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#a bit angsty lol
luckycharms1701 · 3 months
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Oh, please, I must know now… Donnie during mating season??? :D I’m loving ur writings about this :)
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alright you thirsty purple fans, it’s time!
sidenote: i am. so glad. that people are enjoying these. they’re a lot of fun to write!
double sidenote: i have added a link to my masterpost to all my bayverse mating season headcanons! you can also find them here
sooooo donnie. he's a freak in the sheets, you cannot change my mind. so especially strong spicy warning for this one 🌶️
Donnie is extremely matter of fact about mating season. The first time he brings it up with you, he’s more nervous about your answer than he is shy about explaining what it entails. (You couldn’t hear the words, but you did hear him muttering to himself before he came up to ask you. You suspect it was a pep talk.) He is very thorough when explaining mating season in general and how it affects him in particular. You are grateful and also a little turned on by the time he’s done.
Before you were in the picture, Donnie used to work himself until his system overloaded and he passed out during this time. Now he finds himself working a lot less, because he has you to focus on. He appreciates that you make him spend more time on leisure and don’t let him overwork himself. He also appreciates that you do let him work at least a little when the desire hits. Getting to cuddle with you is a surefire way to get him to rest when he needs it though. As long as you’re nearby, he’s happy to do whatever.
Donnie is a talker in general, but it gets ramped up to 100 when it’s his season. Unless his mouth is busy doing… other things… it’s basically a 24/7 stream of consciousness fest. Mostly it’s about you. How much he loves you, what in particular he loves about you, how exactly he wants to make love to you. His morning star, his starlight, his celestial beauty. Sometimes, though, he’ll interrupt himself to talk about something that just occurred to him about one of his projects. It never fails to pull a laugh out of you and make him rub the back of his neck in (adorable) embarrassment.
He enjoys physical affection and often seeks it out from you, and this holds true during his season. He won’t whine or get grumpy if you don’t want to be touching him all the time (*cough* like his brothers will *cough*), but he does prefer if you’re in contact with him somehow. He enjoys watching movies with your head on his lap and your hand in his. He especially likes it when you're on top of him.
Donnie is used to just taking care of himself whenever necessary, AND he is used to handling delicate things during his season. So there is a lot of gentle manhandling when the time comes. You can't do anything particularly engaging because he will come up and interrupt you whenever to have sex. IF you are wearing clothes at all (not often), you cannot wear underwear or pants, at most a skirt. That way he can just lift it up and enter you whenever the urge hits. He is especially fond of doing this when you're sitting on his lap while he's working (... "daddy's little cockwarmer").
Having you around does not mean that all of his toys go unused, oh no. He is very considerate, and would rather resort to them when you're getting rest. (He got your permission to stare at you while you slept and he used his toys. So considerate.) He also came up with some new toys that the two of you can use together. Having toys custom designed for your pleasure? Well. It really adds to the experience of mating season.
He likes to take his time and study you. He is always coming to you with a new experience he wants to try. He does get a lot of pleasure out of trying new things, but he mostly just wants to know how you'll react. He is intimately familiar with your body and how it reacts, and he wants to see if those reactions hold true when different stimuli are applied. His prodigious brain is always working. He particularly likes when something catches you off guard and a surprised gasp comes out of your mouth.
Donnie is not overtly possessive, even in his season. But there is always one hickey very carefully placed somewhere noticeable that you can't cover easily. He knows just how much force to use to leave an imprint of his hands without hurting you more than you enjoy. And if he catches someone looking at you? You will probably be walking a little funny the next day. When he ties you up (he enjoys tying you up. a lot.), he'll take a minute to sit back and observe you, pleasuring himself to thoughts of how you belong to him the same way he belongs to you.
When his season is over, his favorite thing to do is cuddle with you while the both of you sleep it off. He won't leave the bed, not even to work, until he deems you fully rested. (He will work in bed while you sleep on his plastron though.) His second favorite thing to do is bathe you. He takes his time to make sure every inch of you is clean and cared for. It's a lot like going to a spa, because Donnie did a lot of research into spas so that he could replicate that experience for you. And if you give him a little pampering in return? You'll get to hear him chirp and churr in complete satisfaction.
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head bonks: @yorshie @avery73 @justalotoffanfiction @thejudiciousneurotic
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decaytime · 1 month
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Hunter head canon #3
Hunter his whole life has done something guard related. From training to be a scout which are essentially foot guards to the highest ranking guard, the golden guard. He wasn’t just trained to guard he was raised guarding. It’s something he does thats probably second nature for him.
With that being said I truly believe he will continue being a guard to everyone he cares about even if it’s no longer his job and even if he barley knows that person. (gus and luz for example in labyrinth runners and hunting palismen ) It’s ingrained in him the same way sheep dogs will heard humans because it’s what they know.
So I imagine hunter instinctively standing up in front of the hexsquad unconsciously guarding. Even if they are simply hanging out. They ask him about it and he admits he does it without even noticing.
Of course a lot of these behaviors stem from PTSD like him being hyper vigilante and being prepared to defend from any possible attack but even in moments he knows he safe he’s always watching making sure they don’t get hurt by something little like falling and making sure their all secure. He’s not even violent just defensive.
He keeps them organized even if can’t keep himself organized, he becomes aware of their mannerism in a objective way, he guides them. They basically become his herd in way.
Even if Luz could be seen being the ‘leader’, Hunter is always next to her ever so slightly in front, like a guard.
Luz is also protective but that’s a habit she developed while again for Hunter it’s ingrained.
It’s quite cute actually if you ignore his past, him being a protective friend willing to defend the people he cares about no matter what.
In short Hunter got that Doberman/collie instinct in him lol
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Any who, love me a protective Hunter
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spacedace · 8 months
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Reluctant War AU Part 3
Part 1 Part 2
More of the brain worm that has taken me over, gonna probably post it to Ao3 here before too long. Already got another part started and so many ideas for additional stuff, someone please send help I've been consumed by this thing lol
Sorry if Waller seems out of character, outside of fandom I'm mostly familiar with her through Justice League the animated show & Justice League: Unlimited and her vibe there has always struck me as "deeply incredibly unlikable character that also kind of has a point but also has done so much fucked up shit in the name of her goals that you don't really care about her point anymore." So you know, complicated lol. If she's completely unrecognizable let me know, but I'm hoping she feels at least somewhat like Waller.
Forgot to say this in the last update, but still feel free to use all this as an overly long prompt if yall want. Literally anything I throw out to the void should be treated as a prompt lol If there's anything at all interesting to you in any of this nonsense go for it <3 <3 <3
---
Amanda Waller was someone who did what needed to be done.
Ruthless, heartless, vicious, cruel.
She’d been called it all. Wore the words thrown as insults as a badges of pride and valor. Because at the end of the day, when it came to the problems she was given to face, the issues she was meant to solve, those words meant she’d done what others had been too squeamish or cowardly to do. Life was a never ending slog of trolley problems and she the only one unshakable enough to pull the levers that needed pulling.
It wasn’t so simple as a matter of greater good.
Greater good was what the weak willed muttered to themselves after having feelings over doing the bare minimum. A justification used by people on all sides to do what they wanted with fractured, faulty logic thrown around like truth was a thing immutable. To assuage their guilt when they were forced to make a call they didn’t want to.
It wasn’t a matter of greater good. It was a matter of preservation. Of protection. Of digging through the filth to find the threats skittering beneath and crush them with ruthless abandon. Of facing a god and not blinking because if you did it could cost the world.
Of doing what needed to be done, no matter how underhanded or atrocious it was.
Hands dirty.
Hands red.
Hands wrapped tight around the throat of something that could threaten to destroy it all.
When the Ghost Investigation Ward had been shoved her way with it’s sucking wound of a budget, it’s bloated incompetent staff, its asinine methods she’d seen a rotted limb in need of hacking off. It hadn’t been until she’d been conducting her inspection, digging through the trash for a few pearls of effective agents she could snatch up and put to work elsewhere, that she’d truly seen what they were working on. The potential.
Potential to better arm themselves with in the forms of the strange new weapons being created.
Potential for threats far greater than anything even she had thought possible before.
The GIW as it had been when she’d first come across it was a fetid waste of time and resources. A laughing stock agency only secret because no one took them seriously enough to look. Made stupid and useless with its own conceited delusions of importance it didn’t actually have. Yet.
She went to work on it. Hacking away as she’d originally intended, but this time with a different goal in mind. She ripped out the weeds with bare, calloused hands and planted proficiency and loyalty in their place. She took over as director herself, tossing the self-aggrandizing fool that had been running the place into the ground to the dogs as the culprit for misappropriate spendings, saving the agency by tweaking things until their ballooning budget was pinned neatly onto the former director as an embezzling charge.
Then she got to work.
The Fentons were brilliant, if entirely insane. But Amanda could work with that. She’d reigned Harley Quinn in - more or less - she could do the same to the two deranged scientists that so eagerly wanted to be apart of the fight against the dead. Especially when the benefit came in the form of the inventions they threw together so easily, especially when those inventions were weapons.
It took very little to get them on board with her plans for the GIW. Keeping their focus could be a chore, at times, but she didn’t even have to really do much in the way of pressing to get them back where she wanted them. They craved knowledge and understanding nearly as much as they craved the eradication of the entities themselves. Letting them have the first look at a new subject here, free reign over a vivisection there, it took so little to fuel their fervor and keep them busy working on the projects she set for them.
Things had been going smoothly.
For a time at least.
Until Phantom.
He’d been the main focus of the previous director’s attention, the big fish he’d so desperately wanted to catch and put up on his wall. Amanda wouldn’t lie and say it wasn’t a tempting prospect, but not one she’d put above the other projects she had set in motion since taking over. No, Phantom was powerful, enough to be a real problem one day, but she could the awkward youth in the way he held himself, the inexperience in how he handled situations. She had time to get everything else in order before focusing on getting Amity Park’s would-be hero brought to heel.
And he would be brought to heel. One way or another.
Hands dirty.
Hands red.
Hands wrapped tight around the Core of a fledgling god and bending him to her will.
An artifact, old an powerful, recovered with some effort. A means of controlling specters, of chaining them to the will of the artifact’s wielder. Dangerous in the wrong hands. Dangerous in the right hands.
It was shattered, and even whole and functional Phantom was resistant to its power. But Amanda Waller prided herself in her ability to see the potential in things. It could be repaired, be made better. Even gods could be bound, be made to kneel, with the right pieces, with the right application of force.
It was just a matter of time to gather everything needed.
Phantom didn’t know he could single handedly destroy every last member of the Justice League. The baby fat, the innocent eyes, the split-second hesitations when he fought. He knew enough to be confident in fighting the usual ghosts that haunted Amity Park, but he still very much saw himself as a little fish. Maybe it was the part of him that was still Daniel Fenton, gangly teenager not quite sure what he was truly capable of yet.
She had time before the Fenton’s son truly became an issue. Time to judge if his parents’ obsessiveness would overcome their - rather shoddy, by Amanda’s estimation - parental instincts and continue to hunt him once they knew the truth. Time to get as much out of them as she could before hand, should they falter at the idea of attacking their own son. Time for the staff to be repaired and returned to working order, to get the other items needed for the truly big fish hidden on the other side of the veil between worlds.
She had time.
Until she didn’t.
Pariah Dark had not been something she thought she’d have to account for - not yet, at least.
If he wasn’t already dead, she’d ring the Ghost King’s neck with her bare hands. His arrival had opened Phantom’s eyes to what he was capable of, of just how big of a fish he was. Worse still, Phantom’s defeat of the war mongering King changed the state of play. Phantom was no longer an impressively powerful half dead teenager.
He was King Infinite.
He was an Ancient.
He was getting on her last damn nerves.
Phantom’s rogue gallery were now firmly under the boy’s control. Still distinct nuisances around Amity Park, but no longer considered true concerns. They were loyal to their boy king, delighting in ruffling his feathers but never crossing the line into treason or attempted regicide. Which meant that the GIW was the only thing that held his attention.
Amanda took the time to send a care package to the former GIW director in his tiny, dank prison cell. As thanks for his carelessness in revealing to the entire town - both living and dead - of the agency’s existence and their intentions. Had he stuck to standard protocol, Phantom would have been none the wiser to their presence. Would have scratched his head and shrugged his shoulders at the ghost that went missing upon occasion. Would have been boredly uninterested in the people his parents had begun working with. Would have been taken by surprise when they finally came for him.
But no.
No that self-obsessed, fame chasing imbecile had to go and announce to everyone and their dead mother that the GIW existed and exactly what it was they were in Amity Park to do.
Phantom knew what they were there to do.
They could only count on his naive certainty that he could broker peace with them for so long.
Peace. As if he and his people weren’t the invading force, the monsters slipping in through the cracks between worlds, the latest threat that had to be accounted for. As if he himself hadn’t rent their world asunder himself in another world, another time. No. Peace was not something they could hash out with this baby-faced monarch with his too-big crown. Peace was the assurance of safety, security. Of control of the situation.
There could be no peace.
The higher ups were somehow surprised when Phantom took that to mean there would be war.
Amanda Waller was not.
The Fentons, as suspected, took the right side when all was revealed. Steady hands and flinty eyes as they crafted the weapons that would be needed for the coming fight. Minds even sharper in their maddened grief, hearts set on revenge for the son lost and the entity that stole his face and friends and sister in his garish pretense at humanity. They were blinded to the reality of the situation in its entirety, the potential in what their son truly was, but at the end of the day it didn’t really matter. They did what she needed them to do, they could believe whatever it was they wanted so long as they did.
By the time the boy king and his armies marched upon the Amity park facility, preparations had been put into place. The base in Amity had been stripped back to bare essentials, everything of importance moved to more secured locations.
The weapons labs.
The artifact.
The girl.
All tucked well away from the front lines where Phantom and his motley crew could not reach. Their time to be put in play would come, but not yet. First she needed to gauge what Phantom and his people were capable of, what they were willing to do in the name of what they wanted. Amity Park was a pawn well sacrificed on that front. As were the other facilities she’d left easy to find.
The problem with making children gods, with giving them crowns and calling them King and giving them armies to play with, was that they thought there should be rules. That even in the trenches tearing apart their enemies, there was a certain level of playing fair that everyone was held to. They thought there was a way the world worked, of how things should be that blinded them to more effective options even as time stretched on and desperation set in.
It was the Dead’s problem though, not hers.
She reached out to the Justice League. Sour faced, unhappy, bitterly reluctant to accept that she needed their help. Stone faced and barely containing their rage at what little they knew of the situation, they agreed to a meeting.
She didn’t let herself smile until she was well and truly alone in her office.
Greater good. A lie people told themselves. A fairytale told to children. A means of convincing the weaker willed that they had no choice, that they had a noble duty to bend to. A belief that could be wielded like a weapon if the fantasy of the idea had dug in deep enough. And there were few it had dug into so deep as the members of the Justice League.
Amanda Waller was someone who did what needed to be done.
Hands dirty.
Hands red.
Hands clenched tight on a victory long in the making.
---
Part Four
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if i fell through the floor i would keep falling ; suguru geto
synopsis; geto knocks at your front door one morning ten years after leaving everything he knew behind, fully expecting to be met with a middle finger or a hand to the throat. when you invite him in, instead, he can’t help but feel somewhat perplexed.
word count; 7.5k
contents; suguru geto/reader (platonic or romantic, up to u!!), gn!reader, geto-typical angst with lots of yearning, open-ended, geto’s pov, reader is a softie, mutual pining kinda, geto is terminally bitter and terminally lonely and also kind of a bitch but we love him
a/n; i’m extremely normal abt suguru geto and the debilitating loneliness he must’ve felt during the ten years after he left <33
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”it’s been a while.”
the smile on his face must be sweet, he thinks, illuminated by the blurry light of the morning sun. as charming as it’s always been. coated in a thin layer of lighthearted deceit, a cruelly projected sense of normalcy.
with a hand raised up in cheerful greeting, geto gazes down at you.
— admittedly, he’s a little underwhelmed by your reaction.
astonishment or bafflement was maybe a little too much to ask for. you don’t look very surprised to see him at all; almost as if you were expecting him to show up in front of your apartment at the break of dawn.
and, really, maybe you were. after all, satoru must have told you already. why wouldn’t he let you in on their touching reunion, the promise of war that spilled so easily from his lips?
of course you would have heard of it by now.
still, geto can’t deny that it’s just a little bit disappointing. he would’ve liked to see your wide eyes, would’ve liked to hear you stammer a bit. the expression you’re currently sporting is something else entirely.
you look sad.
there’s a fondness in your eyes, though, unmistakable. a spark of it, entirely impossible to ignore, that catches him off guard. and there’s a softness in the way you raise your head to look up at him, a familiarity that flickers in the depths of your irises.
geto is just a little bit put off by it.
it looks the same as always. you look the same as always. and geto’s heart constricts, where it rests, tucked away deep within the confines of his ribcage.
a moment passes. the sun peeks out from beneath the curtain of the horizon, the violet and indigo of the morning sky melting into that familiar burst of ochre. and geto is content, to silently admire the way that you glow in its light.
he waits, patiently, for your expression to shift. to melt into one of anger, or repulsion, or any other kind of bitter hue.
it never does.
a sigh flows from your parted lips, instead. a soft little breath. in the bitter cold of a morning such as this, it turns into vapour as it drifts through the air. you blink, tiredly, eyelashes fluttering with something akin to exasperation.
”you’re a cruel guy, you know that?”
geto blinks. a fickle moment passes.
then, he smiles.
you’re admonishing him, but you’re doing so almost gently — with an easygoing kind of disapproval. as if you’re still in high school, huffing over the teasing bout of laughter he lets slip when you trip over air.
geto’s lips curl up, smoothly, an action he’s grown awfully used to over the years. smiles are a form of currency, he has come to realize — smiles of deceit, of fondness, of barely contained disgust. all kinds of smiles, whether plastered on or genuine. a means to meet an end.
a single tug of his lips, encompassing an immeasurable number of unspoken words.
the smile that geto graces you with is an amused one. it doesn’t quite reach his eyes, but it’s friendly enough. ”so i’ve been told.”
for a minute, you do nothing but observe him. there’s a turmoil behind your eyes that seeps out in the way you look at him, the way you shift from foot to foot and gnaw at your bottom lip anxiously. geto doesn’t interrupt, observing you in turn. waiting for one of you to move the first piece of this little morning game of chess.
in the light, he can almost delude himself into thinking that your eyes change colour, different shades and hues dancing around your dilated pupils. as you gaze over the contours of his face, a certain kind of affection blooms within them, one that geto expected to have faded over the years. 
but it’s still there. and it’s the same. a little more blurry, maybe, a little faded at the edges — more matured. but still the same, despite that. 
(a memory comes to him. one of you, and him; sharing a bag of chips on the school’s rooftop when neither of you could sleep.
bathed in the light of the moon, your eyes glimmered with that very same affection, like a shooting star breaking out across the night sky.)
one long, careful, tender moment passes by. 
the intense contemplation on your features is almost enough to coax a chuckle from the depths of his throat. an urge to tease you creeps up on him, slowly, but before he can open his mouth you seem to come to a kind of conclusion.
and so, you step to the side — allowing him to see inside your apartment, catch a brief glimpse of the interior. you look oddly comfortable, at peace, having made your move; the next piece is his to place.
what a surprising move, though. geto can’t help it if his eyes widen just a smidge, if he blinks in a way that could almost be interpreted as briefly confused. out of all the possible scenarios he’s played out in his mind over the years, this wasn’t the one he expected to merge with reality.
”wanna come in?” you ask, tentative. your voice is inviting. a little clumsy, although he supposes that could just be because of fatigue. it is early, after all.
geto takes a moment to think.
as far as he can tell — and he always can, in one way or another — there is no deceit hidden in your expression. no signs of bloodlust, no spark of violence, no quiet resentment bubbling beneath the surface. earnest. that’s all it is. a little awkward, but candid. pure, in a way.
you aren’t trying to trick him. you’re genuinely, seriously, honest-to-god inviting him inside your apartment.
the next move is his to make.
and geto knows exactly what he should do. he should decline, politely, excuse himself with feigned remorse and a jovial invitation to his own personal hell.
(surely, you already know. the others have almost certainly told you by now. geto just wanted to personally invite you, himself. face to face.)
right. that’s what he should do. that’s the winning move.
and yet, he finds himself moving.
lips curling up on their own, without his approval, geto moves forward. one step is all it takes for him to cross the threshold of your home; a boundary he didn’t expect you to offer up so callously, truth be told, but who is he to deny the wishes of a dear old friend?
”why, thank you,” he smiles, voice pleasant, smooth like silk.
(for just a little while, he supposes he can indulge himself in the opportunity you’ve so graciously given him. just for a bit.)
geto doesn’t bother taking off his footwear, and he knows you couldn’t care less either way. allowing him to pass you by as he waltzes into your very own space, you close the door behind him. he half-expects to hear the click of the lock, but it never comes.
a particular scent envelops him, as he stands by the coat rack, unmoving — he has no intention of taking off his robes, heavy with his carefully nurtured devotion. a symbol of his choice.
the scent is familiar, but also unlike anything he can recall within the borders of his memory; a soothing blend between fresh laundry, and sunlight, and cat fur, and something rather sweet.
there’s more to it than that, though. a certain scent geto could only ever describe as you. 
(his heart aches with longing.)
as he ponders the intricacies of the fragrance, geto is acutely aware of the stare burning into his back. how careless of him, to leave it facing you, unguarded and vulnerable.
what a perfect opportunity he’s presented you with; the great curse user suguru geto, forever exiled and wanted dead, now merely a fly at the mercy of the web you’ve created. trapped in your apartment with his back turned to you, a mere lamb to the slaughter.
how easy it would be, for you to plunge a knife into his flesh. to curve your way along his spine.
you do nothing of the sort, though. and for some reason, the realization that you aren’t going to irks him, even though deep down he knew that would be the case. still, it crawls its way under his skin, along the arteries of his forearm, an itch he yearns to claw away.
how foolish. how very like you.
(what a cruel thing change can be, when no one else seems to succumb to it.)
unable to do anything but accept it, however, geto turns towards you once more. you stiffen, as if burned by his gaze, and a part of him delights in it.
”how have you been?” he asks, bright and courteous. there’s a genuinity to the question that geto can’t deny. something about this situation sends a spark of fondness running through his veins.
at the sound of his voice, your eyes soften again. it’s a subtle shift, but he doesn’t miss it. doesn’t think he ever really could, because even though the light inside your eyes makes him uncomfortable, down to the very marrow of his bones, he can do nothing but bask in it. in your attention, in that heavy gaze.
a single word could never hope to faithfully describe the emotion smouldering inside it — but if forced to, geto would humbly settle on resignation.
it’s almost as if you still haven’t fully accepted it, ten years down the line, that you’re only just beginning to. like even now, you’re convinced that it’s nothing more than one big joke; that he’s about to reveal a hidden camera, and gleefully tell you that it was all a prank to get back at satoru.
naive, naive, naive. but geto can’t deny that it tastes sweet, on his tongue — to imagine that you might still have some faith in him, after all this time.
a sigh leaves your lips. you sound a little bit exhausted. it sends a pang of ache to the very center of his heart, and a part of him yearns to soothe you. another part relishes in the pain he must have brought you over the years.
the rest of him smoothly tucks those stray thoughts away, as he brushes non-existent dust off from his robes.
then, your eyes take on a more tender hue. you ignore his question entirely, and speak in a low voice. raspy and sincere, and maybe just a tad bitter, given everything.
”those robes don’t suit you, suguru.”
— a shiver travels down his spine.
suguru.
(the way your lips form around the syllables is still so lovely.)
you’re full of surprises, as always. at least to a certain extent, he was expecting you to settle on geto, to draw a firm line in the sand between him and you. the ocean and the land, always meant to be separated by that thin line, kept apart in each other’s best interest.
but geto is beginning to accept that you’re going to do this your way — sincerely.
the statement is a veil, obscuring a million unspoken thoughts, double meanings that aren’t particularly hard to discern. a silent rejection, a quiet disapproval. there’s a grief to it that sits heavy on your tongue.
taking a moment to collect himself, geto meets your gaze, and all its weight. his lips curl up into a sad smile, a little fatigued. he wonders if you can hear it, in his voice.
(maybe it was stupid of him, to think he could keep this meeting professional.)
”… is that so?”
you continue to look at him, as if waiting for something else. but geto doesn’t give you what you want, that touch of tender honesty he’s sure you’re hoping for.
”i think they suit me just fine,” he playfully disagrees, instead, tone bordering on something childishly stubborn.
you wait just a single moment more, still clinging to that hope for something sincere, anything. 
then you huff. it sounds vaguely amused.
”you look like a con artist,” you deadpan, eyes flitting down to examine the outfit again. geto would be offended by your rudeness if you didn’t also happen to be right.
”how sweet of you,” he purrs, shooting you a smug smile. the words are lighthearted, mildly teasing. “that’s exactly what i’m going for.”
you give him an unimpressed look, that he mirrors with a perfect smile — and then you give in to another amused exhale, paired with a soft shake of your head.
there it is again, geto thinks. that sense of déjà vu. it’s equal parts eerie as it is comforting.
silence lingers in the air around you, as hazy sunlight flits in through the gap between your curtains and cascades across the floorboards. until you clear your throat endearingly, and walk past him.
”well, make yourself at home,” you murmur in passing.
considering the circumstances, the words are spoken fairly naturally, and geto has to resist the urge to laugh at how ridiculous this is. inviting a wanted criminal into your home, a literal mass murderer, and treating him with the same politeness you’d show to any other guest.
what would the elders think, he wonders, if they knew? would they brand you an accomplice, question your motives? put your head on the chopping block right next to his? he wouldn’t put it past them, the pieces of shit.
but despite his amusement, geto doesn’t laugh. he only watches as you make your way to the kitchen counter, a firefly catching his eye in the summer night.
(except you aren’t a firefly, and it’s not summer. it’s winter, and you’re someone geto wishes he didn’t still care for.)
”i was thinking of making tea,” you hum, voice soft but still easy for him to discern from his spot in the living room. ”do you want some?”
geto’s lips quirk up into a tiny smile. his voice is teasing, as it flows out from his lips.
”how generous,” he chirps, still idly watching the way you move around the open space, your hair changing colour in the flickering light of the sun. ”satoru could learn a thing or two from you.”
he expects you to flinch. a suitable reaction, to how casually he brings up his reunion with his best friend, like it’s nothing. like it means nothing. like nothing’s wrong.
geto knows it’s cruel, which is exactly why he does it.
but you don’t flinch. you don’t even stiffen. and he senses no anger in your body language, in the silence that settles in the space between his words and yours. all you do is exhale sharply, a little exasperated.
”you shouldn’t be so cruel to him.” a beat. your voice sounds just a little smaller when you continue. ”he’s missed you, you know.”
the reply is nearly instantaneous, and it’s bare. honest. you sound like you’re scolding him, but it’s more protective than angry. and it’s gentle, like you’re patching him up after a mission, reprimanding him for not being more careful.
at this point, geto can tell you have no intention of playing along. how annoying. he wishes you would — that earnest sadness and regret of yours is almost unbearable, and the gentle bluntness you present him with cuts much deeper than his casual cruelty ever could.
you aren’t going to play along, aren’t going to pretend you don’t care. geto wonders why you won’t, why you’re the only one who still refuses to.
satoru certainly has no issue with it. playing along, putting up a front. attempting to treat him coldly, as an enemy. but geto knows him, knows his soul like the back of his hand, and he could tell it was trembling when their eyes met. from underneath those bandages of his, the thin layer of cowardice that shields those precious eyes from the rest of the world. from geto.
and shoko is just as unbothered as ever. always playing it cool, never caught off guard or shaken to her core. geto can’t even tell if it’s an act or not, anymore. but he knows that she was angry, when they spoke that day, ten years in the past. knows she wanted to tell him off, but chose not to.
both her and satoru are like that. always have been. closed off, accustomed to bearing an unbearable weight, resigned to the ache that it brings them. acting distant in a desperate attempt to mend it.
you, though?
you were always a little too sincere for your own good, a little too true to yourself. it must hurt you, he thinks. it must hurt you even just to look at him. yet you continue to do so, unflinchingly.
that’s simply how you are.
you’ve always enjoyed dipping your toes into the grief of it all, leaning into the pain. always the first to take that step into the abyss. content to tear yourself open for everyone to see, even if no one follows suit.
never averting your eyes. never taking the easy way out.
(unlike him.)
geto hums, smiling a little at the sickening irony of it all.
the gentle clinking of ceramic resounds throughout the kitchen, and geto’s ears perk up. his gaze follows your hands, as they move to grab two cups from the wall cabinet. floral designs, he dully notes. blue bells on one, red camellias on the other. a porcelain teapot rests on the kitchen table, but no flowers adorn it.
without your expressions to keep him entertained, geto decides to wallow in the fleeting peace and quiet. aside from your soft breathing and the occasional clinking of teacups, there are no sounds to be heard. 
a moment that seems to exist outside of time and space, where time passes backwards and your shuffling in the kitchen is his only concern.
eager to satiate the mellow boredom in his chest, geto’s eyes begin to flit across the space of your apartment. greedily drinking in every detail he can see, as if he’s trying to memorize it all. maybe he is.
everything he can see is a piece of your existence, in one way or another. every inch of the apartment is littered with your fingerprints, your choices and fickle tastes.
like the rich yellow of the curtains you’ve picked out to frame the glass of the windows, bright and stark and blending smoothly in with the cream colour of the wallpaper surrounding it. or the forgotten cup on the table in front of the tv, a faded green. he vaguely remembers seeing you drink out of it back when things were still good, when you both thought of the school as your home.
a book rests on the duvet pillows of your couch, but he sees no bookmark peeking out from between the pages. geto wonders if you still dog-ear your books, and thinks to himself that a crime of that calibre would warrant your own exile if the world was only fair. alas, it isn’t. war of the foxes, he reads from the cover. ironic.
along the windowsills are potted plants, stacked up next to each other, green and flourishing despite the snowy wonderland of the outside world. their leaves differ in shape and size, some accompanied by blooming flowers. he imagines you watering them, dutifully, nurturing them with gentle hands and sleepy smiles. 
there are many things to look at, more and more little fragments sprouting up the longer geto continues to do so. a knitted sweater thrown over the wooden armrest of a chair. colourful candy wrappers littering the table. an old radio tucked away in a corner of the room. 
geto drinks it all in — a home you’ve painstakingly created, that you’ve allowed him into. he examines it thoroughly, the way an art dealer judges a painting on display. turning the image over inside his mind, twisting it, burning it into his retinas. soaking in every little detail he manages to find. 
your home.
(it’s so like you that it hurts.)
finally, geto thinks he’s had his fill of the living room. so he ventures into the kitchen, only a couple long strides away.
the scent that greets him this time is comforting, homey. the aroma of coffee grounds, a touch of leftover curry, a strong fragrance of blooming hyacinths and dried lavender sitting contentedly by the windowsill. through the translucent glass, geto sees layers upon layers of snow on the rooftops, and the gradual rise of the glittering sun. 
the quiet buzzing of the electric kettle is the only sound he hears, along with the rhythmic ticking of the clock on the wall, as his eyes wander along the kitchen.
the shelves are stacked with a variety of different spices, and glass jars of honey and jam. along the counters rest a wide array of kitchen appliances, from blenders to rice cookers to french presses. mugs with silly designs are stuffed into an opened wall cabinet, and geto recognizes some of them, to his silent delight. 
there are colourful post-it notes stuck to the fridge, messy scribbles of recipes and reminders. meetings, birthdays, grocery lists. even just little doodles, smiley faces and napping cats that make his lips quirk up. and polaroids — he tries not to let his gaze linger on the picture of satoru sleeping in the most uncomfortable, inhumane position he’s ever witnessed, nor the blurry image of shoko smoking by a balcony railing, sleeves cuffed and expression forlorn. he can’t imagine either of them noticed you snapping the photos.
(no polaroids of him. of course not. why would there be?)
geto tries not to look over at the fridge again, examining the floor and furniture instead. over in the corner stands a bowl of cat food, seemingly untouched. the kitchen table is covered with a checkered cloth, kept down by a plate of chocolate chip cookies. 
your kitchen is fairly small, but it’s cozy. rays of fresh sunlight envelop it in a giddy, ruminating glow. like something out of a dream.
when geto enters the space, your eyes flit over to him briefly, and he shoots you a friendly smile. your eyes do that thing, again, where they crumble a little at the corners and get a tad softer. like you’re looking at an old friend.
(he supposes you are.)
you clear your throat before speaking, as he takes in all the sights.
”what kind of tea do you want? i’ve got, uh…” 
with gentle movements, you open a wall cabinet, eyes swiftly scanning over the different labels of the many boxes, jars and sachets of tea inside. dutifully, you list off the ones you can see. 
”earl grey, chamomile… oolong, rooibos…” you continue, seemingly never running out of options, fingers tapping at the handle. ”ah, this one’s kinda weird. it’s supposed to be, like, cherry flavoured? don’t ask, satoru picked it out — but it tastes more like laundry detergent.” 
a pause. 
”it’s pretty good, though.”
geto can’t help it. the comment coaxes a chuckle from out his chest, and he’s surprised at how genuine it sounds when it spills from his lips. 
you seem to notice it, too, seeing as you perk up where you stand by the counter. out of the corner of his eye, geto thinks he almost catches the fleeting glimmer of a tiny smile on your lips.
and for a moment, everything feels familiar. eerie and comforting, in equal measure. a sense of nostalgia drifts throughout the kitchen, mingling with the scent of tea leaves and sunshine and freshly baked cookies. 
this is the opportunity you’ve given him — a slice of normalcy. as close to normalcy as one can come to in a situation such as this. a soft bout of laughter, shared between estranged childhood friends, one of which is a mass murderer. it’s really not normal at all.
normalcy is no more than a fever dream. that much has always been the case, but —
there’s a comfort in it, in this. the familiarity of it all. the way you settle into old roles, share knowing looks and cycle through old memories he knows you’re both haunted by.
it’s soothing.
he’s changed, and you’ve changed, but there’s still a sense of belonging between the two of you. in this moment, this sole flicker of nostalgia. in this kitchen.
and for a moment, geto almost forgets why he’s there. almost forgets the unforgettable, the inevitability of a choice he made long ago. it stings, and he wonders how you can bear it; this thin line between longing and awareness.
”so? what’ll it be?”
your voice rings out across the open space, face angled towards the table to meet his stare. 
geto hums, absentmindedly, and takes a step closer.
the narrow distance between you two lies heavy, as he shuffles up right next to you, haphazardly sweeping his eyes over the wide assortment in front of him. he can almost, almost hear your breath hitch when the fabric of his clothing grazes your shoulder.
he wonders if the tea is just an excuse, to be able to come so close. to bask in your warmth.
you don’t move away.
”oolong,” he firmly decides. he doesn’t really need to think about it.
then he swiftly turns on his heel, and takes a seat by the kitchen table. confident and graceful — as if this isn’t your kitchen, but his. unconcerned over table manners, his elbows resting on the wooden board, as his jaw meets the heel of his palm. he bites into one of the chocolate chip cookies, the sweetness crumbling on his tongue.
this time, you finally do stiffen — though geto doesn’t see it. he does, however, feel your lingering stare, and when he tilts his head in your direction he catches a glint of sorrow passing through the depths of your irises.
geto blinks. he tilts his head questioningly, a cue for you to follow.
and finally, finally, you stammer. barely, but it’s there. that nervous shiver of your voice.
”ah — sorry,” you mumble, gaze falling down to the floorboards. you seem almost flustered. ”it’s just…” 
there’s something raw in your voice, something that wavers. 
”back then, you’d always choose earl grey.”
a long moment of silence passes.
there are a million unspoken words in that sentence, geto knows. words you’ll never say, words you’ve always yearned to say. though he has no intention of digging them out. 
the sentiment is more than enough.
a bitter taste settles on his tongue, but he smiles, careful to keep his voice light.
”well,” he hums. ”some things change, i suppose.”
to that, you huff out a breath of amusement, turning around to face the counter once more. but not before eyeing his robes again, expression rich with humour.
”yeah,” you hum, lighthearted. something close to a chuckle. ”i suppose they do.”
geto grins softly, in tandem, from his spot by the table. like you’re still teenagers, sharing a look over an inside joke no one else is privy to.
after that, he simply watches you work, chewing at the treat while he waits for the tea to be done. the light of the electric kettle flickers off, and your hands curl around the handle, bringing it to rest next to the teapot on the tablecloth. he watches, expression mildly bored, as you grab the ceramic cups and the silken sachet bag of dried tea leaves.
a strong scent of oolong tea wafts through the air, when you flick your fingers to pour some of the leaves into the teapot. there’s a certain elegance in the way you pour the boiling water, slowly, in a smooth circular pattern. geto follows the movement, the rise and fall of the leaves as water fills the strainer.
you’re unhurried, methodical. there is care in the motion of your hands, the intense gaze you bear as you perform it. every slight twitch of your knuckles, the soft exhale you emit when the teapot has been filled. 
geto can do nothing but watch, in silent admiration. 
you put the porcelain lid back on, blocking the steam rising up in a flurry of warmth. while the tea simmers, soaking up the flavour of the leaves, you busy yourself with readying two teaspoons. 
”how do you take it, these days?” you ask him, as you languidly pour hot tea into the cups. ”any sweetener? milk?”
”one cube of sugar. no milk.”
at that, your eyes flit up, recognition blooming in them as you hear the familiar sentence. but geto keeps his gaze glued to the hyacinths on the windowsill, never meeting yours.
truthfully, he says it mostly to appease you. he figures he can give you this one thing, at least — this one hope that maybe everything hasn’t changed, after all. that he hasn’t changed, in his entirety, that there’s still some remnant left of who he used to be. even if all that’s left of him is just one single cube of sugar.
it’s kind of funny. but geto doesn’t laugh. 
you place a cup in front of him. the one adorned by red camellias. geto racks his brain, flitting through past conversations with florists and paragraphs memorized from non-fiction books on botany. what was it, again?
eternal love. long-lasting devotion.
the petals and the calyx of a camellia always fall together.
geto bites back a laugh. some part of him wonders if you’re making fun of him, if this is how you’re planning to release your pent-up anger — in such a petty, roundabout manner. but deep down he knows it was no more than an absentminded choice, on your part.
(you always hurt him most when it’s not your intention to do so.)
as you take a seat on the opposite side of the table, he gingerly touches the rim of the cup. soft steam rises from the liquid, its colour marigold-esque, and geto breathes it in deeply before bringing the ceramic to his lips.
you watch, in anticipation. intensely enough that he can feel it even when his eyes flutter shut, your gaze prickling his skin as he sips from the cup.
the warmth of the tea is comforting, a distinctly floral taste spreading along his tongue. there’s a slight nuttiness to the taste, a rich sweetness. as it runs down his throat, geto hears himself hum softly. a satisfied smile slips into the curve of his lips. inside the depths of his chest, a light nostalgia swirls, pleasant and tingly. 
he remembers moonlit nights, whispered secrets you could only ever tell each other, the glimmer of aluminium and rush of caffeine as you gulped down the too-sweet coffee that the vending machines had to offer.
he remembers sunny mornings, muffled laughter shared in the solitude of the kitchen, basking in the floral scent of chamomile and lavender and everything in between as the world woke up around you.
with a clink, geto sets his cup down on the table, pinkie raised lightly. smile a tad bittersweet.
”this is good tea.”
a moment passes. you break out into a genuine smile, nearly beaming, delighted by his approval. 
”isn’t it?” you chirp, fingers curling around your own cup, the little painted flowers adorning it. blue bells. geto recalls that old wives’ tale — how wearing a wreath of blue bells compels one to tell the truth. ”nanami got this one for me, actually.”
he smiles, perking up ever so slightly. a little more animated. ”oh?” he takes another sip. ”he always was a snob, wasn’t he.” 
that makes your own smile grow, lips twitching upwards, and an amused exhale flows from your lips. a gentle breath. you always were very fond of your grumpy underclassman. ”yeah.”
there’s something familiar about this, geto can’t help but think. eerily so. an acute sense of déjà vu, the same one that’s been plaguing him all morning.
the way you’re treating him isn’t how one would treat an enemy, nor a stranger — it’s how one would treat an old friend. that, and nothing more.
(geto wishes he could say it didn’t soothe his heart so terribly.)
he allows himself to sink deeper into the rotten sweetness of it all. indulges in this one fleeting moment, before everything crashes and burns. 
the world outside your kitchen is a cold one, he knows, blanketed by snow and frost that has yet to be stained red. the pure white is a warning, not a consolation — a reminder that there are still things to be lost.
the world of curses is an empty promise, the promise of suffering being rewarded. the idea that the sun will melt the frost around your legs if you wade through enough snow. 
(but geto knows better.)
outside your kitchen, only one path exists for him. it isn’t a kind one, nor is it particularly comforting. but, unlike those empty promises, that path has a truth to it. an end point, that isn’t just wait and see what happens, maybe the sun will rise if you’re lucky.
he isn’t a fool. the world is as cruel as it is beautiful, which is a false simile because cruelty is only ever beautiful when you aren’t a part of it. another one of those empty promises. geto has no idea how they kept him going for so long.
but here, in this moment — the world feels rather kind. kind in the sense of being just enough, the kind of brief solace that used to give him enough hope to get through the day.
for now, this aching gap of yet-to-be-ruined is enough. it’s all that he cares about, all that exists.
— but all good things must eventually come to an end. 
geto knows it better than anyone, so he isn’t particularly surprised when he looks up to see your face set into hard lines.
you meet his eyes with a certain flickering determination, a conviction — and geto knows you’re about to cross the comfortable line he was hoping you could both maintain for just a little longer.
”suguru.”
he doesn’t say anything, doesn’t need to. a smile is enough. so his lips curl up, silently.
”can i ask you something?”
every move geto makes is calculated, a performance, as your words sink into his subconscious. dragging the silence out, as if trying to waltz around the inevitable end of this sickeningly sweet game of morning chess. 
the slow circling of his spoon, creating a vortex for the oolong tea to follow, as it catches the light falling from the window. the way he leans back, to make himself comfortable, letting his jaw rest on the heel of his palm as he dissects your expression from across the table.
there is something almost taunting in his eyes. 
but he smiles. courteous, bright. ”go ahead.”
for just a second, he sees you falter. just a smidge, but the way your nails dig into the skin of your palm is telling, just like the way your eyes choose to linger on the tablecloth a second longer than they need to.
then you meet his eyes once more, and begin to speak. geto hangs on to your words, as if they even matter.
”i’m not expecting you to be honest with me,” you state, bluntly. he’s glad to know you’re on the same page for once. ”but i’d appreciate it if you could. just this one time. i won’t ask for anything else.”
another long and tactful sip of his tea. he wasn’t lying, before — it really is very nice. the flavour is strong and thick on his tongue, sweet and bitter all in one. expensive. the pads of his fingers tap along the ceramic of his cup, right over the red flowers that seem to taunt him so.
here it comes. your lips part, but no sound comes out, and geto knows you’re thinking of how best to phrase your inquiry. it doesn’t take you long to decide, a firmness blossoming in the scope of your iris. a sense of finality.
”are you happy?”
despite everything, his breath hitches in his throat. the movement of his fingers halts.
your question comes out clear, candid, sincere. the look in your eyes makes him feel a little like he’s being devoured. vaguely aware of how his smile wavers, for just a split second, geto can only hope you don’t notice it — but he doubts you do, because you only continue to speak, unperturbed.
”i’m sure you’ve changed a lot, these past ten years. and i’m sure you’ve had more than enough time to convince yourself that you’re happy, even if you aren’t.” you bite your lip. ”i should’ve asked you this a long time ago. but now — i’m asking.”
geto’s eyes never leave your face.
”are you happy? are you genuinely satisfied with your life? are you happy with your choice?” 
there’s something desperate in your eyes, now. something geto can’t look away from, despite himself. all he can do is touch the ceramic beneath his fingers, hot enough to burn, and listen to you speak. 
”if… if you are, then —” 
you take a deep breath, a sharp inhale that geto would mimic if he wasn’t dead set on maintaining his composure.
”— then i won’t get in the way. i’ll let you live your life the way you want to. just as long as that’s true.” 
geto looks at you, smile nowhere to be seen. time itself seems to halt, in the space of your kitchen. the current center of the world.
he doesn’t dare to even breathe.
”… but,” your voice trembles. you stare intently at your own cup, surely beginning to grow lukewarm at this point. what a waste of good tea. ”if you aren’t happy, then —”
a pause. no one says a thing.
”then what?” geto spits. his voice comes out sounding just a tad sharp, cold like the frost outside your apartment. more so than he meant it to.
your pupils waver, before you lift your head to look at him. the resolution in your eyes makes his breath hitch. an unflinching kindness, one he can’t remember you ever not having.
”— then i’ll do whatever it takes to change that. no matter what.” a beat. “even if it makes you hate me.”
such immense honesty.
geto wonders why he came here, in the first place.
to declare war. was that his genuine desire, though? or was it just another excuse?
with satoru, he can pretend. with shoko, he can pretend. with himself, he can certainly pretend.
but with you?
his fingers leave the ceramic, eyes burning with a decision mirroring yours.
geto’s burned many bridges, in his life. but this particular bridge is one he’ll miss. the cinders that follow won’t keep him warm, that much he knows.
but in the face of such honesty — such genuine kindness — he couldn’t bear not to give you a serious answer.
(it’s the least he could do for you.)
”i am.”
a moment passes. the center of the world shifts. 
”i’m happy with my choice.”
it was the only one worth making.
as they fall from his lips, the words taste heavy, absolute. in the light of a morning still yet to be broken by the passage of time, your eyes shift. for a moment geto wonders if you’ll close them. if you’ll give yourself that one relief.
you don’t.
instead, you bite your lip, eyes stubbornly never leaving his own. now you look a little angry, a little frustrated. he’s glad to see that flicker of fury directed at him, at last.
”but are you happy?” you persist, frustrated in a way that buzzes with kindness and concern. a way that makes him feel rather lost.
geto hears himself speak before he has a chance to think about his answer. the voice that comes out of his throat sounds oddly soft.
”that doesn’t matter.”
”it should.”
your reply is equally instantaneous. and geto feels a tremor run through his heart.
”are you happy, suguru?” you try again, pleading. that hope of yours is back, the hope that he’ll be honest just this once. sincere, even just for a syllable or two.
the clock on the wall ticks, hands moving methodically and cruelly, second by second. another moment of time burned to cinders. geto knows what must be done.
this mindless self-indulgence was nice, for a while. but geto has more bridges to burn. more wars to brew.
one final touch. that’s what he’ll give you, in return for your generosity. one final touch of tender honesty, even if it burns his tongue.
”i will be,” he exhales, breathless. ”once all this is over.”
then he gets up from his chair, the squeaking of wood against the floorboards signaling a parting. your eyes never leave his face, as he dusts off his robes absentmindedly, glancing at the half-finished cup on the table.
then geto smiles at you. there’s a fondness to it, one he’d only ever show you. his eyes crinkle, just barely, and the dark brown of his iris shifts into a mellow amber as sunlight cascades down the contours of his face. a genuine smile.
”thank you for the tea.”
there it is. your eyes soften, again, helplessly. 
you aren’t satisfied. geto doubts you ever will be.
but you’ve always been the only one to tear yourself open, the only one to step into the abyss. geto has always admired it, just as much as he’s always found it foolish. not once has he ever followed suit.
things like honesty and tenderness don’t suit him. he doesn’t think they suit any sorcerer, except maybe for you.
at last, that grieving resignation finds its way to your eyes again. it doesn’t hurt him as much this time, perhaps because he was waiting for it.
”… you’re welcome,” you breathe. a sad little breath.
geto allows himself to look at you for just a moment more.
then he turns on his heel.
”well, this was nice,” he hums. ”but i really must be going now.”
pleasant and jovial. a voice unsuited for a situation like this. geto wonders if it hurts you as much as it hurts him.
rubbing salt into wounds is all he seems to do these days, anyhow. so he smiles. ”i’ll see you on the battlefield, i hope —”
”suguru.”
deep down, geto knows that there’s no going back from this. that the moment he moves his feet, the moment he leaves your apartment — the moment he steps over the threshold in front of him — he can never return.
your kitchen was never his to walk into, in the first place. he was never meant to set foot into your home. that was your choice. geto can’t help but think that it’s every bit as cruel as the one he made ten years ago.
your voice is the same as always. sad and fond. familiar, in how it twists and tugs at his heart in a way nothing else can anymore.
geto waits. he’ll let you have the final word. the final piece moved into place. checkmate.
he’ll let you be the one to devour that aching gap.
curse me, he whispers to the confines of his mind. resent me. i’ve caused you so much pain.
curse me yourself, so i can hate you properly.
”if you ever want another cup, i’ll be here.”
silence falls upon the kitchen.
geto stands still, feet rooted in the spot by the threshold separating the kitchen from the living room. the ticking of the clock is the only sound he hears.
there isn’t a trace of resentment in your voice.
(he wishes you would play along, even just once.)
a low hum buzzes in his throat. the seconds stretch on; more hands moved, more time burned into nothing. the silence is deafening, thick and heavy. an intense moment of contemplation, as geto tries not to shiver under the warmth of your constant gaze, burning into his back.
the center of the world shifts, once more. the gaze of fate falls upon the two of you, bathed in the rays of the rising sun, in a kitchen where normalcy is a little more than just a fever dream.
it doesn’t mean anything, anything at all.
geto knows it. he knows it better than anyone. but maybe he can allow this mindless self-indulgence to carry on, for just a little longer. if only to give him the excuse he needs to see you again, to stand in your kitchen like this, like the view of the rising sun is something he’s allowed to behold.
how greedy. how callous. hasn’t he always been, though?
just for a little bit longer.
”… you know,”
geto takes a step forward, robes fluttering with the movement, heavy and pious. he crosses the threshold, words just above a whisper, just loud enough for you to hear.
(in the space between the words, laced together with the silence, lies the ghost of a smile.)
”it’s been a while since i had earl grey.”
638 notes · View notes
nixoon-again · 2 months
Text
The idle hum of the fluorescent lights is all that resonates in his sensitive ears. 
Distantly, he recognizes that he's been sitting in the same position for too long. Long enough that the light seeping through the  window somewhere to his right isn't as warm and golden in its hue anymore. He realizes that night time has fallen upon the bustling city of Station Square and perhaps it's late enough for everyone to be leaving for their homes and settling in for sleep after a nice warm meal.
Even more distantly, if that is even possible for his current almost disassociated situation, he realizes that he should be asleep too. Of course his rest doesn't have much to do with the time and the shift in the sky's colours or the quiet city just beyond these walls. He never fell into slumber with the sun, working late at nights for hours without breaks sometimes left him no opportunity for sleep at all. He doesn't mind it though, he likes working. Even if it costs him a bit of rest, he'd rather have his work done sooner than later. Maybe that's what he needs right now. Something to work on will be much better to distract his mind than the buzzing of the lights.
Unfortunately, as much as the idea entices him, he can't leave for his workshop just yet.
He doubts he'd be able to.
If his trembling legs don't give in under the weight of his body then the soul crushing grasp of something icy and sharp around his heart will certainly stop him.
So he stays where he is and listens to the buzz of the lights, of the footsteps as people walk by thin in numbers, as a clock ticks away in a distance — indicating that hours have passed but Tails can't get himself to count the ticks or look at the clock. He has worked hard to concentrate on the fluorescent lights, on their inner workings, their first discovery, their usage and why they're being used in hospital waiting rooms and everything he can think of about them on the top of his head in an attempt to ground himself but he's afraid if he looks at the time, he'll lose his progress and will be back where he begun; on the verge of curling up in a ball of fluff and crying his heart out until he passes out.
The waiting room falls deadly silent after a while — no more footsteps entertain his hearing range and Tails is afraid he's the last one left waiting for updates from the doctors.
This is a bit odd for him too, he hasn't been in this position many times aside from a few where one of their battles did get pretty out of hand but despite all of the adventures, they don't regularly show up at hospitals. Let alone sit in waiting rooms for hours on end, hoping and praying that someone will walk out of that door and tell him that everything is fine, he's fine, he's safe—
Do they even know he's here? 
Probably not.
Then again, technically, he isn't supposed to be here either. 
For all the doctors and nurses know, he's supposed to be asleep under the weight of all those painkillers in his hospital room.
But there's not much sleeping he can do, can he? 
Not when he doesn't know if Sonic's breathing again or—
Nope. No. Okay, let's not do that. Back to the lights. There's a moth that has started bumping into it repeatedly and he briefly wonders where it got in from since the windows appear to be closed and all. Briefly, since he doesn't ponder it for long. He lets his tired eyes — exhausted, red, getting heavier with every passing second and threatening to dampen — trail the insect's movements. It bumps into the light, circles about afterwards and then tries again and keeps repeating this cycle and maybe it's enough to distract him, even for a while. He's enraptured with the small creature's naïveté. 
He thinks, in a sense, he isn't that different from the moth. 
He just doesn't know if the waiting room is his light or is it his brother?
He's afraid to say it's the latter. 
Tails loves Sonic. 
He loves his brother more than anything in this world and he's been so sure that Sonic loves him just as much if not more too because that's just who they are. They are Sonic and Tails, they're brothers not bound by blood but something stronger — an unbreakable thread binding them both. They're a cosmic truth.
Yet Tails finds himself sitting here and questioning himself of that bond.
Sonic and Tails are to each other what a moth is to a flame.
They love each other.
But Tails is starting to see the flame get too close.
They'll burn.
And Tails is okay with burning if it's for Sonic, don't get him wrong. He'll do anything for Sonic. He's burnt for Sonic before, the bandages covering half his face and his right arm should be enough proof.
He's just afraid of burning Sonic.
He's afraid they've reached that point today.
Sonic is hurt because of him.
He's supposed to be the smart one, isn't he? Three hundred IQ and he couldn't have realized this sooner? Did he really need for today to come pass to know what the unbreakable bond truly means? Could he have spared Sonic the pain?
Tears prick at his eyes but Tails doesn't think he deserves to cry.
Not after what he did today.
Not after being the reason he almost lost his brother today.
(Worst of all; he still doesn't know if Sonic is okay.)
Tails finds it difficult to breathe around the lump in his throat.
Pathetic. Cry baby.
His own voice echoes in his mind, taunting.
He takes a deep breath and steels himself. He knows the solution to the moth and flame problem but he's certain Sonic will never agree to it. Sonic is too kind, too good, too generous. It will be cruel of Tails to know how to protect his brother and not do it, Sonic doesn't deserve that. 
Tails hurt Sonic.
The flame burnt the moth.
In order to not hurt Sonic anymore, Tails will simply snuff out the flame.
Even if his brother disagrees with him, Tails knows it's for the best.
(Quietly, distantly, his own heart disagrees with him too but he's too scared to listen to him.)
Another half an hour passes before a doctor walks out of the emergency room.
There's a hint of surprise on her face upon seeing him there — since he's supposed to be resting in his room and not be here — but she quickly moulds her expression into a more professional one before she delivers the news to him.
“He's awake.”
Even though Tails smiles, his ocean eyes tired and out of tears, he doesn't visit Sonic.
He doesn't visit Sonic for a long time.
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sunbloomdew · 8 months
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i can't stop thinking about the constant mentions of fall and summer in regard to baxter and mc, in the dlc.
i find the emphasis put on the seasons very interesting. unlike other potential love interests - cove and derek - baxter is not from the sunny state of california, but a town in oregon, surrounded by forests and mountains. in fact, baxter is the only character from the cast of olba that is not associated with summer, but with autumn instead, so it makes perfect sense to draw attention to that dissimilarity.
following that fact, just by acknowledging it we can see how different baxter is from other characters from sunset bird at his core. and since most of his time is spent with mc, that means the focus will be drawn to how different are these two specifically.
on a side note, this might be a complete overreach, but i consider it interesting how baxter uses the phrase 'suitor for a season' to describe himself in step 3. the use of the word 'season' in my opinion drives home the idea that their time together will inevitably come to an end, just like summer will end eventually, and there is simply no other outcome for this relationship.
when we consider the seasons theme even more, a thing that stood out to me is that summer and fall aren't opposites, like i'd say summer and winter are. they are next to each other (like california and oregon) and in some ways they intertwine. still they are different enough, to be regarded as separate seasons.
just like baxter and mc, no matter how alike, feel so different from each other, and they are aware of that.
i really love the monologue in the sightseeing moment, that mc has about them and baxter being different in that way.
"More and more, you felt as though Sunset Bird formed a vital part of your emotional core. Happiness to you was the sound of waves on the shore, the feeling of warm sand between your toes. [...] Maybe you'd forever be seeing the world through sea glass. But Baxter was another person entirely. For him, perhaps the world was monochrome, or maybe it was golden, but with color of leaves instead of sand. Talking with him made it impossible to ignore just how different your lives had been up until now. How separate your worlds were. All up until that moment, when he showed up on your street. Now your lives were intertwined, however briefly, the forests and the seafoam commingling. Though you knew his love was in the trees and the fall air, you couldn't help but feel happy that he'd wandered his way down to the shore. To you."
i find it so beautiful. everytime i read it i get a little choked up, you know? in my opinion, the summer/fall parallel is the perfect way to portray their relationship. the brainrot gets so intense every time i remember about this,,,
the same seasons theme returns in step 4 when the two reunite. to be precise, it comes back during mc's internal monologue preceding a confession. i was unable to recall if it appears somewhere else in the dialogue as well, but if you happen to find some more, feel free to reblog with this post!
"He tore himself away from you like an autumn storm bringing down a sapling/He fell away from you as naturally as a leaf fluttered off its branch in the fall. There was no holding on to your suitor for a season. Yet the affection you'd nurtured never died out. It had gone dormant for a long winter, ready to burst back to life if the cold passed. Seasons were meant to come and go, but there was no guarantee summer would come again for you and him."
(i'm pretty sure the dialogue here changes based on how you decided the break up went, cause i found two versions of the same confession monologue. still, both of them have a comparison to autumn!)
seasons can be used in art with a lot of different symbolism and meanings behind them. the cycle of the seasons is usually used to portray the passage of time, how the nature but also people change.
in this part of the monologue we see the usage of changing of the seasons to show how despite the time that passed ('winter'), mc still had feelings for baxter, that were ready to return ('spring'). the words "seasons were meant to come and go" bring our attention to how wrong things were between the two, to have something inevitable like the seasons cycle stop.
each season on its own also has its own meanings, and can be used to enhance certain themes or emotions in the text.
in case of baxter and mc, summer is the season in which they met time and time again. not only did their relationship start during summer but it developed in that season as well. as such, for them summer is inextricably a time of growth for their relationship.
outside of their relationship, individually their characters' are connected to summer and fall respectively. as mc referred to it, their emotional cores were influenced by their hometowns - one a summer tourist spot and the other a picturesque autumn town.
to bring back one more thing from mc's monologue in step 3, they wonder if baxter sees the world in gold, but in the colour of the leaves and not sand. well, i noticed, how when they make up after the wedding, the whole place is bathed in gold. you could view it as the summer gold and autumn gold merging together, as those two finally reconcile. or you could see it as a summer gold, as this season is important for their relationship. i like both options.
aside from that monologue, there are several instances of baxter's appearance being compared to things associated with autumn or nature, like descriptions of his eyes as "brown rich like the earth" (i love this one sm it lives in my head rent free) and "oak brown eyes". i think it's a great characterization to have baxter be a 'woodsy person', despite most of us (me for sure) thinking he would be a 'city boy' kind of character at first glance.
i think the reason there is such strong focus on the fact that mc and baxter embody different seasons, is to make the differences between them even more pronounced. when they ultimately reunite and overcome their struggles to mend their bonds, it's even more impressive to witness.
either way, i cannot stop thinking of summer/fall parallel and how genius i think it is. the vibes! the emotional turmoil!! the art potential!!! it's incredible. especially if you try to implement it more into your mc, which is what i'm trying to do.
i'll leave you with this screenshot, that is kinda making my stomach go funny, because of the whole summer/fall parring thing,, i am so unwell in the best of ways
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because like if you think about it way too deeply which i of course had, he's saying that summer/fall combination is beautiful, like he's not saying anything besides that BUT when you remember that mc is summer and baxter is fall, then you know?????
i hope you had fun reading this spontanous post! i've been thinking about the summer/fall thing since my first playthrough, so i'm happy to finally gush about it <3
i should not be here, it's 4am and i'm leaving in three hours,,, my time management skills never fail me. toodle-oo~
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lexezombie · 17 days
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So, any fellow Lute/Adam enjoyers? Angst enjoyers? or perhaps even Nextgen enjoyers--
I don't think I posted ALL of my nextgens for Hazbin, but I did post a few so ig this one can go next (sorry it's more doodled than clean lined lol)
This is Harp! (or Mockingbird)
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If it's not obvious, she's the daughter of Adam + Lute -- tho cus I like making ocs suffer, angst and my own AUs; she's been kicked out of Heaven
her whole thing takes place in the same little AU world my Sinner!Adam is in
some notes:
Lute named her (Harp)
She was born a little bit after Niffty killed Adam (if you can't see the age near her name, she's 13)
Was raised heavily militarized
Lute never told Heaven that she's Harp's mother
Lute also never told Harp that Adam is her dad, but she did talk about him
She had a huge fight with her mom and was thrown out of Heaven by her
The only reason she even found out Adam is her dad was because Lute commented on how much she looked like him during the fight
The cheek scars are from the fight (as is the missing wings)
She cut her own hair not long after being thrown to Hell
She looks so much like Lute post-haircut that Adam almost mistook her for Lute once they met in Hell
She 100% listens to P!nk lol
Mockingbird is actually what Adam calls her (it's based on a guitar; B.C. Rich Mockingbird to be exact)
I like to think her and Vaggie could bond given their similar circumstances with Lute (and the fashion taste...)
She'll probably grow up to be a She/He GNC Bisexual Woman <3
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hekateinhell · 5 months
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Armand/Daniel "Oh, hey now, don't start crying on me"
New York City, 1979
"Oh, hey now, don't start crying on me," Daniel swallowed, the gin and tonic Armand had so lovingly prepared minutes earlier churning restlessly in his stomach as the hand that wasn't still holding the empty glass came to pet Armand's curls on his lap.
Not the first time Daniel had seen Armand cry, but that didn't make it any fucking easier. His father's voice rang through his head, overlapping with the intro to Saturday Night Live: "Now don't cry like a little bitch, son. Makes you look weak. A goddamn punching bag. And that's no son of mine, so you better man the fuck up or I'll give you something to cry about!"
Daniel blinked hard, willing himself to focus. Willed the alcohol to clear his system immediately, as if that would make this any easier. As if that would give him the answers to all the questions he's ever asked.
One of the two ice cubes in the glass had fully melted, and the other wasn't far behind.
"Hey, hey, it's okay."
It's not okay.
Shit people say when they want it to be okay and it's not gonna be. Never gonna be. But they can't stand being powerless and so they lie to themselves and everyone around them to maintain the grand illusion.
He never knows what to do when Armand's crying. It's so... fucking human.
So fucking human it hurts.
A different shade of vulnerability on Armand than his laughter endows him. When Armand laughed—a genuine, full-body laugh—Daniel could see him as the witty, sweet-natured youth with a sharp tongue he must have been once upon a time. Strange to think that anyone who's ever seen that has been dead for half a thousand years, huh, Danny boy? He could almost imagine what Armand would've looked like with the sunlight kissing his skin, igniting the reddish highlights in his dark auburn hair, a constellation of freckles over the bridge of his nose and across his cheekbones. Stranger still to think of seeing his mouth open and no fangs in sight. And would you have loved him just the same? Daniel shuddered at the thought.
Yes, laughter was one thing, but crying? Tears?
The way Armand cried—silent and unblinking, unbreathing—made Daniel think of a child in some distinctly horrifying way. Made his heart wrench in two, his skin crawl, and the edges of his vision blur.
Because it's not the way some children cry when they scrap their knees on the pavement or wake up from a nightmare. Loud and visceral and sure to make Mom come running down the hall.
No, Armand cried like a child who had learned long ago there was no point in crying out loud. And staring into the quarter inch of water now in his glass, Daniel knew why.
He knew that cry; he'd cried that cry.
Hiding his closet, biting into his ratty teddy bear so that his father wouldn't hear and beat him for having the audacity to feel emotion the old man didn't know what to do with. And what had been the lesson? No wonder he didn't know how to comfort this creature he so loved. Dear God, you might as well be as emotionally stunned as that cankerous, old- 
Armand squirmed over Daniel's thighs then, snuggling into him as his eyes finally closed and his body gave. His smaller hand reaching for the one Daniel still had on his head.
A lingering kiss to his fingertips, a soft nudge against Daniel's brain: Thank you, lover. You are such a comfort to me.
It's okay.
Everything's okay.
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atomicradiogirl · 3 months
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s5e4 birthmarks - tonight
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corpsoir · 2 years
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i've got to cleanse myself of all these lies till i'm good enough for him
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beefy-the-stronk · 10 months
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Would he do this? I think he'd do this lmao
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mehoymalloy · 5 days
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New game! Figure out what Malloy's new one-shot is about based solely on the voice notes she took while driving:
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Shoutout to "lewdness," I shall call him nothing else from now on.
Bonus game! How many ways can my phone possibly misspell Otohan?
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onmyownside1 · 4 months
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You know who I used to relate to? Leo Valdez.
For one reason or another I still do. He uses humor as a crutch, he (not really) thinks highly of himself, he 3rd wheels all the time.
But you know what really hurt me? Hit me in the feels? The bit where he’s talking to Nemesis (or just in general) referring to himself as the 7th wheel. How he’s never really a part of the group. I felt like that for soooooo long. Walking behind other friends on the sidewalk, the duo in the trio didn’t include me, activities and conversations that I was left out of. I just felt like I was there. And Leo is like that. At the end of the day he was the 7th wheel. But like…ah.
Also going to throw in that um Nico and Leo should be like besties. They might not solve each others problems, but they can’t make them worse. So yeah this is a tribute to Leo Valdez, who is no longer the 7th wheel.
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babymagi · 7 months
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The first one to betray me was a god
My creator
My mother
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sundewa · 2 years
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So glares would be used to alert people when darkness is nearby, right? Wonder if Bdubs would be able to detect Xornoth for shub
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bc hes tied to his plants he just kinda wilts and has to sit there until xornoth is gone </3 he ends up being fine afterwards though
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see the issue with drawing fluff vs drawing angst is that fluff can just be goofy, but angst has to be, like, cool
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