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#Writing community
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i'm seeing these posts so i'm gonna do it just for fun (knowing i'll get five notes at most), but writer's version:
100 notes and i'll try to post regularly on instagram.
200 notes and i'll make a routine to write daily.
300 notes and i'll start to exercise, drink more water, eat fruit and study more.
500 notes and i'll FINISH WIPS (works in progress).
1k notes and i'll EDIT MY BOOK.
2k notes and i'll propose marriage to my best friend.
5k notes and i'll go to mexico to see a boy (please don't) (i'll never get 5k (i hope)).
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vavandeveresfan · 2 days
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writers-potion · 2 days
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How do I accurately include diversity, and not make it look like I’m just putting it in there for the sake of it?
Writing Diverse Characters - Things to Remember
Honestly, there's no definitive answer to this.
Your characters are people with clear goals, desires and a role to play in the plot. As long as they aren't just sitting there with little else but their race/gender/disability, etc. as their ONLY personality trait, at least you're on the right path.
As for representing a diverse character realistically, here are some things you can consider to get started.
Do's
RESEARCH. There are plenty of blogs/YT vids/websites that exist to help you! Meet people!
Get beta readers.
It doesn't have to be explicit. Racial identities become quite clear early on through the setting, name, and initial description(hair, eye/skin color, body shape, etc) without having to drum it into the readers each time. Gender diversity can be conveyed through the use of certain pronouns without awkward declarations.
Character first, diversity second. Please don't intentionally create a diverse character and then think about how you can push them into the cast. Have a working character, who happens to belong to a particular group.
Read works that have represented a group well. There are plenty of non-fiction works, movies and documentaries that capture the lives of people around the world with a good eye.
Use the correct terms/language
Include different types of diversity
Don'ts
Race/gender/diability is NOT a personality trait. Please. Telling me that you have a Korean girl tells me next to nothing about the character herself.
Using sterotypes. Now, it's all right if your character has a few sterotypical traits, but definitely not if sterotypes are the only thing they have.
Diversity is not a "shock factor". Suddenly revealing that a character is actually gay and has been in the closet all this time as a refresher so that it draws readers' attention? Not a good idea.
One diverse character does all. This can often be seen in female characters of slightly dated works where one woman will play the role of supportive mother, sister, femme fetale and sexy Barbie at the same time. Don't write a diverse character who basically does everything a diverse character can possibly be. All that it proves is that the writer is lazy.
Things I personally hate seeing:
Weird pronunciation of languages. As a Korean person, I always get turned off by works (mostly badly written fanfics, yes, I read those...) that try to transfer Korean dialogue directly onto the page without even checking for the correct way to spell them out. A similar example would be pinyin for Mandarin. Please, this makes the character sound stupid throughout...
Character sticking out almost painfully. If your character isn't from the region but have lived in it for a long time, what reason do they have not to blend in?
Relying on variety shows/dramas as reference. Media representation of diverse characters that are meant for entertainment is not the best source for authentic research. I die every time someone lists a number of Korean rom-coms they've watched for "research". IT DOES NOT COUNT.
As a last note, remember that there's no limit to the kind of characters a writer can writer. Accept that our job as writers is to step into other people's heads, not seeing things from one (our) perspective - and it is not going to be easy.
Hope this helps :)
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novlr · 2 days
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how do i write an established married couple that are out of their honeymoon phase and now theyre just cute and comfy w/ eachother??
Established relationships, in particular, require careful consideration and development to make them feel authentic and relatable to your readers. An established relationship is one that has a history of shared experiences and a level of comfort and familiarity between the characters and can take many forms, such as long-term friendships, romantic partnerships, or even familial bonds. Writing established relationships requires a deep understanding of the characters’ backstories, the dynamics of their relationship, and how their connection influences their individual arcs.
Understand the dynamics of established relationships
Established relationships have a history and shared experiences that shape their current state.
Power dynamics, roles, and expectations within the relationship have been formed over time.
Established relationships involve a level of comfort, familiarity, and trust between the characters.
Conflicts and challenges in established relationships may be more complex and deeply rooted.
Characters in established relationships have a deeper understanding of each other’s strengths, weaknesses, and quirks.
Established relationships involve a sense of commitment, loyalty, or even obligation.
Develop their backstory
How and when did the characters first meet, and what were their initial impressions?
What significant events or experiences have the characters shared that have shaped their relationship?
How has the relationship evolved over time, and what challenges or conflicts have they faced together?
What are some of the defining moments or turning points in their relationship?
How has the way the characters have grown and changed as individuals affected their relationship?
What are some of the inside jokes, shared references, or traditions that are unique to their relationship?
Show the depth of their connection
Use dialogue to reveal the characters’ familiarity, comfort, and understanding of each other.
Show the characters engaging in shared activities or rituals that demonstrate their bond.
Describe the characters’ nonverbal communication, like knowing glances or subtle gestures.
Reveal the characters’ ability to anticipate each other’s needs, thoughts, or reactions.
Show the characters supporting, comforting, or challenging each other in meaningful ways.
Demonstrate the characters’ willingness to make sacrifices or compromises for the sake of their relationship.
Explore conflicts and challenges
Identify the underlying tensions, differences, or unresolved issues in the relationship.
Show how the characters navigate and cope with these challenges, both individually and as a pair.
Explore how external factors, such as family, work, or personal goals, can strain the relationship.
Demonstrate how the characters’ individual flaws or weaknesses can affect the relationship.
Show the characters working through conflicts, compromising, or finding solutions together.
Illustrate how the challenges and conflicts ultimately strengthen or change the relationship.
Develop character arcs
Show how the relationship influences each character’s personal growth, decisions, and actions.
Explore how the characters’ individual journeys affect the dynamics of the relationship.
Show how the characters learn from each other and inspire growth or change.
Show how the relationship evolves because of the characters’ individual development.
Illustrate how the characters’ shared experiences and challenges shape their shared future.
Reveal how the relationship ultimately supports or hinders the characters’ individual goals and desires.
Craft authentic dialogue and interactions
Use inside jokes, nicknames, or references that are specific to the relationship.
Show the characters finishing each other’s sentences or thoughts, demonstrating their deep understanding of the other.
Use subtext and implication in dialogue to reveal the characters’ unspoken feelings or concerns.
Demonstrate the characters’ ability to communicate effectively, even during conflicts or disagreements.
Show the characters engaging in playful banter or teasing that reflect their comfort with each other.
Illustrate the characters’ ability to have meaningful, vulnerable conversations that deepen their connection.
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raineandsky · 1 day
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#109
When the doorbell rings, the hero’s kind of hoping it’s the pizza delivery guy.
They open the door to find, tragically, not the pizza delivery guy.
“Uh,” the villain says, “hi.”
The hero isn’t entirely sure what sequence of words would best fit this scenario. “Hi?” is the best they can do.
The villain shuffles on their feet awkwardly. A pause hangs between them, filled by the distant roar of the city beyond. “I thought you’d ask why I’m here,” they say eventually.
“I’m more concerned about how you’re here.”
A smile threatens the corners of the villain’s mouth. “We know where all you heroes live.” The smile fades into nothing again. “Or just I know, now, I guess.”
“Okay.” The hero squints at the villain uncertainly. “I’ll entertain you. Why the hell are you standing outside my door?”
“No one wants to be a villain anymore. Everyone quit.” The villain’s face contorts into some unreadable expression. “It’s just me.”
That doesn’t sound right. From the villain’s slight grimace, they know it too. “Everyone… quit villainy,” the hero repeats.
“There’s nothing to gain from it anymore. We had a vote and I was the only one who wanted to keep going.” The villain’s gaze dips to their hands as if they hold answers. “They left me everything, but… I can’t do it all on my own. So I’m turning myself in.”
The hero stares at the villain for a long moment. “Even [Supervillain].”
“Especially [Supervillain].”
The hero steps aside with a sigh. The villain looks like they’re being invited into a pit of wolves. “You want me to come into your house?”
“My handcuffs are in my living room cabinet and I don’t trust you standing out there. It’s cold, anyway.”
The villain closes the door behind them in an uncharacteristic show of politeness as the hero digs through their drawers. They’re wiping their shoes on the mat when the hero gets back, cuffs in hand.
The villain holds their hands out and the hero clicks the cuffs around their wrists. It’s almost too easy. The question is sitting on the tip of their tongue.
“What’s the catch?”
The villain doesn’t seem surprised by the question. They shrug halfheartedly. “Dunno.” They glance about for inspiration. “All the others have gone into hiding, I guess. You have me, but everyone else will probably evade you for the rest of time.”
“Much like they already do.” The hero manoeuvres them to the sofa in the living room, giving them a nudge to make them actually sit down. “You make it sound like you’ve been left in charge of the entire criminal organisation.”
The barking laugh the villain lets out is entirely fake. Too sharp, too short. “I have.”
“So villany will collapse without you.”
The villain shrugs again, the motion laden with effort. “Not like anyone else was willing to carry that burden—and I’m not either, hence why I’m, y’know…” They gesture vaguely at themself, in cuffs, in the hero’s living room.
The villain goes, villainy is defeated. No more villains, no more big crimes, no more heroes. Everything the agency has worked to be would collapse. The hero would be out of a job. It'd be over.
Yet here the villain is, giving everything up, taking the entirety of villainy down with them. The sole survivor of a shipwreck and wishing they’d gone down with the ship. A ship they don’t seem to realise the hero is on too.
The doorbell rings again, and the hero leaves the villain carefully settling on the sofa to answer it. They return with a giant grin on their face and a giant pizza box in their hands.
“Let’s worry about all this afterwards,” the hero says brightly. They brandish the box at the villain in the hopes of tempting them. “Want some?”
The tempting works; the villain reaches for a slice. “What a last meal.”
The hero sets the box on the coffee table as they flop back on the sofa. “I don’t know, [Villain],” they say with a smile, “I don’t think it has to be.”
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the-broken-pen · 2 days
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Hiii, I love your writing! It's so great that you're back! Could you write something like two actors are playing hero/villain in a movie or theater, but both of them sometimes just gets too in character/or just gets too stuck in character, so for like moments they actually forget that they are just acting?
“You didn’t think I’d let you die by anyone else’s hand but mine, did you?” The villain cocked their head to the side, grinning.
Distantly, the hero registered the whispering of stage commands, but tuned it out.
“You can’t just kill anyone who threatens me,” they argued back. They watched as the villain’s grin sharpened.
“Watch me,” the villain whispered, stepping closer. Fake blood was drying on the side of the hero’s head, and it itched more than usual. Must be a new brand from costuming.
“I could arrest you,” they offered, but they let the hesitation show on their face. Visible enough for the camera to catch their unwillingness, no matter how fake it was. Good enough nobody could tell the difference between real and not.
“You won’t.”
The hero tipped one head to the side
“And why’s that?”
The hero shifted, leaning in towards the villain.
“Because you’re mine,” the villain whispered, tone playful as their eyes seared into the hero’s.
The hero’s mouth went dry. It wasn’t on purpose.
Something kindled in their chest.
“Oh yeah?”
The villain shrugged one shoulder in perfect time to the script, and the hero pulled the next line to the tip of their tongue—
“Prove it.”
That was not the next line.
That wasn’t a line at all.
The villain blinked just once, the only sign of surprise they would allow, before their grin widened. Their shoulders loosened into something feral, something that delighted in this change.
Something that belonged off-stage.
“I’m covered in the blood of the people who hurt you,” the villain’s voice was smooth sliding down the hero’s spine. They shivered. “What more proof do you want, love.”
They blushed furiously at the nickname, even underneath the stage makeup, and at the pleased look on the villain’s face, it was visible.
What was the line what was the line what—
Their hands fisted into the front of the villain’s costume, dragging them closer. The villain let them, hand settling on the hero’s waist in a movement far too smooth.
“I don’t know,” the hero murmured, and they were just as surprised as the villain when their lips hovered just over the other’s ear. “Why don’t you stop trying to kill me, for starters.”
The villain tugged them closer, and the hero’s eyes went to their lips.
The villain looked at the hero like they wanted to devour them.
Fuck, what had been the line—
“Oh, but you’re so pretty covered in blood, Hero,” the villain crooned, and the hero opened their mouth to say something, their tongue a separate entity from their brain at this point—
“Hold!” Someone off-stage called, and they both froze. A second later, they were halfway across the stage from one another. Slipping out of being the hero and back into being themself felt like hitting a brick wall.
If the way the villain shuddered was any indication, they had forgotten they were playing a character too.
The hero turned away to face the tech crew, hand settling over their face to hide their blush.
The villain’s gaze was molten and heavy on their shoulders, even from as far away as they were.
“I don’t think that��s in the blocking,” the stage manager frowned, flipping through the script.
None of that was the blocking. No matter how much the stage manager searched those pages they would never find those lines.
Fuck.
“Improv,” the hero choked out, flushing. “It was, uh. A creative choice—“
From behind one of the curtains, they heard a crew member snort, muttering something about teenage actors and horniness—
The villain was smirking, a wicked thing.
“Right,” the stage manager said slowly, brow furrowed from where they sat. They murmured something into their headset, eyes shifting up between the villain and the hero, before they slid a screen in front of themself.
Just barely, the hero could make out the shape of the scene they had just filmed.
The screen went black, the room silent for a moment, before the stage manager let out a long suffering sigh.
“We’re changing the blocking.”
“What?” The hero yelped.
The villain settled their hands into their pockets, unbothered and grinning.
“We’re keeping the scene,” the stage manager nodded towards their tablet, and the hero almost passed out on the spot. They watched the stage manager eye the pleased and possessive look on the villain’s face. “For now, though, let’s call it a wrap for the day.”
Shuffling began, lights flickering off, and the hero escaped to their own dressing room, panting slightly.
Dear god, they were so fucked. They had forgotten they were acting, again—
“Improv, hm?” The villain grinned, lock sliding into place. The hero hadn’t even heard them come in.
The hero groaned. “I don’t know what happened—“
“Yeah,” the villain nodded, and they were closer than they had been a moment ago.
The hero swallowed.
“I’m sorry.”
The villain raised an eyebrow. “For what?”
The hero waved one hand between them. “For, you know—“
The villain was still smiling.
It was then they remember who had fought so hard in the writers’ room for the villain and the hero to end up together.
‘Enemies to lovers,’ the villain had said, eyes dark. ‘The fans will love it. There’s been sub plot for the last two seasons.’
The directors had pushed back, but now—
Oh. The villain wasn’t mad.
They were pleased.
The hero choked.
“You,” the hero tried.
“Me,” the villain agreed, and then they were kissing, all-consuming and desperate.
They made a noise in the back of their throat, the villain twining their hand into the hero’s hair.
“You forgot you were acting,” the villain murmured against their lips, and kissed them again before the hero could defend themself. “That I’m not really your villain and you aren’t my hero.”
The villain settled the hero onto the counter, coming to stand between their legs, one hand on their hip.
“Fuck,” they gasped, and they could feel the villain’s grin against their skin.
“Mhm.”
Somehow, the hero’s arms had ended up looped over the villain’s shoulders.
“Maybe stop killing people, and I’ll consider it,” they said between breaths.
“What?” The villain pulled back slightly.
“The line I forgot,” the hero said. They could drown in the villain’s eyes, they were sure of it. “Maybe stop killing people—“
“Don’t care,” the villain bit out, and then their mouth was on the hero’s again and nothing else mattered.
Maybe they weren’t truly hero and villain—but god were they good at pretending.
Three months later, the internet couldn’t decide what was better—that finally, after years, the hero and villain had ended up together on screen; or that off stage, their actors were desperately, hopelessly in love too.
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noblebs · 1 day
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my dash has been really dead lately, I need more people to talk about WIPs/OCs with ;;; tell me about your most depraved, fucked up lil guys and their shenanigans pleasepleaseplease
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HEY BITCHES, BROS, AND NONBINARY HOES ‼️
ARE YOU A 15 TO 28 AGED WRITER? ARE YOU LOOKING FOR A COMMUNITY OF FELLOW POETS AND WHATNOT LIKE YOURSELF? DO YOU HAVE PETRIFYING LONELINESS? ARE YOU STRUGGLING TO PAY THE BILLS WITH YOUR 9$ AN HOUR?
WELL I CAN SOLVE NOT ONE, NOT THREE, BUT POTENTIALLY TWO OF THOSE PROBLEMS!
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Now I know what you're thinking...
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I AGREE! 😃 But I assure you, this server is full of pretty chill people, and your typical discord drama is at the bare minimum. Some folks are even so desperate for their drama fix that they make it up when I ask her for a review! ✨️
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Thanks Finch, you're really helping our image... /silly
We also prioritize keeping the server small—90 members is our limit—so as not to be overwhelming. We're currently at 45 members (but surprisingly active 🤯), because we took a sit back from advertising since we were comfortable with the size and vibe of our server overall, but we're back at it, and guess what! Since we have a member limit, this is your
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"But OP!!! I want to know MORE about this server before joining!! 🥺" You may or may not be saying because you're just so damn impatient and want the link immediately 🙄 /silly
Well, my dear dear Tumblr user, our writing community is diverse, from poets to original authors to fanfiction writers of all genres! And our range of skill levels is just as wide. We have people just stepping foot into the writing scene to folks who've been stuck in the paragraphs for centuries. We chat about our stories, share our work, brainstorm, proofread, and do prompts and sprints. However, I would like to make it clear that our server is more of a writing community, so it isn't as writing-focused as other writing servers out there. I'd say it's 60% fun shenanigans and 40% writing-related. Aside from the writing akin, there's plenty of fandom talk, artwork sharing, fun as hell VCs, movie nights, and speechless music bot VCs if you're feeling extra introverted. /pos
We're also very queer and non-neurotypical up in here. It's a safe space for all races, disabilities, genders, sexualities, and identities. If you're not chill with that, you're not welcome here.
Here are some of our reviews! ✨️
(Please zoom in to read.)
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Now my precious ADHD Tumblrina, don't you scroll away just yet if the link doesn't work! You see, because we value a safe environment on our server, we shut down this link once we reach our max amount of members! So please, DM me for a link if necessary, and I'll let you in as soon as there's space! I DON'T BITE! What do you take me for, a horse?
😯 Oh, sorry, didn't see you there, our Tumblr famous server residential horse girl @penciled-palominos
What do you take me for, a toy playing kid?
😯 Oh, sorry, didn't see you there, our Tumblr famous server residential LPS enjoyer @lpsotd
What do you take me for, a crazy gay?
😯 Oh, sorry, didn't see you there, our Tumblr famous server residential men obsessor @lycanboybreakdowns
Crazy how I just bumped into all those famous people on our server... 🫢
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We can't wait to meet you!
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angelasscribbles · 3 days
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Writing is exactly like this
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Writer's Corner
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kssystuff · 2 days
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I need painting, I cry out for writing
I yearn music, I yearn for poetry
I need art in all its forms
For that is how I possess everything, even without possessing anything.
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lannegarrett · 3 days
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How I thought writing would go: You're in control of your story. You are the puppet master! You control these characters, what they do, what they say, what they think. This world is yours, do as you please.
How it's going: my characters stopped listening to me, and now I'm 6485746 words into a plot that went off the rails on page 4.
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goodluckclove · 2 days
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book two is taking a very serious turn. i have to do real, literary research. i'm essentially a reporter now. my younger, far more pretentious self would be proud.
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writers-potion · 2 days
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I was wondering if you had any tips for how to write scenes where a character is hearing gossip about them? Like an example is they're walking through the halls and they're hearing people whisper about them.
Gossiping Scene Idea Prompts
Hi :) Thanks for dropping by my little blog (。•̀ᴗ-)✧
Here are some scene ideas when a character overhears others' gossip about them:
Standing at a crowded party when the character suddenly hears their own name in a group standing nearby
Character half-asleep in the backmost row of the library/classroom, unseen, when the gossipers enter the room
Character presenting in front of the classroom when they notice a few people snickering at the back
When a character walks up to a group, they suddenly fall silent
When a character walks up to a group, a few of them hurridly leave
They hear a second-hand account from their friend about this wierd gossip going around...and they realize it's actually about them
The character takes a video of themselves/their surroundings for a vlog/short flim/school project, etc. and when they re-watch the footage, they hear something they didn't expect
Overhearing conversation at one of the tables at their part-time job as a waitress, realizing that it's about them.
Character borrowing their friend's phone/tablet/laptop and suddenly...they see a chat popup about them
An anonymous school community where the character realizes that an anonymous post is actually about them
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novlr · 11 hours
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“Write one good clean sentence and put a period at the end of it. Then write another one.” — M. F. K. Fisher
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poetici · 1 day
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I have lived a thousand lives
And loved a thousand more
Immersed in books
And verses and poetry galore.
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do you torture the character you relate to most and recreate your own abuse in fiction to cope or were your needs and feelings acknowledged as a child
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