#Writing Tips

[writers-potion]

Could you give any advice for "descriptive" writing of any scene or action scenes or mapping out the scenery (Mountains, forests, streets etc) - i believe this is a struggle for Non-English speaking writers due to lack of vast vocabulary.

Common Scenery Description Tips

Vocabulary is clearly an important part of description, but it doesn’t have to be a limit. The most important thing about description in fiction is picking the right details to mention:

How does the details add to the mood of the story? A mountain ridge will be dark, gray and foggy if the overall mood is meant to be mysterious/brooding. In contrast, a mountain can be brilliantly snow-capped, lush green and “smiling down” upon the character if they’re out for a light stroll.

How are the contrasts/complementary aspects being brought out?

Are you using the five senses? You can even combine the senses, ie. blue ringing of the church bells

(If you have the POV character) what 

Some other tips for setting description:

Use similes and metaphors. Creative figures of speech always get my attention as a reader. 

Mention story-specific elements. For example, “The sky was the shade of Zoes’ eyes” or “the mountains looked like a group of trolls sleeping on one another” 

Be concise. Today’s readers don’t want to read paragraphs and paragraphs about one landscape. Outline the larger elements in the scene, their location and general mood. Add some details, then move on. 

If the same location appears multiple times, differentiate the description little by little as you write, instead of trying to lay out one scene in too much detail at once. 

That said, here are some helpful words/phrases:

Forests/Mountains

Color: bone-white, phantom-white, hazy gray

Sound: rumbling, booming grumbling, bellowing clapping, trundling, growling, thundering

Shape: crinkled, crumpled, knotted, grizzled, rumpled, wrinkled, craggy, jagged, gnarled, rugose  

Action: sky-punching/stabbing/piercing/spearing, heaven-touching/kissing, snow-cloaked/hooded/wreathed/festooned

Sloping sides, sharp/rounded ridges, high point/peak/summit

Majestic, gargantuan humbling, vast, massive, titanic, towering, monumental, mighty, vast, humbling

Mountains having faces, etc. 

Seas

Color: blue-green, crystal-clear crystalline, emerald, frothy, hazy, glistening, pristine, turquoise

Size: boundless, abyssal, fathomless, unconquerable, vast, wondrous

Sound: billowing, blustering, bombastic

Action: boisterous, agitated, angry, biting, breaking, brazen. Churning, bubbling, changing, brooding, calm, convulsing, enticing erratic, fierce, tempestuous, turbulent, undulating

Alluring, blissful, betwitching, breezy, captivating, chaotic, chilly, elemental, disorienting

Deserts

Sight: A landscape of sand, flat, harsh sunlight, cacti, tumbleweeds, dust devils, cracked land, crumbing rock, sandstone, canyons, wind-worn rock formations, tracks, dead grasses, vibrant desert blooms (after rainfall), flash flooding, dry creek

Sounds: Wind (whistling, howling, piping, tearing, weaving, winding, gusting), birds cawing, flapping, squawking, the fluttering shift of feasting birds, screeching eagles, the sound of one’s own steps, heavy silence, baying wild dogs

Smell: Arid air, dust, one’s own sweat and body odor, dry baked earth, carrion

Touch: Torrid heat, sweat, cutting wind, cracked lips, freezing cold (night) hard packed ground, rocks, gritty sand, shivering, swiping away dirt and sweat, pain from split lips and dehydration, numbness in legs, heat/pain from sun stroke, clothes…

Taste: Grit, dust, dry mouth & tongue, warm flat canteen water, copper taste in mouth, bitter taste of insects for eating, stringy wild game (hares, rats) the tough saltiness of hardtack, biscuits or jerky, an insatiable thirst or hunger

Streets

Dusty, fume-filled, foul, sumptuous, broad, bucolic, decayed, mournful, seemingly endless, empty, unpaved, lifeless, dreadfully genteel, muddy, nondescript, residential/retail

Bleach, flimsy, silent, narrow, crooked, furrowed, smoggy, commonplace, tumbledown, treeless, shady

The blacktop streets absorb the spring sunshine as if intent upon sending heaven's warmth back through my soles.

The streets absorbed the emotions in the air, the city as the steady and reassuring mother.

The streets were a marriage of sounds, from bicycle wheels to chattering.

In the refreshing light of early daytime, the streets had the hues of artistic dreamtime, soft yet bold pastels.

Cobbled streets flowed as happy rivers in sunlight.

Parties

Some extra tips for locations like parties, where lots of action is going around practically everywhere:

Focus on the important characters - where they are, who they’re with. 

Provide some overall description of the structure of the party scene (a pool, a two-storey house with yard?), then move on to details. 

Don’t try to describe everything. 

whirlwind of laughter and music, a symphony of joyous chaos.

It was a gathering that shimmered with the glow of twinkling lights and echoed with the rhythm of dancing feet.

The air was alive with excitement, buzzing with conversations and the clink of glasses.

Every corner held a story waiting to unfold, a moment waiting to be captured in memory.

It was a tapestry of colors, a mosaic of faces, each adding their own brushstroke to the vibrant canvas of the night.

Laughter cascaded like a waterfall, infectious and unstoppable, filling the room with warmth.

The night was a carnival of senses, with aromas of delicious food mingling with the melodies that filled the air.

Time seemed to slip away in the whirl of the party, moments blending into each other like colors on a palette.

The energy of the crowd was electric, pulsing through the room like a heartbeat, binding everyone in a shared moment of celebration.

It was a celebration of life, where worries faded into the background, and the present moment was all that mattered.

#writers and poets #writing #creative writing #writers on tumblr #creative writers #helping writers #let's write #poets and writers #writeblr #resources for writers #writing practice #writing prompt #writing community #writing advice #writing tips #on writing #writing inspiration #writer #writerscommunity #writers block #writer community #writblr #writers of tumblr #writers community #writers life #writer stuff

[deception-united]

Here, have some writing tips.

Celebrating 1000 followers! Love you all ❤

Your first version doesn't have to be permanent.

A lot of writers—myself included—may feel a sort of connection or duty to their original story, draft, plot, or characters. But being afraid to change what you already have will only hinder you. My current WIP (which I'm working on with @leisureflame, check out her blog!) has been changed—and I mean completely flipped around—countless times. We started out in a medieval setting with kings and queens and burning witches, and now it's a dystopian novel set in the future in a country they're forbidden to leave. Our main character was originally dark haired, olive skinned, reserved, fierce, independent, and now she's a sunburn-prone ginger with a sanity deficiency. We've scrapped and replaced multiple characters and sacrificed plot elements we loved to attain what is best for this story. It's incredibly sad, but sometimes, it's necessary.

Don't delete your ideas.

Or excerpts. Or character ideas. An idea's occurred to you at three in the morning? In the shower? At work? Write. It. Down. Immediately. The top surface of my bookcase is littered with random notes in smudged pencil that I've jotted down. Referring back to the last point, if you change or scrap a part of your story, keep it somewhere. I like to keep a notes document that I perpetually add the most random things to: out-of-context lines of dialogue, phrases I like, new vocabulary, character descriptions—anything, really. Even if you know you're probably never going to have occasion to use it, take note of it anyway. You never know when a previous idea will be just the element you need in your story. And if not, well, they're fun to read over later.

Free write.

I know I covered this in a recent post, but I'd just like to stress on it again. Open a document or a page in your notebook and just start writing. Whatever comes to mind. Doesn't matter how nonsensical or embarrassing or muddled, as long as you're writing. This exercise can really help regain or maintain your creative flow. You'll end up with some passages that are horrible and that you will never deign to set your eyes upon in the rest of your years, and others you'll cherish. In any case, whether the result is good or atrocious, you'll have written something. It's a good way to combat writer's block, or boredom. I recommend it.

Hope this helps. Thanks for all your support!

#writeblr #writing #writing tips #writing advice #writing help #writing resources #creative writing #writer inspiration #writer stuff #writer things

[leisureflame]

THOU, THEE, THY, THINE. SAME THING RIGHT?

NO.

Although they seem very similar, Shakespeare would be in tears if he saw how most people mix them up. lets save William the misery and teach you when to correctly use thou, thy, and thine.

THOU

Thou = You (in subject form)

"Thou art killing me." "Art Thou crying?"

THEE

Thee = You (in object form)

"I want to kill thee." "My dog ate thee in my dream."

THY

Thy = Your (before a word that starts with a consonant)

"Thy mother." "Give me thy duck."

Thyself is used the same as any other thy+word combination like "thy mother" but without a space

"Take care of Thyself."

THINE

Thine = Your (before a word that starts with a vowel)

"Thine unibrow is evident." "Thou art on thine own."

Now Shakespeare can truly rest in peace.

Go follow me @leisureflame for more posts like this!

#writing #shakespeare #language #old english #history #writing tips #writing recources

[novlr]

“Write one good clean sentence and put a period at the end of it. Then write another one.” — M. F. K. Fisher

#writers #mfk fisher #writer #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writeblr #writerblr #writing tips #writing advice #writers on tumblr #authors #author #writers and poets #writer stuff #writers corner #poets and writers #writers life #on writing #writing motivation #writing stuff #author quotes #inspiring quotes

[physalian]

10 More Character Types the World Needs More of

Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.

1. Fiercely independent character’s lesson isn’t to “trust people”

I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.

Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.

So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.

2. Conventionally attractive men who aren’t horndogs

I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.

Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.

And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?

3. Manly warrior men who also write poetry

A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.

A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.

4. Characters who are characters when no one is watching

This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.

This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.

Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.

5. Characters whose neurodivergence isn't “cute”

A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?

But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.

6. Straight male characters with female friends

Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.

Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”

7. The likable bigot

I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.

Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)

She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.

8. The motherly single father

I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.

Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.

Wholesome dads: a shocking amount of single-parents to female anime protagonists.

9. The parent isn’t dead, they’re just gone

Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.

I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.

10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser

Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the “Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.

I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.

Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.

Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #character design #character development #aragorn #pixar cars #kung fu panda #lilo and stitch #treasure planet #atla #katara #my hero academia

[draw-business-while-in]

#writeblr #yamaha #caspar lee #gay body #Trainspotting #feminization captions #acnl #nope #anabella carrasco #wiccan #owlboy #writing tips #nogizaka46 #dean winchester smut

[insipid-drivel]

Horses: Since There Seems To Be A Knowledge Gap

I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

-Riding bareback is possible to do if you hold onto the horse's mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

-Horseback riding isn't exercise.

If you're not using every muscle in your body to ride with, you're not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren't affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

-There's only one way to ride a horse.

Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

#horses #horseback riding #writing #writing tips #long post

[note-she81]

#transisbeautiful #writeblr #caspar lee #Trainspotting #nope #wiccan #owlboy #writing tips #dean winchester smut #noah schnapp #on my block #outdoor #rosie huntington whiteley #acomaf #oscars

[thingsthatcometomymindwheniwrite]

writing tips blogs: “to make your character feel real and relatable you need to take a little from them.”

dystopian writers: “On it boss!” *turns to main character and points at them with a pencil* “No bitches, no family, no limbs, no hope, no healing, no rest, no peace, no clue, no wisdom, no help, no freedom, no redemption, no happy end, no comfort, no safety, no food, no mercy, no dignity, no conclusion, no impact, ONLY WAR.”

#writing #text post #book tropes #writerblr #booklr #writerscorner #books and reading #books #writer things #queer writers #writer memes #writing memes #lgbt writers #writing community #writeblr #writers on tumblr #writerscommunity #dystopia #dystopian fiction #writing tips

[ask-the-prose]

Writing Mental Health With Compassion

I've gotten a few questions regarding depicting characters with mental health challenges and conditions and I wanted to expand a little more on how to depict these characters with compassion for the real communities represented by these characters.

A little about this guide: this is, as always, coming from a place of love and respect for the writing community and the groups affected by this topic at large. I'm also not coming at this from the outside, I have certain mental illnesses that affect my daily life. With that, I'll say that my perspective may be biased, and as with all writing advice, you should think critically about what is being told to you and how.

So let's get started!

Research

I'm sure we're all tired of hearing the phrase "do your research," but unfortunately it is incredibly important advice. I have a guide that touches on how to do research here, if you need a place to get started.

When researching a mental health condition that we do not experience, we need to do so critically, and most importantly, compassionately. While your characters are not people, they are assigned traits that real people do have, and so your depiction of these traits can have an impact on people who face these conditions themselves.

I've found that reddit is a decent resource for finding threads of people talking about their personal experiences with certain illnesses. For example, bipolar disorder has several subreddits that have very open and candid discussions about bipolar, how it impacts lives, and small things that people who don't have bipolar don't tend to think about.

It's important to note that these spaces are not for you. They are spaces for people to talk about their experiences in a place without judgment or fear or stigma. These are not places for people to give out writing advice. Do NOT flood subreddits for people seeking support with questions that may make others feel like an object to be studied. It's not cool or fair to them for writers to enter their space and start asking questions when they're focused on getting support. Be courteous of the people around you.

Diagnosis

I have the belief that for most stories, a diagnosis for your characters is unnecessary. I have a few reasons for thinking this way.

Firstly, mental health diagnoses are important for treatment, but they're also a giant sign written across your medical documents that says, “I'm crazy!” Doctors may try to remain unbiased when they see mental health diagnoses, but anybody with a diagnosis can say that doctors rarely succeed. This translates to a lot of people never getting diagnoses, never seeking treatment, or refusing to talk about their diagnosis if they do have one.

Secondly, I've seen posts discuss “therapy speak” in fiction, and this is one of those instances where a diagnosis and extensive research may make you vulnerable to it. People don't tend to discuss their diagnoses freely and they certainly don't tend to attribute their behaviors as symptoms.

Finally, this puts you, the writer, into a position where you treat your characters less like people and story devices and more like a list of symptoms and behavioral quirks. First and foremost, your characters serve your story. If they don't feel like people then your characters may fall flat. When it comes to mental illness in characters, the people aspect is the most important part. Mentally ill people are people, not symptoms.

Those are my top three reasons for believing that most characters will never need a specific diagnosis. You will likely never need to depict the difference between bipolar and borderline because the story itself does not need that distinction or to reveal a diagnosis at all. I feel that having a diagnosis in mind for a character has more pitfalls than advantages.

How does treatment work?

Treating mental health conditions may appear in your story. There are a number of ways treatments affect daily life and understanding the levels of care and what those levels treat will help you depict the appropriate settings for your characters.

The levels of care range from minimally restrictive and minimal care to intensive in-patient care in a secure hospital setting.

Regular or semi-regular therapy is considered outpatient care. This is generally the least restrictive. Your characters may or may not also take medications, in which case they may also see a psychiatrist to prescribe those medications. There is a difference between therapists, psychiatrists, and psychologists. Therapists do not prescribe medications, psychiatrists prescribe medications after an evaluation, and psychologists will (sometimes) do both. (I'm US, so this may work differently depending where you are. You should always research the specific setting of your story.) Generally, a person with a mental illness or mental health condition will see both an outpatient therapist and an outpatient psychiatrist for their general continuing care.

Therapists will see their patients anywhere from once in a while as-needed to twice weekly. Psychiatrists will see new patients every few weeks until they report stabilizing results, and then they will move to maintenance check-ins every 90-ish days.

If the patient reports severe symptoms, or worsening symptoms, they will be moved up to more intensive care, also known as IOP (Intensive Outpatient Program). This is usually a group-therapy setting for between 3-7 hours per day between 3-5 days a week. The group-therapy is led by a Licensed Professional Counselor (LPC) or Licensed Professional Social Worker (LPSW). Groups are structured sessions with multiple patients teaching coping mechanisms and focusing on treatment adjustment. IOP’s tend to expect patients to see their own outpatient psychiatrist, but I've encountered programs that have their own in-house psychiatrists.

If the patient still worsens, or is otherwise needing more intensive care, they'll move up to PHP (Partial Hospitalization Program). This can look different per facility, but I've seen them to be more intensive in hours and content than IOP. They also usually have in-house psychiatrists doing diagnostic psychological evaluations. It's very possible for characters with “mild” symptoms to go long periods of time, even most of their lives, without having had a diagnosis. PHP’s tend to need a diagnosis so that they can address specific concerns and help educate the patient on their condition and how it may manifest.

Next step up is residential care. Residential care is a boarding hospital setting. Patients live in the hospital and focus entirely on treatment. Individual programs may differ in what's allowed in, how much contact the patients are allowed to have, and what the treatment focus is. Residential programs are often utilized for addiction recovery. Good residential programs will care about the basis for the addiction, such as underlying mental health issues that the patient may be self-medicating for. Your character may come away with a diagnosis, or they may not. Residential programs aren't exclusively for addictions though, and can be useful for severe behavioral concerns in teenagers or any number of other concerns a patient may have that manifest chronically but do not require intensive inpatient restriction.

Inpatient hospital stays are the highest level of care, and this tends to be what people are talking about when they tell jokes about “grippy socks.” These programs are inside the hospital and patients are highly restricted on what they can and cannot have, they cannot leave unless approved by the hospital staff (the hospital's psychiatrist tends to have the final say), and contact with the outside world is highly regulated. During the days, there are group therapy sessions and activities structured very carefully to maintain routine. Staff will regulate patient hygiene, food and sleep routines, and alone time.

Inpatient hospital programs are controversial among people with mental illness and mental health concerns. I find that they have use, but they are also not an easy or first step to take when dealing with a mental health condition. Patients are not allowed sharp objects, metal objects, shoelaces, cutlery, and pens or pencils. Visitors are not allowed to bring these items in, staff are not allowed these items either. This is for the safety of the patients. Typically, if someone is involuntarily admitted into the inpatient hospital program, it is due to an authority (the hospital staff) deeming the patient as a danger to themselves or others. Whether they came in of their own will (voluntary) or not does not matter in how the program operates. Everyone is treated the same. If someone is an active danger to themselves, then they may be on 24-hour suicide watch. They are not allowed to have any time alone. No, not even for the bathroom, or while sleeping, or during group sessions.

Inpatient Hospital Programs

This is a place of high curiosity for those who have never been admitted into inpatient care, so I'd like to explain a little more in detail how these programs work, why they're controversial, but how they can be useful in certain situations. I do have personal experience in this area, but as always, your mileage may vary.

When admitting, hospital staff are the final say. Not the police. The police hold some sway, but most often, if someone is brought in by the police, they are likely to be admitted. They are only involuntarily admitted when the situation demands: the staff have determined the person to be an imminent danger to themselves or others. This is obviously subjective, and can easily be abused. A good program with decent staff will do everything they can to convince the patient to admit voluntarily if they feel it is necessary, but ultimately if the patient declines and the staff don't feel they can make the clinical argument that admittance is necessary, the patient is free to leave. It should be noted that doctors and clinicians have to worry about possibly losing their licenses to practice. They don't want to fuck around with involuntary admittance if they don't have to, and they don't want potentially dangerous people to walk away.

Once admitted, the patient will have to remove their clothing and put on a set of hospital scrubs. These are mostly made of paper, and most often do not have pockets, but I have seen sets that do have pockets (very handy, tbh). They are not allowed to take anything into the hospital wing except disability-required devices such as glasses, hearing aids, mobility aids, etc. Most programs will require removing piercings, but not all of them, in my experience.

The nurses will also do a physical examination, where they will make note of any open wounds, major scars, tattoos, and other skin abrasions that may be relevant.

The patient will then be led to their bed, where they will receive any approved clothing items from outside, a copy of their patient rights, and a copy of the floor code of conduct and rules, a schedule, and any other administrative information necessary for the program to run efficiently and legally.

Group sessions include group-therapy, activities, coping skills, anger management, anxiety management, and for some reason, karaoke. There is a lot of coloring involved, but only with crayons. A good program will focus heavily on skills and therapeutic activities. Bad programs will phone it in and focus on karaoke and activities. Most hospitals will have a chaplain, and some will include a religious group session. I've never attended these, so I can't speak for them.

Unspoken rules are the hidden pieces of the inpatient programs that patients tend to find out during their first visit. There is no leaving the program until the doctor agrees to it. The doctor will only agree to it if they deem you ready to leave, and you are only ready to leave if you have been compliant to treatment and have seen positive results in the most dangerous symptoms (homicidal or suicidal ideations). Noncompliance can look like: refusing your prescribed medications (which you have the right to do at any time for any reason. That does not mean that there won't be consequences. This is a particularly controversial point.), refusing to attend groups (chapel is not included in this point, but that doesn't mean it's actually discounted. Another controversial point.), violent or disruptive outbursts such as yelling or throwing things, and refusing to sleep or eat at the approved and appointed times. All of this may sound like the hospital is restricting your rights beyond reason, but I've seen the use, and I've seen the abuse. Medications are sometimes necessary, and often patients seriously prefer having medication. Groups are important to a person's treatment, and refusing to go can be a sign of noncompliance or worsening symptoms. If someone is too depressed or anxious to go to group, then they're probably not ready to leave the hospital where the structure is gone and they must self-regulate their treatment. Violent or disruptive outbursts tend to be a sign of worsening symptoms in general, but even the best of us lose our tempers from time to time when put into a highly stressful situation like an inpatient hospital stay. The hospital is supposed to be a place of healing, for many it is. But for many more, it is a place of systematic abuse and restriction.

Discharge processes can be long and arduous and INCREDIBLY stressful for the patient. Oftentimes, they won't know their discharge date until the day of, or perhaps the day before. Though the date can change at any time. The discharge process requires the supervising psychiatrist to meet with the treatment team and then the patient to determine if the patient had progressed enough to be safely discharged. Discharge also requires a set outpatient plan in place, such as a therapy appointment within a week, a psychiatrist visit, or admittance into a lower level of care. This is where social workers are involved. Patients are not allowed access to cell phones or the internet. They cannot make their own appointments with their outpatient care providers without a phone number and phone access. Some floors will have phone access for this reason, others will insist the social worker arrange appointments and discharge plans. Social workers are often incredibly overworked, with several patients on their caseload.

The patient cannot be discharged until the social worker has coordinated the discharge plan to the doctor's approval. Most often, unfortunately, the patient rarely receives regular communication regarding the progress of their discharge. I've been discharged with as much as a day's notice to two hours notice.

Part 2 Coming Soon

This guide got longer than expected! Out of respect for my followers dashboard, I will be cutting it here and adding a Part 2 later on.

If you find that there are more specific questions you'd like answered, or topics you'd like covered, send an ask or reply to this post with what you'd like to see in Part 2.

– Indy

#writing advice #writing tips #writing resources #writeblr #amwriting #asktheprose #ask the prose #writing mental health #mental health #writing with compassion #writing mental illness #writing compassionately

[goodluckclove]

Various "Failures" From My Google Docs

Good morning! I'm at my usual coffee shop and got inspired by the troubles of a few friends to embarrass myself.

Sit down with me. I'm enjoying my usual blended chai. There's room on the couch if you'd like to join me.

So I've written thirteen novels. I think thirteen, I've actually lost count. Let's say, like, five full-length plays and twelve to fourteen finished novels. Impressive, right? Maybe. I'm realizing that I consider that not much of a brag, if only because I know the amount of trips and stumbles it took to get to one completed project.

I've ditched a lot of ideas. A lot. If I need to I can dig into my old hard drives to find all the doc files from my youth, but I also have the same Google Docs I've had since middle school.

It's mostly plays and ghostwriting assignments, but if you did you'll find some snippets from my constant attempts at growth.

Some stuff like this is okay. The line "hair slicked back/suit black silk" is pretty good, but a little too the writer thinks they're clever for me now. I don't really remember where I planned to go with this. I think the narrator was somehow going to be given the identity of Roy Fontaine. I was really fixated on the surname Fontaine at the time. I don't know why.

But then there's also a lot of stuff like this:

Hey look it's Fontaine again! I guess he's a doctor, too! Also I am astounded by how casually the main character just pulls out the Necronomicon. He pulls it out? From where? His pocket? Is it a zine?

I don't know why, but something about how suddenly this jumps in terms of dropping specifics makes me think that Sonic the Hedgehog is about to show up. I can't explain it.

This is the only thing in a Doc titled "Psychosis". I have zero memory of what I was planning on doing with this. What's kind of crazy though is that I wrote this in 2014, and six years later I'll use essentially this exact bit in a finished novel without even realizing it.

Another bit from 2014. No clue what I planned to do with this. It's hilarious to me that something stopped me from finishing the sentence. What am I, Franz Kafka writing The Tower? I didn't die. I wasn't raptured. I just apparently tried to think of something a large oak door would do and immediately gave up. It was 2014 I had finished, like, four novels. And this idea was fully stalled by what had to be a fucking huge oak door.

My favorite part of this radio play I tried to write is that somehow, believe it or not - when I wrote this I did not fully understand the Quantum Suicide thought experiment. And for along time I still kind of thought that this could be salvaged into a good idea, until last night when I asked my wife to put on a video describing the experiment and I immediately found it so dumb. Just ridiculously stupid. The only good thing about Quantum Mickey is that the title kicks ass and I'm definitely keeping it for something.

I've written a lot. A lot. I've earned the severity of carpal tunnel I currently have. If I had to put it into a statistic, I'd say maybe seventy percent ends up finished. fifty percent ends up polished to be read or published. Thirty percent actually ends up being read or published. I'm okay with this, because I enjoy the work. But for me, part of enjoying the work is not panicking when a project doing work.

If I need to end a project in the middle of a sentence, I do. I've clearly proven that I do. Sometimes I write for thirty pages and lose interest, other times I get a paragraph in and get distracted forever. That's okay.

That's okay. As long as you're doing something.

I could've included segments of Carnation, my first novella that was supposed to be a novel but I never finished it. But I fucking guess that's getting it's own post when I hit 150 followers so I hope you're prepared for what the type of stuff I enjoyed in middle school.

There's an Irish child that speaks exclusively in slang. You aren't ready.

#writeblr #writing community #on writing #writers on tumblr #authors of tumblr #writing #writing advice #writing tips #writing inspo #writing inspiration

[writers-potion]

How do I accurately include diversity, and not make it look like I’m just putting it in there for the sake of it?

Writing Diverse Characters - Things to Remember

Honestly, there's no definitive answer to this.

Your characters are people with clear goals, desires and a role to play in the plot. As long as they aren't just sitting there with little else but their race/gender/disability, etc. as their ONLY personality trait, at least you're on the right path.

As for representing a diverse character realistically, here are some things you can consider to get started.

Do's

RESEARCH. There are plenty of blogs/YT vids/websites that exist to help you! Meet people!

Get beta readers.

It doesn't have to be explicit. Racial identities become quite clear early on through the setting, name, and initial description(hair, eye/skin color, body shape, etc) without having to drum it into the readers each time. Gender diversity can be conveyed through the use of certain pronouns without awkward declarations.

Character first, diversity second. Please don't intentionally create a diverse character and then think about how you can push them into the cast. Have a working character, who happens to belong to a particular group.

Read works that have represented a group well. There are plenty of non-fiction works, movies and documentaries that capture the lives of people around the world with a good eye.

Use the correct terms/language

Include different types of diversity

Don'ts

Race/gender/diability is NOT a personality trait. Please. Telling me that you have a Korean girl tells me next to nothing about the character herself.

Using sterotypes. Now, it's all right if your character has a few sterotypical traits, but definitely not if sterotypes are the only thing they have.

Diversity is not a "shock factor". Suddenly revealing that a character is actually gay and has been in the closet all this time as a refresher so that it draws readers' attention? Not a good idea.

One diverse character does all. This can often be seen in female characters of slightly dated works where one woman will play the role of supportive mother, sister, femme fetale and sexy Barbie at the same time. Don't write a diverse character who basically does everything a diverse character can possibly be. All that it proves is that the writer is lazy.

Things I personally hate seeing:

Weird pronunciation of languages. As a Korean person, I always get turned off by works (mostly badly written fanfics, yes, I read those...) that try to transfer Korean dialogue directly onto the page without even checking for the correct way to spell them out. A similar example would be pinyin for Mandarin. Please, this makes the character sound stupid throughout...

Character sticking out almost painfully. If your character isn't from the region but have lived in it for a long time, what reason do they have not to blend in?

Relying on variety shows/dramas as reference. Media representation of diverse characters that are meant for entertainment is not the best source for authentic research. I die every time someone lists a number of Korean rom-coms they've watched for "research". IT DOES NOT COUNT.

As a last note, remember that there's no limit to the kind of characters a writer can writer. Accept that our job as writers is to step into other people's heads, not seeing things from one (our) perspective - and it is not going to be easy.

Hope this helps :)

#writers block #writing #writers and poets #creative writing #writers on tumblr #helping writers #let's write #creative writers #poets and writers #resources for writers #writerscommunity #writeblr #short story #fiction #writing practice #writing prompt #writing inspiration #writing advice #on writing #writing tips #writing community #writer #writers of tumblr #writers community #writers life #writer things #writing problems #writing process #writing questions

[deception-united]

Hello! I've been enjoying your writing posts a lot. Here's my question: How do you exactly write a character profile? Getting one from the internet feels like feeling out a resume, but trying to create one myself leaves me hanging in with the question “what should I be putting here?”

Thanks for asking! Crafting a character profile can indeed feel like navigating a nebulous space, but it's a crucial step in fleshing out your characters and getting to know them better. Here's a breakdown of what you might include:

Basic Information: Start with the essentials - name, age, gender, and any other pertinent demographic details.

Physical Description: Provide a brief overview of what your character looks like. This could include height, build, hair color, eye color, distinguishing features (scars, tattoos, etc.), and typical clothing choices.

Personality Traits: Think about your character's temperament, quirks, strengths, weaknesses, likes, dislikes, and any notable personality traits. Are they introverted or extroverted? Optimistic or pessimistic? Adventurous or cautious?

Background: Delve into your character's backstory. Where were they born? What was their upbringing like? Do they have any significant life events that have shaped who they are today?

Motivations and Goals: What does your character want? What are their ambitions, desires, and fears? Understanding what drives your character can add depth to their actions and decisions within your story.

Relationships: Explore your character's connections with others. Who are their family members, friends, enemies, or love interests? How do these relationships influence your character's actions and emotions?

Skills and Abilities: What is your character good at? What are their areas of expertise? Do they have any special talents or abilities that set them apart?

Character Arc: Consider how your character will change and grow throughout your story. What obstacles will they face, and how will they overcome them? What lessons will they learn along the way?

Internal Conflicts: What internal struggles does your character grapple with? These could be doubts, fears, moral dilemmas, or unresolved traumas.

External Conflicts: What external challenges does your character face? These could be adversaries, societal pressures, or environmental obstacles.

Another thing I like to do is find an online personality test, like 16Personalities or Truity, and fill it out on behalf of my character. Both the process and the results can give further insight. Websites such as Campfire have full character profiles that you can complete. Or try filling out this character ask game!

Remember, this is just a starting point, and you can tailor your character profile to fit your specific needs and preferences (e.g., fighting style, fantastical conditions, supernatural abilities, character archetypes, interpersonal values, leadership style, phobias, habits, etc.). Feel free to add or omit sections as necessary, and don't be afraid to let your characters surprise you as you write!

#writeblr #writing #writing tips #writing advice #writing help #writing resources #creative writing #character development #character description #character traits #character design

[sinclairmaxwellao3]

A PSA for my fanfic authors out there:

If your story includes scenes of detailed self-pleasure as well as any other more than vague scenes of a sexual nature, then it needs to be listed as Explicit, not Teen.

This has been my TED talk.

#fanfic #fanfiction #writers on tumblr #writing #writing tips #ao3 writer #advice #good advice

[novlr]

Can you tell me the difference between a preface, and introduction, a foreword and a prologue? I never know which to use.

You're in luck! Today's blog post is all about that very topic. Different genres will use them differently (for instance, there will be slight differences between how a non-fiction book uses a foreword, vs how a work of fiction uses a foreword), but in general, they all serve very distinct purposes, and readers will approach them differently.

You'll find the full post at the link below:

#preface #introduction #foreword #prologue #writing asks #writing tips #helping writers #how to write #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writeblr #writerblr #writblr #writer stuff #writers on tumblr #writing help #tips for writers #let's write #learn to write #writer #writing advice #writing resources #writers and poets #resources for writers #writing reference #references for writers

[tiredkiwilol]

anyone have any tips on how to write the lu boys? or how to show rather than tell the reader what’s happening? or just tips for writing fics in general.

#linked universe #lu time #lu warriors #lu twilight #lu sky #lu hyrule #lu wild #lu legend #lu four #lu wind #writing tips #fic writing