Oh, Tendou... he's such a little menace and that's why we love him
i throw around the word menace a fair bit on this blog but tendou is absolutely a menace.
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"objectively physically attractive but in possession of negative rizz" is one of my favorite character concepts. i think it's so great when there's an absurdly hot person who's just a complete fucking loser. the mood is unsalvageable the moment they open their mouth kind of deal. you get no bitches because you're so sucks.
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Boycott. Please remember to boycott. You can make a difference.
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Edit: See this link for more on what to boycott from BDS. And here as well.
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daddy's got to be honest kitten. i don't think we're finding the northwest passage
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Funny things I found out playing with language setting in Netflix while looking episode 15:
Chilchuck's scream sounds HAUNTED in brazilian portuguese. Give it a try if you can.
In spanish dub, Senshi says: "tocó mis senos de hombre", which means "he touched my man boobs" in Spanish. And I think that's the best dub line one so far.
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men invented maps they had to spread on tables so they could watch each other bend over hands flat arms outstretched
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she has that sadness in her eyes that you only see in alcoholic captains of doomed arctic expeditions
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I am once again at a loss for words. From @/ democracynow [@/ JoshuaPHill on X. 12/22/23.]
[Image description: "Satellite imagery shows Israel's razing of Gaza agricultural land." A 'before' picture shows an aerial picture of lush green fields and areas of healthy crops, as well as the location of a greenhouse. An 'after,' photo shows an aerial view of a completely desolate land -there are no crops, no greenhouse, and no greenery.]
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been seeing homies get deep into "the terror" and making me want to rewatch SO i spent two hours in the dead of night reading the wiki/the subreddit/other linked articles and like. one of those articles was deadass fucked up
there was a woman who spoke inuktitut who was writing a book containing a lot of inuit oral histories, and in nunavut she was able to hear passed-down recollections of when survivors from the franklin expedition were passing through
and like. i can't imagine being an inuit family/group, knowing that europeans exist but having never seen them, seeing 8-9 shambling, blue-skinned, cold-to-the-touch out-of-their-minds white men come wandering by. they invited the men inside their igloos for warmth, for food, to be hospitable. the men refused to eat, refused to speak, and when trade was offered, clutched their possessions close and refused to entertain the idea of trade. this was, offputting, to say the least. the group set them up in their own igloo, with their own fire, and left three whole seals for them to eat. and then they fled cause what the FUCK get out of there. they came back in a few days to check on the strangers. the three seals were completely untouched, while all of the men had killed and eaten each other
i mean. fuck dude. there are obviously pretty dark angles to view the franklin expedition from– honestly can't think of a good angle, it's pure colonialism and british exceptionalism– but that specific interaction, that inuit group who were living lives as normal until a dozen fucking walking dead showed up and did cannibalism. no wonder that story got passed down, i'd be shitting my pants if i saw that
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the joys of a keychain (wow! little object) vs the fears of a keychain (What If It Vanishes)
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IOF: Hamas rapes women
Hostages: They didn't harass the women, treated everyone fairly
Meanwhile IOF: *Releases pictures of naked Palestinian men*
Yeah the real sexual assaulter is IOF. Every accusation is a confession.
May zionists burn in hell forever.
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“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets.
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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