I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
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He really did go from being so nice to being... this. Huh. Oh, teenage boys. You really do hurt the people you care about because you can't stand what you see happening.
And then turning the entire class against him again and again.
He's just this tiny boy who thought he found a friend and lost everything and instead found himself bullied and harassed into suicide by the first person he ever thought saw him and liked him.
Takashi only thought he could have a friend. And in the end he lost every single thing instead because someone else made a mistake and because everyone believed that he did something he didn't do, because everyone believed in A-kun who had campaigned against Takashi even though all that Takashi ever did was want to be his friend.
And so two young lives were lost because the world went wrong, because they couldn't talk, because they hurt each other and the world and a mistake and a choice and, oh, it definitely hurts that there are things that can never have closure, things that can never be seen to the end, things and people that will never forgive or be forgiven or be understood at all.
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listen i get where people are coming from when they say that nobody should have expected a radical overhaul of the shinobi system considering the series very squarely set up its main theme as not abandoning friends. that certainly was the setup. but i also think it would be inaccurate to say that the story as it evolved affirmed that refusing to abandon one's friends was the be-all and end-all fix for everything. i cannot emphasize this enough: it's not as though the prior generations we saw lacked devotion to their teammates. the problem was that the larger sociopolitical circumstances obstructed their ability to connect in one way or another. even naruto acknowledges at the land of iron that his and sasuke's positions made it impossible for them to reconcile. so for the series to do a 180 and assert that actually friendship was the solution all along (even though there have been no meaningful systemic changes, even though the source of these intergenerational conflicts has not been addressed) rings hollow. it's especially glaring that being violently beaten in a fight makes sasuke desert his quest for justice without any reservation -- therefore no ideological or political separation was bridged, sasuke was just made to forget what motivated him for the entire series' run. naruto and team 7 succeeding where their predecessors failed was not a function of anything they did differently, but mere narrative convenience.
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hiiii! have you considered releasing tradewinds as a single purchase through a site like gumroad?
Hi anon!
So the reason Tradewinds was shelved and not published like 8 years ago, is because I couldn't find an Aboriginal sensitivity reader willing to read m/m with disturbing themes. I had sensitivity readers for the other side of things (like Matan and his heritage), but I kept either not finding anyone, or the one person I found took my $200 USD deposit and vanished and never spoke to me / responded to any of my emails.
As a result, I was uncomfortable distributing it anywhere broadly, even though I was relatively confident the novel isn't offensive, because I just don't know 100%.
I am a lot more confident releasing it via subscription as an exclusive novel, because the people who pay for subscription are often folks who are a) already used to my style of writing and b) generally know what to expect from me, vs. cold audiences who don't. I'm kind of kicking myself that I didn't realise that Tradewinds would make a great exclusive/paywalled release for subscription, because it means it's only ever going to find a very narrow bandwidth of readers.
Basically if I could release it for single purchase - as basically an ebook - I would have released it like 8 years ago, anon. And the reason I have actually released it this specific way is down to the fact that I'm just not really confident offering it for broader distribution.
That might change one day, if I happen to stumble across a sensitivity reader who is okay with my style of writing, who is reputable + has references (i.e. so I know I won't lose a fair chunk of money in the process, because that burned me pretty badly, not gonna lie). But until then, having Tradewinds be limited is the only way I'm comfortable releasing it at all.
Folks are more than welcome to sign up for one month, download the book (and read any other early access they want) and then leave. They can even just put 'I only wanted one thing and now I have it' in the exit survey so I know what they were there for if they want. Then it's still a single purchase (with some early access extras), and they still access the downloadable file. :)
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male writers are bad
I don't think all male writers are bad, but the Loki writers room would have definitely benefited from some female writers for S2.
They clearly didn't know what to do with Sylvie or the relationship between her and Loki which was the heart of S1. That was completely pushed to the background and most of the romance was only in subtext rather than at the forefront. I do wonder if part of the reason was because of all the backlash from S1?? If so it really sucks that pressure from a small group of very vocal and online people can alter the story they're telling. But it wouldn't surprise me if that was the case (I mean look at what happened with the Star Wars sequels).
It seems like a common thing lately especially among male writers to have stories end in tragedy but be framed as happy and hopeful. The main character makes some sort of grand sacrifice resulting in self isolation and/or death. It can be a very powerful trope and be done well, but its just frustrating that seems to be only kinds of endings we're getting these days.
Where are all the happy endings? Why does every romance end with them separated or one of them dead?
I'm just tired.
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