The cycle of the poet
I saw the first snow fall of the new winter
I am reminded of all the words I wrote before
The words do not fall as easy anymore
Still, there is always the pull in my chest, the longing
I wish I could still be falling
I watched the snow fall outside my grandads house
I am reminded of a different life from long ago
The poet inside might be dying
I am standing by their bedside in a distant house
I am holding their hand
Outside, the snow is steady falling
I can still hear the words being whispered to me
There’s a snow globe melting on the mantlepiece
The familiar cat has curled her see-through body in front of the fire
I have read all the dusty books on the shelves
I would always end up here,
In the last homely house in the dark, in the snow
The last light to guide the ghosts home
The solitary oasis at the end of the world
I lived my life with the noise of waves in my head
I did not sail the world, but you never came back
Still, the clouds always told your story
For you, I write with the salt water snow in the light of the moon
Alone at the bedside of the last poet
I embrace my bruised body
I watch the snow fall, outside and inside my head
I had never cried like that before
I warm my hands to a hot mug
There’s a cold in my heart
It’s the dread of you leaving
I don’t know if I can hear the words on my own
My hands might be freezing
I watched you pick up a pen countless times, again and again
I carefully observed the movements you made
Every dot, every line is etched in my brain
I so deeply wish we could be the same
That I could still be the same
I don’t know how to translate the images of snow falling, ghosts calling, my bodily aches, onto the page
Alone in my head I don’t know what to say
When the whispers tell me of distant waves, winter days, the beauty of me
I don’t know if I can tend to the house on my own
I sit by your bedside, I am holding your hand
The cat is asleep at your feet
The last candle lights up the room
The dark is outside the windows
The snow is still falling
I know this is the last night
Your lips are not moving
But I can hear your voice
Giving me your last wisdom
For me to be you
For me to be me
You tell me, you urge me, hopefully,
Be honest
The candle burns out
I cry in the silence
I find my shovel and my coat
In the dark, in the snow, I dig a hole
Standing over your last resting place
I promise you
I’ll be honest
I close the door behind me
Shutting out the the snow and the dark
I sit down at the desk
I pick up your pen
The light of a single candle fills the room
I turn around to see a child standing there
I turn back to the desk
I put the pen on the paper and start to write
My first wisdom for you, child: be honest
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The Trouble with Poetry
The trouble with poetry, I realized
as I walked along a beach one night --
cold Florida sand under my bare feet,
a show of stars in the sky --
the trouble with poetry is
that it encourages the writing of more poetry,
more guppies crowding the fish tank,
more baby rabbits
hopping out of their mothers into the dewy grass.
And how will it ever end?
unless the day finally arrives
when we have compared everything in the world
to everything else in the world,
and there is nothing left to do
but quietly close our notebooks
and sit with our hands folded on our desks.
Poetry fills me with joy
and I rise like a feather in the wind.
Poetry fills me with sorrow
and I sink like a chain flung from a bridge.
But mostly poetry fills me
with the urge to write poetry,
to sit in the dark and wait for a little flame
to appear at the tip of my pencil.
And along with that, the longing to steal,
to break into the poems of others
with a flashlight and a ski mask.
And what an unmerry band of thieves we are,
cut-purses, common shoplifters,
I thought to myself
as a cold wave swirled around my feet
and the lighthouse moved its megaphone over the sea,
which is an image I stole directly
from Lawrence Ferlinghetti --
to be perfectly honest for a moment --
the bicycling poet of San Francisco
whose little amusement park of a book
I carried in a side pocket of my uniform
up and down the treacherous halls of high school.
By Billy Collins
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A Poet
You go shaking to the stage,
You strongly hold a page
Of thoughts you must transit
To raise the people from a pit.
Mouth opened, eyes fixed.
The silence that is mixed
With screams and cries.
Your voice, it sings, it dies.
The soul of yours right now
Is sensitive, strong as a bow.
How do you openly confess
While also wearing your defense?
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"[...] There isn’t some sort of coded message inside a poem, like a safe with a code. The point of the poem is the reading of the poem itself. What that means is that poetry is about the experience produced by the reading of this poem. And therefore poetry is much more about undergoing something than understanding something. It might take understanding to experience something, but poetry often treats knowledge as an embodied experience.
[...] It’s an art of language. It’s really about the body. Poetry and poets begin with an understanding that knowledge is gained through a kind of experience of the world.
[...] One reason I think we keep making poetry is because we are ourselves poems. There’s a verse in the Bible (Ephesians 2:10) in which we are described as the “handiwork of God.” But it’s the same Greek root that goes into the word “poetry.” It means “a made thing.” A more literal translation is that we are, as human beings, the poems of God. So we keep making poetry because we are ourselves poems.
[...] I trace poetry back to the story in Genesis, when God brings all the creatures of the world before Adam and says, “You name it.” Poetry is created in the world as one of the very first vocations and tasks of human beings, because poetry very often is an attempt to name the world properly, because to name it is to know it. And if we’re going to know it well, we’ve got to name it well, and if we’re going to name it well, we’ve got to pay very careful attention to this world that God has made."
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