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#a whole lot of em
halemerry · 4 months
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Hey everyone what's your favorite mug look like?
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spoonmoment119 · 9 months
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erm... ace attorney au 👍
credit to @totallynotpuri and @sleepiestslooth for the idea :]
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ryuichifoxe · 6 months
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This is legit the most I've drawn in over a month and I had to get it out of my system before I set about finishing comms :')
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emkini · 1 year
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Would like to thank taob by @hella1975 for giving me ample sketch inspiration over the last few days
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klmutie · 1 year
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rain world iterator doodles
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dirk-menace · 10 months
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so emesis blue right
click for quality
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dykemcqueen · 4 months
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s7e5 was so disappointing to me bc they completely sidelined morty and acted like there's some stark difference between morty and evil morty as if the whole conceit of EM isn't that he is literally just morty.
at his point of origin EM is not smarter, he's not crueler, he's not better, he's not worse, he's just c137 with about 20% less patience. EM has more knowledge because he HAD to learn as much as rick to finally overcome him, but overcoming rick was the impetus, and if c137 had that same drive, it would be completely possible. c137 has manipulated rick in exactly the same way that we see EM doing to his rick in the opening. c137 is just as smart and bitchy and fed up. he's just as good at fighting and flying the ship. morty c137 has not been the bumbling sidekick for many seasons, so why put him in that position now? just to make evil morty look way cooler than he is?
not to mention it's so out of character for morty not to read the fucking room at the end of the episode. morty canonically can dissect rick very well, so why is he acting cheery and ignorant now? it's not like the two of them to be so out of sync, not anymore. it was just so repellent to me... dragging my boy through the mud just to put evil morty on a pedestal... just to act like they aren't the same person at their core.
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finntheehumaneater · 4 months
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Hello! For the angsty-ish prompts, maybe “Didn’t you see what I did?!” and Steddie? (Or another pairing, should the mood strike you!)
Hallo!! So…I maybe saw your ask and got super fucking excited…and possibly wrote this way too fast. It turned out to be longer than I expected, and went in a totally different direction than I had planned, but…here it is!!
(I didn’t read this over, so apologies for any mistakes lmao)
angst prompt list | hurt/comfort prompt list (for people who don’t like angst :D) {more about the asks in my pinned post}
CW: some gorey description used in a metaphorical sense (blood, bones, guts, ripping skin, etc.)
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Sometimes relationships weren’t meant to last—“we’re family” lost its meaning to him over time—and that made Eddie want to claw out his bones, hands shaking and blood everywhere so that he could die in peace and not have to worry about pushing anyone away again. He pushed away his mom, and then he never got the chance to get her back. He let his dad do he pushing for him, because he was so fucking tired all the time—came out of that with scars and bruises and a deep cut that ran down his chest, carved open and horrible. No one sales could see it but him. Sometimes it wasn’t there. But it still felt like it. In a way, his dad still had pieces of him that Eddie would never get back.
He pushed his uncle away at first, snapped at him and yelled and threw things, because he was a kid and he was angry, but Wayne was stubborn and just held Eddie as he kicked and screamed and sobbed. And Eddie loved Wayne. He was more of a dad to him than his real one had been. He never forced Eddie to do anything he didn’t want to, and Eddie only finished high school because he didn’t want Wayne to feel disappointed. Like Wayne would ever be disappointed in Eddie. He didn’t make Eddie talk to the neighbors or go out and do things—but Eddie did those anyway, sometimes, to just give Wayne a break.
And the trailer was nice, until they lost it in ‘86. When Eddie’s broken body made it back, more ruined than it had ever been. He had woken up in a hospital bed, wires stuck into him with needles and a blue hospital gown covering him. There was no one with him. He was alone. It’s not like he expected anyone to be there, but maybe Wayne waiting for him to wake up would have been nice. And it hadn’t been a slow kind of waking up like he had seen in movies—blinking up at the ceiling and trying to remember where you were—it had been the fast kind of waking up, like the one you would have after a nightmare. He was upright in a second, sobbing before he could even breathe in.
A nurse came in shortly after and got him to lay down for a while. He asked where his uncle was, and she told him that no one was allowed to visit. She said she was surprised that they hadn’t handcuffed him to the bed, and her voice sounded bitter, like she wouldn’t have liked it if they had.
After a few hours, she had him sit up, and she untied the back of the hospital gown, sliding the blue-and-white dotted fabric off of his shoulders to look at his chest. And Eddie couldn’t really look down all that well, so he just let his head drop as gently as he could, chin pressed to his chest. And he didn’t know why it made him cry so hard to see a line down the front, all stitched up with a thin line of blood leaking down the middle. But maybe it was because the nurse seemed to notice it. Maybe because it made him think of his dad. Maybe it was because it just made everything feel more real.
Some of the stitches were torn—probably because Eddie refused to stay still, all of his body feeling like it was itching and squirming and twisting in ways that hurt—so the nurse fixed them and then gave him a hug. He didn’t know that nurses could do that. He had been in the hospital loads of times as a kid. For when he “tripped down the stairs” or “fell out of bed” or “fell off of his bike”. He didn’t even have a bike until he moved in with Wayne. And whenever he cried, then, the nurses would just look at him like it was an inconvenience for them, and his dad would tell him to shut up so that they could finish up and get out of there. He was eight. That wasn’t fair.
After a little while, Wayne was allowed to come in. And he didn’t say anything at first. Just sat next to Eddie and held his hand while Eddie bit the inside of his cheek until it bled. He didn’t want to cry anymore, but he knew he was going to.
Wayne couldn’t stay forever, because he still had to work. The government hush-money was fine, but they needed that to afford the apartment Wayne had found just outside of Hawkins, so everything else came from his job. When Wayne couldn’t be there, Eddie was alone. 
Until Steve Harrington started showing up. Honestly, it was a miracle that the fucking armed guards outside let Steve in, seeing as they weren’t family—barely even friends—but Eddie knew why. Before Steve started showing up, Eddie would talk to the guards. It was more like yelling through the locked door to them, just trying to keep himself busy so that he didn’t break down again, like he so often did. And he’d just talk about anything and everything to them, even though he knew it pissed them off. He kind of did it because it pissed them off.
So having Steve in there with him meant that he would stop bothering the guards. And Steve was mostly quiet, but he would tell Eddie what the kids were up to, and how his neighbor—Max
Mayfield—was up to. She was a good kid, he thought. The two of them had never really introduced themselves to each other, but sometimes Wayne would have Max over for dinner when her mom would go out drinking. That was rare, though, because Ms. Mayfield mostly stayed home to drink. And there were times when Max didn’t want to be home, so Eddie would take the couch and let her sleep in his room for the night until she felt safe enough to go back home. And Ms. Mayfield wasn’t like how Eddie’s dad had been, but she scared Max in a different way. No kid should have to see their parent passed out on the couch that often. 
She was in some kind of coma, according to Steve, but she was getting better. He said she opened her eyes a few times, but that didn’t really mean anything, and he knew it. Eddie tried his hardest not to cry when Steve was around, because the first time he had done it, Steve had panicked and looked uncomfortable. He knew it was because Steve had been tired and Eddie had just burst into tears suddenly when one of the IV wires tugged too hard as he moved his arm—but Eddie still felt bad.
Sometimes it happened, and he would wait until Steve was leaving the room to curl up into the bed as best as he could and just cry. And sometimes Steve would turn around and come back to sit with him, to hold his hand and just let him cry for as long as he needed, but most times Steve would leave and Eddie would be alone again.
Steve was there a lot for him when Wayne couldn’t be. And Wayne was trying his hardest, but his boss was strict and he wasn’t allowed to leave early or call in sick. Steve was there when Eddie had to try walking for the first time in three months. Steve was there when Eddie had to start doing Physical Therapy a few times a week. And Steve was there when Eddie had been discharged. 
Steve took him to his house, and not to Wayne’s apartment, because Eddie wasn’t really over losing the trailer yet. He let Eddie sleep in the guest bedroom, but they ended up sleeping in the same bed when Eddie’ hobbled over to Steve’s room to lay with him after Steve woke up screaming. Eddie didn’t really have nightmares all that much, because he thought about the shit they had been through all too often, but Steve seemed to try and push those thoughts away.
Eddie woke up with Steve curled into his side, his face pressed against Eddie’s arm, one hand curled across Eddie’s chest and into his hair—over the scar down Eddie’s front that still felt like it was bleeding all the time, even though it was closed. And for a minute, Eddie felt a little safer, turning as best as he could to wrap his arms back around Steve, nose pressed into his hair as he just tried to breathe and go back to sleep.
When they woke up, Steve moved away and rubbed the sleep out of his eyes, trying to pry Eddie off of him as gently as he could, because Eddie was still half-asleep and his limbs felt stiff and imoblile. He made fun of Eddie a bit for hugging him in his sleep, before he went down to make food, but Eddie didn’t mind.
He got up and tugged on one of Steve’s t-shirts that he found, before putting back sweatpants from the day before—because Steve had told him he couldn’t wear his jeans until his legs were a bit better, in case they hurt him. Eddie didn’t think that would happen, but the sweatpants were easier to move in considering how stiff his legs always felt. And if it made Steve happy, he’d do it.
He limped down the stairs, nearly slipping—which had happened before—but he caught himself on the railing and went down the straits slower until he was on flat ground and could hold onto the wall better until he got to the kitchen. 
Steve had his back turned to him, looking through the refrigerator for bread to make toast, because Eddie was one of the pickiest eaters alive, and was tired of the off-brand cereal he got to eat at the hospital. Eddie struggled to pull himself up onto the counter for a moment, and when he got up there, one of the knobs from the cabinet was digging into his spine—but being up there made him feel taller than Steve, so he stayed.
Steve turned around with the bread, doing a little spin that made Eddie laugh—before Steve saw Eddie and let out a strangled scream, throwing the bread bag near him. 
Eddie leaned forward and caught it, smiling to himself. “Morning.”
“Jesus Christ…” Steve breathed, sighing and running his hands down his face, his cheeks flushed as he snatched the bread back and walked over to the toaster.
“Nope. Just Eddie,” Eddie muttered, grinning, but he didn’t really feel happy. Because after this , he was going to be leaving, and then he was probably going to avoid Steve. But he might not have to, because why would Steve want to see him after this, anyways? It was just pity. 
Still, Eddie couldn’t help but ask the question that had been gnawing on the back of his mind like some kind of rabid dog. He cleared his throat and looked down, feeling the tears burn in his eyes even though he hadn’t said anything yet. “Why did you let me stay?”
“Hm?” Steve hummed, and it sounded absentminded, like he wasn’t really listening as he put the bread into the toaster and pulled the switch down until it clicked.
“Steve?,” Eddie tried again, and this time Steve turned around. Eddie looked up, and fuck, Steve was looking at him with those eyes again—all concerned and pitiful. And Eddie wanted to rip himself open, peel back his skin and show Steve all of his damaged parts—all of the pieces that he didn’t show anybody else. But he didn’t. He just swallowed and asked again, “Why haven’t you left yet?”
Steve tilted his head to the side, stepping between Eddie’s knees and placing his hands on Eddie’s thighs in such a casual way that Eddie wanted to scream. “I mean…you’re in my house.”
“You know what I mean,” Eddie muttered, his face burning red as he looked away, vaguely feeling a few tears slip down his cheeks. “Don’t avoid the truth, man, I know this is all just fucking pity.”
“Eddie—“ Steve started, his voice sounding hurt as his eyebrows creased in concern, hands reaching up to touch Eddie’s face. Eddie flinched away, the knob on the cabinet pressing even harder into his spine. 
“Didn’t you see what I did? With the fucking kids? Why do you think I didn’t let any of them come and see me after the charges were fucking lifted?” Eddie choked out, words biting around the broken sob that he was desperately trying to hold in, because Steve didn’t need to pity him any more than he already had. “I’m a fuck-up! Everyone leaves! And if people don’t do it on their own, I fucking push them away! I’m not—“
Steve tugged Eddie into a hug, pulling him down until his face was pressed into Steve’s shoulder. There was a hand wrapped around his waist, one in his hair.
“Stop it,” Steve whispered, his voice soft. “You’re not a fuck-up. Don’t say that.”
“I am,” Eddie muttered, his voice sounding wet and broken and childish. “I am.”
“I don’t care, then. I don’t care if you’re a fuck-up, okay? I’m staying, and I’m going to help you get better. Because I care about you. Not whatever shitty things you’ve done, Eddie.” His words were quiet, but Eddie felt himself shrink back slightly, sobbing, only for Steve to pull him back again, one hand tracing over his spine in the most gentle way possible. 
“You’re an idiot for caring,” Eddie whispered, his hands going limp from where they were previously gripping at Steve’s arms.
“Maybe,” Steve mused, combing his fingers through Eddie’s hair, and Eddie found himself leaning into the touch. “You can’t push me away, though. You’re stuck with me now.”
Eddie laughed wetly into Steve’s neck, shaking his head. “Fine by me.”
This kind of felt good. Like this is what he had been waiting for. Like the aching, sore feeling inside of him was being clouded over by something nicer and more soft—something loving. 
It felt like the cut down his chest was finally healing. For good this time.
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portpebble · 1 year
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I think when people are summarizing Raph's character (as a whole, and not necessarily specific iterations) they have the tendency to describe him as a loner which I find interesting because. I don't think it's really that accurate?
When people describe a character as a "loner" it makes me think that said character is choosing to be alone, and PREFERS to be apart from the group. Which very much isn't the case with Raph. Most of the time, him being alone is a result of him getting frustrated and needing to blow off some steam. Either as a genuine coping mechanism, or because he fears he might hurt them while he's in an emotional state.
He LIKES being around people and being with his brothers. It's clear that other people are very, very important to Raph, and his relationships with his friends and family are a big part of who he is. He just is so often misunderstood by those around him that he, unwillingly, does become a "loner".
I don't think it's accurate to say Raph is THE loner of the group, when the majority of time he spends alone is a result of him being in distress.
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[Image ID: a meme, featuring one person with their arm slung over another person's shoulder as they loudly and insistently explain something to them. End ID.]
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rascal-rose · 11 months
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Hi 👋! I just wanted to ask since I’ve been going through you blog recently (I love your art style btw ❤️) and I wanted to ask, would you ever think of giving gender-swap Peppino stretch marks?
Of course if you wouldn’t want to that’s completely fine, I love the way you draw her already. She’s adorable! 😊😊
P.S. Have a nice day/night and thank you for making such wonderful art. You really brighten my day 💝☺️🫶
I actually gave it an attempt in the doodle of her doing the rose taunt but realized it was way too light, coulda been drawn better so here ya go, a beach babe
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thank you very much for the kind words! hope you have an excellent day/night <3
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eyerolls-the-view · 1 year
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So about that size difference huh~ @difty-dift
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sofarsogoodsowhat · 10 days
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AUUUUGHHHHH MY HEAD HURTS SO BAD
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wreckedhoney · 1 month
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one of my favorite bits about forrest's whole deal is that he's coming from what's safe to assume a longass background in the entertainment industry but in a much larger and complex scale than what he's dropped in when we play, so narratively he can come across as outright rude and gruff with constantly comparing the town to a big city and absolutely zoning out when people talk to him, but 1) he's openly homesick af, 2) outside of work, he's in what's an incredibly different environment than where he's lived for decades, and 3) he might not actually be used to the majority of his coworkers being as nice as peggy and the others seem to be. others in their positions may generally have bad reputations where he comes from, and he was constantly waiting for the other shoe to drop and their true colors to show. whistling night accelerated his realizing that at least with some of them, they genuinely are just cool.
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emkini · 1 year
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Things I spend a not negligible amount of time thinking about 
[ID: A greyscale mdzs comic strip consisting of 6 panels. The first panel shows a young Lan Wangji looking forlornly past the viewer, captioned “I want to take him back and hide him.” The second panel shows Yiling Patriarch Wei Wuxian staring unhappily off to the side, while the third panel is of lwj’s mother in the same position; her eyes hidden in shadow and a barred window behind her. In the next panel, wwx has turned to smile at lwj. The image of the barred window is shattered behind him. The fifth panel shows lwj looking mildly surprised and upset, while the fifth panel shows him looking off to the side in sad determination. This panel is captioned “...But he is not willing.”] 
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asleepinawell · 11 months
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u can take the ancients out of amaurot but u cannot take amaurot out of their batshit recreations in the future
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quirkle2 · 3 months
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who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)
His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.
The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.
The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.
Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.
Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.
Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.
He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.
Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.
He holds out the one labeled S to Shigeo. “Thirsty?”
Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.
He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.
They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.
Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.
Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.
He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.
It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.
He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.
If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.
He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.
Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.
He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.
He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.
The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.
His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.
Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.
Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.
Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.
Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.
His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.
Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.
Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.
Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.
Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.
The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.
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