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#action art
ryaartt · 4 days
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This makes sense to me
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garethschweitzer · 4 months
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Otto Muehl
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anonymouseii · 7 months
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DEKU IS GONNA KICK YOU IN THE NUTS
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fireopal-tash · 1 year
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Self-loathing 💔
Click the images for better quality
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tepi666 · 4 months
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Gagumon fighting stand
Trade with
gmz_SUPER on twitter
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amperage · 2 months
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CALL FOR APPLICATIONS  PROGRAMMING 2025-2026 Call opening : February 1, 2024 Closing date : March 31, 2024
Active in Québec since 1982, Le Lieu, centre en art actuel, brings together installation, performance, manœuvre, audio art, sound poetry, video and other explorations of the vast field of action art. The center's programming integrates activities and operations related to what are now recognized as interdisciplinary, ephemeral and relational aesthetic practices. 
For its 2025-2026 program, Le Lieu is looking for project proposals that explore the different relationships forged between the work and the gallery. Whether processual/evolutionary exhibitions or other explorations of the potential for occupying a space, we wish to question what a gallery can offer in the dissemination and actualization of works of performance art, action art and interdisciplinary practices (including various archival, sociological, scientific blends, etc.). With this call, Le Lieu aims to present practices and exhibitions that consider action as the foundation of the proposed exhibition, without limiting itself solely to the presentation of archives.
The call is open to local, national and international artists, collectives and curators of all ages and levels of experience. Le Lieu pays exhibition fees at the recommended CARFAC rate for the 3-week exhibition project. An additional fee will be granted for the performative, discursive or workshop proposal. We cannot guarantee reimbursement of national and international travel expenses, but letters of support will be written to assist in the search for funding.
Le Lieu aims to create a diversified program that reflects current thinking on the arts. This is why, in addition to occupying the gallery space, selected artists, curators or collectives are invited to integrate a discursive or performative component into their project. 
All submissions must include : - A short statement of approach (250 words max.) ; - An exhibition project description (max. 500 words) ; - A curriculum vitae (max. 3 pages) ; - A maximum of 20 numbered images and/or a link to video extracts (youtube, vimeo, wetransfer) of 5-10 minutes maximum ; - A detailed list of your supporting material.
INFORMATION : - The call is open to artists, collectives and curators of all ages and levels of experience ; - The call is open to local, national and international artists, collectives and curators ; - Letters of support will be drawn up for selected international artists, collectives and curators, with the aim of securing a grant to cover their travel costs ; - Le Lieu pays exhibition fees at the recommended CARFAC rate for the 3-week exhibition project ; - An additional fee will be granted for the performative and/or discursive proposal. - A map of the gallery is available on our website ; - Submissions will be evaluated by a committee of peers ; - All applicants will receive confirmation of receipt and a reply by mid-June.
If you have any questions, please do not hesitate to contact us at [email protected]. Applications can be submitted to the same address, specifying "call for applications 25-26" in the subject line. 
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hotcomicstv · 21 days
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Blades & Lazers explained 
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jetee · 5 months
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'En Hombros de Gigantes', performance by Verónica Ruth Frías
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Verónica stands in front of the Plaza de Rastendias, wearing a bright red dress and holding a glass - reminiscent of all the blood of Cuban Santeria - that Ana Mendieta used to protest the atrocities committed against her. Simply talking about him or them: the collection of contemporary art books, the art that bears the name of the exhibition, for example the Taschen series.
Like a mountain on a tightrope, the artist seeks balance on the shelf with a deep and proud gaze, placing it in the plot as a metaphor for the uncertainty in the face of forgetting half of world history. Verónica continues the endless fight led by women who always know who they are: human beings.
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pmukarno · 6 months
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i12bent · 1 year
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Lene Adler Petersen (b. Jan. 13, 1944) is a Danish artist, trained at Det Jyske Kunstakademi and the Royal Academy in Copenhagen in the 1960s. She and her husband Bjørn Nørgaard were leading members of the Eks-skolen group and did happenings and action art in all media, including film, throughout the 70s.
In the 80s she spent time in New York, developing a Neo-Expressionist style and drawing inspiration from Mexican murals and ceramics. She did serial art, such as the example here:
Indendøre/Indoors, 1982 - oil tempura on canvas (SMK)
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goudapatty · 11 months
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The main crew from blue flavor I love bloom and mono coloring
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ikleyvey · 1 year
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Jump
Twin Theorems
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fiercerthanyou · 2 years
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Raphael Montañez Ortiz, "Henny Penny Piano Destruction" (1966-98), 
Destroyed piano. 
The Museum of Contemporary Art, Los Angeles, gift of the artist.
Photo: Ela Bittencourt / Hyperallergic
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spacenoirdetective · 2 years
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Julie Bell
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acrylicalchemy · 2 years
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Here is one of my new blacklight hexagon pieces. This is part of my set titled "The Sins Of The Past Become The Monsters Of The Present." 
DM me for all originals and commissions.
CariniArts.com
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leiandroid · 2 months
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"free palestine," he shouted until his last breath. aaron bushnell, we will never forget you.
as much as bushnell's actions has moved us all, please seek other ways to take actionable measures against the injustices we face in the world. none of us wanted him gone, and the least we can do is prevent another such tragedy by supporting each other in our efforts to enact lasting change.
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