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#a lot of his characters make so much sense now
tw1l1te · 2 days
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𝖋𝖆𝖑𝖘𝖊 𝖍𝖊𝖗𝖔- 𝖈𝖍𝖆𝖕𝖙𝖊𝖗 𝖙𝖜𝖔
ᨒ↟ ⋆。°
“Oh, I like her already.” Wars speaks. The Vet just seems to roll his eyes, muttering something about the Captain’s ego.
You rise back into a standing position, eyeing the group again. You look back up at Time, stating, “I presume you’re the Hero of Time, based off of your moniker.”
“You would be correct, although hardly anyone calls me by that title.”
You hum at his comment, finding his humble nature pleasing. Turning to the one named Sky, you motion your hand at him, “And you must be the Hero of the Skies, or the Chosen One. The first of us, if we go by technicalities.”
He nods hesitantly, curious as to where you got all of this information about them. He would’ve been more uneasy if you weren’t a descendant, but you were one of them, after all.
“Why… do you call yourself the Forgotten Hero?” he asks.
You smile solemnly at him, “Because this era has been doomed. Utterly and completely in decay. By the time my quest is done, Hyrule, or what remains of it will collapse and rebuild itself over thousands of years. I will be too hidden in the past to be remembered.”
You take a small breath before continuing, admitting the truth out loud.
“I will also be forgotten because I’m not you, or your descendants. I’m not the traditional male hero. Quite the anomaly, aren’t I?”
He seems conflicted by your statement, eyebrows furrowing together.
“But if you’re the only female so far, wouldn’t that make you more memorable? The heroine of Hyrule?”
“Maybe in another life, but not this one. I’m considered a disgrace of a hero by most people outside of my village and a few others spanned across the land.”
“Why would you say that? Didn’t you save everyone from destruction?”
You smile sadly, “The destruction happened years before I was born. If anything, I caused more of it.”
He takes a moment to think before asking the inevitable question.
“Link… who exactly did you defeat?”
Your eyes snap back up at him, making sure he was looking right at you. The information you were about to reveal was going to create the rift of the ages. It was now or never.
“Hylia.”
~
The room was silent for a few minutes, the only sound being heard was the loud blizzard beyond the splintered walls of the shack. The loud silence made you wish the shack would finally collapse in on itself.
Sky finally speaks, eyes glued to you. 
“W-what do you mean by that? You’re saying she caused all of this?”
You sighed, knowing he was one of the more… innocent followers of her. 
“Well, a few thousand years after the Era of the Wilds, there started to be a lot of… religious issues surrounding Hylia. A lot of questionable and downright disgusting practices. It caused people to start grouping up and separating, causing the nations of Hyrule to close off from each other.”
Looking around the group, you take a moment to let them process the new information before continuing.
“The Rito, Zora, Gorons, Gerudo, Sheikah, and Hylians all started to conflict more and more, eventually ascending into a 50-year war, or the Reawakening. The followers of Hylia formulated a plan to resurrect her in the flesh, killing Zelda in the process.”
“A life for a life.” Time muttered, deep in thought.
“Exactly. The plan was successful, the goddess being reawoken after millennias of being dead. She came back… unrecognizable, both physically and in an ideological sense. Her morality and character had been altered so much to the point of her followers becoming a cult. The cult killed my parents, thousands of people that questioned Hylia, essentially wiping out most of the kingdom.”
“And the land? How did it come to be so… bleak?”
“Hylia is the Sun, both literally and metaphorically. The sun is technically up beyond the clouds, but the amount of destruction and chaos she brought forth made the landscape unrestorable. The entirety of Hyrule looks just like this,” you motioned out with your hand.
“Hyrule is also significantly bigger than any of yours. Probably still larger than if you were to combine the size of each of your era’s Hyrule’s. It has been a cold, snowy abyss for over 30 years now.”
The brunette piqued up, head tilting slightly, “So where is Hylia now? Hyrule Castle?”
You shake your head.
“Hyrule Castle is in utter ruins now, most use it to scavenge for rock or old weapons. I’m… not sure where she is right now, I'm trying to track her down.”
“Didn’t you say you killed her?” the Veteran asked.
“I did but… her psyche is still present. She may not have a physical body anymore, as I returned it back to its dormant state, permanently, but her essence is somewhere. Everywhere.”
Time walks up to you, arms crossed over his chest. Curse your short stature, compared to his at least.
“From what you're telling us, it seems that we were brought here to help you. We came here through a portal, and from what we’ve learned, we can’t leave an era unless we’ve completed the task at hand, regardless of our own opinions or standing on the matter.”
“What were your original plans before being brought here?” you ask.
“The Shadow and his army. It took us months to finally pin him down and defeat him.”
You remember something being mentioned in the archives about a dark version of Link, but only being a mere shadow. Now a physical form? That was something you didn’t experience in your own journey. Lucky you, you suppose.
“Right now Hyrule is… in limbo, I suppose. Hylia’s first form was defeated about a year ago and we’ve tried to track her essence down since. We don’t know if she’s using someone as a vessel or if she’s resting in some sacred grounds to gather strength. Granted, the blizzards have made it significantly harder to even make it past the woods.”
Four, one of the shortest and most colorful of the Link’s speaks.
“So where exactly are we, based off of older maps?”
You ponder for a moment, trying to recollect exactly what town you could use to reference the location you were in. Something that was familiar to them.
“If I were to use my ancestor’s typography maps,” pointing to Wild, “I’d say we’re in the location of the Great Plateau. The plateau collapsed in on itself thousands of years ago and grew thick forest and brush, impenetrable if you were inexperienced with the outside world.”
You take a pause before continuing.
“Though if I were to be more accurate and precise… this would be almost the exact location of Ordon Village from the Era of Twilight.”
Twilight perks up at that, intrigued by your expertise and knowledge of their past eras. 
“How do you know that name?”
“Ordon?”
He nods.
You were revealing way too much about yourself within hours of meeting your ancestors. This is definitely not what you had planned.
Sighing, you reveal another ability you had kept concealed.
“I have the memories of every hero before me. I can see and dream of their travels, their fears, desires, secrets, everything. Even their own thoughts, at times.”
Twilight’s brow furrows, confusion emulating off his features.
“Isn’t that only what the goddess reincarnated can do? How can a holder of the Triforce of Courage accomplish that?”
“I don’t know. All I know is that it started when I was seven and I have them almost every day, multiple times a day.”
Time bristles at the age it started for you: seven.
He was the youngest hero to start his journey.
Of course, it made sense.
The memories of the hero began as soon as his purpose was ignited.
He was going to speak again, but you beat him to it, mentioning something about supper and needing to attend to some matters.
“Once you’re fed, I’ll come find you and find you a shack to board in. It will most likely be mine, as the village is full enough as it is. Dusk and Colin will show you around a bit, let them know if you need anything.”
With that, you bundle the scarf over your face again and leave through the front door, not looking back behind you.
“...You think they saw that time I rode on a bear in just my undergarments?”
“Definitely.”
ᨒ↟ ⋆。°
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lygma-nygma · 2 days
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Knowing the original reason(s) that Dick became Nightwing and then reading comics like Nightwing: Year One is just so annoying. Like what is the deal with more modern rewrites making everything surrounding Dick and Bruce super edgy and angsty when the original version of the story was perfectly fine?? It’s like DC Comics is on a mission to assassinate both of their characters to make Dick into a ‘sad boy’, it’s infuriating.
Original Pre-Crisis Nightwing Lore: Yeah I'm just kind of getting too old to be Robin. Like it or not Robin is forever and always going to be known as Batman's sidekick and I just don't feel like that fits me anymore. I'm the leader of the Teen Titans and I spend most of my time doing that and solo missions now anyway. I think I'm going to drop the mantle, take a step back, and find a new identity. Original Post-Crisis Nightwing Lore: I got shot and fell off a building during a mission and almost died right in front of Bruce. It shook him up and made him super afraid of me dying so he told me he wasn't going to run with a Robin anymore because he didn't want my death to be his fault. I was annoyed about him treating me like a kid and that he was throwing all the years we worked together away over one incident but he said it wasn't like that, he just hoped I was old enough to understand where he was coming from. I told him that there was no way I wasn't going to continue being a hero and he fully supported me saying that he would always be there to help if I needed it. I was still hurt by it all, especially when Jason showed up, but ultimately I came to understand why it happened and got over it. Edgy Retcon Nightwing Lore: I went out of my way to SAVE him and then I got PUNISHED because I didn't do it right and wasn't prioritizing Gotham enough despite my THIRTEEN THOUSAND JOBS but I'm not surprised because he's always been unreasonable and HATES ME so now I'm not Robin anymore because Batman is an awful person and emotionally abuses me. And just to be clear it's not like Dick and Bruce didn't fight before the retcon, frequently being at each other's throats is literally a core aspect of their relationship, but I'm just so tired of them retconning every interaction they have into some overdramatic spat. Way to completely strip Dick of all his agency as a character and turn Bruce into an empty cardboard cut out of himself. Hope the angst points are worth it.
EDIT: I also want to add that fights between Bruce and Dick used to have a lot more nuance than they do now. The B&D fights used to be caused by a breakdown in communication on BOTH sides, not just Bruce's. The 'Jason becoming Robin' fight comes to mind. In Batman #416 neither Dick's complaints nor Bruce's excuses made complete sense but that was the point. Bruce should have been better at reaching out but Dick was also expecting Bruce to be a mind reader and know how he was feeling without telling him. Dick left home without saying goodbye well Bruce was on a mission, Bruce assumed that meant Dick didn't want to see him and so avoided reaching out leading to the two of them not talking for a long time. Dick accepts that Bruce doesn't want him as Robin anymore in stride (he even smiles and shit about it) so Bruce doesn't realize that losing Robin actually hurt him, ex. It's that kind of fighting, the "I want to slam both your heads together" fighting, that I miss so much.
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runawaymun · 2 days
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Ask me about my not-yet-written-fics from this list
thanks, @eowyn7023 also tagging: @polutrope because you sent me an ask about this a while ago and I just haven't had the spoons to respond until now, sorry! <3
Elrond in Valinor + Second Flight of the Noldor
so this stems from three possibly spicy Opinions I have about LOTR: 1) The Valar kind of suck, actually, and it was wrong of them to bring Elves to Valinor in the first place and it went directly against Eru's plan. 2) Valinor is kind of liminal and bad for you if you were born in Middle Earth 3) Elrond sailing (and staying) in Valinor is makes very little sense for him as a character, and is more about Jirt's wish fulfillment than it is good writing.
Obviously, unfortunately, due to the narrative, Elrond must sail at the end of LOTR. He needs to recuperate from the absolute havoc Vilya wreaked on his system, and he also needs to reunite with Cel and get some closure about a few things, like Celebrimbor's death, Gil-Galad's death, and his relationship with Elwing.
So Elrond sails, as he does. He reunites with Celebrian. He spends some time meeting his various family members and spends quite a lot of time with Gil-Galad and Celebrimbor. He has exactly one (1) talk with Elwing to ask her some questions and explain what became of Elros, but in my head he is not really interested in pursuing much of a relationship with her. Elwing respects that.
He and Celebrian work on healing their relationship and re-establishing intimacy.
Elrond slowly recovers from the damage Vilya did to him.
He might need to spend some time in Lorien actually. He is very good friends with Este and Nienna.
After a while though, things just don't feel right. Valinor feels very static and strange to him, and he doesn't really feel like he Fits. And that hurts because everyone is so glad to have him there and they expect that he's just as glad to be here as they are.
Also he really misses his kids, and wonders about his grandkids, and the Dunedain.
Eventually he starts connecting with more and more people who feel like they don't Fit. Mostly Noldor and the few Sindar that sailed. Many of them are still dealing with PTSD from Middle Earth and Beleriand, or with scars that refuse to heal. Many of them are just Restless. Most Vanyar do not understand this, and it's hard to talk about.
He and Cel begin work on a second Rivendell, and this keeps them both busy for a short time. He still doesn't feel Right though.
Eventually he starts experiencing like a reverse sea-longing and it gets more, and more, and more painful.
Finally, he talks it over with Celebrian. And they petition the Valar, who are not very happy to be petitioned. And then Elrond starts preparing to sail East.
Listen listen listen. Everything that Elrond has ever built, worked for, or loved is back in Middle Earth. It makes zero sense for him to be happy in Valinor. He aligns overwhelmingly with the Sindar and with the Dunedain in the books, and the Dunedain also consider him as one of them. Rivendell is there (he left it in the care of the Dunedain). Arwen and Aragorn are there. Gondor, and what is left of Elros are there. His grandchildren are there. Elladan and Elrohir are still there. The people left for him in Valinor are all people he has already mourned and found closure with.
He's not really made for Valinor anyway. He's made to watch over Middle Earth, to keep its lore and secrets, and to caretake Elros' line. He made a vow, once, and sure Aragorn and his descendants are doing just fine but he still feels half-whole without them.
And he's not the only person who doesn't feel Right in Valinor, who miss the mold and the rot and the fungi and the sheer diversity of life, and the Men!!! The humans!!! The normalcy of pain and suffering and scars and disabilities!
And so Elrond sails with Celebrian, and many of the Noldor say 'fuck it' and they go with him. They're tired and restless and have misgivings about the Valar anyway. A remnant returns to Middle Earth, and this time they go for love.
Elrond retakes his seat in Rivendell and the Dunedain rejoice that the eldest of their race, their most beloved uncle has come home. Celebrian reunites with Arwen, and meets a long line of adopted children that she never got to see, and meets Aragorn and her grandchildren.
They live through the ages, quietly doing what they have always done: living as watchers and caretakers, carefully preserving memories and lore and history.
Rivendell becomes a place that is both mythologized and startlingly real, where it is rumored that anyone who needs it will find help and sanctuary.
Many of the Noldor live in Rivendell, but some set up their own small kingdoms or simply live alongside the men and dwarves. They're finally there to guide and watch over the Secondborn, just as was intended in the Theme.
Eventually, of course, Elrond must grieve Arwen and Aragorn, but he's there for his grandchildren, and his great grandchildren, and his great grandchildren, and all of his family thereafter -- and in Arwen and Aragorn and their line, it almost feels like he is reunited with Elros again.
Elrond is there to help.
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mgjong · 2 days
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With Kotoko getting the guilty verdict, I have seen some people speculating about this so I wanted to make a poll (it has probably been done before but please indulge me)
My own thoughts for each character under the cut
So, this is a little complicated. I would like to start by saying I find it very unlikely for her to come out of this unscathed. Could happen, but I feel like for narrative purposes they would want her to be hurt in some capacity. It could just be the psychological strain the voices will have on her but again, I don't think she will be "fine". Now for the characters and possible arguments.
Fuuta This one is hard. If you know Fuuta well, you know he doesn't actually like violence. Far from it, he is the kind of person who avoids it and is terrified of it. While his words come off as brash and aggressive that's usually all he has. However we have seen he WILL resort to it as a desperate effort, either to try and help someone or out of anger, to try to show he is not weak.
The impression Fuuta has given me is that he is, well, afraid of Kotoko to put it simply. And while he shows very clearly his dislike for her and what she did to him he seems to have mitigated most of that anger towards Es since at the end of the day the judgment was up to them. Would an innocent verdict lead him to believe he is now in the right to hurt her back? In my opinion, unlikely. By voting Kotoko guilty and him innocent this trial we have, in a way, admitted our mistake to him. Fuuta has felt immense guilt for what he has done from the start, at the end of his second voice drama he was begging for our forgiveness. And we gave it to him. I think it would be counterintuitive for him to then go and attack Kotoko after this. I would like to believe that he has learned his lesson in a sense.
However, we must keep in mind what I stated earlier. Fuuta CAN be violent and will resort to it, especially when he feels like he has something to prove or is backed into a corner, usually on an impulse. So maybe given the right conditions he could lash out against her. However that would depend way more on her attitude towards the others than anything else.
Lastly, and I think this is what makes his case complicated is the possibility of him being influenced by Amane and her religion. As we know, revenge and punishment are very present in Amane's cult values and with Fuuta seeming more and more indoctrinated each day, I am starting to wonder if those could have any influence on his actions, leading him to actually take revenge.
However, from the last 2 timelines he sounds very tired with the way he’s speaking, exhausted even, from both the psychological toll of everything plus the constant physical pain. He also went to both Mahiru and Haruka in an attempt to try and help them though one mistook it for just nice words and the other refused his help to which, due to his exhaustion, he quickly gave up and brushed it off. So I wouldn’t say he’d have the strength and energy to try something against Kotoko even if the cult “punishment” ideals got into his head. Considering he lashes out when he feels cornered I think he’d only feel the need to if Kotoko, somehow, was still a danger towards him and the others. And still, I don’t think he would be able to do much damage since he is canonically the weakest of the guys (and Kotoko) in terms of strength.
Shidou This one seems to be based a lot on Triage's lyrics of "To extract that fang'' and Shidou's and Kotoko's very apparent animosity for each other. Having said that, do I think Shidou could attack her? No... not really. First I think those lyrics are referencing his attempts to help the ones Kotoko hurt, to reverse the damage she did. And while I find his innocent percentage to be very worrying I don't think it will be manifested that way. If anything, Shidou has Kotoko to thank for giving him a purpose and reason to live (even when he dislikes her). Not to mention how violence is... simply not his style. Shidou has said it himself. And while he can be "cold" I don't think he would just go and attack Kotoko. Especially when he will have bigger issues to worry about in the form of a certain child.
Now, what I can see him doing is something more in the case if Kotoko were to get hurt by other means. He could deny her treatment and/or make sure she doesn't recover from her wounds. But again I don't really think he would do it. Shidou currently attributes his life purpose to saving the lives in front of him and we encouraged this mindset with his innocent verdict. I don't think he would want to lose a chance to be useful, even if that patient was someone he despised.
John Alright this one I have very specific thoughts on. (Mikoto fans, you are free to tell me I am wrong.) First, I know John isn't stupid. He values Mikoto's well-being above everything else, which was made very clear. He would NOT risk him getting another guilty verdict by attacking another prisoner, right? Maybe. Listen, I think this one is complicated and depends a lot on what Kotoko will do.
I don't think John would go out of his way to attack Kotoko. After all, we have given Mikoto the innocent verdict, he will be (I hope) way less stressed, giving John less reasons to front. With Kotoko being restrained due to her guilty she would also be less of a threat to Mikoto. However if something were to happen... If Kotoko were to get free and try to attack someone in a fit of rage over her verdict... Well, we know who is the person she currently despises the most. We also know John and Kotoko are tied in terms of strength but with Kotoko being impaired from the guilty verdict it's very obvious who would have the upper hand.
And here is the thing: if Kotoko were fighting someone like Kazui, I am sure he would stop her, but in a way that didn't cause her any further harm. Would John also do that? Or would John feel the need to make sure Kotoko couldn't be a threat to Mikoto anymore? After all, we seem to be on his side, we considered Kotoko guilty for her actions. Wouldn't John feel justified enough to do this, especially with Kotoko being the one to attack first? I don't know, I just fear something will happen with Mikoto. There is a reason 09 and 10 were added later, that being to provide more "drama" to the narrative. There is also this line from John on a tl saying he would "beat Kotoko at her own game" but I... really don't want to dwell on the implications of that. Especially because I do believe John is very genuine in his care for Mikoto. I mean cmon you guys have seen Double and listened to Neoplasm!
Kotoko Well I don't really have much to say here. We know how self destructive she is, we have seen how much she disregards her own emotions and her own pain. We have seen how much she actually hates herself. I wouldn't put it past her. Maybe not in a "I am guilty so I guess I'll hurt myself" way but more out of resignation and anger with her whole situation or even by making stupid decisions. For example, I don't think at this point she would fight back much if someone were to try and hurt her. I really don't have much more to say about this, it's Kotoko Yuzuriha.
Don't have much on the other prisoners, maybe in very specific conditions??? No clue, Yamanaka might surprise us who knows.
So what is my conclusion? The most likely case to me is that Kotoko hurts herself either directly or by making a very stupid decision like attacking someone she shouldn't.
What about you?
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so i just read a post explaining why the op (and, according to the op, a lot of other people, even tho the post in question only had 32 notes, some of which were from people who disagreed with them) didn't like the cut to the crown keepers in last week's episode. while i'm totally on board with people not jibing with stuff that just doesn't work for them, i wanted offer some reasons why this seemingly hard pivot to people who are not the main characters of the story being told was a good decision to make (note good decision, not inherently the best decision, which i believe no one, including the dm, at a ttrpg table should ever be expected to make).
matt had an extremely powerful, extremely unexpected character decision dropped in his lap in the final moments of the previous episode. we don't know exactly how much time matt has between recordings, maybe a full week, maybe not, but either way, there's a very real chance that matt just did not have enough time to fully prepare a session to deal with fcg's death and what comes next.
sam now has to create a new character that a) is of a level with the rest of the party and b) makes narrative sense for him to be there. that takes time for both him and matt, and they might just need some space to work on that. when laudna died, marisha was willing to sit away from the table for several weeks because she knew that she wanted laudna to be resurrected, but sam may not want the same thing, and that's okay!
matt may want to fold the crown keepers into his main story, some or all of them—particularly dorian, whom both liam and the fans have been asking to return for a while now. dorian is clearly important to orym and the story that liam is trying to tell, and bringing the crown keepers in may be matt's way to do that.
matt—and dms generally—has always had to straddle a very fine line of making sure that his players are the main characters of their story who feel like their actions have real consequences and effects on the world, while also understanding that in reality, it doesn't make sense for half a dozen chucklefucks to have such an outsized effect on major cosmological goings-on like *checks notes* the potential release of a god-eater. this becomes especially true when you're on your third campaign set in the same world, and your players' previous ultra-powerful pcs are still around and definitely more adept and connected than their current pcs are. i, personally, think matt does a great job at walking that line, and one of the things he does that i appreciate is that he doesn't shy away from the fact that a) his players are powerful but not the most powerful and b) his players aren't the only one who care about what's going on in the world and who are taking actions to effect change. the current plotline re: ruidus is absolutely world-shaking and is causing all the divine girlies to cower in their demiplanes, so of course even the evil ones are going to be calling on their champions to help out. it makes more sense for opal to be involved (which, btw, matt has been hinting at for a while now) than not.
matt might need a fucking break! he's been doing this consistently for nine years now, and shit is complicated! handing over the reins to aabria for a week or two or three may be what he needs to not get burnt out.
dnd is an emotional game, and the entire cast might have been rocked hard by fcg's death. some space away for a week or two could help them process and regroup to get back into a story that is otherwise very stressful and action-packed.
or it's none of these! what do i know! i'm a random idiot on the internet! matt doesn't consult me on these matters! (though my dms are open if he wants to chat, i do have ideas)
i think it's tempting to think of the decisions made in and around critical role (or any ttrpg show) like those made for a television series, because the episodes are serialized and we love them so much. but this show is, first and foremost, a group of friends playing a game together, and not a carefully constructed narrative with the primary goal of entertaining an audience. the audience always has been and, frankly, always should be second to the wishes and fun of the people around that table. matt would not have asked aabria to step in and dm a crown keepers side arc if he didn't think it was a good decision for him and his players, and that priority is the correct one. we are being invited in to watch these friends have fun together, and that's a privilege that we're super lucky to have. as long as the cr story isn't doing things that are outright abusive or harmful to the cast or the audience, i don't think we should begrudge them the choices they make in the name of their own game.
again, it's okay if you're not vibing with the crown keepers! i didn't love the aeor arc of c2! not everything is for everyone! but i think accusing matt and the cast of narrative malfeasance is a bit much when, tbqh, they don't answer to us. they answer to each other.
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waitmyturtles · 1 day
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GMMTV 2024 Part 2, let's go
I've had my MULTIPLE cawfees and I'm watching the GMMTV Part 2 trailers. @my-rose-tinted-glasses, this one's for you!
TL;DR what I'm excited for: Ossan's Love with trepidation; Revamp: The Undead, I'm first in line; The Ex-Morning with open arms; Us, once we have a better sense of the screenplay; Sweet Tooth, Good Dentist, drop it like it's hot, Mark; Thame-Po, boys look gewd
****
1) Ossan's Love: THE KEY WORDS BEING "INSPIRED BY"
If I take away the inclination to do any sort of comparisons to the Japanese version whatsoever ("INSPIRED BY"), I'm thrilled that EarthMix get to do romcom. Earth at this level of baka is utterly unbelievable to me, you are too smokin' hot, boy, but try to bring it, because if you do, and it's a success, then I'll be fucking really impressed.
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2) Leap Day: Looks scary. Gun!
3) The Heart Killers: ...
Man. Man! First in muscle shirts and an earring, kisses pushed up against walls, etc. Where have we seen this before. Lemme guess, they all get together in the end. I would like to force myself to be excited about this somehow, Jojo on 10 Things, but. I haven't been there with JoongDunk yet, either, so actually, they seemed kinda refreshing against the FK vibes, ha. Anyway, this reignited my OF burnout, which I'm honestly trying to ignore as I get close to re-watching The Eclipse for my Old GMMTV Challenge project. @my-rose-tinted-glasses, my trust issues switch is flipped to "on."
(Get Jojo away from ships, please. He had Tay kissing Joss and Mild in the same year AFTER Dark Blue Kiss. He fucking doesn't need to use ships.)
4) Friendshit Forever: no subs, seems intense, the gals are smokin', NEW AND BOUN?! Hate to say it, but even without knowing what this is exactly about, I'm intrigued? My Boun! New and Boun!
5) Perfect 10 Liners: They're letting New Siwaj do 30 episodes, folks. I have no predictions on this one, y'all will have to tell me if it's good. Perth is back with New Siwaj directing after 2018's Love By Chance. If they give Chimon a little comedy, I'll be happy. I asked for Junior again, but maybe I wasn't expecting him to go to school, but I will admit I like JuniorMark together, and if they get to helm 10 episodes as the center stars, then good for them! Maybe that'll be the bit of this series that I watch.
6) Us: I believe in this screenplay more than how 23.5 is working out. I think Fon Kanittha needs more stuff on her plate to play around with to make a great show. This trailer was great. I'm watching My Precious the Series now (after having watched the movie this past weekend, which I was disappointed by -- the series is MUCH better, and going better than 23.5), and I'm seeing that Fon does stuff very well, background community building that gives us macro- and micro-level understandings of her characters. If those levels are Sing Harit, I'm here for it, that was an unexpected appearance, but if he's recalling the strength he brought to Todd in Not Me, then I'm a happy camper.
7) Hide and Sis: I love Piploy. Wednesday Club was a total holiday trash watch for me last year, but I loved her a lot. Looks like they're promoting this as a multi-generational show with known older actors, the approach of which I like. Everyone hates each other and maybe tries to kill each other; Keeping Up With the Thai Kardashians, maybe? Surprise, Gawin's a cop. Chimon as murderer, I'll support that.
8) Thame-Po: This looks cute. I'll consider a pre-order! Separately, I happen to adore cute Lego from LYKN, so good on those dudes for getting a show, and I like that William is pushing his boundaries outside of music.
9) Break-Up Service: I am happy that Off has gotten this kind of sneaky love romcom (?) role.
10) Revamp: The Undead: I'm here for it. I'm so happy for BounPrem. I'm happy to see some strong support dudes in Kay and Mark in this project. I haven't watched My Only 12%, so I don't know from Santa, but I know a lot of friends love him. I am totally seated. GMMTV is really the BL Machine, huh, absorbing this project.
11) Sweet Tooth, Good Dentist: Do not get me wrong, I am very excited about this; I am just wondering if Baby Ohm needs a little workshopping to get more diversity in his expressions. But I am very excited, Mark looks SO DOWN and ready to lead. View! Jimmy! I'm good with this.
12) The Dark Dice: High School Squid Game, I can't
13) The Ex-Morning: I gotta admit. This kind of moment is one of the reasons why I'm so happy doing the OGMMTVC. The big-ass smile I had on my face seeing KristSingto again, even though I really wasn't the biggest fan of SOTUS -- I've done a whole accountability turn on Krist after seeing him in Be My Favorite, and I appreciate that this show will go meta on the KristSingto background. It fucking sucks that Shadow sucked, because Singto is such a good actor, just seems like his scripts are here and there lately, but anyway. Aof Noppharnach writing this? Last Twilight ended cringe, but I'm still an Aof girlie, so I am 100% excited for this.
14) Scarlet Heart Thailand: That wasn't really a trailer, but considering the reputation the base story has in Asia and globally, I like, business-wise, what this means for GMMTV, a historical that will have appeal to multiple generations. I understand the original novel for this, Bu Bu Jing Xin, isn't translated into English, and that's a bummer, because it seems like this Thai version, which has already been dramatized in China and Korea, is based squarely on the novel. Fuck Win. These were the kinds of shows I loved as a kid when I watched Asian shows with my folks, so I have to admit that I'm intrigued, but I would have liked to see a meatier trailer.
That's it!
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neversetyoufree · 2 days
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Just recently found your blog and i love it!!! do have any theories for vanitas' original name? My guess is Abraham, for all it doesn't really fit him, after Abraham van hellsing, who is both a doctor and vampire expert, which I think matches mochijuns naming conventions. Doesn't hurt that it matches with Noe (noah) religiously.
Thank you!! Welcome to the party ;D
Traditionally, I've always said I don't have any strong theories on Vanitas's name—at least none that I actually expect to come true. I think(?) I've talked about this before, but that's not really the kind of theorizing I do? Since right now any name theory is wild guessing and speculation, not elaborating from the text.
That said, I do now have one pet theory that I'm partial to (one I didn't have the last time someone asked me this). I don't actually think this is going to be the case in canon, but for now, I really enjoy the concept of Vanitas's real name being Byron. This is mostly because I think it would be funny, but there are some actual connections too.
Long context short, Lord Byron wrote an unfinished draft of what would have been the first modern vampire story, and then his personal doctor (John William Polidori) took the same idea and fleshed it out into The Vampyre—the actual generally recognized first modern vampire story. But! Polidori's version of the vampire (the version that established a lot of our vampire tropes) was partly inspired by Byron himself. So Byron is sort of this almost-but-not-quite vampire author, writing but also inspiring the tropes of vampirism, which reflects interestingly on Vanitas's relationship to actual vampirism. He's not a vampire, but he's much closer to one than any other human, and in demeanor, he acts more stereotypically vampiric than Noé and many other vampire characters.
Also, Byron is the namesake of the Byronic hero, which Vanitas is a perfect example of. He's brooding, cynical, arrogant, and intelligent, but despite his gloom and self-destructiveness, he has a sort of lonely magnetism about him. Once again, the concept of the Byronic hero is inspired by/named after both Byron himself and the characters he wrote.
As I said, I don't think I'm going to be right about this, as there's a million other theories that could fit just as well, but in the meantime, the concept does tickle me. Polidori's Byron-based vampire even has an especially strong connection to the moon :D.
Anyway, I really like your theory as well. I've noted before that it's interesting that there's no Van Hellsing reference in VnC (or any direct Dracula references at all, save poor dead Mina). It's almost surprising given Dracula is the iconic vampire story. I never even considered that there could be a Dracula reference hidden right there in Vani and waiting to be discovered, but it does make sense. The doctor/vampire expert connection is really fun and fitting! Though I'm afraid I don't know enough about the biblical Abraham to say anything interesting about that aspect beyond what you pointed out there.
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katiekatdragon27 · 2 days
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I LOVE MIXING FIXATIONS IT'S SO FUN!!!
Dust: An Elysian Tail but Rayman characters let's go😎
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After extensive analysis of both games (five minutes of thought), we decided that most (not all) of the Warmbloods are teensies, the Mudpot folk are Glutes, and most (not all) Moonbloods are nightmares.
Here's the more focused roles I have paired for this AU:
Dust -> Rayman
This makes complete sense. Main character who is good at combat and kind at heart. Also has a lot of abilities in general lol
Fidget -> Murfy
I really don't care for Murphy buuuut I won't deny that he reminds me a lot of Fidget. Same vibes, different execution.
Aharah -> Maybe Ly?? Maybe Polokus???
That's cuz my man is a talking sword. He helps Dust with combat and advice cuz he's cool like that.
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"See how lifelike it is?" (Ugly ass murphy plush)
"Oooh! Campfire fuel~"
Ginger -> Goth Teensy
This is a mix of personal hcs and just cuz vibes lol. Both are angsting and have affiliations with the opposing groups in the series. (Goth with the Livid Dead door, Ginger with the Moonbloods).
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"And who are you really? The last time I saw a thingamajig was when my brother died!"
Sereth -> The First King
This one was a little more difficult to decide, but I like this choice lol. The First King being a dream and nightmare creature in all technicality that I would imagine has a similar personality to Sereth is fun. Also he's a little scary looking, which works with canon. Also his eyes are glossed over so it looks like the Sereth's glowing eyes.
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"I am here to serve~"
BELOW ARE SPOILERS FOR DUST: AN ELYSIAN TAIL!! PLEAAAAAAAASE PLAY THE GAME OR WATCH A PLAYTHROUGH OR SOMETHING BEFORE LOOKING AT THESE I BEG!!! I DON'T WANT TO RUIN THE TWIST FOR Y'ALL!!
Now that that's out of the way, here are the spoiler doodles.
Can you-c-can you guess who Rayman was created from?
Can you can you?
That's right!
THE MAGICIANS!!
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"Forever in battle. Forever at odds."
When I made this decision I felt so smart. They're the same name, same vibes, and the idea that Rayman got his whimsicalness from the Magician and the violent tendencies of Ales makes so much sense to me.
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"Only impossible for a creature with a single soul."
"I am Rayman."
Also I get to draw him with the teensy boba eyes, which is a win for me.
I'll probably make more stuff for this cuz I really like this idea. The story will have creative liberties though for character motivation, but that's not too important lol.
Have a lovely day fellas :)))
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crepesuzette2023 · 15 hours
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What do you think was the deal w George playing on HDYS? Like all those ppl in the room knew Paul, used to be friends with him, and still talked shit about him, and it's just so crazy to me that Ringo was the only one bothered by it all. I can't wrap my head around it.
Full disclosure to get it out of the way: I don't much like HDYS. Musically, I mean. I think it's boring and monotonous, and the lyrics are childish because of how obvious they are. I know many people like the song, or like it musically while disliking the lyrics—all fine with me. But I'm not coming at this as a fan of the song.
What do I think George's deal was playing on HDYS? It's speculation time!
I think George had legitimate grievances about being in the Beatles: the fame, the John & Paul of it, the resulting creative frustration. He was clear enough in later years that, despite loving Paul as a friend, he wouldn't play in a band with him anymore. You can dismiss that as George being a mediocre bitch who's incapable of playing with a genius like Paul, or as Paul being a domineering asshole who can't play well with others, but it comes down to creative incompatibility, and three songwriters being at least one too many.
I imagine that any wounds and anger George carried because of that were still relatively fresh at the time HDYS was recorded. And since Paul had positioned himself as the odd one out (culminating with the lawsuit), George ended up in John's camp—his dislike of Yoko being compensated for by the presence of Klaus, Ringo, etc.
With HDYS being a reaction to Paul's no less cruel (in its own way) "Too Many People", I imagine George felt some personal outrage and solidarity with John as well: Too many people preaching practices...
With so much miscommunication/non-communication between all of them at this point, it was easy to project, blame, and make bad faith assumptions...with no one in the room (except, eventually, Ringo) willing and able to prioritize John and Paul's (and all of their) friendship over being part of the 'winning' fraction.
In One Flew Over the Cuckoo's Nest, the main character, McMurphy, observes a group therapy session that ends with everyone piling on and competing for the cruelest thing to say or do. He compares this behavior to a pecking party: a flock of chicken driven into a pecking frenzy after smelling blood, which leads to more cuts, and more blood. It's a dramatic example, of course, but I sense something like this in the composition of HDYS: the collective rush of being assholes together, further enhanced by John's charisma and the victim being absent. Who hasn't experienced this at some point—talking shit about the person no one liked in the moment, so happy to be part of 'in crowd'? *Raises hand* definitely guilty—teenage behavior, not proud of it. Ashamed, even.
I think that's a big part of what happened. It says a lot about Ringo that he eventually left. That's backbone.
By the way, I've no intention to make this about Paul vs. John. The situation was out of hand, and there was no one with the authority or will to make them talk and stop this (though eventually they apparently decided to stop the excessive mutual flogging in public). It remained the John & Paul business, to the end.
To wrap it up, I'm not a huge fan of "Too Many People," either, because the taunting lilt is so mean and cutting. I like the melody, though, and enjoy the version on Thrillington.
Now, the whole Dear Boy/ Dear Friend/ Best Friend/ Jealous Guy/ I Know (I Know) thing...please.
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thevulturesquadron · 2 days
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Hello! 👋 Could you list some of the best comic books that explore the Rogue/ Magneto relationship?
Hey there!!! 👩‍🚀 Oh gosh! With pleasure! I might be a bit rusty because I haven’t gone through older Marvel comic books in a while and also because I am not up to date with the recent years of X-Men comics BUT there are still a couple of issues that are very dear to me when it comes to Rogue & Magneto, so happy to share:
It all started in the year 1981:
1. Uncanny X-Men #269 ; Uncanny X-Men #274 & Uncanny X-Men #275 (1981, Written by Chris Claremont) [The story is pretty self-contained to these 3 issues and it all starts with Rogue realising that her Ms. Marvel powers are gone and Carol Danvers somehow has her own body now. (a very simplified context of what was going on in that era with the X-Men) I absolutely love Rogue in these issues. She has sass and personality, and she still carries a lot of her energy from the 80s.]
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2. X -Men Volume 2 (Issues #1 - #3) - (1991, Chris Claremont) [They meet again after the events in the Savage Land, now on opposite sides.]
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3. Magneto Rex: Issues #1- #3 - (1999, Joe Pruett) [This miniseries… is a bit weird and needs some context. It’s at a time where Marvel really wanted to have Magneto return to his evil ways and be a villain for the X-Men (regardless if it made sense or not). Not one of my favourites and generally can live without but it’s a ‘next stop’ in their interactions, so adding it to the list.]
4. Then we have X-Men Legacy! ( 2008, Mike Carey) [This one is a chonker, and to make things worse it is connected with other series running at the same time. It has pieces of Rogue and Magneto through the entire run but all in all, the story sees them reunite under the same team in Utopia (starting with Legacy #231). The full run of Legacy can be difficult to follow up on but if you have the time, it’s really worth it. It’s also the first story in YEARS where Rogue is allowed to shine and do her own thing. If you need a more detailed list of what issues are really worth reading, in what order and what is happening in between them let me know and will be happy to write down a breakdown!]
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5. Memorable mentions in the main series: There are quite a few tiny bits about them in the comic books but here’s a list of issues that give more context to how they interact and how they feel about each other:
a. Marvel Fanfare #33 - (1982, Chris Claremont. I love Rogue in this one and it’s such a nice example of what a good and powerful duo they can make. Something that is later explored in Legacy as well. b. Legacy #223 (during Rogue’s journey to control her powers) we have a glimpse of how she remembers and sees Magneto’s presence in her life. c. Magneto #10 (2014, Cullen Bunn) - Similarly, a glimpse into Magneto’s mind on how he remembers Rogue and the impact their connection in the Savage Land had on him. d. Mr & Mrs X #6 (2019) - there is a page between Rogue and Magneto where, in all that mess, at least Magneto’s honest feelings for her and his care for her happiness shine through.
And last but not least, Age of Apocalypse. [This is a completely separate timeline that the comic books liked to visit from time to time. In this universe Rogue and Magneto are pretty much in love and married but… it’s a very tragic universe. Original series started in 1995; then it got revisited in 2005 and again in 2015… I think? The series… is far from perfect, there are so many things that can be described as unhinged (dialogue included) but, there is so much love for these two characters and I absolutely recommend it if you are ok with investing some time into reading it, and most of all if you are ready for a real heart break (again and again).]
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Hope this helps! Happy to go into more details or put aside a cleaner list if interested! 💜
There are a couple other mentions in the comics so in case I missed something important I will summon one of the gods of endless knowledge when it comes to X-Men to correct or add to the list: @maedelin
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ravioliet · 1 day
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ok so let me be cringe on main for a minute here (this is a joke btw i know cringe isn't real). odd squad mlp au for your consideration
please ask me questions about this by the way i have so much for this. i'll put some of the basic info (it's a lot more than that now but in my defense it started as a basic summary) and a few more drawings under the cut though please look at it with your eyes thank you
so for some basic explanations we have Olive who is a unicorn, Otto who is a pegasus, Olympia who is a part unicorn earth pony (which i'll explain in a sec), and Otis who is a full blooded pegasus (which i'll also explain the importance of in a moment). i haven't drawn Ms. O, Oscar or Oona yet but they are an alicorn (formerly an earth pony), a unicorn, and an earth pony respectively
Olive and Otto are the only two that i've come up with cutie mark designs for so far (they are so hard to design..) but Olympia and Otis have them too, they just get them mid-season. specifically after the talent show. i'm designing them side by side so that they kinda match because they get them at the same time and also they're besties your honor, but anyways theirs are a little fireworks design and some sort of a swan design because y'know. the ugly duckling story. and also i think part of his talent is dancing and like swan lake exists etc etc. and yes this does mean that he's a little bit scared of his own cutie mark at times but he just tries not to think about it and usually covers it with his wings anyway. all four of their cutie mark meanings are kinda abstract personality trait related things
Olive got hers after stopping the pienado because character development moments, which also kinda means that she's sorta tied to Todd because of this which she Does Not Like. i'll need to make a whole other post about Todd in this au because he's definitely a guy, but anyways while they were partners Olive was a blank flank and despite how good at his job he was Todd was one too and it was like one of the only things they really had in common, but it also ends up being one of the reasons he goes rogue because not only is Todd bored but he's also frustrated because he's tried everything he can think of and won every award he possibly can and he still doesn't have a cutie mark even though he feels like he definitely should by now because this has to be his talent. why would he be so good at it if it wasn't? he doesn't get his cutie mark until after he reforms btw, because before then he was either too certain about his talent being something else or too busy causing trouble to entertain himself that he never really took the time to stop and discover that his actual interest was gardening and that's when he finally gets his cutie mark. in my head i have this alternate version of Otis's tomato speech where when Todd is like "i'm Odd Todd it's who i am" Otis is just like "that's not what your cutie mark says" and it's very silly but anyways i'm gonna circle this back around to Olive real quick
so on top of Todd's cutie mark being in gardening he also has a sort of side meaning as well in the sense that he's a little bit like the CMC and has a sort of knack for encouraging character growth in others whether he realizes it or not because. encouraging plants to grow.. encouraging people to grow... the whole villain rehab thing...... you see what i'm getting at here. but the funny thing is the first pony he really did this to was Olive and it was completely unintentional. he didn't know that she would get her cutie mark by stopping him, at least not consciously, but she did. it probably takes him quite some time before he actually puts together the fact that he's had that talent the whole time.
Otto's cutie mark is a lot sillier. he actually doesn't know how he got it or what it means (as mentioned earlier it's symbolic but he doesn't know that. also shoutout to Shroom aka Evillandscaper for suggesting a paper crane because i did NOT know what i was gonna make it) he just kinda walked into work one day and Olive was like "oh cool you got your cutie mark?" and Otto was just like "WAIT I GOT MY CUTIE MARK?????" cue a whole silly filler episode involving the two of them trying to figure out what it means and also Olive having a crisis over the fact that Otto can do that pegasus thing where they use their wings like cartoon hands. both of these become running bits from then on. also i drew this comic about it and it might be one of my favorite things i've made for this au honestly
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and on the topic of cutie marks as i previously mentioned, Olympia and Otis both get theirs after the talent show and they're also matching a little bit. theirs are also personality things but in addition to that Otis's is also for dancing and Olympia's is for magic, and you may be wondering how an earth pony can be a magic talent and this is where that half unicorn thing comes in!
so Olympia is half unicorn half earth pony which i don't think is too uncommon on its own, but the thing that makes her weird is that she inherited traits from both sides instead of just one over the other, so she actually has unicorn magic but no horn to actually use it with so she's unable to cast actual spells or anything but her magic will kinda spill over at times, especially if she's emotional, and cause things to happen like that one time she exploded into glitter when interviewing Olive or of course the fireworks! she's kind of like the Pinkie Pie character who just does unexplained things sometimes she's just very silly. fun fact in her ref you can see that her mane and tail are sparkly and that's because they kinda just perpetually look like they have glitter in them, but the thing is it's not really glitter it's all just magic. i imagine her coat is like this as well but i just didn't draw it in
also as a side note it came to my attention that she bears an uncanny similarity to Sparkleworks from G3 and i have absolutely no idea how that happened At All. like they have the same cutie mark and everything it's so weird. i've never even watched G3 i'm a G4 kid i legitimately have no clue how the hell this happened. i did make this out of it though
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anyways for Otis, he's a pegasus of course but he's specifically a Cloudsdale weather pegasus, which yes i did make up but hear me out. so basically in my mind pegasi born in somewhere like Cloudsdale are more likely to have weather talents or like. stronger abilities in controlling the weather and such, which means stuff like larger wings and weatherproof wings and feathers to make it easier to deal with storms and stuff like that, so basically all this is just an excuse for me to give Otis waterproof feathers like a duck. but anyways since he was still raised by the ducks he doesn't actually know he's from Cloudsdale or anything so he just thinks he's weird for the feathers thing
okay i have. way more but i'm cutting myself off here so i don't overload everyone with information but anyways, please ask me about them, and also here's some extra drawings i've done of them :3
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zachsucr · 1 day
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WOOO THE FIRST ONE IS HERE!!!
Funny enough, but my first ever drawing based on Confinium was with Navigator and not the Pilot (who still is my favourite to this day ABSOLUTELY ISN'T OBVIOUS YEAH). So, this Navi drawing was made in the summer of 2018 in my first sketchbook. Damn, I was 15 at the time...
I loved every character in the game, but Pilot resonated with me more than anyone else. Maybe his character is just something that is closer to me personally. So, I liked Pilot so much that I made a felted toy after him. It's still one of my favourites (I also have felted Zacharie and Bad Batter's head, but I consider them ancient at this point, and they look like they have seen some shit) and I brought it with me to the Black Sea one time. Me and my family traveled there by the car, 3 000 km to the sea and then 3 000 km back to my hometown, so that lil' guy have seen a bunch of russian cities and beautiful landscapes on our way B)
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I also made some of my drawings in not so pleasant periods of my life (specifically the two last ones). I guess I got some sense of relief from drawing certain scenes from the game, trying to put my feelings in the atmosphere of those pieces.
I still come back to the game from time to time. The first time I played Confinium was in 2018, but only a year ago I found this "Bendy and the Ink Machine" song reference when you make Pilot observe the sheeps for a couple of times. That's actually what I really like about the original OFF itself and It's fangames. You can come back to the game and still manage to find something new for yourself each time you visit it.
By the way, Penta (my fav OFF OC) was originally made to be a Confinium OC, BUT THEN SOMETHING WENT HORRIBLY WRONG and now he's a character of his own story, which I want to make real someday hopefully.
And for the last, I also still have some old cosplays on Pilot and Omni in Pony Town eheheh
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So that concludes my expirience with the game and it's characters, I guess. Thank you Xin for making this amazing game. Even if it's not completed, It still brings joy and happy memories to me and a lot of people who played it. Thank you for leaving a print on my teenage years. When you ever feel down, I hope that you will remember that there are people from all around the globe that appreciate you and the things you do. You matter.
(If anyone wants to do something similar to this post, you're more than welcome! No need for tagging or anything, just make your fav creators feel appreciated by telling your own stories and some nice words to them!)
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kookidough · 2 days
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analysing vance hopper because he lives in my head 24/7 !
tw for like. literally everything the black phone covers!!!!!!
also there's some special effects gore rather far down in the post idk just i feel like i should warn you just in case
okay so before anyones like "but bee!!!! he only had 6 minutes of screen time in a 102 minute long movie!!!!! he was only on screen for 5.8% of the movie!!!!!" and to that i say i Know it was a real tragedy so a lot of this will be built on personal interpretation and subtext and stuff said behind the scenes and whatnot
so firstly i wanna rot about what his childhood/upbringing might've been like..... i havent quite decided on something definitive but i think we can take one look at his character and realise that is glaringly obvious he had a bad childhood, in one interview the actor that plays him (brady hepner) says "the background i had set up for vance is that the reason he was the way he was is his home life was fairly difficult, you know maybe his dad was either not there for him or he wasn't supportive, maybe he was fairly abusive, and so that creates a hair trigger sense of rage in vance" hair trigger meaning his patience is literally as thin as a strand of hair it does Not take a lot for him to snap
there more to it after that which i'll get into soon but yea thats the gist of it it's clear he had absent/neglectful/abusive parents and that would certainly contribute to why he's so angry all the time, maybe acting so explosive was the only way to get his parents' attention, either good or bad, so he just internalised that. obviously rage and anger issues like vance's lead to violence (not in all cases but in his case it does) and i think a neglectful and abusive upbringing would obviously expose him to more violence than a normal childhood would, therefore normalising it and desensitising him to it, whether he's seeing it play out in his own home and/or on television or something like that (because i doubt his parents would be the kind to monitor what content he's viewing)
i feel like he has little control over his life and that only adds to his anger, which in his case leads to a fight when his buttons are pushed too many times. i think he probably takes great pride in being the toughest in town and whatnot and winning fights and being perceived as strong and scary is good to him and helps him regain control/power, something he doesnt have at home. the rest of the quote from the interview i mentioned earlier states "this pinball machine could have been the only thing that he has in his heart that's like, good, like 'holy cow i did this, i set the score,' so when someone comes along and messes it up for him, it takes away the only thing that he has. i think that that's when he switches to a 'now you're gonna pay for that'"
similar to what i said about fighting, the pinball machine and his high score is something he has control over and its an important part of his reputation/image like. hes literally pinball vance ! and the whole thing about that high score being the "only thing he has in his heart that's good" implies that hes. well. pretty shit at everything else, which is pretty much canon if you remember that gwen said vance was held back twice in school. makes me think that while he's not the brightest in school he's certainly street smart
moving onto ermmmmm him getting kidnapped era because im sure youre wondering "well bee if he's so street smart then why did he get kidnapped" so may i raise two theories (this is. literally all i got and its not even concrete, me and my friend gray (@staggersz) tried to figure out how this could even happen and this is the most plausible thing we've got. so shoutout to him real quick he has had to deal with me being unnormal about vance for like a year and a half thanks king couldnt have done all this without my rotting buddy)
so either he got taken by surprise (most likely option) or vance's trust was gained first via getting given quarters at the pinball machine and small talk and shit like that but this is unlikely because i feel like it'd take a loooooong time for someone like vance to trust a some random stranger adult man when he clearly has issues with trusting and respecting people older than him and people with authority (e.g. cops, his parents, or school officials) so yea being taken by surprise would probably be the most realistic option, i always see people on tiktok being like "how did the grabber kidnap vance hes so strong!!!!" dude its a 15 year old boy against like. a 45 year old man who's already claimed two lives its really not gonna be a fair fight here
before i get into the next part i wanna quickly address a theory i absolutely Hate and it is so easily disproven and that is the theory that vance is the grabber's son or is related to him in some other way and i see it Far too often on tiktok and i HATE it. from what ive seen this all stems from his dream sequence where he kicks open the fence to albert's house and, presumably, goes inside after being dropped off by the police after the grab n go fight. idk if some people just straight up didnt realise this but clearly in real life he is going to his Own House??? in the dream it's only albert's house because this is how he chooses to show gwen the house she's trying to find her brother in, the house that he himself was killed in??? i hate the theory i hate it sm
the dream sequence itself is interesting though as the ghosts seem to only be able to conjure up what theyve seen in real life (like how bruce can picture the outside of the house and show that to gwen but the house number is all flipped and not right beause he doesnt know it) so vance being able to picture the house and the number and the gate and every detail would imply that hes seen it before, but im going to explain that away as either he got out once before like with finney's failed escape attempt, or the house is most likely on the route he walks to school or the grab n go or something and he hasnt actually been there prior to being kidnapped
mini rant over now onto being kidnapped i guess, so i used the missing posters to try and estimate a timeline of how long each ghost boy would've been in the basement for (although the missing posters are notoriously unreliable for details such as looks/height/age/etc, the dates seem to all line up). so we know the order is griffin, billy, vance, bruce, robin, finney, right?? if we use the poster date then billy was taken on may 4th, 1976, a month and two days after griffin was taken (april 2nd 1976). vance was taken on september 23rd 1977, almost a full year later (stay with me im going somewhere with this), and after that bruce was taken on july 18th 1978, again almost a full year later
its established in the movie that the grabber stalks his victims before he takes them (canon because we literally see the van watching finney and gwen as they walk home from school early on in the movie) but we dont know how long he does this for since griffin/billy and robin/finney were taken such short distances apart and then the others were taken such long distances apart, also it's possible he could stalk his next victim while the previous one is still alive, etc etc lots of confusing factors, but if i've done the maths right then the absolute maximum time vance could've spent down there is 9 months and 25 days, or 298 days, so erm . let that sink in !
howeverrrr in the movie gwen states that vance went missing "last spring" and september is definitely not in spring, meaning he could've been down there for a year or even longer. an explanation or excuse i could think of for the movie and the missing poster saying different things (other than the missing posters being known for some areas being wildly inaccurate) is that maybe he was taken in spring but wasnt labelled as officially missing until september, when he was properly linked to griffin and billy's similar disappearances and the mysterious grabber? i can imagine it'd be very easy for law enforcement, especially in the 70s, to dismiss someone like vance as a runaway until they get solid evidence that he was taken. idk though thats just my personal excuse / angsty headcanon for the difference in information
not sure what exactly killed him but we do hear from vance himself that "he took his time with me" so it was probably blood loss from a variety of injuries, if we look at him in his ghost scenes we can see his hair is absolutely covered in blood which indicates head injury, he clearly has a broken nose and bruising around his eyes as a result of it, he has these deep cuts on his abdomen area (apologies for the image quality but i believe they're like. sfx pieces you would wear under clothing)
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and he also has just like. minor bruising (like the fingerprints on his arm) and other random blood splatters on his face and neck (assuming the blood down his neck comes from wherever he was bleeding on his head) so Yeah overall very unpleasant way to die obviously
okay now the part thats actually in the movie and it only took me 13 paragraphs to get here: vance as a ghost!! first thing i wanna point out is appearance wise i just want to say that when he's a ghost he's missing his choker and that fact Pains me. anyway personality-wise i feel like being violently murdered has, understandably, kicked his rage up to like. the highest level it could possibly go. he's insanely snarky and downright rude to finney on the phone, showing no empathy to the fact that finney is literally in the exact situation he was in
i feel like the whole "this is the nightmare end of your pathetic little life" and "if you knew what you had coming, you'd be fucking terrified" thing is definitely to scare finney on purpose and to get him to do something, vance might as well have just told him he's never going home cuz thats how it came across LMAOO, it is startling though because vance is clearly speaking from experience, that he was literally fucking terrified, and he is warning finney in his own weird way
the thing i think sets vance apart from the other ghosts is that while he does help finney, he does it for a different reason than they do. the other ghosts want finney to escape, to get out, to be free, to live, but personally i dont think vance cares about that. the only thing he wants is for albert shaw to be dead, for someone to seek vengeance, to do what vance couldn't. vance doesn't care if it's bruce or robin or finney or whatever boy could've come after that, he doesnt care as long as that man gets what he deserves after what he put vance through, and i see this through the scene at the end of vance's call where finney thanks him for his help and vance says, and i quote, "helping you? this isn't about you, fuck him! and apologies for being repetitive but to me it just literally proves that to vance, this isnt about finney or his escape, its just about revenge
we dont get to find out what happens to the ghosts once the credits have rolled, and i dont think we quite know enough about tbp's version of ghosts to guess what theyre up to, but i have a few theories :3 maybe theyre no longer bound to those two houses and they can now go anywhere they want in town? or maybe since their shared goal of stopping albert has been achieved, the ghosts can finally pass on to whatever is waiting for them next. i dont think vance would be content to pass on that quickly or easily as anger lingers, but i hope he'd be able to let go of it eventually, and hey we might find out in the sequel. i pray it mentions him cuz i will just die if it doesnt
sometimes, ok thats a lie, frequently i think about an au where he survived or escaped or whatever but ohhhh boy this post is already a train wreck so that au would deserve its own essay of a post :3 if u actually genuinely read this far then Wtf thanks for reading the ramblings of an absolute madman, only pure delusion could get like 20 paragraphs about a guy with 6 minutes screentime but hey thats how i roll, thanks again to my pal gray for letting me rot and thank u to my other pal ana for also enduring all this rot
hope u enjoyed my interpretation of vance hopper im going to crawl in a hole now and probably brainrot some more, thanks again for ur time :3
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aleksanderscult · 3 days
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so. First of all I love your blog. Seriously I think you are one of the person who have comman sense in this fandom. I like everything you post. While scrolling through Tumblr I came across the usual anti darkling post ( he is groomer , murderer etc etc ) i did the thing I usually do when I came across such thing : I skip. A tag caught my eye. I don't remember but it's say something like : the only reason you like him is that he is Ben Barnes if darkling is a girl you couldn't like him. Which made me think what if darkling was a girl and alina as a boy. I just image a sexy hot black hair women with pale skin and grey eyes and morozova genes. Which..........is enough to made me think if I am a Bi 🤔. That image has not left me for a week and my dreams. So my question is
What do you think might happen if darkling is a girl and alina is a boy. How might the events of SaB and SaS will be affected. And m*lina too,of mal is a girl too. You thoughts 🤔
Thank you so much, anon! It makes me happy to know that others enjoy my blog and content. 😍
First of all about what that anti said: I personally didn't like Ben Barnes as the Darkling so it obviously doesn't apply. And even if the Darkling was a girl I would still root for her. I root for any character that fights for something better, for a positive change to happen among such oppression. And I think that's one of the major reasons his fans love him as well.
Now about your question: Boy, I would love to see that. I was always attracted to dangerous women, especially the ones that combine beauty and slyness (like Milady in "The Musketeers" or Morgana from "Merlin" post season 2).
But I don't think the story would be affected that much with the only exception that Alina in a male form would probably not be slut shamed for his attraction to the Darkling (in this version she would be called Aleksandra which is a fact that I love!)
The Darkling would remain an interesting character but, God, does that mean that Alina as a man would still avoid his duties?? 😭
And Mal as a girl. She would obviously be popular and well-liked by everyone but imagine that: she would sleep around with many guys and then attack her best friend for falling in love with a girl that isn't her. Well, for one thing it doesn't stick. You see if Mal as a girl fucked around then she would be called a whore (just like Alina was indirectly called one by Mal for wanting Aleksander) while in the original story when Mal did that no one raised a single eyebrow. So we live in a fictional world where if you do that as a guy then you're okay but if you're a girl then you should be called a prostitute. And Leigh had Mal get away with his behavior so she was more willing to let Mal pass with his sexist behavior than the Darkling who had enough and tried to put end to his people slaughter for good.
Anyway, I believe Mal's character would change a lot if he was a girl (primarily his fuckboy nature because the author doesn't allow a girl to have sexual liberation in her books) and I have a feeling she would be boring (again). And I don't think she would be a tracker?
Alina as a man wouldn't be slut shamed (because he's a man 🤷) but he would still avoid the Darkling. Nevertheless the chemistry would be off the charts. And the Darkling would slay like always. She would be the personification of femme fatale but her goal would be selfless and true like always. For some reason, I imagine her as a very seductive figure (although my wishful thinking might be speaking here).
The real question here is how the relationship between the Darkling as a girl and her mother, Baghra would be. Would Baghra want a daughter in the first place but she got stuck with Aleksandra because it was her only child that shared her powers? Or if Baghra had no problem with her child's sex, would she still be that possessive and controlling over her?
My own answer is yes and Baghra would most definitely leave a trauma to the Darkling even if she was a girl. That woman has no parenting skills in any universe. Just like I can't see the Darkling be anything else other than a fighter and a survivor in any other scenario.
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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13eyond13 · 3 months
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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world
#im talking about griffith btw#guts i feel i get intuitively - maybe because i have some personality traits in common with him#and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me#but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings#like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too#and i felt like that was a bit missing from him for me in canon#so reading about him in analysis and fics is the most fun for me rn#he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv#and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not#ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities#more obvious to me bc i didnt really get that side of him from canon intuitively well#also im really enjoying reading the first few berserk fics ive read#there may not be a ton of them out there but there is def writing talent in the fandom#i'll share some recs once i'm done sifting through most of what's out there to read#also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note#light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into#and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead#and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol#so some similarities there but also some opposite feels as well#berserk spoilers#p
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