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#actually the whole soundtrack has but mostly THIS song
amygdalae · 8 days
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watched the first ep of the fallout show. its not good but like i had a lot of fun being a hater and talking abt fallout lore n shit with my friend while watching it, so it has that in its favor. my biggest takeaways after the first episode are thus:
shamefully failed to suppress the urge to pog when they namedropped Grognak the barbarian like 15 seconds into the show. whole thing was peppered with references designed to invoke peoples fallout nostalgia. i wont lie it got me a few times
kyle maclachlan babygirl what are you doing here
needs to be so so much grimier
they wanted me to cream my jeans at the power armor sooo bad but they made it look kind of stupid. (and also not grimy enough). im so tired of the brotherhood of steel
i like the ghoul guy, I can live with him being too conventionally attractive i guess, but his voice is just straight up a normal guy's voice and that made me the angriest. he should at least sound like hes gargling marbles
the girl character's 'fiance' looked like if Jerma was a skarsgard brother
soundtrack was good (mostly just because it was just songs that were in the games already, but still). instrumental scoring was actually not too bad imo, seemed fitting enough
very very predictable plot beats
made me just wanna go play a fallout game tbh
I'm 100% going to keep watching it because im a disgusting bethesda shill who loves to shovel hot garbage into my mouth like a filthy hog (and because my friend's mom has an amazon subscription)
i am genuinely curious to see where it goes. goes without saying i resent the irony of a fallout series being made by amazon and dont think its something that needs to exist, but reviewing it as a show i think it has some potential to get interesting. gonna see how i feel after watching more
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bestgameostcrownduel · 4 months
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Round 1, Side A: Final Fantasy XIV: Shadowbringers (2019) vs Kingdom Hearts 3 (2019)
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FFXIV | Kingdom Hearts
Campaigns under the cut!
Campaign for FFXIV:
oh my god where do I start. Final Fantasy XIV (FFXIV) is an MMORPG that's been going on 2013, or 2010 if you count the trainwreck that the current FFXIV replaced (the 2010 version's music was composed mainly by Uematsu, 2013 onwards is mostly Soken). Thus its OST is FUCKING HUGE and spans a whole lot of genres. If you like any kind of music at all you can probably find at least one track that speaks to you in this game. FFXIV has a category of incredibly difficult fights called Ultimate, comprised of multiple short phases that each have their own music. Because of the nature of how Ultimates are structured, they're the only fights in FFXIV where the music can actually be timed to the mechanics. If you're not afraid of story spoilers, look up any ultimate's BGM and you can see how cool this effect is. (I can't listen to Under the Weight without also hearing the sound of every mechanic and tankbuster.) (My personal favorite ultimate, music-wise, is The Epic of Alexander. Back when I was progging the fight I used to fall asleep listening to the BGM.) To The Edge is so so special to everyone who loves FFXIV. It's the theme of a boss in Shadowbringers; I can't give details without also giving major spoilers, but I will say that the story and this song deal with the themes of death and loss. If you look up the lyrics, which aren't too spoilery without context, you'll get what I mean. What makes this extra emotional is that FFXIV's main composer, Soken, was in the hospital fighting cancer when he composed this song. (To be clear: he kept working because it provided him with a desperately needed sense of normalcy, not because he needed to.) No one on the dev team knew aside from Yoshi P, FFXIV's producer + director as well as Soken's personal friend; the rest of the team found out the same time the fans did, months after the fact when Soken was in full remission, at the 2021 FFXIV Fan Festival (FanFest). To The Edge was already widely beloved prior to this because it's an incredible banger tied to an incredible story moment, but knowing what was going on behind the scenes during its composition, in addition to the story and song's own themes surrounding death, turns it into a piece that no one can listen to without getting wildly emotional about it. At the same FanFest, before Soken announced that he fought cancer and won, he performed this live: https://youtu.be/aBt4zT_PBmw?si=SgzTV9BvINfA0b-U Absolute king shit. With Hearts Aligned is also so so so special to me because it's the song that plays in the 'victory lap' second phase against the final boss that caps off a nine year long story arc. It features a leitmotif from The Maker's Ruin, a song from 2013, that represents the player and is often used when we overcome seemingly insurmountable odds. There are no words that can describe the sheer fucking emotion of fighting the final boss of a nine year long story arc while listening to the leitmotif that represents YOU, a leitmotif that you first heard however many weeks or months or years ago when you first started playing this game. The ultimate triumph, and the ultimate song of hope. Also if you like leitmotifs, FFXIV has /so many leitmotifs/. Have a spreadsheet of them: https://x.com/EENlX/status/1686043012353396736?s=20 Also also, Alex Moukala on youtube does more in-depth analysis of some of the best tracks in FFXIV! Great videos, I highly recommend checking them out.
I would put the entire game's soundtrack if I could but there's a LOT. The album I listed is for the "postgame" of Shadowbringers. Of particular note is the song "To The Edge" which was written while the composer, Masayoshi Soken, was battling with cancer.
Campaign for KH3:
yoko shimomura, the GODDESS, the LEGEND, her composing skills never fail to amaze! kh music is so so goodddddd
I’m not good with propagandizing but the OST for this series is so good. For KH3, I love so much of the soundtrack. The Disney worlds have some great tracks, but the endgame and dlc has almost nothing but bangers.
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stoportotouch · 1 year
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we’re doing pathologic musicology again. everybody shut up. i’m sick of writing about bel canto musical traditions and my jstor subscription dies tomorrow i think. so i’m pre-emptively saving pdfs about ethnomusicology.
interesting side effect of the town’s culture being mostly built around cattle rather than horses is that the soundtrack of p2 in particular has essentially ended up creating an entire musical history and lexicon that is identifiably SIMILAR to that of The Area Near The Baikal Rift Valley while being obviously different.
classic’s soundtrack interestingly arrives at a similar point to this with completely different means in that the classic soundtrack is basically just. ‘is it bleeping and blooping? ok sick ship it’, while also borrowing at points quite clearly from the actual musical traditions of the region. which produces the effect in the listener of, basically ‘this should sound... other than how it does? but it makes sense?’
p2′s soundtrack is trying more obviously to do Authenticity in a way that. has historical precedent, certainly (hi borodin). but it is also trying to do that by borrowing from musical traditions that don’t completely mesh with the way that the town’s musical traditions would have developed. because the town-on-gorkhon is very fond of bulls, culturally speaking, and not horses.
a lot of the extant classical music from the area where pathologic is (presumably) set is not only literally About Horses, which are culturally important, but musically refer to the various gaits of The Horse. (this example is in tuvan but it is not only about horses but the 2/4 rhythm is Trotting-Like. buryat music uses similar music and the same scale, and many of the same instruments, as tuvan music.)
this is not something that bulls particularly have, and so while bulls occupy an equivalent cultural position in the town-on-gorkhon this obviously necessitates a completely different musical tradition. which is also one that doesn’t really exist in the real world, but for which vasily kashnikov and theodor bastard have pulled from existing traditions. they have, however, also created an entire musical language that feels like a place’s musical language essentially out of whole-cloth.
the way that they have done this is essentially to take something about the culturally important animal (lowing, for the bulls -- similarly to how actual tuvan, mongolian, baikal, and yakut music refers to horses’ gaits). and then to use that as a basis for the musical ‘world’ of the game, in a similar way to how extant music uses horses. it’s most obviously used in ‘song to boddho’ but a lot of the music in p2 makes a lot of use of drone which could quite easily be interpreted as The Sound That The Local Culturally Important Beast Makes.
(also the p2 soundtrack has a passacaglia in it. this isn’t relevant to this conversation in any way but it’s neat.)
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queerpiratebrainrot · 9 months
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ALRIGHT!I JUST WATCHED THE MIRACULOUS MOVIE AND I HAVE THOUGHTS! There will be spoilers ahead, so tread carefully
A list, in no particular order, just how they pop up in my head:
The animation was STUNNING! Just, props to the animators, I enjoyed the movie visually SO MUCH! From the use of colours and lighting, to the way they used all of that to upgrade the characters: it was absolute perfection. (though some of those close up shots of Hawkmoth were A Lot. But that was probably the point)
The absolute chaotic energy that both Tikki and Plagg (but mostly Tikki, cuz unfortunately. there wasn't a whole lot of Plagg, which I understand due to time, even if it is sad) is FANTASTIC! I adore Chaotic Tikki so much. She has my whole heart! That little scene of Tikki pushing Marinette's hand to Adrien's? Lovely. Tikki explaining absolutely nothing to Marinette when they first meet? Perfection. Just. Give me more Chaotic Tikki, please!
The soundtrack? WONDERFUL! I kinda knew it was a musical, I think, but I completely forgot, so when Marinette sang those first few notes, I had to catch up a lil, but DAMN I was excited! (sad we didn't get Ce Mur Qui Nous Separe (I don't know the english name oops), but it was still fun!)
On that note: Adrian having the most Disney Princess I Want song in the movie is just perfect. No other words needed. Best choice they could have made there.
ALSO on that note: Marinette's singing voice? BEAUTIFUL! It fits so well! I just couldn't help but enjoy her songs, if only for that.
BUT I didn't have to, because the music itself, without the lyrics was just so well done!
Slightly less good: The hawkmoth song was missing some flavor, in my opinion. It started out, and I was EXCITED cuz it started so HARD and then it didn'treally deliver, I think. It kind of kept in the same range and didn't really go up, ya know?
I really REALLY liked Marinette and Chloe's relationship. The way Marinette fired shots back at Chloe, and they actually seemed to be becoming more frennemies? Amazing. I wish we would've gotten more of that in the tv show, considering earlier seasons Chloe and her character developpement, but I really enjoyed it here, in the movie
I'm happy we got to see Gabriel and Adrian actually confronting each other. Both Adrian standing up to his dad (although the timing was a little off, more on that later), AND Gabriel finding out his son is Chat Noir and the resulting Crisis. At least there was some emotional pay off there! (looking at you, season 5 finale)
NOW on the timing thing: There just wasn't enough time. I understand that they wanted to do the superhero origin story for people who aren't familiar with the show but do go to see the movie, but I feel like they just didn't have the necessary time to create the emotional tension needed for the end scene to actually hit as hard as it could have. We got to see a hint of Adrian and Gabriel's relationship, and what was shown was great! But if we had gotten a little more of that perspective and tension, it would've felt better to watch Adrian stand up to Gabe and his parenting skills. And consequently, enjoyed more of the end scene with them figuring out each others identities. Genuinely, I was happy we got at least some pay off there, but it felt too easy. (which again, makes sense due to the limited time, but I feel like they should have made choice: either the Big End Fight with Hawkmoth, OR the Origin Story. And since they did kind of set up a possible sequel, I feel like the choice could have been made)
With the feeling of too easy: I had the same feeling of Marinette and her finding confidence in herself and Ladybug AT THE END! The sudden change during the montage, I liked and felt like it made sens, since we then, during the big battle, get Marinette's insecurities over only being confident when she's Ladybug and all that. That is wonderful and so in line with the core of who Marinette is as character, no matter what version of her we get, that I love it very much. I would have enjoyed a liiiiitle more time with the Angst, but it's allright!
MOSTLY CUZ: that scene where she's dragging Cat Noir's unconcious body onto the debris of the Eiffel Tower, and she goes 'Don't. Touch. Him.' through tears and with a broken voice? AMAZING! When I tell you I Went FERAL! My children! absolutely STUNNING
The actual fight of the end battle? Marinette surrounded by flame and a Paris that is falling apart? Ladybug in Hell, essentially? GORGEOUS! Cat Noir running up the Eiffel Tower to fight Hawkmoth? Stunning! The Eiffel Tower slowly collapsing, as Ladybug watches and cannot Do Anything to stop it? HEARTWRENCHING!
Marinette revealing herself to Adrian at the ball? AMAZING SCENE! (although i laughed and had to utter 'Real Subtle, Marinette' when I saw the ladybug wings on the back of the dress, which was, againg, stunning). The way the scene was framed like the rejection scene? WONDERFUL!
The glitter on Chat Noir's mask? I loved it! Such a fun little detail we don't get in the show!
Did not like the Plagg farting scene. Just. No thanks. It's cheap comedy and that runtime could have been spent better, with a better characterisation of PLagg and his relationship with Adrian. But whatever, it's fine.
THE LADYNOIR CONTENT AND BICKERING! JUST FANTASTIC! ladynoir stans got FED this movie, and I am HERE FOR IT!
So yeah, that was an incomplete list of my thoughts on the movie! Overall I really enjoyed it! I really liked this version of the characters and their relationships. They feel a lot more genuine and real in comparison to the tv show, in some ways. I had so much fun watching it, and will probably go a second time, to see how it'll feel like on a rewatch. And just to enjoy the vibes. I do hope we get a sequel, because I am Curious. And would love more Natalie content.
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whatacaitastrophe · 3 months
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Is It Over Now - Chapter 7
Previous Chapter
Chapter Song Inspiration: "Burn Butcher Burn" - The Witcher, Season 2 Soundtrack (performed by Joey Batey)
Chapter Warnings: none!
Spotify Playlist: Here
Chapter Notes: if you have read this fic, liked it, reblogged it, or left comments THANK YOU from the bottom of my heart. keep the comments coming bc i love hearing your feedback (and like tinkerbell, i need applause to live).
Chapter 7: I Hear You're Alive. How Disappointing
The next two days fly by without incident, unless you count Wyll making Fallon cry because she has to do one hundred crunches at the end of their final training session before the ball (Fallon counts it). At least when he leaves the morning of the ball he promises he will not be at their door bright and early tomorrow, because he intends to take the next day off. It’s a sure sign of how Wyll expects the evening of revelry and celebration to go. 
After their conversation, Fallon and Astarion fell into an easy rhythm. The first night, they stayed up talking about everything and nothing, only taking breaks to exchange sweet kisses. They still haven’t properly had sex yet, but that’s something Astarion is perfectly ok with. When it comes to Fallon, Astarion wants to do this right. He doesn’t want Fallon to feel like he poured his heart out to her just to bed her (and maybe, just maybe, he’s still the tiniest bit insecure and worried that Fallon had done exactly that). 
Somehow, despite the past two days being some of the best of his life with Fallon, Astarion is incredibly nervous for this ball. He loves a good party, especially one where the attention will be cast upon him, and he’ll be given the opportunity to charm an entire room full of aristocrats, but the anticipation of this night has him pacing around the suite. 
It could also be because Shadowheart arrived at the suite in the early afternoon with a team of hair and makeup professionals trailing behind her to help them get ready for the evening, and as a direct result, Astarion has been left to entertain Lae’zel, who quickly refused the assistance of the small army Shadowheart assembled, declaring she does not need an entire day to become perfect. 
“Astarion,” Lae’zel warns after his twelfth lap around the sitting room in the last hour. “If you do not stop pacing, I will make you.”
Astarion scowls at the githyanki, but he does as he’s told; mostly because he’s still fairly certain Lae’zel could snap him in two if she really wanted to. He picks up the book about the young wizard that he’s still reading, but concentration eludes him and he’s just staring at the pages without absorbing any of the content. 
“My lover has informed me that I need to work on my….people skills,” Lae’zel starts with a huff. “So I am going to ask you why you keep looking at the bedroom door and why you cannot sit still, but please do not mistake my inquiry for actual concern.” 
Astarion snorts with laughter. “I think part of having people skills is showing genuine concern, Lae’zel.”
Lae’zel gives him a stone cold stare, and he almost regrets teasing her. “It’s the first time Fallon and I are going out in public together. As…more than friends.” He clarifies. “So this giant party where everyone is watching, it’s basically our first date.”
“Yes, Shadowheart did mention a romantic development. I did not realize Fallon was finally over the wizard.”
Astarion winces. “Ah, well, not entirely, but that’s complicated to explain and I’m sure you don’t want to hear about the whole sordid affair.”
“That is correct, I do not,” she confirms. “Besides, I’ve heard enough that I think I understand.” 
“Well, that’s why I’m pacing,” he tells her, and Lae’zel levels a stare in his direction. “You asked.” he concedes, raising his hands in defeat. 
Awkward silence fills the suite, and Astarion really wishes he’d thought to turn on the phonograph before their friends arrived because now he’s too afraid to stand up and risk the gith’s wrath by moving around again. “Do you think the wizard will show his face?” Lae’zel breaks the silence. 
“Gods, I fucking hope not. She’s been doing so well…I worry about what seeing him again might do to her.” 
“Maybe that is the real reason why you pace incessantly. You are worried for Fallon, and maybe a little worried for yourself and your romantic involvement with her, should the wizard return.”
Astarion is stunned, and not just because Lae’zel just read him so thoroughly. “Why Lae’zel, I think you may have just shown genuine concern! Shawdowheart will be very proud.” He deflects, as this is a very strange conversation to be having with Lae’zel, of all people. Then again, maybe the warrior is the best person to have this conversation with, because she minces words even less than her girlfriend does, and unlike Wyll or Karlach, or even Halsin, she won’t try to soothe his nerves with false narratives. Astarion defies her and stands to walk over to the cabinet where he and Fallon keep the wine. He pours them each a glass before sitting back down again. “Do you think he’s going to show up?”
Lae’zel ponders for a moment as she drinks her wine. “No,” she declares. “The wizard has not been in contact with anyone for the last year. I believe he is intelligent enough to know his presence would not be welcome.” As backhanded as it is, Astarion is surprised by the compliment Lae’zel affords Gale. 
Astarion winces. “Well…that’s not entirely true.” 
“My assessment of the wizard’s intelligence, or that he has not been in contact with anyone since he left in the first place?” 
“The second part.”
Deafening silence fills the suite again, and Astarion swears Lae’zel does not ever blink. “You’ve spoken to him.”
“I’ve seen him.” Astarion confesses.
More silence. “When?” 
“Months ago…it’s a long story.”
“Does Fallon know?”
“No.” 
“Does anyone?”
“....no one other than you and Gale.” Astarion did not think it was possible for the githyanki’s lips to get any thinner, but they do and she’s glaring at him. “Please don’t tell her.” Astarion begs.
The silence that follows could not have lasted more than a few minutes, if not seconds, but it feels like an eternity while Astarion holds his breath, waiting for Lae’zel to say something. 
“I will not intervene, because it is not my place and unlike my lover, I do not care to gossip,” she sips from her wine glass. “However, I will encourage you to be honest with Fallon, because if she ever finds out you kept this from her, it will not end well for you.” 
Astarion sighs, finishing his own glass of wine and pouring another. “That’s what I’m afraid of.” 
“I’ve never taken you to be a coward, Astarion. Do not start now, as I do not associate with cowards.” 
It might be the nicest thing the gith has ever said to him, and the closest she’s ever come to admitting they’re actually friends. Lae’zel dismisses herself to get ready for the ball, leaving Astarion alone. Astarion sighs quietly and tells himself that he’ll broach the topic with Fallon first thing tomorrow. He doesn’t want to ruin this night for her. Astarion looks at the grandfather clock by the door and realizes that he should probably get ready as well and he heads for the spare bedroom.
An hour later, Lae’zel is the first one to return to the sitting room, followed shortly by Astarion. “Well, don’t you look dashing.” Astarion offers the gith as he takes in her form. The dress Lae’zell chose (more likely chosen by Shadowheart for her), is a simple, black floor length a-line gown with a cowl neckline. The halter top compliments her toned body, and the necklace she’s wearing is a pendant with moons and stars on it. The ensemble is not much different than the one Lae’zel wore to last year’s Winter Solstice Ball, and Astarion is almost certain that Lae’zel not repeating an outfit is entirely Shadowheart’s influence.
The doublet Astarion picked out for himself is black velvet, and the filigree throughout is the same color as Fallon’s dress. Though the development of their romantic involvement is less than a tenday old, Astarion always knew he would be the one escorting Fallon to the ball, and he’d be damned if their ensembles didn’t match, or worse, clashed altogether. Shadowheart calls from the bedroom that she and Fallon are nearly ready, and Astarion begins pacing again. Lae’zel glares at him, but she doesn’t say anything, and Astarion notices that even the stoic githyanki warrior is fidgeting a little in her seat. He does not dare bring it up for fear of losing his head, but it’s sweet to see his friend be nervous about seeing her lover in her dress for the first time. 
The door to the bedroom opens and Astarion freezes in place and Lae’zel shoots to her feet. Shadowheart is the first to emerge and though Shadowheart looks absolutely lovely, Astarion is watching Lae’zel. He’s never seen her look awestruck before. Lae’zel walks over to a beaming Shadowheart and takes her hands. “ Zhak vo'n'fynh duj' : Source of my joy. You are more radiant than the sun.” Astarion looks away when Lae’zel captures Shadowheart’s mouth in a deep kiss (it feels weird watching the gith be this vulnerable), his gaze automatically goes to the bedroom door. 
Fallon steps through the door, and Astarion is breathless. He imagines the look on his face is not much different than that of the one Lae’zel had on her face moments before, but when Fallon smiles at him, Astarion honestly forgets that there is anyone else in the suite aside from the two of them. Fallon walks–no–floats towards him, the chiffon of her dress having the exact effect Astarion and Figaro envisioned together. He meets her halfway and takes one of her hands and Astarion bows deeply to the woman in front of him, and kisses the back of her hand. 
“Well, I must say, whoever chose this dress for you has excellent taste,” Astarion jests as he rises. “You look absolutely exquisite, darling.” 
Blush creeps up Fallon’s neck. “Thank you. For all of it.” He knows she means more than just the dress. 
Wyrm’s Rock is decorated for the season to the nines. Wyll’s stepmother is known for her parties, and this one is no exception. “It’s beautiful.” Fallon muses in awe as they walk in. “I can’t believe I missed this last year.” 
Astarion squeezes her hand softly as he thinks back to this time last year. Astarion and their friends attempted to convince Fallon to leave The Elfsong for this occasion, but their efforts were in vain. When they’d gone to collect her, she was already several bottles of wine deep in the bar with some of the tieflings from The Grove, could barely stand, and was in absolutely zero condition to spend an entire evening socializing with the aristocrats of Baldur’s Gate. They’d all agreed that with the absence of Fallon, and even Gale, it didn’t really feel like much of the celebration it was supposed to be.
The four of them step further into the extravagantly decorated room and are immediately greeted by various members of the court, fawning over Fallon especially after missing last year. Astarion holds his tongue as they fuss and speculate to her face about why she was absent last year, and pride spreads through his body as Fallon fields the question and deflects like she’s been doing this her whole life. This was why she’d become their leader. She charmed people with ease and carried herself with such confidence it was no wonder nearly everyone they met fell in love with her instantly. Eventually she’s able to wave them off, and Astarion leans over to kiss her temple. 
“Gods, those people do love their gossip, don’t they?” Fallon muses with a laugh. 
“Yes, I’d no idea you’ve been out of the city training dragons, do tell me, when shall I get to ride one? You’ve been holding out on me.” 
“Your very own dragon is your solstice gift.” She teases with a wink but expression very quickly changes to surprise and then pure glee. Fallon lets out an excited squeal and Astarion follows her gaze to where Wyll is standing but it’s not Wyll, or even the druid Halsin towering next to him that caused the object of Astarion’s affection to squeal with delight.
It’s Karlach.
Not only is it Karlach, but the tiefling looks like herself. 
Fallon does not bother with proper etiquette, and she gathers her skirts in one hand, takes off towards Karlach at a sprint and leaps into her friend’s arms. Astarion trails after her, and though he definitely is not running as Fallon had, Astarion’s gait is definitely quicker than usual. After sacrificing herself and becoming an illithid, Karlach was forced to lay low after the battle ended. For obvious reasons, illithids were not exactly a welcome sight in Baldur’s Gate, but Halsin welcomed her back to The Grove with open arms. 
“I missed you, soldier.” Karlach is murmuring into her embrace with Fallon as Astarion approaches the reunion.
“I can’t believe it– you’re here! And you’re you!” Fallon exclaims, hugging Karlach again with tears in her eyes. “How?”
“Just a little bit ‘o temporary magic, I’m afraid. Nettie and our pal Halsin made me a potion so I’d look like meself tonight. Not that I ever stopped being me, but, you know ‘ow it is.” 
Fallon greets Halsin next, and the druid picks her up to spin in a circle and Astarion just smiles as the fabric of her dress floats effortlessly around her. He really does have good taste. Halsin was one of the first people to ever suspect that Astarion had feelings for Fallon. The conversation occurred shortly after Halsin confessed his own feelings for Fallon to her, only to be gently turned down after Gale refused the suggestion of an open relationship. At the time, Astarion made fun of Gale for being so incredibly traditional in his way of thinking, but now that he has Fallon, Astarion understands. He doesn’t want to share Fallon with anyone else, either.
“How do you do it?” Halsin asked him whilst sitting by the fire one evening. 
Astarion looked up at the druid in confusion. “Do what?”
“How do you cope with the ache in your heart, watching Fallon and Gale together day in and day out? I only ask because I’ve not been in this group very long, whereas you’ve been here since the beginning. When does the pain of watching her love another fade?” 
Astarion stared at Halsin, mouth slightly open. “Are you suggesting I have feelings for our dear leader?”
“Am I wrong? I’ve seen the way you look at her when you think no one is watching.”
Astarion frowned. “I don’t have the slightest idea what you’re talking about.”
Halsin gives him an understanding smile. “Then perhaps I misread the situation. My deepest apologies.” 
“No apology needed, friend.” Astarion replied before turning back to his book, ignoring the very ache Halsin just spoke of.
Halsin lets go of Fallon, approaching Astarion. The druid offers him a strong handshake and claps him on the shoulder. “It’s good to see you, friend. I am very glad to see the two of you together. She looks happy.” 
Astarion looks over to Fallon and then back to Halsin. “She does, doesn’t she?” Waitstaff pass buy and offer each of them a glass of champagne, and Fallon eagerly listents as Karlach regales her with stories of the grove, seeing Arabella again, and learning how to live among druids as an illithid, and learning how to live as an illithid in general. 
“I mean, I thought that emperor bloke was joking when he said he ate brains, nope. It’s truly the most horrific part of this ‘ole thing. ‘Course I don’t eat people or anything–” Karlach stops speaking suddenly, and her facial expression shifts to complete horror in an instant. 
“You owe me twenty gold, mate.” Wyll tells Halsin, and his tone can only be described as disappointed anger. Halsin also looks very unhappy, and a sickening feeling begins to form in Astarion’s stomach as he realizes that Halsin’s unhappiness has nothing to do with owing Wyll money. 
“Well, this is quite the reunion, isn’t it? Leave it to The Winter Solstice to always bring old friends together.” An omnipotent voice comments from behind Astarion’s back, and Astarion whips around, willing his fingers to not ball into fists at his side as he tries to remember to breathe. That annoying, condescending voice only belongs to one person.
Fallon spins around to face the owner of the voice and she gasps. For the first time in over a year, she speaks the name of her ex-lover, and her voice is shaking. 
“Gale.”
Chapter List
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intotheelliwoods · 1 year
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-> -> -> 2AL playlist drop!
Answered all the music related asks under the cut!
Question reference btw!
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@teainthesnow
4 - a lyric you like
"Triangles are my favorite shape" From Tessellate by Alt-J !! Do I know why? Nah. I just also like triangles :)
11 - a popular song you think is Good, Actually
On Time by The Disco Biscuits !! Its not popular more than it is mainstream? Its one of those songs you swear you have heard everywhere, because its very much played everywhere, but like its actually good! Either its played everywhere or it just gives me loads of nostalgia? Eh whatever, its still good and im bestowing it upon you.
13 - a playlist name without context
"To Enter The Beyond" Past Human City Soundtrack
18 - a song or lyric that reminds you of the asker
Oh this for sure belongs on your AMW playlist!! Gives some absolute Tea vibes!
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@dandywonderous
5 - ramble about a song
FORGIVENESS BY ALICE GLASS!!!!!!! OUGHOUGHOGH I LOVE THIS SONG WITH ALL MY HEART god something about it just vibrates my insides and tickles my eyes. I dont know how to describe it other than each time I hear this song I feel nothing but pure power and hopelessness at the same time. Drifting along in never ending darkness, and the only thing you have with you are the spirits and memories of those who have passed. The spirits call for freedom. You should listen to them. This song gets real for me alright?
7 - a song for which you like a cover more than the original
Not really a cover moreso than it is a remix!? But im counting it! Silk by Giselle, the original, somber and sweet but just sorta missing something you know? This remix by Favored Nations though? SLAPS. Its so upbeat and I am so here for it!
11 - a popular song you think is Good, Actually
Honestly literally anything by Electric Light Orchestra. Though to be more specific, Evil Woman!! Alright is also a good one, but less popular!
16 - do you sing or play any instruments?
No instruments here! I actually have one really nice/complex song memorized that I can do on the piano but unfortunately thats about it whoops~ As for singing apparently I actually sing good when I try!?
23 - a song you remember liking as a kid
You are going to laugh at this one. Actually. I still like it. But damn was I a weird kid. I once had a solid 150 digits of pi memorized because I would just play this stupid song on loop for like a whole ass hour every now and then???? I think I still have about 50 memorized thanks to this song.. whoopsies
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@thimbell
5 - ramble about a song
YESSSSS YESSSSS I GET TO RAMBLE ABOUT ANOTHER SONG The World Is Ending by Matt and Kim !!!!!!!!!!!!! good GOD this song is so dear to me. Not because of the song really, but because of what the song means to me? The connections I have too it?????? Longish story short, someone made a killer AMV using it? The AMV using clips from the show Final Space! No clue if you have seen the show but no matter. Final Space is definitely up there as one of my favorite shows, not only because its good but because it actually helped me get closer with my dad, we watched it together! In other words I associate this song with just so much joy. The AMV if you were curious btw!
14 - an unpopular music opinion
Glass Animals is overrated <3 <3 Dont get me wrong I love their music! It just gets so tiresome hearing them everywhere!??? Probably just a me problem though
24 - a song people often misinterpret
I dont think I have much an answer for this one, apologies! Mostly because its not too often I pay attention to lyrics, and even then I think its cool that everyone has their own interpretations of someones song!
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@wraenata
17 - a song that has made you cry
... honestly? Any song in a tv show that is played during a sad scene! A REALLY sad scene... one that comes to mind is Enter One by Sol Seppy (would recommend skipping to about 2:30), because it is played in the death scene of one of my all time favorite characters... alright im going to weep about that death scene more now because listening to this again is NOT helping pfft... oughh honestly now im tempted to add it to the 2AL playlist... maybe.
24 - a song people often misinterpret
Answered above!
30 - a song that makes you nostalgic
Divinity by Porter Robinson, listen this used to be my favorite song for the longest time... and it might even still be my favorite song?? Either way, I DARE not listen to it anymore for the sake of I fear for the day where this absolutely nostalgic gem gets tiresome for me...
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@unfortunate-songbird
17 - a song that has made you cry
Answered this one above! Though for a less serious answer, any of the finale songs in Centaurworld... oops.
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1 - which artist(s) have you listened to the most lately?
The Asteroids Galaxy Tour has been a fav in the past month! Heres a good song by them if you would like~
I am going to use this ask as a chance to also say how much I love Hugo Kant!! He makes great stuff to chill too when working! If I could log hours on youtube, my most listened to videos are so just listening to the guy live!
21 - favourite album
Not to pull out my inner cowboy, but Harlequin Dream by Boy & Bear. I fear for the day I get sick of this album its such a trip for me!
28 - rank the songs in an album
THATS IT IM RANKING ALL THE SONGS IN PAGANS IN VEGAS BY METRIC. I love this album.
#1 - Celebrate. This is the song that introduced me to the band and gives me SUCH a blast of nostalgia each listen, and it shows. Best song in the album by far. Its so weird though since I knew this song before I knew about the rest of the album, so when I finally discovered the whole album each time this song comes up its so out of place pfft! Still such a bop though!
#2 - Blind Valentine. This is just one of those songs I love singing too whenever it comes on alright!?????
#3 - Lie Lie Lie. This is the first song in the whole album, and honestly? What a knee slapping way to start an album too god damn!!!!
#4 - Cascades. I am begging you to skip to about 3:15 in this song, its a little on the plain end before that end, but THAT ENDING??????? SLAYS.
#5 - Too Bad, So Sad. ITS SO GRINDY I LOVE IT. I FEEL LIKE A PUNK IN A DESERTED WASTELAND
#6 - For Kicks. The beat is just so unique here!!!!!!???????
#7 - The Face Part |. Just some funky cool down beats at the end of the album that are very enjoyable!
#8 - Fortunes. A decent enough second song in the album, helps sets the tone for whats coming!
#9 - The Shade. Its actually a good song, just nothing special about it you know??
#10 - The Governess. vibes are there, the vibes are sure there
#11 - The Face Part ||. Just more cool off tunes to end the album with
#12 - Other Side. No. Why are you here. your ass does NOT fit with the rest of this god-tier album. goodbye.
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Edit: @kiaxet Thought I should add you to the masterpost here!!
5 - ramble about a song
Ok. Adventure Time by Yoann Turpin. I am usually not too big on 16 bit video game sort of vibes but this??? Is such a MASSIVE exception. Holy????? THE HEART THE GUY PUT INTO THIS SONG MAN. The beat is just so unique, its impossible to try and guess whats going to happen in the song next, you strait up feel like you are on an ADVENTURE. I am so here for this song, god and its so upbeat I am in LOVE.
By the way, I linked the whole ass album because the whole album overall is so nice to listen to to pump you up when doing dishes or something lmaooooo, the first song in the album is also an amazing trip!!
8 - an artist you think underrated
HUGO KANT!!! God!!! mentioned above as well, I love Hugo Kant with a passion! He makes such good stuff just to chill too, and him live is absolutely incredible!
With the ask above I linked a video from him preforming live, so this time around I bring you two favorite albums of mine!! Far From Home and Out Of Time
I get in SUCH a zone listening to his stuff!
9 - a song you think is underrated
Phleps by C418!!! C418, the producer of the original music behind minecraft, but the guy has so much underrated personal music that is SO underrated! This song in particular, is vastly different from his usually stuff and I love it for that. Definitely underrated for being overshadowed by his work on minecraft and his work that isnt minecraft but sounds like minecraft..
29 - what do you look for in a song or artist?
I always look for something where you can tell it has genuine love and heart put into it! That + something that just sounds truly unique in its own right!
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desmorotu · 2 months
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morgan’s playlist 🌑 (a glimpse)
i’m just going to flat-out say that i am totally aware that he has only three videos and that it’s kinda silly to suddenly just know his vibe BUT i did get a vibe and now i need to share it because he is everything that i want in a character and more 💔 his recent audio was so cute. playlist stuff is below :)
꒱࿐♡ ˚.*ೃ
☆ nocturne in c-sharp minor - frédéric chopin (classical music is a way to quiet the noise. prefers piano, but most lyric-less music will work if it’s in a minor key and has a moving melody. as his outside world is messy and frantic, he uses the precision and accuracy of an artist’s fingers to simulate that solace in his mind. enjoys listening to it while writing or reading, both hobbies that he’s recently picked up on.)
☆ piano concerto no. 21 in c major, k. 467: II. andante - mozart (i imagine him wearing a black turtleneck, having dark hair and rounder glasses, and some grey plaid pajama pants with a warm cup of tea; caffeine free, of course. when he says Seeing is like music, this song is what comes to mind for him. it can truly be a gift, just as he’s said, but it can quickly tip-toe the line into tragedy if you’re not careful. it’s all about balance.)
☆ the heart - david celeste (strangely, i imagine that morgan looks similar to seokjin from bts…those are just the visuals i get when i hear this song? longer, slimmer face shape, full lips, broad shoulders, soft cheek bones and jawline, etc. etc. it’s not exactly him, there are some differences in his eyes and nose that i can’t place yet, but no matter what i try to change or picture differently, seokjin is my point of reference for what morgan looks like. this song just brought out his appearance for me and i have no clue why. i don’t even keep up with kpop anymore and haven’t for a while now. if you totally disagree with me then i am so sorry 😭)
☆ prelude in e minor, op. 28, no. 4 - frédéric chopin (plays mostly classical because it’s what he prefers. he partakes in playing the piano on occasion and understands music theory, which is why he uses music to refer to his Sight. it makes sense to him. he knows it; he’s comfortable in it. he believes that music is the closest thing that the unempowered will ever have to magic, and he believes that to be a beautiful tragedy.)
☆ catwoman - michael giacchino (he’s the type if person to pay acute attention to the soundtrack of a movie over the movie itself, though he’s not much of a movie person to begin with. he was interested in batman as a child and decided to go see its 2022 release—and he absolutely fell in love with the soundtrack. it pulled the right kinds of emotion from him at the right times, and it added a perfect effect to each scene. it’s one of the few movies that he actually watches back.)
☆ clair de lune - claude debussy (a simple, sweet, popular classic. he likes to pay attention to the rippling pattern of the right hand and allows it to envelope him in a comforting “brain hug.” it was one of the first pieces he heard when he was younger and it inspired him to delve deeper into music as a whole. his mother played piano, and he sits and recalls the amount of times that it’s lulled him to sleep in his younger years.)
refer to morgan’s playlist cover at the bottom :) i associate him with the color purple so i’m just rolling with it
꒱࿐♡ ˚.*ೃ
this one was so relaxing omg. i feel like morgan is a super calming presence as a whole—i mean, he relaxed me really effectively in his recent audio. he’s a sweet, awkward music nerd (imo) that also happens to see the future. i’m so excited to see how his character is developed further in his story :).
as for his appearance being seokjin and associating him with the color purple, i have absolutely no clue. call it a vibe check. it just felt correct 😭 i will def be doing more of these when the inspo arises :p
can i be the unofficial official morgan guy? thanks
k bye 💟
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ner5y · 3 months
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Some music idea's for tadc Carnival au
So in each of the guardian's themes from BOTW you can faintly hear the morse code for S.O.S at different points in their songs, right? (along with other morse code messages that I don't know the meaning of)
(It's a lot clearer in the soundtrack, especially for vah ruta but hopefully you can still hear it)
Listen closely, you can hear beeping in the background:
youtube
So what if WHAT IF Different songs in the Carnival au game's soundtrack had something like that? Like you open it up and the title screen's song has a catchy beat, but little do you know, IT'S THE GAME CALLING FOR HELP.
That was just a random thought I had, this post is mostly to headcanon what video game osts would fit what character, so here:
Pomni's Room:
Glitzville (Paper Mario: The Thousand year Door)
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Does. Does anyone actually remember some of the weird (and sometimes racially insensitive) writing in this game? I still have a pretty fresh memory, because I first played it about two years ago (VERY LEGALLY). But did anyone clock those as a kid, or was it just a normal 2000s thing?
Pomni's Boss Battle
I think the choice is obvious...
THE WORLD REVOLVING (Deltarune)
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Ragatha's Room
Petalburg (Paper Mario and the Thousand year Door)
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(But if you wanted it to be more elegant, "The Night of The Ball" from Fire Emblem 3 Houses would also fit I think. Oo, OR" Lily's theme" from Pokemon: Sun and Moon might fit better.)
Ragatha's boss Battle
Battle! (Lusamine) (Pokemon Sun and Moon)
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(I couldn't really think of a good one for her)
Kinger's Room
Soul Sanctum (Hollow Knight)
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(Could also be "Victory Road" from Pokemon: X and Y, Or if you're looking for something more upbeat, Merlee's mansion from Super Paper Mario! that one might sound too evile, though [Fun fact: I was so scared of Mimi's spider form as a kid, that I didn't end up getting past the second door and finishing the game until I was FOURTEEN])
(It could also be a whole host of other Hollow Knight songs)
Kinger's Boss Battle
Mantis Lords (Hollow Knight)
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(OR "Twilight of the Gods" from Shadows of Valentia, or maybe even "Time to Fight!" From Xenoblade Chronicles (*cough* Dunban is the goat *cough*))
OKAY, for Jax, since he's so fucked up, I think his themes would be DRASTICLY different when comparing sentitience and none-sentience:
Jax's Room (sentient)
Hellfire Follies (Bendy and the Ink Machine)
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Jax's Room (Non Sentient)
Inkwell Isle One (Cuphead)
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Jax's Boss Battle (Sentient)
Colossal Wonders (Bendy and the Ink Machine)
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Jax's Boss Battle (Non-sentient)
Fiery Frolic (Cuphead)
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Another fun fact, King Dice's song is sung by a woman named Alana Bridgewater!
Gangle's Room
Shopping (Pokemon: X and Y)
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Again, struggled with this one. Not sure if it fits too well.
(A general theme for Gangle could be Dimentio, Charming Magician from Super Paper Mario)
Gangle's Boss Battle
I've Had Enough Of You (Billie Bust Up)
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And would you look at that, Michael's at it again.
Here's a female cover cus y'know Gangle's a girl
(For ones without vocals, maybe "Battle Team Flare" from Pokemon X and Y, "Fracktail Battle" or "It's Showtime" both from Super Paper Mario)
Zooble's Room
Spirit of Hospitality (Celeste)
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(Could also be Crystal Peak from Hollow Knight!)
Zooble Boss Battle
Confronting myself (Celeste)
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(I was struggling to decide between Heartache, Metal crusher (Undertale) and Battle Elite Four (Pokemon: Sun and Moon) but as soon I heard this, I KNEW)
Bonus:
Caine Boss Fight
BIG SHOT (Deltarune: Chapter 2)
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I think that's all of them!
@sm-baby
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dragynkeep · 10 months
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My interest is piqued 👀 Please go off about Nevermore.
The thing is with Nevermore is that I like the song itself. I like the beat, and really fits with how V6, imo, has the best soundtrack out of the volumes with the exception of Big Metal Shoe.
But the lyrics are so fucking bad.
One of the biggest issues before going into specifics is that this song has Yang commenting on the Faunus racism and Adam's reaction to it when this is not her place to say anything. She does not get to tell Adam, someone who's not only a Faunus who lived in the most racist kingdom, but also had been enslaved and branded, that he was not the Faunus' saviour and that his ideals and goals were inherently selfish.
I'm even mad that Blake is saying shit about it, as I'll go into, but at least she's of the same race as him and has a leg to stand on. Yang should've just shut the fuck up.
Now going into specifics, I'm not going to go through line by line since there's some that're just alright and fit the general vibe, but I will make a comment on that it's funny that Nevermore is so focused on Adam on what he did personally to them rather than the Faunus Rights fight as a whole, while This Time actually focuses on the Faunus as a whole.
(I'm not counting that as Blake and Ghira, that stupid twat didn't do anything to actually help his daughter and Sun in the whole Menagerie arc. Plus, This Time is also incredibly tone deaf but that's what you get with anything surrounding the Faunus racism in this god forsaken show)
You talked of subjugation,
I answered your violent plea.
Youth and infatuation,
kept me too blind to see.
This part isn't so bad save for the way Blake is kinda putting herself on the same level as Adam when talking about subjugation, because she wasn't.
Before Blake even joined the White Fang, she was living with her very much alive parents, in their giant mansion, on an island that was populated solely by Faunus.
You could've gone into how overpopulation and the seemingly lesser economic wealth of Menagerie meant that Blake was nowhere on the same level as rich humans, especially Weiss, but when compared to literally every other Faunus in the show, Blake is nowhere near as oppressed as she and the show want us to believe.
And again, the whole thing of Blake being too blind to see that violence is wrong, while still using violence whenever something stands in her way, is hypocritical and annoying. Don't protest too hard, but also don't look at how I, working for a mostly human run organisation that's pretty much fantasy cops, can beat the shit outta you and preach when you guys don't protest as I want you to.
You think you're someone's hero,
you're hiding more than your eyes.
This. This is the line that started me off.
First, Yang shouldn't be saying that Adam isn't being a hero to the Faunus, or that his perception of liberating the Faunus was wrong. It's not her place at all to be saying any of this, and I would much rather just take Blake saying it because at least it's a Faunus saying this to another Faunus.
But the second line boiled my piss.
Yang knows what's under Adam's mask, specifically why he wore the White Fang mask beyond wanting to hide his identity. He was branded by the SDC in the eye, very likely blinded by it, and has had to carry that trauma and shame for the rest of his life.
To have a human come and make a comment on it, especially in the accusationary way that Yang does by equating his mask to him hiding his true desires of being glorified, is fucking racist.
I challenge your weak manifesto,
the goal of a saviour is not to be lionized.
This is also racist. Again, Yang should not be putting herself as even an opponent to Adam's ideals around Faunus liberation and protesting against the racist society they live in.
The comment to not be lionized is meant to call back to Adam's song, Lionized, in the short, but again, this should not be Yang acting like she knows what she's talking about. It's not her place to tell the Faunus anything on what they're doing for their rights, which is why I wished either the civil movements were Blake's lyrics, and Yang's just stuck to how he won't keep her scared anymore, or just fucking get rid of Yang.
I'm tired of Blake and Adam's storylines being reduced down to shitty abuse and whoever's buddying up with Blake at the moment. At least if this was Sun, it wouldn't be as racist.
One of the few times I will admit that I'm glad it's BB over Monochrome. This would've been so much worse.
Back when it started,
I thought that justice was your goal.
Not overly racist but I'm making a comment here that I hate how Adam's anger and want for revenge was reduced to spite and going against justice.
What would've been justice for him was bombing the entire SDC company. I'm tired of shows framing anger towards racialised bigotry as wrong and not justice, when it very much fucking is.
The chorus isn't anything particuarly bad. Just meh, but I do wanna say how I liked the use of Nevermore in the actual song.
You offered hope, salvation,
gave me a place to be.
But your vision of liberation was all about you,
it would never apply to me.
This being Blake's line is so funny because this is literally what she and her family has done. They have denounced the White Fang for turning to more aggressive methods, methods that Blake has admitted to be working, and yet shows no hesitation in using violence against the White Fang themselves.
Ghira literally got shot because he was too stupid to actually fight back against the clearly muderous humans attacking him, and then lectured Adam for having to kill one after dispatching most nonlethally. Now I know where Blake gets it from.
But also, Blake had a place before Adam. Again, Blake lived in Menagerie, she was the Chieftan's daughter. Blake had more power and ability to actually do something than anyone else has, especially Adam.
Can the show please acknowledge this and not jump on the Blake is powerless to do anything train?
There's no cause to celebrate,
another soul consumed by hate and spite.
Not hate and spite, justified anger towards racial violence. This stinks of the white racist writers.
There's no pleasure, there's no joy,
it's just a story of a boy who lost his way.
I'm gonna say it now, I don't get this line.
This line reads like they're talking about a whole 'nother Adam, one that actually had depth and the berevity surrounding an abused boy who didn't have the help needed to move past his trauma.
The Adam in the show is a hate sink. The writers have constantly talked about how much they hated him, his VA talked about how his lines made him ick, they behaved as if this character was a real person and not a bunch of pixels that they created and that they made into this way.
And when they decided to appropriate specifically black struggles to slap onto Adam, all for the controversy and shock value, that just makes this line even worse. Because canon!Adam wasn't this lost soul worthy of pity, because there was more to him than an abusive racist who abused one main girl and permanently disabled another.
He was a flat, one note, racist ass character that the writers used as a warning towards minorities being too traumatised and angry towards their oppressors, as opposed to the polite and meek cute girls that stand there and ask for their oppressors to maybe give them rights.
Those are the main lyrics that I wanted to highlight, and overall Nevermore really is the epitome of the wrongs behind Blake, Adam, and the Faunus' storylines. Nevermore was the conclusion of Adam and Blake's arcs, but rather than showing two people molded by hardships and having to fight with their opposing ideals, we got a queerbaited racist ass ship with the white bitch deciding she's allowed to speak at this TED talk.
Girl you shouldn't even be sitting at the table, gtf outta here.
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thebroccolination · 1 year
Text
Listen, Between Us is my child. My joy. My raison d’être.
But I do kind of have separate ratings for the series as a whole vs. WinTeam’s part in it. WinTeam Rating: 12/10, perfect my babies miraculous string music. The series…has a different rating. Undisclosed. Unimportant. New and Sheep did their best under extraordinary circumstances and I will defend their series to my last breath.
That said, I want to make a WinTeam supercut for myself.
‘Cos as far as I know, New didn’t just direct the series—he edited it as well, and I understand that he had a lot on his plate. But I do…kind of wish he’d delegated the editing to someone else. The mic noises, the music crowding some scenes, the flashbacks that go on for a really long time—much longer than they had to—presumably to pad out an episode, etc. Plus, well. BeePrince should have had their own series. Bee is already a side character, and Prince only has Bee and his manager to flesh him out. I think Tae did a fantastic job as Bee, but Benz as Prince never really grabbed me emotionally. Their plot felt sort of sped-run to me, and I started fast-forwarding past them in later episodes. I don’t dislike them, to be clear, I just didn’t feel much of anything in any direction. Love Bee, neutral on BeePrince.
I wish I could fix all the muffled noises from the actors squishing their body mics during hugs and oh my god New kept playing the instrumental version of Prem’s song in a painfully sharp/high-pitched key that felt more like a horror soundtrack than the uplifting/happy instrumental they played in the locker room scene of episode two. But I can’t fix those issues because I’d probably need the original high quality dialogue tracks in order to isolate and remove parts of them. And aaahh, more than anything I wish I could remove the music from some scenes—the late-night “if I asked you, would you have an answer for me” conversation has, like, four or five music cues in it and it’s ONE SCENE, NEW. I’m a huge champion of sound engineering as an art form that should be respected, and so a lot of scenes genuinely felt to me like wasted opportunities. Sound and music aren’t supposed to hammer viewers in the face with the mood of a scene. And BounPrem were at top form in this series, so I wish they had had more scenes where they aren’t interrupted by a song in the middle. Where they just got to have quiet and New let their acting carry the scene.
(This is something New also did in UWMA. Like, as much as I enjoy the cabin scene and the dorm room scene, neither of them needed that song blasted over them. Let the actors carry the scene!!!)
Basically, my only major issues with Between Us were editing-based. Hence why I wish New had let someone else do it. Maybe he didn’t have the money to spare. Maybe he just didn’t want to. No idea.
But that’s why I want to make my own WinTeam cut so I can binge their storyline when I’m having a rough day and I don’t want to fast-forward to get to them. (That’s not to say I didn’t like everyone else! I did! But y’know. WinTeam. My babies.) I’ll include some of the other pairings when their scenes are relevant to WinTeam’s story, but mostly I just want to zero in on WinTeam. (I’ll keep all of WanTul since they’re the pairing with the closest storyline to WinTeam, and the two pairs converge later in the series, but I’m tempted to play with the timeline and see if I can’t blend them in elsewhere.)
I know why BeePrince didn’t have their own series. Side pairings are a profitable and inevitable marketing element of the BL industry, and I don’t begrudge New for trying to advertise some of his actor stable in a highly anticipated series that was guaranteed to have thousands of potential fans watching it. It’s tough out there, and New’s got a purebred cat family to feed and Boun’s salary to provide. Sell what you gotta sell, babe.
(I’m actually a little tempted to do this same thing for SOTUS S because HOO boy do I not care about the side couples in Arthit’s office. KongArt + TewDae + seven seconds of sapphics is all I want.)
Anyway! I’m gonna make this my li’l project. I’m not sure I’ll post it publicly because I don’t want to step on the official versions, but I’ll probably post some isolated scenes while I experiment with editing. For my first step I’ll try to cut down some of those flashback scenes. Like Win in the shower remembering his entire conversation with Dean and Pruk? For multiple minutes? Win might have relived the entire thing, but we shouldn’t. The series is only twelve episodes, New, and that conversation wasn’t that long ago even for those of us who watched it live. We remember. We got it.
If New needed more footage to pad out the episode, just have Boun do his hair and skin care routines. Literally who would complain? “Look, a beautiful human being. Stare.” WITH PLEASURE.
“Oh no the episode is short. Prem, pout for thirty seconds.” I WILL TAKE A THOUSAND SCREENSHOTS.
“Ohm, do some push-ups.” I’m sure he does those!
“Prem, Sammy, ad-lib an argument.” More Team and Manaow bickering! Grand!
“Fluke, be perfect.” PHARM’S APPEARANCES IN THIS SERIES WERE FLAWLESS I HOPE HE GETS THE RESPECT HE DESERVED THE FIRST TIME AROUND.
So you see, there are workarounds when you need to pad out time. No need to show us the same scenes again.
Anyway, in addition to writing fic, this is how I’m coping with our collective loss.
117 notes · View notes
7grandmel · 3 months
Text
Todays rip: 07/02/2024
Battle Emergency
Season 4 Episode 2 Featured on: Paper Jams - A High​-​Quality Album ~ The First Fold
Ripped by Cryptrik
youtube
Requested by circunflexo! (@circunflexonoa)
Over its life, there's been a lot of projects on SiIvaGunner where it's easy to tell they were driven by individual rippers' passions, moreso than satiating the hunger of a wider audience. There's of course Jass' excellent Genesis renditions of the soundtrack to Sonic CD, as shown in Collision Chaos Good Future JP [CD Beta Mix], there's ShonicTH's push for Kingdom Hearts content to be on the channel with rips like Trial of the Heart, and of course Chaze the Chat's legendary infatuation with pop music sensation Sean Kingston in Take You To The Desert - with no particularly strong feelings toward any other music artists of the 2000s. Yet of these projects listed, I don't think any of them felt quite as prominently featured on the channel as the three-part Paper Jams project.
Prominent channel member PinkieOats, of Live and Ooooooooooooooh, was once on an episode of the now-ended SiIvaGunner interview podcast series "The High Quality Podcast" (which, ftr was a huge inspiration for me to start this blog!). From just that one hour of time spent listening to PinkieOats alone, I could tell that the guy REALLY loved the first two Paper Mario games - hell, his profile picture since time immemorial has been of a pink Boo enemy rendered in the Paper Mario artstyle. Just a few months after said podcast episode, SiIvaGunner revealed "Paper Jams - and it thus came as no surprise to me to learn that it was a successor to a 2015 project by PinkieOats and Nape Mango, five whole years earlier. The goal of Paper Jams? To, across a collection of album, rip *every single track* from Paper Mario: The Thousand-Year Door.
The tracks wouldn't all be ripped by PinkieOats and Nape Mango this time, of course - they now had the entire SiIvaGunner team collaborating with them for this rather ambitious event, and the results of that collaboration are evident as clear as day with Cryptrik's Battle Emergency. I've covered Cryptrik's work in the past with rips like Maroonbound and Give Me the Fantasy, and it was actually my coverage on the latter rip that prompted today's requestee to suggest yet more of the guy's rips for the blog. But it really cannot be stressed enough just how effortlessly Cryptrik is consistently able to make his rips just sound flat-out FUN, in large thanks to his mastery of utilizing large amounts of pure *noise* in rips. It would not surprise me one bit if I learned he was an actual DJ, but his influences are immensely clear regardless - dude rocks, basically.
Battle Emergency straddles a fantastic line in my eyes between succumbing entirely to Cryptrik's noise-driven style and still maintaining the original charm of The Thousand-Year Door's music - a balance that I believe is important to have in mind whilst working for a tribute project like Paper Jams in particular. The whimsical, energetic vibe of the Battle Theme lying underneath it all doesn't get lost, but is coated in an absolute barrage of mostly funk-related songs - primarily led by FUNK EMERGENCY, but joined by parts from Walk the Dinosaur, Uptown Funk, and the ever-memorable melody of Black Betty (bam-ba-lam), really just letting Cryptrik go wild with his signature style.
And yeah - it all works to excellent effect! The rip often reminds me of rips like Everybody's Special Course or Memey Hell in how the amount of noise and scattershot sources only aid in giving the track a fun, exciting feel - like you're at the center of two concerts playing at once and having the best time of your life. Its the kind of rip that almost leaves you exhausted after you're done listening - yet also the kind of rip that's endlessly relistenable as a result for how many phases it goes through in such a standard runtime. Althewhile the positive energy it instills also serves to spills over into my impression of Paper Jams as a whole - it truly sells the idea that, though the project was started by PinkieOats and his own passion, it is one that so many others of the SiIva team love just as much and want to celebrate just as loudly. Because really - moreso than colleagues, isn't the SiIvaGunner team really just a bunch of musicians who love jamming out to one another's music?
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felizusnavidad · 4 months
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Does the music in VIVO really slap? I need new music to download more music. 😁 And how’s Lin-Man’s singing?? I am ready for that conversation.
HELL YES
ok, so first of all, vivo is the most underrated out of all three (vivo, moana, encanto) and it's actually my favourite. people don't talk about it enough, mostly because they've never even heard of it and it is my job to change that (lol i'm just kidding. unless...).
the plot is amazing, i actually didn't expect to cry this much, but it really is a sad movie, the whole concept is heartbreaking, so be prepared. i don't want to spoil you anything, but i've got three words for you: love, friendship, music.
now, about the last one: music (because that's why we're here, right?). this soundtrack is everything, but then again, it's lin! he always pours his whole heart and soul into all of his projects. and i am not only talking about his lyrics, but his vocals are absolutely incredible as well (our lin-man has a voice!!!). i know a lot of people say he can't sing, but please, listen to this and tell me what you think:
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and it's not even my favourite song. one of a kind? slay. one more song? slay. it's basically slay after slay after slay.
it's a beautiful movie. please, give it a chance. i'm sure you won't regret it!
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fucktheark · 8 months
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(some) creepypasta/marble hornets music hcs :)
these are mostly from my own playlist they aren't accurate at all this is just 4 funsies lololol
also i highly doubt anyone will even see this post but if u do drop a song rec plz im struggling finding new music </3
tim (specifically him cs masky is too busy going apeshit 4 music)
old man music but like cool old man music (this is just what my father listens to LOL)
thinks he's got peak taste and snickers at everybody else's song choices
breathe - pink floyd
pet sematary - ramones
the chain - fleetwood mac
aerials - soad
lover, you should've come over - jeff buckley
hoodie
i pulled this out of my ass tbh but imagine 80s fan brian
kinda likes lil peep but would never tell a soul cs he thinks he's too old for it
doesn't rly share his music with anyone bcs he's afraid they're not gonna clown him for it
she's in parties - bauhaus
the brightside - lil peep
the ghost in you - psychedelic furs
messages - a flock of seagulls
hotel california - the eagles (cz y not)
jane
i never rly obsessed over her so this is js based on the vibes i get from the art i've seen of her (so pretty bruh)
echolalia - faetooth
nine while nine - sisters of mercy
closet - fleshwater
engine no. 9 - deftones
frigid and spellbound - spectral wound
nina
no way totally unexpected music
i think eventually she grew out of screamo and scene but never rly let emo go entirely
acid - ghost town
get away with murder - jeffree star (yikes)
what you need - bmth
freaxx - brokencyde (she's been in love with this album since it came out)
vampires will never hurt you - mcr
jeff
i like think that after what he did to his family he just kinda checked out from earth and stopped keeping up with most pop culture, so he's still listening to the same music he did back then.
peak edgy middle schooler vibes
never tires of his playlist
every now and again he comes across something new and gets obsessed with it immediately and probably forever
yen - slipknot
makedamnsure - taking back sunday
don't go - bmth
tourniquet - marilyn manson
crewcabanger - chelsea grin
toby
I-C-P FOREVER WITH THE JUGGALOSSSSSS
still enjoys twiztid even after the beef but secretly because it makes him feel like a poser
also likes jeff buckley but feels kinda cringe for it
the stalker - icp
house of mirrors - icp
my 1st time - dark lotus
2nd hand smoke - twiztid
grace - jeff buckley
liu
same reasoning as jane i know like nothing about this dude and even less about sully so i'm not even gonna attempt .
i fw his vibe tho
eye - smashing pumpkins
the man who sold the world - nirvana
heaven - talking heads
the sickness - imminence (he's gotta be a lil emo come on)
siamese twins - the cure
eyeless jack
this one is kinda hard tbh but considering his hypersensitivity to sound, i feel like he wouldn't enjoy anything too noisy
likes songs with a lot of bass because he can feel the bass reverberating through his body when he wears headphones
soft/airy vocals!!!! he hates screaming
doesn't rly stick with a specific genre just whatever makes his ears tingle lol
a forest - the cure
dark stone - holy fawn
hide and seek #1 - plastic tree
the thing - pixies
collabo - june freedom
BEN
bitch spends so much time on the internet he discovers new music every day
listens to everything but tries to flex the really obscure shit he finds in the depths of youtube (he wants to be cool but it's kind of pathetic.)
his playlist is MASSIVE and a mess, he usually has to skip through half of it before finding something he actually likes
i don't know why but he'd be into haunted mound
plays the majora's mask soundtrack when he can't think of anything to listen to
husqrider - turnabout
fentanylism - opiated devilsperm
starting over - lsd and the search for god
gou zin zan goku - deviloof
ugliest - $uicideboy$
laughing jack
he's old af and probably doesn't get modern music tbh
classical music it is
and opera
i'm not gonna make a whole playlist but he really loves erlkönig because of the story lol
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marengogo · 10 months
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UGH!-6: But like … Did They Stutter?
Yet To Come - by BTS  [Proof]
[Music is a very big part of my life and I’m MOSTLY INCAPABLE of writing without music, so I just thought I'd share what I am listening to while writing this]
–🐺–🐺–🐺–
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Given that even my coworkers, who generally REALLY DON’T CARE/KNOW ANYTHING ABOUT BTS except for the ones who now have started listening to some of their songs thanks to yours truly, came to me saying “So. BTS. They are disbanding uh? …” the day after FESTA 2022 dinner, I’d say it wouldn’t be a gross generalization to assume that at least every ARMY, OT7, x/y/z-biased, solo, anti, shipper, whatever-you-prefer-to-be-called, saw FESTA 2022 dinner. Right? 
If you haven’t I’d highly recommend you to do so but as always you feel free to do you as the boys did explain everything that they could at the time, which is pretty much what is happening right now. They also made a couple of sentiments and statements clear, and I, for one, am writing this post even though I am painfully aware that the boys are never going to see it, yet I still wish to put out this message in the universe, maybe its energy will manifest and reach them somehow, as I would really like them not to think that we all have poor listening and reading comprehension. 
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BTS’ CHAPTER 1: THE END OF AN ERA.
The Beatles. The Jackson 5. Menudo. New Edition. Backstreet Boys. One Direction.
According to the following Wiki definition this is what they all have in common:
A boy band is loosely defined as a vocal group consisting of young male singers, usually in their teenage years or in their twenties at the time of formation.[1] Generally, boy bands perform love songs marketed towards girls and young women. Many boy bands dance as well as sing, usually giving highly choreographed performances. South Korean boy bands usually also have designated rappers 🤡 LOL LOL LOL 🤡.
That being said, with hindsight, we can add/examine a couple of aspects, which have surfaced through the years and further represent boy bands. For example, the fact that at the very beginning boy bands were usually the union of a group of friends, or classmates, basically, people who already knew each other. Let’s fast forward a couple of decades, and we see that the music industry catches on to the fact that waiting for the next phenomenal boy band to magically appear is not sustainable and that is when they realise that they can actually make the groups themselves. So starts the scouting and the auditioning with the sole goal of slapping together supposedly talented boys who are complete strangers to one another, but who at the very least, have a desire to become rich and famous. “Win-win”. 
Moving on, around the same time, we'll have to leave the West and take a trip to East-Asia, where the boy band industry has had an even bigger eureka moment. What they’ve realized is that even though these boys may not have the affinity of a band of boys who already know each other, from a business point of view they can easily be molded into whatever it is on demand at the very moment, afterall, everybody loves a good story, and even better if it comes with a great soundtrack. So what better than creating a narrative for these boy bands, each member would have a role/character associated and fans can not only enjoy the music but also follow a sort of “storyline” as they watch for example the silent masculine strong member interact with the cute feminine talkative one. Even greater “win”, brr brr!.
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Now, in an ideal world, all that reasoning would make sense and bring about endless profit, but we don’t live in such a place do we? The whole purpose of a business is to make money and if money is what you base your every decision on, sooner or later, you are bound to encounter problems that money can’t solve without changing things irreversibly and in most instances, for the worst. The thing about grouping ambitious strangers with the intent of becoming rich (usually more for the company) and famous (usually more for the artists) is that if you don’t have a common goal all you are essentially doing is building a glorified House of Cards. 
And don’t get me wrong, Longevity, is something that this type of companies, and the artists themselves, could only dream to achieve but never actually aim at. Nobody does, because it is very much a pipe dream type of thing. In fact, for the most part, the company's goal is it to at least have one amazing CD, make fans go crazy for a year or two, so that they can spend some money, and then if it doesn’t work anymore, the artist would hope to have garnered enough fame to allow them to start perhaps a solo career, or at least stay within the business, while the group inevitably disbands and the company moves on to the next group. Rinse and repeat ad infinitum. This has been the blueprint, and it was indeed the same blueprint used to form Bangtan Sonyeondan. 
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It was the same blueprint, but Bang SiHyuk was a visionary that had goals of his own, with a knack for unusual experimentation 🤡. And exactly like a Mad Scientist, if you will, he played around with what he believed to be “slightly usual ingredients”. However, what he didn’t quite know at the time, was that these “ingredients” were actually very unusual. Some of the “ingredients” didn’t follow instructions, some very quickly dropped their assigned character, and some even had secret jobs but what they all had, and he probably didn’t account for or maybe he did, who knows right? was an extraordinary fighting spirit, which pulled up strong when it became clear that it was Bangtan vs the World. These boys had something to prove. They had somehow found their common goal.
As we all should know, early Bangtan, due to Big Hit's lack of reputation and funds, became the industry’s punching bag. This would have normally caused an “explosion in the lab”, instead, it created something new. The boys were fired up with this fiery will to fight back. They took the negativity and turned it into artistic fuel and did all of that while naturally learning about each other and consequently depending on each other solely. Somehow, these boys ended up actually liking each other. They kinda fought like members of a band made of family members, but had the passion of members of a band of strangers. They were an anomaly. 
An anomaly in a world that had rapidly become full of “anomalies”. Your everyday listener was, yes, looking for good music, yes, looking for something new and entertaining, but when they realised that they could also get someone who they could relate to; … 🤯🤯🤯. And so the “ingredients'' began to mutate. Along the way, they found their true calling, while adapting to their environment and understanding their receptors fandom, which also understood them in return, creating a never before seen bond, Tannies & ARMY, that brought them to where they are now; a world where THEY are the blueprint has anyone else noticed the number of boy/girl bands that got back together. 
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These boys have created something unique. 
Something that other “Mad Scientists” have ever since been trying so hard to recreate in “their labs” and so far to no avail. This “something” is not only insanely lucrative, but also so emotionally rare, and has a chance at Longevity. These are boys who trust and genuinely love each other, but because they are also human, and have learned to be honest with themselves, they also know their limitations. And like they’ve always done, they sat down, exposed the problem, and tried to find a solution. And even though they didn’t have to, they also sat down with us, FESTA 2022 dinner, and quite clearly explained their solution. But, as always, the world managed to take their words and turn them into whatever sold better on the front page of the next morning paper we’ll get to that later on or/and whatever better fits their personal agendas. 
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BTS’ CHAPTER 2: A LIMITED AMOUNT OF TIME, WITH AN UNLIMITED NUMBER OF POSSIBILITIES.
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Have any of you experienced moments where you just wanted some time to yourself? Like, you love your friends, your family, your job, your everything, but at the same time, you are mentally exhausted and you need out for as long as you can afford? This is usually what most people use holidays for, you might be thinking. But the type of out I’m talking about is the kind where you want to be able to pause your present life, start another life for a while, and then go back to your past life kinda out. Basically, a “have your cake and eat it” type of out. 
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That’s what I feel the boys are trying to experience and I ain’t mad at it, not one bit. Cause, let's be real, most of us regular people can’t really afford to even think of experiencing such a thing without MAJOR repercussions to our everyday life. But not only do I feel like they deserve it, but if it also allows them to reach their goals, and solve their problems, it would be like killing two birds with one stone. I mean, they really are not hurting anyone, by wanting to have a chance to experience life outside BTS other than those who are setting themselves up to be hurt that is 🤡.  
October 2022 rolled around and we got the following:
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This theoretically gives a precise time frame to BTS’ CHAPTER 2. Let’s say that being back together means that they will physically be together and do a WLIVE on the 31st of December 2025, that means that, if we assume their serving period to be 18 months, the latest any member can enlist is the 30th of June 2024 (which I calculated considering the 30th of December 2025 being their last day). Obviously, I don’t know if their plan is to be together by the end of December 2025 and start working on a new album in 2026. Or be together say by August 2025 and ready for a tour in 2026 with a new album; only time can tell. But for the purpose of this post: BTS’ CHAPTER 2 began on the 15th of June 2022 and could end on the 31st of December 2025.
SO, that being said, a couple of things happened on the 15th of June 2022 that I would like to point out and a couple of things, define a couple of others, and I would like for people to remember one particular thing:
THINGS TO POINT OUT:
Some OT7 ARMY decided to dip and come back when BTS comes back to be 7, so after MS.
Other OT7 and/or x/y/z-biased ARMY decided to support each member’s solo endeavour.
Last but abso-fucking-lutely not least, SOLOS FINALLY GOT THEIR TIME TO SHINE AND PUSH THEIR AGENDA, along side antis.
THINGS TO DEFINE:
FAMILY BOY BAND MEMBER or FBBMs: Is what I will call boy bands with members that already knew each other, or were already related, etc etc etc.
STRANGERS BOY BAND MEMBERS or SBBMs: Is what I will call the type of bands that were put together through an audition, selection, etc etc etc.
ONE THING TO REMEMBER OR REALISE:
There was a point in time when BTS was seriously considered by NOBODY. Many knew about them, but still wanted nothing to do with them. Some that knew about them, went on and treated them like trash. Even though they had the talent, it took their fandom at the time to be persistent in order for people to give them a chance. In short, differently from many FBBMs and SBBMs who eventually ended up splitting up after reaching fame, BTS experienced having nobody but themselves and their label and fame came AFTER THAT. Because everyone was a nobody before becoming somebody, but how many were nobodies, who were constantly shoved down by semi-bodies and ignored by somebodies before they became THE BODIES themselves? So yeah, they may be smiling to people that harmed them in the past, and they might have decided to forgive and forget in other instances, but as real and intended as the experience they had were, you can bet that so are the choices that they make nowadays. A method to madness.
If you are a businessperson like yours truly, or have dealt with managing a business, you probably know that it is like in Love and War; all is fair. Obviously, this brings about injustice right away, but this is a known fact, no matter how clean you are, if you come and play in a muddy place, what do you think is gonna happen? Not to say that everyone is trying to get down and dirty, in fact, there are people that try their best to keep clean, but the reality of the fact is that you are still playing in mud. Yet, there is a difference between purposely trying to suffocate people in those muddy waters and trying to simply play by the rules, harm as less people as possible in the process and going home to live another day and start all over again the next day. 
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Life is about balance, that’s why I like the color gray so much, it is the balance between black and white. And even though the Tannies are our beloved artists, it is important not to forget that in their own right they are also businessmen. I’m sure they want nothing else than to be there for ARMY always in theri best capacities, but this is not a charity, their lives, and the people who work for them, depend on the amount of money they make; this needs to not be forgotten. Now, how they make this money, all depends on the muddy field they play in, but from what I can see they really try their darn best to keep as clean as they can and harm as few people as humanly possible. 
ALL THAT to say that, when you experience having NOTHING with a group of PEOPLE, you will TREASURE THAT GROUP OF PEOPLE. Hence, ONCE AGAIN and it will not be the last time, I’ll keep hammering this, Chapter 2 wasn’t brought by for them to spread their wings and keep the fuck out, but as a means for them to have the experience they each want to have so that they can eventually be together again, healthily in order ot achieve Longevity which I will also get to towards the end of this post, don’t worry. And this brings me right to the current issues on the fandom-streets: FAVORITISM & SOLOS.
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So at the moment “JUNGKOOK and his radio play” are the most recent subject. I will not go in depth, as I’ll be damned if I brought up all THE UNNECESSARY energy that has been riding with this valid topic. In fact, one thing that I found very helpful in understanding the radio play issue, was the following post by Ororo and Artiechikoo: 
​​https://www.tumblr.com/chikooritajjk/722232413519052800/so-youll-are-basically-saying-since-the-industry?source=share
Now, once you’ve read that, you’ll understand that the ACTUAL ISSUE HERE IS: WHY DIDN’T HYBE SEND LIKE CRAZY TO BE PLAYED ON THE RADIO, and that ladies, gentlemen and distinguished enbies, is a legit ass question. However, none of the members have anything to do with ANY of that, or with anything related really. During Festa 2022 dinner, they all told us the order in which their albums were coming out, which would indicate that they all sat down months beforehand, and all discussed what they wanted to do during their chapter 2. I would also dare to say that they also all were responsible for their projects, promotions and every aspect of their chapter 2, but that is just me.
ANYWAYS, back to the Jimin radio play issue, which, once again, is A VALID TOPIC, that unfortunately is being muddied from all the shit that solos are bringing forth that has NOTHING to do with anything. Is like the story of the boy who cried wolf, when the actual wolf arrived, nobody was there to help. When you are still stuck on cakes, on accusing members of sabotage, or any moving thing at that, THE REAL PROBLEM WILL BE OVERLOOKED.
Also, just putting this out there, if you actually think that ANY OF THE MEMBERS is out there actively sabotaging other members, then rest assured that you are also stanning a phonie-ass person. If you took a second to check out every other member, for every member who is being sabotaged by members, there is a story about that same member sabotaging another member. MEANING that we would all be supporting a band of phonies, who wouldn’t think twice to backstab their band mates; ALL OF THEM. 
So when, for example, you are accusing JK of throwing JM under the bus, or in the mud, stop one second, breathe, and TRY to put yourself in JK’s shoes. Imagine for example, spending a whole day reacting to JM content, or even just the following:
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And then, imagine not giving a fuck about him: HOW DOES THAT WORK EXACTLY? Yes we don’t like Scooter Braun, yes we don’t agree with MANY OTHER THINGS, but it is vital to know how to address the correct issue and not just burn EVERYTHING DOWN, or/and involve not concerned parties. So when for example, the company is to blame, then the fucking company is to blame only, and not everything you would like to blame along with it. 
I 👏🏾DO 👏🏾 NOT 👏🏾 CARE 👏🏾 FOR 👏🏾 SOLOS 👏🏾 IN  👏🏾ANY 👏🏾 WAY 👏🏾 OR 👏🏾 FORM 👏🏾. 
Not too long ago, I was making this example with someone who told me that there was maybe a valid reason for people to become solos, but to me it felt like people saying they had a valid reason for becoming Nazi; would I support a Nazi, no matter what reason? 🤡🤡🤡THERE IS ALWAYS ANOTHER WAY, and unfortunately, keep suffering for a while longer, is one of them 🤡🤡🤡Becoming a Nazi WILL NEVER BE THE ANSWER for me, in the same way in which BECOMING A SOLO WILL NEVER BE THE ANSWER. When you become a solo you actively decide to care fuck all about all the other members. Now the person you want to support, loves and wants to keep building something with the people you decide are expendable, so, once again: HOW DOES THAT WORK EXACTLY?  Being able to pinpoint the actual issue is hard, it is confusing, it is stressful, but it is essential, please please please understand that.
BTS’ CHAPTER 3: BTS IS ENDGAME. PERIOD.
… I mean, I really don’t want to sound like a broken record so let me allow them to say it:
💙:
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Here is the link to the full article: https://www.instagram.com/p/CpgkLqbtEKB/?hl=en
🩷:
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🖤:
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❤️:
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💛:
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💚:
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💜:
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AAAAAND, Except for Yoongi who is being rightfully private precious:
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ALL OF A SUDDEN, I have a feeling that Yoongi got a “matching tattoo with the rest of the rapline, so his tattoo is somewhere on one of his legs …These boys have spent YEARS OF THEIR LIFE fighting against all sorts of prejudice, hate, nonsense, and more. It used to be from those who never gave them a chase, but now it seems that the adversary-wave is coming from within the fandom. YEAH IT LOOKS BAD RIGHT ABOUT NOW. But let's emphasize the LOOKS part of that sentence, because Social media “ARMY” aren’t IT. 
When you spend too much time on any SM, it will feel like that’s what ARMY is ALL about but I can guarantee you that there are so many ARMY out there who don’t know or care about the noise and just mind their business and keep streaming and advocating for the right causes. There are ARMY who do their best to support the boys in the best way they can, even if they can’t afford to buy every single piece of merch. 
There are also ARMY who are waiting for the boys to come back and also those people who have no idea yet, but will suddenly become ARMY in 2026 when THE BIGGEST COMEBACK THIS PLANET WOULD HAVE EVER WITNESSED, will kick off after they announce their world tour. In conclusion, as always, DO AS YOU SEE FIT, but if you decide that, believing and following people who think that having the boys competing against each other for future solo supremacy is where it’s at, all I’d “cutely” have to say is that:
THEY DIDN’T STUTTER: OT7 IS ENDGAME.
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HAPPY ARMY DAY 🫰🏾.
Always respectfully yours,
Marengo. 
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marauders era characters and whether i think they're good singers or not
Sirius Black: thinks he has the voice of an angel. more has the voice of a vulture. subjects everyone to his awful singing whenever he can. remus hates listening to music in his presence because he always ruins it.
James Potter: could be a good singer if he tried. but he prefers just screaming on to lyrics. "reggieeee it's more fun that way!" regulus is not impressed. he doesn't let james choose the music in the car anymore. when he and sirius duet it's a true nightmare.
Remus Lupin: decent singer but will not sing unless it's along to another song. if the music cuts out an he's still singing, you'll never see him again. that mf is fleeing to another country.
Peter Pettigrew: surprisingly a great singer, and he knows it. usually only pulls out the singing for karaoke, but if somebody asks him to sing, well, how can he say no? "WORMTAIL THAT IS THE THIRD TIME YOU'VE SERENADED A GIRL THIS WEEK SHUT THE FUCK UP"
Mary MacDonald: this girl is a singer. like she wants to become a popstar and she will if she puts her mind to it. like she's got the voice for pop-punk. she'll do an impromptu concert during a party and everybody loves her and is in love with her for it.
Lily Evans: she is a choir/theater kid. don't lie to me and say otherwise. this girl got up on stage and sang her heart out to the music man in sixth grade (seventh year). she was the soloist in all her choir shows. she's a good singer and she knows it but she's humble.
Marlene McKinnon: likes to think she can sing, but can't. mostly sings when she's drunk. nobody has the heart to tell her she isn't the next celine dion. dorcas actually finds it quite endearing though. she loves watching movies with marlene when she insists singing along to the whole soundtrack
Regulus Black: amazing singer. like literally voice of an angel. but will put a knife to somebody's throat before they ever hear him sing. but blushes when james says he has a pretty voice. before threatening him at knife point. it doesn't exactly go to plan.
Dorcas Meadowes: she's a decent singer but doesn't like to sing. will only sing if marlene drags her to do karaoke. because she can't say no to marlene. and she's usually already blackout drunk.
Barty Crouch Jr.: listen, this guy is the next michael buble. he moonlights as a singer at cocktail parties and makes ladies swoon. evan is annoyed. think of barty as duke silver from parks and rec but with singing. that's the vibe. but nobody knows and he and evan pretend he can't sing for shit around their friends.
Evan Rosier: your pretty average singer. sounds good on some songs when he tries, bad on others. barty always claims he sounds perfect even when it's he's completely off-key.
Pandora Lovegood: she has two modes. literally heavenly, like the voice that sings you up to heaven when you die. or she sounds like she's choking to death. usually the latter is when she's drunk. don't ever ask her to do karaoke when she isn't sober, your ears will bleed.
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In celebration of the Animaniacs reboot’s THIRD season coming out soon…
I’m going to list a few things I think the second season of the reboot does better than the first. Here we go:
1. It gave Nora some much needed development. She gets more screen time in general this season, and because of that her character is more fleshed out now. We find out she's a mother and despite the fact that she had previously been established as selfish in season 1, she buys her daughter whatever she wants to compensate for her lack of parenting skills. That doesn't necessarily make her a good mother, but she's clearly trying.
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We also find out the reason why Nora's a competitive person and why she mostly only looks out for herself-her upbringing. We're shown that her sisters often belittle and mock her. Not only that but her sisters are twins, so Nora undoubtedly felt like the odd one out amongst her siblings all her life.
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There's also her great grandmother Flora Dora, who's is a very successful business woman that Nora looks up to, and it seems like she aspires to be just as successful as Flora Dora. Flora Dora also constantly organizes competitions at family gatherings, something that clearly reinforced if not encouraged her to be a competitive person who's a firm believer in pulling up the ladder behind her.
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2. It goes even further with the dark and adult humour than season 1 did. Season 1 had a few instances of characters going from saying hell and had blood onscreen a couple times, and the swear jokes were more blatant than ever, but otherwise was about as adult as Animaniacs usually is. In season 2 we still have blatant swear jokes...AND a character admitting to inc*st, slavery and genocide are mentioned and not sugar-coated at all, Nora straight up mentions doing drugs, Pinky unintentionally committing murder...there's quite a bit of death this season actually, etc. Granted this shouldn't be too surprising because the reboot does have a higher age rating than the original series ('93 was TV-Y, the reboot is TV-PG). Animaniacs is literally more adult than ever (whilst still being a kids show of course) and I am here for it.
3. THE SONGS!!! Season 1's songs were very good, Animaniacs songs usually are, but season 2's music was really, REALLY good! It had a lot of variety too: rock, rap, parody songs, Broadway showstoppers, electro pop, swing, etc. My personal favourites were "Warner's Ark", "I Am The Very Model of an Ancient Roman Emperor", "Magna Cartoon", and "Yakko's Big Idea" (*cough*buy/stream the soundtrack*cough*).
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4. The "running gag"/recurring joke of the season was better (there are less reboot jokes). Season 1 was funny, but I gotta admit they ran the whole "this is a reboot of a 90's show" joke into the ground. Like I get that the show is meta but they made that joke every other episode to the point where felt like they were repeating themselves. So I'm glad season 2 dropped that. There are quite a few jokes about and references to "Yakko's World", but 1) They at least tell us something about Yakko as a character by showing how much he values that song and that he seems to canonically be sentimental towards it, and 2) They were more creative with how they would reference it or use it for a joke each time, whereas most jokes about the show acknowledging that it's a reboot in season 1 are essentially just the characters stating "this is a reboot of a 90's show!" over and over again.
Plus bonus things I wanted that aren't necessarily "improvements":
A Plotz Cameo
Assuming that was him and not just an expy or relative of Plotz. If it was him does that mean he's not retired? Is he just an actor now? Either way it was cool to see!
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A Wakko Song
I was hoping Wakko would get a song number this season, and he did! ("Gruesome Ol' Gruel"). Maybe we could get a longer one next time though? Like, at least a minute or two? Preferably a rock song please? Honestly I think Wakko has the best singing voice of the three Warners, I just wanna hear him sing more!
A Yakko Solo Segment
...probably should explain this one. You see, in the original show Wakko has SIX stories basically all to himself where his siblings either aren't in it for long or don't appear at all ("Potty Emergency", "Clown ‘n’ Out", "Ups and Downs", "Bingo", "Go Fish", and “Ten Short Films About Wakko Warner”). He even gets another one in the reboot "Wakko's Short Shorts: Now Loading"). Now on it's own I don't mind this, in fact I think it's a good idea for each Warner sibling to get their chance to shine on their own without their siblings every now and again...the problem is that didn't really happen. Other than "Dot’s Quiet Time" (a segment's that basically a song number full of gags) and "Dot’s Poetry Corner" (a series of very short bumpers), Dot only got one story segment, “Cute First (Ask Questions Later)”, and even that took 93 episodes to get to...in a 99 episode series. Great.
Meanwhile Yakko literally only gets to star in a segment on his own if it’s a song ("Yakko’s World", "Yakko’s Universe", etc) or if it’s a one off gag/series of bumpers they’ll only do for one episode ("Useless Facts", "Disasterpiece Theatre", etc). Other than that he has ZERO stories in which he stars by himself without his siblings being present for a lot of it. Admittedly, Yakko was kind of a spotlight stealer in earlier episodes of the original show, so maybe the writers caught on to that and gave the other two solo segments intentionally, but still none of those segments were just him, his sibs were still there. I just would've liked to see Yakko star (mostly or entirely without his siblings) in a segment with a story (not one where the whole segment is a song, not a bumper segment) just once.
So imagine my delight when the reboot not only gave us just that, but also made it an homage to my favourite Looney Tunes short, "Duck Amuck".
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"Yakko Amakko" was one the highlights of season 2 to me, plus I loved the ending. He did what Daffy and even Bugs Bunny couldn't do, actually outwit the artist, how awesome is that?!
Many people thought season 2 was better than season 1, and I can see why (I personally like both seasons about the same-I think season 1 is better than season 2 in some areas, but season 2 is better than season 1 in others). There's also little things like Dr Scratchansniff being a recurring character again or how they actually referenced the PatB spin off this season (because correct me if I'm wrong but season 1 never made a direct reference to the spin off) that I almost listed but didn't have too much to say about them. They were neat.
Hopefully season 3 will turn out to be the best season yet!
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