ON THE TOPIC OF BARNABY. as well as his relationship with Wally.
So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:
They put Barnaby in the “facade” section, and I entirely agree. To quote them;
“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.
Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.
What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”
And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );
Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.
Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”.
& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as.
The laidback funnyguy with a loving mom and not a problem in the world.
And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful
(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)
& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?
This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!
Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric
Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s.
And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory).
Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism.
Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown.
I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.
Riv also presented this:
We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.
Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed.
How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go!
How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.
And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets.
In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!
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#98
“And lo! Here approaches my best knight,” the king announces to the jester as the knight squeezes through the door. The poor jester looks thankful to see her as he hurries out of the king’s gaze. “Come, show me your skill.”
The knight throws a few carefully angled swings for the king. He watches with a delighted expression, but she can see the soullessness in his eyes. Her stomach flips uncertainly.
“You are an excellent swordsman, knight,” he says flatly. “Now, tell me, why should I allow you to stay within my walls?”
The jester averts his gaze awkwardly. Is she about to get fired? “… Because I’m an excellent swordsman and your best knight,” she tries, and the king huffs in his telltale way of saying WRONG.
“Perhaps that was on me for being unspecific.” He picks up a wine glass from the golden table next to his throne, swirling it idly. “I hear you liaise with dragons.”
The knight’s attempt to keep her expression neutral fails miserably. The king watches with keen interest as her eyes widen and her mouth moves in an abysmal attempt to form some sort of defence. She’s acutely aware of the jester watching curiously too—whatever she says next will be the castle’s gossip for the next month. Maybe two if nothing of interest happens before then.
Well shit. Might as well fall into treason headfirst.
She reaches a hand into the front of her breastplate, earning a soft squeak from something inside. The king leans forward on his throne. The jester peers as close as he dares.
Her hand comes back with a short purple string laced around her fingers. Or she does at first glance, and closer inspection reveals her ribbon to be a tiny dragon, yawning and digging tiny claws into her fingers.
The king roars so loud the dragon startles. The knight and the jester don’t fare much better. “Beast!” he howls.
“Beast! Beast! Beast! Beast!” the room echoes back to them.
“You bring this creature within my walls?” he demands. “You slander my name—my rule—with your disregard to my kindness for you?”
“She’s harmless!” the knight cries over him. The dragon isn’t a fan of the racket, and is making a great effort to slip up her sleeve. “She looks after my finances.”
“Disgusting beast,” the king spits.
“The dragon,” the jester says quietly, valiantly ignoring the way the king’s stare snaps to him, “is your accountant?”
The knight fishes a coin from her pouch, gently tapping the dragon with its edge. Its gaze snaps to her gold, its past endeavour with her sleeve forgotten as it grapples for her coin. It twists its body around it excitedly, gnawing at the edge like a toddler, a quiet hum emitting from it as it does.
“That noise it is making,” the king shrieks, “it is going to attack!”
“No!” the knight shouts over him. “It’s like a cat—she’s purring. It means she’s happy.”
“Dragons do not purr,” the king retorts, but the dragon is undeniably making a noise that sounds remarkably like purring. The jester takes a cautious step closer.
The knight tucks her finger under her chin, giving it a hearty scratch. The dragon’s humming gets louder, her eyes closing blissfully at the touch.
“How does it… work?” the jester asks. The knight offers him a smile that she hopes conveys how grateful she is for his interest in the face of the king’s disgust.
“She takes my coins—my salary, my earnings, anything.” The knight adjusts her hand so the dragon sits more comfortably in her palm. She doesn’t seem to mind, too busy clamping her jaw around the gold to notice. “She keeps a hoard no one but her can find. I earned her trust, and whenever I need money she gives it to me.”
“She is a thief,” the king spits, but the rage is losing momentum in the face of such a cute little thing. The knight doesn’t miss how she’s suddenly not an ‘it’.
“I give her all the money she has. She’s just better at keeping money than most humans,” the knight says with a grin, “because she doesn’t spend it all in a tavern.”
The jester snorts. The king raises his eyebrows. Silence falls for a moment as they all watch the dragon get comfortable in the knight’s hand, her tiny body choking her coin, a claw wrapped around her thumb as she nestles in and closes her eyes.
The jester lets out a short “aww,” that’s louder than he probably intended.
“Tsch,” the king says. He leans back in his throne like he’s lost interest. “A beast is a beast. I am most displeased you were disloyal to my word, knight.”
“I apologise, your majesty,” the knight says. It’s all she can say, really. “I will fix things.”
“You… may keep the thing,” the king continues after a moment of intense deliberation. The knight attempts to not to look too surprised. The jester doesn’t even try. “But it is your accountant and nothing more. If I discover it torching my palace I will execute both it and you.”
“Accounting is what she’s best at, your majesty,” the knight says brightly. “You’ll never have to see her again.”
The king nods shortly, though his gaze is traitorously locked onto the purple ball in her hand. “I would not be adverse, knight,” the king says slowly, like he doesn’t quite want to, “if you felt it right to study. We did not know dragons purr, or like coin.”
“Your majesty?”
“Gather your resources and come back to me with knowledge of the beasts.” He waves a hand dismissively. “I will reconsider your treasonous actions if you can prove that your creature poses no threat to my rule or my people.”
A lot of questions are rattling through her brain. “Your majesty, what do—”
“That is all. Jester!” The king turns his attention away from her and back to the jester as he takes centrestage, looking a lot less stressed than before. He gives her a subtle nod and the lightest smile—a small gesture between the servants of the castle, a simple well done.
The knight leaves the hall with the king’s uproaring laughter following her. The dragon stays curled in her hand, and she runs her thumb over it carefully, the dragon’s body warm and prickly to the touch.
A knight to a scholar in one conversation. She doesn’t even know how to write.
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lil musing on natsume + manga
anyway im not mad at the world anymore. i choose peace! let's talk about natsume's manga for two seconds bc i realized just now that @crimoncitrus , @thesightofworms, and i discovered the reason why natsume reads yaoi while we were playing the ga karuta game and i never reported those findings!
its just cuz rui and nobara like yaoi so theres a lot of that particular reading material in the da. natsume loves to read manga so. he makes do with whats around... i love that explanation SO MUCH bc it gives a new dimension to the da class dynamics. natsume hates those two people but is willing to swipe the books they bring to class lmao.
personally i think that explains why he reads so many random things, yaoi aside. he reads sanrio catalogs and books on jam and cooking. idk boy's a bookworm! he'll take anything as long as he can read. kinda like how as a child, if i was visiting my grandparents in serbia i'd end up looking through encyclopedias and shitty mystery novels i probably wouldnt rly consider otherwise bc its all that was available. natsume just reads anything, i guess.
including mikan's anger at mochu here as further evidence that he was able to give a really good gift! in the tokyopop she even accuses mochu of cheating...
for natsume's bday, mochu got him "manga he really wanted to read" and natsume looked as visibly excited as natsume ever lets himself be, probably bc hes happy to be able to read smth he wants rather than whatevers laying around. i know our boy's a special star and probably has plenty of money to fund a manga collection, but he doesnt seem to enjoy going to central town any of the times we see him there and he's usually just eager to leave asap so i dont think he makes a habit of going out of his way to buy manga. plus, i imagine mochu's huge haul for him took time and care that natsume wasn't willing to put in for himself. but mochu cares abt natsume so was willing to painstakingly search for his friend's favorite titles.
i know he usually uses manga to cover his face in class, but that's because he's tired and sick and needs rest. the glimpses we have of his bedroom suggest he reads manga there...
look at those books!
anyway rip to natsume bc his laziness wins over his desire to read something he actually enjoys everytime.
also for some reason despite the fact that i dont rly watch a lot of shounen, i wont be moved on my headcanon that natsume would. my reasoning is.... because.
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