#aldo rossi

[obsessedbyneon]

ll Palazzo Hotel, Fukuoka, Japan, 1987 - 1989. By Aldo Rossi (with Morris Adjmi).

Scan

#scan #aldo rossi #architecture #postmodern #postmodernism

[pazdera]

Fontana Monumentale, Aldo Rossi, 1965, Segrate, IT

#aldo rossi #fontana monumentale

[germanpostwarmodern]

Tecnoparco del Lago Maggiore (1992-93) in Verbania, Italy, by Aldo Rossi

#1990s #concrete #architecture #italy #architektur #aldo rossi

[conformi]

Adrian Paci, Rudere, Milano, Italy, 2020 VS Aldo Rossi, Monument to Sandro Pertini, Milan, Italy, 1990 ph. Stefano Topuntoli

#adrian paci #citylife #artline #artline milano #milano citylife #aldo rossi #postmodern #postmodernism #architecture #sandro pertini #monument #stefano topuntoli

[oldcountrybear1955]

Tetu Magazine September 2010 - Charlie Scheerer - Photographed by Aldo Rossi

#tetu magazine #charlie scheerer #aldo rossi

[yama-bato]

Views from Aldo Rossi’s Gallaratese residential housing complex in Milan

#Aldo Rossi

[alesario]

Alberto Alessi, Achille Castiglioni, Enzo Mari, Aldo Rossi, Alessandro Mendini, Officine Alessi, Milano 1989.

© Gianni Berengo Gardin/Contrasto

#alessi #achille castiglioni #enzo mari #aldo rossi #alessandro mendini

[darquitectura]

Bonnefantenmuseum, Aldo Rossi, Maastricht

#aldo rossi

[las-microfisuras]

Aldo Rossi. Fake palm tree and Ristorante Pizzeria sign along the

road, Italy, 1980s-1990s. CCA. PH1996:0069:050

#aldo rossi #las palmeras salvajes

[lascitasdelashoras]

Aldo Rossi - Ampliamento del Cimitero di Ponte Sesto - Rozzano

#aldo rossi #rozzano #italia

[obsessedbyneon]

ll Palazzo Hotel, Fukuoka, Japan, 1987 - 1989. By Aldo Rossi (with Morris Adjmi).

Scan

#scan #aldo rossi #fukuoka #japan #ll Palazzo Hotel #postmodern #postmoderism #holy cow its postmodern and a monstrosity on the outside #architecture

[cyhsal]

Aldo Rossi 🔺

Instagram // Twitter // Threads // Bluesky // VK // ArtStation // Mastodon

#artists on tumblr #illustration #digital illustration #digital art #architecture #aldo rossi #dark academia #dark academia aesthetic #postmodern architecture #procreate #character illustration #cyhsal

[germanpostwarmodern]

The Light House (1985) in Breda, the Netherlands, by Aldo Rossi

#1980s #folly #light house #postmodern #architecture #netherlands #architektur #breda #aldo rossi

[fashionbooksmilano]

Aldo Rossi Design 1960-1997

Catalogo Ragionato Catalogue Raisonné

a cura di Chiara Spangaro

SilvanaEditoriale, Cinisello Balsamo 2022, 272 pagine, 24 x 28 cm, Italiano/Inglese, ISBN  9788836651184

euro 60,00

email if you want to buy :[email protected]

Il catalogo ragionato, a cura di Chiara Spangaro, presenta per la prima volta l’insieme del design di Aldo Rossi, dai primi mobili realizzati nel 1960 fino al 1997. Sono riuniti circa 70 tra oggetti e arredi di produzione industriale e artigianale, illustrati dai disegni, dagli studi e dai testi di Rossi, dai prototipi e dai documenti relativi alla collaborazione dell’architetto-designer e teorico milanese con le aziende che hanno lavorato con lui, sperimentando forme e cromie nel campo dei metalli e del legno, del marmo e della pietra, della ceramica e della porcellana, dei tessuti artigianali e industriali e dei materiali plastici. Con Alessi, Arte, Artemide, Bruno Longoni Atelier d’arredamento, Designtex, Molteni&C, Richard-Ginori, Rosenthal, UniFor e Up Group, Rossi ha ideato mobili e “oggetti d’affezione” iconici che si legano alle sue architetture, introducendo elementi ora metafisici ora ludici, o ancora riflettendo sul rapporto tra la scala architettonica e urbana e quella del design.

18/11/22

orders to:     [email protected]

ordini a:        [email protected]

twitter:         @fashionbooksmi

instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano

#Aldo Rossi #Design 1960-1997 #Chiara Spangaro #70 oggetti e arredi #Alessi #Artemide #Molteni&C #Richard-Ginori #Rosenthal #design books #designbooksmilano

[conformi]

Aldo Rossi, Study for Disney Development Company Office Complex, Orlando | Florida, USA, 1991 VS John Haviland, Eastern State Penitentiary, Philadelphia | Pennsylvania, USA, 1823-1825

#Aldo Rossi #Disney Development Company Office Complex #orlando #florida #drawing #usa #architecture #plan #John Haviland #Eastern State Penitentiary #Penitentiary #Philadelphia #Pennsylvania #architecture plan

[spyskrapbook]

“Quartier Schützenstraße”, Charlottenstraße 16, 10117, Berlin, Germany [1994-1997] _ Architect: Aldo Rossi _ Photos by Spyros Kaprinis [27.01.2023]. 

“Situated nearby Checkpoint Charlie, a framed opening in the wall that used to split Berlin in two, the block is defined by the Schützenstrasse, Markgrafenstrasse, Zimmerstrasse, and Charlottenstrasse. The individualized houses signal individual plots but the total number of facades exceeds the number of houses standing independently of each other. While two of the buildings are reserved exclusively for residential apartments the rest provide for a mixture of residential and commercial use. The Quartier Schützenstrasse is a collage of icons and archetypes, with several obvious references to other Rossi buildings as well as historical references. Schützenstrasse 8 is a copy of the courtyard facade of the Palazzo Farnese in Rome, built in 1516 by Antonio Sangallo, that was modified by Michelangelo. The courtyard facade copies three of the centerline of windows of the Palazzo Farnese. 

The intense colorfulness, inspired by the colors of antique architecture, tie the block together and draws attention to the allotment structure, which distinguishes the individual houses. Rossi used particular colors for particular facade materials; the more “artificial” the material, the more “vivid” the color. Blaring green and bright red signal aluminum. Muted colors; egg yolk yellow, carmine red, and cornflower blue are all stucco. The earthy tones shading into red-brown or yellow indicate bricks. The pale facades are two kinds of natural stone; light and dark gray, sand and pink. The silver-grey sheet metal stays as is. The urge towards a multiplicity of forms is unmistakable, the efforts beyond variations in color and material impressive. The varying window shapes, the appointment of the attics, the plastic development of the facades through extroverted and reticent sections, through sills and parapet; the sometimes expressly horizontal, other times explicitly vertical division of the mostly axial-symmetric facades; and finally their own, lightly staggered order all contribute to this effect. 

The great pains Rossi took with the design of his city-within-a-city were only initially devoted to the plausibility of its lots structure. Rather, the ‘city’ was mainly dedicated to what he called a monument, so that it may have sovereignty over its use, just as it is sovereign over its environment. — Mathias Remmele Aldo Rossi died on September 4, 1997, a day before the unveiling of the ‘Palazzo Farnese’ façade; planned as an event to honour Rossi, it became a farewell address.”

https://dac.dk/en/knowledgebase/architecture/quartier-schuetzenstrasse/

https://divisare.com/projects/340790-aldo-rossi-giuseppe-digiesi-mariangela-sforza-azzurra-acciani-davide-bertugno-aldo-rossi-quartier-schutzenstrasse

#Quartier Schützenstraße #Charlottenstraße 16 #Berlin #Germany #Aldo Rossi #1994 #1997 #Spyros Kaprinis #2023