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#a history of touch
fuckblast · 8 months
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While it's tempting to apply modern labels to historical figures, it's anachronistic to think of them as straight. Most never publicly stated their explicit heterosexuality, and we can only extrapolate based on letter excerpts.
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ninety-two-bees · 21 days
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“regulus fell first but james fell harder” WRONG. james fell in a pool and regulus laughed at him so hard he almost fell in too, and they realised in that exact moment that they’re made for each other
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putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023
#apollo don't fucking touch this one#serious post#not a shitpost#hope i forget about this post and have no reason to ever look back on it one day#fyi i'm aware that access to potable water is already a major issue in parts of the U.S. yes i know flint michigan exists#i'm saying that this issue is going to GROW unless local & federal governments work together to fix it.#so it's a matter of if we trust them to fix it. And well--do you?#what are the chances the government just denies there's a problem until the water actually turns brown#at which point it's already been common knowledge for years and people have just become resigned and that's our new normal#i'm mean come on. how many of us already believe that we're being exposed to dangerous pollutants we don't know about and can't avoid#like that's pretty much just part of being a modern consumer. accepting that companies will happily endanger your life for a few pennies#and the most you'll get is like a $50 gift card as part of a class action rebate 20 years down the line#probably the history books will look back on Flint as a warning and a harbinger that went ignored#luxury condos will advertise their built-in top-of-the-line filtration systems--live here and you can drink water straight from your tap!#watch the elite professional class putting $700 dyson water filtration systems on their wedding registry#while the rest of us figure out how to fit water delivery into our grocery budget while putting 90% of our paycheck towards rent#also eggs are $15
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nameddame · 2 years
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Tolkien in the 30s: the elves have beautiful long hair regardless of gender even tho a man having long hair in the 30s would be seen as an egregious sign of gender noncomformity at best
Amazon rn: boy elves have short hair girl elves have long hair because this adaptation is about girlboss galadriel
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women artists that you should know about!!
-Judith Leyster (Dutch, 1609-1660)
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During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.
-Artemisia Gentileschi (Italian, 1593-1656)
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"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.
In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".
-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)
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She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.
-Augusta Savage (Afro-American, 1892-1962)
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Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.
-Marie Ellenrieder (German,1791-1863)
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She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.
-Berthe Marie Pauline Morisot (French,1841-1893)
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Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.
-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)
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Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.
-Marie Gulliemine Benoist (French, 1768-1826)
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Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.
-Lavinia Fontana (Italian, 1552-1614)
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She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.
-Elisabetta Sirani. (Italian, 1698-1665)
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Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).
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teamfortraven · 2 months
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Follow up-follow up-follow up post. I just spent the last 4 hours on this guys I think I have a little bit of a problem, just a small one /s but yeah here's the promised revenge bit. Man can NOT handle his own medicine.
And now I will go sleep for a billion years and eat a basket full of eggs when I awaken because mmm iron deficiency.
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all-lee24 · 1 month
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“COME TARNISHED TOUCH THE WITHERED HAND”
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intermundia · 10 months
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i think the reason that i find the tragedy of the prequels so compelling is that anakin is such a good tragic hero. he's shown to be an intelligent man with a mature understanding of the world, who made catastrophic choices on purpose because they were easier and more personally satisfying to him. when fans deny him that agency, i believe they misunderstand the story in important ways. one can say that he was manipulated and deceived, one can diagnose him with every mental illness in the DSM (and people in my notes often do), but one cannot say that he wasn't fast to toss aside his moral values to lash out and to get what he wanted.
the fact of the narrative is that anakin knew better, and he chose the easy option (with full knowledge that it was 'wrong'), because he refused to accept core limitations of reality, namely the inevitability of death. he thought that having special powers meant the rules didn't apply to him and those he loved, and that's how he ended up killing kids and serving as a fascist enforcer for decades. one can contort themselves into knots to try to excuse that, and there were indeed many contextual forces that gave him so much power in the first place, but there is no real excuse for what he chose to do with that power.
without anakin being that kind of moral agent, there is no tragedy. tragedy in an aristotelean sense is a narrative designed to elicit feelings of pity and fear, because we the audience know that we too are doomed to suffer and all too readily make easy, bad choices to avoid pain. none of us want to accept that some parts of life include losing, and require sacrifice. anakin's greed was his undoing, as it is all to often our own. refusing to accept that the tragedy of the prequels, explaining away and excusing the fall of the hero, means protecting ourselves from accepting the painful truth that we are just like him, and can and do make the same kind of mistakes.
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eirene · 4 months
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The Joyous Festival, circa 1906 Gaston La Touche
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frog-ology · 9 months
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Today in "historical naturalists had issues with frogs", I give you the first English description ever written for Amphibia:
"Among no animals do we meet with beings of a more singular form than in the Amphibia; some of which present appearances so unusual, so grotesque, and so formidable, that even the imagination of the poet or painter can hardly be supposed to exceed the realities of Nature."
- George Shaw, General Zoology, 1802
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druidonity2 · 5 months
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What if I were mentally ill and void of the light's presence and hung out with Alleria Windrunner wouldn't that be really cool
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bikini-kill-pilled · 25 days
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miscellaneous riot grrrl zine pages
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bowtiepastabitch · 7 months
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Let's talk costuming: Avaunt!
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So I think we can all agree that Aziraphale looks his most traditionally angelic in the Job minisode, no? In fact, all of the angels' costuming increases in drama for this particular episode. This is, obviously, a very deliberate choice on the part of wardrobe, so let's discuss.
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On a technical level, the biggest thing that stands out to me about this fabulous robe is the draping. Oh, the draping. It feels like a classic angel 'fit because on a very fundamental level, it is. A lot of what we think of as angelic draws on Renaissance artists' depictions, with flowing robes, fluffy wings, and glimmering halos. In art from this era, there is a strong attention to detail on the natural flow of fabrics that makes Renaissance sculpture so breathtaking, such as here: (The Ecstasy of St. Teresa, Bernini, 17th century CE)
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It's this ability to make solid marble look like fine silk rippling with movement that leaves such a strong impression in my mind when I look at these kinds of works.
In painting, too, there is a similar effect. Something about the material culture of the Renaissance really lent itself to this style, perhaps fueled by the rise in new textile luxuries that occurred in vaguely the same period. This is seen especially strongly for angels, such as in the sculpture above, and in this painting: (The Annunciation to the Virgin, Botticelli, 15th century CE)
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There's a stark contrast between the dress of the two figures. The virgin Mary is no less ornamentally or expensively dressed, but her style is rather minimalistic next to the angel's voluminous robing. It paints a very clear impression of angelic dress, and the designers for Good Omens would have been aware, in at least a small way, of the art history precedence for such a thing.
The poof of the sleeves, the tucks down the front, the little belt with the train tucked in, the gathers, the weight of the fabric, everything about this robe is constructed to carefully recreate the rather fantastical imagery of renaissance art. It's not necessarily an easy texture to nail down, given that the artists themselves had no concerns of gravity, comfort, or the way it would look in actual 3d motion, while our brave costumers were dealing with all three as well as a budget, time constraints, and the constant consideration that white fabric just gets dirty so easy.
Here's some of the other angels as well, so you can see how theirs reflect those same dramatic themes.
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And then, of course, when costuming a show you have a second question: What does this mean for our character? Or rather, we know how, but WHY did they make him look so traditionally angelic?
Well, thematically, the Job minisode centers around Aziraphale's struggle with being a good angel and Crowley's struggle with being a good demon. Aziraphale is learning how to be an angel that follows along with heaven as far as we can, and he's so terribly torn up about it. He spends a lot of his time fretting about doing what's expected demanded of him, even if perhaps he doesn't believe it to be the right choice. Natural, then, that he should look the part of the perfect angel whilst sorting out these ethereal woes.
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Crowley even draws attention to it himself, giggling a bit at the suggestion that Aziraphale, with his fluffy hair and flowing angelic garb, could possibly become a demon. And it is a rather silly mental image; the garment itself would be comically silly in really ANY other context at all. In the same manner, his performance of angelic archetype borders on excessive:
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He's trying so desperately hard here to be the angel he wants to and is supposed to be. He's dressed the part, he's using his big scary angel voice, but deep down he's clinging to an identity that doesn't quite fit.
(You'll notice in this shot the distinct difference between his and Crowley's dress on the level of silhouette as well as color. We see this a lot from the two of them, but with the points I made above it felt worth pointing out in this particular scene)
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Here at the end, as he's coming to terms with the cracks in his heaven-given identity, his robe is largely in shadow, blurring out its startling whiteness. We do not see him dressed this way again. (He continues to wear white, obviously, but from here on out his style of dress mimics the human trends of the time rather than that classical angelic imagery)
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blmpff · 2 months
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✨ Various Tropes: Touching Foreheads (1/?) ✨
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TITLES IN ORDER: 1. No Regret (2006) 2. History 2: Crossing the Line (2018) 3. Gaya sa Pelikula (2020) 4. His (2020) 5. Light (2021) 6. Dear Doctor I'm Coming For Soul (2022) 7. The Eighth Sense (2023) 8. I Feel You Linger In The Air (2023) 9. Kiseki: Dear To Me (2023) 10. Playboyy (2023) 11. The Sign (2023) 12. Love is Better the Second Time Around (2024)
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kazz-brekker · 6 months
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episode 6 of blue eye samurai was rough. can't believe mizu fought through 9 levels of traps and soldiers with a sword only to get to the top and abruptly be confronted with the fact that guns exist
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