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#actual published book
bahoreal · 5 months
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pinespittinink · 2 years
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my hot take is that if you want to write a book, you need to read books
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zaruba-needslove · 2 years
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Due to recent issue with some people arguing about how ‘AO3 should have algorithm’ and such... I feel like these tweets need to be shared out more. Saw this tweets thread by chance and I had to admit it's a great advice esp on fic writing or fanworks in general.
[Edit] Also since I noticed this post blowing up, if anyone ever tell you that AO3 doesn’t have a function to RECCOMMEND fics you like to others or read other people’s fic recs on the site point them to this post.
[Edit 2] Check source for the original tweet.
[Edit 3] Not OP, but usually when ppl talk about ‘rude or demanding comments’ it usually refers to those that tend to message fanwriters to write according to what they want to be either on the flow of the plot, shipping, etc to the point of harrassment/toxicity. And that would make writing not be fun anymore for some. 
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inkskinned · 2 years
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i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.
ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.
iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.
iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.
v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.
vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.
vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.
viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.
ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.
x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.
/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?
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hedgehog-moss · 1 year
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In other news, this week a French publisher on his way to the London Book Fair was arrested by British counter-terrorist police to be questioned about his participation in protests in France.
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A French publisher has been arrested on terror charges in London after being questioned by UK police about participating in anti-government protests in France.
Moret arrived at St Pancras [...] with his colleague Stella Magliani-Belkacem, the editorial director at the Paris-based publishing house, to be confronted by the two officers. [...] He was questioned for six hours and then arrested for alleged obstruction in refusing to disclose the passcodes to his phone and computer. [...] He was transferred to a police station in Islington, north London, where he remained in custody on Tuesday. He was later released on bail.
Éditions la Fabrique is known for publishing radical left authors. Moret also represents the French science fiction novelist Alain Damasio and had arranged more than 40 appointments at the London book fair. [...]
[Quoting publishing house’s press release] “The police officers claimed that Ernest had participated in demonstrations in France as a justification for this act – a quite remarkably inappropriate statement for a British police officer to make, and which seems to clearly indicate complicity between French and British authorities on this matter.” [...] “There’s been an increasingly repressive approach by the French government to the demonstrations, both in terms of police violence, but also in terms of a security clampdown.”
(Guardian link - BBC link) (article in French)
The publishing house (here’s their latest statement in French) and the publisher’s lawyer mention that the British police asked him “Do you support Emmanuel Macron? Did you attend protests against the pension reform?” and he was also asked to name the authors with anti-government views that his employer has published. They add, “Asking the representative of a publishing house, in the framework of counter-terrorism, about the opinions of his authors, is pushing even further the logic of political censorship and repression of dissenting thought. In a context of social protests and authoritarian escalation on the part of the French government, this aspect [of the questioning] is chilling.”
Being an accomplice to thoughtcrime by publishing dissident authors gets you treated like an international terrorist now... The publisher’s lawyer suggests that French authorities asked the UK to help them get their hands on the publisher’s contacts in the radical left sphere. But on the face of it, we’ve got: Exercise your right to protest your government in France -> get arrested by counter-terrorist UK police in London. That’s literally the reason he was given for being greeted by police at the train station...
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haridraws · 7 months
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came up with this promotional idea for my new book while I was very tired, may or may not live to regret it
(here is the book)
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rocksalt-and-pie · 2 years
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shout-out to the makers of NBC Hannibal for (clearly) reading all four books about Hannibal Lecter by Thomas Harris and going "hmm. actually we will make the gayest possible version of this" going on to COMPLETELY disregard the other main character and (canon) ?love interest? of the series and never even MENTION Clarice Starling. Like it's so funny to me that she never even appears on the show when book!Will Graham literally fucks off after The Red Dragon and wants nothing to do with any of this anymore and book!Hannibal is obsessed with Clarice in the same way that tv!Hannibal is obsessed with tv!Will. like they really took a whole book franchise, picked out the cherries, and made it their own personal little gay AU. that's so refreshing and should be a leading example in television adaptations. in this essay i will
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foldingfittedsheets · 3 months
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My betrothed and I are talking about co-writing a book about our DnD ship because it’s so precious and so many queers would go feral about it and we don’t want to be the only people who love them together.
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razberrypuck · 6 months
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holding finn tidestrider in my hands. why are you SUCH a whore.
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myroomismytardis · 1 year
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anyway if I adapted sherlock holmes into a kids book it'd look something like this
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themoonking · 4 months
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the book trend that needs to be left in the dust for the new year is greek mythology retellings. i am so sick and tired of "retellings" of greek (or roman, but mainly greek) mythology from authors that clearly have a very surface level pop cultural understanding of the myth(s) they're adapting and the culture(s) they're depicting. especially the many that market themselves as "feminist retellings" where the "feminism" is basically just "men bad sometimes", and especially when they're "feminist retellings" that take some of the few mythological women who get happy endings and take it away from them for the sake of saying "men bad sometimes". it's all so shallow and they exploded this year and i'm sick of it.
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stevethehairington · 6 months
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really fucking sick and tired of people who really fucking love the eddie book jumping on people who don't like or are even remotely critical of it's posts and like crusading their opinions around from the top of their high horses and shoving it down our throats.
if you like the book, great! that's awesome! love that for you! i am genuinely glad that you were able to find good in it and enjoy it!!
but not everyone did, and not everyone is going to agree with you. so, instead of going on some grand crusade where you find every single post that includes anything even remotely negative or negative adjacent or even neutrally critical and spending ALL this time and effort trying to provide unwanted rebuttals to every single thing, maybe you should just stay in your lane and find people who DO like the book and chat about it with them.
because i can PROMISE YOU, none of us appreciate it when you come onto our posts and start accusing us of "hating on" the author or "being rude" about her and her work and RIDICULOUS shit like that.
being critical of something and pointing out it's flaws is NOT inherently hating on it. i, frankly, do not know where people got that notion, but it's not fucking true so can we fucking quit assuming it is? and, critiquing something is also NOT the same as saying this is shit and it sucks and the author is a piece of garbage. again, where the fuck that came from is beyond me. you can be critical of something and still enjoy it. as soooo many of you love to point out, it's not perfect, why should it be perfect? so D U H. of course that means criticism can and should arise???
also. hot take (by which i mean ice fucking cold because it's NOT a fucking hot take), but going around toting FALSE facts as part of your "defense" does not make you or your argument look good. you, like the author, should maybe do a basic fact check first. 🙃
tldr, if you like the book, that's genuinely great, but stay in your fucking lane and stop seeking out posts from people who didn't like it to start shit in the notes.
#flight of icarus#stranger things#this has happened to me and to so many of my friends and im fucking SICK of it#i didn't even hate the book either!! i thought it was just okay#and yet i STILL get all these book lovers jumping down my throat about things i say about the book#things that - HONESTLY are not even like that scathing!!!!!#like god damn all im asking for is a little BASIC effort from the author and they all think thats me asking for her head on a platter#its NOT#i have no problem with the author#she's whatever to me honestly just a vessel through which the book was given to us#ALSO she is some nebulous blob way outside my orbit. AS IN any critiques i have of her and her work are NOT direct assaults on her???#like i dont fucking KNOW her#im not saying any of this to her face#she is a published writer she should KNOW the risks she is taking when she publishes her writing#not everyone is going to like it! there are going to be people who are critical of it! there are going to be people who hate it!#critiques and pointing out mistakes and wishing for things to have been different is not a fucking direct attack#those things are actually pretty fucking common responses to ANYTHING#and a lot of times theyre actually meant as useful helpful things geared towards improvement and not something to tear someone down with#some people on the internet need to go touch grass and learn how to CRITICALLY THINK again#the world is not as black and white as you think#n e ways. rant over. if you stuck around through all of that kudos to you. i am just. at the end of my rope with this bullshit.
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fictionadventurer · 2 months
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The worst part about reading in a genre where you have low expectations (in this case, Christian historical fiction) is that when a book impresses you, you have no idea if it's actually good or if you're just overly impressed because it was a fraction of a degree better than the usual garbage.
#basically lately anytime i read a christian fiction book that isn't romance-based i find myself surprised by the quality#i do think that some christian publishers are getting better#and trying to tell stories that dig deeper into real faith and messy issues#instead of making only vapid squeaky clean prayer-filled tropefests#but i'm not sure *how much* better#because anything above the low bar feels like great literature#the most recent is 'in a far-off land' by stephanie landsem#and let me tell you setting the prodigal son in 1930s hollywood is a genius concept#i have some issues with the history and the mystery#but the characters!#it has been a long time since i cried this hard over a book#several chapters of solid waterworks#(and i also have the issue of figuring out if it's actually that moving or if i'm just hormonal/sleep-deprived)#i keep thinking about this book but also i worry about recommending because what if it's actually terrible by normal book standards?#(also the author DOES NOT understand the seal of confession and i was SHOCKED to find that she's actually catholic)#but also looking at the reviews makes it clear that if most of christian fiction is vapid garbage it's these reviewers' fault#here you have something that's digging into sin and darkness and justice and mercy and these people are just#'how can it call itself christian fiction if it only mentions god at the end?'#are we reading the same book this WHOLE THING is about god! and humanity and our fallen nature and how this breaks relationships!#your pearl-clutching anytime someone tries to get even a tiny bit realistic is destroying this genre#i'm gonna run out of tags so i'll stop now
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michaeljoncarter · 7 months
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ok finally found the batsuit diagram i was talking about, so here's the full versions of both of them together! robin suit page from The Batman Files & batsuit pages from The Batman Handbook by Scott Beatty 💕
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dragongirlfangs · 7 months
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"Rachel is the compatible character that's written in relationships with Taylor the least despite their canon interactions even in fics about Taylor x many girls because she's butch and not conventionally pretty so people are superficial and ignore her" send post like throwing a rock at a crowd
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