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gotham-daydreams · 7 months

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Not Tonight

[Platonic! Yandere! Neglectful Batfam × Gender Neutral! Sibling Reader]

[Warnings: Mentions of Neglect, Reader generally not having a good time.]

(Not proofread. Not too much Yandere shown. Mostly angst with Reader. Set up(?))

2nd part here.

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How many times have you heard them say that? How many times have you tried to do something with them, to share your passion — or even just have some coffee with them, only to hear them say that phrase time and time again.

"Not tonight."

Well, what if you didn't ask them during the night? What if you asked them in the afternoon, or just when they were already up and about?

"Sorry! I can't right now, patrol reeeally kicked my ass last night. Besides, I have some other things that I have to get done, but maybe next time! For sure!"

Okay, right. That makes sense. Sometimes their line of work can be tough and draining, especially when someone is trying to run Gotham to the ground that night. So what if you just try to ask them when they aren't so busy? It may really limit the times you can ask... but you'd still try. Maybe it could also help if you asked for smaller things, like if they'd just like to spend a little time with you before going out again, or if you could just hang around them for a while? Nothing big, and anything was fine. Even if it was just sitting next to them, and having some small talk. Or maybe just the sitting part if talking was too much.

You'd take anything at all.

"I'm actually heading out right now, so I can't stick around. Go ask someone else."

"Can't you see that I already have enough compang with Titus here? Go bother Drake or something, I don't care."

All you could hear was snores past the door when you went to ask. So you moved onto someone else, hoping for a yes as your heart began to squeeze.

Someone had to agree eventually, right?

You begged the Gods as you traveled down the long halls. The chills of reality creeping up on you.

"Sorry, I'm going out to hang with some friends, but maybe next time!"

"..." She just looked at you before shaking her head, and taking her leave.

"I've got something to do at the moment, sorry, but hey, maybe you could ask your old man? Oh! Or maybe Alfred. That's a good idea."

Dick was out in Bludhaven, and you didn't want to bother Barbara considering how bisy she must've been the other night. So, you had no other choice. You asked, heart bleeding from how hard it squeezed.

"Not now."

Simple, to the point, and sharp.

Bruce's words were as cold as ever, and yet the echo in the cave only seemed to make the gap between you and him feel so much bigger. Even as you just nodded, eyes pointed to the floor. Taking your leave with a soft sigh that barely escaped you.

The elevator ride was longer than you remembered. The cold chill in the air grew freezing even as you stepped out, and now stood in one of the many halls in the Wayne Manor. Portraits and pictures decorated the walls, their painted and photographed eyes staring at you. Their gaze far from soft, but at least it was present. At least they, in that way, felt present.

You swore the only times they ever smiled at you that wasn't faked, or just for the sake of appearances was in those paintings and photos. Honestly, it was also probably the most times they've even looked at you too, and as sad as it is — you did say you'd take anything, right?

A 'no' or 'maybe' was part of that anything, technically. It's just not what you were hoping for.

Sighing again, you stared up at one of the portraits, eyes shinging under the lights as everything you refused to say made itself so clear for a moment. You didn't want much, and never asked for more than what you were given. You didn't think so anyway.

You always followed the rules, you did more than just excel in all your classes no matter how hard it was for you to understand certain things, and you even tried to get into things your family seemed to enjoy without pushing too hard.

You studied up on all the pets Damian had so that you could not only care for them properly, but maybe even take care of them with him some day. You played games and read reviews on games you saw Tim play just for a chance that maybe you'd get the opportunity to play with him. You picked up boxing and have even been practicing your aim with an airsoft gun, and have also been going to certain place when you could to practice using real guns and learn about them just so you'd maybe be able to have a conversation with Jason, and even connect with him in some way. You even read nearly all the books in the library just to have a sliver of hope for something, anything.

You learned sign language in three different languages and tried to find out what Cassandra was interested in, just to have some kind of interaction with her. Even writing on small note cards in serval other languages in hopes she'd give some kind of response, even if you forgot to put your initials and such more than several times. You participated in gymnastics in hopes of getting closer to Dick. You tried to find out what Barbra was into so you could also hold up a conversation with her if given the chance. You've tried to match Stephen's energy and do things she likes and have even taken up material arts as a means to maybe be a little closer with everyone!

Yet it never seems like enough.

Your schedule was so packed and filled with activities and extra lessons of all kinds, just so that you could feel like you had something in common with someone in this family. So that, when given the chance, you'd be able to form a connection with one of them and your efforts and sacrifices wouldn't be in vain. Though that still had yet to happen.

You weren't even a vigilante as you tried to persue your own passion and dreams, and yet that one single thing seemed to be keeping you away from everyone else. The one thing you were unwilling to do for them just seemed to make the gap between you and the rest of the family grow bigger. They're constant and continuous dismissals only seemed to further that point.

Just... what were you doing wrong? Was you not being a vigilante and constantly putting yourself at risk every night really putting that much of a dent in your relationships? Did your dreams really get in the way of that? Just because you didn't want to put yourself in danger? Just because you wanted to pursue music instead?

You took up art despite not being super interested in it before. You've been reading all of your life. Your stretched, ran, exercised, cooked, cleaned, organized, sang, wrote, danced, and even sculpted. You picked up almost any hobby someone could have under the sun, even if it began to feel like a chore and a job to you, just so that you could have something, anything in common with this family.

Though now you've gone through countless 'hobbies', and dropped many more since nothing seemed to be working, it... it still didn't feel like enough. Like you had to be doing something more despite having lost countless hours of sleep, just to go through the list of hobbies you had written down that you had left to try. You even took up some sports you were somewhat interested in, and yet nothing clicked.

Though is that really surprising when no one noticed how many times you snuck out for lessons and practice, or how long you were out? When you'd even forget to return to the Manor sometimes, and anyone still had yet to notice you were even gone in the first place?

... You couldn't help the small chuckle that escaped you. It was broken in every way, and yet empty all the same. Maybe you were finally taking after Bruce, but you wouldn't get your hopes up.

You looked up at the painting as if it'd give you all the answers, and yet dismiss you at the same time. The disappointment you felt was normal to you at this point, but the aching pain that came after was always the hardest part. Yet you still stared at the painted faces as if they were your real family, and the people close to them. Looked at the calculated and skilled brush strokes as if they'd give you what your family couldn't. What they refused to give you at every twist and turn, no matter how much you tried to accommodate to them. To do things for them. To just feel worthy enough to stand by their side. To be closer to them.

Though in the end, it is only that. A painting. A well crafted piece that, no matter how skilled the artist, could never truly capture how distant and vague they felt when you were the one standing to the side. No matter how much experience the painter had, they'd never be able to express and show how this poor excuse of a family felt to you, because they were only like that around you.

Maybe you'd feel special if it didn't make you feel like you were wasting your life living like this...

Eventually, you were able to tear you eyes away from the painting. The moon beginning to rise as you were sure the Manor was becoming more empty than it usually was, as more of its visitors and residents left.

The painting itself was nice even if it was one of many that didn't include you, with the number of photographs without you in them being much higher. Honestly, it used to be one of your favorites despite how bittersweet you feel about it now.

You still remember that day, but that would be implying that you forgot the others.

Regardless, you managed to pull yourself away from the spot you had been stuck in for the few moments you were trapped inside your own head. You tried to make yourself feel a little better, and give yourself some reassurance that maybe tomorrow would be different some how, and if not? Perhaps the day after, and the day after that.

Yet it all failed as you passed by more and more memories. Some were events you had participated in, sure, but the pictures made it look like you were never there in the first place. Heartwarming moments littered the halls, but you only recall seeing them from a distance — or being aware that the moment had even happened only when you saw the picture be put up.

It was like the very universe was trying to send you a sign with your constant failures and your family's persistence, intentional or not, to keep you at a distance. You didn't even know if it was appropriate to refer to them as your 'family', and maybe it wasn't considering things, but you still weren't sure.

You had been fighting for a chance to talk with any of them about anything at all for the longest time, because you wanted to be a part of this family. You wanted to spend time with them and really give this 'new life' of yours a chance, but now that 'new' part of this life had worn off. It was hard and honestly more draining than it was rewarding at this point, but you still wanted to give it a try.

Sure, it had been years at this point and now you were just about to go into college, and when you had first arrived here you weren't even middle school, yet little to no progress had been made — you never gave up. You haven't given up. So maybe you could try for a little longer? Just... a little bit, not too much this time, and figure something out?

You almost felt a little sense of hope return to you, no matter how redundant and helpless this situation felt and seemed. Yet it all came crumbling down again when you passed by one of the rooms, and saw something taped to the door.

It was a flier for your performance. One that would be happening soon.

Since your siblings began to pay less and less attention to you as time went on, with your conversations with them growing even shorter, you opted to just tape fliers of your upcoming performances on their doors. Though only the performances you'd thought they'd enjoy, and just hoped that they would show up, if they wanted to, when you stepped onto that stage and approached the instrument you'd be playing for the evening.

You tried texting and other forms of communication at first, but those quickly stopped working and so you just opted for this, and of course it was just as effective as the others.

Alfred was really the only one who listened to your music when you performed, and you only knew that because you caught him playing one of the live performances you had done on the television one day. He not only going out of his way to record the performance, but also trying to find the channel it was broadcasted on.

Ever since you've tried to give him the correct channel number when you do live performances, but that still didn't feel like enough. You loved and appreciated Alfred from the depths of your heart and soul, but what would it take for one of your siblings or close family friends to notice you like that? What would it take for your supposed father to even care to listen to your music? To watch a performance? To not turn you away?

It was only in that moment did a new emotion fuel you. Crawling it's way up your spine as you carefully took the flier in your hands, looking it over before ripping it off the door.

This. This one small thing was all you wanted from them. Over everything else, you just wanted to see one of their faces, one time when you looked out to the crowd when you performed — but every single time, all you saw were strangers.

Every charity event, every gala, every party- that's all you were surrounded by, strangers. Even when you caught small glimpses of them, they were always doing something else, and completely off in a totally different world than your own. That distance along creating a large void-like gap between you and them, and yet it only ever continued to grow. Even when they stood next to you, it was like you couldn't be further apart.

The reality of everything was crushing. Near deadly as you could feel your chest and lungs tighten, with your fingers digging into the paper enough to tear it apart, and reaching your palms as they formed crescent moons, soon drawing blood. Yet nothing could compare to the weight of your heart, and how heavy it felt to carry in your chest.

As you finally moved on from the door, your mind raced. Memories and flashbacks filling your head as every word and notion flashed before your eyes. Barely even paying attention to where you were going, but not caring enough to pay attention.

Every dismissal and excuse thrown your way. Every head shake and blank look. Every confused look, and realization that you were standing there the entire time. Every birthday that passed with the same wish never being granted. Every celebration spent on your own. Every message left on read. Every note ignored. Every time you were forgotten. Every time you were left behind. Every time you brought yourself home, and every time they never noticed. Every night wasted, trying to come up with different things to do only for all of them to turn out fruitless. Everyday that 'maybe' never cones true. Every time you looked out to that sea of strangers, hoping to see someone you recognized, only to find none. Every hour you wasted trying to do something for them while they never once thought of you.

Maybe you'd cry if you could. Then again, maybe not.

You already had spent too many tears over failures you recovered and grew from, and hardships you faced and fought. You've already cried just a little too much during those night you just couldn't handle being so alone, in such a big place anymore. Besides, you've cried enough over people who've never once thought of you. Who never once tried to make time to even see one of your performances, or even allow you to spend a few minutes in their space.

You've given them enough, you think. Especially since after you spent years trying to just make it two thirds of the way — they couldn't even reach that one third of the gap you couldn't. They didn't even try, at least not anymore, and after you had tried to make it easy. Yet, you only hurt yourself in the end.

They never cared about you, and maybe they did once upon a time, but good does that do now when you're trying to go out of your way to make things convenient and easier for them, only for them to skip out on you anyway. No text, no call, no message, no indication, nothing. Just pure silence.

Maybe you were asking for too much, but was it really so bad to want to be loved? And by the people who are supposed to be your family no less?

Hah, who are you kidding at this point. You've just been living in a house full of strangers, and you're the only one who hasn't seen it yet. They've already long since cast you out, and it's only now have you come to truly realize it.

Especially now, as you stand in front of the foot of the door to the music room. Staring at the knob as if it'll turn itself.

You weren't surprised, honestly. Playing music had quickly become an amazing outlet for you, and you had always come here to seek out what little your family couldn't give you; comfort. So it was no wonder that as you collapsed mentally, you had subconsciously brought yourself here.

And yet, only one thought entered your head in that moment.

'They don't deserve to hear my music.'

Perhaps it was now that you decided they had lost the privilege to do so. After all, ever since you had started having performances, even ones in front of wealthy crowds, your 'family' had seemingly been avoiding them like the plague. Never daring to even attend one, for whatever reason, and sure you could understand why they didn't attend the ones you performed at night — but they couldn't use that excuse anymore. You have strictly been playing during the after noon, and at sunset at a push, for over three years now. You've been playing in front of crowds and releasing music for four.

So, you turned away, walking off to your room as your thoughts still stormed. Anger fueling you as you barely remembered storming into your room, collecting any valuables and belongings you had and stuffing them into a bag or two. Not caring about clothes, and only what you deemed important and meaningful to yourself as you just grabbed and shoved everything into a bag if you could.

You could clearly tell now that you obviously weren't wanted, and that no one here even wanted to do the smallest things with you. That even asking to just spend a few minutes with them was too much. So you were doing the only sensible thing, and getting the hell out of here. Moving so quickly that your breathing became uneven, but you didn't stop until you had packed everything you needed, or was important to you in some way.

You only really had a second thought about all this when you were at your window, just about ready to jump out until you paused for a second.

Looking back at the door to your room, you couldn't help but hesitate. There was only ever one person in this entire Manor who treated you like family, and actually put in effort to not only be with you, but to indulge themself in your passion. That met you at the half way mark, and even went a little over sometimes. Since even if everyone else had ignored you — Alfed was there, even if despite all of his efforts you still couldn’t handle this, and maybe that was also your own fault in some way.

You still didn't want to stay, you couldn't anymore, but shouldn't you at least say goodbye? Maybe? After everything... at least he tried.

...

You settled for second best.

Quickly, you grabbed a flashcard and wrote down something before pocketing it and moving back to the window. You may not have any equipment for this kind of thing, but you still managed to scale and work your way around the wall, and managed to reach the window to Alfred's room.

You took a little peak inside, and when you saw that he wasn't there, you opened up the window just a bit, place the small note on the windowsill, and closed it. Then, you skillfully and carefully made your way down, and snuck off to Gotham City. Making your way to a friend's place as you crashed there for the night.

Never once did you look back.

Nor did you ever feel inclined to.

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Later that night, when Alfred read the note, all it said was:

I'm sorry, Alfed. - Y/n

Just with that alone, it was like he understood everything despite the little that was said. All he could wish you was luck, and that you'd be safe wherever you went.

Suddenly, just like that. The nights where melodies would lull the residence of the Manor to sleep, and bring a temporary, mellow peace to all who heard such a tune, were long gone...

Guess they'll just have to find it, and bring it back.

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Kind of rushed at the end there, hope it isn't too bad for a first post. There's probably a lot of mistakes, so apologies for that.

#this was all written in one go #so that's fun #more angst than anything honestly #not really any yan but it is supposed to be for yan stuff #platonic yandere batfam #yandere batfam #yandere dc #yandere x gn reader #gn reader #platonic yandere #neglected reader #sibling reader #reader tries too hard and does their best but finds out it isn't enough #some things just aren't meant to be #but that doesn't mean they get to run around scott free either

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confessedlyfannish · 15 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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