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#alfie taylor
fuckyeahgoodomens · 1 year
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hi, random question, how tall were the actors who played the them when they were filming season one of good omens? Love ya!
Hiya! :) 🤔
(very questionable measuring, mathematics and conclusion ahead :D)
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Aziraphale / Michael Sheen: 1118px
Wensleydale / Alfie Taylor: 773px
Pepper / Amma Ris: 833px
Adam / Sam Taylor Buck: 878px
Brian / Ilan Galkoff: 974px
Michael Sheen is 178cm, so:
Wensleydale / Alfie Taylor: (178/1118)*773 = 123cm
Pepper / Amma Ris: (178/1118)*833px = 133cm
Adam / Sam Taylor Buck: (178/1118)*878p = 139cm
Brian / Ilan Galkoff: (178/1118)*974px = 155cm
(don't take it much seriously :D)
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boomgers · 5 years
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Prepárate para el inicio del apocalipsis… “Good Omens”
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Ante el inminente fin del mundo, un quisquilloso ángel y un inmoral demonio muy encariñados con sus vidas en la Tierra forman una inverosímil alianza para detener el apocalipsis.
Así, se ven obligados a embarcarse en una aventura para encontrar al anticristo, un niño de 11 años que desconoce su rol en el fin de los días, y salvar al mundo antes de que sea demasiado tarde.
Estreno: 31 de mayo de 2019 en Prime Video.
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La serie cuenta con las actuaciones de Michael Sheen, David Tennant, Jon Hamm, Adria Arjona, Miranda Richardson, Jack Whitehall, Josie Lawrence, Amma Ris, Alfie Taylor, Ilan Galkoff y Sam Taylor Buck.
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stardust4ver · 2 months
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arcadiabay · 8 months
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A story of a romance torn apart by fate.
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faith-forgxtten-land · 4 months
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idek what you'd do with this but you're a Taylor fan so peaky blinders characters and their corresponding Taylor song/s
ooooh this is a good one. and surprisingly difficult. and i'm trying not to repeat songs which is hard when all of these people are so desperately mentally ill...
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Peaky Blinders Characters + their Taylor Swift songs
warnings: needlessly long
Tommy Shelby
mr perfectly fine - does this need explaining? he is mr casually cruel, mr everything revolves around you
so dignified in your well-pressed suit / so strategised, all the eyes on you / sashay your way to your seat / it's the best seat, in the best room / oh, he's so smug, mr always wins / so far above me in every sense / so far above feeling anything
dear reader - burn all the files, desert all your past lives
Alfie Solomons
london boy - i laughed with this but i will stand by it for obvious reasons
getaway car - i will take no comments on this
i knew you were trouble - he is trouble
beautiful ghosts - it mentions london and that’s good enough for me
i know this life isn’t safe / but it’s wild and it’s free
style - we never go out of style (alfie to tommy probably)
look what you made me do - honey, i rose up from the dead, i do it all the time
Arthur Shelby
this is me trying - i’m not sure i can find a song more fitting
they told me all of my cages were mental / so i got wasted like all my potential
renegade - is it insensitive for me to say “get your shit together so i can love you”?
you fire off missiles ‘cause you hate yourself / but do you know you’re demolishing me?
forever winter - he’s up, 5am, wasted / long gone, not even listening
in short, poor arthur
Polly Gray
sad beautiful tragic - it just feels right
mad woman - i’m struggling to explain these choices but they’re correct
castles crumbling - yes
my tears ricochet - also yes
Ada Shelby
dorothea - i thought hard about this one so you better agree
you got shiny friends since you left town
it’s never too late to come back to my side
fearless - she is
a place in this world - i'm just a girl / trying to find a place in this world
ours - communism
John Shelby
i forgot that you existed - i am sorry john
the way i loved you - he and esme are crazy
but i miss screaming and fighting and kissing in the rain / it’s 2am and i’m cursing your name
can you tell i struggled
girl at home - you’re married john
Michael Gray
foolish one - he’s dumb as hell
never grow up - just is, could be him or polly
the lucky one - you wonder if you’ll make it out alive
bad blood - well
Grace Burgess
when emma falls in love - when emma falls in love, she paces the floor / closes the blinds and locks the door
she won’t walk away, unless she knows she absolutely has to leave
and all the bad boys would be good boys / if they only had a chance to love her
Lizzie Stark
don’t you - this fits her so well and i will not entertain any arguments about it
i heard she’s nothing like me / i’m sure she’ll make you happy
sometimes, i really wish that i could hate you / i’ve tried, but that’s just something i can’t do
you’re losing me - we thought a cure would come through in time, now i fear it won’t
now i just sit in the dark and wonder if it’s time / do i throw out everything we built or keep it
May Carleton
august - you weren’t mine to lose
Finn Shelby
exile - i’m hilarious
you’re on your own, kid - see above
Esme Lee
crazier - yes
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rawk-chikk · 13 days
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The most British thing you've ever heard 🤣.
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joysmercer · 7 months
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since there are 13 anubis residents and 13 midnights tracks…a sign a song to each kid?
this has been sitting here FOREVER i’m so sorry 💀
joy-would’ve could’ve should’ve
patricia- yoyok
nina- anti-hero
amber- bejeweled
kt- vigilante shit
mara- dear reader
willow- snow on the beach
fabian- mastermind
eddie- maroon
mick- …question?
jerome- high infidelity
alfie- sweet nothing
am i missing someone??? anyway here u go, as usual it’s all just based on Vibes and nothing else, also i used the 3am version bc lowkey idk the main album well enough lol
(bonus: all of the girls get tgw)
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wolfblood-of-anubis · 6 months
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so while i do still plan on making the character tribute videos, i just havent been able to keep it up because of schoolwork, i wanted to ask you guys about any love songs or break up songs you think summarize certain couples from HOA
so send me your ideas in the ‘tell me stuff’ button and if i get multiple songs for the same couple i’ll do a poll for it, sound cool?
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fayegonnaslay · 2 months
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60 Years of Vamps and Camps (1973)
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Sue Lyon in Lolita, 1962.
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Shirley MacLaine and Jack Lemon in Irma La Douce, 1963.
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Gloria Swanson in Fine Manners, 1926.
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Sylvia Miles and Jon Voight in Midnight Cowboy, 1969.
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Tallulah Bankhead in My Sin, 1931.
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Elizabeth Taylor in BUtterfield 8, 1960.
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Jane Fonda in Klute, 1971.
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Shelly Winters and Michael Caine in Alfie, 1966.
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Claudette Colbert in ZaZa, 1938.
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Angela Lansbury in Mister Buddwing, 1966.
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Joan Blondell and Ginger Rogers in Broadway Bad, 1933.
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The Messenger (21/22)
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Pairing: Tommy Shelby x Adeline Taylor (OC)
Warnings: period typical sexism, series typical violence, period typical views of PTSD, period typical racism, blood and gore, smut
Summary: In Germany, Adeline impresses George and is rewarded for it. Back in Birmingham, she settles a score for the Peaky Blinders. 
**This is a series, so you should read The School Teacher first if you want to understand everything.**
Note:  As the show does, I am loosely using actual events and people from WW1 and other time periods represented in the show. These are fictionalized versions of both events and the people.
Word Count: 4266
A/N: Okay, so I know it’s been literal months since I’ve written anything. I had such a major case of writer’s block here because I couldn’t figure out how to get to the ending I have planned. So, here’s an update...finally, of me writing myself out of writer’s block.
Germany, 1916
“Please, mercy, I beg you. My men know nothing. Mercy. Oh God, mercy.” 
Adeline’s lip curled up in disgust. Another one her mother would have venerated, held up to her as a paragon of some virtue she was meant to embody. The soldier had done nothing but cry and beg for his life, for the lives of his men, for just one more moment in his wife’s arms. He’d bleated on about God having mercy on his soul, as though any of them still had one, as though men not moments away from death spoke of God’s mercy for their sins. 
Why did their skin always become a mess of blotchy red patches on their face? She could make out the trails of tears as they cut a path through the mud and the blood on his cheeks. They’d been thorough in their interrogation. Adeline glanced over her shoulder. George muttered to himself as he paced the length of the room, distracted by the papers in his hands. She played with the knife she held while she waited for the man to answer. He could be quite tedious when the mood struck him, and something about the damp in the air today had him curiously reserved. 
“He no longer has useful information for us, my dear. I’ve no further use for him.” 
Looking back at the soldier covered in his own blood, Adeline shrugged her shoulders. With a snap of her fingers, she had the other men brought to her. It had been a small group of soldiers, half a dozen, plus their leader they’d been asked to interrogate. Setting the knife down on the long table, she picked up a pistol. Six shots rang out, the noise bouncing back against the walls of the enclosed room. She placed the gun back on the table and picked up her knife. Kneeling before the man she studied him, took note of the horrified look in his eyes, the dumbstruck way his mouth hung open. 
“I’m in a giving mood today,” Adeline remarked as she traced the knife along his neck. “My gift, although I won’t take it personally if you don’t quite see it as such, was granting you the knowledge that I did show mercy to your men, as I will show to you. Let’s call it my…better nature.” 
His eyes narrowed as he glared at her, alight with a hatred she could taste in the air around them. She smiled sadly at him because they both knew it was a futile, empty sort of anger. With a swift movement, she slashed the blade across his neck, watched the blood leave his body. 
Wiping the blade on her skirt she stood to her feet.
“Mercy, Arke?” George asked, amusement lacing his tone. “I thought you might still be fighting me, still searching for a way to save these men. Could it be that you have finally learned that we are in the middle of a war?” 
“The only mercy in war is death.” 
George gazed at her, eyes scrutinizing her face. She relaxed her shoulders, settled her stance. He stepped closer to her, his papers forgotten on a nearby chair. Gently, with something that might be confused for tenderness, his thumb traced the bow of her lip. 
“It was a bit of a calculated risk when I allowed Captain Solomons to be the one to escort you to Calais back then, and I feared it might have unintended consequences for us both,” he paused. 
A shiver raced down her spine as his lips grazed her ear, his voice a low intimate whisper. “It still might.” 
Her eyes narrowed on him.
“Don’t look at me like that, Arke. I know very well Captain Solomons taught you many things, has continued to teach you things as this war has continued. I value useful things.” 
She wanted to bite off his nose, to see what his bones looked like stripped of skin as she gnawed on his flesh. She wanted to know the taste of his blood as it dripped from her mouth, to feel it wet, warm between her fingers. 
“I have received some information I think you will find particularly useful, and I hesitated on sharing it with you. However, your exceptional work today has swayed me.”
Again, the feeling of wrong settled around her as he circled her. She could feel the heat of his body as he settled behind her, his hands on her hips felt like chains binding her to this place, to him, to her choices, to Arke. 
“It appears your favorite Captain has found himself a small measure of trouble. Seems he has been captured, taken away to Krefeld.” 
Adeline forced herself to breathe. It had been nearly a year since she’d last seen him. Knowing he was alive, even if he had managed to get himself captured, the idiot, was good news. Alfie, of all the people she knew, could take care of himself. Belgium had revealed her close relationship with him, and George weaponized it against her. She couldn't risk him harming Alfie. Not after Belgium. Still, she couldn’t help but wonder if this whole thing wasn’t a trap. Going could be just as disastrous as not going. 
“Always thinking, Arke. Always looking for an angle, trying to anticipate my next move. Good. I’m glad you’re taking this seriously, but I assure you, this is no trap. I want you to go to Krefeld. The fates, it would seem, are on your side in this since it is not only an officer’s camp but a hospital.” 
“After Be- ”
“Stop.”
Adeline’s mouth snapped shut, knocking her teeth together. He moved so quickly that she barely tracked his movements. Her cheeks ached from the harsh grip he had on them, his fingers biting into her flesh.
“We do not speak of Belgium. I warned you about attachments, but you chose not to heed my lesson, now you suffer the consequences of your own foolishness.” 
Would his blood taste like brimstone? Perhaps it would hold a slight aftertaste of sulfur. Taking a slow breath, she forced herself to relax, to become pliant in his grip. As she did, George loosened his hold on her face, moved his hands down her neck, and brought her lips to hers in a kiss that tasted like ash. 
“How long?” 
“One week. One week from today I expect you to report back to me at our location. Do whatever you can manage within that time.” 
* * * * *
Sneaking into the Krefeld prison camp was easy. Surprisingly so. Of course, here, she was simply another nameless, faceless nurse, one as interchangeable as the next. No one cared about names anymore, not this late into a seemingly unending war. After spending one day blending into the hospital, making herself seen, but unremarkable at various locations throughout the camp, she began searching for Alfie in earnest. 
Naturally, she heard him before she saw him. Even in captivity, his voice echoed through the halls, his presence filled each corner of the room. He sat at a table with a deck of cards, looking a bit malnourished, but unharmed. Quietly as she’d entered, she left the room. Waiting in a small closet just across from the room, she listened. Heard the guards muttering to themselves, the scrape of chairs against the floors, the distant bang of gunfire and artillery. Fighting never far off anymore. 
There. The sound of his heavy gait unmistakable. She opened the door and hauled Alfie into the closet before him or anyone else noticed or could react. Hand over his mouth, she shoved him against the closed door, only the element of surprise keeping him from overpowering her. 
In the dim light of the room, it took a moment, but she knew when he recognized her. She smiled as she removed her hand from his mouth. Alfie’s eyes narrowed as he glared down at her, mouth pulled down in a scowl. 
“I know I’m not seeing you, pet. Not seeing you here in this place because that would be stupid. Too stupid for you, right? Came to an agreement, we did.” 
“Aye. Then you decided to get yourself captured like a giant idiot of a man, so here I am. I don’t keep patching you up only for you to get yourself caught and killed in a German prison camp.”
“You’ve seen me, seen that I’m fine. Now that you’ve seen that, right, now that you know you’ll leave the way you came before someone notices you. Not a good place, this place.”
“No good places on this continent, Alfie. Not anymore. I’ll leave, and you’ll come with me.” 
Alfie stroked his beard before shaking his head at her, as though he were disappointed in her. She rolled her eyes. Always so dramatic. 
“Come on. We have a short window for my plan to work. I’ll get you out either way, but quieter is better.” 
Reaching into the bag slung across her shoulder, she pulled a knife and a pistol. She handed both to Alfie who began to check the weapon over, pull the slide back, count the number of bullets. She wanted to scoff at him, to scold him for thinking she’d give him an ineffective weapon, but she couldn’t because his attention to detail, his insistence that she always check her weapons had saved her more times than she cared to think about in the past year. 
“Good edge on this blade, pet. Seems you’ve not forgotten everything useful that I taught you, even if you have lost all sense.” 
“I was hardly going to leave you here once I learned you’d been captured.”
“Mmm, reckless, pet. Always so reckless.” 
Adeline turned to face him, met his gaze. “Nothing about saving you is ever reckless, and you’ll have to take that pistol in your hand and shoot me between the eyes to keep me from doing everything in my power to keep you safe and alive. So either shoot me or shut up and follow me out of this ‘not good place’. Make your choice.” 
For a few suspended moments, they stared at each other. If he’d been anyone else, she thought he might shoot her. If she were anyone else, he might consider mercy. Unfortunately, he liked her too much to ever grant her the mercy of war. She figured it was only fair since was just as selfish; she’d keep him alive no matter how much he protested. Idiot man. 
When he finally nodded his head, she grinned at him, quick and cheeky just to hear the sound of his laugh. 
Moving quickly down the hallway, they encountered no one at this hour. Her timing held, and while the guards rotated, she and Alfie slipped out the backdoor. Backs pressed to the wall, they slowly moved along the far side of the building, eyes searching the distance for any movement. At the edge of the building, Adeline held her arm out, halting them. Alfie looked down at her. She pointed to a building no more than 100 meters away from them, closer to the forest, closer to the cover that would allow them to sneak through the camp and escape. His eyes followed her arm, glanced around the forest as though tracking her escape route in his mind. Nodding, he moved in front of her; she rolled her eyes but allowed it because they didn’t have time to fight about who got to lead them out of Krefeld. 
Their luck couldn’t hold out, and just as they began the dash from the side of the building to the cover of the next, angry shouts of HALT! sounded from behind them. Seems as though she’d need to enact the backup plan she’d spent her first day in camp preparing. Shame. 
“You run to the tree line,” Adeline ordered, voice broking no argument, although she could see it on the tip of Alfie’s tongue. “I can’t fight them and save you at the same time. You’ll get me killed if you don’t do as I say.” 
Even as she turned away, she knew he wouldn’t listen. Wouldn’t do as he was told. Same as her in that regard. Once, years ago now, she would have done exactly as he told her, too sacred, too weak to argue if she wanted to live. Part of her missed that girl. The simple nurse from the north who wanted more out of life than what her mother and father mapped out for her. What a fool that girl had been. 
After Belgium, she’d spent some time in France, met some clay kickers who’d not been fortunate in their digging. Listened to them talk about their thankless job, about how to build a tunnel, how to explode one behind them to keep the enemy back. Explosives weren't her favorite tool - much too loud, but she couldn’t deny their effectiveness when she needed a distraction and enough carnage to keep everyone too occupied to notice small things, like two figures dashing off into the forest. 
One of the soldiers who’d been shouting caught up with her. She slit his neck as soon as he grabbed, her and spun her around to face him. His lifeless body fell to the ground with a muted thump. She dropped another half dozen bodies before she reached her location, saw the nest of wires. Maybe the soldiers she’d spoken to in France, the ones who spent all their time below ground, maybe they would be proud of her, of knowing she used the skills she learned from them to escape, to save Alfie. Maybe one day she’d be able to thank them for their knowledge. On second thought, she doubted they’d want or appreciate her thanks for that. 
She heard another soldier behind her, saw his shadow looming above her shoulder. A cruel smile stretched across her lips. With lithe movements, she jumped to her feet and navigated her trap. Behind her, she listened to the soldier’s blundering gait, felt the moment he hit the tripwire with his leg. 
One breath.
Another.
A moment of silence, and then…
The heat of the explosion blasted against her back, threw her forward and down onto the ground. On her hands and knees, she crawled forward, toward the forest. She could see the outline of Alfie, watched him hesitate just enough to make the foolish decision. Behind her, she could hear men yell, scream, cry out in agony as they suffered burns, likely even shrapnel wounds from the explosives she’d created. Alfie, fool that he was for not doing as he’d been told, met her halfway between the camp and the forest. His big hands hauled her to her feet and they ran, legs pumping, feet pushing hard against the ground beneath them. 
Once clear of the camp, and assured no one had followed them, they slowed. Walking in silence, they caught their breath as the enormity of the previous days caught up with them both. She led them to a small village about five kilometers from Krefeld. She’d left provisions and two horses with a nice couple who appreciated the extra money for their farm. 
“Venlo is 32 kilometers away, but with the horses, it should take four maybe five hours. Once we’ve reached the border, it’ll be safer for you.” 
They rode in silence, but she could feel Alfie’s eyes on her. Knew he wanted to say something to her. It’d been a year since they’d last seen each other and she realized with something close to regret, she hadn’t even given him a hug yet. There hadn’t been time. No. She hadn’t made time. A year ago she might have made time. She found it hard to remember the person she’d been. 
Once they crossed the border, she found a place for them to stop. Once again paid the farmers for the use of their barn. Glancing up, she caught the look on Alfie’s face. If she hadn’t been looking for it, she would have missed the concern she saw lurking in the corner of his eyes. Damn him. 
Adeline ran a hand through her hair, turned her face away from Alfie. “Do you remember the promise you made to me that day long ago in a snow covered field in Calais? 
“I do remember that day, and the promise I made to you. I remember that day, pet.”
“And, are you a man of your word, Alfie?”
He moved around the horse, sat on a bench along the wall of the barn. 
“I’m not adamant about always being truthful, that’s true enough, pet. Never met anyone who avoids lies as much as you, so I’ll not sit here and say, right, not say I never lie, but I am a man of my word to those I care about. And, see, despite me best judgement, I care about you.” 
Adeline sat next to him. Took his large hand between hers, felt the heat and the warmth of it. “I’ll keep you to your promise, Alfie, the one you made to me that day because I haven’t been me in so long, I don’t think I’ll ever be just Adeline again. Each day kills another piece of her. Each piece is replaced by Arke.” 
Her laugh was humorless, harsh in the stillness of the barn. She traced the veins on the back of Alfie’s hands to distract herself from the voices in her head. 
“Do you know why I knew you’d been captured? I’d love to say I did it on my own, figured it out, felt it in the bloody universe. George told me. Sent me to rescue you. Gave me a whole week to do it, too. As a fuckin’ reward for killing a whole group of soldiers, without fighting him about finding another way. I didn’t think about it, Alfie. By the time I even had a thought, they were all dead at my feet. I called it mercy, too. Meant it, even. You taught me that death was mercy in war. I understand that now. George, I think he found it amusing that I use mercy as a shield to do what needs to be done to survive. Told me what camp you’d been taken to, said it was fate that had you taken to one with a hospital.” 
She paused. The words tasted bitter in her mouth. Felt like weakness to be sitting her next to Alfie, felt like she was admitting to failure, as though George would be lurking in the shadows ready to punish her for it. She shook her head, dispelling the downward spiral of her thoughts. 
“Somewhere in France, sometime after Belgium, I lost the part of me that cared about life. There is no life in a war. Just death. Some slower than others, but we’re all dead. Some of us just don’t know it yet. And I comfort myself with that thought. If we make it back, I’ll need you to help me cobble together what’s left of me.” 
Alfie pressed a kiss to the side of Adeline’s head. “We all lose ourselves in wars. No place for decent people in a war, no place at all. So, I’ll do as I said as long as you do as you said. Survive, pet. Do whatever it takes, no matter how awful it is, no matter how much of yourself you feel you’re losing because I can, right, I can put the pieces back together. But, the only way I can do that is if you live, if you survive. I know you’ve changed. It’s been a year, but that’s a lifetime at least in a war, in this hell and you’re a different person, pet. It’s good though, this change, might not think so, but it’ll keep you alive. Fragmented, broken and reforged, but alive.” 
A year ago, she might have cried. 
 Harborne, 1922  
The house was small, but clean. Reminded her a bit of the house she grew up in. She sat in the chair near the fireplace. It’s embers no longer emitted heat, but the owners had been out for the day, and wood shouldn’t be wasted on an empty house. After some time, she heard the door creak on its hinges as it opened. 
A smile crept across her face as she watched Irene O’Donnell startle, saw her drop her basket to the ground, her hand cover her breast as her heartbeat quickened. Small joys these days. 
“The bloody hell are you doing in my house, Miss Taylor?”
“It’s a shame about your boy. But, I think in the end I’ll be do him a favor. One he might not thank me for, should he ever learn of it, but such is the way of things.” 
“You’ve not told me what it is you’re doing in my house.” 
Adeline smiled at her. “I’m here to collect for the damage you caused to Arthur Shelby’s pub.” 
“You’ve no proof that was me.” 
Adeline tisked. “Now, we’re a bit beyond lying, hm? It’s just us women, no men to put on airs and graces for. I do wonder how a woman like you, one with a child, gets herself in the middle of a political situation that will never be resolved. But, the question I truly want answer to is how you think someone like Inspector Campbell can be trusted. He’s killed or been responsible for killing so many of your kin it’s a wonder you can look at yourself in the mirror.” 
“What would you know about a cause?” 
“It’s funny. You’re not the first person to ask me that question. Someone, who if you don’t know them personally, you’ve at least heard of. He is what you people with a cause call a true believer. A nice enough man by the name of Byrne.” 
She enjoyed the way the color drained from Irene’s face. Took pleasure from her labored breathing. 
“I see you’ve heard of him. Good. That makes the rest of our business easier. See, he doesn’t tolerate traitors, a stance I commend him for. We met down in London earlier, after one of our first meetings with the good Inspector Campbell, and we had ourselves a little chat. The details aren’t important, but what we agreed to is this. I leave his man Donal, a true IRA man, alone, and, in exchange, I get to deal with the woman responsible for blowing up Arthur Shelby’s pub.” 
Irene stumbled as she sat on a wooden chair near a table on the opposite side of the room. 
“I’m doing you a favor. I’ll make it quick since I don’t give a single toss about your cause, or your need to turn traitor. Makes no difference to me. But, a man like Byrne, oh for him it’s personal. He’d make you suffer. Your family, too. Arthur’s not one for making women suffer either, so that makes you twice lucky. Your son, he’ll be looked after. Sent off to America where the IRA have no interest in him, and he’ll - if he’s got any sense - forget about whatever nonsense about a cause that you’ve put into his head and grow up, live his life.” 
“And I’m supposed to trust a woman like you?” 
“Trust me or don’t, it won’t change anything. You’re going to die today. I’m going to be the one who does it. Your son is already down in London, waiting for a train down to Southampton. From there, he’ll get on a boat, travel with a nice family to New York. I’ve been asked to make it look like a suicide, something that can be made useful for the cause. Personally, I find it a bit distasteful, but it was the price for your son’s freedom, so I figured it would be better. Make your death useful for more than just payment for your own foolishness. Death should have meaning. If you’d been in a real war, seen real violence, I think you might agree. Too late now, of course.” 
Irene nodded her head. No doubt the poor woman felt overwhelmed, too shocked to put up a fight as Adeline moved her to sit at the table properly. She took the pistol from her purse, pulled the hammer back, noticed the way Irene winced at the sound. Maybe, years ago, before the war, she might have felt pity for this woman, read about her story in the paper and been saddened by her lot in life. Moving to stand behind her, Adeline realized it didn’t matter. The story in the paper wouldn’t have been written for her, so the message would have been lost on her. 
“My son,” Irene’s voice broke on the words. “Will he know? Will he believe - ”
“Aye. He’ll know. Can’t say if he’ll believe it or not, but he’d not have a good reason to doubt it. Hopefully, he won’t know until he’s older, until he goes searching for a truth he’d be better off never learning.” 
“I wish I’d never met you.” 
Adeline nodded. “I know.” 
As she placed the gun to Irene’s temple, she thought about Clara. She could almost make out the details of her face, see the curve of her smile, the color of her eyes. Adeline pressed a kiss to the top of Irene’s head. 
“May whatever awaits you beyond this life bring you peace.” 
Pulling the trigger felt like a beginning, not an ending. 
As the sound echoed through the room, Adeline felt a chill dance up her spine.
Part 22
Master List
Tag List: @stevie75 @mootiemoose​​ @ohshititsfenharel​​ @fairy-witch-bitch @portents​​ @alreadybroken-ts​​ @books-livre @missymurphy1985 @lovemissyhoneybee​ @theshelbyclan​ @highgardenrosexx @dolllol2405
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lordstormageddidnt · 1 year
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The funniest part of being aroace and an enjoyer/writer of romance is that I have to take certain things at face value because I literally have no way of knowing.
Do crushes really make you run red lights? Who's to say? Not me
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jackbatchelor3 · 7 months
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youtube
"No kids, thrills, or spills." - Ben Mitchell
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for my walfie warriors and swifties, ilysm <3
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noratilney · 3 months
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Call the Midwife OC Masterlist (wip)
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Julia Lennon
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Full Name: Julia Frances Lennon
Nickname(s): Jule, Lennon
Face Claim: Lili Reinhart
Fic Title: TBD
Series: 3-?
Status: Midwife
Love Interest: Trixie Franklin
Connections: Jenny Lee (fellow midwife), Trixie Franklin (fellow midwife), Cynthia Miller (fellow midwife), Chummy Noakes (fellow midwife)
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Evelyn Allen
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Full Name: Evelyn Marjorie Allen
Nickname(s): Eve
Face Claim: Shannon Purser
Fic Title: TBD
Series: 3-?
Status: Midwife
Love Interest: Cynthia Miller
Connections: Jenny Lee (fellow midwife), Trixie Franklin (fellow midwife), Cynthia Miller (fellow midwife), Chummy Noakes (fellow midwife)
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Ella Garland
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Full Name: Helen Bertha Garland
Nickname(s): Ella
Face Claim: Madelaine Petsch
Fic Title: TBD
Series: 3-?
Status: Midwife
Love Interest: Sister Winifred
Connections: Jenny Lee (fellow midwife), Trixie Franklin (fellow midwife), Cynthia Miller (fellow midwife), Chummy Noakes (fellow midwife)
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Shanti Deshpande
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Full Name: Shanti Deshpande
Nickname(s):
Face Claim: Suhana Khan
Fic Title: TBD
Series: 13-?
Status: Midwife
Love Interest: Alfred Huntingdon, Viscount Beaumont
Connections: Beryl Bowling (fellow midwife), Trixie Franklin (fellow midwife), Naomi Jacobs (fellow midwife), Pauline Taylor (fellow midwife)
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Pauline Taylor
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Full Name: Pauline Christina Taylor
Face Claim: Erinn Westbrook
Fic Title: TBD
Series: 13-?
Status: Midwife
Love Interest:
Connections: Beryl Bowling (fellow midwife), Shanti Deshpande, Trixie Franklin (fellow midwife), Naomi Jacobs (fellow midwife)
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Beryl Bowling
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Full Name: Beryl Mary Bowling (née Alexander)
Face Claim: Tessa Thompson
Fic Title: TBD
Series: 13-?
Status: Nurse, Midwife
Love Interest:
Connections: June Bowling (daughter), George Bowling (husband, deceased), Shanti Deshpande, Trixie Franklin (fellow midwife), Naomi Jacobs (fellow midwife), Pauline Taylor (fellow midwife)
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Naomi Jacobs
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Full Name: Naomi Hannah Jacobs
Nickname(s): Nomi
Face Claim: Carey Mulligan
Fic Title: TBD
Series: 13-?
Status: Nurse, Midwife, Doctor-in-training
Love Interest: Timothy Turner
Connections: Beryl Bowling (fellow midwife), Shanti Deshpande, Trixie Franklin (fellow midwife), Pauline Taylor (fellow midwife)
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Vicky Shore
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Full Name: Victoria Grace Shore
Nickname(s): Vicky
Face Claim: Tuppence Middleton
Fic Title: TBD
Series: 10-?
Status: Trainee midwife
Love Interest:
Connections: Georgette Baines (fellow trainee), Nancy Corrigan (fellow trainee), Janice Cowan (fellow trainee), Caroline Gilchrist (fellow trainee), Alison Hopkiss (fellow trainee)
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Marian Beecham
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Full Name: Marian Jane Beecham (née Simmons)
Face Claim: Clare Calbraith
Fic Title: TBD
Series: 8/9-?
Love Interest: Valerie Dyer
Connections: Oliver Beecham (husband, deceased)
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Caroline Gilchrist
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Full Name: Caroline Matilda Louise Gilchrist
Nickname(s): Caddie, Caddie-Lou
Face Claim: Cara Theobald
Fic Title: TBD
Series: 10-?
Status: Trainee midwife
Love Interest:
Connections: Sister Julienne (great-aunt), Georgette Baines (fellow trainee), Nancy Corrigan (fellow trainee), Janice Cowan (fellow trainee), Alison Hopkiss (fellow trainee), Vicky Shore (fellow trainee)
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June Bowling
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Full Name: June Harriet Bowling
Nickname(s): Junie
Face Claim: Leah Jeffries
Fic Title: TBD
Series: 13-?
Love Interest: N/A
Connections: Beryl Bowling (mother), George Bowling (father, deceased)
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Alfred Huntingdon, Viscount Beaumont
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Full Name: Alfred Edmund Geoffrey Huntingdon, Viscount Beaumont
Nickname(s): Alfie
Face Claim: Tom Blyth
Fic Title: TBD
Series:
Love Interest: Shanti Deshpande
Connections:
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tspromo · 2 years
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˗ˏˋ In a post apocalyptic world there sits a small city deep in the Dead Frontier called, the Steppes. ࿐ྂ
Where New Mexico used to be now sits the Dead Frontier. It’s practically a wasteland now, cities are few and far between and everything is covered in dust. In the deepest parts of these dead lands is the Steppes, a decayed city struggling to rebuild and start over after the war. 
It’s home to the superhumans that are now majority on Earth as well as some humans that were generously spared. It’s far-removed and rough around the edges but it’s home, the residents of this city wouldn’t have it any other way.
⇢ ˗ˏˋ about steppes ࿐ྂ
Steppes is a semi-appless, OC friendly, skeleton city rpg. Members and characters 21+. Big on character and relationship development. Mature and triggering themes. Currently accepting and opening October 1st.
⇢ ˗ˏˋ wanted faces ࿐ྂ
sophie skeleton, henry golding, gemma chan, winona ryder, nat zang, evan mock, manny montana, alfie enoch, aja naomi king, aldis hodge, jeremy allen white, anya taylor joy, aslihan malbora, melisa asli pamuk, bill skarsgard, alexander skarsgard, sophia bush, josephine langford, jared padalecki, jensen ackles
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soranatus · 4 months
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Lois Lane’s Husband: Superman! By Alfie Taylor
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