#William Goldenberg

[criticalbennifer]

Why Ben Affleck and his film editor rough cut scenes on set for the ‘Air’ actors

By Jordan Lee

January 8, 2024

There’s an ensemble scene late in Ben Affleck’s shoe-centric saga, “Air,” in which principal cast members, including Affleck as Nike founder Phil Knight, are seated at a boardroom table as rookie Michael Jordan decides whether to sign with the underdog shoe company.

“They already know the story, they already know Michael Jordan, they already know how it ends,” Affleck tells The Envelope about building drama in a scene that everyone already knows the outcome to. “They better be learning information that’s new and kind of interesting or has to be genuinely funny. And it all has to be rooted in reality.”

The tipping point comes when Nike executive Sonny Vaccaro, played by Matt Damon, addresses Jordan directly. “A shoe is just a shoe until somebody steps into it, and then it has meaning. The rest of us just want a chance to touch that greatness. We need you in these shoes not so you have meaning in your life, so we have meaning in ours. Everyone at this table will be forgotten as soon as our time here is up, except for you. You’re going to be remembered forever, because some things are eternal. You’re Michael Jordan, and your story is going to make us want to fly.”

The monologue, made all the more famous after Donald Trump used it without permission in an ad for his 2024 presidential bid, was by screenwriter Alex Convery but rewritten by Affleck and Damon to reflect the price of fame. It’s part of the process for Affleck, a two-time Oscar winner, who welcomes dialogue input from all his cast members, who include Viola Davis, Chris Tucker and Jason Bateman.

“Writing is creating the word, but it really is a process of acting, especially with great actors. The way I earned trust on this movie was by having editorial on the set,” offers Affleck, who invited his editor, William Goldenberg, to rough-cut scenes for actors to observe before moving on. “I think they all found a great place to be, and I think that’s because they were able to see the movie as they were filming it.”

An Oscar winner for “Argo” and veteran editor of such movies as “Zero Dark Thirty,” “Heat” and “The Imitation Game,” Goldenberg had no compunction about letting so many cooks into the kitchen. “I don’t usually get to meet the actors, so on that level it was fun,” he says. “Ben and I have worked together for a long time. I know his sensibility, he knows mine, so we’ve developed a shorthand together.”

As lifelong friends, Affleck and Damon last appeared together in Ridley Scott’s “The Last Duel.” But “Air” represents a creative collaboration between them not seen since the beginning of their careers on their breakout hit, “Good Will Hunting.”

“The person who ends up with the stronger opinion tends to win out,” Affleck says about any on-set differences between himself and Damon. “I have respect for him, and I think there’s a reason why he feels so strongly about it. The fights are about who cares more about this. What’s interesting with Matt is I have to earn his respect like I would with any other actor. He doesn’t want to be in a bad movie. He’s not doing me any favors. And I wouldn’t expect him to treat this any differently.”

Their most significant collaboration to date is Artists Equity, a new production company formed with Gerry Cardinale of RedBird Capital. Employing an innovative business model, they aim to streamline the production process and partner with creators who will share in the commercial success of projects. “Air” is the company’s first production, with a couple future projects in the works — “The Instigators,” starring Damon, Casey Affleck and directed by Doug Liman, and “Small Things Like These,” directed by Tim Mielants and produced by Cillian Murphy, who leads a cast starring Ciarán Hinds and Emily Watson.

“It’s very director-based, it’s very rooted in treating people fairly and reflecting what people bring to the project,” Affleck says of Artists Equity, mentioning another project — “Unstoppable,” Goldenberg’s directorial debut, currently in production.

“It happens there’s a phenomenal part for Jennifer in it,” Goldenberg notes, mentioning Affleck’s wife, Jennifer Lopez, who plays mother to Anthony Robles, a three-time All-American wrestler born with just one leg. “She’s extraordinary to work with. She’s a consummate professional and so helpful to me as a first-time director, whether it’s blocking or little script changes or ideas for her character.”

Affleck has been burned in the past, working with Lopez on “Gigli,” a 2003 rom-com that got scorched by critics and was a box office flop. But that didn’t keep him from producing “Unstoppable,” although he won’t be appearing in the movie.

“With Jen, it was more like she would come home and talk about her day and how it’s going. And I’m secretly trying to find out about dailies,” he says. “I work with my wife the same way I work with Matt or any of the other actors in a movie. The whole thing is geared around respecting the contribution of these incredible artists and what they bring, and giving them the environment and the space to do their best stuff.”

Reflecting on his Oscar wins — in 1998 for the “Good Will Hunting” screenplay, which he co-wrote with Damon, and in 2013 for best picture winner “Argo,” which he produced and directed — Affleck notes that such honors can change your work life but not your inner life.

“I won the Oscar as a very young guy,” he says. “I did appreciate how meaningful it was, and it really changed my career. My life changed overnight. Before that show and after, my life has never been the same. And the second time, I’d been through a lot and had sort of managed to be all over the place in terms of ups and downs, and it was nice for me to be affirmed as a director. But one of the things it told me was it doesn’t make you feel any better or any different. A lot of people go through a depression, because they get the thing they thought their whole life was supposed to be a meaningful thing, and they find ‘This doesn’t change anything about how I feel.’ ”

#ben affleck #william goldenberg #air movie #unstoppable #2024 #los angeles times

[cinesludge]

Movie #30 of 2022: The Outfit

Leonard: “I was in the war.”

Francis: “At your age?”

Leonard: “The other war.”

#the outfit #graham moore #crime #drama #mystery #johnathan mcclain #Alexandre Desplat #dick pope #william goldenberg #english #french #film noir #30 #2022

[bolllywoodhungama]

Critics Choice Awards 2024: Christopher Nolan, Oppenheimer, Barbie, Succession, The Bear lead the wins

The Critics Choice Awards 2024 celebrated cinematic and television excellence on Sunday night, January 14, 2024. Chelsea Handler returned as the host for the evening. Christopher Nolan’s Oppenheimer shone, securing eight wins, including Best Picture and Best Director though Cillian Murphy missed the Best Actor win. Greta Gerwig’s Barbie claimed six awards, winning in categories like Best Comedy and Best Original Screenplay. Emma Stone earned Best Actress for Poor Things. On the TV front, Succession, The Bear, and Beef��led the wins.

FILM BEST PICTURE American Fiction Barbie The Color Purple The Holdovers Killers of the Flower Moon Maestro Oppenheimer - WINNER Past Lives Poor Things Saltburn

BEST ACTOR Bradley Cooper, Maestro Leonardo DiCaprio, Killers of the Flower Moon Colman Domingo, Rustin Paul Giamatti, The Holdovers - WINNER Cillian Murphy, Oppenheimer Jeffrey Wright, American Fiction

BEST ACTRESS Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Greta Lee, Past Lives Carey Mulligan, Maestro Margot Robbie, Barbie Emma Stone, Poor Things - WINNER

BEST SUPPORTING ACTOR Sterling K. Brown, American Fiction Robert De Niro, Killers of the Flower Moon Robert Downey Jr., Oppenheimer - WINNER Ryan Gosling, Barbie Charles Melton, May December Mark Ruffalo, Poor Things

BEST SUPPORTING ACTRESS Emily Blunt, Oppenheimer Danielle Brooks, The Color Purple America Ferrera, Barbie Jodie Foster, Nyad Julianne Moore, May December Da'Vine Joy Randolph, The Holdovers - WINNER

BEST YOUNG ACTOR/ACTRESS Abby Ryder Fortson, Are You There God? It's Me, Margaret. Ariana Greenblatt, Barbie Calah Lane, Wonka Milo Machado Graner, Anatomy of a Fall Dominic Sessa, The Holdovers - WINNER Madeleine Yuna Voyles, The Creator

BEST ACTING ENSEMBLE Air Barbie The Color Purple The Holdovers Killers of the Flower Moon Oppenheimer - WINNER

BEST DIRECTOR Bradley Cooper, Maestro Greta Gerwig, Barbie Yorgos Lanthimos, Poor Things Christopher Nolan, Oppenheimer - WINNER Alexander Payne, The Holdovers Martin Scorsese, Killers of the Flower Moon

BEST ADAPTED SCREENPLAY Kelly Fremon Craig, Are You There God? It's Me, Margaret. Andrew Haigh, All of Us Strangers Cord Jefferson, American Fiction - WINNER Tony McNamara, Poor Things Christopher Nolan, Oppenheimer Eric Roth and Martin Scorsese, Killers of the Flower Moon

BEST ORIGINAL SCREENPLAY Samy Burch, May December Alex Convery, Air Bradley Cooper & Josh Singer, Maestro Greta Gerwig & Noah Baumbach, Barbie - WINNER David Hemingson, The Holdovers Celine Song, Past Lives

BEST CINEMATOGRAPHY Matthew Libatique, Maestro Rodrigo Prieto, Barbie Rodrigo Prieto, Killers of the Flower Moon Robbie Ryan, Poor Things Linus Sandgren, Saltburn Hoyte van Hoytema, Oppenheimer - WINNER

BEST PRODUCTION DESIGN Suzie Davies, Charlotte Dirickx, Saltburn Ruth De Jong, Claire Kaufman, Oppenheimer Jack Fisk, Adam Willis, Killers of the Flower Moon Sarah Greenwood, Katie Spencer, Barbie - WINNER James Price, Shona Heath, Szusza Mihalek, Poor Things Adam Stockhausen, Kris Moran, Asteroid City

BEST EDITING William Goldenberg – Air Nick Houy – Barbie Jennifer Lame – Oppenheimer - WINNER Yorgos Mavropsaridis – Poor Things Thelma Schoonmaker – Killers of the Flower Moon Michelle Tesoro – Maestro

BEST COSTUME DESIGN Jacqueline Durran, Barbie - WINNER Lindy Hemming, Wonka Francine Jamison-Tanchuck, The Color Purple Holly Waddington, Poor Things Jacqueline West, Killers of the Flower Moon Janty Yates, David Crossman, Napoleon

BEST HAIR AND MAKEUP Barbie - WINNER The Color Purple Maestro Oppenheimer Poor Things Priscilla

BEST VISUAL EFFECTS The Creator Guardians of the Galaxy Vol. 3 Mission: Impossible – Dead Reckoning Part One Oppenheimer - WINNER Poor Things Spider-Man: Across the Spider-Verse

BEST COMEDY American Fiction Barbie - WINNER Bottoms The Holdovers No Hard Feelings Poor Things

BEST ANIMATED FILM The Boy and the Heron Elemental Nimona Spider-Man: Across the Spider-Verse - WINNER Teenage Mutant Ninja Turtles: Mutant Mayhem Wish

BEST FOREIGN LANGUAGE FILM Anatomy of a Fall - WINNER Godzilla Minus One Perfect Days Society of the Snow The Taste of Things The Zone of Interest

BEST SONG “Dance the Night," Barbie “I’m Just Ken," Barbie - WINNER “Peaches," The Super Mario Bros. Movie “Road to Freedom," Rustin "This Wish," Wish "What Was I Made For," Barbie

BEST SCORE Jerskin Fendrix, Poor Things Michael Giacchino, Society of the Snow Ludwig Göransson, Oppenheimer - WINNER Daniel Pemberton, Spider-Man: Across the Spider-Verse Robbie Robertson, Killers of the Flower Moon Mark Ronson, Andrew Wyatt, Barbie

TELEVISION BEST DRAMA SERIES The Crown The Diplomat The Last of Us Loki The Morning Show Stark Trek: Strange New Worlds Succession - WINNER Winning Time: The Rise of the Lakers Dynasty

BEST ACTOR IN A DRAMA SERIES Kieran Culkin – Succession - WINNER Tom Hiddleston – Loki Timothy Olyphant – Justified: City Primeval Pedro Pascal – The Last of Us Ramón Rodríguez – Will Trent Jeremy Strong – Succession

BEST ACTRESS IN A DRAMA SERIES Jennifer Aniston – The Morning Show Aunjanue Ellis – Justified: City Primeval Bella Ramsey – The Last of Us Keri Russell – The Diplomat Sarah Snook – Succession - WINNER Reese Witherspoon – The Morning Show

BEST SUPPORTING ACTOR IN A DRAMA SERIES Khalid Abdalla – The Crown Billy Crudup – The Morning Show - WINNER Ron Cephas Jones – Truth Be Told Matthew MacFadyen – Succession Ke Huy Quan – Loki Rufus Sewell – The Diplomat

BEST SUPPORTING ACTRESS IN A DRAMA SERIES Nicole Beharie – The Morning Show Elizabeth Debicki – The Crown - WINNER Sophia Di Martino – Loki Celia Rose Gooding – Star Trek: Strange New Worlds Karen Pittman – The Morning Show Christina Ricci – Yellowjackets

BEST COMEDY SERIES Abbott Elementary Barry The Bear - WINNER The Marvelous Mrs. Maisel Poker Face Reservation Dogs Shrinking What We Do in the Shadows

BEST ACTOR IN A COMEDY SERIES Bill Hader – Barry Steve Martin – Only Murders in the Building Kayvan Novak – What We Do in the Shadows Drew Tarver – The Other Two Jeremy Allen White – The Bear - WINNER D’Pharaoh Woon-A-Tai – Reservation Dogs

BEST ACTRESS IN A COMEDY SERIES Rachel Brosnahan – The Marvelous Mrs. Maisel Quinta Brunson – Abbott Elementary Ayo Edebiri – The Bear - WINNER Bridget Everett – Somebody Somewhere Devery Jacobs – Reservation Dogs Natasha Lyonne – Poker Face

BEST SUPPORTING ACTOR IN A COMEDY SERIES Phil Dunster – Ted Lasso Harrison Ford – Shrinking Harvey Guillén – What We Do in the Shadows James Marsden – Jury Duty Ebon Moss-Bachrach – The Bear - WINNER Henry Winkler – Barry

BEST SUPPORTING ACTRESS IN A COMEDY SERIES Paulina Alexis – Reservation Dogs Alex Borstein – The Marvelous Mrs. Maisel Janelle James – Abbott Elementary Sheryl Lee Ralph – Abbott Elementary Meryl Streep – Only Murders in the Building - WINNER Jessica Williams – Shrinking

BEST LIMITED SERIES Beef - WINNER Daisy Jones & the Six Fargo Fellow Travelers Lessons in Chemistry Love & Death A Murder at the End of the World A Small Light

BEST MOVIE MADE FOR TELEVISION The Caine Mutiny Court-Martial Finestkind Mr. Monk’s Last Case: A Monk Movie No One Will Save You Quiz Lady - WINNER Reality

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Matt Bomer – Fellow Travelers Tom Holland – The Crowded Room David Oyelowo – Lawmen: Bass Reeves Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie Kiefer Sutherland – The Caine Mutiny Court-Martial Steven Yeun – Beef - WINNER

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Kaitlyn Dever – No One Will Save You Carla Gugino – The Fall of the House of Usher Brie Larson – Lessons in Chemistry Bel Powley – A Small Light Sydney Sweeney – Reality Juno Temple – Fargo Ali Wong – Beef - WINNER

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Jonathan Bailey – Fellow Travelers - WINNER Taylor Kitsch – Painkiller Jesse Plemons – Love & Death Lewis Pullman – Lessons in Chemistry Liev Schreiber – A Small Light Justin Theroux – White House Plumbers

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Maria Bello – Beef - WINNER Billie Boullet – A Small Light Willa Fitzgerald – The Fall of the House of Usher Aja Naomi King – Lessons in Chemistry Mary McDonnell – The Fall of the House of Usher Camila Morrone – Daisy Jones & the Six

BEST FOREIGN LANGUAGE SERIES Bargain The Glory The Good Mothers The Interpreter of Silence Lupin - WINNER Mask Girl Moving

BEST ANIMATED SERIES Bluey Bob’s Burgers Harley Quinn Scott Pilgrim Takes Off - WINNER Star Trek: Lower Decks Young Love

BEST TALK SHOW The Graham Norton Show Jimmy Kimmel Live! The Kelly Clarkson Show Last Week Tonight with John Oliver - WINNER Late Night with Seth Meyers The Late Show with Stephen Colbert

BEST COMEDY SPECIAL Mike Birbiglia: The Old Man and the Pool Alex Borstein: Corsets & Clown Suits John Early: Now More Than Ever John Mulaney: Baby J - Winner Trevor Noah: Where Was I Wanda Sykes – I’m an Entertainer

#Barbie #Barbie (English) #Christopher Nolan #Critics Choice Awards #Critics Choice Awards 2024 #Hollywood #International #Oppenheimer #Oppenheimer (English) #OTT #OTT Platform #Succession #Television #The Bear #TV #bollywood hungama

[nessjo]

20th anniversary of Peter Pan (2003)

Peter Pan

International theatrical release poster

Directed by: P. J. Hogan

Screenplay by:

P. J. Hogan

Michael Goldenberg

Based on: Peter and Wendy by J. M. Barrie

Produced by:

Lucy Fisher

Douglas Wick

Patrick McCormick

Starring:

Jeremy Sumpter

Jason Isaacs

Rachel Hurd-Wood

Richard Briers

Olivia Williams

Lynn Redgrave

Ludivine Sagnier

Geoffrey Palmer

Cinematography: Donald McAlpine

Edited by:

Garth Craven

Michael Kahn

Music by: James Newton Howard

Production companies:

Universal Pictures

Columbia Pictures

Revolution Studios

Red Wagon Entertainment

Allied Stars Ltd

Distributed by:

Universal Pictures (English-speaking territories and South Africa)

Columbia TriStar Film Distributors International (International)

Release dates:

18 December 2003 (Australia)

24 December 2003 (United Kingdom)

25 December 2003 (United States)

Running time: 113 minutes

Countries:

United Kingdom

United States

Australia

Language: English

Budget: $130 million

Box office: $122 million

#peter pan #wendy darling #john darling #michael darling #george darling #mary darling #captain james hook #mr smee #the lost boys #tinkerbell #peter pan 2003 #20th anniversary

[luckydiorxoxo]

Jharrel Jerome and Jennifer Lopez are starring in William Goldenberg’s ‘UNSTOPPABLE’ from producers Ben Affleck and Matt Damon.

Jerome will star as wrestler Anthony Robles, while Lopez will play his mother.Robles will be heavily involved in the project

#matt damon #Ben affleck #jennifer lopez #jharrel jerome

[moviesharkd]

[deadlinecom]

[cinema-tv-etc]

AIR (2023)

Air is a 2023 American biographical sports drama film directed by Ben Affleck and written by Alex Convery. The film is based on true events about the origin of Air Jordan, a basketball shoeline, of which a Nike employee seeks to strike a business deal with rookie player Michael Jordan. It stars Matt Damon, Ben Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker and Viola Davis.

The project was announced in April 2022 with Affleck set to direct, as well as star and produce alongside Damon with their newly formed production company Artists Equity. Principal photography took place between June and July 2022 with Affleck reuniting with his frequent collaborators: cinematographer Robert Richardson and editor William Goldenberg. While Michael Jordan was not involved with the production, he did meet with Affleck, offering several suggestions, including the casting of Davis as his mother. Originally set to premiere on the streaming service Amazon Prime Video, distributor Amazon Studios opted to release the film theatrically first after positive test screenings, making it the first Amazon title since Late Night (2019) to be released in theaters without also premiering on Prime Video.

Air had its premiere at South by Southwest on March 18, 2023, and was released theatrically in the United States on April 5. The film received positive reviews from critics, particularly for Affleck's direction, Convery's screenplay and the performances of the cast, and has grossed $90 million worldwide on a budget of $70–90 million. The film also performed well on Amazon Prime Video streaming

Follows the history of shoe salesman Sonny Vaccaro, and how he led Nike in its pursuit of the greatest athlete in the history of sports: Michael Jordan.

Critics' reviews

"Ben Affleck Turns Nike’s Quest to Sign Michael Jordan Into This Generation’s ‘Jerry Maguire’ (…) Viola Davis is to acting what Jordan is to sports: Her strength inspires, and she can move us to tears while making it look easy. Peter Debruge: Variety

"Each actor gives a powerful and award winning performance. 'Air' is a slam dunk and ultimately one of the best sports movies ever made" Marisa Mirabal: IndieWire

"'Air' is year's best film so far (…) Rating: ★★★★ (out of 4)" Richard Roeper: Chicago Sun-Times

"Affleck's directorial record is pretty impressive and 'Air' feels like his most inspired effort to date (…) Rating: ★★★½ (out of 4)" Brian Truitt: USA Today

"In his fifth feature film, Affleck’s talents exceed expectations. He’s grown as an actor and director but is best when doing both." Valerie Complex: Deadline

"As always, Affleck remains one of the directors who can disguise a powerful parable as giddy, crowd-pleasing entertainment." Richard Whittaker: Austin Chronicle

"Ben Affleck’s ode to Michael Jordan is affectionate and involving, even when it fails to convince"

#AIR (2023) #Youtube

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 5 / 10

Título Original: Silent Rage

Año: 1982

Duración: 105 min

País: Estados Unidos

Dirección: Michael Miller

Guion: Joseph Fraley

Música: Peter Bernstein, Mark Goldenberg

Fotografía: Robert C. Jessup, Neil Roach

Reparto: Chuck Norris, Ron Silver, Steven Keats, Stephen Furst, Toni Kalem, William Finley, Brian Libby, Stephanie Dunnam, Joyce Ingle, Jay De Plano

Productora: Columbia Pictures

Género: Action ; Crime; Horror

TRAILER:

#Youtube

[transformers-of-the-beats2023]

트랜스포머: 비스트의 서막 2023 전체 영화 다시보기 무료시청1080p

트랜스포머: 비스트의 서막 (영화) 전체 영화 [Transformers: Rise of the Beasts] 전체 영화 HD 다운로드 2023,트랜스포머: 비스트의 서막 전체 영화 ((2023-HD)) 온라인 무료보기,트랜스포머: 비스트의 서막 전체 영화 Transformers: Rise of the Beasts (2023-HD) 전체 영화 다운로드,트랜스포머: 비스트의 서막 풀 영화 [Transformers: Rise of the Beasts ] 전체 영화 다시보기2023

트랜스포머: 비스트의 서막- - Transformers: Rise of the Beasts (2023) 전체 영화((한국영화))전체 버전 HD 다운로드, 트랜스포머: 비스트의 서막- - Transformers: Rise of the Beasts 풀 버전(2023년 영화)[ HD4K], 트랜스포머: 비스트의 서막- - Transformers: Rise of the Beasts (영화) 전체 영화 【KOREAN】전체 버전 HD 다운로드 2023, 트랜스포머: 비스트의 서막- - Transformers: Rise of the Beasts (영화) 전체 영화((KO))한국어 영화2023

전 우주의 행성을 집어삼키는 절대자, ‘유니크론’의 부하 ‘스커지’는 ‘테러콘’들을 이끌고 지구에 당도한다. 그에 맞서기 위해 지구에 정체를 숨기고 있던 트랜스포머 ‘오토봇’ 군단이 모습을 드러내고 또 다른 트랜스포머 진영인 ‘맥시멀’과 힘을 합친다. 옵티머스 프라임이 이끄는 ‘오토봇’과 옵티머스 프라이멀을 중심으로 한 ‘맥시멀’. 모두의 운명을 건 그들의 압도적 전투가 시작된다!

트랜스포머: 비스트의 서막 2023

출시 됨: 2023-06-06 실행 시간: 127 의사록 유형: 액션, 모험, SF 별: Anthony Ramos, Dominique Fishback, Luna Lauren Velez, Dean Scott Vazquez, Tobe Nwigwe 감독: Steven Spielberg, William Goldenberg, Michael Bay, Don Murphy, Patrick Tatopoulos

따단-딴-따단-딴 ♫ 전 세계를 열광시킬 올 타임 슈퍼 어드벤처의 등장! 뉴욕의 평범한 배관공 형제 '마리오'와 ‘루이지’는 배수관 고장으로 위기에 빠진 도시를 구하려다 미스터리한 초록색 파이프 안으로 빨려 들어가게 된다. 파이프를 통해 새로운 세상으로 차원 이동하게 된 형제. 형 '마리오'는 뛰어난 리더십을 지닌 '피치'가 통치하는 버섯왕국에 도착하지만 동생 '루이지'는 빌런 '쿠파'가 있는 다크랜드로 떨어지며 납치를 당하고 ‘마리오’는 동생을 구하기 위해 ‘피치’와 ‘키노피오’의 도움을 받아 '쿠파'에 맞서기로 결심한다. 그러나 슈퍼스타로 세상을 지배하려는 그의 강력한 힘 앞에 이들은 예기치 못한 위험에 빠지게 되는데…!

트랜스포머: 비스트의 서막 Transformers: Rise of the Beasts 온라인보기(2023)온라인보기 풀영화이

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오리 새끼시청각 허구의 신

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트랜스포머: 비스트의 서막 Transformers: Rise of the Beasts 무료 다시보기 ��트리밍

손목 시계 트랜스포머: 비스트의 서막 Transformers: Rise of the Beasts (영화)무료보기

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네이터리, 제이크 부부의 셋째 딸로 툭이란 애칭으로 불리는 등장인물.

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Transformers: Rise of the Beasts (2023) 편 전체 영화 온라인 무료

Transformers: Rise of the Beasts 다시보기 온라인

Transformers: Rise of the Beasts 영화 다시보기 온라인

Transformers: Rise of the Beasts 한국 개봉일

Transformers: Rise of the Beasts 영화 다운로드

Transformers: Rise of the Beasts 다시보기 오픈로드

Transformers: Rise of the Beasts 2023 다시보기

Transformers: Rise of the Beasts (영화) 다시보기링크

Transformers: Rise of the Beasts 다시보기 온라인(2023)자막 다운

Transformers: Rise of the Beasts 무료보기 사이트

Transformers: Rise of the Beasts 다시보기 (1080P) 무료보기 다운로드

Transformers: Rise of the Beasts 무료 다시보기 스트리밍

손목 시계 Transformers: Rise of the Beasts (영화)무료보기

손목 시계 Transformers: Rise of the Beasts 예고편|다운로드 토렌트

트랜스포머: 비스트의 서막 다시보기 영화 영화 1부

트랜스포머: 비스트의 서막 다시보기 영화 영화 무료 다운로드

기존에 영화 배급을 맡고 있던 워너 브라더스 코리아가 한국 영화 사업을 철수하기로 하여 촬영이 무산될 뻔 했으나, NEW와 워너 브라더스 코리아가 ‘마녀2'의 라이센스 협상을 진행한 끝에 NEW에서 '마녀 2'를 이어가게 됐다.

2020년 12월 말에 촬영을 시작해 2021년 4월 19일 크랭크업 하였다. #

본래 2021년 하반기에 개봉될 예정이었으나 코로나로 인해 연기되었다. 현재는 2023년 하반기로 예정되어있다.

2023년 2월 10일 시놉시스와 스틸 컷[2]이 같이 공개되었다.

2023년 3월 25일 개봉일은 2023년 6월이 될 것이라는 기사가 나왔다. #

2023년 5월 3일, 런칭 포스터 및 글로벌 포스터 공개와 함께 2023년 6월 15일 개봉이 확정되었다. #

2023년 5월 9일, 기밀 사이트가 오픈되며 '미스터리한 존재가 밝혀질 최초 영상 공개!'라는 내용이 올라왔다. #

2023년 5월 12일 오후 12시에 마침내 티저 예고편이 공개되었다.

2023년 5월 24일 오후 12시에 메인 예고편이 공개되었다.

우리는 뉴스 또는 올해의 영화 일정에 대한 정보를 기꺼이 받아 들일 수있는 모든 사람에게 말할 것입니다. 우리는 당신이 최고의 영화 추천을 찾을 수있는 최고의 파트너가 될 수 있기를 희망합니다. 이들은 우리의, 인사말입니다!

오늘 비디오를 시청해 주셔서 감사합니다.

나는 당신이 내가 공유 한 비디오를 즐길 수 있기를 바랍니다. 당신이 우리가 공유 한 것을 좋아하는 경우, 좋아요를 누르거나 공유하시기 바랍니다, 우리를 더 흥분.

쾌활한 미소를 지으며 세상을 다양한 색상으로 되살렸습니다.

영화�� 일련의 라이브 이미지 형태의 예술 작품이며, 이러한 라이브 이미지를 회전하면 모션 이미지의 환상을 만들고 엔터테인먼트로 표현됩니다. 일련의 이미지의 착시는 비디오 형태의 연속 모션을 생성합니다. 영화는 종종 영화 또는 영화라고합니다. 영화는 비즈니스와 엔터테인먼트를 위해 만들어진 현대 팝 아트의 한 형태입니다. 영화 제작은 이제 전 세계에서 가장 인기있는 산업이되었습니다.

영화를 만드는 두 가지 주요 방법이 있습니다. 첫 번째는 필름 카메라를 통한 촬영 및 녹화 기술입니다. 이 방법은 이미지 또는 개체를 촬영하여 수행됩니다. 두 번째는 기존의 애니메이션 기술을 사용합니다. 이 방법은 컴퓨터 그래픽 애니메이션 또는 CGI 기술을 통해 수행됩니다. 둘 다 다른 기술 및 시각 효과와 결합 될 수 있습니다. 촬영은 일반적으로 비교적 긴 시간이 걸립니다. 또한 감독, 프로듀서, 편집자, 옷장, 시각 효과 등으로 시작하는 작업대가 필요합니다.

영화/영화의 정의 및 정의입니다

영화에서 역할을 하는 플레이어를 배우(남성) 또는 여배우(여성)라고 합니다. 또한 영화 속 캐릭터가 거의 없는 보조 캐릭터로 사용되는 ‘배우’라는 단어도 있다. 점점 더 큰 역할을 하는 주요 배우와는 다르다. 그는 주연 영화의 주제에 맞게 배우와 재능모두 요구되어야 합니다. 일부 시나리오에서는 배우의 캐릭터를 스턴트맨이나 스턴트맨으로 대체할 수 있습니다. 스턴트 맨의 존재는 일반적으로 액션 영화에서 찾을 수있는 어렵고 극단적 인 장면에서 배우의 역할을 대체하는 데 중요합니다.

영화는 영화 제작자에게 특정 정보를 전달하는 데도 사용할 수 있습니다. 일부 산업은 또한 자신의 상징과 문화를 전달하고 대표하기 위해 영화를 사용합니다. 영화 제작은 또한 인간의 표현, 생각, 개념, 개념, 감정과 감정의 시각적 표현이다. 영화 자체는 주로 소설,하지만 일부 영화는 실제 이야기 또는 실제 이야기를 기반으로하지만.

원본과 실제 사진이 실재된 다큐멘터리나 인물의 이야기를 담은 전기 영화도 있다. 액션, 공포, 코미디, 로맨스, 판타지, 스릴러, 드라마, 공상 과학 영화, 범죄, 다큐멘터리 등 많은 인기있는 장르의 영화가 있습니다.

그것은 영화 또는 영화의 정의에 대한 몇 가지 정보입니다. 이 정보는 다양한 소스 및 참조에서 가져온 것입니다. 나는 그것이 유용 할 수 있기를 바랍니다.

MO TV ❍❍❍

원래 TV 프로그램은 실험적이고 산발적인 라디오로 1930년대에 시작된 타워에서 짧은 범위에서만 볼 수 있습니다. 1936년 독일 하계 올림픽, 19340년 영국 왕 조지 VI대관식, 데이비드 사노프의 1939년 미국 뉴욕 월드 엑스포와 같은 텔레비전 경기는 언론의 발전을 촉진했지만, 제2차 세계 대전은 이러한 미디어를 성장시했습니다. 전쟁이 끝날 때까지 는 발전을 멈추지 않았다. 19440년 세계 영화제는 많은 미국인들이 첫 TV 세트를 구입하도록 영감을 주었고, 1948년에는 인기 라디오 프로그램인 텍스코 스타 테라트로(Texaco Star Theatre)가 주간 TV 쇼가 되어 진행자 밀튼 버레(Milton Berle)가 “미스터 TV”라는 타이틀을 획득했습니다. 미디어는 광고주를 유치 할 수있는 안정적이고 현대적인 엔터테인먼트 형태입니다. 1951년 9월 4일, 해리 트루먼 미국 대통령이 샌프란시스코에서 열린 일본 및 협정 회의에서 연설한 연설은 AT&T의 대륙 간 케이블 및 마이크로파 무선 릴레이 시스템을 통해 현지 시장의 라디오 방송국으로 전송되었습니다.

1954년 1월 1일 미국에서 첫 전국 컬러 방송(1954년 로즈 투어)이 개최되었습니다. 이후 10년 동안 대부분의 인터넷 방송과 거의 모든 지역 프로그램은 흑백으로 진행되었습니다. 1965년 가을에 컬러 변환이 발표되며, 이 기간 동안 모든 웹 골든 타임 프로그램의 절반 이상이 컬러로 방송됩니다. 불과 1년 후, 첫 번째 풀 컬러 골드 타임이 왔습니다. 19402년, 주간 네트워크 디스플레이의 마지막 예약은 컬러로 변환되어 첫 번째 완전 풀 컬러 네트워크 시즌으로 이을세했습니다.

❍❍❍ 형식 및 장르를 ❍❍❍

참조: 장르 목록 • 영화 및 TV 형식 및 장르

렌더링할 수 있는 형식과 다양성으로 인해 TV 프로그램은 대부분의 다른 형태의 미디어보다 더 다양합니다. 공연은 허구(예: 코미디 및 드라마) 또는 논픽션(예: 다큐멘터리, 뉴스 및 리얼리티 쇼)일 수 있습니다. 그것은 주제 (예 : 지역 뉴스 방송 및 영화를 위해 만든 일부 영화) 또는 역사적 (예 : 많은 다큐멘터리 및 가상의 MOVIE)일 수 있습니다. 그들은 주로 교육적 또는 교육적일 수 있으며, 상황별 코미디와 게임 쇼에서 의기일 수 있습니다. [인용 필요]

드라마 프로그램은 일반적으로 역사적 또는 현대적 맥락에서 배우의 역할을 특징으로합니다. 이 프로그램은 그들의 삶과 모험을 따릅니다. 1980년대 이전에는 쇼(드라마 유형의 에피소드 제외)가 일반적으로 정적 상태이며 스토리가 없으며 주요 캐릭터와 전제가 거의 변경되지 않았습니다. 마지막으로 실행 취소합니다. 따라서 에피소드를 임의의 순서로 브로드캐스트할 수 있습니다. [참조 필요] 1980년대 이후 많은 MOVIE가 줄거리, 캐릭터 또는 둘 다의 과정에서 점진적으로 변경되었습니다. 예를 들어 힐 스트리트 블루스와 세인트 엘더버가 있습니다. Elsewhere)는 미국 최초의 황금 시간대 TV 영화입니다[4]. [4] 예정된 5시즌 동안 예정된 이야기가 있습니다. [참조 필요]

주요 언론사 매출에서 TV가 차지하는 비중은 2012년 이미 영화를 능가한 것으로 보고됐다. [5] 일부 사람들은 또한 일부 TV 프로그램의 품질 향상을 보고. 2012년 아카데미상을 수상한 영화 감독 스티븐 소더버그(Steven Soderbergh)는 캐릭터와 내러티브의 모호성과 복잡성에 대해 “TV에서 이러한 특성이 이미 보고 있다고 생각한다”며 “이런 특성을 가진 이야기를 보고 싶어 하는 사람들이 TV를 보고 있다”고 말했다.

❍❍❍ 시청과 시청에 모두 ❍❍❍

이번 주에 상영되는 영화를 포함하여 온라인으로 재생할 수 있는 모든 영화를 찾습니다. 이 사이트에서 무엇을 볼 수 있는지 알고 싶다면 범죄, 과학, Fi-Fi, 액션, 로맨스, 스릴러, 코미디, 드라마 및 애니메이션 영화를 다루는 유형을 알아야합니다.

대단히 감사합니다. 우리는 뉴스 또는 올해의 영화 일정에 대한 정보를 기꺼이 받아 들일 수있는 모든 사람에게 말할 것입니다. 우리는 당신이 최고의 영화 추천을 찾을 수있는 최고의 파트너가 될 수 있기를 희망합니다. 이들은 우리의, 인사말입니다!

오늘 비디오를 시청해 주셔서 감사합니다.

나는 당신이 내가 공유 한 비디오를 즐길 수 있기를 바랍니다. 당신이 우리가 공유 한 것을 좋아하는 경우, 좋아요를 누르거나 공유하시기 바랍니다, 우리를 더 흥분.

쾌활한 미소를 지으며 세상을 다양한 색상으로 되살렸습니다.

참여해 주셔서 감사합니다, 나는 당신이 영화를 즐길 수 있기를 바랍니다

#트랜스포머: 비스트의 서막 2023 전체 영화 다시보기 무료시청1080p

[criticalbennifer]

#ben affleck #air movie

[sesiondemadrugada]

Argo (Ben Affleck, 2012).

#argo #argo (2012) #ben affleck #taylor schilling #rodrigo prieto #william goldenberg #sharon seymour #peter borck #jacqueline west #ken chocolate #jan pascale #chris terrio #tony mendez #joshuah bearman

[genevieveetguy]

See all those words printed in a line one after the other? Put 'em all together and you have a story.

News of the World, Paul Greengrass (2020)

#Paul Greengrass #Luke Davies #Tom Hanks #Helena Zengel #Michael Angelo Covino #Elizabeth Marvel #Mare Winningham #Ray McKinnon #Cash Lilley #Bill Camp #Winsome Brown #Dariusz Wolski #James Newton Howard #William Goldenberg #2020

[bolllywoodhungama]

What is the Review of Transformers: Rise of the Beast?

Transformers: Rise of the Beasts (English) Review {2.5/5} & Review Rating

TRANSFORMERS: RISE OF THE BEASTS is about Autobots, Maximals and humans coming together for a greater cause. Many years ago, the dark god Unicorn attacks a planet inhabited by the Maximals. Apelinq, the Maximal leader, sacrifices himself, while the other Maximals escape with a crucial Transwarp Key. In 1994, Noah (Anthony Ramos), an ex-military electronics expert, is trying hard to land a job and support his family, comprising his mother Breanna (Luna Lauren Vélez) and younger brother Kris (Dean Scott Vazquez). With no other option, he agrees to steal a car for a good deal. The same day, Elena (Dominique Fishback), an intern at a museum and an expert researcher, gets intrigued by a bird sculpture that arrives in the facility. At night, when there’s no one in the museum, she starts studying it and while doing so, she accidentally triggers it. It sends out a transwarp signature and alerts all the Transformers in New York. One of them is Mirage (Pete Davidson), the car that Noah breaks into. Mirage rushes to a spot, while a scared Noah is inside him. Noah soon learns that Mirage is a Transformer and he meets other Autobots like Optimus Prime (Peter Cullen), Bumblebee and Arcee (Liza Koshy). They realize that the signature is emitting from the museum. Mirage asks Noah to help them retrieve the key in return for a huge amount of money. Mirage agrees and he reaches the museum where he bumps into Elena. Meanwhile, Noah and Elena get attacked by Scourge (Peter Dinklage), who works under Unicorn. The Autobots come to the rescue but get defeated. Scourge leaves with the key only to realize that it’s just one half of the Transwarp Key. Elena, through her findings, concludes that the other half of the key must be in Peru. The Autobots leave for the South American country. Noah and Elena also join in as they realize that if the Autobots lose, planet Earth can also be in danger. What happens next forms the rest of the film.

Jongnic Bontemps's music has a cinematic and exhilarating feel. Enrique Chediak's cinematography is scenic. The locales of Peru, especially, have been shot beautifully. Sean Haworth's production design is appealing. Ciara Whaley's costumes are nothing special. VFX is topnotch while the action is spectacular. Joel Negron and William Goldenberg's editing is neat.

On the whole, TRANSFORMERS: RISE OF THE BEASTS makes for a nice watch thanks to its run time, action and comic moments and the action. However, the popularity of the series in India is fairly limited and this will prove detrimental to its collections.

Click here to Read the whole review in detail.

#news #bollywood hungama #hollywood news #hollywood #transformers #Transformers: Rise of the Beast #optimus

[filmista]

Pleasantville

Pleasantville is considered one of the most powerful and beautiful films of all time, I just happened to come across it recently as I was looking at some of Reese Witherspoon’s films.

After I had seen it, I could definitely see how it became one of the alleged most powerful films of all time, It’s message still resonates and speaks volumes about contemporary society. As it explores intolerance in different matters.

And while it certainly isn’t without It’s few flaws, I didn’t particularly care about them, as the film’s acting and It’ s gorgeous aesthetic more than make up for it, it truly treats us to beautiful visuals.

Pleasantville focuses on a brother and a sister, we initially start out in your average suburban American house in the 90’s. The sister who has recently gained in popularity has a date with a jock.

Meanwhile, the brother is preparing for a Pleasantville marathon, good old clean fun and 50’s family values, apparently, nice for an afternoon every now and again but certainly not forever which is exactly what happens here.

Brother and sister coincide in the living room, a fight over the remote control breaks lose, finally the remote falls on the ground and is irreparably broken.

Soon after, a mysterious mechanic offers his services. As they are watching tv, they accidentally push a button they shouldn’t have pushed and end up getting sucked in the programme, prepare for a sickeningly sweet, partly black and white 50’s suburban nightmare.

Perfect at first sight, you get a very hearty breakfast in the morning, that you are not allowed to not finish, bacon, pancakes with maple syrup, as in quantities that would under any normal circumstances guarantee a trip to the nearest hospital.

A crazy diner where the local teens meet up after school, to have their milkshakes and make plans to go to Lover’s Lane, where they subsequently only hold hands and do some very indecent kissing.

The siblings are in a television programme, the people in it, only know said the world and don’t have much of a free will, all their actions have been previously scripted and they never stop to consider doing something differently, this is the sibling turn up.

As it turns out, they can’t leave the town, as it simply ends and starts again after Main Street and Elm Street, they can never read a book for fun, as the pages are without written words, the houses don’t have king size or queen size beds, they don’t need them, as no one knows what sex is.

Until Mary Sue goes out with a local boy and has sex with him, who’s surprised when he gets an erection, and thinks he’s sick, she tells him It’s supposed to happen, funny but also quite tragic.

As the guy drives home, he spots a single red rose amongst the black and white, he has felt emotions and feelings that weren’t scripted, that were completely his own.

It’s the first indication that change is on its way. Later on, Mary Sue explains to her fictional mother what sex is, the mother says “your father would never do that”, Mary Sue tells her that she can have fun without him.

And here is when one of the most visually impressive sequences in the film takes place. The mother takes a bath and touches herself, soon the whole bathroom erupts in colour, and at the exact moment that she has an orgasm, the nearest tree catches fire.

Symbolising that change, a revolution is on its way. Soon all the housewives are asking their husbands for double beds, and don’t always have dinner ready on time anymore, they now leave instructions by the oven.

The people start to have free will, the owner of the local hamburger restaurant, doesn’t see the point in making hamburgers day after day anymore, he starts to paint, other starts to read, and very soon as the people mentally shift and become more liberal and free spirited, they begin to appear in colour.

But there comes a turning point when the coloured people clash with the noncolored people, signs with no coloureds allowed begin to appear.

It all starts when the owner of the hamburger restaurant, paints Betty Parker (the fictional mother of the siblings) naked, a woman he’s clearly in love with, and she seems to be in love with him also.

As he’s much more loving, kinder and respectful of her than her husband, where her husband shames her for now being coloured, he tells her she’s beautiful and to not hide it.

The next day some of the townspeople see the painting of naked Betty, on the diner’s window, and while It’s beautiful and very clearly art. The people are shocked and outraged, apparently bare breasts are corrupting and make people lose it.

Pretty soon their prudishness leads them to destroy the whole diner, the more conservative, proud black and whites turn against the coloureds, they burn books and make a whole set of rules (you could see it as metaphors for racism and fascism).

Everyone has to return to being dull, unwilled, passionless, prudish robots that lack any sense of individualism, the town begins to resemble a fascist regime closely, though eventually it does all end well.

But in the meantime, the film does explore many interesting subjects, such as the dangers of excessive prudishness, of punishing people for creativity and individuality, of the dangers of excessive want for order and control.

Some stuff has to be regulated, I think most people would agree with that, but if people become unhappy, intolerant, hateful and mindlessly and blindly obeying to authority It’s dangerous, as it can lead to everything for the law mentality, in which the law is even above human rights and human life. The film tells us about and instills all this in is along with beautiful cinematography.

But as beautiful as the film, It’s truly pleasant to watch, It’s a film that takes you on a visual and emotional journey. If the acting had been lesser, the film would have dropped to a lesser level.

Luckily this is not the case and we're treated to a cast with great chemistry that delivers powerful and passionate performances, performances that allow you to invest in the characters and their story.

Reese Witherspoon who I love and (she’s been my favourite actress since I consciously remember watching films) affectionately call “chameleon Witherspoon” due to her ability to brilliantly transform into different characters.

She once again shined. Here she was still quite young, but even in her younger years, she never really managed to show inexperience or not convincingly portray a character assigned to her.

She’s natural, charismatic, looks like she’s having while she acts and turns in a strong and consummate performance, she manages to make us care about her character and convincingly shows us the transformation she experiences.

But as much as I like Witherspoon’s performance, so far I’ve never really disliked any of her roles, even if the film in question was on the lousy side, she always remains utterly, unflinchingly, elegant and convincing.  

Her performance here is not one of my favourites, simply because I know that she’s capable of more, but it can’t be denied that she shined in what she was allowed to do here.

The film is filled with good performances, some a little more cliche and less developed, they’re roles that don’t really allow the actors room for showing off their acting range, as they’re stereotypes, but nonetheless the actors put their best foot forward and make the best out of their roles.

My favourite performances are Joan Allen and Jeff Daniels as Betty Parker and the diner owner. They’re both some of the only, genuinely kind warm and romantic people in the town.

They’re people with a distinct personality, that appears when the siblings arrive, they adapt so wonderfully and thrive in their happiness in such a delightful way that you can’t help but think that they may have become different on their own, even if the siblings hadn’t arrived.

They’re two characters that are so sympathetic and sweet natured that you can’t help but fall in love with them, and they have such realistic feeling chemistry together, that you can’t help but support them through and through.

The scene where the diner owner wipes off Betty’s B&W makeup is in my view one of the most beautiful scenes between any couple, It’s such a heartfelt, you’re almost forced to feel something.

You genuinely care about these people, and want them together, when I discovered that Betty posed for him I I thought hell yeah these people are more alive than anyone in the town!

Also, he painted her because he finally embraces his love of art, he’s fallen in love with her and wants to show her that she’s loved and that she has absolutely nothing to be ashamed of.

And he does it through art, and as he does it, they both make each other come alive, It’s not a cold, you sit still over there and I’ll paint you or snap a picture of you, for purely commercial reasons.

It’s a genuine romantic moment between two people, also there’s no “paint me like one of your French girls” ( sorry, I simply couldn’t resist) of any sort to be seen anywhere.

The direction allowed in part for the good acting, it shows that the director worked well with the cast and that they had clear ideas of what to do.

I don’t know if they were allowed much or any improvisation at all, but all the actors deliver performances that feel natural and unforced, not tense or scripted.

As I said earlier some performances are less developed than others, it would have been nice to discover some of these characters more in depth, but It’s not something that detracts.

As those performances are also good, but I do believe that would have elevated it to the next level, you would have been even more emotionally invested.

Next, there’s a few flaws and inconsistencies, things that aren’t explained or that seem a bit out of place, but It’s in very few scenes and the film has such a powerful overall message, that you can easily overlook it.

One thing in the direction that I couldn’t possibly critique is the pacing and timing. The director’s dramatic timing is excellent, everything happens at precisely the right instant, this one of the things that make the film feel so alive, along with its great sense of spontaneity and lastly it never drags.

The cinematography is just utterly stunning, the contrast between black and white and colours makes for gorgeous shots, of course, a large part of it also lies in the camera work.

The shift between colours and black appears in tactfully measured moments, and are filmed in such a way that they surprise and overwhelm in the bests sense of the world.

These scenes feel like little cinematographic pearls, that you collect throughout the film until in the end you’re left with the grand beautiful painting, that it is on a whole.

I see Pleasantville as a painting or a puzzle, that constructs itself before your eyes, as both the scenery and the people change, the camera transmits this in way that never feels all over the place, it feels intimate,It’s more like watching the visual equivalent of what I can only call a sociological fairytale, or a newspaper article being told.

The wonderful soundtrack with music by Randy Newman and Fiona Apple also adds plenty of charm and helps in creating the pleasant atmosphere.

If you want to watch a unique, little film that moves, that touches different subjects originally, that’s beautiful to look at and that It’s heart in the right place I suggest giving Pleasantville a chance.

“Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.” ― Virginia Woolf, A Room of One's Own

#pleasantville #pleasantville 1998 #pleasantville movie #pleasantville film #gary ross #tobey maguire #reese witherspoon #william h. macy #joan allen #jeff daniels #j.t. walsh #don knotts #marley shelton #randy newman #john lindley #william goldenberg #comedy #drama #fantasy #comedy films #comedy movies #drama films #drama movies #fantasy films #fantasy movies #movies #films #movie review #film review #cinema

[popentertainment-moviereviews]

LOVE, WEDDINGS & OTHER DISASTERS (2020)

Starring Diane Keaton, Jeremy Irons, Maggie Grace, Diego Boneta, Andrew Bachelor, Andy Goldenberg, Melinda Hill, Caroline Portu, Jesse McCartney, JinJoo Lee, Rachel Wirtz, Veronica Ferres, Dennis Staroselsky, Todd Stashwick, Abbey Dubin, William Xifaras, Chandra West, Richard Kline, Elle King, Keaton Simons and Dennis Dugan.

Screenplay by Dennis Dugan.

Directed by Dennis Dugan.

Distributed by Saban Films. 96 minutes. Rated PG-13.

While Diane Keaton has been in more of her fair share of god-awful comedies over the years – Because I Said So or Poms, anyone? – it is still kind of disheartening to see such a wonderful, eccentric talent as Keaton stuck in crap like Love, Weddings & Other Disasters.

At least Keaton has a relatively smallish role in this ensemble misfire, and her character – a sightless woman who is set up on a blind date (blind date, gettit?) with a stuffy, OCD-afflicted caterer to the stars (Jeremy Irons) – is one of the less annoying characters in the film. Still, she (and Irons, for that matter) are way too good as actors to be stuck in a stink bomb like this.

Disasters is probably the defining word in the title of this cheeseball, silly rom-com. Figuratively, of course, but also literally.

We are introduced to Jessie (Maggie Grace), a young wannabe wedding planner, while her boyfriend is dumping her in the middle of a skydive, of all times. Of course, they end up crash landing in the middle of an outdoor wedding, and a video of Jessie knocking the bride and groom into a lake goes viral immediately, to the point when a mere day later, everyone in the world (it seems) recognizes her as the “Wedding Trasher” from Instagram.

It’s bad timing, because Jessie is up for her dream job, planning the wedding for the potential future mayor of Boston. The future politico is afraid Jessie will be too much bad publicity, but his bride-to-be takes a liking to the cute wedding planner. Jessie befriends a cute singer (Diego Bonita) who she wants to play the wedding, but the guy’s band is falling apart because his partner (Jesse McCartney) is falling for a cute new guitarist.

In the meantime, the future mayor’s loser brother (Andy Goldenberg) signs up for perhaps the slimiest reality game show ever, where the contestants have to find love by being chained to the other person for days on end. His partner in the show is a pretty Russian lawyer (Melinda Hill) who turns out to be a stripper (don’t ask…)

And did I forget the Captain of the local duck boat tour (Andrew Bachelor) who spends the entire film looking for a Cinderella fan at a bachelorette party who left her glass slipper on the tour boat? Yeah, I almost did.

There are more characters and stories strewn about in Love, Weddings & Other Disasters, but believe it or not they are even less interesting, and less likable.

Love, Weddings & Other Disasters is essentially an overlong sitcom, and not a good one at that.

Sadly, you can’t expect much more from a film by Dennis Dugan, who was a decent enough light actor in the 1970s and 1980s, but since the 1990s has made a living directing some of the worst movies ever, including several starring his friend Adam Sandler.

If possible, Love, Weddings and Other Disasters misses Sandler’s subtle humor (I was being ironic there…). This may not be Dennis Dugan’s worst film (though it may, there is just so much competition for the title), but that’s hardly a selling point. Avoid this movie like the disaster it is.

Jay S. Jacobs

Copyright ©2021 PopEntertainment.com. All rights reserved. Posted: February 4, 2021.

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