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pouletpourri · 6 months

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more of that "kaufmo didn't get abstracted" AU

#also shotout to @fridaycorvids for having the most amazing tags ily <3 #the amazing digital circus #my art #tadc #tadc pomni #tadc kaufmo #tadc fanart #tadc gloinks #gloinks #fanart #kaufmo #pomni #still brainstorming a name for this au #kaufmo didn't get abstracted?#idk #they're all i think about lately

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ruporas · 25 days

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dragon meat, you, and me

#marcille donato #falin touden #farcille #dungeon meshi #delicious in dungeon #tw blood #tw body horror #tw gore #as a normal farcille fan this revival has been on my mind since i first read it and getting to watch it is like yippee!!#like messy revivals are everything - the consequences that will haunt u for the rest of the time they are alive #the initial hopeful moments where it all seemed well but quickly descend to That not being the case - losing not only the bit of evidence #evidence that your dream may work out but also someone you deeply care about in the process… marcille my Beloved #ofc wholly thruout the journey - at the forefront of it - getting falin back was the most crucial point but so wuickly :(( it was lost #on the other end its crazy to think about the compoments of falin now - human - dragon (dungeon) - marcille’s magic and desperation #the food the crew cooked (digested) - she is made of many parts!!#also i did not realize how medical it feels to draw smth like this. i dont usually explore the inner parts or use a lot of blood #in my work so rendering everything and looking up refs it felt quite magical (?)#ruporas art

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acidgirl · 1 year

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#if one more person tries to act like netflix sending a mediocre band to a picket line as a form of retaliation #is an actual thing that could happen i will kill you #also if you guys can’t handle a little jab at one of the most milquetoast pop bands of the current era #iiiiiiii don’t think you’re ready for this website or the internet in general #just because somsone does good stuff does not mean i have to like their stuff

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eefaevie · 3 months

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parce qu'on s'est crié des mots qui ont sali tous nos plus beaux dessins, on a hurlé des chaudières d'encre noire sur le bonheur

j'expose ma tête, mes yeux, mon cœur et mes mains

si tu reviens

something quiet, gentle, and romantic for today. I’ve been assured it’s suggestive enough for @goodomensafterdark ‘s smut war, so enjoy this soft interlude with suggestive tummy ❤️

#good omens #good omens after dark #goad #goad smut war #aziraphale #crowley #aziracrow #ineffable husbands #quiet gentle and romantic #kinda smut light #an amuse bouche if you will #I think normal people call that foreplay #also sorry about french lyrics but french songs have some of the most dramatic pining

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coolerdracula · 17 days

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saying “visual style" because, for example, if you would swap your current wardrobe for an identical, ethically made counterpart, there would be no visible change

#bearer of the curse #polls #I said a lot bc I don't wear a lot of what I enjoy due to sensory stuff and also like ... ethical considerations #btw I made this post bc I really don't like how some people think that people 'dress boring' simply bc theyre boring #like. fashion is not as accessible as it should be! to most people!#so i wanted to see how people felt #also fat people I love you I know a massive part of this inaccessibility is fatphobia in the fashion industry

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chloesimaginationthings · 1 month

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FNAF puppet and Michael Afton got beef,,

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captainjonnitkessler · 4 months

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Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?

You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?

#those 'monday is a general strike stay home if you can!!!' posts are SO performative and they really annoy me #like. you MUST know you can't organize a general strike of tens of millions of people by sharing an infographic on twitter. Right?#don't even get me started on the most recent one that was like 'we understand the last strike only gave one day of notice'#'so this time we're giving you two! strike is on tuesday everyone don't forget!'#like GENUINELY was that supposed to be a joke #the linked article also touches on how difficult actual organizing a workplace is which is nice #because they mention previous failed attempts in which organizers basically just handed out leaflets #and assumed the benefits would be obvious. which i think is basically the equivalent of posting an infographic on twitter #which is to say - not effective at all. Organizing is a LOT of work! Running an effective union even more so!#labor rights

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inkskinned · 7 months

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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

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thedreadvampy · 1 year

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people seriously pretending EEAAO is overrated suddenly bc it swept awards? it swept awards largely because it is very very very good. I cried like someone who's just had a religious revelation BOTH times I watched it bc it touched something raw and real and beautiful but it was also just very, very funny. everyone's performance kills and the concept is creative and interesting and doesn't distract from the emotional core. you guys are just contrarian.

#red said #also there are posts and tweets like THIS IS JUST FOR MCU FANS #like please go on demonstrating how you've adopted 'mcu fan' as a shorthand for 'person who likes films i don't'#or 'person who likes films that are popular'#because the defining features of mcu films are that they're high budget irony poisoned derivative works #targeted at a broad audience so aiming to be accessible and inoffensive #and it really seems. like 'accessible' is the part of that you object to #bc EEAAO is a highly original A24 indie film with a 14.5m budget which is NOTHING #it's made mostly with practical effects and sets #and most importantly it's beautifully painfully earnest. it's never trying to shy away or go Hey Look How Silly This Is 😏#everything is driven by its earnest desire to talk about specific themes #i think the people comparing it negatively to mcu films are stuck on the fact that it's about a multiverse and it's got jokes #and colourful action scenes #but they miss that the referential jokes (like racacoonie) and setpieces aren't the point of the film

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tooquirkytolose · 14 days

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~The Most Beautiful Woman in The World~

Download on itch.io for extra content!

#my art #comic #it's about how when you love someone you think theyre the most beautiful person to exist!!!#it's also about me drawing a man in the sluttiest little miniskirt imaginable-who said that #i tried throwing hints throughout the story that yes the gods are doing the equivalent of making two dolls kiss #anyways hope u like it i know its quite long for a tumblr post teehee woops

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peaceandlove26 · 18 days

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my scary and twisted headcanons

#not super consistent but these are just what i’ve been defaulting to in my head these days #also when i posted this on instagram i forgot to include that rainbow is ace so thats an exclusive tumblr headcanon #mlp #i think my eye color hcs are the most consistent hcs i have for the m6 by far

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whetstonefires · 11 months

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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.