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#aftermath of car accident
slowandsteddie · 1 month
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Lazy Petals
AO3
Okay. This work is NOT completed. I cannot guarantee an update schedule because only the first chapter is completed. However, I DO have everything plotted out (assuming it doesn’t get a mind of its own) and the goal is to be 50k+ words.
This story is very personal to me. I’ve taken my grandparents love/live story and made it Steddie. The characters are going to be OOC. Just letting you know right off the bat in case that is something you aren’t interested in. Also, this is a No Upsidedown AU.
My grandparents were immediately obsessed with each other, but didn’t date until after they had graduated high school. Which means that while this isn’t a slow burn, it is going to be slower than the stuff I usually write.
I don’t want to give too, too much stuff away. There there is a post where I described the main highlights and asked your opinion on reading it. There is also a poll where I asked if I should start posting before it was finished, and I got a pretty definite yes.
I saved the divider that I plan on using for this series back when I first started talking about it. I have since lost my note that told me whom to give credit to. If you know who made it (or know how to find that information on mobile!!) please let me know.
I think that’s enough of a preamble. Without further ado, here be the CW’s and the first 3,489 words.
Content Warnings: Steve was hit by a car and in a full body cast for over a year - he makes a bowling joke about it, his parents are very distant, his grandparents got very distant after his injury and he doesn’t understand why, Wayne is very careful while babysitting to make sure that no one can accuse him of being inappropriate, mentions of his mom overmedicating him so he’s easier to deal with, mentions of how weak he got from being in the cast. And as always, let me know if I missed anything.
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Steve didn’t remember much about that night.
His mother said that it was a blessing and refused to fill in any blanks for him under any circumstances.
His father, however, if he had drunk enough whiskey, would look at the six year old Steve as though he were a much older man and sigh before telling him anything he wanted to know.
Which meant that Steve knew that the car that hit him swerved in order to do so. (He didn’t know if the lady in the little blue car did it on purpose, or if she was a distracted driver. He wasn’t sure if he wanted to know that.) He knew that she had to have been going over forty miles per hour because the impact sent him flying at least a dozen feet before he slammed into that bus stop. He knew that the driver kept going and that at least half a dozen people ran to his aid and that one of the women had screamed because he was unconscious and she was so certain that he was dead. His little body was so broken and bloody and they couldn’t see him breathe.
He also knew that his father got to his hospital room before his mother, sweat pouring down the older male’s body as though he had showered in his clothes because he had run there from work. His mother showed up over twenty minutes later, all put together like she had taken the time to clean herself up before appearing. Something his father wasn’t sure if he could forgive her for. (This was one of the few times that his father would express just how much that he loved Steve, and he would carry that warmth with him forever.)
He knew that they had to revive him four times, that they had done twelve surgeries, that they had put him in a full body cast because nearly every bone in his body had been broken, including parts of his spine. He knew that his parents had been told that he would likely never walk again. He knew that a specialist had pulled his father aside to inform him that his brain wouldn’t develop normally after all of the trauma that it had been through after being smacked around in his skull. They’d have to be careful, and that they’d have to understand if he never progressed much past the age that he was now. That he could be in his fifties and still acting five and that there was nothing that could be done beyond what they had already done – remove a small part of bone behind his ear to help relieve the pressure and pray for the best while preparing for the worst.
And, while he couldn’t remember the absolute agony that he must have been in. He did have the descriptions that he used to tell his father. That there was lava in his veins and his bones were shards of ice cold glass threatening to tear him apart completely. His father had only told him that part once, with tears in his eyes. “There wasn’t anything I could do to help you, boy. I couldn’t take the pain away. I would have died to save you even a fraction of that.”
That was one of the few times that he could remember his dad hugging him. He had been so careful and gentle while pressing his face into his hair. He inhaled deeply and he cried. And Steve had done his best to hug him back despite the plaster that made it near-impossible to move his arms at all.
At first, Steve had thought that it was really cool to be stuck in bed all the time. He didn’t have to do anything. That got boring within a week and he still had at least a year ahead of him where he was meant to stay in bed unless he was in the bathroom or at a doctor’s appointment.
Even eating in bed, something that had once been unacceptable and even punishable before, lost its novelty pretty quickly.
He liked having his mom read him notes from the teacher and his classmates. He liked her reading him his homework assignments and writing down his answers for him so that he would still be on track. It made him feel like an important man, like his dad was going to be, with a secretary.
The thing is, though, that he really missed going outside. He missed playing in the woods outside of the trailer park where he lived. He missed going to his grandparents house with the pool and the stairs that he’d probably never be able to walk again. He could climb them, though, after the cast was removed. He was pretty sure. He might not have a lot of muscle left at that point, but that would just mean that he was lighter and had less to have to move anyway.
When Steve brought that up to his mother, her lips would turn into a very tight, thin line and something he couldn’t name would flash in her eyes. “You are not going to go to that house any time soon, young man. It’s best to let those ideas go.”
“But I miss Grandma Marty and Grandpa Pete, and they won’t come here,” he whined.
“The Harrington’s won’t come to the trailer park and you know that.”
“We’re Harrington’s too,” he’d say defiantly.
She’d leave the room at that. Effectively ending an argument that they had had multiple times before. But what else did Steve have to talk about? He didn’t really have anyone else to talk to either, other than their neighbor that he had taken to calling Mister Wayne.
Wayne was probably a few years older than his dad and lived alone in a trailer that had always seemed so lively despite the quiet man who lived in it. He always had the tv or the radio on when he was home and Steve lived for that. Because his window was always cracked open for the breeze, which meant the sound could drift to him as well.
It was better than the quiet of his house that only seemed to get broken up with arguments and slamming doors. He was so used to it, but he still flinched every time and did his best to pull the blanket over his head as though that would muffle the sounds.
Sometimes, Wayne would come to his window and read him a book that his own nephew liked. The Hobbit. Steve fell in love with the adventure of it, and Wayne never seemed to mind reading him the same book over and over, a few pages at a time while he smoked.
More often than not, Wayne was the one who came over to babysit once he noticed that Steve had been left alone. He never once complained about it, never once gave someone else the chance despite all the ladies who would come over with food. And wine for his mom, when they could spare it.
Sometimes, Wayne would talk about his nephew. He was a scrawny kid, a few years older than Steve, named Eddie. Had a dark mop of long curly hair, and eyes that always seemed to have mischief in them. They’d like each other, Wayne was pretty sure, and he’d introduce them the next time that Eddie came to visit.
Steve would want to ask when that would be, but he never did. He had Mister Wayne and that was more than enough for him. His dad was staying later at the office, trying to prove that he deserved that promotion that would get them the hell out of the trailer park, without his parents' money. His mother was getting into yoga and book clubs, and Steve was being left alone a lot. Because, what kind of trouble could he get into when he was stuck in bed? Besides, the neighbors could hear if he shouted for anything and Wayne seemed very invested in making sure that he was okay.
Steve never knew why the older man made sure that his curtains were always wide open and that his light was on so that others could see that he was reading to him, or talking with him, from a chair that was always at least three feet away. Maybe it was so they would know he wasn’t alone? He wasn’t going to ask about it, not wanting to chance scaring away the one adult who never raised his voice at him, who never abandoned him when things got hard like his grandparents seemed to.
Months went by like this. His parents not being home, his grandparents not even calling about him, and Wayne doing his best to fill in the difference despite his own job. The other neighbors would come on occasion, but Steve was very sullen with them where he would laugh with Wayne. That didn’t deter them from coming over as he would have liked, and begrudgingly he found himself becoming friendly with a few of them.
It was the beginning of summer when Steve was finally able to get the casts removed. His father took him to the appointment, and he tried to not be disappointed that his mother wasn’t there at first. By the time he was wheeled out to the front of the office, though, his mother was sitting where his father had been.
He did his best to not look at himself. He was pale and scrawny and kind of stinky from not being able to wash himself properly because of all the plaster that had basically covered him for over a year. Most of his bones had healed great, according to the doctor. He wouldn’t know because he still hadn’t looked.
His father came back from wherever he had been, paid the bill with tight lips, and then took Steve out to the car. His mother helped him into the seat before covering him with a blanket that he was grateful for. It wasn’t that he was cold, he just didn’t want the chance to look at himself yet. He wanted to do that when he was home, where if he broke down and cried, no one else would know. Or, he wouldn’t have to see them knowing in any case. And that was enough for him.
They stopped for ice cream on the way and Steve asked for a small strawberry cone. Strawberry wasn’t his favorite, but it was what Grandma Marty had all the time, and he missed her even though she didn’t acknowledge him anymore. Wouldn’t answer his calls, wouldn’t call him back. He didn’t even know if she got the letters that Wayne had helped him write.
When they got home, Wayne wasn’t home. Not for the first time, Steve found himself deeply upset by that. He’d never voice it. Adults had responsibilities outside of him. And he knew that he only got about an hour with Wayne a day, maybe two if he was incredibly lucky.
His father came to help him out of the car, because he had more muscle if Steve should happen to fall. He clung to his father’s arm with all the strength that could muster as he walked like a baby giraffe toward their trailer. Well, he called it walking. It was more like wiggling his lower spine and hips while throwing his legs forward. After maybe five steps like that, he found himself being lifted into his father’s impatient arms as he was carried the rest of the way in and sat on the couch.
“Thank you,” Steve said instead of complaining about not being able to use his legs. He had wanted to walk, to prove that he could.
His father simply grunted in response before going to the kitchen to grab a drink. The same way he always did when he was home for the night.
His mother was inside a few minutes behind them, having stopped to talk to a neighbor briefly. She looked at Steve on the couch and tilted her head at him with a calculating look in her eyes.
“Would you like a bath?”
“Yes, please.”
This time, Steve did get to walk on his own two feet to the destination. He was leaning heavily on the wall, almost gripping on to it with one hand as he practically threw himself forward. He was breathless by the time that he got to the bathroom and pain seemed to radiate out through his entire body, starting at his tail bone.
“You can have some meds after your bath,” his mother said gently. “And I’ll get you your refill before dinner, okay? So you don’t have to worry about running out.”
Steve didn’t think it was time to refill his medicine yet, but he didn’t question it. His mom was on top of it. He was a kid who lost track of time a lot.
He sat on the toilet and he watched his mom prepare the bath for him, knowing that she would only let him have the water a little above room temperature. His skin was sensitive and the steam wouldn’t be good for him with the medicine that he was taking. He couldn’t even have hot food without the steam making him nauseous.
Carefully, he was pulled back to his feet and stripped of his clothes before he was helped into the tub that seemed to be more bubble than water. He sat down carefully, wincing a bit as he did so, before letting himself lean back in the water that felt warmer than it probably was because of his weakened, cool skin.
He sighed in contentment as his mother washed his body for the first time in what seemed like years. He was nearing seven years old and thinking about years in the past, it would make his dad laugh if he shared that thought with him, an idea that made him smile.
His mom washed his hair, tilting his head back and using a hand to make sure that no soap got in his eyes that he had squeezed tight. He got to play in the bubbles for a few minutes, his dad standing at the door as his mom got him some comfy clothes and a towel.
It was his dad who dried him off and helped him get into his clothes.
“Thank you, Daddy,” he said softly. He knew he was expected to thank his dad for everything he did that was above and beyond, which meant he ended up thanking him for everything.
Steve was carried back to his bed, something that he would have whined about if he wasn’t so tired and in so much pain. He was tucked in and his mom came to give him some toast and juice to take his pills with. He knew he was only meant to have one, but he took both that his mother gave him anyway. He washed it away with grape juice and half of the slice of toast she had brought him.
“Thank you, Mommy,” he murmured.
“Get some rest, love,” she replied while kissing his forehead. “You had a big day today.”
Steve nodded in agreement, wishing that it could be that easy to just let the sleep overtake him. He closed his eyes as his mom left the room.
His father checked on him once a day, his mother gave him two pills instead of one, and made sure he at least had breakfast and dinner. One of the neighbors made sure he had lunch and new puzzles to work on, new toys to play with. Steve would wander around the trailer as best as he was able, and Wayne would read to him before he went to bed.
Days turned to weeks like that.
One day, Wayne wasn’t at work and both of Steve’s parents were gone. He wandered over to his bedroom window and opened it wide.
“Mister Wayne, if I can get to the front door, can you help me out?”
His walking was still unsteady and stairs were very difficult for him.
“Are your parents okay with you being outside?” Wayne asked sympathetically.
“Uh. Dad said I could as long as I either finished my puzzle or put it up first.”
Wayne gave him a knowing look. “Okay, you little hellion. But only because I know you’d hurt yourself trying to do it anyway.”
Steve beamed and closed his window most of the way before making his way to the front door. It was a struggle to unlock the door because of the latch chain, but he managed. Wayne was waiting there for him with an unlit cigarette hanging between his lips.
“Getting outside used to be easier,” he sighed before reaching out.
“Maybe it’s the weight of knowing that you’re doing something you shouldn’t be,” Wayne teased as he picked Steve up and set him back down on the ground.
“No idea what that means, but thank you for helping me pass the stairs.” Steve grinned widely, the dirt and grass squishing slightly beneath his toes. It felt so good.
“You’re welcome, brat.”
Steve giggled before doing his version of walking. He took maybe ten steps, very much aware of how closely he was being watched. His breath came a little harder from the effort, the times between walking so close together. Shakily, he sat down as carefully as he was able. Movement caught his attention and made his head snap up to look toward Wayne’s trailer.
“You gotta ghost!” He exclaimed.
Wayne laughed at that, shaking his head. “That’s the nephew I’ve been telling you about. He’s staying with me for awhile. Treat him like a skittish cat until he’s used to ya, and I’m sure y’all would be good friends.”
“Eddie,” Steve said happily. “Can he come out so I can meet him?”
“I’ll send him out after I smoke my cigarette,” he said as he put more distance between them before lighting up.
“Thank you!”
Steve laid down flat on the grass, spreading his arms and legs out as much as he could without the pain becoming unbearable. It wasn’t very far, but he didn’t care. He got to grip the green strands in his fingers. He got to feel the light and heat of the sun soaking into his skin and settling into his bones. He was beyond convinced that the bright yellow thing in the sky was much more healing than the meds that made him feel tingly from his head to his toes.
He must have fallen asleep like that, because next thing he knew he was being awoken by a toe nudging his shoulder. His eyes flashed open and he was met by the most dark, beautiful brown eyes he had ever seen.
“Uncle Wayne said you just got released from the mummy’s curse.”
“He said that?”
“Well. He said your name was Steve and you just got a full body cast removed a few weeks ago.”
“That sounds more like him.”
“So…What happened?”
“A lady tried to go bowling with me and her car. The only pin she knocked down was me.”
Eddie snorted. “Shoulda planted your feet more firmly, she woulda gotten a strike.”
Steve’s lips tugged into the widest smile that he had ever had on his face. “My parents don’t like it when I joke about it.”
“Parents are stupid.”
“Yeah. How long are you stayin’?”
“As long as I can.”
Steve hummed in thought. “You any good at reading out loud?”
“Depends. What book?”
“The Hobbit.”
Eddie’s entire face lit up, his huge smile showing off the chipped front tooth. “My favorite book in the entire world? Yeah, I’m pretty good at reading it out loud.”
“We should read to each other. I have troubles with some words, but I am trying.”
“I’d like having someone to read and play with.”
“Oh, uh. Playing is hard for me right now. I’m still trying to get my strength back.”
“It’s okay. We read The Hobbit, we gotta have a pretty good imagination. We can pretend to play.”
Steve blushed and looked away. He never had someone his own age willing to work around his limitations before.
“I heard about a game with dice where we can talk out stuff and the dice decide how well it goes,” Steve said suddenly.
“Dungeons and Dragons!” Eddie apparently decided that he was tired of standing because he flopped down next to him at that. He rolled around in the grass before eventually settling on his side, propping his head up on his hand. “I can find a way to make that work with just two people.”
“Oh.”
“Turn that frown upside down, friend. I like a challenge. We’ll make this work because it sounds like fun.”
Steve beamed.
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Taglist (let me know if you want added or removed! I was just trying to get who I remembered to seem interested!):
@estrellami-1 @eriquin @epiclazershark @morganski-19 @ellaelsinore @y4r3luv @valinwonderland @thespaceantwhowrites @jackiemonroe5512 @spectrum-spectre @princessstevemunson @ghost--enthusiast @gothwifehotchner @kas-eddie-munson @auroraplume @salisbury-at-the-stake @currently-steddiebrainrot @finntheehumaneater @marshmellowpaint @littlewildflowerkitten @perseus-notjackson @sapphirecobalt-1 @xxfiction-is-my-realityxx @gloomysoup @anne-bennett-cosplayer
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murk888 · 3 months
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Hey, friends. Wanna hear something funny?
I got into a car accident today.
But I was very lucky.
A truck went out of control, slid sideways down the road towards me and hit the driver's side with its rear end, pushing my car against a wall for a moment, then spun around again and got stuck, fully blocking the road.
I'm completely fine.
Only a piece of shattered glass cut my finger. Except for that, your humble artist is unharmed.
This doesn't feel real
What a crazy day
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lbibliophile-sw · 6 months
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Breaking Habits
Also on AO3 @whumptober-archive - day 1: safety net, day 22: "watch out", vehicular accident @clonefandomevents - Haunted Clones week & 501st bingo - day 1: time loop
They say that it can take as little as 21 rotations to build a habit.
Rex doesn’t know just how many weeks he was trapped in the loop – he lost count somewhere after the 30th morning of waking up in the Coruscant barracks. Yet eventually he found the combination: he saved Fives, made the Jedi listen, defeated the Sith.
But then there is the aftermath. For all that he had been desperate to unravel the mystery, the routine had become familiar, comforting, safe. Details fading into the background as he focused on each variable.
Now… People aren’t where they’re supposed to be. Conversations take unfamiliar turns. Someone moved ‘his’ caf-mug from the shelf. Things change without his input, and it leaves him wrong-footed and unsure.
The first time he leaves the barracks After, only Jesse’s reflexes keep him from being run over by a speeder-truck. Rex didn’t check, because this intersection is always clear. Rex didn’t react fast enough, because dying just meant waking up.
He has to remind himself that consequences linger; people remember and injuries take time to heal. He has to relearn how to accept uncertainty.
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serickswrites · 1 year
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Can you uhm.. make a car accident hurt/comfort. Thank you so much for that❤️
Absolutely I can @espzd
Please enjoy! (Also idk how submissions work, but here we go!)
Warnings: referenced car accident, referenced hospital, broken bones, hurt/comfort, hurt/aftermath, hurt/recovery, caretaker and whumpee
Caretaker breathed deeply for what felt like the first time in a long time. Whumpee was resting peacefully in their bed, their face no longer contorted in pain. And so now Caretaker could relax.
The car accident had been bad. Caretaker was in shock when they got the call that Whumpee's car had been T-boned. Intentionally from the looks of it. Whumpee had looked so small in the hospital bed when Caretaker had finally been allowed to see them. They had been covered in bandages, their leg casted, and other injuries very apparent.
But they were alive. And would live.
Caretaker had been forever grateful that Whumpee was alive and would remain alive. Because when they had first gotten the call they feared the worst. And so they couldn't let themself leave Whumpee's side. Not until Whumpee woke up. Because Whumpee would wake up. They had to.
That had been weeks ago and Whumpee had woken. Woken in pain, but woken nonetheless. And Caretaker had stayed with them. Stayed with them the entire time they were in the hospital. Told Whumpee they would be there every step of the way through recovery.
"You ok?" Whumpee blinked up sleepily at Caretaker.
"I'm fine," Caretaker said snapping out of their thoughts. "What about you? Any pain? Can I get you anything."
"No," Whumpee sighed and snuggled deeper into Caretaker. "Have you. Happy," they said sleepily as they slipped back into their peaceful slumber.
"And I'm happy I still have you," Caretaker said as they kissed the top of Whumpee's forehead. "Very happy."
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surgcns · 3 months
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if anyone would like a starter from Patrick or david loosely based on the season premiere from tonight, like this post!
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tawaifeddiediaz · 2 years
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not to make this about buddie but if buck lays bleeding on the street again and eddie has to watch him bleed to near-death the way shannon did after her own car accident…you will never hear from me again
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altarcup · 27 days
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trust me i will find a way to romanticize aem0nd....
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set-phasers-to-whump · 6 months
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after
prompt: aftermath of failure (alt no.2)
whumpee: sonny carisi
fandom: law and order svu
here's a fandom i haven't written in a hot sec! was really grappling for what to write and suddenly the idea hit me like a. well. i'm not going to say. this is set during episode 19x19 sunk cost fallacy and presumes a basic familiarity with the events (you can find a gifset of it here). hope you enjoy!
Sonny is sitting on the back bumper of an open ambulance with a shock blanket draped over his shoulders and he can barely breathe. There is blood dripping down his face from a gash on his temple, but he’s not aware of it. His clothes and hands are stained red with blood that is not his. The front of the car is a mangled wreck and red and blue lights flash continuously into his eyes. Radios are chattering endlessly. Everything is light and noise and he doesn’t - he doesn’t know what to do. 
And then Liv is there, and that’s at least something. She walks towards him, says his name, quiet, worried  - “Carisi” - and he stutters out an explanation, gasping for breath between the words. 
“I couldn’t - I couldn’t stop the blood, I tried, he just blew through the stop sign.” 
Liv speaks over him, low, calm words that he barely even hears. “Okay, alright, take it easy, take it easy.” Then she asks, “Who did?” 
Her hand is on his back, steady like the metal he’s sitting on. He looks away from Liv, panting, and Amanda interjects from next to him: “He’s in the wind.”
“Hey, did you see him?” 
He had. He nods, slightly, forces himself to remember, images flashing through his head faster than he can catalogue them. “He had, um, a ba- a baseball cap, and I - I tr- I tried to, uh…I - I couldn’t, I co- I couldn’t, I couldn’t stop the bleeding.” 
This is what it all comes back to. The blood. Too much of it. All over the car, her skin, the ground. His hands, desperate, trying, but too much blood. He couldn’t. 
Liv nods, almost inaudibly whispers, “I know, I know.” Amanda touches his shoulder, then gets up, follows Liv over to the scene. And then he is alone. He still cannot breathe properly. He does not know what he is supposed to do. 
A paramedic comes over to check on him, and he sits motionless while she looks him over. She says something about the hospital, and he shakes his head. He can’t - he’s not the one who should be in the hospital, Jules should be, she should be alive and getting cared for but he couldn’t - he hadn’t been able to stop the bleeding, too much blood, soaking into his clothes and his skin as it continually forced its way out of her body despite everything he had done to try and make it stop. 
It’s his fault - if he had driven slower, or faster, if he hadn’t hit that intersection at that exact time, if he’d been paying more attention, if he’d been quicker to react, to jerk the steering wheel, if he’d been able, somehow, to stop the bleeding, if, if, if - 
“Hey, hey, whoa, breathe.” This is Amanda, sitting next to him again, hand on his leg. “Deep breaths.”
He tries to do as she says. But he can’t stop thinking, spiraling, what ifs and should haves tumbling through his brain on loop. Jules is dead because of me, he thinks, and he feels like he is going to explode with the guilt, the grief. 
“It’s my fault,” he says, between breaths that don’t give him much air at all. “It’s - I should’ve - I couldn’t -”
“You did all you could.”
It wasn’t enough. 
“Come on,” Amanda says, quietly, after a few minutes of silence. “Let me take you home.”
The car ride passes in a blur. Every time a car comes at them from a different direction, he flinches, eventually opting to simply close his eyes the entire time. 
He wishes he had never learned how to drive. Wishes it had been anyone else driving, because then maybe Jules would still be alive. Maybe someone else wouldn’t have been hit in the first place. Maybe someone else would’ve been able to stop the blood. 
They’re in his bathroom and he sees himself in the mirror for the first time. His face and shirt and hands are covered in blood. He can scarcely believe that the image reflected in the glass is him. 
He stares at his reflection for a long time. Vaguely, he hears the shower turn on, feels the room steam up. And then Amanda’s reflection joins his, and she looks so much like herself that it momentarily jolts him into reality. 
“C’mere,” she says, and he momentarily turns away from the bloodied, guilty version of himself. 
She unbuttons his shirt and tosses it into the hamper, though there is no chance the blood will ever come out. He glances down at his chest and discovers that some of the blood has soaked through the fabric and into his skin. 
He strips off the rest of his clothes on autopilot, too out of it to be anything more than vaguely aware of the fact that he is not alone. 
He steps under the water and it is so hot it feels like he is burning, but he does not adjust the temperature. He scrubs at his skin until the red tinge of Jules’ blood turns into an angry but clean pink. 
He remains in the shower until the water starts to turn cold, until he starts to shiver. He gets out and discovers a towel and clothes that hadn’t been there before. His bloody, ruined clothes are nowhere to be seen. Amanda has similarly disappeared. 
He dresses slowly, examines the gash in his forehead in the mirror. It’s stopped bleeding, which is good. The thought of having to go get stitches makes him feel sick. 
He leaves the bathroom in search of Amanda, and finds her in his kitchen, in front of the microwave. She turns around when he enters the room, and looks at him with something like relief in her eyes. 
“I’m heating up some leftovers I found in the fridge. Hope you don’t mind.”
He’s not at all hungry, but he doesn’t mind, anyway. He shakes his head. The microwave beeps, and Amanda retrieves a steaming tupperware. 
It’s the pasta he’d brought home from a family dinner last weekend. The pasta he’s eaten his entire life. It tastes like childhood, like home. It’s probably the only thing in the world he can stomach right now.
She divides it onto two plates, and they eat in comfortable silence.
thanks for reading! i haven't really written these two before so i hope it was alright <3
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kryptic-krab · 1 year
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,,,,eventful last few minutes
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i-am-still-bb · 1 year
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Whumptober 2022 - Alt. No. 13 - Crutches
Fili/Kili, G
Dead Batteries AU (Tumblr / Ao3)
--
Kili did not remember much of what happened in the hospital. The doctor checked him for bruising from the seatbelt. And he got x-rays.
He was sent home from the hospital with an aircast, crutches, and hospital pants.
“Do you want to go home?”
Kili shook his head. He had to be helped into the back seat of Dis’ mini van. The crutches were set between the two captain seats in the middle. His dad had come to the hospital, and when it was clear that Kili was going to be okay then he went back to work.
“Do either of you need lunch?” Dis asked once the van was one and A/C turned to max.
Kili shook his head.
“Can we just go home, Mom?” Fili asked. He buckled himself in.
“Of course.”
When she pulled out onto the street Kili reached for Fili’s hand, but Fili pulled his hand away and tucked them in his lap. He kept his gaze firmly fixed on the window.
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random-fandom-whump · 2 years
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Once Upon a Time S02E12 ↳ RFW's Favorite OUAT Whump Moments (✚)
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alpha-mag-media · 7 months
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Chilling photos show deadly aftermath of freak car accident that killed woman after tire crashed through windshield | In Trend Today
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hayatheauthor · 10 months
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The Writer's Guide to Authentic Wounds and Fatalities
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Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
Writing Fatal Injuries
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Choosing the right injuries for your story
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
Researching the mechanics of fatal injuries
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
Depicting the immediate aftermath
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
Emotional and dramatic impact on the narrative
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
Writing Minor Injuries
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
Types of minor injuries to consider
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
Conveying pain and discomfort
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
Balancing realism with narrative pace
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
Writing Bloodshed And Realistic Blood Loss
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
Understanding blood loss and its impact on the body
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
Factors influencing blood loss in different injury scenarios
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
Techniques for accurately portraying blood loss in writing
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises: Colors, Progression, and Pain
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Understanding the stages and colors of bruises
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
Depicting the progression of bruises over time
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Conveying the pain and sensitivity associated with bruises
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Remember The Side Effects
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Physical side effects
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Emotional and psychological side effects
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Social implications and changes
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Conclusion
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
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moonstruckme · 5 months
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Hi mae! I love eveything you write!! Kind of in a similar vein to doctor!remus i wanted to request poly!marauders where they are emt’s and they respond to a call where reader is injured and when they arrive to help reader is just super flustered and shy because there are three very sweet and attractive and charming men she doesn’t know taking care of her
Thanks lovely!
part 1 | part 2
Cw: car accident aftermath, concussion, blood, and definitely some smutty implications but nothing that would fluster your grandmother, also maybe don’t read if medical inaccuracies will piss you off because I can almost guarantee this is riddled with them (I am but a girl)
emt!marauders x fem!reader ♡ 1.7k words
Someone else must have called emergency services, because the first thing you hear is sirens. Your car is smoky—that can’t be safe, can it?—and you ache, and the shaking of your hands makes them frustratingly inefficient at undoing the buckle of your seatbelt. 
The sirens get louder and then stop. The ruckus you can hear but not see outside of your smashed windshield increases, and there’s a warm wetness on your face, getting in your eyes. You reach up to swipe at it. The door next to you opens. 
“Hi.” A curly mop of hair attached to a smiling face pops in your driver’s door. “How we doing?” 
You inhale shakily. “All right.” 
His grin goes lopsided, brown eyes skimming over your form. “Well, at least you’ve got a good attitude. We’re gonna get you out of here in just a second, but first can you tell me what’s hurting you?” 
You blink. Things seem to be moving oddly slowly. Every inch of you trembles. “Is my car going to blow up?” 
The paramedic’s eyebrows raise. You hear something on your opposite side but can’t be bothered to look. “We don’t think so. Are you asking because of the powder?” 
He must mean the smoky stuff swirling about your car. You try to nod, but it hurts, and the man puts a gloved hand to your neck to stop you. 
“No no, don’t move,” he cautions. 
“That’s just powder from the airbags,” a voice on your other side says, and the paramedic makes a small sound of protest when you turn your head to find it. There’s another one leaning in the open door on your passenger side. He’s got fluffy brown hair lighter than the first’s and a large scar on one side of his face which stretches as his eyebrows bunch. “Can you tell us what hurts, please?” 
“My head,” you answer, bringing a quivering hand to your breastbone. “A—and my chest.” 
“No pain in your neck or back?” The first, darker paramedic asks, and when you confirm he nods approvingly. “Well, some of that might come later, but that’s good enough for now. All right, sweetheart, do you think you can stand?” 
“Yeah,” you say, sounding uncertain even to your own ears. He grasps your forearm in one hand while wrapping another around your back, helping you out of your seat. 
As soon as you’re through the door there’s another set of gloved hands on your opposite arm. You look up to see a third man, slighter than the others, helping the first carry you a short distance to a gurney. 
And daylight is something else. Your head and chest hurt worse than before, but it doesn’t help that you very nearly stop breathing when you take in the sight of the three paramedics who have surrounded you. 
“Can you tell us what you remember from the accident?” The second one, the one who’d come through your passenger door—you can see in the sunlight that he has more scars than just the one, though he’s no less beautiful for it—asks. There’s a gentleness to the set of his brows as he frowns at you, pressing something to your forehead. 
A policeman makes to approach you, and the curly-headed one turns, taking on a sternness that doesn’t suit him as he wards the other man off with a hand and a few quiet words. 
“Hey.” The scarred paramedic brings your attention back to him. “Do you know what happened?”
“I…” Fuck, you can’t tell if you’re woozy from whatever’s happening with your head or just the attention from the three of them. They’re moving you, other people and cars passing in your periphery as they wheel the gurney towards an ambulance. “I wrecked my car?” 
The third paramedic laughs, the sound sharp and crisp despite the general fuzziness surrounding you. He’s got longish, inky black hair tied in a ponytail at the nape of his neck. “It’s not a trick question, dollface. And the state of your car isn’t really what we’re worried about right now.” 
“Sirius,” the scarred one chides. You think distantly that Sirius is an odd name. Unique and pretty-sounding. “Do you remember if you fell asleep, love?” 
You want to shrink away from his attentive stare, but his hand on your forehead holds you in place. “I’m not sure,” you say. “Was there—are the people in the other car okay?” 
“Pretty sure she was just waking up when I got to her,” the first paramedic says, curls bouncing slightly as he stations himself by your feet and helps lift the gurney into the back of the ambulance. “Yeah, sweetheart, everyone else is alright. Might be a bit sore tomorrow, but signing refusals of treatment as we speak. Do you feel sick?” 
Actually, maybe it’s the speed of the conversation that’s making you woozy. “No?” 
“Well, that’s reassuring,” he jokes. “That’s okay, just let us know if you do.” He flashes you another dazzling smile.
You think you might return it, but then light hits your eyes and you wince instead. 
“You’re okay,” the dark haired one—Sirius, you remember—reassures you. “I’m just going to shine this in your eyes really quickly. Try to keep them open for me?” 
You do your best, and he works swiftly as promised, flashing the bright white beam into one eye and then the other before clicking it off with a gentle pat to your knee. 
“Definitely concussed,” he says to the other two. Excellent.
“Okay, I’m just going to close this up for now,” the scarred one explains, voice low and soothing as he removes whatever he’s been holding to your head. “It looks like you’ll need stitches, but I need to stop the bleeding until we can get those done, yeah? It might feel like little pinches.” 
“Okay,” you say, voice embarrassingly shaky from the tender way he’s holding your head in his hands. “Thank you.”
He smiles. The effect is dizzying, scars pulling taut as the severity melts from his features. “You’re welcome, lovely,” he says softly. “How’d this happen, then? Did you hit your head on the steering wheel?” 
You try to remember. “I guess so. I’m…not sure.” 
“That’s okay,” Sirius promises you. “James, can you check out that chest pain while I get a pulse?” 
The first one, who hasn’t seemed to stop smiling despite what you consider a fairly grim circumstance—though you imagine it might be run-of-the-mill in his line of work—steps to your side. The three of them move around each other so fluidly, like they can anticipate the other’s movements. Practice, you suppose. “All right, darling,” he says, the endearment rolling off his tongue with a self-assuredness you can’t relate to, and your face warms in response, “do you mind if I move your top down a bit so I can have a look?” 
You feel suddenly lightheaded. You try to nod, but the scarred one tsks at you, holding your head still with lithe fingers as he works on your cut. Thankfully, James seems to catch your meaning anyway. He’s exceedingly gentle as he wraps his fingers around the neckline of your top, pulling it into a V in the center of your chest. You follow it down with your gaze. The red line that stretches diagonally across the flat of your chest feels somewhat anticlimactic considering the deep ache that emanates from it, but James hisses sympathetically. 
“Ow,” Sirius agrees. “Yeah, looks like the seatbelt got you.” 
You try very, very hard not to think about how they’re all looking at your naked chest, all speaking to you so kindly, all touching you in their different ways. If you think too hard about any of it, you might actually die. 
“Tell me if this hurts, alright?” James looks at you before pressing down lightly with his palm. 
You start to gasp from the pain but then that hurts even worse, and your face scrunches in agony.
“Sorry, sorry.” He removes his hand hastily, putting your top back in place. “All done with that, love. It hurts when you breathe in, huh?” 
“Yeah,” you affirm croakily. 
“Sorry, sweetheart,” he says again, touching your shoulder with an apologetic smile. You’d never been mad, but you go ahead and forgive him anyway for looking at you so sweetly. “I’m going to feel if your ribs are broken, okay? I won’t push down again.” 
You don’t have the breath to give an assent and he doesn’t wait for one, slipping a large palm under your shirt—what you wouldn’t give to have that happen under different circumstances—and feeling about your sides tenderly. 
The scarred paramedic’s touch lifts from your forehead. “Okay, that’s all set. Let’s get you out of here, hm?”
“You driving, Rem?” Sirius asks, and you notice he’s finished taking your pulse but hasn’t let go of your hand, thumb stroking the inside of your wrist soothingly. 
“Mhm,” the scarred one—Rem—replies, putting away some supplies. “Did you confirm she’s in shock?”
“Yup.”
“Start an IV,” Rem instructs, and Sirius scoffs like yeah, I know and waves him off. You almost laugh at the easy familiarity of it. 
“Why do you think I’m in shock?” you ask as Rem hops out the back, presumably going to the driver’s side. 
Sirius softens. “Your pulse is a riot, pretty girl. Plus, you’re shaking like a leaf and you’ve gone a tiny bit blue” —he taps your lips with his forefinger— “right here.” 
You could pass out now. That’d be alright with you. 
James straightens, having already run his fingers probingly over both your sides. “Alright, we might have a couple of small fractures, but nothing too dire. Can I see your arm, love?” 
You give it to him unthinkingly, but tense when he starts feeling about the soft crook of your elbow with overly kind fingers. You’d think the effect of his touch would have diminished after he’d finished feeling you up underneath your shirt, but evidently not. 
“You’re okay.” Sirius mistakes your shyness for nervousness about the IV, wrapping his fingers around your chin and turning you gently to face him. His cupid bow flattens when he gives you a small smile and a shorter piece of his dark hair has slipped free of its confines, brushing his cheekbone. “You’re okay, doll. Jamie’s a pro, yeah? Just keep your eyes on me.” 
Well, if he’s gonna insist. 
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astrophileous · 6 months
Note
Hmmmmm for Hotch maybe him lowkey coddling reader when she gets hurt shortly during a case shortly after they start dating? Maybe the team wasn’t aware until they saw him fret this much when he had never done it to this level in the past? 🥹
Thanks for the request babes!! My first Aaron fic ever, so hopefully it's not too bad for a first 🥺 I hope this is to your liking ❤️
Warning(s): gn!reader, established relationship, talks of traffic accident, mentions of injuries, protective hotch, mean words (hotch is just worried abt you ok??)
This blurb was written as a part of the "Zara's Birthday Bash and Road to 1K" celebration.
Zara's Birthday Bash and Road to 1K Masterlist / Criminal Minds Masterlist
You heard him before you even laid eyes upon him.
Amidst the beeping machines and the moderate ruckus of the emergency room, Aaron's voice penetrated the air like a sword. The authority dripped like lava from his tone as he badgered Derek for your whereabouts, and before you could shuffle out of the hospital bed that had been your safe haven for the past hour, the cubical curtain surrounding you was suddenly yanked open.
Your movements ceased once you locked eyes with a frowning Aaron Hotchner.
"Hey—"
"Are you insane?"
You looked at him dumbfoundedly.
"Do you have a death wish? Is that it? Or are you just stupid?"
A few feet behind him, you could see Derek and Emily exchanging silent looks between the two of them. Everyone knew that Aaron was notorious for being frigid, and he had a strong impartiality when it came to any of his team members doing something impetuous on the field, but the words seeping out of Aaron's mouth at that moment sounded overtly harsh to those who knew him.
"Hotch—" Derek took a step forward, trying to come to your defense, "—it's not (Y/N)'s fault."
"I'm not talking to you." Aaron's response was cutting and final. It baffled Derek enough for him to trace his step back.
"What's wrong with you?" you asked once the shock dissipated, returning your voice to its rightful owner once more. "Why are you being like this?"
"Me? You're asking me? I should be the one asking you."
Your eyebrows pulled together in confusion. "We were chasing the UnSub—"
"You went rogue," he cut you off. "Morgan told me everything. There's no point in denying it."
Derek raised his arms in surrender when your stare of betrayal slid his way. "Fine. I'm sorry I grabbed a random civilian's bike and crashed it against the UnSub's car. You don't have to worry about paying anything back, I'll figure something out."
"Is that what you think this is about?" Aaron pinched the bridge of his nose. "I could care less about monetary compensations. We can deal with that later. You could've been killed, don't you understand?"
It was his last admission that finally made the pieces in your head click into place. Beneath the anger inside Aaron's words was actually a hidden anxiety ready to break free. He was worried about you, even if he was showing it in the least hospitable way possible.
Your relationship with Aaron was young; green around the edges and blooming every single day like tulips in spring. Nobody else in the world knew about it yet, and the two of you wanted to keep it that way. At least, that was what you agreed upon after having that lengthy discussion following your first official date.
And yet, none of that mattered when your fingers opted to reach out for Aaron's hand. You pretended not to notice the gasp that Emily let out as you urged your boyfriend to look into your eyes.
"I know you're worried, but I'm fine. I'm right here with you, and I'm okay." Aaron's shoulders physically collapsed at your reassurance. Every other noise in the hospital seemed to drown out in the aftermath. "The doctor's gonna clear me in no time, trust me."
"It still doesn't erase the fact that what you did was reckless." Aaron stepped closer towards the bed, overcrowding your senses as his thumb swept over your left eyebrow, just below the wound you had obtained from the crash. "Does it hurt?"
You shook your head no. The injury to your head was relatively minor. Your arm, on the other hand, was sustaining a quite sizable gash from your collision with the car.
Aaron's eyes followed your gaze that had meandered towards the gauze covering your arm. "How many stitches?"
Reluctantly, you answered, "Seven."
You heard his sharp breath before he turned around to face Derek. "Where's the UnSub now?"
Derek jerked his head to the right, where you reckoned the UnSub was being treated for their own injuries from the crash. The words of protest died in your throat as Aaron began to saunter to the other end of the ER with Derek hot on his heels.
With the two men's departure, Emily was the only one who remained.
"So—" she smiled knowingly, leaning against the foot of your bed, "—you and Hotch? When did that happen?"
You slammed your head back on the pillow, muffling your groan with your uninjured arm. "Shut up."
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pucksandpower · 9 months
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okeyyyy!
but we need a Grid Kids that maybe y/n and seb were in an car accidente (and y/n took the worst of it) and now the roles are reversed, now they are gonna take care of them
Loving this series so much
Grid Kids: UNO Reverse Card
Sebastian Vettel x wife!Reader x platonic!drivers
Summary: the roles are reversed when disaster strikes and your grid kids make it their duty to take care of you
Series Masterlist
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The rain is pouring down and the paddock is filled with the usual organized chaos accompanying a wet race. The garages are lively with the sounds of mechanics tuning engines, engineers going over data, and drivers preparing for the race.
Suddenly, a deafening silence descends as a member of the Aston Martin team rushes in, face pale and voice shaking, “There’s been an accident. It’s Sebastian and Y/N.”
The news spreads like wildfire. The paddock, usually filled with the roars of engines and excited chatter, is now eerily quiet. Your grid kids, upon hearing the news, rush to find out more details, their faces masks of concern.
A shaky video from a fan’s phone plays on loop on their screens, showing the aftermath of a devastating collision. Your car is almost unrecognizable, crushed, with the driver’s side visibly less damaged.
George, having seen the video, collapses onto a nearby chair, tears streaming down his face. “This can’t be happening,” he whispers.
Lando, usually the life of the party, stands frozen, disbelief evident in his eyes. Mick, face ashen, tries to make calls to get more information while Lance rushes to find his father to find out if the team has heard anything more.
***
Soon, details emerge that you bore the brunt of the impact and your condition is critical while Sebastian, though injured, is stable. The helicopter is already airlifting you to the nearest hospital.
As the severity of the situation sinks in, your grid kids, in an unprecedented move, gather together for an emergency meeting. The weight of the decision is clear in their eyes.
After what feels like an eternity, Charles stands up, his voice firm yet choked with emotion, “We’re pulling out. We can’t race knowing Y/N is fighting for her life. We need to be there for her, just like she’s always been there for us.”
The decision is unanimous. One by one, they all agree. Telling their teams and the FIA descends the paddock into even more chaos.
***
The hospital waiting room is filled with a mix of team colors. Red from Ferrari, orange from McLaren, deep blue from Red Bull, green from Aston Martin, white from Haas, and black from Mercedes. The fierce rivalry that usually defines race weekends is nowhere to be seen. Instead, they’re united in their concern for you.
Sebastian, despite his injuries, is by your bedside, holding your hand, praying silently for a miracle.
As the hours drag on, the grid kids take turns sitting by your side, sharing stories, hoping their voices provide some comfort, even in your unconscious state.
Mick, teary-eyed, recalls, “Remember when I missed my dad? You were there for me.”
Lando adds, “And when I just wanted milk? You welcomed me like family.”
Charles, voice filled with emotion, says, “We’re here now, for you, just like you’ve always been for us.”
***
As night turns into dawn, there’s a shift. Your vitals start stabilizing and the worst seems to be over. The relief is palpable as the somber mood hanging over your family fades away.
Sebastian, tears of gratitude in his eyes, thanks each one of them. “She’s strong, and with all of you here, I knew she’d find a way to fight through.”
***
A week has passed since the accident and you’re now firmly in the recovery phase. The room is overflowing with flowers, cards, and quirky gifts — each one a symbol of just how much you mean to the racing community.
As you slowly regain consciousness, groggy from the medication, the first thing you spot is a balloon, bobbing near the ceiling, with the words “Speedy Recovery!” It has a little caricature of you in a race car with your cat (in a tiny sweater) on your shoulder. Another one reads, “Get back on track soon!”
Mick enters the room with a tray, “Look who’s awake! I made you my special recovery smoothie. Okay, it’s mostly chocolate ... but it’s the thought that counts.”
Charles follows, holding a peculiar-looking teddy bear dressed in a racing suit. “Meet Racy. He’s going to keep you company. We tried to smuggle Speedy in under our hoodies but got caught so this is the next best thing.”
Lando waltzes in, proudly holding up a t-shirt with “I survived a car crash and all I got was this lousy t-shirt” printed on it.
Max pops his head around the door, holding a full-sized F1 helmet, “You better wear this the next time you get in a car.”
George, with his trademark smile, presents a plush safety car. “To keep you safe and sound, always.”
Lance, trying to contain his grin, brings in a steering wheel cushion. “For those moments when you feel the need to take control of your recovery.”
You can’t help but chuckle at their antics. “You guys ... always know how to lighten the mood.”
Sebastian, holding your hand, grins, “They’ve been brainstorming ways to cheer you up nonstop for days now.”
***
Determined to keep things positive, your grid kids rally together for a surprise. As the evening descends, they transform your room into a mini-movie theater. They even managed to sneak in a projector.
The movie choice? “Cars” of course.
Lance, armed with a bucket of popcorn, declares, “I mean, if we can’t race real cars today, might as well watch animated ones!”
Mick dims the lights and George hits play. As the familiar sounds of the movie fill the room, everyone settles in ready for a night of laughter.
***
It doesn’t take long for the grid kids to turn the movie night into their own commentary session.
As Lightning McQueen races across the screen, Max quips, “I think I could’ve taken that turn better.”
Lando, laughing, chimes in, “And Mater reminds me of Charles after a few too many energy drinks.”
Charles feigns outrage, “That’s unfair! I’m at least 10 percent more sophisticated than Mater.”
You, through bouts of laughter, shake your head, “Honestly, I can’t decide what's better, the movie or your commentary? You guys might have a future on a broadcast somewhere if this whole racing thing doesn’t work out.”
As the credits roll, Sebastian whispers, “This is exactly the medicine you needed.”
Your grid kids truly make the day memorable, proving that through thick and thin, family — in whatever form it may take — is everything.
***
The sun is high and the paddock is buzzing with energy as preparations for the upcoming race are in full swing. As you and Sebastian approach, there’s a sudden almost comedic halt in activity. It’s as if someone hit the pause button on a remote. Everyone turns to face you, jaws dropped.
Lance feigns fainting, “Is it a mirage? Or has our beloved Y/N truly graced us with her presence?”
Max approaches with an exaggerated limp, mimicking you, “Thought I’d get into the spirit of things,” he says with a smirk.
George emerges from the crowd holding a makeshift red carpet (it’s just a red towel he stole from Ferrari), rolling it out in front of you. “For our returning queen,” he declares with a bow.
Charles and Lando appear, each holding one end of a “Welcome Back” banner. You try to turn your head to read it … they accidentally held it upside down.
You’re trying hard to hold back tears of laughter. “You guys are impossible,” you manage to say between your chuckles.
Mick, with a gentle smile, approaches holding a small framed photo. It’s of you surrounded by all your grid kids, taken during a race earlier in the season, with the inscription “Family, Always.”
Touched by the gesture, you softly say, “Thank you so much, Mick. This means a lot.”
“You’ve always been there for us,” he replies. “It’s only right that we’re here for you.”
Sebastian, wrapping an arm around you, adds with a grin, “I think they missed you.”
You really loved your grid kids.
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