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#alex writes things
lexithwrites · 8 hours
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Jegulus and 5 for the nsfw prompts ❤️
absolutely! i went ham on this one because im on my laptop so pls enjoyyyyy
send me some nsfw prompts from here or just send in your own! (any ships welcome)
5. “Can we just not move for a very long time? I have lots of problems that I can’t be bothered to deal with.” “We can stay in bed forever then, I’m fine with that.” “Good, because I need you to eat me out and I don’t want to move.”
James smiled into Regulus' hair as he wrapped his arms around his waist, and watched him type away on his laptop. He had been at this essay for a few hours now, and had been brainstorming for at least two days, and he wished he was done so they could nap. But he wouldn't bother him enough to make him angry, so he just quietly cheered him on by kissing his cheek and rubbing his waist.
Regulus hummed and then yawned. "I'm nearly done but I need a break." He mumbled.
"You can take one, love. The essay isn't going anywhere."
"That's the problem." He laughed and looked over his shoulder, kissing James' nose. "You tired?" James nodded and closed his eyes. "Poor boy, been so good waiting for me to finish."
"Now you're being mean." James grinned and Regulus gently scratched his scalp like a dog getting pets behind the ear. James practically purred. "We can just relax a bit?"
Regulus sighed and, after saving his work closed the laptop and put it on the floor beside the bed, leaning back against James' chest and closing his eyes. "I have so much more work to do."
"I know." James carded his hands through his boyfriends gorgeous hair.
"And so many lectures to go to next week."
"Mhm."
"I'm gonna miss you." Regulus moved back a little and James cleared his throat when he felt him start to rotate his hips.
"Reg—"
"Can we just not move for a very long time?" He asked softly, squeezing James' hand. "I have lots of problems that I can't be bothered to deal with."
"We can stay in bed forever, then. I'm fine with that."
"Good, because I need you to eat me out and I don't want to move." Regulus pulled James' hand up and kissed each of his fingers in turn, before drawing one into his mouth and sucking. James nearly fell off the bed.
"Baby, I mean, yeah obviously—" He pushed Regulus up before crawling over him, shoving his glasses up his face and into his hair like a headband. Regulus loved when he did that.
"Didn't even have to ask twice." Regulus teased him but James was already kissing and licking down his torso, taking a moment to nuzzle his chest scars. Regulus blushed. "I never have to ask twice with you, do I?"
"Never. Eat you out whenever you want." James mumbled against his flushed skin, one thigh already grasped in his hand whilst the other was flung over his shoulder. Of course Regulus just had to wear these boxers that showed off his ass, and that were light enough to show the wet spot between his legs. James flattened his tongue against it and moaned, just as Regulus gasped above him.
"Jamie—"
"Sshh." James pulled at the boxers with his fingers, nails dragging gently down his skin to make him shiver. Once they were flung across the room, James ran his hands up his legs again and smiled. He loved the feeling of the hair there, so soft and fuzzy. He knew Regulus got self conscious but James missed it when he shaved, he liked feeling everything on Regulus' body. It was all beautiful to him.
Regulus shuddered the moment he felt James' tongue against him and arched his back, grabbing at his hair and smiling. "Good boy, Jamie. Good...boy..."
James made him cum three times before Regulus was allowed to go back to his essay. And he passed with flying colours.
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aromanticbuck · 6 days
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AITA for coming out at my sister's wedding?
I (32M) recently realized I'm bisexual and I have my first bf (45M), he's a rescue helicopter pilot (this will be relevant later). I'm out to my sister (41F) and my coworkers, including her husband, who I have worked with for years, but not to my parents or most of the other guests. Everyone has joked that I'm a little too close to my best friend (32M), and we might as well get married, but he's straight and has a gf. They're not relevant to this story, but to give context to how much my sexuality probably shouldn't be a surprise, even if it took me by surprise.
I told my sister and her husband I was bringing a plus one, and they both knew my bf, they were supportive of it because he makes me really happy.
Everything kind of started at the bachelor party. It was just me, my brother-in-law, and my best friend, and we did the usual stuff. We stayed a night in a hotel, went out to get drunk, sang some karaoke at our usual spot. It should have been a super chill night. Until my best friend and I lost the groom??? But it way more stressful than The Hangover makes it look.
He'd been taken by these guys who tried to kill him (no, I don't know why) and we didn't realize he was missing until less than an hour before the wedding. My mom kind of threw a fit about us being late, and then blamed me for losing the groom, which is kind of a normal reaction from her. My dad didn't yell as much but again, this is a normal reaction, I'm kind of the disappointment child. Basically, we had to find my brother-in-law because he still needed to marry my sister.
Before anyone worries: they did get married. He's fine. The hospital says they're discharging him tomorrow to go home. They're gonna reschedule their honeymoon so he's well enough to enjoy it.
Long story short, it turned into a rescue mission, and driving would have taken too long, and my best friend suggested we ask my bf to borrow his helicopter again (long story, but we had to borrow him for something a few months ago, it's how we met!) so I asked him for the favor. My mom asked who he was, since my best friend just used his name, and I told her he's my boyfriend, and she freaked out about it.
When we go to the hospital with my brother-in-law, my parents both yelled at and scolded me for taking attention away from the biggest day of my sister's life by pulling some "stunt" with my bf (to SAVE my brother-in-law from being violently murdered), and I think my dad somehow grounded me?
AITA?
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alexwlchan · 4 months
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From a prompt by Liz in the Mincefluencers Discord:
I've just had the truly spectacular mental image of Monty arguing with the ICT department and I feel it would end with a laptop going out of a window.
“What sort of clueless tool built this computer? I can’t get anything to work!”
“Yes Monty.”
“It’s not that bloody complex, I just need email and a few apps. Why can’t they make that work?”
“Good question Monty.”
“And now it’s completely frozen! This is useless.”
“Yes Monty.”
Jean sipped her tea as she watched Monty pace around the office, brandishing the offending laptop as he went. “What are you looking for?”
“A window, so I can toss this wretched thing out of it.”
“Mmhmm.” Jean took another sip of tea, waiting for him to spot the obvious. He walked in several circles before stopping in his tracks.
“Jean, where are the windows?”
“Hmm?”
“Why aren’t there any windows in the room?”
“You mean the room in the top secret government building? The room in the basement of the top secret government building?”
She could practically hear Monty roll his eyes as he stormed out to get higher. She took another sip of tea.
For the finest mind in England, he really could be incredibly dim.
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willgrahamscock · 2 months
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When TikTok discovers a certain type of media that is horrific and problematic in nature and all the replies are about how disturbed they were, and ripping apart the motifs not realizing that the horrors translate to carnal desire & a love you couldn’t even fathom I do have to stop myself from commenting that me and the mutuals have been circle jerking to it on tumblr dot cum for half a decade and you wouldn’t last a day on here
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xanderscollection · 3 months
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areyoudoingthis · 4 months
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I am SO grateful that ed and stede exist as characters exactly as they are. I'm so grateful for these two men who are traumatized and messed up and struggle to even like themselves, who are terrible at communicating, who make enough mistakes between the two of them to fill an entire ocean. I am so grateful to watch them struggle and be seen and be loved and reach out for the things they want and are maybe starting to believe that they deserve. I'm so grateful that the show lets them fall in love and get together exactly as they are, that it doesn't say they need to wait until they've become some unattainably perfect version of themselves before they have permission to have that. i am so grateful for ofmd
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meraki-yao · 7 months
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RWRB Movie Analysis: The Placement of Alex's Speech
Alright I’m really fucking sick of people complaining about the placement of the speech. (I swear, I write half of these essays out of irritation. But I’m happy while doing it so it all checks out)
Two things.
Regarding Henry’s consent
Use context clues people. Henry says, “Your speech was beautiful. Made me very proud to be your boyfriend.” It’s clear that Henry approves of the speech.
Again, what can be shown explicitly is restricted by the format. The point of Henry’s montages during the speech is to show how trapped and helpless he is in the situation. (for more, I wrote about it here.) The scenes need to keep that atmosphere/feeling of isolation and pain. If let’s say, we have a scene where the prime minister asks Henry about admitting and coming out, it would take away the consistent feeling of Henry’s pain. Cinematically, it won’t work. But that doesn’t mean in universe, it didn’t happen.
Also, Alex fucking loves Henry with every inch of his soul. He’s willing to fight for them, but he’s also willing to be patient for him. After getting his feelings sorted out and knowing with 100% clarity that he’s in love with Henry, he is never, ever going to do something that so obviously would hurt Henry. He would rather get hurt himself than hurt Henry. (Corresponding Book Quote: “Alex wants to go to war for this man, wants to get his hands on everything and everyone that ever hurt him.”) He wouldn’t make the speech without knowing Henry is okay with it. He just wouldn’t, that would straight up be out of character. So the fact that he did, means one way or another, he has Henry’s consent. And Henry later approving the speech in the piano scene, proves that. (It’s completely possible that the script itself meant to explain it this way, but if at any point they might have explicitly discussed coming out, my guess would be the Kensington breakfast scene, Prime, I’m coming for your hard drives—)
Regarding the placement of speech
There are two reasons for this.
One irl reason, is again, the format of the medium, and movie story telling. You want the tension to continuously build, increase and move upwards, then get a big but concrete resolution, and then this part is over. Having the speech as a conclusion after the balcony wave will not feel as well resolved as directly having the speech, then ending this part of the story with the big, big protest and balcony wave.  
But there’s a diegetic/ in universe reason as well.  
A lot of people, especially those who complain that Movie Alex is a himbo (also spite writing an essay on that, WIP, stay tuned), forget that Alex is a budding politician, and in fact, is a damn good one.
He, despite being kind of confused about his sexuality (read this essay for more), figures out Miguel’s flirting is mostly trying to get his statements for his articles, and in a fairly polite and classy way, Alex declines. (The state dinner slip was because he was way too entranced by Henry) He was a speaker at the DNC. His Texas campaign ultimately won Ellen the election.
When is comes to these things, he knows what he’s doing, and he’s good at what he does.
Making the speech before the crown can make a statement, was a strategic move.
Henry told Alex about his grandfather’s stance on this during the Paris date. He also told, well, yelled at Alex about the pressures he has from the crown during the Kensington confrontation. Alex knows the King will disapprove of their relationship and attempt to shove Henry into the closet.
So he has to be the one to control the narrative. He needs people to listen to, and believe in his, or rather, their side of the story.
And here’s a bit about human psychology. When receiving a new piece of information, our first impression and subsequent judgement of said information tends to be persistent. If we are provided with a second piece of contradicting information, we will tend to treat the second piece with much more criticism and suspicion. The mindset would be “prove to me the first one is wrong” instead of “Which one of these is right”.
Therefore, for Alex to get more people on his side, he must speak first.
(I almost imagine this is the reason the White House blocked communication with the palace. That bugged me for a while, until I thought, if the White House doesn’t block communication and receive a demand from the palace, they aren’t really on grounds to refuse it without a diplomatic mess. It’s the equivalent of avoiding talking to someone you don’t want to approach with the excuse “Oh my phone was off sorry”)
Imagine it. If the crown does what the King originally proposed and claims all the emails are fabrications and denies that Henry is gay and in a relationship with Alex, then Alex’s speech will be viewed through tinted glasses of “this is a fabrication, this is a lie” and it will take much more persuading for people to believe in Alex, because their first judgement of the issue, would be the crown’s lie of a narrative.
But by making the speech first, people’s first judgement of the issue, would be Alex’s explanation, of it being an invasion of privacy, and of it being true. Even if the crown denies it, with the first judgement being Alex’s narrative, it would make it much easier to see through the lie, because in people’s head, they already assumed that Alex is telling the truth.
By making the speech first, Alex has won both himself and Henry, the pen to write history.
Making the speech first is in no way Alex disrespecting Henry.
By playing politics and strategy, Alex is protecting Henry in the most familiar way he knows.
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“Your sister found me because she was ready.”
Kara frowns. “Ready for what?”
“For the truth.” Lena replies simply. “To wake up and leave the lie behind.”
“The lie?” Lena’s words bring back echoes of Alex’s message. The Matrix still has you… You’ll find me, if you’re ready to wake up. “You mean… the Matrix?”
“Yes.”
Kara leans forward, her attention caught. “What is the Matrix?”
Lena sighs, her eyes clouding over. “I’m afraid no one can be told what the Matrix is. You have to see it for yourself. Right now, all I can tell you is that the Matrix is everywhere. It’s all around us. It’s in the air we breathe, in everything we touch…”
Lena ventures a hand between them to touch Kara’s, their hands connecting in the slightest. And even though she knows that she’s not really touching Kara’s hand, her mind feeds her the sensations of it — the softness of Kara’s skin, the gentle press of her flesh under Lena’s fingers.
Lena draws her hand away, and Kara follows it avidly with her eyes. “For you to know what the Matrix is, I have to go back to the beginning. Or at least, to where it begins for us.”
Or, the Supercorp Matrix AU
[So I found an old Matrix AU from a different fandom while I was rooting through my drive, and I thought it could be retooled into a Supercorp AU. Little did I know what I was inviting into my brain, but here we are suffering the consequences. (And now I have 2 different supercorp Matrix AUs. Great.) Spoilers ahead for the OG trilogy.]
In the movies, Neo is the One, but there are other Potentials. Each Potential displays extraordinary abilities beyond the standards of normal. Kara and Lena are both Potentials. Either one of them could be the One.
It begins in the Matrix, when Lena gets adopted by the Luthors as a little girl.
The Luthors are a picture-perfect family. Powerful, affluent, and respected. The father, the mother and the golden son. And Lena - smart, angelic and pretty, the perfect daughter - is the ideal addition to make their picturesque family complete.
Except when she's about 4 or so, it becomes apparent that Lena is not like other children.
It's immediately clear that her intellect far surpasses people four, five times her age. Lena is sharp and brilliant, able to grasp complex concepts most adults cannot. She seems to see the world around her in a different way.
The Luthors are no strangers to gifted children, their son Lex was deemed a prodigy at around the same age. At first, Lionel and Lillian take this as yet another proof of how exceptional Luthors are, and Lena is proudly displayed as their indigo child.
But Lena's talent develops as fast as she does.
Soon, she begins to exhibit strange, unexplained abilities. An expensive Waterford crystal goblet in Lionel's hand explodes when Lena has a tantrum. Once, Lillian walks into her playroom to find Lena having tea with her dolls, and when Lillian enters, all heads turn to her. Lena's and all four of her Madame Alexander dolls.
Her intellect begins to surpass what defines “normal” intelligence. She predicts and successfully foils an assassination attempt against Lionel. She prevents Lex from getting hit by a driver in a car chase five blocks away.
The last straw comes when Lena finds out that the cleaning lady's five year old son has cancer.
Lena convinces Alma to take her to see him. Five hours later, a tearful Alma brings the little girl back with something akin to wonder in her eyes. "Your little girl is an angel, Mr. Luthor. Bendecida por la Virgen. She cured my Carlos! She took away his sickness! Ella es un milagro de Dios!”
However, far from seeing it as a miracle, the Luthors circle the wagons. The next day, Lena finds out Alma has been dismissed, and a shift occurs in the Luthor household.
When Lena's abilities were within the parameters of "normal", they were good, something to be proud of. But now that her gifts have proven to be beyond that, they become alien, freakish. Something to be hidden. People would be asking too many questions, and Luthors do not permit those.
Suddenly, instead of being lauded for what she is able to do, Lena is now scrutinized and examined to find out what's "wrong" with her. It begins to strain the family that is obsessed with order and perfection.
They take Lena to various doctors and put her through all sorts of tests, but none of them seem able to find an explanation for Lena’s strange abilities.
Until they meet Rhea, an educator who runs an exclusive facility for “gifted” children.
An elegant and well-spoken woman, Rhea seems fascinated by Lena. Her teaching “methods” seem vague, but out of all the specialists Lena has seen so far, she is the only one who seems to understand and make a connection with her. At the very least, they seem to speak the same language. Rhea knows about this Matrix Lena has been talking about.
Rhea asks Lena if she wants to find out what the Matrix truly is. And when Lena agrees, Rhea takes the little girl to the Oracle to confirm her suspicions that she is a Potential.
Lena is taken to a tall building, riding all the way to the top floor with her little hand in Rhea’s. On the 64th floor, they enter a glass office in which an imperious looking blond woman sits, watching her with a piercing eye.
“Leave us.”
The woman orders sharply, slanting a glare at Rhea. She is at least 6 inches shorter than Rhea, even in heels, but her tone and her face brook no argument. Rhea retreats with a seething sneer, but she complies.
“Now, you,” the woman turns to Lena with a dark look and a raised brow. It fails to intimidate Lena, who has lived with Lillian Luthor’s pointed glares for the past three years of her life. “Do you know why you’re here?”
Lena merely blinks at her. “Because I know things.”
The woman scoffs. “So do I. Doesn’t make you special.” She gestures around her at her office with a spectacular view. “I know things too.”
Lena’s eyebrows rise as well. “Not everything.”
The woman’s glare intensifies, but Lena stares her down. After a moment, a corner of the woman’s mouth lifts, and she barks out a laugh. “You’re a smart one, aren’t you?”
Lena clasps her hands behind her back. “So I’ve been told.”
“Do you know who I am?”
Lena nods. “You’re the Oracle.”
The woman snorts delicately. “Did Rhea tell you that?”
Lena regards her solemnly. “She didn’t have to.”
The woman’s eyes narrow at her, but Lena says nothing more. She is scrutinized for another moment before the woman smirks. “Alright. Since you’re so smart, why don’t you tell me what you already know.”
Lena blinks at her, responding to the woman’s scrutinizing gaze in kind. “I know that you’re not human.”
Another laugh, this time louder. Piercing blue eyes gain a twinkle of mirth. “Very good. What else?”
“I know that you’re not real.”
The woman scoffs disdainfully. “Real is an abstract concept.”
“I know that I’m dreaming, and none of this is real.”
The mirth suddenly vanishes from the woman’s gaze, and her blue eyes stare at Lena intently. “What do you mean?”
Lena sweeps her little arms across the room. “This. All of this. Everything. It’s not real. It’s just a dream.”
The woman is leaning forward now. It looks to Lena as if she is holding her breath. “And what makes you think that?”
Lena chews thoughtfully on her lower lip. “Have you ever read Plato’s allegory of the cave?”
The woman’s eyebrows rise and an amused smile dances over her lips. “Of course.”
“It feels like that. Like the people chained to the walls of the cave, watching just shadows and reflections. Other people — even my parents, even Lex — they look around them and think that this is the real thing. But all we’re seeing are just shadows. Sometimes it makes me feel confused and blurry, like I’m dreaming, but I can’t wake up.”
The woman hums and her hands form a steeple under her chin as she continues to observe Lena.
"In the story, the prisoner who is freed into the sunlight was angry and in great pain after being in the dark for so long. Why would they go through that? Why not stay in the comfort of the darkness that they’ve known all their lives?”
Lena’s gaze doesn’t waver. “Because they would finally know the truth. They wouldn’t be living in a lie anymore. They would be free.”
A smile spreads across the woman’s face, and the nod she gives is almost approving. “Is that what you want?”
“Only if you tell me the truth.” Lena nods solemnly. “Will you tell me the truth, Oracle?”
“I’ll tell you everything you need to know.” The woman chuckles. “And one more thing. Call me Cat.”
Despite their animosity toward each other, both Cat and Rhea decide that Lena is more than ready for extraction.
The only problem is that Lena, at 6 years old, is one of the youngest children to be extracted so far. Because she’s so young, it’s decided that her family should be brought with her too. Lex, by then a teenager, is given a choice: to stay in the Matrix, or go down the rabbit hole, as it were.
Lex chooses to follow his family, and the Luthors are extracted by Rhea. They are brought on-board her ship, the Daxam. All four Luthors are taken to Zion, and told the truth about everything — the lie of the Matrix, the human harvest fields, and the fact that there is no going back.
That’s when it all goes to hell.
Lionel barely lasts three months.
Unable to accept the truth that his life of power and control was all a lie, and unwilling to believe that he now exists in a world where his name holds no weight, he somehow escapes Zion and finds his way to a human pod to try to inject himself back into the Matrix.
They search for him for weeks, and eventually they find him in the pod, impaled on the metal breathing hose stuffed into his mouth with the end sticking out the back of his head.
Lillian lasts longer, but this is no comfort.
Torn from her privileged life, her resentment begins to build and build, as she’s forced to accept her new reality.
Her perfect life was stolen from her. The high-paying job, the distinguished career, the unlimited influence, the beautiful house, the comfortable lifestyle — all gone. All apparently just a dream.
And now, Lillian has woken up to the dirt and drab and heat and toil of Zion’s underground, with nothing to show for her former life but the daughter she didn’t even ask for. The same daughter who is the very reason she’s trapped here now with no chance of going back.
She refuses to reconcile with her new reality, but she is no weakling like her husband. Instead, she lets the ugly, bitter ire fester inside her over the years, until it finally comes out.
One night, Lillian enters the rough, tiny cave that has become her unwilling home, creeps into the alcove carved into rock where her teenaged daughter sleeps and pours acid over her.
Lena’s screams wake others in the neighboring dwelling, and healers are immediately dispatched to tend to her wounds. Thankfully, Lena was turned away in her sleep, and the burns were limited to her back.
By the time her condition is pronounced stable, Lillian is gone.
Without her parents, Lena is taken in by Rhea to live with her, her husband Lar Gand and their infant son, Mon-El.
Rhea keeps Lena very close, almost jealously so. She prizes the young girl above all else in their household. Most of her time is devoted to teaching Lena, training her using the fight simulations and programs on the Daxam, instructing her on how to pilot the ship.
For Lena — who had grown up under Lillian’s growing resentment and bitterness, who had just survived a horrific attack on her by her own mother — Rhea is a godsend. Under Rhea’s maternal affection, Lena thrives. She pushes her own limits during her training, masters techniques with unparalleled speed and unerring accuracy, devours knowledge programs downloaded into her mind every time she’s plugged in. She blooms under Rhea’s freely-given praise, and works harder, starved as she was for acknowledgment and affection over the years.
As Rhea’s son, young Mon-El, grows up without displaying any unique abilities, he is often shunted to the side. Despite their age-difference, Lena makes a conscious effort to spend time with him, to give him the same nurturing Rhea is giving her.
She teaches Mon-El how to make repairs to the ship, explains how the thrusters work, how the pads keep the ship in balance. He’s most fascinated by the robotic armed exoskeletons that are kept at the dock for the city’s defense. He often asks Lena to take him to the bridge to watch them, and the two of them watch the exoskeletons being loaded, Lena leaning on the top rail, and Mon-El perched on the middle one, his skinny legs swinging in the air. As Lena smiles, the young boy boldly tells her that one day, he’ll pilot one of those.
It feels… nice. Almost like having a brother again. It feels like a second chance
After all, her own brother — well, that bridge was burned a long time ago, and Lena tries not to think about it.
But it’s hard to forget when she sees him all time, a nightmare come to life, whenever she’s plugged into the Matrix.
Lena will never forget the first time she saw her brother there.
Lex had abandoned them, had left his mother and sister in Zion years ago, as soon as he was of age. She’d tried to find him, had spent weeks, months, looking for him, to no avail.
Finally, Lena had been forced to accept that Lex had met their father’s fate. He could’ve been attacked by sentinels, gotten lost in the mechanical sewers, or worse, attempted the same thing Lionel had.
Either way, the result was the same, and the guilt and pain of it had been agony, but Lena had accepted it.
Until the day she met the Agent.
Most agents were already nigh indestructible, with their speed and brute strength, not to mention the internal communication they kept with each other through the program.
But this one… this one stayed on Lena’s tail with a dogged, malicious ferocity that she couldn’t shake off. It had been dangerously close several times already as he chased her throughout the dark, rain-soaked city streets. She couldn’t get a good lock on him, and it was all she could do to follow Jack’s instructions to the nearest extraction point.
Lena’s almost there, sliding into the booth, hand outstretched to grab the phone — when she sees it.
The Agent wearing her brother’s face, a feral smile stretching his lips as his fingertips brush the corner of her dark coat. The grin turns into a snarl as Lena lifts the phone to her ear, and he misses her by a millimeter.
It had been only a second, but… it was Lex.
Lena was sure of it. So sure that she had spent months hacking into the system with Brainy’s help, trying to find out what the hell was going on.
It takes six months of hacking into the mainframe to discover the truth. Lex had succeeded where their father had not. The son had surpassed the father.
Not only had Lex somehow managed to get himself reinserted into the Matrix, the anomaly of his presence in the code had also caused a glitch in the system itself.
It takes another encounter with Lex — in his new regalia of a generic black suit, bland tie and FBI-issued sunglasses — sneering at her as he points a gun at her head, to realize yet another knife-wound truth.
Her brother has become a virus in the Matrix.
________
Kara’s experience in the Matrix could not have been more different from Lena’s.
More than a decade before Lena was born, Kara Zorel was like any normal thirteen year old girl. She went to school, hung out with her friends, had a crush on the boy living next door. She got straight A’s, and volunteered at the local senior home.
Her quicksilver mind that could spot things others couldn’t was easily considered as part of her intelligence. She was a very smart girl, after all. Her obsession with puzzles and codes was easily filed away as a quirk or a phase she was going through until she found a new hobby.
Everything about her life seemed to be on track to become ordinary, until the day of the accident.
At least, they told her it was an accident. Kara doesn’t remember any of it. All she really remembers is waiting for a train at a subway station. She remembers her father mentioning a Trainmaster who would take them away, somewhere new. To a new home, her mother had said. [This is from the 3rd movie]
And then nothing.
Kara thinks she must have been dreaming, because she can remember being left alone in that subway station — the walls were blank and a sterile white, with nothing to indicate the presence of life except Kara herself sitting on the otherwise empty bench. She can remember the feeling of waiting, waiting endlessly for the nothing that would come — no trains, no other passengers, no one else at the station with her. She can remember running along the platform tirelessly, only to end up in the same place she’d started from. She remembers the feeling of being left behind and trapped and scared. Mostly scared.
And then the next thing she knows, she’s awake on a hospital bed with Eliza Danvers sleeping on the chair next to her.
The Danvers had found her on the train platform, curled up, unconscious, on the same bench she’d dreamed of. They’d thought she was a runaway, or a missing child, but the FBI agents who had come to Kara’s hospital room had told her that her parents were dead.
An accident, they’d said. A subway malfunction that had taken out a whole car. Under investigation, the man in sunglasses and a dark suit had reassured Jeremiah and Eliza in a monotonous voice.
With no one to claim her, no other family to speak of, Kara is taken in by the Danvers. They’re good people, kind and understanding when Kara wakes up in the middle of the night with nightmares of being trapped in a white sea of nothingness.
When Kara wakes up crying and sweating, Eliza is there to soothe her and rock her in her arms until she fell asleep again. When she tells Jeremiah that everything is too loud and bright, he sits her down and teaches her to calm her thoughts and meditate.
Alex, who had gone from being an only child to having an anxious, high-maintenance little intruder in her room, is less than happy about the situation. She keeps her distance, and gives Kara cold glares from across the bedroom or ignores her completely.
Until one night when Alex sneaks back into their room from the concert she’d snuck out to earlier, and finds Kara sitting on one corner of her bed with her knees curled up. With Alex gone for most of the night, Kara had been alone and had refused to fall asleep, terrified of having nightmares again.
With only a little bit of grumbling, Alex tosses all their pillows and blankets onto the floor, and drapes one of her sheets over both their beds to make their first blanket fort. The first of many.
Curled up on the floor next to Alex, Kara sleeps soundly through the night for the first time since waking up without her parents.
Still, despite slowly settling in with the Danvers, Kara can’t shake the feeling that something is off.
It feels as if everything around her is just a little bit off-kilter. As if the world had somehow changed in the time she’d been unconscious. Or maybe she had. Either way, it feels as if both Kara and the world around her know on some level that she’s not supposed to be here. Perhaps it’s because she was meant to die along with her parents. But by some unknown anomaly, here she is, half of her present, half of her straining to join her mother and father wherever they are.
It’s not a reflection on the Danvers. Kara couldn’t have asked for a better family to care for her. And she cares for them too. Over time, Kara gains a sister she would die for in a heartbeat, instead of a roommate who barely tolerated her presence when she first arrived. Her definition of ‘mother’ slowly expands and makes room for Eliza in her heart. She finds a man to respect and admire in Jeremiah.
Still, the feeling of being out of place persists throughout the years, always in the back of Kara’s mind.
Tragedy strikes when Jeremiah disappears.
It happens quickly, too quickly. One day her foster father is there, the next he’s gone. The only clue the police get is the last voicemail on Jeremiah’s phone.
The message starts with Jeremiah’s voice, reminding Alex that he’ll be picking her up from softball practice later, then it cuts off abruptly without warning.
Ten seconds later, another voice is heard through the other end, this time a smooth monotone. It sounds nothing at all like Jeremiah, and it sends a chill down Kara’s spine.
“The Luthor girl escaped again. She has eluded us one too many times for a human. She cannot avoid the inevitable…. Send the Brother. Next time, she dies.”
Nothing is found at the scene but Jeremiah’s phone. No evidence, no ransom note, no explanation for the strange message, nothing to trace, nothing to at all to suggest that Jeremiah Danvers was there. The blank-faced FBI agents offer no sympathy when they inform Eliza of the news in a smooth, apathetic monotone.
[[In case it’s not clear, Jeremiah got turned into an agent by the other agents who were chasing Lena during one of the times she was plugged into the Matrix]]
Their little family is shocked and reeling, but they cling to one another in their grief. Kara remembers something her mother always used to say. Stronger together, Kara. Life is hard, and we cannot face it alone. We must be each other’s strengths. We are always stronger together.
Still, life goes on. Keeps moving on, even after tragedy and loss. Sometimes, Kara feels as if the world is in constant motion, its inertia having no time to waste on a young girl who feels as if she has been left behind.
The sense of alienation increases, and Kara is diagnosed with depression. Which only serves to increase her family’s concern, and puts a near-permanent look of worry in Eliza’s eyes.
So Kara puts on her brightest smile and hugs her foster mother. She talks more, smiles wider, laughs louder, and makes more friends to go out with so she’s not at home alone in her room which no longer has Alex in it.
Alex goes to college, then med school, the chip on her shoulder large enough to be seen from space. She’s determined to find out what really happened to her father, and Kara knows how stubborn she is.
But she only really finds out how serious Alex is when her older sister declares that she’s joining the FBI, and no amount of talking from either Kara or Eliza can dissuade her.
And it’s not as if Kara has a leg to stand on. At least Alex has a purpose, a direction. Meanwhile, Kara has no idea what she wants to do with her life. She meanders around after college, a little bit lost and floundering. She’s intelligent, her professors said, but she lacks focus.
Eventually, she gets hired at Catco as an assistant to the big boss herself, Cat Grant.
All of 5’4” in heels, the woman herself strikes fear into the heart of every intern roaming the halls. It’s impossible not to snap to attention when her private elevator dings and she steps out. Each click of her heels is a reminder of the power she wields, and honestly, Kara is a little terrified of her.
But she straightens her spine and her glasses, tucks her hair behind her ear, and refuses to be cowed.
And it’s as if Miss Grant takes it as a challenge to break her, because her demands become more and more unrealistic, more and more impossible. But something inside Kara tells her not to back down, to stare her right back, and wait her out. Cat Grant is a puzzle, and Kara has always been good at puzzles.
The key comes in the form of Carter Grant.
Cat tasks Kara to pick her son up from school one afternoon, and Kara finds the young boy waiting for her right outside the school gates. He’s a very sweet boy, a little shy, but he eventually tells Kara about this comic he’s been reading about a young superhero named Supergirl.
As he begins to brighten up talking about his new favorite character, Carter doesn’t notice the car coming from the other side of the street. Neither does Kara at first. But something inside her tells her to turn around.
Maybe it was a sound, an instinct, and unconscious observation too quick for her mind to consciously process. Whatever it was, it had her turning just in time to see the car heading straight for Carter.
She barely has time to pull the boy back to the sidewalk, and the car almost clips him. Almost.
“Are you okay??” Kara hurriedly checks Carter for any injuries or signs that he’s shaken up. Other than the boy’s wide eyes, he seems to be fine.
“That- that was amazing! You were so fast, Kara! You were like Supergirl! How did you do that?”
As they walk back home, Cart gushes about how awesome Kara’s save was, how she was as fast and strong as Supergirl. Kara laughs it off, but the relief that the boy is okay lingers.
The second the front door closes behind Kara, Carter pulls out a phone and scrolls through the contact list until he finds ‘Mom’.
When Cat answers, he whispers excitedly into the phone. “She did it! She was even faster than Lena by 0.02 seconds!”
“Good. Did she say anything else?”
“She mentioned her sister. Are you going to tell the Manhunter? Is J’onn going to pull them out? Or maybe Lena can come? I like it when she comes to visit.”
A rustle of paper in the background, and Cat drawls in an almost bored voice. “Not yet. She’s not ready.”
[[In this AU, Carter is a computer program designed to assist the Oracle. Kinda like Seraph in the movies. He and Cat have a very unusual relationship. He was just supposed to be a simple program to help ward her, but he was designed to be charming in an innocent and disarming way to help distract from his real purpose. Cat developed a fondness for him, so when he tries to protect her when she’s in danger, she ends up shoving him behind her and protecting him.]]
On the anniversary of Jeremiah’s disappearance, another tragedy rocks the Danvers family.
Alex Danvers disappears.
Eliza is inconsolable, but Kara… Kara is numb, at first. Denial is always the first instinct of the human mind when a shock is delivered to its system. There’s talk of a search, trying to find out where she might have gone, her usual routine, any places Alex frequents — it all rolls over Kara’s head. They’re looking for a body, but that’s not how Alex is gonna be found.
Unlike Jeremiah’s disappearance, Alex’s is not without a trail. She is an FBI agent after all. There will always be a trail, and like in most FBI cases, it can be found in the absence of one.
In this case, it’s Alex’s computer. It’s missing.
The more Kara thinks about it, the more it galvanizes her. Kara knows Alex, knows her quirks and her habits. She didn’t have many friends outside of work, mostly people from med school she’s since lost touch with. No, anything that happened to Alex would be connected to her work, and Alex kept all her work files in that computer.
She throws herself into finding it. Find it, and she finds Alex.
For months, Kara follows every lead, every loose thread she can find, all in the hope of finding the computer. Every time she comes across a dead end, she doggedly retraces her steps until she can find another lead. The chalkboard in the kitchen that used to house her grocery list desk becomes a list of all possible locations. Her desk at Catco is a disaster of papers and post-it notes — a receipt from Cat’s dry cleaners here, the number for Annie Leibovitz’s assistant there, and Alex’s bank statements piled on top.
All the while, Cat watches her. Observes her tenacity, her ability to find patterns that no one else would’ve noticed, her keen attention that allows her to find details that other people would’ve ignored.
Finally, after nearly a year of looking, Kara finds Alex’s computer in a security deposit box under the alias Alice Liddell.
It takes her all night, but Kara manages to gain access to Alex’s documents. She finds file after file on Alex’s investigation into Jeremiah’s disappearance. Articles on similar disappearances all over the world. Some incidents are identical to Jeremiah’s, some with more of a trail. The victimology is all over the place, but in certain cases, there is a disturbing pattern.
A number of the disappearances occur in National City, and nearly all of them have one thing in common. They’ve all been patients or relatives of patients at the Luthor Family Hospital — a stroke patient and his fiancee, a woman in a car accident, a man with a gunshot wound, an old lady with Alzheimer's and her widow, even three children from the cancer ward and one of their mothers. Most of these people were deceased, but there must have been some reason Alex thought otherwise. And if she was right, then there is something very disturbing going on in the Luthor Family Hospital.
Kara keeps searching the files, and finds a certain devolution in Alex’s notes. Towards the end, she seemed more and more disorganized, her thoughts more and more disjointed. And Kara feels a terrible sense of guilt at not noticing what her sister was going through.
Throughout the files, she finds multiple references Alex made to something called the Matrix. She stumbles upon a mess of a pdf that she’d originally thought was gibberish, but upon closer inspection actually more closely resembles computer code. And in the middle of the unintelligible tangle of letters and symbols, she finds a question.
What is the Matrix?
Just as Kara is trying to make sense of the question, a new message alert appears in Alex’s inbox. Kara stares at the screen. It originated from Alex’s own email. Frowning, she clicks on the message, and her eyes widen as she reads.
I’m alive.
Kara springs forward so fast, she almost dislodges the laptop from her kitchen counter. She tries multiple times to reply to the message, but nothing happens. Kara growls, and almost as if the computer can sense her frustration, another message appears.
I’m alive and I’m out.
Kara’s brows furrow. What? What the hell?
The Matrix still has you, Kara.
Kara’s frown deepens and she looks around her, checks the computer. Is this some kind of prank?
I’m sorry I had to leave, but you can’t follow. Not until you’re ready.
Ready for what, Kara thinks.
Ready to give it all up. Ready to wake up. You told me once that you felt like everything since you woke up in the subway station has felt strange, like a dream. You were right, it is. And you’ll find me, if you’re ready to wake up.
Kara’s jaw drops in shock.
Follow the white rabbit.
The message flashes across the screen for a moment, then the monitor goes black. Kara snaps it shut and pushes it as far away from her as she can.
That — what was that? A-a trick? A hallucination brought on by the lack of sleep and her hyperfixation?
She could check it again, turn the laptop back on and click on the messages again — but suddenly Kara is gripped by fear, and denial feels more like a comfort.
She packs away the computer, stowing it under the desk where she can’t see it, and goes to bed. She doesn’t sleep until 3 AM.
But of course, Kara is no coward. She’s never been one to back down to her fears. In the morning, armed with a cup of Noonan’s coffee and a clearer mind, she opens the laptop again.
She doesn’t quite have the courage to check the messages yet, but she finds another article. This time, about the [head] of the Luthor Family Hospital, a woman named Lena Luthor.
It takes no time at all for her quick mind to make a connection, but it takes a while for the rest of her conscious brain to catch up.
Luthor. She’d heard that name before. In a voicemail, the only thing left of Jeremiah Danvers. “The Luthor girl got away again.”
Lena Luthor.
That can’t be a coincidence. Alex had been looking into their dad’s disappearance, and the Luthor name has already come up more than once, and now a female Luthor.
All the research she does on Lena Luthor comes up with next to nothing. Other than business articles and some papers in several scientific journals, there’s very little mention of the woman. So far, all Kara knows is that Lena Luthor is the CEO of one of the leading tech companies in the world, dedicated to providing accessible technology and communication devices to billions of people all over the globe — their new L-Phones are popping up everywhere. She’s also apparently a brilliant scientist and researcher, invested in scientific research to help prevent and cure diseases. She also owns and is directly involved in the running of the Luthor Family Hospital, a facility known for innovative and experimental medicine.
And for all of her work and accolades, there has never been a single photograph of this woman past the age of 6. Nothing. This woman’s image has never been recorded in any way, in any kind of media, in any event, in all the years that she has been running L-Corp. How is that even possible?
Now, Kara’s definitely suspicious.
Three days after the computer is found — plenty of time for thinking, but not too much time to do something stupid, she thinks — Cat makes her move.
She summons Kara to her office and delivers her ultimatum, in the form of an offer.
“Y- You think I have what it takes to be a reporter?”
“You’re an intelligent woman, Keira. But more than that, you can see things others can’t. You observe far more than people give you credit for. You could have a bright future here at Catco.”
Cat surveys her intently over her glasses. “It’s your choice. You can take the job, or you can keep wasting your life going down this rabbit hole.”
Cat gestures toward Kara’s messy desk, but again Kara’s quick mind gives her a nudge. That’s the third reference she’s heard in as many days. Rabbit hole. Alice. White rabbit.
Kara asks Cat for time to think about it, but really, she’s already made her decision. She uses her connect as Cat’s assistant to set up an appointment, introducing herself as Kara Danvers from Catco, writing an article about the Luthor Family Hospital.
The assistant confirms that Miss Luthor would be delighted to give Catco a glimpse into the facility to bring awareness of the work they do, and confirms the time.
When Kara arrives, she is directed to the children’s cancer center. When she sees the whimsical mural of a white rabbit hopping along a trail on the walls, she knows she’s at the right place.
Kara follows the mural until she reaches a room at the end of the hall. A soft feminine voice floats down the hallway and reaches Kara’s ears.
“To begin with, tell me, do you think that these men would have seen anything of themselves or of one another except the shadows cast from the fire on the wall of the cave that fronted them?
How could they, he said, if they were compelled to hold their heads unmoved through life?”
Kara walks closer, drawn to the sound. She stops just outside the door to what is clearly a child’s hospital room. A little girl in white pajamas and a colorful bonnet sits cross-legged in the middle of the bed, listening to the dark-haired woman sitting on the chair by her side. The woman’s back is turned to Kara, but she can see the book she’s reading from. Plato.
“By Zeus, I do not, said he.
Then in every way such prisoners would deem reality to be nothing else than the shadows of the artificial objects.”
“Quite inevitably.” The little girl on the bed quotes with a smile. Kara hears a soft, amused hum from the woman.
“Consider, then, what would be the manner of the release and healing from these bonds… When one was freed from his fetters and compelled to stand up suddenly and turn his head around… and lift up his eyes to the light, and in doing all this, felt pain…”
Kara sees the moment the reader realizes that she’s there. The woman’s head turns just the slightest, and Kara can see her sharp, elegant profile silhouetted in the light. She keeps reading, but at this point, they both know she’s aware of Kara’s presence. Kara continues to listen silently.
“What do you suppose would be his answer if someone told him that what he had seen before was all a cheat and an illusion… But that now, being nearer to reality and turned toward more real things, he saw more truly?”
Just then, the little girl’s eyes snap up to meet Kara’s, and big black eyes blink owlishly at her. “Miss Lena, we have a visitor.”
The woman finally turns, and Kara gets her first glimpse of Lena Luthor. Cut-glass green eyes are perceptive as they take Kara in, and a small smile plays on the corner of red lips.
“So we do, Zuri.”
She sets the book down on the bed beside the child and rises from her seat, a pale hand extended. "Kara Danvers, I presume?"
It takes Kara a second to reply, unable to take her eyes off the woman. There’s something arresting about her, something that could probably stop anyone in their tracks. Even the way she tips her head to survey Kara is fluid and mesmerizing.
Clearing her throat, Kara takes Lena Luthor’s proffered hand. “Yeah – uh, yes.”
The woman's smile grows. "I've been expecting you."
For a moment, the words make Kara's stomach flutter, then the 'duh' moment hits her. Of course she'd been expecting her, they had an appointment. Kara's face flushes red. "I've been looking forward to meeting you, Miss Luthor."
Green eyes gain a look of amusement and crinkle at the corners. Lena Luthor looks as if she has a secret, or like she’s in on a joke Kara doesn't know. "Not as much as I have, I'm sure."
Kara's brows furrow in confusion, but before she can ask the woman what she means, the Luthor bends down and kisses the top of the child's head, before heading out the door and gesturing for Kara to follow.
[[I just love the idea of Lena reading the Allegory of the Cave to the children like she did when she was a kid, as her way of preparing them, a way of telling them that yes, extraction will hurt, it won't be easy to accept the truth, but they will be free].
[Also in this AU, the extraction points used to be the pay phones like in the movie, except those got phased out once the machines figured out that’s what the resistance was using. So Lena developed the L-phones, and made it so one would always be easily accessible. That’s the work she does at L-Corp]]
After their tour of the hospital concludes, Lena watches Kara walk out through the double doors, throwing a friendly wave behind her. As soon as she's out of sight, she pulls out an L-phone.
"Well, she’s persistent, I'll give you that."
"Told you. Who do you think she got it from?”
“I see stubbornness runs in the family.” Lena hums in amusement.
A chuckle from the other end of the line. “You have no idea.”
"How close is she?"
Alex’s voice turns business-like. "Well, she’s made the connection to you, and Kelly’s seeing some sizeable fluctuations in the code, so I'd say she’s getting there. J’onn thinks she might be ready soon. He says she’s responding quickly for someone who hasn’t had as long to adjust. Sooner if you prepare her, probably.”
“That won’t be a problem.”
“Rhea,” Lena can hear the seething disdain Alex’s voice, and thinks her mentor is probably standing over Alex’s shoulder as they speak. “Would like me to remind you that the sooner we pull out my sister —“ Lena can almost see her glare at Rhea. “The sooner you can get back to the Daxam, and this can ‘all be over with’.”
Lena shakes her head. “I’m not pulling her out before she’s ready. The consequences could be disastrous.”
“Yeah? Try telling that to your Captain.”
They’re interrupted by an excited young voice. “Hi, Lena!”
“Mon-El?”
Alex snorts over the line. “Yeah, can you believe her? She brought the kid over just to get you to ‘speed things up’.”
“When are you coming back, Lena? I miss you! I snuck into the dock last week, but M’gann caught me. She said she’d teach me how to make shells if I promised not to go past the bridge again. And Imra asked if she could come with us the next time we go to the bridge to see the loaders, I told her yeah. That’s okay, right?”
Despite the seriousness of their situation, Lena can’t help but smile a bit at the young boy’s enthusiasm. “Of course she can. I’ll be back soon, Mon-El. Stay out of trouble, and do what your ranking officer says.”
“Okay, kid, you heard the lady. Go bother Brainy and Kelly at operations. It's about time you learn to read code anyway."
Lena can hear the boy grumbling in the background, but he obeys. As soon as he's out of earshot, Lena goes back to business.
“Start a trace for Kara's pod location, and standby. Be ready to plug in when I tell you to.”
"Copy. J’onn’s gonna try to get us as close as he can, but it's the fields. We can never be too careful. And Lena…? Try to make it easy for her."
Alex’s voice softens at her request, her concern for her sister evident in every word, and Lena understands. Just as Alex understands that there is nothing easy about the truth Kara will have to see.
"I'll do what I can."
This is not the last time Kara pays her a visit.
Under the guise of her article, Kara returns to Lena again. And again.
The first time she comes over under the guise of an interview, she stays until lunch. And then takes Lena to lunch, partly to make up for ruining her schedule, and partly because the CEO confesses that she often forgets to eat throughout the day.
They eat at Kara’s favorite lunch spot, Noonan’s, where Kara is aghast to learn that Lena has never tried any of their desserts despite the café being less than a block away from L-Corp. They end up trying nearly every dessert on the menu. Or at least Lena samples a little bit of everything, and Kara finishes it all off.
They part, with some reluctance on Kara’s end, three hours past Kara’s allotted time, but Lena assures her that it was worth clearing her schedule, considering how much she enjoyed Kara’s company.
It’s only after she’s no longer in Lena’s presence that Kara realizes she’d all but forgotten about her purpose for coming, which was to interrogate her about the suspicious disappearances at the Luthor Family Hospital, and about Lena’s possible involvement in Alex’s own disappearance.
She returns, this time with the flimsy excuse of bringing Lena lunch now that she knows the CEO won’t remember it herself. Lena suggests they go out to the nearby city park to enjoy her break there.
Lena leads her to a bench on a hill and they sit there quietly, enjoying their view of the park. Lena gives Kara a shy smile. “I like to come out here sometimes. When everything becomes… too much. Sometimes, everything around me just feels so wrong and… fake. Especially with what I do. It feels like none of it, none of this is real.”
Kara turns to look at her fully, a crinkle in her forehead, and Lena wonders if she's pushing it. “What do you mean?”
“Have you ever had that feeling where… you’re not sure if you’re dreaming or awake? And you’re not quite sure if anything around you is real or not?”
Lena chances a look at the other woman. Kara is looking back at her, eyes wide and intent. It takes a moment, one long moment where Kara is just staring at her, as if trying to puzzle her out. Then she nods.
“Yeah. All time.”
“That’s how I used to feel.” Lena holds her gaze, steady green meeting wondering blue. Kara is so close right now, so close that Lena could tell her. How easy it would be if Lena could convey the truth just by looking into Kara’s eyes. But she’s not ready yet. Lena drops her gaze with a soft laugh.
“I guess I was just thinking, if none of this is real, then none of my problems there would be real, either.” She gestures back at L-Corp with a wry smile.
Kara takes the bit, and her smile softens, blue gaze losing some of its intensity.
Kara fails her mission again that time. And the next. And the next. It feels as if she forgets her problems when she’s with Lena. For the first time in a long time, it doesn’t feel like she’s out of place. The world doesn’t feel so wrong when she’s with Lena, or at least, it doesn’t bother Kara as much. She feels like… herself.
As for Lena, she knows they’re running out of time, and that the agents will catch wind of them soon. Especially since Kara is on the precipice of the truth.
But for the first time, Lena finds herself delaying the inevitable. It’s unlike her — the Potential who has spent her whole life freeing as many minds from the Matrix as she can; the second-highest ranking officer and chief engineer of the Daxam, who seizes every situation with a level head and a calm command.
“What are you doing, Lena?”
Rhea’s voice is an imperious snap, even over the line. “You have never spent this long in the Matrix since I pulled you out. You’re putting yourself in danger for a simple extraction. It shouldn’t be taking this long.”
“No extraction is ever simple. I told you, she’s not ready.”
“I know you and that Oracle—” the word is practically a hiss in her mentor’s mouth. “—think that this woman is a Potential, but if she really were that special, she would’ve been ready a long time ago. You were ready long before I found you.”
“This is different—“
“Why? Because you’re sweet on her?”
Lena’s eyes narrow. “You know that’s not why.”
As soon as Lena’s tone gains an authoritative edge, Rhea softens. “I know, my dear. But you know how I worry about you being plugged in for so long with… Lex out there. Besides, you have been neglecting your duties on the ship. Your crew needs you, Mon-El needs you. Come back home, Lena.”
Lena relents. “I will. Soon.”
But ending her time with Kara is easier said than done.
It may be selfish, but around Kara, Lena feels lighter. Her responsibilities don’t weigh as much, and the bleakness of war vanishes in the company of someone so earnest and warm and hopeful. Kara is… resilient. In spite of all that she’s been through, she remains strong, determined, and most incredible of all, kind.
Lena watches Kara with the children — the youngest Potentials, who see the wrongness of the world around them, but aren’t ready yet to be pulled out — and watches her pull gap-toothed smiles and belly laughs out of even the most solemn ones.
She extends this kindness, even to Lena — over daily reminders to eat and take care of herself, to lunch dates she tags Lena along to because she thinks Lena will forget to eat otherwise.
Once, after a successful extraction of one of Lena’s children, a somber Kara brings a small bouquet of plumerias to the little girl’s empty room. She finds Lena sitting next to the child’s empty bed.
“I’m so sorry.” Kara plucks a single plumeria from the bouquet, before setting the flowers on the girl’s pillow.
Lena shakes her head, a serene smile on her face. “Don’t be. She’s free. She’s in a better place now.”
Kara, not understanding her words, gives her a sad smile. She takes Lena’s hand and presses the single plumeria into her fingers. “I’m sure she is.”
Every day, Lena fails to tell Kara the truth, wanting to prolong their time together. And most of all, wanting to spare Kara for just a little longer. Lena can’t bear the thought of being another person who adds to everything Kara’s gone through, of being the reason why that smile dims a little more, or worse, never appears again at all.
Her hesitation nearly costs them everything.
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actual-changeling · 2 months
Text
i miss having fun in this fandom.
i miss being able to trade increasingly insane headcanons and then laughing about it, i miss being able to collective turn a post into a meta chain where everyone's opinions were respected no matter what.
i miss the time when i could post my own creative writing and not receive hateful & insulting comments. i miss not getting anon hate. i miss real, actual people being more important than a fictional character.
i have never sent a single person, here or otherwise, hate, and yet some days that is all i am bombarded with: people hating me, hating my writing, my thoughts, my posts—everything they remember to mention. i am being publicly ridiculed and denounced because to them, "defending" a fictional character is not only more important the the health of real people, but also actively justifies verbal abuse.
i miss enjoying the show and i miss enjoying it WITH other people, and i miss being excited and motivate to write fanfics because what the fuck is the point when all i get in return is hate and ridicule?
many have completely moved on and deactivated their accounts and honestly, at this pace, the only people left in this fandom will be bullies.
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cuubism · 4 days
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Hi, may I ask about the bachelor au please and thank you:3
omg yes. i made a post once about how unhinged a dreamling Bachelor au would be, and then i actually started writing it XD
it's a bit messy/unformatted right now, because it's a sort of outsider POV structure where it alternates between scenes from the TV show and chat commentary from the internet fandom who are watching 😂 hopefully one day I'll actually write all of it
A scene from probably the last/second-to-last episode of the season. The final two "contestants" in the show were Hob (who Morpheus keeps insisting he doesn't have feelings for despite everything he does proving otherwise) and Thessaly.
--
Morpheus leans on the railing, hunched in on himself. Rain pelts down onto his head, flattening his hair and soaking his clothes. Hob steps out through the sliding door, heedless of the rain, to stand beside him, and rests a hand on Morpheus’s back. Hob: Didn’t work out, then? His voice is softer than usual, almost inaudible over the rain. Not playful, or teasing, as it so often is with Morpheus, it’s just… gentle. Morpheus: She… decided… that she no longer loved me. Hob: Poor darling. Again, it’s not teasing, only a bit… sad. Morpheus: I suppose this means that you win. Hob: Yup. Morpheus curls into him, pressing his face into Hob’s chest with a sob. Hob catches him, wraps his arms around his shoulders, and holds him tight. Hob presses a kiss into his hair. Low enough that it’s clearly intended not to be picked up by the mics, he says— Hob: It’s alright, baby. It’s okay, it’s okay— —as Morpheus keeps crying.
INTERVIEW — HOB Hob’s expression is lacking its usual cheer and mischief. His hair is still wet, as though he’s only recently come in out of the rain. Hob: So I guess I won? Interviewer: You don’t sound happy about it. It takes a moment for Hob to respond. He bites his lip in thought, then sighs. Hob: I— it was just supposed to be a game. I thought— I thought we felt the same way about it, I thought— I didn’t even care if I won at first? So it was just for fun, just this totally ridiculous nightmare of a— He scrubs a hand over his face, messing up his hair. Hob: Seeing Dream like that, I didn’t realize, I didn’t realize what it— Interviewer: ‘Dream’? Hob: Hm? Interviewer: You called him Dream. Hob: Did I?
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lexithwrites · 23 hours
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Part one of ‘Alex writes things they make up after listening to tiktok audios’
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(Spoiler, it’s vampire reg)
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aromanticbuck · 5 days
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AITA for maiming my best friend?
I (32M) have known my best friend, E (32M), for about 6 years. We met through work when he started at my firehouse, and we kind of clicked by the end of our first shift. These are long stories, but I help him out with his son, C (13M), a lot, I take C to the zoo regularly, and we (C and I) got caught in the tsunami a few years ago when we went to the pier for the day. E has me in his will to take custody of C if anything happens to him. When I say he's my best friend, I mean he's like family, and we've been family for a while.
Last month, our team kind of borrowed an LAFD helicopter to save our captain and his wife when their cruise ship was capsized (yeah! that cruise ship!), so my future brother-in-law called an old buddy of his, T (45M), who's a helicopter pilot to fly us into a hurricane. T is super cool! He's a pilot, and he used to be at my firehouse before I got there, and he used to be in the army (like E!), and he likes karaoke and trivia and basketball and Star Wars.
E and T got really close after we did the helicopter rescue. T flew E to Vegas for a fight that he got ring-side tickets for (which meant T couldn't go out to get a beer with me, even though I think he wanted to). They went to a karaoke trivia night together. And when E was telling me about it, I kind of thought he was going to invite me, too, but he just asked me to babysit C for him that night instead. I love C, he's a great kid, but I was kind of sad I didn't get to spend time with my best friend.
When I was babysitting C, I saw E's day planner on the fridge. Underneath a take-out menu, there was something written in for this Thursday - "B.B.P.U. w/ T" - basketball pick up game with T (my sister made me explain it to her) - and it was CIRCLED - but it's this game that first responders have every other Thursday. E has asked me to go a few times, but I don't like basketball so I always say no.
Anyway, C kept talking about T all night while we ate dinner and played videogames. And T apparently lied to C about his favorite Star Wars movie to make C like him more??? Which should be illegal.
So I asked my BIL to go to the basketball game with me, and he kept asking why I suddenly like basketball (I don't like it, it's a stupid sport), all the way to the court. E teased me, too, but that's just what E does. But we played basketball against E and T and the rest of their team, and I wasn't doing too bad. And then E and T high fived a lot and were acting like they're best friends, even though E is my best friend, not T's, and I got frustrated.
I accidentally (?) knocked E over when he was going for a basket. My BIL said E sprained his ankle and was lucky I didn't break his leg when I knocked him down.
My sister says I was acting like a 14 year old girl, and I know she's kind of right. But it wasn't on purpose, I don't think.
AITA?
UPDATE: apparently I like guys???
UPDATE 2: a lot of the comments think I'm in love with E. no, he's just my best friend! T kissed me. we have a date on Saturday.
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alexwlchan · 4 months
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“The alphabet mafia”
From another prompt by Liz in the Mincefluencers Discord.
There was a knock at the door. He looked around nervously, not brave enough to answer.
There was another knock at the door. More panicked looks, glances around the room for a hitherto-unseen exit.
There was another knock at the door, followed by a calm voice. “Please open the door. We will not knock a fourth time.”
Finally 2 got up from his chair, and cracked the door open. He could see two letters in sharp suits standing on the doorstep.
He couldn’t tell, but it looked like maybe a Q and an X? Both of whom were tricky pieces of work – not consonants to be trifled with.
“Good evening. May we come in? We’re looking for 0.”
2 shook his loop nervously. “They’re not here.”
“Well then you won’t mind if we come in and have a look around.” And the door was suddenly thrown open, and the two letters strode in.
After wandering through his apartment, the two letters returned to 2, still standing by his front door.
“We hear that 0 has been impersonating O again, and you know that just won’t do. No, no, no.” The letters were speaking softly, but with an unmissable hint of menace.
“They’re not here so we’ll leave you be, but if you see her, give 0 a little message from A. This is our patch. Our area. Our scrap of paper. She’d do well not to show her face in public for a while. It would be … such a shame if she were to have an … accident … while out and about.”
The letters made an unsettling smile, and turned to leave. “Good day to you, 2.”
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willgrahamscock · 7 months
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(writers can mean schoolwork or fanfic or other forms) If you use more pick your main and add the other(s) in the tags.
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abrielarnold · 7 months
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“Ooh, the attack dog is coming,” Julius stage-whispers. He wavers close to Alex’s ear—too close, shifting Alex’s hair against his temple. “Think he’ll bite this time?”
Danny’s lip starts to curl.
Things That Bleed chapter 8 by @kkachis @artistfingers and @ghostly-cabbage .
This fic makes me feel emotions.
Me:
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I am very normal about these characters and their situations.
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anticomedygarden · 9 months
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they all want your white body
5 times Alex defends Henry (and Henry is pleasantly surprised) (though he should really know better by now) + 1 time Henry defends Alex (and Alex isn't surprised) (because no matter what anyone says, Henry is the goddamn bravest man he's ever met)
title is from billy joel's 'everybody loves you now'. the whole quote i wanted to use for the title was, "they all want your white body/and they await your reply/but between you and me and the Staten Island Ferry/so do I," but i figured that was too long
cross-posted on ao3
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1. The Charity Gala
As much as Henry wished he could pretend he didn't know the man walking toward him, he knew that once those beady eyes latched onto him, there would be no escaping Mr. George Blackwell.
He had just enough time to whisper, "Run while you still can," into Alex's ear before Blackwell was upon them in all his glinting golden glory. Honestly, where did he find all that precious metal? "Ah, Mr. Blackwell. I'm glad you could make it," Henry bit out, raising his champagne flute to his lips and suddenly wishing for something a bit stronger. His words were at least a kernel of the truth for the man's only redeeming quality at functions such as this was his extensive bank account.
Blackwell gave him a once over. "Yes, good evening, Your Royal Highness." He turned to Alex. "And this must be-"
"Alex Claremont-Diaz, Henry's boyfriend," Alex interrupted, causing Blackwell's face to take on a delightful red color. When Alex stuck his hand out for a handshake, Blackwell hesitated but eventually took it for a fraction of a second.
"That's lovely." He turned back to Henry. "Say, did you hear that George Jr. just finished his enlistment?"
Henry put on his camera smile, the one Alex hated so much, and said, "Is that so?"
Blackwell nodded and continued to prattle on about his son and his particularly bland life with his particularly bland job after his particularly bland whatever, and Henry tuned him out, instead choosing to rub Alex's inner thigh under the safety of the table cloth, at least until one jab broke through the reverie.
"...But it's such a shame nowadays that some men won't take up their proper place to enlist. Real men are becoming few and far between."
Henry nearly rolled his eyes, unfazed by the unoriginal insult.
What did surprise him was Alex. The dark haired man set down his drink, leaned forward, and said, "You're right; it is a shame." Henry raised his eyebrows at him, but Alex didn't stop. "It's a real shame that men still think their masculinity is in jeopardy if they don't have enough dominance over other people."
Blackwell spluttered, but, again, Alex continued. "No, really, I'm so glad a huge chunk of the government's budget is going toward ensuring men like you can get off feeling superior to not just everyone else in your country, but everyone else in the whole world."
Henry didn't think his eyebrows could go any higher, but one look at Blackwell had them trying. Nevertheless, he thought it might be a good idea to take Alex out before he goaded this man into a fist fight.
"I'm ready to go, Alex. How about you?"
Alex glanced at him sheepishly, not looking a bit apologetic, and, honestly, Henry didn't want him to be. Watching Alex argue with bigots only got more fun the longer they were together.
The second they were out in the hall, they both broke down in laughter. Henry could hardly breathe.
"God, did you see his face?" Alex gasped.
Henry nodded, still laughing. "I thought he might hit you!"
"No way he was gonna punch me, not with witnesses."
Henry shook his head, though he was smiling. "I love you so much."
Alex put his hands on Henry's neck and pulled him in for a kiss. "I love you, too."
2. Philip
Henry woke to an empty bed.
Groaning, he flopped his arm across Alex's side in the hopes that his boyfriend was somewhere over there but regretfully came up with nothing.
He decided on a different approach. "Alex?"
There was no answer.
He really didn't want to get up.
David clearly didn't either as he had burrowed into Alex's empty nest of blankets.
Henry got up.
Groggily, he meandered around the upstairs, and, determining Alex wasn't up there, he walked slowly down the stairs and stopped when he heard Alex's voice, tense and angry.
"No, we're not going to do that," he was saying. "No - stop - stop talking...You're not listening to me! We're not doing that because we're not your happy little queers to parade around when you need media points, Philip!"
Ah. Henry sat down on the stairs. This was sure to be an interesting conversation, one that wouldn't make him feel guilty at all.
"Yes, it is. Whether you like it or not, that's exactly what you're trying to do."
There was a moment of silence as Philip said his piece.
"I don't care what your Gran thinks."
Oh, Philip was sure to love that.
"How the hell is this our fault, Philip?  You want to control the tabloids? Get better libel laws."
There was the sound of something being slammed on the counter, and then Alex appeared at the bottom of the stair case. He did a double take. "How long have you been sitting there?"
Henry rested his elbow on his knee and his head in his hand. "Long enough. How long have you been up?"
"Only since Philip called, so about a half hour."
Henry winced. "I'm so sorry."
But Alex waved him off. "It's fine. You know how much I love yelling at people for you."
"Still." Henry hummed, then something occurred to him. "Did Philip call you directly?"
It would be incredibly odd if he had. For one, the two had always had a contentious relationship, barely speaking to each other when they were forced to and certainly never going out of their way to converse. For another, Philip knew full well that Henry would be far more willing to lie down and take whatever he had to say.
Alex shook his head. "Your phone started ringing, and I thought it was mine. I didn't want to wake you up."
Henry really should be used to it by now, how considering and amazing Alex was, but it still surprised him every time.
He got up and walked down the stairs, right into Alex's waiting arms. "Thank you for yelling at Philip for me, darling."
"Anytime, sweetheart." They stood there for a moment. "Let's have waffles for breakfast."
"Alright." They broke apart and began gathering the stuff for breakfast. "What did Philip want?"
Alex didn't look up. "Nothing important."
3. The Crown
Merely a week after his and Alex's engagement was released to the public, Henry came home from work to discover a ridiculously large envelope addressed from the Crown stuffed in their mailbox.
Had it been any other day, Henry would have waited until Alex got home to open it to, you know, preserve his mental health, but on this particular day, Alex wouldn't be home for several hours at least, and he was still riding the high from being newly engaged, so he opened it.
That was his first mistake.
His second was attempting to sift through the pages and pages of legal documents and wedding information after a full workday without caffeine in his system.
Immediately, he got a sick feeling in his stomach, the same feeling he used to get when Philip came to Kensington or when news came of Gran delivering her orders. The Crown was trying to control every last aspect of their wedding, from location to color scheme to wedding party.
He was just starting to feel the beginnings of a migraine when his eyes caught on one sentence in particular.
You are to live in Kensington once the honeymoon is over.
No.
They would have to give up everything they had worked for in New York. Alex would never be a politician or a lawyer. They would have to leave the brownstone permanently. No more dreams of a ceremony in Texas.
Just like that, Henry was done. He crossed his arms on the kitchen table and laid his head down. In the back of his head, he pulled out a thought he had been entertaining for weeks now, ever since he'd decided to propose.
There was the sound of the front door opening and shutting, and then David skittered into the foyer, presumably to bring Alex to Henry.
Sure enough, the next thing Henry heard was Alex entering the kitchen. He still didn't raise his head.
"Sweetheart? What's wrong?"
Henry felt tears prick at his eyes. How could he be so horrible, subjecting his wonderful fiance to people like this, people who were so determined to make them suffer?
A hand began carding through his hair, and he heard Alex start pulling papers toward him to examine.
The hand in his hair stopped, and Henry whined. Alex must've figured out what the papers were for because he didn't acknowledge his fiance's groans.
"This is bullshit, babe," Alex said, voice sounding incredibly restrained. Henry appreciated that Alex was trying to remain calm for him, but he'd honestly rather Alex be screaming. It's what he deserved. "They can't force us to do anything."
Henry laughed humorlessly. "As long as it's a royal wedding, they own it."
Alex shook his head. "Fuck 'em-"
"That's not how it works," Henry explained. "They'll make you convert to Anglicanism." His voice dropped. "They'll make us move."
His third mistake was believing the Crown could control him, or, better yet, Alex.
"Fuck that, babe. We can do whatever we want. We can fly to Vegas and elope under the ministrations of fucking Elvis-"
Alex continued like that for a while, and as Henry watched the man he loved most in the world nearly knock over their salt shaker as he gesticulated wildly, Henry knew what he wanted to do.
"I want to abdicate," he said.
Alex stopped suddenly, mouth open, hands still in the air. "You what?"
Henry sat up finally and looked Alex in the eyes. "I want to abdicate."
Looking a bit lost, Alex cleared his throat. "Okay, not that I don't fully support this, but," he paused. "If you're just doing this because of the wedding, there are other options. I wasn't kidding about Vegas-"
Henry shook his head, a fond look on his face. "No, I've been thinking about this for a while. I don't want the Crown holding themselves over us for the rest of our lives. First this, then what? When we have kids, they'll try and force us into surrogacy to preserve the line of succession. They'll fight you on all of your political opinions. We'll never get a break. At least this way, there'll be some degree of separation." He stopped himself, afraid he'd work himself up into crying again.
Alex took Henry's hands then and pulled him closer so he could whisper in his ear. "You're sure?"
Henry nodded, and Alex twisted so he was sitting in his lap. "Well, alright then."
4. Twitter
The article was a joke. It was the kind of thing one was only supposed to see at the checkout of a grocery store, but somehow, the internet got a hold of it, and now it was plastered on every social media site everywhere.
But seriously, who would believe that Henry has murdered someone? All of Twitter, apparently, because he had been getting notifications about it all day, even though he was the least likely of all the royal siblings (and the Super Six, really), to murder someone. The article didn't even name the person he had supposedly killed, simply saying it was a boy from Eton.
Henry tried to tell Alex it was just another rumor that would die out in a week, especially with as ridiculous as it was, but Alex insisted on saying something. At least Henry had convinced him not to address it directly, knowing acknowledging it would only give it power.
In the end, Henry turned off Twitter for a week and put Shaan in charge of his phone.
When he finally looked at Twitter again, the first thing he saw was a post from Alex.
[image of Henry reading on the couch with David curled on his stomach]
Happy Tuesday to the most amazing person I've ever met. Hen, I'll stand by you in everything you do because you've never done anything wrong in your life. Love you, sweetheart!
Little shit.
5. Henry himself
As soon as Henry woke up, he knew it was going to be a bad day. The distance from the bed to the hallway seemed like infinity, and he barely found the strength to roll over. Alex was nowhere to be found, and Henry hoped he would be gone at least until Henry mustered the energy to at least leave the bed. He hated people seeing him like this, even if having Alex here would probably make.him feel so much better.
He laid there for another hour? Two hours? Henry didn't know, but at some point, Alex quietly opened the bedroom door and came to sit next to Henry.
"Hey, sweetheart. How you feeling?" He set something on the bedside table and turned back to Henry, carding his fingers through his hair. "And don't lie."
Henry blinked his eyes open, awed that Alex knew something was wrong before Henry had even woken up. "Not great."
Alex hummed. "I brought you tea and Jaffa Cakes for whenever you're ready." He stood from the bed, and Henry watched him walk around to the other side. He closed his eyes and felt the bed dip as Alex laid down, curling around Henry in a parenthesis.
"How did you know?" Henry whispered, finding himself caring more about the answer than he really has any right to.
Alex made a confused noise. "Babe, it's 1:30." Henry didn't have it in him to be surprised, but he was sure when he was feeling better, it would hit him hard. "I figured you were either feeling bad or coming down with something."
An arm came down around Henry's middle. "I'm sorry. I know this isn't easy for you."
Alex shook his head against Henry's back. "It's the easiest thing in the world, sweetheart."
+1. The Queen
"I simply cannot allow this. You will release a statement in the morning rescinding the announcement.
Alex didn't have to look at the queen to know she had that stupid little smug look on her face, the one that meant she was being a bitch, a bitch to her grandchildren no less.
Alex also didn't have to look at Henry to know that he had one of his various press faces on, the one that signaled practiced neutrality. It was better than the press smile, but not by much.
"No, they won't be doing that," Catherine said. "For one, you can't control whether or not they're engaged." That's great, Alex thought, except she actually could. "Ignoring that, they can't rescind now without you coming off horribly in the press."
Again, that would be great if she didn't believe the entirety of the UK's population were huge homophobes, something Alex would say if he could get a word in without being interrupted by a certain someone.
Mary started again. "The country is simply not ready-"
Suddenly, Henry clutched Alex's thigh hard enough to elicit a gasp, and everyone's eyes turned to them. "That's enough."
And, holy shit, Alex's jaw fucking dropped because Henry just interrupted the queen of England. Well. Alex had always wondered what being beheaded felt like.
Mary opened her mouth to say something, but Henry held up a hand. Yep, they were 100% dead. "No, I've sat here and listened for long enough. You know what I came here to tell you today?" He took a deep breath, and, alright, this wasn't how they'd discussed breaking the news, but, apparently, this was happening. "I'm abdicating."
The room went silent as everyone processed the news. Bea, of course, already knew, and simply sipped her coke, but Philip's face was completely white. Catherine's eyes were wide, betraying a glint of pride. Queen Mary, though-
"Over him?" she said, poise slipping minutely. "You would give up your birthright and embarrass your family for this American man?"
She said it with such disdain that Alex tried not to be offended, and he had to try even harder to keep his mouth shut.
Henry, it seemed, was not taking the same precautions. Alex squeezed his hand in support. "Yes, Gran, I would." He stood, taking Alex with him. "I love him, and I don't want to have to hide my whole life. I don't need your prejudice. I'm done."
With that, he dragged Alex from the room, leaving behind the open mouthed stares. As soon as they were out in the hall, Alex had Henry up against the wall, mouths pressed together. It wasn't nearly the sexiest place or situation they'd ever been in, but goddamn if Alex wasn't hard as a rock.
"I love you so much," he murmured into his fiance's mouth. "You're so damn brave."
Henry pulled back abruptly to burrow his head in Alex's neck, and Alex brought up a hand to rub his back. "You did amazing in there."
For a second, Alex thought Henry was about to start crying, until he whispered, "It's all because of you."
That really made Alex's heart swell. It was too bad it was wrong. "No, sweetheart. That's all you."
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