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theinfinitedivides · 10 months

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listening to the PS:2 soundtrack again in an attempt to bite the bullet and psyche myself up to watch both films back to back in August(? that's the goal at least, if i get to watch it earlier even better) and i have been stuck on Veera Raja Veera for an hour and a half. i have also figured out my personal ranking for all versions of the song at last and it went about as well as i would have expected. it started to get too long for the f*cking tags tho so i decided to put in this post, we'll see how it goes from here—list is in order from least liked to most liked btw

5. going to start this off by saying i'm so so sorry to Gulzar but it's something about the rhythm for me. the lyrics are lovely but the way they are lining up with the music in the Hindi version,,,,,,, or failing to in certain parts,,,,,, it's not it. it's not it. it does well in the first minute or so and then heads downhill from there, and tbh it's not his fault i think it's just the sheer amount of syllables that they have to fit in compared to the original? and with that in mind it's not going to sound the same, obviously, but what salvages it from being a complete disappointment is the way we got both Shreya Ghoshal and Kavita Krishnamurthy as a duet in this year of our Lord 2023. Kavita, who still sounds the same as she did on the Dil Se soundtrack singing Satrangi Re and the Hum Dil De Chuke Sanam soundtrack and the Devdas soundtrack and the Yaara Dildaara soundtrack and the K3G soundtrack with Bole Chudiyan and Shreya Ghoshal who is a pleasure to listen to on practically everything she touches (Bajirao Mastani and Rab Ne Bana Di Jodi and that aalap just before her verse with Kavita here i'm looking at you) and— *inhales* *exhales* ok. do appreciate them letting Kavita take the 'चुन चुन चुन चुन / जाली रे जाली चिंगारी' portion in the Hindi translation bc she sounded beautiful there. (she always reminded me of Lata in that regard i think, and for some inexplicable reason i've by extension connected the two of them to Zohra Sehgal in some of her roles)

favorite line — 'दुश्मन पे टूटे जब | बिजलियों का वीर' / 'dushman pe toote jab | bijilyon ka vaar'. this is one of those times where the rhythm works in their favor and works well, and it leads perfectly into the rest of the verse imo. also @ that one guy going 'योद्धा~~' / 'yodhaa~~' at the very end of the song ty for your service

3. in contrast to the rhythm problems of the Hindi the Kannada recording is very smooth? i don't know if that makes sense as someone who doesn't speak the language but it's like water. like water in a stream just one after another going over the stones in the riverbed as it passes or the waves lapping against the side of the ship or the gentle sound wind chimes make when they hit against each other in the lightest breeze—the phrasing doesn't feel forced (ty Jayant Kaikini sir) and the syllables match the music as well as the original. ofc Rakshita Suresh and Sivasri Skandaprasad have a part to play with their solos in this sounding as good as it does, despite its ranking on my list (which will be explained in the next entry), and while i expected nothing less from Rakshita after Kirunage, this is the first i'm hearing from Sivasri and she blew me away. i had to listen to it several times to be able to tell them apart, and i might still be wrong bc their voice color is very, very similar, but they took what Rahman gave them and made it their own. (is it Rakshita that starts and Sivasri that continues? i'm thinking that it alternates between them with Sivasri ending that portion)

favorite line — 'ಮಳೆಗರೆವಾಗ ಬಾಣ | ಅಡಗಳು ಎಲ್ಲಿ ತಾಣಾ' / 'malegarevaaga baana | adagalu elli thaana'. this is where the river analysis stands out to me bc this feels like putting pebbles said river into a tumbler and rolling them over and over until they come out smooth and polished and just. right. (i am using the word smooth a lot to talk about the Kannada version sksksksk but can you blame me)

3. technically Malayalam and Kannada tie for third place on here (there is no fourth place. there is 4.75th place rounded up to fifth place and that belongs to the Hindi entry as previously stated) but Malayalam has the slightest edge for me. in terms of sound/pronunciation it's the closest to the original—i know most scholars believe that Malayalam descended from Tamil and split early on, so that might have something to do with it, but it sounds like a perfect cross between the flow of Kannada and the strength of the Tamil and ugh. pair that with Srinivas featuring and Shweta Mohan taking on that solo (by herself!!! and eating that sh*t like it was a duet!!!) and Rafeeq Ahamed as the lyricist and i play it almost as often as i play the original. (i was almost half expecting to hear the extension at the end in this version, that's how good it was)

favorite line — 'കടലിൽ ചുഴലി പോലെ | തവ നൗക കളിരമ്പി' / 'kadalil chuzhali pole | thava noukakalirambi'. i am in love with what Shweta does here, especially with the latter half of the line ('... നൗക കളിരമ്പി' / 'noukakalirambi') since she just heads straight into the 'വൻകടൽ...' and for some reason that is so auditorily pleasing to me. i don't have any rational thoughts behind that that's just how it is. her aalap before her verse is also breathier/softer than Shreya's if that makes sense but it fits her perfectly

2. Telugu. holy f*ck, Telugu. you put Shankar Mahadevan (i don't think i've ever heard him sing a bad song. ever. at least not what i've heard) and Chinmayi (Tere Bina???? Mayya Mayya???? Titli???? i'm still not over any of them from her????) in the same song you make every f*cking verse rhyme almost exactly courtesy of Chandrabose if Kannada is the sound of water then Telugu is pure silk and honey and the feel of something melting in your mouth and you expect me to stay alive? the actual f*ck? admittedly i may be biased bc one of my OCs is Telugu and i have been putting Telugu covers from my Bollywood playlist on loop for inspo but uh Rahman what the f*ck. what the f*ck am i supposed to do with that kind of genius

favorite line(s) — 'సమరం శ్రుతించైరా శిఖరం స్పృశించైర' / 'samaram shruthinchaira shikharam spushinchaira' & 'విధిగా తెగించైర | విధినే వదించైర | విలయం దరించైర | విజయం వరించైర' / 'vidhigaa thegincheyraa | vidhine vadhincheyraa | vilayam dharincheyraa | vijayam varincheyraa'. the f*cking alliteration? hello? also the 'veera raja veera' at the end of this version in particular gives me full body chills bc there is someone going up with the harmonization every time there's a new line. i don't know who it is but he's (they're? could be multiple vocals) going up and i am crying shaking throwing up on the floor having a spiritual experience etc etc

and finally 1. the top spot. the place where everything has been leading through this long ass piece that i have put you to suffer through

and ykw Tamil is pretty much self-explanatory i think: we bring Shankar back as we should but this time K.S Chithra (Asoka!!! Main Prem Ki Diwani Hoon!!! Bombay and Thoda Thoda from Indira/Priyanka and the live version of Jiya Jale that Rahman did in Dubai!!!) and Harini (also sang for Indira/Priyanka and featured on Varayo Thozhi from Jeans) are with him and Ilango Krishnan's lyrics take over and flatline me on the f*cking operating table. before it flatlines me however i break into goosebumps every time i hear it start, bc lbh it is impossible not to when you have the f*cking vocals coming in like 'காணீரோ? நீர் காண் | சோழ வெற்றி வாள் ஒன்றை காணீரோ? | ஓ அழகிய பூவே! செல்லுதியோ | மலரிடு போ சகி!' if you stay sane during that opening you are a liar get off my feed unfollow and block i don't want you anywhere near me for the next six years or however long it takes Mani Ratnam to make his next masterpiece. no coherent thoughts head empty MV playing on loop he and Rahman own me now they have the copyrights

favorite line (had to split everything into two blocks bc Tumblr was tryin to f*ck up my sh*t) — 'எம் தமிழ் வாழ்க வாழ்க! | வீர சோழம் வாழ்க! | நற்றமிழ் வாழ்க வாழ்க! | நல்லோர் தேசம் வாழ்க!' / 'em thamizh vaazhga vaazhga! | veera sozham vaazhga! | natramizh vaazhga vaazhga! | nallor thesam vaazhga!'. technically this isn't my favorite favorite line bc i have to do a seperate ranking for that below + it's exclusive to the Tamil version and i am trying to make this a wholistic review but. it's f*cking up there let's just say that. i think i mentioned in the tags of a different post of how i've been doing genealogy research and (in the process) tentatively confirmed the possibility of there being some South Asian descent from my dad's side, specifically Tamil or Telugu based on the stories/timeline of French occupation in the Caribbean and portions of the Indian subcontinent, and there's something in me that shifts every time we get down to the last twenty or so seconds and this hits. i don't know what it is, truly—maybe the remnants of the genes of my ancestors and their pride for their land, their language—but it's there and it's loud and if it's the right day at the right time i will start crying btw. full on sobbing like a little bitch. you didn't ask but i told you anyway

after all of *motions* that, i am also offering a bonus ranking of the section of VRV that makes me rewind every f*cking time it comes on in every language, bc it featured heavily in creating my eventual rankings and i would be remiss to not mention it. so here have this additional dive into my thought process during these trying times of hyperfixation rip

'आंधी से तेज़ | तूफ़ान से तेज़ | चुन चुन चुन चुन | जाली रे जाली चिंगारी | अंग अंग अंग अंग | लागे रे लागे अंगारे' / 'aandhi se tez | toofaan se tez | chun chun chun chun | jaali re jaali chingaari | ang ang ang ang | laagey re laagey angaare', Hindi — still at the bottom of the list here, but the inflection during the repetition ('chun chun chun chun' and 'ang ang ang ang') salvages it somewhat. nothing else to say it about it otherwise, since i already addressed Kavita's voice here earlier

'വാക്കാകെ നീ കാറ്റാക നീ | ശര ശര ശര ശരമേയ്ക | വേൽമഴ നെയ്തിട് | റ പറ പറ പറ വിറകൊൾക | പായട്ടെ പായ്വഞ്ചികൾ' / 'vaakkaaka nee kaattaaka nee | shara shara shara sharameyka | velmazha neythidu | para para para para virakolka | paayatte paayvanchikal', Malayalam — taking that third place as always, but its tied partner in the general rankings is higher up in this list for a change. i think the very last part ('പായട്ടെ പായ്വഞ്ചികൾ' / 'paayatte paayvanchikal') is what throws me off tho bc of the way they distributed the line, since on the first listen i was expecting them to go 'paayatte paayvan-chi-kal' and they chose 'paayatte pa-ay-van-chikal' instead. it's not like it decreases the overall quality of the song or anything it's just a very specific hang up i have. who knows maybe my preferred pronunciation would have f*cked with the meaning and we do not want that

'సుడిగాడ్పులా అడుగేయరా | సర సర సర సర | శరమే తనువే తాకగా | చర చర చర చర | చెలరేగాలి వేగంగా' / 'sudi gaadpulaa adugeyyaraa | sara sara sara sara | sharame thanuve thaakagaa | chara chara chara chara | chelaraegaali vegangaa', Telugu — this ties with Malayalam for third place and, much like it, my quirk is specfically with the last part ('చెలరేగాలి వేగంగా' / 'chelaregaali vegangaa'). my preferred is 'chelare-gaali ve-gan-gaa', they gave me 'chelare-gaa-li ve-gan-gaa'. again, not an issue, this is just me, i'm sure they knew what they were doing otherwise they wouldn't have recorded it like that in the first place

'ನೀ ಜ್ವಾಲೆಯು ನೀ ಗಾಳಿಯೂ | ಸರ ಸರ ಸುರಿವ | ಮಳೆಯಂತೆ ಶೂಲಗಳು | ಭರ ಭರ ಭರ ಭರನೆ | ಭೋರ್ಗರೆವ ಪಂಜುಗಳು' / 'nee jwaaleyu nee gaaliyuu | sara sara suriva | maleyanthe shoolagalu | bhara bhara bhara bharane | bhorgareva panjugalu', Kannada — there are at least two portions here that sound eerily similar to the original and that is why this version has moved up to spot two. it takes that water comparison i made and uses it to its advantage so much and it rotates in my mind like a rotisserie chicken at just at the right angle and it's just!!!! it's just!!!! God pls keep me from putting this in my mouth and biting it's too good

'கூற்றாகிச் செல்... | காற்றாகிச் செல்... | சர சர சர சரவெனவே | மழை தான் பெய்திட | பர பர பர பரவென | பாயட்டும் பாய்மரம்' / 'kootraagi sel... | kaatraagi sel... | sara sara sara saravena | velmazhai thaan peidhida | para para para paravena | paayattum paaimaram', Tamil — when this hits i blank out and come to at random intervals. cannot pinpoint the time the place etc but it happens and when it does i go f*cking feral. this one i am indeed putting in my mouth and biting bc the entire thing from 'para para...' onwards??? more alliteration more alliteration more f*cking alliteration. i remember someone making a post on here that said that certain parts of VRV sound like pearls bouncing off of the floor (was it @mizutaama? i apologize for the tag but i think that was you) and i think this is what they were referring to but my ears are that f*cking floor. i thank God every day for that

anyway mutuals (and non-mutuals who are just as obsessed about PS as i am) i'm sorry for clogging your feed with my opinions on a film i haven't even watched properly, pls feel free to roast me about my ranking choices. or agree but it doesn't really matter at this point bc even tho i could be talking out of my ass in terms of actually speaking said languages (i,,,,, do not unfortunately) i've said what i needed to say sksksksk

#film: ponniyin selvan ii #ponniyin selvan ii #ponniyin selvan: ii #ps:2 #ponniyin selvan #veera raja veera #jayam ravi #sobhita dhulipala #mani ratnam #a.r. rahman #kollywood #tl:dr: local gay takes that specific 'கூற்றாகிச் செல்... / காற்றாகிச் செல்...' section of Veera Raja Veera #and uses it as the base for their personal ranking of all five versions solely based on how it is translated and sung #writes an essay about it chooses their favorite lines from said versions that are not That One and posts it to tumblr.com .txt #look!!! i actually dragged myself away from streaming Shinee long enough to complete this thing that i've had #sitting in my drafts for weeks (the language analysis that is)!!!#it is f*cking hilarious at this point simply bc this is nowhere near the order of the rankings for Ponni Nadhi #like the list for that is upside down. dare i say inverted almost #i might do something for it as well in this same format idk but #doing this for VRV made me realize that every other language (except Hindi bc they have a diff version of the line)#pronounces 'soora' as 'shoora'. i think Malayalam's 'shoora' is the least pronounced and is almost ambiguous. almost not quite #you could mistake it for 'soora' but there's just enough aspiration(?) there to tell you that it's not. Telugu's 'shoora' too #the aspiration almost completely disappears when listening on Spotify it's much more prominent on Youtube #this feels like i should have posted it on my studyblr but i think i'll just reblog it there instead

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chameli · 1 year

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Top 10 Comfort Films

Tagged by the sweetest @simplypearing 🤍

Dillagi (1999) - Starring my beloved Deols and loveliest Urmila. This film has it all - action, romance, drama, angst - with a sweet family in the middle of it. Zohra Sehgal's character was the cutest.

Yes Boss (1997) - My childhood favorite film starring my absolute favorites (and parents). I've watched this so many times I've lost count. Seema & Rahul were flawed yet good people stuck in bad situations whom you rooted for. SRK & Juhi had flawless chemistry as always. The soundtrack is forever iconic.

Jab We Met (2007) - In my opinion, as close to perfect as a film can get. Still feels fresh after all these years and I can never get tired of watching it.

Just Married (2007) - If this film only has one fan, it's me. I think it's a realistic portrayal of a couple who had an arranged marriage and how they get used to each other. Fardeen & Esha were really sweet and loveable. I also liked the other couples and how all the characters interacted with each other. If I skim this film, I end up watching the whole thing lol.

Baahubali 2: The Conclusion (2017) - One of my absolute favorites. I can never get tired of it. Iconic. Legendary. I always notice something new with every rewatch. Amarendra & Devasena are the pinnacle of romance, period.

Duplicate (1998) - Another all time family favorite. This film gave us himbo AND fuckboy SRK, it needs to be appreciated more. Also the most gorgeous ladies, Juhi & Sonali along with the loveable Farida Jalal. Awesome soundtrack and great chemistry between my parents. My sister & I can quote this film by heart and Juhi's comedic scenes are iconic.

Hum Aapke Hain Koun (1994) - I've watched this film so many times in my childhood. I loved Madhuri & Salman's cute, playful chemistry. Renuka Shahane was adorable and it's always nice seeing Mohnish Bahl not playing a villain for once. I'm a sucker for sappy family centric dramas.

Seventeen Again (2000) - I've been a huge fan of the Mowrys since childhood and this film is super fun with a great (sadly unreleased) soundtrack.

The Lizzie McGuire Movie (2003) - This film is so iconic and I can never get tired of it. It brings me back to my middle school days. I definitely prefer it over the show, tbh. Paolo was cute, idc what anyone says!

Dosti: Friends Forever (2005) - THIS IS ONE OF MY FAVORITES. I just want to give a shoutout to Bobby’s stylist because I was living for his colorful, tacky shirts. Him & Akshay had great chemistry and you can truly see how much they loved each other and how strong their bond was. My favorites Kareena & Juhi are in this as well and the soundtrack is super nostalgic for me.

Tagging: @shahrukh-khan @singinprincess @nowordsareneeded @goblinsbriide @curryaboo @theinfinitedivides @bloop-monster @stonefruitsupremacy and anyone else who would like to do it! You can say I tagged you!

#Olivia - thank you for tagging me! this was a lot of fun!#tag game

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aurum-rays · 1 month

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When you rewatch most childhood movies, the cult classics, the nostalgia rides, I realize how sexist and problematic they were and I was secretly hoping Veer Zaara wasn't one of them(I watched it when I was like 10 so I don't remember). This movie surprised me.

Veer Zaara features strong, resilient female characters. Be it our protagonist Zaara played by Preity Zinta or the catalysts of the love story Saamiya (Rani Mukherjee) and Shabbo (Divya Dutta) or even Zaara’s mother (Kirron Kher) and her Bebe (Zohra Sehgal).

Zaara Hayaat Khan is a feminist, one who is against the societal norms laid for a woman. It's refreshing to see this in her introductory song "Hum to bhai jese hai wese rahengey" sung beautifully by Lata ji, but as this 3 hour musical drama progresses it gets disappointing to see Zaara whittle herself away to the same norms she was against in the first place.

Everyone around her constantly tells her it's her responsibility to be a good wife and a good mother and to guard the respect of their families. Zaara crosses the border to fulfill a final wish of her ‘BeBe’(grandmother) all by herself.

In the midst of a rescue operation, she demands her things be lifted off along with her all while hanging on to an Air Force professional in his uniform.

She pushes the crowded men away and speaks with authority "I have a ticket and I need to get on this bus". In all these instances Zaara is scared yet heroic. She phones her mother and tells her that all her life she didn't do anything and probably won't in the future too and will probably end up being just like her mother - a good wife and a good mother, so she wants to do this one thing so she can respect herself. This is what irked me. I understand she's from an orthodox family but she can still have dreams and ambitions. From the start of the movie, she is portrayed as a rebel, one who doesn't comply with societal norms and laughs in the face of stereotypes. I can only imagine how curious she would have been as a child. That alone is enough to give her some dreams.

She fearlessly tells Amitabh's character what he is doing is unfair to the girls. If I went to someone’s house for a day especially someone I barely knew I wouldn't even dare to question their acts. Zaara does and she makes him spellbound. She doesn't go “I'm just here for one day so I’ll just mind my own business and leave”. She questions the injustice. "Imagine what girls could do if they were given the right education. Some of them might even surpass Veer".

I loved Zaara in all these scenes. She fearlessly stands up against mistreatment and calls them out no matter who the other person is. All this makes you root for her until it doesn't.

In a scene where Saamiya visits Veer's (Shahrukh Khan) hometown and finds Zaara there, she says to Shabbo "Yeh kis sadi ke log hai… ?" (transl. “Which century are these people from?”)

That's exactly how I felt too. “Kon hai ye log? Kahan se aate hai?”( transl. Who are these people? Where do they come from?) Spending their whole lives in the name of the person they never got to be with. Sacrificing everything and working to fulfill someone else’s dream. Zaara has always been that kind of person. She crosses borders to fulfill her bebe's wish and gives all her life to fulfill Veer and his Tau’s wish. She keeps doing everything for others. She spends her life making others’ dreams come true. She lives her life in the memory of her lover. This also reminded me of Sita aka Princess Noor Jahan from Sitaramam (also maybe Madarasipattinam's Amy).

If Saamiya saw these women she'd again say "Kon hai ye log?"

Even after decades of releasing love stories on-screen this "sacrificing" trope hasn't changed and remains to be a classic which I am not a big fan of. Why do these characters not have any characterization of their own? (Zaara) even if they do, it all changes when a man comes into her life (Sita/Noor Jahan). Ultimately the heroin has to either die or spend her whole life in the memory of her Romeo. (Remember what Mr. Dashwood says to Jo in 2019’s Little Women?)

Maybe I don't understand love stories. Maybe I don't understand love? I don't know. But I think in real life none of us are that insane to write our whole life in someone else’s name and live and breathe just reminiscing our lost lovers, at least I am not. Maybe that is why these movies will remain classics because they are too insane to happen in real life.

#veer zaara #sharukh khan #preity zinta #rani mukherjee #hema malini #amitabh bachchan #sita ramam #mrunal thakur #amy jackson

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kwebtv · 6 months

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The Jewel in the Crown - ITV - January 9, 1984 - April 3, 1984

Period Drama (14 episodes)

Running Time: 60 minutes

Stars:

Peggy Ashcroft as Barbara Batchelor

Janet Henfrey as Edwina Crane

Derrick Branche as Ahmed Kasim

Charles Dance as Sgt Guy Perron

Geraldine James as Sarah Layton

Rachel Kempson as Lady Manners

Art Malik as Hari Kumar

Wendy Morgan as Susan Layton

Judy Parfitt as Mildred Layton

Tim Pigott-Smith as Supt./Capt/Maj/Lt Col Ronald Merrick

Eric Porter as Count Dmitri Bronowsky

Susan Wooldridge as Daphne Manners

Ralph Arliss as Capt. Samuels

Geoffrey Beevers as Capt Kevin Coley

James Bree as Maj/Lt Col Arthur Grace

Jeremy Child as Robin White

Warren Clarke as Cpl "Sophie" Dixon

Rowena Cooper as Connie White

Anna Cropper as Nicky Paynton

Fabia Drake as Mabel Layton

Nicholas Farrell as Edward "Teddie" Bingham

Matyelok Gibbs as Sister Ludmila Smith

Carol Gillies as Clarissa Peplow

Rennee Goddard as Dr Anna Klaus

Jonathan Haley and Nicholas Haley as Edward Bingham Jr

Saeed Jaffrey as Ahmed Ali Gaffur Kasim Bahadur, the Nawab of Mirat

Karan Kapoor as Colin Lindsey

Rashid Karapiet as Judge Menen

Kamini Kaushal as Shalini Sengupta

Rosemary Leach as Fenella "Fenny" Grace

David Leland as Capt Leonard Purvis

Nicholas Le Prevost as Capt Nigel Rowan

Marne Maitland as Pandit Baba

Jamila Massey as Maharanee Aimee

Zia Mohyeddin as Mohammad Ali Kasim

Salmaan Peerzada as Sayed Kasim

Om Puri as Mr de Souza

Stephen Riddle as Capt Dicky Beauvais

Norman Rutherford as Edgar Maybrick

Dev Sagoo as S.V. Vidyasagar

Zohra Sehgal as Lady Lili Chatterjee

Frederick Treves as Lt Col John Layton

Stuart Wilson as Capt James Clark

Leslie Grantham as Signals Sergeant

#The Jewel in the Crown #TV #Period Drama #ITV #1984 #1980's #Tim Pigott-Smith #Susan Wooldridge #Art Malik #Charles Dance #Geraldine James

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indiejones · 2 years

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INDIES TOP 150 ACTRESSES OF 1930’s BOLLYWOOD !

PS. Surprisingly, Devika Rani, the only heroine from 1930's Bollywood that our & our previous gen have heard & been told of, doesn't even figure in the Top 150 Actresses List for the decade, in Indies historical reproduction!

Some perspective, on just how diffused & deluded, our historical retelling has been!

1. .Sulochana / Ruby Mayer

2. .Sharifa

3. .Jehanara Kajjan

4. .Gulab / Rose

5. .Patience Cooper

6. .Bibbo

7. .Sabita Devi

8. .Zubeida

9. .Gohar Mamajiwala

10. .Sushila Devi

11. .Shahzadi

12. .Sultana

13. .Purnima Shome

14. .Kesari

15. .Shishubala

16. .Miss Iqbal

17. .Mushtari

18. .J. Sushila

19. .Radharani

20. .Shehla

21. .Madhuri

22. .Mushtari

23. .Shanta Devi

24. .Jamuna

25. .Ratnaprabha

26. .Leela Chitnis

27. .Prabha Devi

28. .Anusuya

29. .Devbala

30. .Bela Rani

31. .Ila Devi

32. .Ameena

33. .Urmila

34. .Saqi

35. .Fatma Begum

36. .Menaka Devi

37. .Rohini

38. .Annapurna

39. .Brijmala

40. .Anasuya

41. .Mehar Banu

42. .Rampyari

43. .Tarabai

44. .Manjula

45. .Shanti

46. .Sakribai

47. .Rajani

48. .Devaki

49. .Durga Koregaonkar

50. .Lalita Devi

51. .Ashalata

52. .Miss Jena

53. .Satyavati

54. .Zohrajan

55. .Zebunissa

56. .Hansa Wadkar

57. .Najju Begum

58. .Sardar Akhtar

59. .Ramola

60. .Lalita Pawar

61. .Sitara Devi

62. .Mehar Sultana

63. .Sadhana Devi

64. .Yasmin

65. .Nurjahan

66. .Kanan Devi

67. .Jyotsana

68. .Manorama

69. .Pramila

70. .Panna

71. .Vimla Vashishta

72. .Vasanti

73. .Kumudini

74. .Miss Sylvia

75. .Fatma Jr

76. .Prem Kumari

77. .Durga Khote

78. .Kamlesh Kumari

79. .Damyanti

80. .Heera

81. .Ranibala

82. .Gulzar Bai / Miss Gulzar

83. .Seeta Devi

84. .Putli

85. .Baby Ila

86. .Mumtaz

87. .Khatoon

88. .Miss Pokhraj

89. .Khursheed

90. .Anupama

91. .Shirin

92. .Mohini

93. .Rattanbai

94. .Shanta Kumari

95. .Jilloo

96. .Brijrani

97. .Umasashi

98. .Shaila

99. .Miss Salu

100. .Kalyani Das

101. .Usha Rani

102. .Indira Devi

103. .Kamla Devi

104. .Sarla

105. .Prabhavati

106. .Neelam

107. .Baby Gabroo

108. .Leela Pendharkar

109. .Arti Devi

110. .Kishori Pathak

111. .Rupmati

112. .Shanti Gupta

113. .Jamshid Banu

114. .Romila

115. .Fatima

116. .Mukhtar Begum

117. .Padma Devi

118. .Veena Devi

119. .Dwarki

120. .Hira Dharwadkar

121. .Rajkumari

122. .Indubala

123. .Renubala

124. .Krishna Kumari

125. .Sharda

126. .Leela Desai

127. .Bhaduri

128. .Sakhu

129. .Manekbai

130. .Jenabai Pawar

131. .Chanda

132. .Snehlata

133. .Lakshmi

134. .Nirasha

135. .Mehtab

136. .Leelavati

137. .Shakuntala

138. .Sheelprabha

139. .Ermeline

140. .Noor Jehan

141. .Malka

142. .Miss Mani

143. .Indira Wadkar

144. .Baby Devi

145. .Purnima Shome

146. .Veena

147. .Rani Sundari

148. .Gangoobai

149. .Zohra Sehgal

150. .Miss Jones

2 notes · View notes