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marciabrady · 7 months

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it's so funny to me that the princess our culture associates fundamentally with passivity offers credos which are among the most active and powerful of any in the fairytale canon

first and foremost, cinderella communicates that we all are what we contribute.

cinderella saves the mice and fosters an environment of collaboration, harmony, and unity that's harbored by her own industrious nature. mind you, she does all of this against her stepfamily's wishes, actively defying them, and creating a counterculture in the process.

as the story team intended the animals to be a reflection of their human counterpart, notice how cinderella's kindred are uniformly hardworking, intentionally kind, and approach every situation with their best foot forward, adapting a problem-solving mindset that collectively aids them all in their shared progression toward the betterment of themselves and the world around them. take the very first scene in which we see cinderella and the culture she's created, for instance:

everyone has a hand in the first chores of the day and they're all choosing to do it with a smile on their face. key word: choosing. because this isn't an idly happy lot whose joy is an accident of their own nature or something that's easy. their happiness is something they have to be mindful of and, in many cases, fight against themselves to achieve. because, guess what? their life is terrible. they've been reduced to living in a dusty attic room of a decaying house. many of them were saved from death by cinderella, herself, and know that if they venture too far outside of the safe quarters she's provided, or if they allow themselves to be seen in some way, they'll be back at death's doorstep. the danger and stress they live under would cause anyone to snap, or anyone to never want to get out of bed, which is why we see them looking like this in one of the most relatable openings of all time:

i mean, cinderella canonically hits the snooze button:

the birds literally have to force her to wake up, initially:

and once she does wake up, she's playful and pleasant and kind, yes. but that doesn't last long- the clock immediately tries her by reminding her of the daily toil she must face in order to maintain the food and shelter that's tantamount to, not only her own survival, but that of this tiny community that she's the unofficial mayor over and continues to be responsible for. she has to sustain herself and the others she's collected around her by choosing to live life the way she does. this kindness is something she has to pay for, every day. and she physically snarls at being reminded of the hand life's dealt her:

and you know what? that's a very human quality that everyone can identify with in some regard because it's hard, even if you are someone who loves life and the people around you, to keep going in spite of the challenges you face. being positive, plainly put, is something that's difficult and you have to keep reengaging yourself to be because it isn't a natural state for most people, and especially not people that have been treated as unkindly as cinderella. let's not forget that she lost both of her parents at a young, formative age, and from that time in her youth when, like all other children, she deserved to be supported and loved and protected, she was literally "abused, humiliated" and "forced" into being a literal "servant in her own house." she had no security- both of her parents were gone, she had no money to fall back on, no education, no means with which to leave the house, and to try to get a job in that world and environment- as unlikely as it would've been to obtain in the first place (which, again is so relatable- look at the staffing shortages and people struggling to find employment today)- would've been contingent upon references of some sort, and we all know that lady tremaine definitely would've either a) ran a smear campaign against cinderella to absolve herself and the family name of any personal fault or b) prevented cinderella from ever leaving in the first place so that no one would ever know that atrocities the tremaines forced her to endure from the time she was practically an infant.

she wakes up after barely being able to sleep, probably, due to all the daily chores she must, alone, accomplish to keep an entire estate afloat. everyone is depending on her, from the stepfamily to the mice to the grounds of her family's home itself. her body's practically aching from the lack of rest, the physical work she's forced to do every day, from sleeping on such an uncomfortable bed. the only place she feels remotely safe is in this drafty attic, which smells of fraying wood and aging artifacts and is in a constate state of decay, with weeds growing in the sides of the tower. that's not even mentioning the emotional turmoil, the ptsd, the grief, the neglect, the physical abuse she's also processing at any given moment

so, yeah, cinderella snaps. and there are times she snaps later on in the film but she always reels herself in and consciously makes the choice to never succumb to her circumstances. this is what makes cinderella extraordinary. she singlehandedly- and actively- ends the cycle of abuse through the behavior and choices she partakes in every single day.

and, again, this isn't something that's easy for someone who has been in survival mode for a majority of their life. but the conscious choices, active efforts, and mindful decisions cinderella makes is what frees the household from that cycle of abuse continuing. i mentioned earlier that the animals are supposed to be a parallel to their human counterparts. remember how we meet gus? he's just been caught in a trap, doesn't have anything to wear, and is literally recoiling in fear. due to his terror and his own need to defend himself out of instinct, he attempts to make himself come off as threatening as possible and is ready to pop off the minute that jaq approaches him:

but, through cinderella's influence, she's able to give him hope once more. she treats him warmly, pairs him up with a buddy to go through life with, comes up with a name- and even a nickname- for him, gives him a community, a safe haven, and clothes him. in that short time, look at the difference she's made in his mood, his demeanor, even his approach to life:

and it isn't just the mice cinderella's this way with. in the opening slides, we see cinderella holding an adorable puppy dog. but as the film progresses, and the narrator details the despair the family estate has fallen into, that puppy dog turns into an old, starved bloodhound who's secretly sleeping on the floor of the cold kitchen to keep from freezing to death. he has to keep even his dreams to himself so as to not be heard by the stepfamily and potentially kicked out. he openly hates lucifer but cinderella encourages him to think of lucifer's good points too, even if she can't think of any herself, to be able to continue successfully cohabiting this environment with him. and when he pounces on lucifer, deserved or not, she puts an end to this:

because cinderella knows what will ever happen if bruno allows himself to give into his impulses, to treat others as life has treated him, to attempt to retaliate in an impossible environment when the odds are already against you. you'll harm yourself the most and perpetuate that cycle.

but, just as bruno is a reflection of cinderella, notice how gleeful lucifer is in falsely incriminating bruno, so that another being who's never wronged him will be unjustly punished and suffer:

this is what separates cinderella from the tremaines. this is why she is the heroine and they will never be, despite how many people you see empathizing with how unfairly life must've treated them for being the "conventionally unattractive" characters in the film, or for having a single mother which to them denotes less resources, or for being awkward, or for whatever other reason of the month they're being rewritten to be the victims.

if we are the sum of our contributions, the tremaines are nothing and that is definitely a reflection of their reality. they only feel alive when they're making fun of cinderella or humiliating her by continuing that cycle of abuse they passively adhere to and never challenge. remember how we met cinderella and her friends, gathering their spirits and putting on a smile, despite how hard it is with the troubles that face them? how they look past that to work together and try to change life for the better?

the tremaines can't be bothered to get out of bed. the truly passive, lazy characters, they grog about in dim rooms, turning around in their fine silks and ornate finery, while a being they literally enslaved is being forced to do their bidding. and they refuse to actively participate in their very charmed and privileged life. they can't even find a reason to be happy- but instead are upset when cinderella enters their room. they want to know why she's taken so long, to hurry up, to continue to wait on them, hand and foot. when she asks them how they're doing, they grumble, "as if you care." because they don't care about anyone else, so why would others care about them? and that type of apathy breeds resentment, which- in the wake of such sedentary creatures- seeks manifestation and results in destruction. the stepsisters get out of their comfortable beds only when they have the opportunity to point their finger at cinderella, to get their mother to punish her. again, they feel alive by inflicting pain on others, it's literally what gets them out of bed:

again, as the parallel, this goes for lucifer, too:

as cinderella nears lady tremaine's bed, her stepmother's eyes blaze with fury, hatred plain on her face:

lady tremaine doesn't move, her hand only lifting to stroke lucifer, who has the biggest grin on his face. meanwhile, the desperation is evident in cinderella. she isn't quite defeated, because she does stick up for herself three times in the scene. but she's tired of this. she's tired of being tormented by her only family, of having the odds stacked against her even when she's doing everything in her power to live as peacefully and productively as possible, of being forced to fight a losing battle that will never result in peace but will only further prompt hatred, and division, and anger. in her expression, there's almost a plea for lady tremaine:

it isn't until she sees cinderella's expression, she hears cinderella try to explain what happened, that she livens up. because she has the opportunity to, again, keep that cycle of abuse alive, to actively try to destroy cinderella's quality of life and to profit off the position of power she's in over cinderella. look at the difference in lady tremaine's expression in the previous cap, and in this one, when she believes she's silenced cinderella and is preparing to tear into her:

one of the best instances through which i can further illustrate this ideology (you are what you contribute) is in a later scene, where we see the stepsisters discard their fine wares, labeling it trash and flinging the luxuries life's afforded them to scorn. it's nothing to them.

yet, to the mice and cinderella, it isn't nothing. because, remember, the royal proclamation declared that every eligible maiden should attend. at first, the stepmother refuses to let cinderella go and even the stepsisters brush her aside with classist comments. when cinderella sticks up for herself by reminding them she's still a member of the family, and by trapping them in the language of the royal decree "every eligible maiden," lady tremaine has no choice but to consent- on the grounds that cinderella is able to make herself eligible through producing a suitable dress. because, remember, cinderella isn't seen as a person. she's seen as subhuman, someone who's reduced to wearing tatters and isn't seen as a person in the eyes of their society unless she has social indicators of wealth via her clothing, in this specific instance. drizella and anastasia never have to think about that, because they exist as people of value in their society due to their good fortune that they had no part in creating. they don't know what it's like to be laughed at, to not be considered eligible or even a person in the eyes of society the way that cinderella's lived experience has reflected since her father died. meanwhile, the tremaines are so deep in their own privilege, that they're literally waving it around like it's a rag and carelessly tossing it away. yet, what does cinderella do, with much less?

cinderella makes do with what little she has, always to help someone else. and because of this active kindness, it changes the mindset of those around her. since she's afforded this to so many of the mice, what do they do for her in return?

what a difference in how cinderella and the stepfamily approaches what's, essentially, the same material? and this community that cinderella has established and continually maintained and influenced comes to each other's aid, time and time again. whether it's cinderella freeing the mice from death, or giving them clothing, or allowing bruno to sleep inside unbeknownst to the stepfamily, or the mice turning into a LITERAL army and battleground in cinderella's honor:

again, this community is just as active and vital as cinderella, herself, is. because those values i mentioned earlier, of helping one another and rising above your circumstances and working together, aren't just whimsical morals cinderella sings about. they're constant behaviors she's actively taking part in and impact the household they all share, to the point where when they help each other take action when the time is right. they're constantly conferring with one another on how to best use their community and the resources this offers to get closer to victory. (meanwhile, the stepfamily is only for themselves; anastasia and drizella literally repeatedly hit each other and compete, even to the point of giving conflicting stories to the grand duke that makes their pathetic attempt seem all the more discreditable at alleging they were the princess at the ball the night before) we see it in how cinderella and her friends accomplish their chores together, in how the mice plan to get her dress remade while she's busy, even in how cinderella's quick thinking leads to calling upon bruno, who must be awoken by the birds with an interjecting call from the horse, and how this leads to all of their escape:

because, this community also knows when it to fight and support one another in times of battle and when the goal will bring about a victory that will ultimately reign peace; they know when it's worth it for a shared goal and the benefit of all parties involved. and the difference cinderella brought into that household is what gave them all glory and helped them, not only survive, but succeed. it isn't just the poor scullery maid we see ascend in the closing chapter of the film. we see the same bluebirds who attempted to wake her up in the beginning of the film holding her wedding veil:

we see those same mice that she nursed from death, and clothed, and fed, and loved; the mice that risked their lives in remaking her deceased mother's dress so that cinderella might, too, have a chance to go to the ball; they're still here, cheering her on and throwing rice in blessing at the happy couple, their own clothing being upgraded to reflect that of the royal staff:

we see that starved bloodhound and the old horse leading the royal regiment, as beautiful and shining and proud as their majestic counterparts:

and this is the world that cinderella, as a character, offers. not a world in which multiple parties are at competition with one another over who's the prettiest, or the wealthiest, or where hatred breeds continual hatred. but she presents us a world in which everyone deserves to be seen, heard and valued; where everyone can find a community they can contribute to and have purpose in and be worthy of experiencing love, whatever you determine love to be whether it's romantic or in the form of a found family.

a world in which everyone can go to the ball:

#mine #marciabrady #cinderella #cinderella 1950 #this was supposed to be 2 credos but i got carried away #maybe i'll write the other one in a future installment #but ahhh it feels so nice to be back #*ahem* if you learned anything from this or were inspired please source or credit #creative larceny isn't cool!

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