series from which it is adapted, it is all a little rushed. But great animation and voice talent - Adam Baldwin is superb as Supes and James Marsters is menacing as Lex Luthor - make this film a must watch, especially if you are annoyed with the treatment of Superman in the recent DC movie universe. Batman - Mask of the Phantasm When people argue about the best Batman, Kevin Conroy’s name never comes up. But it really really should. He’s been voice acting as Batman for a number of years and one of the best ways to hear his dark, dulcet tones is by watching Batman: Mask of the Phantasm. This animated movie pitched Batman against another masked vigilante - one that wants to bring Gotham City to justice. If that wasn’t enough, The Joker makes an appearance too. The film is a must for those who grew up on Burton’s Batman and had their faith restored with Chris Nolan’s interpretation. If it wasn’t animated, Mask of the Phantasm would be hailed as one of the best Batman movies. It’s certainly the best Batman animated movie. Bridge to Terabithia This isn’t the film that was advertised but it is still a great children’s movie. When it was promoted back in 2007, you would be forgiven that this is a fantasy epic. While there are those elements, they only make for a section of the movie. The rest is a sad, gripping tale about the relationship between two school friends who deal with the darkness in their lives by creating the imaginary world of Terabithia. Son of Rambow One of the most endearing coming-of-age movies you are likely to see, Son of Rambow is about two children growing up in the ’80s who are obsessed with Rambo. So much, they decide to make their own version of the movie with the help of their friends. What ensues is a fun, inventive film about the magic of childhood friendship and imagination. Directed by music video supremo Garth Jennings, Son of Rambow is a trio of love letters: one to the Eighties, one to home videos and the other to the cartoon violence that was born out of an era where Stallone, Schwarzenegger and Willis ruled the box office. Get your free 30-day Amazon Prime trial Lost In Translation Lost in Translation is a superb, dreamlike movie that wonderfully captures feeling of alienation and loneliness you can feel in a city you don’t belong in. The city in question is Tokyo, the lonely people are Bill Murray as an ageing actor and Scarlett Johansson as a college graduate left to her own devices by her photographer husband. The chemistry between Murray and Johansson is electric, both endearing and hilarious, as is the soundtrack and the way the film slowly creeps up on you in an wonderful way. Gone with the Wind Today your best chances of seeing a film that pushes past the three hour mark are from Bollywood epics or ultra-slow art house films. But 1939’s Gone With the Wind is a four hour romance story. When Harry Met Sally this is not.Our lead is Scarlett O’Hara, a name so famous you’d swear it was the actor (Vivien Leigh), not the character. Gone with the Wind follows her life, around the time of the US civil war, on a plantation in Georgia. And, supplying the romance, her knotted affairs with Ashley Wilkes (Leslie Howard) and Rhett Butler (Clark Gable). Its portrayal of slavery and the deep south may jar for the modern viewer, but this remains a classic watch. Before Sunrise Richard Linklater's Before Sunrise is a simple, beautiful romantic movie about an American man who meets a French woman and they spent the whole night walking around the city together. Because they both don't think they'll see each other again, they end up sharing a lot about their lives, their fears and everything in-between. But it turns out they do see each other again (erm, spoiler alert?) because Linklater followed the movie up with two others, Before Sunset and Before Midnight. The Big Sick Loosely based of the real lives of the film's stars, Emily V Gordon and Kumail Nanjiani play an interracial couple who have to deal with Emily becoming ill and how cultural differences affect the couple. The film has been nominated for Best Original Screenplay at the Academy Awards 2018, but it's already on Amazon Prime ahead of this year's big ceremony. Vicky Cristina Barcelona Woody Allen managed to assemble a cracking ensemble for Vicky Cristina Barcelona. The film is a fun look at friends Vicky Cristina (Rebecca Hall) and Cristina (Scarlett Johansson) as they travel to Barcelona and meet a mysterious artist, played by Javier Bardem. It’s all sex and sultriness until his unhinged ex-wife appears. She’s played by Penelope Cruz with such magnetism that you are drawn to her and kind of forget the rest of the characters. It’s not Allen at his best but even his ‘good enough’ films are a cut above most. Blue Valentine There’s a deep, maddening love portrayed in Blue Valentine that is so powerful it ends up being destructive. With that in mind, this isn’t the movie to put on if you don’t want you and your loved one to question your own relationship. It’s a brutal, raw movie that focuses on the relationship between married couple Dean and Cindy, played by Ryan Gosling and Michelle Williams respectively. They are two people in love, pushed apart by circumstance. The story flits back and forth in time, so with each tender moment you get anguish. Powerful stuff. Carol Todd Haynes is one of the world's most fascinating directors, who loves to mine different eras for inspiration. While he courted the ’70s with Velvet Goldmine and I’m Not There, it is perhaps the ’50s where he has managed to use the tensions of the era to create superb character dramas. Carol is just that, a romantic tale between two women - Rooney Mara is the clerk that falls in love with Cate Blanchett’s character who is unhappy in a marriage of convenience. The anxieties and problems Haynes highlights in his earlier movie Safe are back with Carol. In this movie, though, everything has been given a more sumptuous sheen. Knight of Cups Thank goodness we live in an era where Terrence Malick is back and making movies on a regular basis. Knight of Cups is as dreamlike and fractured as you have come to expect from the revered director. As with all his movies, it’s clear he shot way more footage and didn’t decide on what film he was making until he hit the edit suite, but that’s part of its charm. Here we see Christian Bale as Rick, a writer who flits between Vegas and LA with six different women. Vegas is perfect Territory for Malick, a desert of neon suits his filmmaking style. While the supporting cast Cate Blanchett, Natalie Portman and Freida Pinto all add gravitas to the film. Once Writer-director John Carney’s debut is a low-budget joy that’s since been turned into a very successful play. The plot is slight: a busker and immigrant spend a week in Dublin falling in love and making music together. But it’s the songs that make the movie. Each one is a gem, sprinkled throughout the movie to give it a musical quality. Carney’s latest Sing Street is well worth a watch, too. Get your free 30-day Amazon Prime trial Amy The Amy documentary is a hard watch, one that will have you fighting back tears. The talent on show is blighted by the talent that is thrown away. The doc showcases Amy Winehouse in her early years, using archive footage of the star that shows just how much of a talent she was. There are talking heads with her family - including her husband - as well as good friends of hers. Dark Days This documentary may have gained prominence thanks to its DJ Shadow soundtrack, but it’s the subject matter that makes Dark Days such a must watch. Shot and directed by Marc Singer, Dark Days shines a light on those who live in underground tunnels under New York. Criminally, this was Singer’s only foray into documentary filmmaking but at least he created a classic. Gimme Danger Jim Jarmusch uses music in his movies to fine effect, so it makes complete sense that he is the one to helm a documentary about The Stooges and their enigmatic frontman, Iggy Pop. The Stooges may not have hit the heights of, say, The Rolling Stones but they’re an important piece of the rock puzzle. This doc does well to uncover what made the band tick, complete with recent talking heads with members of the band. The Beatles: Eight Days A Week A-list director Ron Howard took a break from feature-filmmaking to direct this documentary about the most famous band ever. It’s a slick production, meshing old interviews, archive footage and new interviews with the surviving members together to create a vivid look at a band in their pomp to their rather sour end. Man on Wire Forget the rather disappointing 3D movie and instead focus on this riveting documentary about a French high-wire artist who decides to one day scale one of the towers World Trade Center and walk across to the other one using just a tightrope. It’s utterly absorbing Man on Wire features an in-depth interview with the person that did the stunt, Philippe Petit. The way he tells the story of how he got past security to walk the Twin Towers is as engrossing as any heist movie. Marley Bob Marley’s music is as strong today as when it was released back in the ‘70s. His politics are as strong as they are now, his protest songs have lost none of their vibrancy. Which is why Marley is such a brilliant watch. It tells the tale of how Marley brought his music to the masses, his love of football and his life living in both London and Jamaica - all of which are brought brilliantly to life by interviews with friends and family and archive footage. Get your free 30-day Amazon Prime trial Kill List Director Ben Wheatley adds the right amount of realism and menace to Kill List - a film that is never quite what it seems. On the face of it, it’s a kitchen sink drama about a hitman and his latest assignment to kill three people but as the story unravels so does the hitman’s life (played in earnest by the brilliant Neil Maskell). It flirts at being a family drama, teases you that it’s a crime saga then hits you with the most relentless horror that you’ll be watching the end behind your hands. Great stuff. The Faculty This teen horror flick comes straight from the minds of the Scream and Scream 2 creators, so expect nerds, jocks and lots of teen drama with plenty of gore and frights thrown in for good measure. But in our books there's something a bit different about The Faculty that makes it a not-so-guilty guilty pleasure. Whether it's the compelling cast (with Elijah Wood, Josh Hartnett and Famke Janssen), dark yet ridiculous tone or parasitic creatures from another planet, it's a fun flick for the weekend.  Constantine You can rarely go wrong with an action horror starring Keanu Reeves and Constantine is one such movie. Reeves takes up the role of John Constantine, a man who can see half-breed angels and demons who stalk the Earth disguised as humans. Driven to attempt suicide by his visions, Constantine is returned to the land of the living and must use his gift to protect humanity an earn his place in Heaven.   The Shining We know what you're thinking. Why has The Shining only just arrived on Amazon Prime Video? Well, worry not. Stanley Kubrick's classic movie about family, isolation and plenty of unnerving, bloody horror is now available to stream on Amazon Prime. The film is a true classic for a whole host of reasons, from Kubrick's ambitious film-making to spectacular performances from the cast and a score that makes your skin tingle. It's always worthy of a re-watch, just go and check all the doors and windows are locked first before you really get stuck in. Train To Busan South Korea has slowly but surely marked itself out as a country that's producing some fantastic filmmakers. Interestingly, two of the best movies from South Korean directors of recent times have been based on trains - Joon-ho Bong's Snowpiercer (which criminally never got a UK release) and Sang-ho Yeon’s Train To Busan. Train To Busan is a brilliant zombie horror movie. By having most of the action take place on a train, we see what it's like when a zombie epidemic takes hold in close confines, complete with cloying claustrophobia. It's part action movie, part love story, all character study, showing that a situation such as a freaking zombie outbreak can bring out the best and the very worst in people. Hell House LLC Well this was unexpected. The name Hell House LLC doesn't exactly scream 'must watch' but despite its rather Grindhouse-esque title, this is a brilliant slice of horror. The plot is simple: a group of friends who create haunted house experiences for Halloween find a house to convert that's seemingly filled with real-life ghosts. The movie is their footage spliced together, with police reports and the like. The found footage genre is rather stagnant now but Hell House manages to breathe new life into it, mustering up some genuine scares that will have even the most hardened horror fans watching from behind their fingers. Its final scenes don't quite match what went before it (or make much sense) but this is one of the best horror films to come out in years. Sinister Sinister is that rare horror film: it has brains, A-listers and is still really scary. Ethan Hawke is a true crime writer. After finding a box of what he thinks is footage of murders committed by a serial killer, things start to go very bad in his life. Director Scott Derrickson may have recently made the more family friendly Doctor Strange, but with Sinister he proves that he is just as adept at garnering scares as he is guiding the Marvel universe. Pontypool A low-budget chiller that takes place in a small town in Ontario, Canada (bet you can’t guess its name) and follows the exploits of a talk radio team who are reporting on strange goings on in the town. It’s essentially a movie about zombies but distilled through the eyes of a small, yet vocal, group of people. Its budget may well be small but its ambition is big and that’s what makes Pontypool such a fun watch. I Saw the Devil This serial killer cat-and-mouse movie is one of the most visceral around. Starring Old Boy’s Min-Sik Choy as the killer, the film is graphic in its content - Its tale of revenge is uncompromising - but is a fantastic watch. It’s also one of the best movies from director Jee-woon Kim who has a platinum line-up of films, including A Tale of Two Sisters, A Bittersweet Life and to a lesser extent his sole US movie, The Last Stand. Get your free 30-day Amazon Prime trial Source link
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20thcentutygeek · 7 years
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My top 10 “Genre Action Movies” of the 20th century
Sometimes action films mix it up with other genres, sci-fi, Historical fiction even horror. This list is my top 10 genre action films in date order. What do you think of the list? What films would you add?
Mad Max 2: The Road Warrior (1981) – The first Mad Max film is good but its sequel is brilliant. It is     so out there in story, imagery and action. The story is a simple sci-fi     post-apocalyptic western, a lone ‘Road warrior’ helping a small isolated     community against a much stronger outlaw force. A young Mel Gibson, before     his American break out, is perfect in the role and gives it his all in a     film that could have failed massively. This film deservedly created a     legacy for both the genre and Gibson. Max may limp off in the sunset at     the end of the film but Gibson walked into a series of great roles as a     result.
Indiana     Jones and the Raiders of the lost ark (1981) – This was homage to the serial adventures of the 30’s and 40’s but     also set up a new generation of treasure seekers. When I first saw this     film as a kid it thrilled and terrified me. I wanted to be Indy but the     fate of the Nazi’s after opening the Ark gave me nightmares, regardless I     was hooked. Harrison Ford embodies the slightly jaded archaeologist so     much that it I struggle to imagine anyone else filling that iconic fedora.     Raiders is pretty much episode after episode of action but directed by     Steven Spielberg it hangs together to become and all-time great action     adventure.
Highlander (1986) – A     medieval Scottish clansman played by a French actor, an Egyptian soldier     trained in Japan played by a Scottish actor and an ancient Russian lone     killer played by an American. All in all it’s a bit muddled but it works, especially     when played with tongue in cheek humour. This is perfect Saturday night     entertainment with a legendary soundtrack by Queen and ending in an epic     sword fight on a roof. All of it shot beautifully, whether in the dingy     alleys of New York or the wide open Highlands of Scotland. The sequels     without expectation are bad but this film stands up and should be regarded     as a classic.
Aliens     (1986) – James Cameron took Ridley     Scott’s Alien horrific haunted house film and expanded the universe and     story with an action packed war movie. I enjoy the theatrical cut but I am     a bigger fan of the extended cut. Not only does it provide more Xenomorph     action but it also provides more back story for Ripley and the     Wayland-Yutani Corporation. This film is so intense and fast paced when it     kicks in, the action is good and the cast are excellent but all of this is     held together by something else that makes this film timeless. The practical     special and creature affects by Stan Winston are amazing, all topped off     by the iconic Alien Queen.
Robocop (1987) – Paul Verhoeven’s break out American film and     what a breakout it is. A super violent dystopian dark comedy satire of     80’s corporate privatisation culture, what more could you ask for? How     about a bad-ass cyborg cop taking down the gang that killed him.  Not only is the action in this film     bloody, violent and top notch but it is punctuated by excellent takes on     adverts for ludicrous products (a board game called NUKEM about     international annihilation, a vehicle the 6000 SUX, which offers 8.2 miles     to the gallon). This is kind of film that benefits from repeat viewings     and actually, unfortunately, has become more relevant over time.
The Running Man (1987) – Based on a very different Stephen King     novel, under the Richard Bachman pen name. The dystopian story of an     innocent man being trapped in a game show in which he gets to win his life     back. It may not be as clever as Robocop but its satire of American     Television and justice culture is obvious. Once the contestants are thrown     into the arena the film kicks into high gear. Arnie is typical Arnie and     great for it but the film thrives because of the ludicrous villains like     Buzzsaw, Dynamo and Sub-Zero, all over seen by the deliciously evil     Richard Dawson, real life game show host.
Terminator     2 (1991) – Another sequel on this     list. The Terminator series mirrors the Alien mould, the first is a dark     sci-fi slasher film but the second is an all-out action film. I would     suggest that this is the peak of Arnie’s action career. The film is     outstanding in expanding the universe, upping the stakes and actually     makes the original a better film. Three high points for me are the Asylum     escape, the Cyberdyne office building attack and the final showdown     between the T800 and T1000. The series falls apart after this point but     getting a film this good from it is worth a couple of bad films.
Demolition Man (1993) – Another     future but this one utopian, at least on the surface. Despite being a fun     action film it has a dark message about the cost of peace and human     nature. I am not sure I completely agree with the message that we are     innately violent and dark and that we should allow that to be a part of     society. It comes across a little mixed by the end. However, the fun comes     from the Stallone and Snipes characters and their fish out of water antics     and eventual show downs. This is supported by some excellent world     building using off hand comments and background touches.
The fifth element (1997) – This European intergalactic pulp adventure is     brilliant because of its balls to the wall craziness. Written and directed     by Luc Besson with production design by Mobius and costumes by Jean Paul     Gaultier. This film was going to be crazy stylish if nothing else. Bruce     Willis is basically playing a future John McClane, remaining cynical while     aliens of all kinds do battle round him. The high points of the film are     the battle at the Opera in which Willis shines and Milla Jovovich pretty     much throughout. A colourful, funny and imaginative romp that is busting     with style in every frame.
The Matrix (1999) – I think it’s fair to say that The Matrix,     coming out in the last year of the millennium, ushered in so many elements     of movies for the 21st century. It is a film between two eras.     It has the urban gothic style that is very 90’s, as well as early ideas     about what computers could do but introduced special effects and franchise     structures that are still being used today. As a standalone film its     excellent high concept paranoid action fun. The martial arts fights are     awesome and while Keanu Reeves is never going to win an Oscar he is the     perfect opposition to Hugo Weaving’s Agent Smith. I would suggest     forgetting the sequels and watching this as a standalone film.
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