A Devil and Her Love Song (2007) by Miyoshi Tomori
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manga panel redraw from a devil and her love song… maria is just so cute!!
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Track list for Fig and the Cig Figs independently published Junior Year album (officially named “Infaethable”)
Teenage Rebellion
Night Yorb (a heavy metal banger)
Summer Scaries
Devils Nectar
Time Quangle (a love song about Ayda)
Multiclass (Gorgug sings on this!)
The Ballad Of Lucy Frostblade (Kristen was the one who convinced Fig to write this)
So Late, So Tactical
Do You Have A Fucking Warrant
Cassandra (Can You Hear Me)
Hall Of Mirrors
President Applebees (written entirely in the night after Kristen gets elected by a drunk Fig with extremely drunk notes by Kristen)
Raging For Love (inspired by Gorgug, of course)
The Elven Oracle (Has A Day Job) (So Stop Bothering Her)
Maximum Legend
Fury Of The Ball
Cursed
Infaethable
The Bad Kids
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Them guys working on Moon Girl and Devil Dinosaur seriously gave Lunella THE character design ever
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If The Amazing Devil has ten thousand fans, i am one of them.
If The Amazing Devil has a hundred fans, i am one of them.
If The Amazing Devil has ten fans, i am one of them.
If The Amazing Devil has one fan, that fan is me.
If The Amazing Devil has no fans, i have succumbed to the Witcher brainrot and passed.
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I was singing along to Fair today and I noticed something fascinating: it's possible that there are three characters in the song: "I," "he," and "she."
Most of the first-person material in the song is in the form of quotations (e.g. and he'll say "it's not fair how much I love you"). We certainly have two characters, "he" and "she", who speak to each other throughout the song.
At the beginning and the end, however, something different might be going on. The song opens with a few verses in first person with no reference to "he" or "she" (It's what my heart just yearns to say...the reason I was born). Because Joey Batey is singing, it's easy to assume that this is "he" narrating. That may be the intention. It's interesting, though, that directly after this it switches to third person: Cos outwardly he says I try so hard to make you laugh at me / And she, she does, she laughs...
A similar thing happens at the end, starting with "how unfair they'll sing." This verse is narrated by an outside perspective: something looking in on the couple from outside. Fascinatingly, the chorus that comes after this is the only one that does not begin with a dialogue tag, simply saying "it's not fair." It's almost like that first line is a moment of the narrator's perspective before it switches back to dialogue between the characters.
Is this narrator a different person, perhaps a friend of the couple? Is it the world? Is it destiny? Is it the stars that hum and hear them? Regardless, they seem to be just as in love with the story and the people as the couple are with each other, and I think that's beautiful.
TLDR: The narrator in Fair may be a seperate entity from the characters within the song, but they are just as in love with the story as the characters are with each other.
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Feral Beatrice
I see your feral Lilith, and I raise you feral Beatrice. I want to see a Beatrice who is willing to do anything to bring Ava back. I am not saying that Beatrice would forget all that she is. What I am saying is a focused Beatrice, who has a very specialized skill set. Indulge in this with me.
Picture a Beatrice who would tear down the walls of Reya’s place to get her Ava back. Imagine Beatrice with blood on her hands, her face, with fire in her eyes. That rage, that fury, which she has worked so hard to bury so deep in her blazing again. All the sadness for those she’s lost (Shannon, Mary, Lilith, Ava) turning into this silent fire. A blaze that is burning just underneath her skin, setting everything she touches ablaze. She has lost her faith, lost her family, and she is slowly losing herself to the fire.
Now, picture her anger gradually festering in the pit of her stomach. Imagine when she gets Ava back, and Ava doesn’t recognize her. Sure, she understands that this is Beatrice, it is physically her. However, this new Beatrice is not the same one she left. Something fundamentally is different. Indulge a Beatrice who is recognizing how close she is to losing herself, yet cannot seem to regain the tight hold she previously had on her anger.
This is a Beatrice who has been brutalized by pain and anger. This is a Beatrice who feels like she is utterly alone, even though Camila and Mother Supereon are a phone call away. Ultimately, this is a woman who has lost everything and turned to the one thing she has always had; her anger.
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A DEVIL AND HER LOVE SONG VOLUME 2
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Title: チルノのパーフェクトさんすう教室 (Cirno’s Perfect Math Class)
Arrangement: ARM
Vocals: miko
Album: 東方氷雪歌集
Circle: IOSYS
Original: Tomboyish Girl in Love
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do yall ever think abt the lyrical parallels between chords and not yet and just go insane
pick your chords well love but sing your notes off key, you can’t rehearse the chorus but the verse is sweet // sing me awake with a song about pirates, and i will try to harmonize
they’d paint your eyes with sunsets // sip the sunlight from your eyes
i know they think i’m a nightmare // i held your hand as you shook in the middle of the night
just tell them what your haggard mother told you long ago // just remember those wicked words your mother used to say // where is god ma, where’s the vodka, if my old mum could see me now, oh how she’d howl
i don’t want them to go // i need them to stay // all that matters is that you’re here
chords’ recollection of memories at the seaside (waves, sandcastles, paddling pools, hidden caves) vs not yet’s dreamlike scenes involving ships and pirate captains
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