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#abstract thought
fregolicotard · 7 months
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15.07.2023
Circling the boat, clockwise, within the dark part, I think of a black, shiny orb. As I advance into the sunlit part, I watch the sphere doing an intricate dance, weaving through the expanse, carving fresh domains. One fresh yard for one fresh orb.
#196of365
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rephaim157berghond · 6 months
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In the heat of battle, know what you are fighting for!
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nonbinarynamedbunny · 9 months
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A face bubbles up from the depths of the void of an unmanifested space, a ripple in reality breathing life for the first time. I stare so often into the void, it seems I've been noticed back.
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authorlmmontes · 10 months
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Gifted
Having a life where you have everything money can buy or being given life. Which is richer? Which is poorer? Does it depend? If you were given a piece of rough would, for example. It has rough bumps on part of it along with tiny bits poking out in other parts. It’s ugly. Do you toss it aside, or do you make the best of it? If you have everything and are not grateful, does that make you rich? On…
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iamlisteningto · 2 years
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Abstract Thought’s Hypothetical Situations
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velsatelier · 28 days
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giving in
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gen-toon · 23 days
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vlindervin7 · 4 months
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realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this
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spiritualanchors · 2 years
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The collective unconscious, an idea forwarded by Carl Jung, and it’s evolutionary evidence. The slow building of the spiritual by concerted abstract thought over thousands snd thousands of years. This is the background for all human belief. The boiling down of our story as a species that was first defined by its near constant state of migration.
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poorly-drawn-mdzs · 7 months
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Round and round, In circles we go.
[First] Prev <–-> Next
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badboysteve · 7 months
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Steve really looked at these severely traumatized kids regularly giving him shit, threatening to prosecute him, dragging him into danger left and right and said:
'Yeah! Yeah, give me six of my own. I want to do this for the rest of my life.'
And I think that's beautiful.
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qwakque · 5 months
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dooodlees
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vilayrou · 5 months
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so *GETS SHOT POW POW POW POW POW POW reload POW POW*
also t4t bunnydoll any truerers out here
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its my blog i get to be self-indulgent whenever i WANT
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mari-lair · 29 days
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butterfly
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deltoidlover · 4 months
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TREPIDATION.
drew this while i was on a holiday, wanted to experiment with a limited colour palette
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willowser · 7 months
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one thousand lonely stars, hiding in the cold—
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android!shouto x reader
wc: 2k+
tags: angst, cyberpunk dystopian setting, financial vulnerability, explicit language, minor mention of sex work + sex workers, reader has strong/conflicting feelings about their situation, and — as always — the question of true humanity.
notes: what a great opportunity this was for me to continue exploring this idea !! tysm to @shoto-brainrot for not only giving me the chance, but also for being such a support and helping me to figure out all this commission jazz !! i so appreciate you, and i hope you enjoy it ! 🩷
original post
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You’ve yet to find out what caused the damage to Shouto’s faceplate.
By the time you discovered him outside the credit exchange, he had been busted open and left for—whatever the equivalent of dead is for an android. A gaping hole in the left side of his disturbingly human face exposed his inner circuitry to the rain and you think that should have finished him off, truly, but—he's still kicking. 
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Technology in the lower district is distinct. The most careful hands could have crafted him down in the best underground salvage yard and he still wouldn't have lasted half an hour with his face submerged in a shallow mud puddle like that. Wiring would have been shot, fuses blown.
Even if the Todoroki Corporation symbol on his wrist wasn't glowing, a blinking light in time with his would-be heart, you'd know what he is. You'd know he didn't belong down here, beneath the smog, in the industrial bones of your dying city.
And yet—
The left side of Shouto's face took the brunt of whatever blow he'd been dealt, and the scarring—if it's even called that?—has extended down over his cheekbone and backward, so violently that his ear had only barely been hanging on. Without the bandage you've wrapped him up in, he's quite a sight: half a tangled mess of wires and pins, a dull cyan light glowing in his orbital socket. With the wrapping, however, he’s almost exactly as he was meant to be: seamless.
The fate of his detached ear had been unknown. Until this morning.
It still works, much to your surprise, learning so only after wondering aloud the whereabouts of your data docket and hearing Shouto answer from across the apartment. Whoever put him together, you realize, took great care to make him durable, adamantine; the carbon nanotubes and polymer arrays that make up his cochlea were hardly affected by the assault.
Someone—or something—meant to harm him, and you know that for certain, now. Such wreckage couldn’t have happened naturally, not to a Skin-Puppet like him.
(When you look at him, you can’t help but consider his creator. How far he is from them and why. If the hands that made him and the hands that ruined him are the same, if he meant to leave or if he was cast out. You haven’t asked, but it’s odd that a machine could keep such information to himself—itself.)
(Given the brutality behind his mutilation, perhaps it’s best you don’t know the answers.)
Working tech from the richer district—KōkyōLuxuria, above the smog, built high into the clouds—could not only earn you enough to eat this week, but also to pay off all your debts to the League. Maybe even finance a decent apartment a few stories up.
And that’s why you’re here: racing through the slums in the rain, doing your damndest to make this sale before time runs out and you’re forced to find another buyer. Coming across a Hack with 1,640,254 credits in their docket is rare; who knows when you’ll find someone from the Trade in Musutafu sector again? You’re likely to sooner perish—either from your empty stomach or that broker that demanded payment two days ago.
Shouto, however, doesn’t see the urgency.
“Hello, handsome! Awful cold out tonight…care to warm me up?”
“Oh, hello.”
At the even, all-too-friendly lilt in his voice, you halt your sprint again, and spin around with a hiss. “Shouto!” You snap—but it comes too late; the Entertainers have struck like lightning, already scrambling his code. 
Out of habit, you’d pulled the hood of his sweatshirt up over his head before leaving the apartment, and now the material separates his image from view—though you can easily imagine the pleasant expression showing on his face, illuminated in pink under the NanotechNymph advertisement.
At his easily captured interest, two women strut from the open doors of the low-lit den, all allure and swaying hips, mirage flickering beneath the heavy rain. They only meet him halfway—too far from the emanator deep within the club—and you dash forward to stop him from wordlessly accepting their offer. You can’t afford to owe anyone any more than you already do.
“Shouto,” you say again, mouth twisting when he looks at you simply. Despite the hood, his bandage grows dark from the rain and—despite his framework, worry fluxes in your stomach at the thought of him getting too wet. “We have to go.”
“Aww,” an Entertainer says to you, girlish pout pulling down her full lips. “You don’t want to come inside and play with us?”
“No,” you try not to look at them any longer, just in case that racks up a charge, too. Rock solid as he is, Shouto allows himself to be steered away, much to your relief. “Buzz off, holo-ham.”
“I’d like to play.” Shouto pipes up, peeking behind his shoulder when the girls squeal in excitement. “Can we come back once we’ve finished?”
“Not for that kind of play.” You put a hand on the back of his head and swivel it, all while shoving him down the sidewalk. You almost remark on how man-like he’s acting, before chasing the thought away.
“What other types of play are there?”
“Just—hush.” 
And he does, finally, when you loop your arm through his: a presumably innocent gesture that draws his attention fully back to you, as physical touch seems to do, with him. Beneath the material of the jacket, he feels natural, all muscle and bone, even leaning into you as if the weather has made him cold. You can feel him tracing your face with his one-eyed gaze—scanning you—and you pretend not to notice.
“Your heart rate has gone up. Have I made you angry?”
“Yes,” you tell him, though he hasn’t, really. “You and your curiosity are gonna make me late, and then we’ll be in some serious shit.”
He looks away then, down to the soaked pavement, a mimicry of disappointment. From the corner of your eye, you can see his manufactured Adam’s apple bob, and the muscle beneath your hand shifts.
“They seemed nice, the holograms.” He says, and you can’t help the soft snort such a comment merits. 
“Yeah, they’re nice, alright, until you can’t pay them.”
Shouto looks at you once again, stride threatening to falter until you tug him along. “Do you know them?”
You already know where he’s going with his question, and the corner of his lips quirk up when you cast him a filthy look. “Well, no, but—”
“Then how do you know—”
“I just do, alright?” You frown at him and he accepts it in full, studying once more. Whatever he finds in your expression amuses enough that he’s placated for the moment, though you know it won’t be long before he’s piping up again.
He does it often—studies you: body language, physiological changes, speech patterns, vocal cues. Human behavior he catalogs and streams to someone back at the Corporation headquarters, finding the miniscule details he can use against you, some day. Whatever the reason behind his damage, he is still a product of his evil overlords, made for reasons you can only imagine. 
This is what you tell yourself. 
As his fingers shift until their smooth pads are brushing the delicate veins in your wrists, as he tightens his arm around yours when another stranger on the streets knocks your shoulder, as he leans into the warmth of your humanness: this is what you tell yourself.
You’re overcome with a sense of loss and you don’t know why, and you clear the strange lump hardening in your throat. “Life lesson number six, Todoroki,” you murmur it closely to him, nearly into the fabric at his shoulder, though he doesn’t react to the name. “Everybody wants something from someone, holo-hams included.”
Shouto seems to process your words, for a moment, and his face is expressionless when you steal a peek up at him. Technicolor rains down on your both, swathing him in a wild array as advertisements dance on the buildings that tower above you, and again you think of his creator. The careful hands that crafted his smooth cheeks, the sharp line of his nose, the leanness of his body. You wonder if he’s ever been deemed precious.
Nearly all of the residents relegated to the lower districts owe the Todoroki Corporation in some way. Be it through credit loans or applied interest rates on subsidized housing or hidden costs and high premiums on mandatory, shit insurance—Enji Todoroki sits in the lap of KōkyōLuxuria, has probably never even stepped down from his pedestal. 
There’s no good reason a product of his could have found its way to you: this is what you tell yourself.
“And you want my ear.” Shouto says, looking back down at you as your shoulders tense. There isn’t a byte of hostility in his voice, but he must understand the sharpness to what he’s saying.
“Yes,” you admit with a nod, and some underlying, rogue streak of guilt has you pressing into him, as if your proximity could make up for your selfishness. “The sensors in your ear are gonna pay for our dinner tonight, handsome.”
His stride falters once more, and despite the time clock ticking in the back of your mind—you let him stop you. Maybe you want him to. Nothing ever goes unnoticed by him and you know that and maybe it’s cruel of you to say such a thing, to offer a comfort you can’t admit to, but Shouto looks down at you in all his ruination and—
Before he can say anything, a fat drop of water hits the tip of his perfectly manufactured nose. It makes him flinch, delayed, and the surprise he wears and the scrunch of his brow seem so—human, there before you. Shouto tilts his face to the dark, smoggy sky, and again that worry bites you, about too much water trickling into his core.
“We’re going to be late,” you repeat, though it’s much weaker than it was earlier. This is one those moments in which he overrides all your defenses, uploads something warm and hopeful and frightening into your chest cavity; you can’t tell if you want to run because you have to, for the sale—or if it’s a result of watching him now, haloed in neon.
He’s not one to ignore you, but he doesn’t respond, instead retracting his arm from your grip in order to push the hood back off his head. Raindrops soak into his bandage and the excess pools, dripping down over the line of his jaw and the column of his throat. So close to him, you can see the goosebumps that break out across his skin.
(You wonder if he’s ever been deemed precious. You wonder if he meant to leave, or if he was cast out. You wonder if he was created for continued corruption—or if someone out there wanted him to experience life, no matter how rusty.)
(You wonder if he feels as human as he looks. If he can blush, or if the soft skin below his ear can bruise.)
A small sound bubbles out of him, like a light laugh of disbelief. 
You found him face down in the rain; you’re not sure why it could cause such a reaction now, but he turns to eye the commercial playing behind him, before watching the path of a man walking by the two of you. Rain collects in his perfect cupid’s bow until he licks it away, and his hair slicks to the side when he pushes it out of his face. 
Shouto turns his attention back to you rather plainly, though the edges of his smile pull up a little higher than they usually do, enough that the apples of his cheeks round. He asks you, “What’s going to be for our dinner?” and the question is oddly worded, but each one is intentional. 
Maybe it’s not the rain that amuses him—and maybe it is. Maybe it really is that simple, that innocent. Maybe it’s the microtremors in your voice and your increased heart rate, all the little details that could never go unnoticed. 
There isn’t a way that this could end well: this is what you tell yourself.
You nod once and turn to face back the way you came, resigned, before looping your arm through his again. You trace the delicate veins on the inside of his wrist, careful not to cover the slow-blinking symbol embedded there, and you decide it doesn’t matter what his creator did or didn’t want. Because he has wants of his own, just like anyone.
“Okay,” you sigh, and when you slosh through the puddles collecting on the sidewalk, Shouto seems happy to follow along, this time. “I can probably sweet talk Toyomitsu into buying us some takoyaki, but you’re gonna have to play it cool.”
“Is this the kind of play you were talking about?”
That lilt has returned to his voice, even and friendly and amused.
“No,” you swat at him to hear his little huff of laughter, “now stop asking about that.”
Of course he doesn’t.
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