I really despise the Marvelification of Stranger Things, because all the interviews nowadays are constantly referencing how fast paced and epic and big the finale will be but the reason people fell in love with the show wasn't special effects or long episodes; it was the plot, it was the characters, it was the mystery. Stranger Things 1 may have been a story about a government conspiracy and a monster, but that's not why we stuck around. The show can throw amazing CGI, Russians, a battle within the American army and an apocalypse at the audience with the biggest budget known to man but if they forget to ground it and keep it central, it'll just get lost amongst a plethora of other "epic" blockbusters. We want Steven King, not Avengers.
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ouugh i just cant wait to return to thedas
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seriously though i know im mostly a comics blog so complaining is expected and is second nature and there is a LOT to complain on (from disgusting writers to character developments being nuked) thats justified but also i love comics so so much.... i love this medium and how unique it is and the story opportunities it gives. i love seeing so many different art styles and writers and how comics can be dialogue or visual heavy (or a balance of both) and how theyre equally important or emotionally moving. i love how many stories and arcs these characters can have. i love when you can tell something is a passion project and when you can tell someone truly loves these characters. i love how long theyve been around and seeing the development of them and the way they been empowering or something to look forward to and bring hope or laughter or excitement since the 1930s. i love that i can not like something in a specific story but still enjoy the character or medium because theres so many different factors in that one story alone but also because theres so many different writers and stories and spin offs and solos and everything to still read and enjoy if that particular one isn't for me. i love how their timelines can be complete bullshit and how sometimes an event is important and sometimes theres no consequences and the only way to find out is to keep reading. i love the melodramas, i love the cheesiness, i love the camp, i love the passion projects, i love the dark themes, i love the slow and developing timelines and arcs, i love the tragedy and humor and horror and action and how many different genres it can have while still in this one medium and still about this one character. i love how any character, no matter how minor, can have a person that loves them and gets excited to see them. i love the community aspect of them (sometimes) and i love how so many different people can enjoy the same comic for different reasons and have their own community of mutuals that enjoy it the way they do. i just love comics so so much.
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The differences between Din and Paz's relation with their foundling are quite interesting to observe.
Paz explicitly refers to Ragnar as his son, and Ragnar calls him ''dad'' without hesitation. We don't know how long they have been together, but they are family, there's no doubt about it for anyone.
Meanwhile, Din has had Grogu under his wing for 3 years, and despite their obvious bond and everybody else saying otherwise, he still refuses to acknowledge himself a parental figure. Even without the threat of having to hand Grogu away, Din can't quite yet let himself embrace the role of a father fully. Probably because he knows the pain of losing parents and knows Grogu will eventually lose him before he's even out of childhood, and therefore can't bring himself to this level of emotional vulnerability (even though his love for his foundling is evident), as other people have already mentioned.
Paz and Ragnar don't have that. Obviously nobody is safe from an early death, especially not Mandalorian warriors, but for them it is a risk, not a certainty. Din knows Grogu will outlive him by centuries. He knows he will only be a blip in his lifetime. And maybe he wants to protect Grogu from the great pain that inevitably comes with great love. Even if it's too late for that.
Din still has a long way to go and a lot of things to learn about loving. And think Paz can teach him plenty, without even realizing it.
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I want control 2 to have even more documents and more reading
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also sorry for being aro on main but friendly reminder to view characters as individual beings if you want to fully understand them and analyze them properly. while relationships can be a way to push a character to a certain point of development and explore them better you gotta snap out of the fanon ship-enduced mindset every once in a while you just gotta
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Annie Edison is already one of the characters of all time and, if the writers hadn't kept trying to give her a romance with Jeff, she'd be even more the character of all time
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a few weeks ago someone said something about ingo dying and coming back as a new kinda ghost pokemon, and then mentioned ghost/steel (as in trains) as one possibility and my mind latched onto the train part and Did Not Let Go
so!
new au i guess.
ingo somehow gets revived as a ghost train Pokemon. (divine intervention? autism swag? who knows) spends the next however long it is from the past haunting various railroads around the world (he's having The Time Of His. un-Life(??)) waiting for time to catch up to when he disappeared from his original time, until eventually a couple years after he originally disappeared, emmet starts hearing rumors of a strange new pokemon stalking the subway tunnels
bonus. way back when immediately after ingo. uh. kicked the bucket. he ended up hiding in wayward cave for a while for several reasons
melli ended up coming across him and befriended him. (he's much better with Pokemon than people. pokemon don't judge you, and all that)
then ingo figured out how to write
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day 1181
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I know everyone is reading into the characterisation brought by the masks in Glass Onion, but I love how these clues rely entirely on the audiences shared experiences and connotations made from living during covid. It makes the film so personal, I think.
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y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
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i was thinking about it, and i think that the reason Eddie works so well as a character despite (in the beginning especially) having the potential to be a VERY unlikeable, grating character, is that she’s pretty quickly shown to be genuinely smart and competent.
Like I’m someone who generally hates characters that fill the tropes she does, but when I was watching the show for the first time I remember that while I was frustrated by her I still cared about her. Like during the shack scene I was legit on edge bc I was scared she’d get hurt.
Like it would’ve been so easy to just make her an idiot, but they didn’t and by establishing that she’s smart within her first few minutes on screen (specifically her talk with James) completely saves her character from becoming unlikable imo, even when she’s acting like a dick.
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the darkest of nights, in truth, still dazzles.
a halsin fanmix [listen]
01. Heart of Spring - david arkenstone | 02. Cé Hé Mise Le Ulaingt? / The Two Trees - loreena mckennit | 03. Pussywillows, Cat-tails - gordon lightfoot | 04. Maybe Tomorrow - f&m | 05. Don't Stop Me Now - queen | 06. I Was Born Under a Wand'rin' Star - bryn terfel | 07. A Tenuous Bond - derek duke | 08. Closer - nine inch nails | 09. Into the Darkness - jeremy soule | 10. Colorblind - counting crows | 11. Natural Light - ludovico einaudi | 12. Under the Greenwood Tree - royal shakespeare company | 13. The Grove - bear mccreary | 14. Blood Upon the Snow - hozier & bear mccreary | 15. A Quiet Darkness - houses | 16. Spellplague - alderfall | 17. Empty Chairs at Empty Tables - jonathan antoine | 18. Only Everyone Can Judge Me - crywank | 19. Blue Skies - kathryn calder | 20. The Buzzard - old blind dogs | 21. Constant Craving - k.d. lang | 22. The Cave - mumford and sons | 23. Jim Cain - bill callahan | 24. I Won't Back Down - johnny cash | 25. The Ash Grove - laura wright | 26. The Wind - yusuf/cat stevens | 27. To Someone From A Warm Climate (Uiscefhuarithe) - hozier | 28. The Logical Song - supertramp | 29. Tapestry - don mclean | 30. Big Yellow Taxi - joni mitchell | 31. Eat Your Young (Bekon's Choral Version) - hozier | 32. The Flock - david maxxim micic | 33. Changes - david bowie | 34. Ri Na Cruinne - clanaad | 35. The Moments of Happiness - ken page | 36. My Back Pages - the byrds | 37. If This Journey - tom hanford
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I very much like the fact that Jeritza is not really an important character in the game. It seems to me that his own conflict has already been resolved when he killed Baron Bartels (that makes a classic gothic story) and then he’s left with no life purpose and a dissociative identity disorder. Yet the game still needs a secondary boss so he gets hired for his strength. It wouldn’t interest me this much if he was the main villain trying to take a part in shaping Fodlán because, I admit it, he has such a non-original and old-fashioned design that would only make it boring. But he’s got practically nothing to do with the main story and doesn’t care a bit about how it goes, just getting his work done half paying attention to his orders, and having fun on his own, “hey nice sword” “can I play with you” “that was fun see you next time” etc., in his over-the-top outfit looking like a mascot, it’s so weirdly cute.
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from a novel reader before show, i hope that the show does a better job at explaining sun's backstory and limitations than the book did. while we did get sun's perspective, it was a lot more to do with her direct relationship with ongsa/earth (which like duh its the point of the book) but the only flaws that we learned that sun does is that she is irrational and jealous but its sorta played off in a cute way instead. hell we didn't even know that sun had a brother until the last chapter - i mean he was completely erased from the show that's how insignificant he is. we get this line in the book along the lines of "i also have my flaws" but like we never learn about them. so i'm hoping the show does a better job at emphasizing that cuz now sun is shown as this perfect character which makes sense becuase we are getting ongsa's POV and in her eyes sun is perfect but i just want a deeper dive into her character. comes back to the point that some people were making that sun doesn't feel like a main character in her own show, we don't even know which of her friends is which tbh.
i honestly don't really think sun is a main character on the same level of ongsa tbh (or she hasn't been; pov shift could still happen). she is the main love interest for sure but this is very obviously ongsa's story and i think that's been pretty obvious and i also think that's absolutely fine. often gmmtv is a little better at having one main character and one love interest than balancing two main characters in my opinion (or at least in romcoms).
that being said i do hope very loudly alongside of you we get a bit more of sun's personality once all the pretense drops and as ongsa gets to know sun more and more. we know she is feisty and naive and a little bit stuck in her popular girl bubble so there's some foundation to explore flaws and i really hope we get to.
i think there's a real opportunity to shift into sun's pov once she finds out ongsa is earth and focus on how sun deals with it rather than focus on ongsa (perhaps get a little more insight on why she's so willing to trust a faceless stranger on the internet) so i hope they go down that road! i also hope we get to see her feisty and reckless a little more; focus on the aspects of her character that aren't just sweet and nice
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