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dribs-and-drabbles · 9 months

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Be My Favourite ep 9

This was another fantastic ep, and the only thing preventing me from saying it topped last week’s again is that there was NO MAX! 😮

BUT there was so much more character development.

First, Pearmai, because I wrote last week that I was curious about her backstory, especially her relationship with her mother. And we got to know this week already.

We got confirmation that Pear holds things in, hides them, and masks her true thoughts and feelings. She’s carried the hurt of her mother’s abandonment for so long, whilst her mother doesn’t see the harm she’s done and her father expects her to be ok with it all.

And now I understand why Pear desires marriage and a ‘future’ with someone so much – she wants to build the life for her own children that she never got herself. She wants to have the relationship her parents didn’t have, and wants to have the mother/daughter relationship she never got. (This is something I identify with so if the show doesn’t explicitly tell us this, I can’t help but to read it this way because it’s all too familiar for me).

I loved the way that her mother’s obliviousness to the way Pear feels is reflected in their clothes and art – with them both in black and white, opposites devoid of colour and life, whilst her artwork is FULL of colour, so much so that’s it’s pushing out from the canvas. It’s no surprise Pear feels the way she does in the face of her mother’s freedom and creativity and life – a life chosen at the expense of being a mother to her own daughter. Maybe Pear needs to either find reconciliation with her or to close the door to her in order to have happiness in the future?

I thought Pear’s reaction to Kawi, after learning from Not and then Pisaeng that he and Pisaeng were together, was a little disproportionate – she and Kawi weren’t dating, they were just friends. She may have been developing affection for him (or latching onto the next guy who showed her affection) and thought that he liked her and that they were on their way to dating, BUT they still weren’t together for this to be like Kawi went behind her back or cheated on her.

My interpretation is that this reaction could be a front to her real (maybe subconscious) feelings – disappointment that her future prospects at having the family she wants has disappeared again. I think that unless she can learn and grow from this and her relationship with her mother, she will just latch on to the next person who shows interest in her. I admit, I was afraid that she would do this with Not – we had seen in ep 7 that she eventually did do this in another timeline – but I’m so glad she walked away from him, deciding that if her future isn’t Pisaeng, or Kawi, it definitely wouldn’t be Not. Not in this timeline. And I think this does indicate that something has changed for Pear now. Maybe wanting to talk to Pisaeng about him and Kawi and therefore confiding in him about her mother as well has helped her shift her motivations behind her choices.

Some other smaller thoughts before I get onto Kawi:

At first, I was worried the show was transferring the drinking problem to Pisaeng…but I don’t think it is, because it seems that this occasion was him trying to protect Kawi. I don’t really like all this peer pressure to drink alcohol…but I’m also aware that it could be a cultural politeness thing, but it needs doing away with.

I ADORED the “Kawi, Kawi, Kawi” moment – has anyone gif'd the parallel to “Lao Wen, Lao Wen, Lao Wen” yet?! Paging @forcebook

Also, Pisaeng has a brown phone case?! Kawi’s colour! How have I not noticed this before?! @respectthepetty did you already know? If not, PSA: more colour-coded phone cases!

I’m not sure I like Kawi holding back or pushing Pisaeng’s affections away. He declared he liked Pisaeng and couldn’t bear to be wthout him but it feels like he’s not showing enough affection to reflect that. (It’s bordering on the blushing maiden trope which I detest). Maybe this is Krist’s own discomfort…? Or just that he’s been directed like that (because the directing so far has been brilliant), which is disappointing because I’d hoped the story wouldn’t do this to these characters. It’s good, at least, that Kawi tells us that he’s simping over Pisaeng and how attractive he is but I wish they would show us in Kawi’s body language and reactions to Pisaeng’s advances. Smh.

Right on to Kawi. And what a lot to unpack.

Speaking of the morning in bed scene and Kawi questioning if him and Pisaeng being together is “the right thing” – I’m glad it’s not about them being a gay couple (which the show emphasises a few times during the ep) but it’s not really any better that it’s in relation to theirs and everyone else’s future.

Kawi is still thinking about ‘fixing’ one moment in time, and for multiple people, rather than living in the moment and listening to his present desires (emphasis on both ‘his present desires’ and ‘his present desires’). At the end he worries about how many mistakes he will make in life (mistakes that affect others negatively) but he still needs to learn that he has no control over how other people are affected by his choices for himself. And that he can’t let that dictate the choices he does make, he has to let other people live their lives and he has to live his own. (@dimplesandfierceeyes wrote a great post related to this).

And as much as I’m shook about Kwan liking Not (as we all are), their situation perfectly highlights why Kawi needs to focus on himself and not others. Because as much as Kwan and Pearmai (and Not to some extent but we don’t care about him, right?) are hurting and unhappy now it’s SO GOOD that all of this has happened for these characters.

First we have Kwan. As much as this is hurting Kwan, she is being set free now instead of in 12 years' time. She is being saved from 12 years of hurt and pain and unrequited love. (Oh Kwan, beautiful Kwan. You’ll meet someone better. I PROMISE!) (Check out this fantastic reblog thread about Kwan by @lurkingshan, @jjsanguine and @twig-tea)

Then Pearmai. She’s hurting from her parents’ situation, and from the revelation about Kawi and Pisaeng, but she chooses to not just turn to Not. She turns him down and sets herself on a completely different path. She now has the time and opportunity to find love in another place (hopefully a happier one) and still get the family she wants.

(And Not, if I have to… This is good for Not too, because he gets to declare now [to himself as well as Kwan] that he likes Pearmai more than Kwan [and maybe other people he’s sleeping with], he’s being honest with himself and others [is that a bit of growth I see there? *she squints*]. And it’s fucking fantastic that Pearmai turns him down [not only because she deserves better] but because he can move on and maybe use this experience to change [the jury’s out on that for a while. As an aside, this ep made me retract slightly the thinking there might be a possibility that Not is also gay/bi and will also have his own realisation arc…but the show’s not over yet!]). Anyway, THIS IS GOOD. This is good for all of them.

Kawi thinks they’re all unhappy and it’s because of him, but he’s not able to see the full picture. There’s so much nuance in what they do want and what will make them happy that he can’t even begin to know or understand how his actions play a part in that. And the reality of it is, there are so many positives resulting from his actions as well. We already saw this in ep 8, where Max tells him he’s made a huge difference in his life. I love that Pisaeng gives Kawi hope and optimism for the future but I don’t think hope is enough, Kawi also needs to trust that the results of his actions are not always bad – it might take time but there are positives.

Last thing (because I know this is long!), I want to talk about this: “I will feel more comfortable if we are more equal”. I understand Kawi’s motivations here, he doesn’t want their relationship to be influenced too much by differences that could negatively affect them and their regard for each other – and financial disparity can be a sticking point for a lot of people - but accepting and leaning into the ways they aren’t equal is also healthy for a relationship. Each side can’t always bring the exact same things into a relationship. Balance can be found in other ways. I'm interested to know if this ‘theme’ comes back or gets built on in future eps.

And speaking of…it looks like next week’s will be fluffy and domestic where they settle into their couple dynamic. I can’t wait!

(also tagging @grapejuicegay @waitmyturtles @rocketturtle4 @ginnymoonbeam @chickenstrangers @wen-kexing-apologist @bengiyo @plantsarepeopletoo and @williamrikers in case you're interested! And sorry if I missed anyone.)

#be my favourite #be my favorite #be my favorite the series #this is long. like...looooooong #so don't expand if you don't want to read a long post #(presuming you have that setting on)#if not. sorry you had to scroll past all this!#remember the 'j' and 'k' keys are your friend (on desktop)#I loved this ep as always #and still feel like the show is doing nothing wrong #it's slowly becoming one of my all time favourite series #it just needs to stick the landing!#and I realise I haven't written much about pisaeng...#but maybe there'll be more for his storyline later with his mother to delve into...

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panxramic · 29 days

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Tallulah and Promises

Something I’ve always liked keeping an eye on and is so bittersweet about Tallulah’s character is her relationship with promises. I’m not quite sure when it became so intense, maybe it’s been there since the beginning, but Tallulah for a long time has had a unique relationship with making and keeping a promise.

I want to say that first and foremost, how she handles promises can be incredibly childish. Both because they can be nonsensical and “immature” AND because well, she’s a child. What kind of promise do you expect from a child?

A promise is everything to her, it’s a contract. Its words set in stone and written in the stars. A promise CANNOT be broken. Doesn’t matter who it is, a promise is a promise and you keep it. And it’s not all bad. Things like this can be reasonable right? She’ll get upset of course when someone makes a promise or when she can’t keep hers. She uses promises as a way to hold out hope. She uses them to keep herself and those around her accountable, so she has the assurance that they’ll do what they promised and she’ll do what she promised. That no matter what happens in the world, no matter what life throws at her, she can count on those promises.

So when someone breaks it, when she can’t live up to her promises, it shatters her world view.

And then the problems start to stack up, especially when we get into the realm of false promises, it starts becoming a mess. A mess of false hope. Because remember, to her, promises can be translated to hope (another big part of her character).

Gonna breeze pass through this one but she did make a promise when she first joined the island. A promise to someone, who never kept up his end of it, and she held on to it for MONTHS. For months that child held out her promise and repeatedly brought it up again and again that no matter what she was gonna be alive for when he came back and when he needed her. With not a sign of him returning that promise to her. And this promise was also hope. Hope she wasn’t gonna be left alone again, abandoned.

And that’s when we get into false promises. Because although Tallulah does value them a lot, she also asks for people to promise her things that sometimes cannot be done. There have been countless of times she has tried asking q!Phil to promise her something, but q!Phil has rarely ever promised her anything (with a handful of exceptions). He’s careful, he’s always very careful about what he promises to her because he doesn’t want to make a promise he can’t keep. And whenever he doesn’t promise her something, I feel like a part of Tallulah’s hope gets cracked. Because without a promise, how positive is she that q!Phil will keep his word? How hopeful can she really be that everything will be okay?

She hangs onto promises like a lifeline. They’re the one tether that can keep her hope afloat. And she remembers them, remembers her promises like a burn on her skin.

She’s done the same thing to q!Bad. Has asked if he could promise things, like promise that he wasn’t dying, but q!Bad never could. And when people can’t promise something, she has little hope that everything will be okay.

And some promises she asks for can be so… nonsensical. Promises we know, and I KNOW she knows, cannot be made. But she asks for them anyway. Because she’s a child. A child who just wants everything to be okay and wants her Papa Phil to promise that nothing bad will ever happen to him, to promise that he will never leave them, because she’s a terrified kid of being abandoned again and not having that reassurance, that solid ground, that things will be okay.

But q!Phil can’t promise that. And it aches.

One time she broke that barrier, she couldn’t take it anymore. She asked q!Bad to promise her something and he refused to. And afterwards she just told him to promise it to her even if it’s a lie. She full on broke that glass wall and was transparent.

Pinky promise to me you would not die

At least lie to me

And he did.

Because promises make her feel better. She holds onto them until she can’t, even if it is filled with lies. Because sometimes a child asks for a promise and they don’t expect the truth, they just expect comfort. Because it’s the only thing they can handle.

It’s so sad to watch her hold onto promises that she KNOWS deep in her heart can’t be kept. But still she wishes and she hopes and she believes in these lies as if they’re the only thing holding her up above ground.

Sometimes the promises she asks for can be unreasonable. She puts up a wall to protect herself because reality is scary, it’s terrifying. Tallulah values the truth like no other. She hates lies and she hates when people like q!Phil and Chayanne hide things from her. But when it comes to her dad potentially abandoning her, when it comes to him dying and leaving her, she’d rather believe everything will be okay than face the harsh reality of what’s going on.

And this topic has a lot of nuances I won’t get specifically into. It’s a blend of promises and lies and hope and truth. The lies the promises hold aren’t the same as someone straight up lying to her face and hiding things from her. It’s different instances of a lie.

Anyways, again, a lot of different things I can get into and definitions to go through BUT I will to say that it’s not wrong of her to want to believe everything will be okay. I’m an optimist at heart. ‘Hope’ to me is important and I think it isn’t wrong to have it even when things are looking down. But, something specifically for Tallulah is that alongside that hope, she also is terrified of reality (rightfully so) and tries to erase it by making a promise. And essentially, that’s not how the world works.

It’s such a childish way of thinking. You cannot erase the bad things from happening with a promise. And that’s what Tallulah sometimes does. If she makes q!Phil promise that he won’t leave her, then surely he won’t. That’s how promises work right?

Tallulah holds herself to these promises too. She does everything in her power to keep her word. When she doesn’t, when she breaks a promise she makes, she beats herself up for it.

That first promise she made? She broke it during purgatory and it broke her. It was one of the many accumulated reasons why she hated Purgatory island and everything associated with it. And when she broke that promise a piece of her hope broke with it.

Whenever Tallulah makes a promise to q!Phil she engraves it in her mind. She does everything in her power to keep it. And when she’s accused of breaking a promise, she panics and becomes defensive. She looks back into her mind to see if she ever DID make that promise and if she didn’t she starts defending herself. The conversation begins to shift from the actual issue to “no I never made that promise I didn’t promise you anything I didn’t break anything.” Because it’s SUPER important to her. The idea of breaking a promise is like a rock to glass. So she remembers the promises she makes.

Promises for Tallulah are a childish way for her to rewrite reality. But they’re also a way for her to have hope. There’s a balance when it comes to having hope and being able to see reality for what it is. And it’s something Tallulah struggles with. And I don’t blame her for it.

A child who cannot cope with reality will make pinky promises of clear skies and sunny days. A child who cannot handle the possibility of being abandoned again will make someone promise her to never leave even if she knows things are out of his control. Because in the mind of a child, a promise cannot be broken.

A promise is sealed. It’s a binding rope that should never give. So if Tallulah can make q!Phil promise her things, then that means he will never leave her, that means he will never hurt her. If Tallulah can make q!Bad promise her he won’t die then she can live in the lie that he will be okay. If she can promise to always be by her brothers side then surely they will never be separated again.

Because promise can’t be broken.

Right?

(Deep down inside, she knows).

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foldybikes · 3 months

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damn is it implied that ludinus destroyed molaesmyr because they snubbed him and pulled his funding?

this old man is just all over exandrian history fucking with the shit.

#molaesmyr is not one of the floating cities I assume being shaped of the stone and wood of the forest #apparently survived the entire span of the calamity #unclear yet if it ludinus' place of birth #if he actively remembers ludinus then king uthodurn also has an extended lifespan #either way yaaay more ruin delving let's go #critical role #cr3 #bells hells #foldycr #c3e55

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sisterdivinium · 1 year

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Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

#warrior nun #ava silva #you know it's actually very funny to type this as someone who is very schopenhaurian with hints of nietzsche #but i AM doing the best i can too :)#again i will reiterate that i don't think this apparent optimism has anything to do with the classic theodicy #if anything i see it more as a cry in favour of antitheism -- this is YOUR life fuck god #life is shitty so carve out your own makeshift paradise out of the wreck you are given #and don't make things harder for anyone else in the process if you can avoid it #(but that might just be the luciferian in me speaking lol)#anywho this post is a translation of one i wrote not too long ago in cryptic english and a ton of tags #so if it seems familiar that's why #also i do find it rather telling that whenever i try to delve into how the show structures things i talk about ava #i don't set out to analyse her -- but in analysing the show i must analyse her as well if by the edges #which again points to how finely woven she is to the fabric of the entire thing #remember how i said ava is a representation of free will?#well this whole bringing good out of evil thing also touches upon it #saint augustine maintains that it is precisely free will that allows us to do it -- to choose good #of course he means it in a sense of being free to pursue god rather than evil but you see the parallel still works #(this is the post i mentioned in the last reblog. figured i'd go ahead and throw it in the wild since there are more brewing)#analysis and similar #exercises in observation

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thelawsofdaylight · 1 year

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There’s so much to enjoy about 1.1.2 but here are some of my favourite things:

The immediate contrast we get between the lavish, detail-ridden, paragraphs-long description of the palace versus barely even a sentence about the hospital. I know we mock Hugo a lot for his digressions but the man DOES know how to be concise! He uses short sentences for effect all the time and this is one of my fave examples because it’s also just very funny in its bluntness.

The Bishop questioning the director of the hospital and saying some variation of ‘I know’ after every response. We saw it in the last chapter as well with how he addresses Napoleon but again, the sheer confidence!! The boldness!! Bishop M does not fuck around!!

“There is some mistake, I tell you; you have my house, and I have yours. Give me back my house” ICONIC ENERGY, ABSOLUTELY UNMATCHED

The Bishop filing absolutely everything under household expenses to the chagrin of Mme Magloire. On that note, the extent to which that house would fall apart without her and Mlle Baptistine because the Bishop is determined to give absolutely everything away (’and still I am cramped with it all!’)

’Expenses of carriage and circuit’ *goes on to list things that have nothing to do with carriage and circuit to the value of 3000 livres* this part always cracks me up there’s just something about the way Hugo writes which is almost tongue-in-cheek during these chapters, especially with the set up beforehand where the rich senator rants about how Bishop M is swindling money he doesn’t need for his own selfish gain. Once again, Les Mis is a comedy!!!!!!

“As there is always more wretchedness below than there is brotherhood above” what a raw line. And we’re only in the second chapter!

Also, whilst we’re here: this is the point!!!! I know we all joke about the ‘the following has no direct bearing on the story’ thing but these first few chapters do such a good job establishing the thesis of the novel. Bishop M is literally the most altruistic guy ever to the point where it borders on parody and there is still more ‘wretchedness’ than he can ever possibly solve as an individual, even just in the small town of Digne, even with donating the majority of his income to the poor and taking the principle of abnegation to the extreme. It feels like Hugo is anticipating criticism to the tune of ‘we don’t need structural change we just need more charity/inidividual change/philanthropy/etc!’ and immediately rejecting that as a solution before the novel even gets properly underway by showing how no amount of selflessness will ever overcome the power of systemic violence. (Also for more on this here is a really good post by @secretmellowblog about Bishop M but do be aware it has small spoilers for future chapters if you’re doing a first-time read and want to avoid those!)

In summary:

#les mis letters #les mis #bishop myriel #i remember reading the brick for the first time and i always just really liked this chapter #it's so rich with detail but in a way that provides so much extra context outside of the bishop himself #we're setting the scene we're delving into the social the political the economic!!!!#this is a book on an epic scale and hugo is not going to let us forget it!!!!#'give me back my house' is still my favourite bishop moment i need all future adaptations to include that bit thanks #1.1.2

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mittensmorgul · 2 months

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Is it weird to view Chuck and Lucifer as being really similar? They both come off as egotistical, self-centered, and the type who demand everyone to like and sympathize with them while treating everyone as minions who must obey/coddle them. It kind of reminds me when Dean said Sam was a lot like John despite being the rebellious son, and it makes me wonder if the similarity between Lucifer and Chuck was intentional. What do you think?

aw, first off, hi there :)

second... yeah, my personal prevailing theory for years, and how I look at the archangels in general, is that each of the four of them are like... quarters of Chuck. I know I wrote a post about this years ago, but i'll be danged if I could find it... >.>

but yeah, Lucifer embodies those particular facets of Chuck himself.

Similarly, Gabriel always felt to me as embodying other aspects of Chuck, as well as Michael and Raphael. Depending on what point in canon we're at, and how Chuck is interacting with the story, each of the archangels fill one of those roles, you know?

The archangels were one of Chuck's first creations, closest to him and most similar. It feels like they were sort of archetypes in creation, and since I haven't found a better way of explaining it outside of my own head, I'll use the same word I did a couple paragraphs back. They're each a different facet of Who Chuck Is in a really primordial way.

Gabriel evades Responsibility™ and enjoys playing around with creation, pretending to be something he isn't, just wanting to play with the story. That's a different facet of Chuck, as well.

Michael is all about the Rules. He's fully bought into destiny, and the inevitability of the story playing out exactly as written. That's also Chuck.

Raphael we know less about, but after Michael was locked into the cage at the end of s5, and even before that, when we first met him, he was convinced God was gone, and there was no point to letting his creation continue. He just wanted it all to end, so he wouldn't have to be In Charge anymore. Which... is kinda also Chuck.

So, yeah, I do think it's intentional.

#chuck's process #i can't even remember if i had a tag for chuck and the archangels at this point :'D #chuck and the archangels #spn cosmology #ooh that last tag... my past writings on this subject might be filed in there if you feel like delving :'D

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dandyshucks · 18 days

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having to finally bite the bullet and learn how to draw animal anatomy so I can draw Wardell's dog form ,,,,, I've been putting this off for like... literally 10+ years and now I am finally going to do it properly so I can draw this goober

#trying to remind myself its not going to be Good at first and thats okay #but... the problem is... i WANT it to be good SBDHDJKSL #in general i need to remember more that its okay if my art isnt very good sometimes bc i AM learning like. a lot rn #im having to rly delve into some tough stuff that I've been putting off for ages #because i finally have a Reason to rly want to learn how to draw things better #and that reason is uhm. uhh. erm... being in love with (or simply loving) fictional characters SBJDKSL #WHAT BETTER REASON COULD THERE BE THOUGH... WHAT A BEAUTIFUL WORLD WE LIVE IN THAT I CAN LEARN ART FOR THAT!!!!#dandy.cmd #🕯️the warmth of your doorways

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natsmagi · 6 days

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wdym natsume thinks piercings are hot did they mention that in a story or is it just a hc

he canonicaly likes piercings, but the "thinking theyre hot" thing was just me being silly AKJSHFKJ

#i do not think its ever been brought up in a story?#like piercings in general #but maybe i just dont remember/havent read it #this info is just part of his profile #really wish theyd delve into it more...........#like wdym natsume has 2 cats and NEVER TALKS ABOUT THEM???????#fakeass cat owner.#ask

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uncreativebean · 7 months

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Why did Cedric get so mourned over by Harry but Fred (who was effectively his older brother basically) got like a paragraph???

#maybe he was jaded but holy shit harry what the fuck #its been a while since i finished the series but i remember being like wait did fred die #it was a paragraph!!#or super short?? thats all i remember #and i get being so dead inside but dude that was your brother almost #where was the sadness??#the screaming???#he had nightmares over pretty boy cedric but what about fred??#i feel robbed #idk if this is a shared view among the fandom i dont really delve too deeply in it but!!#i still feel robbed #either cedrics death was too drawn out or freds wasnt enough #maybe both idk #harry potter #fred weasley #my posts

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mini-uzzy · 3 months

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#i have successfully created my first redstone contraption..#and all of that work for a poop joke... bc im 25 years old and i do what i want sdjfksghdjf #i created this thing with no tutorial.. i did look up how redstone works and copied a comparator clock..#it would have been easier for me to understand if i knew the basics of how circuits work.. i dont remember what i learned back in highschoo #im having the courage to delve into automatic farms now.. im thinking moss farm.. i'll try my best to not look up a tutorial..#wyn talks :)#channeling my inner tangotek... my inner cubfan135.. the two wolves inside me sdkfhsdjfhsd

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ichiscat · 2 years

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looking through the helluva boss tags and seeing people talk about how stella’s writing felt unrealistic or that her actions don’t make sense kinda makes me wonder if these people ever had an abuser. like seriously as someone who had to witness my mother abusing my father first hand, I’ve never had a piece of media show what it was like in a matter that hit so close to home for me as this episode did.

#helluva boss #helluva boss spoilers #abuse tw #'they just wrote stella as a petty bully!'#bingo! abusers are petty bullies! shocker!#that said i wouldn't mind if they delved into why stella is the way she is #in fact i wouldnt be surprised if they did do that #remember when everyone complained about stolas being too one dimensional? pepperidge farm remembers

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mishapen-dear · 10 months

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people can use this site however they want but there's something almost- idk, sad? about how few people are actually using their blogs. you can turn themes on and have skeletons dancing in the background. you can make everything hot pink. your blog is your scrapbook and you can put whatever you want in there. tags are okay at organizing things so you can have just a whole archive of cool shit to look at later. i know people complain a lot about people liking stuff about reblogging for engagement, and on one hand i get that- it is WILD to see a drawing i spent hours on get only 12 reblogs and 60 likes. Absolute culture shock compared to my previous fandoms. but i don't think you should reblog anything to make artists happy. i think you should reblog things so you can find them again. i think you should queue things to appear on the dash at specific times on certain days. i think you should reblog things so when you're talking to your friends about xyz post you saw you can look in your blog's archive and find it again. i think you should reblog things so that your dash is filled with one really sleepy cat. with the loss of reblogs there's the loss of engagement, which Does hurt the community-focus that makes tumblr so appealing, but idk i just wish people were more excited about the incredible amount of customization that tumblr allows and took advantage of that more

#if you're ever nervous about reblogging stuff just remember that people can always turn off reblogs #and also pls theme your tumblrs after silly fish or weird cube people or dnd #just anything that's fun to you have fun!!!#this is the silly cringe website please join us and be silly and cringy #i need to go to bed i think #but i also keep thinking about how i enjoy myself the most on this website when people reblog things from me and add commentary #comments/replies are great sure but they really bring the conversation to a halt and doesn't allow anyone else to chime in #idk some of my fave followers are the people who only like stuff #but when there are *only* people liking things it really feels like you're just yelling into a complete void #and then it's harder to find more content for things you like too #because the people you follow aren't reblogging things youd like to see #i have to delve into the main tag for my fandom content a lot because the people i follow are usually just making og posts #maybe i just need to find people who reblog things more but idk #i love it when fandoms become little communities but it feels like that's been stifled recently #which is what my actual gripe is i think #maybe ill delete this in the morning maybe not im just full on rambling at this point #getting a lot of likes feels like twitter validation #and reblogs feels like 'im putting this cool thing up on my very big fridge'#i don't want a popularity contest i just want to share cool shit >:c

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nebuvoid · 7 months

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the whole sora kairi roxas xion namine ventus AND vanitas deal baffles me to this day. like even within kingdom hearts rules of how shit works some of it barely makes sense. mind you im not even getting into why x person looks like y person we just roll with the whole "influenced by y" thing. or the whole who is most connected to who. we roll with that too

like ok lets say "body" is just a resource like a full glass of milk. and during com sora and roxas are a half glass each. ok fine sure i guess. their bones must be so brittle.

but then whered ventus go? presumably stayed inside sora. but why didnt he also leave soras heart? because kh1 was a oneshot game with none of this planned is the real answer of course but that has never stopped nomura. and the answer cant be ven went to roxas' body otherwise we wouldnt have roxas with his own heart, we'd just have ven with amnesia...3! and then of course you also have the whole vanitas deal because they heavily imply in kh3 that vanitas is still inside sora at the end. ven and van stayed inside sora because they werent done healing. alright. but the whole heart unlocking thing did things in a very forceful manner, soras heart was forced right out...so why wouldnt theirs be. were ven and van inside the lil heartless ant sora? kh1 needs a remake badly

and THEN you have namine, by god, namine... nothing about her makes sense. shes not even a real nobody. kairis empty body was IN THE ROOM when her heart was freed. like the implication here is that as soon as a heart is free floating in the air outside a body, a nobody is spawned somewhere, even if the heart re-enters a body moments after. kairi and namine as another glass of milk case, or was also using soras body as a resource, making sora one third glass of milk. hm the whole half pint thing is starting to have relevance now...

xion makes sense :) god bless.

dont even get me started on their spawn points. roxas spawning in twilight town. because thats where ven reentered reality via world time travel hopping or whatever. fine. but iirc (and i might not tbf) namine says shes only ever seen the walls of castle oblivion. why didnt she spawn 1. in destiny islands due to her sora and kairi connection or 2. also in twilight town due to her ven connection. like yes vens body is in castle oblivion but you cant just. change your own rules for convenience. or did namine go "oh damn theres already a ven nobody in the twilight town server its full now gotta use the other ven-location"

#just braining out loud really #maybe ill remember things as i keep delving back into things. how very kh-esque in itself #kh talk #kingdom hearts #kh

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