#actually when i was in the hospital | Explore Tumblr Posts and Blogs

try-set-me-on-fire · 10 months

Text

Ok well i had the brief thought “what about an ER nurse Eddie au?” and then this popped fully formed into existence so fuck it Friday pt 2.. warnings for smoking and vague references to critically injured kids

“That doesn’t seem very healthy.”

Smoke curls up from the cigarette held loosely in Eddie’s hand. “It’s not, particularly.”

Buck’s hands are in his pockets as he strolls away from the glass doors out into the ambulance bay where Eddie is doing the mature, professional equivalent of playing hide and seek. He comes to a stop barely a foot or two away from where Eddie leans against grimy concrete. “Didn’t know you were a smoker.”

“I’m not,” Eddie sighs, “Particularly.” He looks over Buck’s face as he takes a drag, cataloging bruises and cuts. He hadn’t been the one to look him over before he was discharged, probably because he was out here avoiding having to do so. “Only when it’s- only after the bad shifts.” And only once a month, even if the bad shifts come again and again. He bought this pack in January, it’s stale as shit.

Buck’s eyes follow the smoke as it drifts skyward. “Rough one today?”

Eddie thinks he probably doesn’t have to explain to Buck that it’s sometimes better when a kid is dead on arrival so he doesn’t have to try his best to administer care he knows will be useless. He doesn’t have to explain a day where nothing goes right and he loses more people than he can save and he still has to walk away from someone’s parent or wife or sister, left behind forever in a waiting room on the worst day of their life, and go on to lose the next person too. Doesn’t have to explain why he’s out here, and not in there. “Mm. We’ve got this repeat customer, always hate to have him back.”

Buck’s eyes flick to his face before they settle somewhere around his elbow. “Yeah?”

“Yeah. He seems like a nice guy. I worry about him. He’s here too often.”

Buck doesn’t look up. “What was he in for this time?”

“Minor concussion. Bruising. Lacerations.” Eddie sucks cancer into his lungs. “Heard a house fell on him.” Exhales it into the night.

Buck does look up this time, eyes a darker blue out here in the shadows. “Part of a house. Just a staircase and the- like, the balcony, really.”

“Maybe he should stay away from those.”

“From houses?” Buck asks, half his mouth twitching into a smile.

Eddie rests his head on the wall behind him. “Guess that’s not really practical.”

“No.” Buck is quiet for a moment, one hand slipping out of his pocket and running through his hair. Eddie wonders what he looks like, when he’s not here. He’s more styled, sometimes, when things aren’t very bad. He wonders if he’s usually all gelled up and neat. Eddie kind of likes the loose curls. “I’m sorry.”

“For what?”

“Making your day worse.” Buck looks genuinely apologetic, and Eddie shakes his head.

“The guy made it out okay this time.” Buck is just close enough that Eddie can kick at his boot with his sensible orthopedic sneaker. “You didn’t even need stitches.”

“That’s good.” Eddie’s left foot is pressed along the inside of Buck’s right, and Buck is staring down at them. “His favorite nurse was on break. I would have missed you if someone else had to do them.”

Eddie laughs, just a few bursts of soundless oxygen. “You gotta find new ways to see me before something happens that I can’t fix.”

Buck moves, taking the few steps necessary to lean against the wall beside him. Carefully, he takes the cigarette from Eddie’s hand, holds it between two of his own fingers, and takes a drag. Eddie watches it happen like he’s monitoring somebody’s pulse ox, and when Buck coughs he laughs again, louder this time. “Fuck,” Buck says, laughing too. “Thought that would be cooler than it was.”

“Smoking isn’t cool, firefighter Buckley,” Eddie says, taking the cigarette back and pulling from it again between smiling lips.

“Hm,” Buck says, grinning out into the night. Then he sighs, and rolls his head along the concrete to look at Eddie. “I think there’s nothing you can’t fix.”

They’re very close. “There’s lots I can’t fix.”

Buck shrugs like he disagrees. “I also think I’d like to find other ways to see you.”

Buck’s eyes are even more in shadow at this angle, and they’re the color of the lake back in El Paso that he and a bunch of kids went to after graduation, drunk off beer somebody’s cousin got for them, skinny dipping with breathless terrified delight under bright constellations. “Then ask me.”

Buck inhales as Eddie exhales. “What time’s your shift end?”

“5:30 AM. So, probably 6:15.”

Buck traces the two fingers he’d used to hold the cigarette down Eddie’s arm. “You wanna get breakfast with me?”

“Yes. I would.”

Buck smiles, and Eddie snubs out the cigarette on the wall between them. “I’ll meet you here?”

“Alright.” He takes a step forward, then a step to the right so he’s standing in front of Buck. “Two hours.”

“Uh huh.”

He should really get back inside. They’re understaffed, as always, and there are too many patients, as always, and not enough beds, as always. “See you then.” He doesn’t make any move to leave.

“See you then,” Buck almost whispers. He leans forward, and Eddie still doesn’t move, so he presses a tiny kiss to the corner of his mouth for just a moment. His lips are warm. Eddie hadn’t noticed it was cold outside.

Buck pulls back and leans against the wall again. Eddie smiles, puts a hand in his pocket, and walks back toward the doors.

#my writing #fuck it Friday #i swear I’m going to finish trapped buck and Chris and work on proposal fic before i work on this more #but it would be a bunch of glimpses of Buck’s various hospital trips from Eddie’s nurse perspective #and maybe shuffle some events around? like maybe eddie still gets shot but by a disgruntled former patient this time and #so he does a stint in the maternity ward and buck shows up there #and Eddie is like you’re having a kid?#and bucks like no my sister is what are you doing here #and when buck gets the story he’s like fuck. shit. im sorry i wasnt there #and eddies like picturing seeing buck in that moment of violence and says im glad you weren’t #also Eddie could still be the one who restarts his heart after the lightning strike #this bit is maybe the last scene actually sorry for posting the end first #have a good breakfast boys #buddie #evan Buckley #eddie diaz #911 abc

1K notes · View notes

sydneighsays · 1 month

Text

I'm going to start posting my cyberpunk animatics on here too.

Here's 1/3 💕

They're trying to convince Nibbles that they have a city to burn.

#fanart #cyberpunk 2077 #cyberpunk #johnny silverhand #keanu reeves #This was my first time actually doing the conversation correctly #My man when I just melted 😭😭#they are the weirdest friends #If they had met in real life Johnny would have tried to bully V into something #V would have shot him in the foot and then they would go to the hospital #like the kid holding the bow and arrow next to the dad with the arrow in his leg meme #animatic

217 notes · View notes

fox-mulder-gets-pegged · 10 months

Text

Been spending my time lately thinking of a House MD au where, through a series of accidents and lies and a bet he didn't rly intend to win, House ends up as a registered foster parent (he's still addicted to Vicodin and his normal dickish workaholic self but for some reason he cleared the requirements and trust me he's as stunned and mildly concerned as everyone else is).

Through further Shenanigans™, he ends up accidentally getting handed fostership of not one, not two, but three hellish but brilliant kids:

1. This total smartass 16 year old named Robert Chase who yeah he's a bitchy teenaged boy and a former rich kid and Australian with enough mommy and daddy issues to reawaken Freud after his dad dipped and absconded all parental rights and his mom drank herself to death, but he's also got a nice car left over from his rich kid days and an eye for detail and weirdly enough his best friend/mortal enemy (some other teen named Eric Foreman) and his on again off again girlfriend (Allison Cameron, totally won't last if u ask House) both work at the hospital as a candy striper and after school in the cafeteria respectively so House can get all the inside gossip from Chase. Plus Chase has no problems breaking and entering into patient's homes which helps bc since he's not employed by the hospital Cuddy can't complain as far as House is concerned.

2. A 14 year old girl who only answers to Thirteen (House knows he could look her name up in her file but honestly it drives Chase nuts that she won't tell him her real name and that's good enough for him) and who's dad was declared unfit after the death of his wife to Huntington's devastated him. She's a total nightmare, snarky and quick witted and freakishly smart even tho she puts most of those smarts towards things like shaving Chase's entire head (eyebrows included) bc he's trying to grow a sucky teenage mustache, and trying to take House's wallet bc she keeps calling him Old Man and he informed her he's actually only 25 but the stress of fostering has aged him prematurely and she's like 95% sure that's a lie but she wants to check his license and make sure bc everyone lies. She loves tormenting Chase by telling him his best friend and/or his girlfriend is hot and asking if they're single.

And 3. This 6 year old boy named Lawrence Kutner who's weirdly cheerful considering his parents got killed in front of him. He's way too chatty and excellent at puzzles and the only morning person in the entire house and therefore frequently tries to make breakfast (he likes to be helpful and he hasn't burned the place down yet so House doesn't feel the need to stop him). Once he told House he was gonna build a Death Star in the living room and House said lol sure go ahead whatever, only to return home from work to discover Kutner called himself out from school and has a huge wooden frame made of broken furniture in the living room. House rly can't argue since he did say go ahead. Benefits of fostering a 6 year old are 1. The babes love it, 2. Free excuse to leave work early/come in late/not show up at all, and 3. Justification for buying juice boxes and Ritz crackers. The neighbor kid Taub is his go to babysitter bc his mom volunteered him forcibly and Taub is lowkey praying that babysitting Kutner could lead to an in at Princeton Plainsboro once he graduates high-school and finishes medical school (it won't, House doesn't believe in nepotism unless it benefits him).

The adventures of House and his Foster Ducklings mostly revolve around being a Found Family, but do involve frequent plots such as:

House fired his brand new fellows again (he tosses em every three or so months, he hasn't found The Right Team yet) and will sometimes bring his foster kids in, hand em doctors coats, and tell patients that they're just a bunch of medical savants here to consult yes even the 6 year old he's actually Harvard's youngest graduate ever.

House sends the kids to break into a patient's home. They refuse. House tells them the first one to find black mold or lead paint or a dead animal or whatever gets $20. They agree. Chase drops Thirteen and Kutner off at a bus stop across town and drives over himself so he can get an hour and a half head start (ultimate fuck them kids moment, however Thirteen did steal his wallet so guess who's paying for lunch and their taxi ride to the patient's house? Net loss.)

Cuddy demands House does his clinic hours. House sends his foster kids to do his clinic hours for him. Tfw you go to the free walk in clinic for a sore throat and a cough and your doctor is a 6 year old boy who keeps asking for help with spelling whilst filling out your chart.

Wilson babysits them one (1) time since House doesn't trust Chase not to throw a party or sell his foster siblings on eBay if left as the one in charge. He wakes up with a big strip of hair poorly bleached right down the middle. Chase crushed up stolen sleeping pills and mixed them into a juice box, which Kutner 'innocently' offered to Wilson. Thirteen was going to bleach and dye his whole head blue (for practice, she wants to dye her hair but she's certainly not gonna fuck up her own hair until she has the method down) but Wilson woke up pretty quickly due to years of House drugging him. Wilson has not offered to babysit again.

Anyways this is my House Foster Ducklings au which I'm thinking about actually writing. Thank u 🫡

#house md #greg house #robert chase #remy hadley #lawrence kutner #i just think Chase and Thirteen and Kutner are the most House's Actual Kids out of all the fellows #give that man three incredibly smart self reliant kids with issues™#i do imagine a plot where House does overdose of vicodin #and the kids find him #and they're in the hospital #and House has to contend with the fact that he either has to give the kids up to better homes #or make smarter choices bc it's unfair of him to be overdosing and almost dying when he has three traumatized kids relying on him #love when there's some middle aged guy whos like 'no im not a dad' but has a gaggle of kids following him around #feel free to message me about this au

627 notes · View notes

severaltuesdays · 4 months

Text

Mori and Abuse

I’m making this because the BSD fandom has 2 modes for interpreting Mori and it’s either evil evil child abuser or spineless bastard and I HATE both of them.

Mori is an abuser, yes, but the way he abuses characters is very atypical, and not at all what most people expect. His abuse is almost all psychological, the only character we can say for sure has been physically abused by him is Yosano, and we’re only shown one instance of that.

For simplicity, I’ll be referring to his abuse of Dazai, Chuuya, Koyo and Yosano, but I believe it could be said that Kyuusaku and potentially the Akutagawa’s have suffered because of him.

To understand why Mori has abused certain characters, we must understand a bit about him as a person. This is potentially why Mori’s actions are so wildly skewed by the fandom, because no one wants to observe him too closely (but that’s a whole other post). Simply put, Mori is a military man. He does anything and everything to achieve the “optimal solution”, he has a plan and if he has to get his hands dirty to reach his goal, he will. Emotions and attachments go out the window for him, most of the time at least, because he would sacrifice anything, and anyone, to achieve his goal. Most of the time at least. That’s why he used Yosano, because what’s the life of one girl to the safety of his nation? That’s why he manufactured Oda’s and his orphans deaths, because the prize outweighed the cost.

Mori is logical and reserved, so we must observe all his actions with the lens that he has a reason for what he does, because he (almost) always has a reason.

I’ll start by referring to Mori’s abuse of Dazai, because he’s a bit of a special case and also the one that the fandom overall gets the most wrong. Mori’s abuse of Dazai is usually twisted to be sexual or physical, when there is absolutely no evidence of that. People like to bring up Dazai’s abuse of Akutagawa, or that one throwaway line from The Day I Picked Up Dazai as evidence, but neither of those hold up in my opinion.

Firstly, just because Dazai’s abuse of Akutagawa was partly physical, doesn’t mean he himself underwent physical abuse. Just like Mori, Dazai always has reasons for what he does, and his reason for what he did to Akutagawa was tailored to Akutagawa and his ability, therefore not something that Mori would have done to Dazai. Not to excuse Dazai’s abuse of Akutagawa, of course, but the fact of the matter is that Dazai’s abuse was a test of Akutagawa, and a punishment because Akutagawa didn’t adhere to Dazai’s standards. This abuse is the result of Mori’s own abuse, yes, but it’s not as straightforward as “Mori hit Dazai, ergo Dazai hit Akutagawa”.

The line from TDIPUD is also poor evidence, as all it is is Oda telling Dazai that what he’s doing won’t hurt and Dazai responding that Mori says the same about the needles he gives him. The fact that this is taken as abuse is really weird to me, why is that the assumption here? Mori is a doctor, there are multiple reasons for him to be giving Dazai needles. And the fact that Mori says it’s not going to hurt just sounds like the typical “doctor giving a kid a shot” exchange.

Dazai hates pain, so obviously Mori would lie and say that it isn’t going to hurt. Mori cares for Dazai’s well-being, which is what makes Dazai a bit of an outlier, as Mori shows care for him before he’s found a reason to justify that care. This is evidenced by their exchange in the beginning of Dazai, Chuuya: Fifteen, which is very important as it gives us an insight into Mori’s perspective during that time, where he panics because he hasn’t achieved the “optimal solution” by keeping Dazai alive, but then justifies that action by deciding Dazai is too good an asset to throw away.

And here-in lies the actual abuse that Dazai went through, not being hit or shamed or any of that, but emotional coercion, a slow cultivation of the parts of Dazai that Mori saw as useful, and a creation of the mindset we see Dazai use. This is most prominent with how Mori plants ideas into Dazai’s head. This is referenced in Chapter one of Fifteen as well, establishing that Mori has taken somewhat of an instructor role to Dazai, but that’s something Dazai rebels against.

This exchange is a perfect example of that conditioning, instead of giving Dazai information directly, Mori gets Dazai to deduce his answers using information he already has, something we see Dazai does very often in the current plot. But the main example of this conditioning comes in the form of Dazai’s plan to use the Sheep against Chuuya, a plan that comes DIRECTLY from Mori.

Mori makes sure that Dazai is in the room as he baits Chuuya, uses the weakness of the Sheep against him, and then breaks down EXACTLY what has happened for Dazai. “Just some food for thought” my ass.

Then when discussing his plan with Rimbaud, Dazai brings up a theory taught to him by Mori. 15!Dazai is such a little parrot, it’s all “Mori says, Mori says, Mori says”, just word-vomiting all the thoughts Mori puts in his head, there is a CLEAR influence here.

Just like Mori, Dazai uses the Sheep against Chuuya. Mori shows Dazai how to control people, how to make them listen and how to make them obey. The reason Dazai treats people like pawns, the reason he KNOWS how to manipulate people is because Mori taught him.

Just like so many of the characters, the fandom forgets that when Mori met Dazai, he was a child. He was a broken child who needed a guiding hand and the hand he got was Mori’s. Morí crafted the Dazai that we see, shaped the way that he thinks, THAT was his abuse.

Chuuya as well is a special case. Like Mori, he is a leader, and that is a quality Mori admires in him. In turn, Chuuya looks up to Mori, sees him as an inspiration for what it means to be a leader. This is another example of Mori’s manipulative abuse. To Chuuya, Mori makes himself out to be a saviour, someone who will teach him how to be better, how to protect the people he thinks he has failed. Mori takes Chuuya at his weakest point and gives him a new chance.

And with that, Chuuya is loyal to the mafia and Mori has Soukoku. Never mind that Mori was the brains behind Dazai’s plan that got Chuuya into the mafia in the first place, by getting Dazai to do his dirty work, Mori gets to appear to Chuuya with a halo and wings (I could also talk about Mori’s involvement with Stormbringer and how that locked Chuuya into the mafia, but that’s another tangent).

Mori has done the same with Koyo. She’s loyal to him, but clearly does not LIKE him, so where does that loyalty come from? It is because he has freed her. Koyo suffered under the rule of the Old Boss, she had no freedom, the man who cared for her was executed, she was restrained within the mafia. And then Mori takes over and she ends up an executive. Suddenly she’s got POWER, she can change things, under Mori she’s given the ability to change things and take charge. He sees a girl in chains and loosens them, not enough for her to escape, but enough that she can move. And having been chained up for so long, that feels like freedom. Koyo is loyal to Mori because he’s better than the alternative, because if she can’t be free, at least she can move.

I left Yosano for last, because again, she’s a wild card. Unlike all the other people Mori has coerced, Yosano’s abuse took place during a time where every second was precious. There was no time to do it delicately, the way Mori handled everything else, it was war, win or lose. Mori’s tactics were a lot more brutal, Yosano wants the soldiers to live, so Mori shoots the one she cares about so either she WATCHES her friend die, or she can save him. Unlike with Dazai, with Chuuya, with Koyo, Mori isn’t Yosano’s saviour, he’s her captor, he gives her a choice, but its one where neither option is made to look kind. He makes it clear, she heals them, or they die, whether it’s at his hands, or the hands of the enemy, and he knows she would never let them die.

Mori works through coercion and manipulation, he shapes the way people think of him carefully, moulding his appearance in the eyes of others. To Dazai he’s just an old man that Dazai has under his thumb, who tries and fails to manipulate him. But that’s not the truth. To Chuuya he’s a benevolent leader, someone so gracious as to grant him a place in the mafia. But that’s not the truth. To Koyo he’s the safest option, not someone she wants to follow, but someone she will follow, because at least she’s free. But that’s not the truth. To Yosano he’s evil, cruel and harsh and he takes lives as easily as he breathes with no remorse, he’s the God to her Angel of Death. But thats not the truth. To the audience, he’s a monster, a filthy pervert who is nothing more than a pedophile. Is that the truth?

Mori is like a spider, ensnaring people in his web with carefully constructed lies and appearances, his abuse is not physical or sexual, it’s a psychological coercion, careful at times and brutal at others, his abuse is a targeted attack of an individual’s weaknesses, and a cultivation of the parts he sees as useful.

Every person is his tool, and he likes his blades sharp.

@1seaweedbrain1 for you <3

#crossposted on twitter #because i figured out how to use that hellsite #jk it's pretty chill #mostly #anyway Mori is actually one of my favourite characters to analyse he's such a complex mf #I could rant about him sm he makes me ill /pos #does he go for people when they're weak because it's easy?#or because he wants to give the underdog a chance?#or is it both?#he kills without blinking but volunteers at hospitals #he saves and sacrifices lives in the same breath #he go to lengths to keep Dazai healthy but then doesn't care (or know about?) his living situations #this contradictory motherfucker #bsd mori #mori ogai #bsd mori ogai #dazai osamu #bsd dazai #bungou stray dogs dazai #chuuya nakahara #bsd chuuya #bungou stray dogs chuuya #kouyo ozaki #ozaki kouyou #bsd kouyou #bungou stray dogs kouyou #yosano akiko #bsd yosano #bungou stray dogs yosano #bungou stray dogs

283 notes · View notes

latenightsundayblues · 7 months

Text

Found some stuff i made based on my fic before even posting it on AO3; i guess it can be called concept art in a way. Here's a younger Stu proudly showing off his collection of creepy-crawly friends he's kidnapped from the woods and named after cool horror characters. I got the idea after visiting a really cool vaccine institute ive known for a long while that displays venomous animals both dead and alive for educational purposes.

"This big one here was Hannibal. He bit me once and I spent 3 days in the ER without my parents noticing. Also I found Pinhead there-- what? Oh, it's the scorpion, right over there. Anyway, I jumped over a fence to smoke weed in some abandoned asylum an' landed on something sharp. Turns out it was him. Got real fuckin' sick for like a week and a half after that for some reason though"

And also Billy teaching Stu how to pin up a butterfly. Kinda different (and remarkably less homoerotic) from what I actually ended up writing lmfao

#i need to get back to writing the next chap #i cant give up right when shit starts to pick up a little #i love actually rabid Stu headcanons #he probably has some kind of undiscovered disease from all the different venomous bites at this point #the hospital staff knows him very well #scream 1996 #stu macher #stu macher fanart #billy loomis #billy loomis x stu matcher #stuilly #latenightsundayblues art tag

277 notes · View notes

kazbiter · 2 months

Text

"adam parrish was a miracle of moving parts, a study in survival" in case u forgot!!!! "what do you want adam to feel awake when my eyes are open" let's consider!!! "who has he ever had to love him, ever?" even!!! "I know you are not the same as him but in my head everything is always so tangled I am such a damaged thing" as well!!! "he was not robert parrish but he forgave past adam for being afraid of the possibility" in fact!! "rags to riches isn't a story anyone wants to hear until after it's done" if you'll remember!!! "it was only because he believed he had saved himself that he could imagine saving someone else" if u even care!!!

#i actually did this first with ronan quotes and then when I was consulting my trc quote masterdoc (color coded excel sheet) i was like hmmmm #wait actually I miss adam so bad I need to do adam #it's a wonder that maggie was never hospitalized for burns the way her pen was ON FIRE writing these books #i might still post the ronan one later anyways why not!!!!#also the wrong devil and magician card scene live inside the walls of my mind I just didn't have a good line to use for them in this format #adam parrish #the raven cycle

85 notes · View notes

idk-bruh-20 · 1 year

Text

Irondad fic ideas #117

One day, May receives a threatening letter at work. It says, "Do you know who your nephew is?" and contains, crushed into the page, a dead spider.

Horrified, May calls Tony Stark. Plans are set in place immediately to move the Parkers into Stark Tower for protection while Tony tracks down the people who sent the threat.

Peter is at school during the chaos of getting May to the tower. He only learns what's happened when he's called out of class. When he gets to the office, it's Tony waiting there (with the very stunned school secretary) to pick him up. He has his nanotech housing unit on.

Tony explains once they're in the car. Peter freaks out until Tony promises that May is already safely at the tower with Happy and Pepper. Only then does Peter notice that Tony's hands are shaking too.

All of this was not what the villains wanted. Their plan had been to scare May into abandoning Peter. They didn't know that she already knew who he was, and they definitely didn't know that the Parkers were close to Tony Stark.

An abandoned and homeless Peter would have been much easier to kidnap. Now, they will have to step up their game.

#irondad fic ideas #irondad and spiderson #ironfam #can you tell I just want may and peter to move into the tower #give peter ALL the parental figures challenge #they become one tight-knit family and by the time the threat is neutralized nobody wants to leave #tony stark #peter parker #may parker #may can work for dr. cho #at first she doesn't want to but then pepper reminds her that working at her regular hospital could put staff and patients at risk #peter has so much new safety tech on him just to go to school it's insane #ned and mj get safety tech too #which ned ADORES and mj finds stalkerish but ultimately concedes when she sees how freaked out peter is #if anybody writes this and makes peter actually get kidnapped at some point you will have my whole heart forever btw #iron dad and spider son #fic idea #fic ideas #irondad fic idea #irondad #spiderson #iron dad #spider son #iron man #spider-man

372 notes · View notes

kedreeva · 2 years

Text

hello i’m sorry, i’m so sorry (I’mnotsorry) but has anyone written about the scars Steve is definitely going to have in a thin ring around the base of his throat from the demobat’s tail?

Those aren’t just bruises, in the first image you can see raised, damaged skin. Abrasions at the least, from the demobat gripping and shifting and sliding as it tightened its grip. Filthy abrasions, too, being from the Upside Down. Animal injuries are dirty. I have scars from YEARS ago that were small scratches at the time, discolorations now. I was scratched by a goose once when I was 10, and that minor injury remained lashed over the back of my thumb for well over a decade. I have thin, pale discolorations of my forearms right now from over 8 years ago, made by a the slip of a bird’s foot. A small circle between my pointer and middle finger from when I was bitten in high school, 20 years ago by a rescue parrot while I was helping out. Animals, even our mundane ones, have bacteria of all sorts that can become minorly infected and cause healing to take longer, to cause scarring to form. I can’t even imagine how much worse an injury from something in the Upside Down is.

I’ve seen fics where they talk about the one on his side, but these are the delicate ones I want to see mentioned. These are the ones I want to see Eddie touch with reverence for the horror of it, with respect for the fear that had come with them. The ones I want to see Steve draw in a too-quick breath when they’re touched, because he remembers the rough tail wrapped around his throat, dragging him down to his death, strangling the air from him. The one that bit him hurt him, this one made him panic, if only briefly. This one made him vulnerable to the others. These are the ones everyone is going to see, day to day. The ones he has to live with constantly instead of only with himself. The ones he’s gonna touch, himself, absently.

and i’m just curious if anyone else has written about them, or if I’m gonna have to do it myself

1K notes · View notes

carnivalcarriondiscarded · 5 months

Text

hi. here's a little over 5k words for the modern human au! entirely unedited, as usual! you'd think this is a full oneshot... ha... no... i actually have some warnings for this one - hospitals, panic attacks, major character injury / discussion of death / clinical description of injury.

in short, my writing comfort zone <3

The dial tone plays, and Barnaby looks down at his phone. Call ended stares back at him under Wally’s cheerful profile picture.

“He hung up on me,” Barnaby states. His lips twist and he tosses the phone onto the couch with a snarl of, “That little bastard.”

“Hey now,” Howdy says sharply, frowning at him. “That’s our friend you’re talking about.”

“Like he doesn’t deserve it! All I do is be supportive, understanding, and worry about his damn well being. And then he goes and acts like my very much well-founded concern is an attack!”

Howdy’s frown softens as he watches Barnaby pace, gesturing wildly.

“I love that RV. Maybe not as much as Wally, obviously, but it pains me that it needs to go. And it does need to go! Thing’s becoming a damn deathtrap.” Barnaby pushes his hair back and huffs. He glances at Howdy. “Right? I’m making the right call, here?”

“Of course you are,” Howdy says. “But-”

Barnaby cuts him off. “I tried to be nice about it. I tried to warm him up to the idea of retiring Home, yaknow? And what does he do instead of handling it - he revs up the tin can and runs. Home shouldn’t be started, let alone driven. It’s dangerous.”

It’s extremely dangerous. Wally is skilled at driving it, but no amount of skill will save him if it breaks in the middle of the freeway. What if the engine catches fire? What if a tire pops, or comes loose? Home is old, and wasn’t made to crumple in a crash. Barnaby doesn’t even know if the airbag still works. It’s not safe.

The thought of Wally bringing Home hurtling down the freeway at ten at night in a - quite honestly - not great mental state turns Barnaby’s stomach.

“I just wanted him to come back so we could talk about it,” Barnaby says. “I let him keep worming his way out of a serious conversation and now - now he’s -”

“Running away,” Howdy finishes. The point of his pen taps a rhythm against his notepad.

Barnaby jabs a finger at him. “Exactly. One tough, necessary decision and he turns tail. This isn’t gonna go away if he skips town! Not to mention how he isn’t giving a thought to how this might affect the rest of us.”

“Especially you.”

Barnaby throws his hands up with an indignant look. “Now not only do I have to hunt him down-”

“That would be a we scenario, Barn.”

“But we,” Barnaby concedes, “gotta try to knock some sense into that thick skull ‘a his, and drag him back home - kicking and screaming if we hafta.”

Howdy’s pen taps faster. “What if he doesn’t want to come back?”

“What if he-” Barnaby stops short and stares at him, wide eyed.

That’s not.

That wouldn’t happen, right? Wally would come back in the end. He wouldn’t decide to up and leave entirely, would he? He is in Home… all the essentials he needs are in that RV. Barnaby sits down heavily on Howdy’s threadbare couch. “What if he doesn’t want to come back.”

Wally would have to come back to clear out his studio - he’d never abandon his art. Then they’d have to go through everything inside the house and see what he wants to take, since not all of it is Barnaby’s. A lot of it is shared, so they might have to bargain on who gets what.

Then they’d all have to watch Wally get into his motorhome and drive away. Possibly for good.

Barnaby would be alone in that big house with Welcome, knowing that his closest companion is out of his life. Living somewhere else. It's sickening.

“I’m sure it won’t come to that, Barn,” Howdy says, watching him with furrowed brows and a deep frown - if Barnaby were feeling like himself, he’d crack a joke about him emulating Frank. “I can confidently say that Wally loves you more than that old RV.”

Barnaby snorts. “You sure about that?”

“Unflinchingly. Believe you me, he’s going to wallow for a day or so, and then Home will come rumbling back down your driveway like it never left.”

“I wish I could have your faith,” Barnaby mumbles. He exhales and picks up his phone. No missed calls, no messages. “Maybe if I call him and ask him to just come back, no strings attached, he will.”

“That’s the spirit! Save the talk for another day - tell you what, I’ll help you corrall him so he can’t escape the conversation. I’ll tie him to a chair and bar the door if needed!”

“Good luck with that. Kid’s slippery.” Still, Barnaby hits call again. It rings only a couple of times before a robotic automated message states the caller as unavailable. Barnaby doesn’t enjoy being upset with Wally. However, it feels like his blood is simmering, and the wall is starting to look like great target practice for his phone. He grits his teeth. “He turned off his phone.”

From the corner of his eye he sees Howdy’s eyebrows shoot up as the man turns back to his paperwork. He exhales a controlled breath and writes something down. “I have to say, I’ve never known him to be such a-”

“Pain in the neck?” Barnaby offers.

Howdy clicks his tongue. “You said it, not me.”

“Yeah, well, he’s full of surprises.” Barnaby lets out a frustrated huff. He’s half tempted to run Wally down right now, but he wouldn’t even know where to start. There’s only one freeway out of town, but it goes both ways, and it branches. Wally would have hit one of those branches by now, and who knows which he took. North, south, east, west. Deeper into the woods, or towards the city? To the coast? Somewhere else entirely?

He has to face the facts - there’s nothing to do. He just has to wait until Wally pulls his head out of his ass and realizes how stupid and insensitive he’s being. Those are two words Barnaby would never normally use to describe Wally, but after tonight? They seem fitting.

Barnaby can’t even muster up guilt for thinking such harsh things. He tried to be nice. He was patient. He’s always kept a lid on it whenever Wally frustrated him, which doesn’t happen often, but it does happen. And what does he get for caring? For being tactful and careful about a shitty situation?

Avoidance, a shove, and a cut call. Wally left Barnaby’s been left to stew in his own anger and worry. Right now, he’s inclined to lock up that worry in a tiny box in the back of his mind.

Barnaby pushes himself up with a grumbled, “I’m makin’ some coffee, want some?”

“If you’re offering then I will not decline.”

Barnaby pretends not to feel Howdy’s eyes following him to the apartment’s tiny kitchen. It’s hell to maneuver around in, and the frustration of bumping into something every five seconds only makes Barnaby’s mood worse. By the time the coffee is brewing, he’s ready to punch the cabinets. He won’t, but he wants to. He’d regret it immediately, but he stares at the chipped paint and fantasizes.

The coffee machine breaks after brewing a whopping single mug. Barnaby stares at it for a long moment, and tallies up the consequences of taking a hammer to it. In the end, he just clenches his fists for a long moment and counts to ten. He takes the mug and sets it in front of Howdy, then goes to the window to brood. Thankfully Howdy is too reabsorbed in his work to notice beyond a mumbled thanks.

For the next hour, Barnaby’s thoughts are entirely composed of Wally. Different scenarios of what might happen next, how Barnaby might handle those situations without shaking Wally for doing something so needlessly reckless, and cruel daydreams of setting Home on fire. Barnaby wants to feel bad about that. He doesn’t. That damn RV has caused two different rifts between Barnaby and Wally - and Barnaby was the one to fix both of them, because both times Wally just left.

He gets it. He really does - for a time Home was all that Wally had. It’s been with him since Wally was thirteen, and if the thought of retiring it to a dump makes Barnaby sad, he can only imagine how much it distresses Wally. Well, he can do more than make an educated guess. Wally practically told him tonight, if not with words than with actions.

Still. They’re adults - Wally is older than him, if only by a handful of months. When does Barnaby ever ask something of him? When does Barnaby ever push? Why can’t Wally see that Home is becoming a liability, and why won’t he listen? Barnaby can’t make it make sense.

Wally has always been more inclined to avoid conflict, but this is too far. Barnaby swears, when he tracks Wally down he’s going wring that scrawny little-

His phone is ringing.

Barnaby lunges for it, relief dousing his anger. He picks it up, ready to give Wally a piece of his mind and then beg him to come back-

“It’s an unknown number,” he says, shoulders slumping. Of course it’s an unknown number. Wally wouldn’t change on a dime and decide to be considerate for once. He exchanges an exasperated look with Howdy and declines. He goes to set the phone down - the number calls back.

“That’s one determined scammer,” Howdy says. He leans back in his chair and holds out a hand. “I’ll deal with ‘em.”

Barnaby is all too happy to hand it over. Let the poor sap on the other end of the line deal with a master swindler.

“Howdy-hi, how can I help?” Howdy starts with a mischievous grin thrown Barnaby’s way? He leans back in the chair and hums. “Who, may I query, is asking?”

All at once, the ease drains out of Howdy and he stops fidgeting. He sits up, already looking at Barnaby with a paled expression that has something cold slithering down Barnaby’s spine. Something is wrong.

“He’s right here.” Howdy holds out the phone. His throat works uselessly for a moment before he plainly states the obvious, “It’s for you.”

Barnaby takes it, his mouth abruptly dry. Howdy is already up and moving - grabbing his coat, his keys. “Hello?”

“Is this Barnaby Beagle?” a professional feminine voice asks, tinny through the phone.

“B. Beagle, yeah.”

The woman introduces herself as the nearest city’s hospital, and Barnaby’s heart drops through the floor. She asks him to confirm that he’s Wally Darling’s emergency contact. He confirms, his voice sounding distant to his own ears. Howdy takes his arm and gestures to his shoes by the door, spurring Barnaby into motion.

“Is he okay?” Barnaby manages to say. He puts the wrong shoe on the wrong foot and almost curses aloud as he switches it.

“Mr. Darling was involved in an automobile accident,” is all the hospital employee says. “He was brought in a few minutes ago.”

Barnaby steadies himself against the doorjamb, choking on a whispered, “Oh, god.”

Keys jingle as Howdy opens the door and pulls Barnaby through, then locks the door behind them.

“But is he okay?” Barnaby asks again as they hurry down the short hallway to the stairs.

“I’m not at liberty to disclose that information at present.”

It’s bad. It has to be bad if they won’t say anything over the phone. He must be silent for too long, because Howdy takes the phone, tells her they’ll be there soon, and hangs up. He tucks the phone into Barnaby’s pocket before opening the door to the store’s back lot.

The frigid air slaps the shock out of Barnaby, and sensation comes flooding back in. He grabs the keys out of Howdy’s hand and strides to the car with long, powerful strides that would leave anyone shorter than Howdy in the dust.

“Are you sure-”

“I’m driving,” Barnaby growls, cutting Howdy off.

Howdy makes a disapproving noise, but relents. They get in and Barnaby adjusts his seat with harsh movements, jabs the key into the ignition because Howdy’s car is a dated hunk of junk, and peels out of the parking space before Howdy even has his seatbelt all the way on.

Howdy clings to the ceiling handle as the car tears down the mostly empty street, going at least ten miles over the speed limit. Barnaby doesn’t know exactly where the hospital is, but he knows how to get to the city. They can figure it out from there. Several people honk as Barnaby brings them flying onto the freeway.

“Holy Marilyn marmalade!” Howdy screeches as they narrowly avoid side-swiping a minivan.

Barnaby ignores him and cuts off a pickup to get into the right lane for the interchange. Howdy whispers a string of something high pitched and strained and clings to the handle with both hands.

It takes him a moment to parse out the constant ramble as, “-pull over pull over pull over pull over-” Two honks and a squeal of tires as Barnaby almost causes an accident, and Howdy yells in a louder and deeper tone than Barnaby has ever heard from him, “PULL OVER!”

Barnaby clenches his jaw and cuts across the carpool lane’s double whites. It only takes a moment to reach the shoulder. Howdy leaps out of the passenger seat as soon as the car stops, marches to Barnaby’s side, and wrenches the door open.

“Out,” he snaps, breathing hard. “Barnaby, I swear to all things priceless, get out. “

Barnaby meets his steely gaze for all of a second before unbuckling and getting out. Cars whip by. Howdy huffs at him and slips into the driver’s seat, muttering about recklessness and disasters and if you would wait to try and kill us until we’re right outside the hospital, if only to save us the ambulance fee-

When Barnaby gets into the passenger seat, Howdy waits for him to buckle in with fingertips drumming on the steering wheel. He merges onto the freeway smoothly and carefully. They go slower than the speed Barnaby had them flying down the asphalt at, and it makes something deeply impatient itch in him, but it’s safer.

“I know you’re upset,” Howdy says, eyes still fixed on the road, “and I know that you’re scared. But what in hell’s bells was that, Barn?”

Barnaby side eyes him and grimaces, folding his arms. “I don’t know. I’m sorry - I shouldn’t have put you in danger like that.”

“You put yourself in danger too, you know.” Howdy sighs and relaxes his grip on the steering wheel. “We’re of no use to Wally if we get ourselves in a crash. What would he say?”

“Whatever he’d say would be hypocritical,” Barnaby says before he can think better of it.

Howdy glances sharply at him. “What is that supposed to mean?”

“He..” Barnaby’s voice fails on him, and he swallows hard. “He was in an accident.”

Howdy is silent for a full few seconds before he exhales a thin, pained sound. “Oh, Walls…”

He must not know what else to say, which is good and well, because Barnaby doesn’t either. A long few minutes pass of silence. Headlights of passing cars on the other side of the freeway flash over them before plunging back into darkness. The dials on the dash glow. The check engine light is on. They’ll need to get gas in order to make it home.

“I’m sure it’s not as bad as you’re thinking,” Howdy says. He’s tapping the steering wheel again. “It’s likely just a few scrapes and bruises, at worst a broken bone. Nothing Wally can’t handle, and certainly nothing to be concerned over.”

Barnaby can’t bring himself to agree. Maybe… maybe if Wally was driving slowly… but that wouldn’t matter if someone crashed into him with enough force. Home is a large, sturdy vehicle, but it isn’t invulnerable. Wally certainly isn’t.

Without the distraction of driving, all Barnaby can think about is the what ifs. Yeah, what if he’s only a little bit hurt, but what if it’s worse? All of the worst images Barnaby can think of roll through his mind like a messed up movie reel.

Wally dead on the scene, caught in a hunk of twisted metal.

Wally, choking on his own blood in an ambulance, dying en route to the hospital.

Wally flatlining on a metal table.

Wally’s small body covered with a sheet-

“Almost there,” Howdy says, slowing at a stoplight. It bathes them both in red. Barnaby didn’t notice when they got off the freeway.

Barnaby squeezes his eyes shut and presses his forehead to the cold window. After a moment, a slender hand rests on his thigh and squeezes. It’s such a small, stupid thing, but Barnaby breathes a little easier.

Despite the drive down the freeway feeling like it took hours, the drive through city streets to the hospital passes in a blink. Before Barnaby knows it the car is spiraling up to an upper floor of the parking garage. The floor is mostly empty - Howdy pulls into a spot right by glass double doors.

Barnaby gets out a split seconds before Howdy, staring at the pristine white walls just inside the doors. In a moment he’ll find out if it’s not that bad, or if he’s about to have the worst night of his life. He’s been to a hospital twice. The last time was for Howdy, but he went with the knowledge that it was only a precaution. The other time was for Mama’s health scare.

That had been terrifying. The waiting, the wondering, the too-bright hallways and the staff’s rigid smiles. It ended well, but it had still been horrible, and hospitals took center stage in some of his recurring nightmares. Barnaby never wanted to see another loved one in a hospital bed again.

Looks like he doesn’t have a choice.

Howdy comes around from the driver’s side and lays a hand on Barnaby’s shoulder. “If you need a moment to-”

“Nah,” Barnaby says, his voice rough. He nods and adjusts his sleeves. “Better rip the bandaid off.”

They go into the sterile maze. The bright overhead lights dazzle Barnaby’s eyes after being in the dim parking garage, and he grimaces at the strong odor of antiseptic and floor polish. Howdy makes a beeline for the nearest receptionist and talks to her in rushed, low tones.

Barnaby shuffles after him, rubbing his shaking hands together and eyeing every person in scrubs that walks past. Something beeps somewhere. He thinks he hears someone crying. This is a place without color, art, or happiness.

“This way,” Howdy says, walking past him and tilting his head at the elevator. Barnaby follows, feeling like a lost puppy dropped at the side of the road.

A nurse gets into the elevator with them and politely smiles before staring at the floor counter and pretending they don’t exist. It’s fine with Barnaby. If he has to make small talk right now, he might actually snap. The man’s pink scrubs are almost an eyesore in the harsh lighting.

The elevator dings, and they all get out on the same floor. Howdy reads door plaques and wall signs like a hawk, his head turning on a swivel as he reads everything at lightning speed. Barnaby nearly has to jog to keep up with his hurried pace.

Howdy changes direction without warning and heads straight for a door at the end of a short offshoot hallway. Barnaby reads the sign next to the door.

[can’t remember if it’s icu or the other thing, research later]

It’s bad.

The waiting room is small - longer than it is wide, and there’s a woman sleeping in a chair in the corner. It looks nicer than the emergency room, or where Barnaby waited to see his mama. The benches have colorful cushions, and the walls are a pastel green instead of white. There’s an abstract geometric painting on the wall next to the woman.

Barnaby slowly takes a seat on stiff cushions, watching Howdy talk to the receptionist from afar. He nods and pats the counter before joining Barnaby. He sits close enough that their legs press together.

“Someone will get us up to speed as soon as there’s news,” Howdy says. “I tried to pry some more out of him, but he wouldn’t give up another word.”

Barnaby nods, staring down at his hands. His nail polish is already chipping, despite Julie painting them only last weekend. Barnaby picks at the bright red on his pinkie until Howdy pulls his hand away and enfolds it in both of his own.

When Howdy takes a deep breath, Barnaby finds himself mimicking him. Their gazes meet - Howdy’s is unflinching, and steady. He smiles and runs his thumb over Barnaby’s knuckles, soothing the nervous trembling, and Barnaby is struck by how darn grateful he is to have Howdy with him.

If he had to do all of this alone… Barnaby doesn’t think he could. Either he’d have gotten himself into a crash to join Wally, or he would still be sitting in his car, staring at the hospital doors. He doesn’t have the courage. But Howdy does, and Barnaby loves him for it.

For once, Howdy lets the time pass in silence, though after a long stretch of indeterminable time he gets up to pace. The bench cushions are high quality, but they start to feel uncomfortable. Barnaby doesn’t dare go for a walk. At least they’re not the usual waiting room chairs - he’d rather stand than try to fit into those plastic, narrow things.

At some point the woman in the corner wakes up. She startles seeing two strangers in the room with her, but quickly ignores them. Barely a few minutes pass before she leaves, mumbling something about coffee. She doesn’t come back. Barnaby spends a while wondering why - did she go home, or wait somewhere else, or did she receive news in the halls?

Howdy sits down again and starts typing furiously on his phone. When Barnaby gives him a curious nudge, he quietly explains that he’s texting the group chat. Barnaby feels a twinge of guilt at that. He completely forgot to let everyone know that there’s a… situation. Who knows if any of them will see it until morning.

Message sent, Howdy gets up to pace some more. His rhythmic gait gives Barnaby something to focus on, seeing as the clock on the wall is silent, and the receptionist seems to be sleeping. Barnaby could probably pass time on his own phone, but every second spent distracted is a second he might miss someone coming to tell them…

What? Tell them what, exactly? That Wally is okay? That he can receive visitors?

That he didn’t make it?

The door opens, startling Barnaby to his feet. Howdy scurries over from the far side of the room and rests a steadying hand on Barnaby’s lower back. A woman clad in blue scrubs enters, reading something on a clipboard. There are shadows under her eyes, and she looks beyond exhausted. Barnaby can sympathize.

“Mr. Beagle?” the doctor asks, looking between them. When Barnaby nods, she smiles thinly, gaze flicking briefly to Howdy. “Hi. I’m Dr. Allen. Before I disclose any sensitive information, I’d like to confirm what your relation to the patient is.”

The question gives Barnaby pause. He’s always had a difficult time putting his and Wally’s relationship into simple terms, because it’s anything but. Wally is his best friend, his dearest companion, the man he lives with and can’t imagine being without.

“He’s my partner,” Barnaby settles on, because it’s a good umbrella term. Partner can mean a lot of things, and people don’t usually pry for specifics. “We’re as good as family.”

Dr. Allen writes something down on her clipboard. “No worries, I’m not going to kick you out if you’re not - you’re his emergency contact for a reason, after all. It’s just basic information that I’d like to have on hand.”

“Course - so how is he?” Barnaby cuts straight to the chase. He’s not in the mood for niceties.

“Well, Mr. Darling is certainly giving us a run for our money,” Allen sighs. “He’s not out of the woods yet, but I believe he’s gotten through the worst of it.”

“He’ll make it?”

Allen offers another tight lipped smile. “We’re doing our best.”

Barnaby has seen enough hospital dramas to know that we’re doing our best means no promises, prepare for the worst. Howdy must feel the tension gripping him like a vice, because his hand slips from Barnaby’s back to his hand.

“What are his injuries, if I may?” Howdy asks.

“I’m not sure-”

“Please. We’d rather know than wonder.”

Allen looks between them and sighs again. She flips a page on her clipboard. “Unfortunately, there was a bit of time between the crash and when emergency services were called. Between blood loss and the near-freezing temperatures, Mr. Darling developed mild hypothermia.”

Wally was dying, cold and alone in the wreckage of his home for who knows how long before anyone came to help. Barnaby sways in place, and Howdy helps him sit down on a bench instead of the floor. Allen looks apprehensive.

“Keep going,” Barnaby rasps. He needs to know.

Allen doesn’t look happy about it, but she continues. “Mr. Darling also suffered several low-grade lacerations from shrapnel, some fractured ribs, a compound fracture in his left tibia, and currently unidentified damage to his right hand and lower arm.”

Barnaby swallows a mournful sound. That’s fine, it’s fine. Broken bones heal - Wally will be painting again in no time.

“He also developed an intracranial hematoma. It’s been treated, but we won’t know the extent of the damage until Mr. Darling wakes up.”

“What is that?” Howdy asks before Barnaby can figure out how to speak again. “Intracranial hematoma - tell me if I’m wrong, but that sounds like a head injury.”

“It is - in layman’s terms, it’s a brain bleed. Head trauma can cause bleeding inside the skull, which puts pressure on the brain. We caught it as quickly as feasibly possible, which should raise his chance of a full recovery.” Allen flips the clipped page back into place. “There may still be lesser complications and injuries we haven’t been able to diagnose or address yet. I’ll be forward with you - this is one of the worst crash cases I’ve seen in some time. Mr. Darling was lucky to be found alive.”

Allen goes on to offer platitudes that Wally is a fighter, and easily answers the flood of questions Howdy has about the mentioned injuries. It all sounds distant. Underwater. The room is too small and the air is stale - are the vents working? Is there a window they can open?

In a blink - and yet the conversation lasts ages - Allen promises to come back with more information as soon as she has it. She smiles one last time and leaves.

“Barn?” Howdy sounds muffled. “Barn, are you alright?”

What kind of question is that? Of course Barnaby isn’t alright - his best friend is dying, likely on this very floor. There’s a chance he’s already dead. Barnaby might have already lost him, he just doesn’t know it yet.

Mr. Darling was lucky to be found alive.

One of the worst crash cases I’ve seen in some time.

Mild hypothermia - brain bleed - lacerations - fractures.

Lesser complications and injuries we haven’t been able to diagnose or address yet.

We’re doing our best.

“He hung up on me, the little bastard-”

Barnaby is up and out the door before he registers moving. He staggers down the hallways in a blur, everything swirling together into a mess of sight and sound as his lungs struggle to get a full breath. He bypasses the elevator and takes the stairs down to the level they parked on.

The cold air does nothing to help him breathe. Barnaby chokes on it as he leans against the rough wall grasping at his chest. Howdy is there immediately - he must have been on Barnaby’s heels the whole time.

“Talk to me, Barn,” Howdy pleads, a hand on the back of his neck and the other over the one Barnaby has on his chest. “What is it - you’re not having a heart attack, are you? Tell me you aren’t, I can’t handle that right now.”

Barnaby doesn’t know. Maybe? He feels like he is. He can’t breathe. He tries to say so, but the ragged gasps his breathing has devolved into doesn’t allow it. Howdy must know something he doesn’t, because he doesn’t run to get a doctor.

“How can I help?” he asks instead.

“Don’t - don’t - know,” Barnaby wheezes.

“Okay, alright, don’t worry, Barn, I’m here, I’m not going anywhere. Let’s try, ah - what were the steps? I didn’t exactly write them down, though in hindsight I should’ve - that’s not the point! It was… what a time to take after Eddie’s memory-”

It shouldn’t be helping, but Howdy’s constant stream of words grabs Barnaby’s attention. He manages to inhale nearly a full breath before it stutters back out and he’s struggling again.

“Breathing!” Howdy says. “Yes, that was it - Barnaby, I need you to focus on me. Copy my breathing.”

He sucks in a slow, dramatic breath through his nose and exhales just as slowly through his mouth. Barnaby catches on and tries to mimic him, but-

“Can’t, I ca-an’t,” Barnaby says. His chest hurts.

Howdy presses their foreheads together. “Yes, you can. Come now, Barn, in… out. Simplest thing in the world.”

It doesn’t feel simple, but Barnaby tries. It feels like forever before he manages a full inhale. He butchers the exhale, but Howdy praises the minor win before launching right back into measured breathing.

Barnaby finally manages a slow inhale and exhale, and suddenly it feels like the pressure filling his chest has vanished. He slumps against the wall, worn out. He puts his hand over Howdy’s mouth in the middle of another dramatic demonstration.

“You’re alright now?” Howdy says, peeling his hand off. Barnaby nods, and Howdy leans next to him with a whoosh. “Thank the stock market - I was starting to get light headed.”

It takes another few minutes for them to catch their breath. Barnaby straightens enough to rest his head on Howdy’s shoulder, breathing in his cheap cologne and homemade laundry detergent. Howdy cups the back of his neck and massages the tense muscle there.

“This will all turn out okay,” Howdy promises. “Wally is stubborn - I think we both know that well enough. By this time tomorrow we’ll be moving forward.”

Barnaby wants to be that optimistic, but this is real life. For all they know, moving forward means making funeral arrangements. His breathing stutters and he forces it to even out before he can start hyperventilating again.

A car pulls into a parking space with a gravelly sound. Barnaby pays it no mind until Howdy makes a surprised noise - Barnaby looks up, and his stomach churns.

Frank, Eddie, and Julie are all getting out of Frank’s car. They’re all in various states of dishevelment. Frank’s hair is a mess, and he has what looks like Eddie’s company jacket thrown on over his pajamas. Eddie is in little more than a shirt that says male? lol, more like mail! and boxers - he’s even wearing slippers instead of shoes, and his hair flops over his forehead in soft tufts. Julie’s hair is still in curlers, and though she’s wearing shoes, she’s in a too-long shirt over sweats that don’t belong to her. They’re paint-stained.

They rush across the parking lot, all worried faces and tired eyes. They’re already asking what happened, is Wally okay, Sally is getting Poppy, they should be here soon, has there been any news-

Barnaby lunges at the nearest trash can and vomits.

#IM SORRY FOR ANY HOSPITAL/PROCEDURAL INACCURACIES IM NOT TRYING TO BE ACCURATE AT THE MOMENT #except for the injuries. those are realistic and i did my due diligence. read a lot of first hand accounts! medical pages!#ohhhh this was so cozy to write #i mean. not as familiar as actual on-screen injuries but yk #its been too fluffy in here.#this is a mild example of my usual tastes and habits when it comes to fic & fiction #WHUMP CENTRAL BABEYYYYYY #i like it messy and painful!!! Lets Fuckin Go!!!!#this is a prime example of me not being able to shut the fuck up when writing #my scenes & convos just go on and on and on and on....#but yes! enjoy! the Crash arc is very thoroughly planned out in my head and lately its one of my favorite things to imagine before bed <3 #bedtime stories can be fictional characters going through horrible injuries & emotionally hurting each other #snippets from the bog #i will repeat what i have said multiple times before #i take the comic relief character. i hurt the comic relief character #i could have posted the little carnival half-scene. i could have #but ive been feeling stressed and caged and i need to let out some steam #and this is how i do that. controlled fictional violence <3

91 notes · View notes

cerise-on-top · 3 months

Note

EEEE BACK AGAIN CUZ YOUR WRITING IS YUMMYYY

Valeria, Graves, König, and Soap (separately) who has a s/o who's into poetry?

like maybe they're a poet or a librarian or something.

bonus points for a silly little cozy aesthetic dressed s/o :33

MANY HUGSSSS

-☁️

(CLOUD ANON)

Hello again! Welcome back! I'm glad my silly writings are enjoyable to people! I wrote it so Reader is a librarian and writes poetry both, in most of these! I think I forgot for Soap! I hope these are good enough! Thank you very much for the request! ^^

Soap, Valeria, Graves, König with an S/O who likes Poetry

Soap: While he may have read some poetry throughout his life, but only because he was forced to at school, he doesn’t care for literature like that in the slightest. Sure, he can understand some metaphors and some messages a piece of writing might try to convey, but he won’t go out of his way to buy himself an anthology of William Blake. He doesn’t have the time to read, and he doesn’t really want to either, he’d much rather go outside and take a hike. However, once you come up to him with one of your poems in hand, he’s more than happy to sit down and read through it. The way the language flows, the way the words intertwine with each other and form something unmistakably beautiful, it has him in a chokehold after a while. He’ll always cheer you on, quietly, while writing and read everything that you put on paper. While he might not be the best at giving criticism, he can use his words to reassure you that your writing is, indeed, the bomb. If you ever release your works then you can be certain he’ll be the first to buy a copy of the book, maybe even several because he loves and supports you that much. He loves the cozy aesthetic you have. Beige cardigans with either matching trousers or skirts. If you’re roughly the same size then let him borrow one of your cardigans, he wants to feel for himself how warm and cozy they are. It’s not usually his style, but trying them on won’t kill him. He actually also kind of likes it when you send him pictures of you drinking tea or coffee with a book on the table. It’s, as mentioned, very cozy, very comforting. You’re living your best life, you’re happy and thriving, and that’s all that matters to him.

Valeria: Unlike Soap, she has picked up books after school. The only poem she has read after school was the Divine Comedy by Alighieri since it sounded interesting to her at the time. She never finished it, though, having become far too busy with the military and, afterwards, the cartel. She doesn’t particularly miss reading either, though. Maybe sometimes, when she just wants to have a nice and quiet day, she might pick up a book she found just lying around, but that book could contain just about anything. While she might not always have the time to read your poetry, it will likely be sitting on her desk for a few days before she can read it, she will visit you at your library. It’s calm there, it’s quiet, and likely not a place anyone would suspect someone of her caliber to be. While she might not particularly be there for the books, you could read her some poetry every once in a while. Doesn’t have to be at the library either, you could just check out a book and read to her at home. She can appreciate something like that, you spending time with her, reading your favorite poem in a soft, almost mellow, voice. She gets to see you happy, after all, and that’s what she’s usually striving for. Even if that library isn’t doing too well, she’ll always make sure that it’s up and running because you love your job as much as you do. She, too, likes your aesthetic. It’s fairly neutral, it doesn’t stand out too much. While it might be a bit boring to her occasionally, since you likely would look just as lovely in something a bit more flashy, she won’t tell you to dress you any differently. In fact, she might instigate you a bit and egg you on by buying you expensive coffee beans or expensive hand made tea. The most aesthetically pleasing tea pots and cups will be yours, in this case you won’t even need to ask her.

Graves: Graves has not picked up many books after school either. The occasional book on business and history, yes, but nothing that was written lyrically. It never interested him, he had to analyze poems at school and that was the start of his disdain for poetry. He never did well with writing down what a specific metaphor might mean, so he never got any good grades on that. At first, he won’t be very happy to see you’ve brought him a poem, even if it was written by you, but he won’t complain, he’ll read it and give you honest criticism. He’s better with constructive criticism than Soap because he can still see the poem’s flaws while being nice and uplifting about it so you can do better next time. It likely won’t ignite a spark for poetry in him, but he has a soft spot for you, so he’ll read anything you want him to see. On the off-chance he has time to visit you, he will. While he might not be as quiet as Valeria, he tries, but he just really wants to converse with you. He doesn’t get to see you often, so it wouldn’t be too unlikely for him to waltz up to your library in his gear either. He tries not to scare the people, but it doesn’t always work. Tries to convince you to go home early with him so you can pay attention to him instead of burying your nose in some books. It doesn’t work, but hey, an attempt has been made. He really digs that entire cozy aesthetic. You look warm, you look soft, you look like you want and need a good hug from him. He’s a very touchy person in general, but that goes up by 100% since he likes the feeling of your cardigan, it’s made of wonderful fabric. If you’re more of a coffee drinker, like he is, then you can drink some coffee at a lovely cafe together, he knows plenty of nice and calm places. Tea, too, but you’ll be alone in that endeavor since he’s a coffee drinker first and a human second. Send him some cute pics of you, though, he’ll appreciate them after a mission and tell you how good you look.

König: He sort of likes poetry, actually. While he hasn’t read enough to actually have a favorite, he likes the way it sounds when read, either out loud or in your head. While he, by no means, could ever write a poem himself, English or German, he does like to read some every once in a while. He has an anthology at home he never got around to finishing. It’s a calming hobby. However, he finds himself with a favorite poet once you show him your writing. He’s very supportive of you, asking you fairly often about your progress and how you’re doing, answering any and all questions you might have that might bring you some inspiration. Whenever he writes it’s somewhat dry, mostly because he’s used to writing reports these days and nothing else, so seeing your flowery, beautiful language makes him smile a bit. It makes him imagine the scenery very vividly, even if you don’t specify too much of your setting. He, too, will come visit you at work when he can, but he won’t make a ruckus. If he can talk to you, that’s fine, if he can help you sort some books, he’d love to, but if you just want to do your work in quiet, then he’ll grab himself a nice book and sit down quietly until you have time for him again. Might ask you some questions regarding some books, might ask you for some recommendations as well, but he respects your want for quiet. He also really likes your aesthetic, it’s such a contrast to what he’s used to. You don’t look like you’re fighting wars, you look as though you sit down at a park bench during late spring or early autumn to read some books, and he thinks that’s very nice. If you want to, then the two of you can sit together in silence while you’re reading some poetry and he’s reading the Schachnovelle. He’s more than happy to tell you about what he read or listen to you reading some of the poetry out loud as well. It’s nice, it’s calming. It’s so far away from what he normally does at his job, he could fall asleep to the comfort of it all. If you’re reading at home, he might put his head in your lap and just take a nap.

#cod #cod x reader #john soap mactavish #john soap mactavish x reader #soap x reader #valeria garza #valeria garza x reader #phillip graves #phillip graves x reader #könig #konig #könig x reader #konig x reader #I used to write poetry back in high school and I always loved reading it #I remember going for a cozy aesthetic like that when I was hospitalized as well haha #drinking some tea while reading one of my Arsene Lupin books was actually just the best thing ever #I should really start reading some of my books again I have so many classics I never really touched which is a bit sad #I remember getting into poetry because of dmcv due to the character v #I never regretted it and I still think about that one poem from time to time #“I curse my stars in bitter grief and woe” “that made my love so high and me so low”#I have read that entire poem but it's been years since then #I was really into DMC V when it came out like four or five years ago or so haha

122 notes · View notes