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#also hi kingpin
daftpatience · 10 months
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more of my spidersona cus ive been in a mood
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daily-hanamura · 7 months
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#persona 4#p4#persona 4 golden#p4g#yosuke hanamura#hanamura yosuke#but he certainly does it with a lot of consistency and i love that so much#yosuke's not the first person to always include nanako#it makes me extremely soft because i feel like yosuke tries to be inclusive with his friends he doesnt want anyone to feel left out#we see it especially in his interactions with the first years and teddie#on some level he knows that the others are less willing to put themselves out there#thinking about the beach outing where kanji says that he would not have gone yo the beach if it wasnt for yosuke's invitation#anyway in this particular instance I'm just very very weak for yosuke looking out for nanako as well#i mean nanako is super cute (and i say that as someone who doesnt really like kids or kid characters) and everyone loves her (as they should#so in a way yosuke keeping her included is not surprising#but on some level its also just... yosuke being considerate of yu#i mean look at yu's title of siscon kingpin of steel in arena - yu cares very much for nanako#so by extension yosuke does as well#also on a more delulu lvl in p4d rise says she'll give nanako priv dance lessons#because it'll just be her yu and nanako and WOW isnt that just like... (giggles) - rises hilarious transparency aside#isnt that exactly what yosuke has with yu and nanako?#ngl im lowkey thinking about romcom single parent troupes and yosuke is just ticking all the boxes#ok ok im jking (im not)#he's good with his queue
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twilight-deviant · 6 months
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Love universes where Matt Murdock is a killer who works/worked for Fisk. Love that for me.
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jyrinestories08 · 4 months
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Instead of just bringing other older characters from the MCU like kingpin, kate bishop, ant-man, daredevil for the mcu spider-man college storyline
Why not just give us characters that we haven’t seen yet in the MCU like gwen, harry, felicia or even a mcu version of norman osborn
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If you people are going to say is “but he already fought green goblin in smnwh”, the reason why i want to see a mcu norman osborn is just to see how peter would interact to a guy that he hates so much and i want to see him as the main bad guy for the arc so peter can feel gaslighted by harry since harry is his best friend and he doesn’t want to say that he’s spider-man or saying that norman is a bad guy
And also…why not make a romantic subplot between felicia hardy who is in her teen college years and peter would somehow have feelings for her and move on with mj
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“But he loves mj so much”
I feel like he has to move on already for her since that he’s in a different school already, he moves on the stark stuff, happy doesn’t even know him anymore, aunt may died, his best friend and girlfriend doesn’t even know him anymore and so he is now in a new life, no stark tech, no wealthy home, just a life where it’s hard but you can make it better
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acorrespondence · 7 months
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@freekicks Oh man I have lots; so many that I’m making this a new post so I don’t clog up that poor person’s replies with 50 messages, haha! Basically, it’s an expansion on the idea that everyone has headcanons/canon details that are absolutely integral to their enjoyment of the story and any transformative works based on it (hard), and headcanons/canon details that they’re fond of but could still get pretty much unaltered enjoyment out of a fic that contradicts them (soft). Obviously all these are just opinions and what I get out of the story isn’t and shouldn’t have to be the same as what anyone else gets out of it.
One thing that sort of falls in the middle of the headcanon/canon divide is Raylan’s age when his mother died. The show contradicts itself on this point several times, and so it’s sort of fungible. I personally find the idea that Raylan’s mother died when he was very young, like younger than Loretta, while it may serve the parallels between them, to be much less compelling than the idea that she died later. It’s just so much more… boring for a character whose mother died when he was ten or so to have a gross misrepresentation of who she was as a person in his mental image of her. It’s much more compelling to me if he held onto that despite direct evidence to the contrary that he was old enough to understand. Of course he’d forget the hatchet story if it happened when he was eight. If it happened when he was eighteen, that opens up a much realer possibility that he just straight up repressed it, which is fascinating. Also, I don’t think it makes sense if he grew up with Helen in the house for the second half of his life there. To me that doesn’t really jive with their current relationship. (And on a less story-driven note, I am fascinated by the idea that, if Raylan’s mother died when he was thirty, he might not have attended her funeral. Because part of him knew it would challenge the version of her he had to remember in order to maintain his black and white perception of the world.)
Obviously, the mine and what it represents is a necessary component (though the time and place less so—my Old Guard au places them in the miners’ strikes of the 30s, and I’ve read a wonderful fic where the mine in question was on a different planet entirely. However, it does have to be placed in Harlan, or whatever approximation of Harlan fits the broader setting). The boys and their relationships with their daddies is another nonnegotiable for me. Specifically, the way they grew up; different times and causes of death for Bo and Arlo can work just as well. If Raylan and Boyd don’t meet until they’re established adults, that immediately kills my interest. Their rich history is so integral to why I’m drawn to the ship in the first place. It’s a hard sell for me to have Boyd leave or Raylan stay directly after the mine, but I’ve been known to make an exception if the story is compelling enough and doesn’t sacrifice characterization.
I think Boyd’s criminal history is important, though the nature of it less so. And even more important is the fact that Boyd never really makes it big as a criminal—making him some kind of fief lord of crime makes him much less interesting to me. His plans only succeed inasmuch as he always manages to survive their unraveling. I think it’s important that he’s spent time incarcerated. I’m not a huge fan of stories where they meet again outside of Harlan and never go back, it takes away the central tension between them and the place that made them that Raylan so struggles with and Boyd embraces so wholly, which for me is a really interesting part of their relationship, this dichotomy. I also don’t care for stories that give them a ton of good friends outside each other, or casual friends who actually know them and hang out with them—they’re too big of assholes for that. Of course, this doesn’t include the characters they’re close with in canon; I love Raylan and Rachel’s friendship, in particular, and their understanding of each other despite their vast superficial differences is fascinating. I guess I should say instead that I don’t buy either of them having typical friendships, period. They’re just too weird and fucked up for that. They trauma bonded at nineteen and it continues to be one of the most important relationships in either of their lives. Winona puts up with Raylan’s relational weirdness for love; no one is doing that for their drinking buddy. So they may have close friendships, but they don’t look the way you’d expect.
I’d never make their relationship uncomplicatedly sweet and unfraught, or sand down the kind of feral edges of it, and I don’t think they’d be much for traditional PDA—I just love the way in canon the physical (and otherwise) manifestations of their intimacy are so outside of what’s expected from buddies OR lovers. In the same vein, I don’t love it when Raylan goes crazy with the terms of endearment, because he doesn’t use them much with his love interests in canon. I have him use them with the girls in heavy heart more as verbal tics he picked up after spending too much time around Boyd, who LOVES to use them, plus I think he models at least some of his displays of parental affection after Helen, who canonically calls him “honey”. I’m fine with Boyd throwing endearments around liberally; I just don’t do it in my own fics because I love the way in canon he twists Raylan’s name itself into almost an endearment. He just can’t stop saying it every other sentence, so why would he give up the chance to say it by replacing it with another word? Plus, it fits in with how weird they are about each other in general.
More broadly, I have never really enjoyed full aus (based on any story) that don’t try to approximate at least the broader beats of place and history from canon, but I really really love stories that manage it. I respect authors who can sort of map canon onto a completely different stage, like the space au mentioned above, so much. I hope that I manage that at least somewhat with catching bullets.
That’s all the big ones I can think of at the moment, though I’m sure there’s more I’ve forgotten (most of the rest fall more under ic-ness vs ooc-ness, which is harder to articulate; “what makes them themselves?” is a much more difficult question). Ultimately, I think probably a lot of these come across through cross-referencing both of my WIPs—basically, if it shows up in both, there’s a very good chance it’s a nonnegotiable for me, and if it changes between the two, then I can obviously live without it.
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xycuro-illuminati · 8 months
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I miss Matt wearing silly and or actual disguises all the time back in vol 1 he was legit the Spy from team fortress 2. He would be putting on a wig and hat and be like "If Foggy finds out that I can shapeshift he is going to tell the church."
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iwasbored777 · 1 year
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Until I get some ML content I don't have much to post but I have to cuz I won't shut up and since I'm obsessed with Spider-Verse again I will rank all characters in the film from best to worst:
10. I
9. Can't
8. Find
7. A single
6. Bad character
5. Cuz
4. They're
3. All
2. Brilliant
1. Kingpin
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hollowsart · 1 year
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I got some smoochies for Kingpin if he wants'em. I've seen the other rouges get a lot of affection, so I feel like it's only fair.
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I MEAN.
If you wanna go for it, I ain't gonna hold you back from smooching the big guy Lol
Everyone deserves a bit of love, even big evil kingpins of crime.
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macbethvsromeo · 11 months
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despite the validity in the statement that Miles himself is an anomaly, would he even be the original?
like, Miguel said that the spider that bit him was supposed to go to someone else in another universe and that there’s a world without a Spider-Man bc it went to him instead but like
by his logic, everything that happened before Miles’ bite was so far “canon”. what’s included in this canon is the fact that the spider was brought over by Alchemax (by the Spot), way before Miles got bit
and there was already a Spider-Man in universe so my lil half-assed theory is that Earth-1610 (Miles universe) is in itself an anomaly, instead of just Miles.
coz yeah, if the spider hadn’t bit Miles, Earth-1610 Peter would still be alive and had stopped the collider BUT the spider had already been brought over by that time so it still would’ve gone to someone, even if it wasn’t Miles.
idk if any other Alchemax got as far as Earth-1610’s did but that was also bc of Kingpin so 🤷‍♀️
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transgender-catboy · 7 months
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Nothin makes me sadder than this, ya know? He was just a kid when he got bit
He was just a kid when he saw the hero of his city die brutally
He was just a kid when he had to take in that role of hero by himself
He was just kid when he watched his uncle die
And he was a kid when he felt betrayed by his friends, left in another dimension with the ghost of his uncle and a warped version of himself, and ultimately, alone.
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july-19th-club · 6 months
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the thing about breaking bad is that it opens with the suggestion that marie is the most annoying member of the family but it very quickly becomes clear that she's only so annoying because she's surrounded by complete assholes at literally all times
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twilight-deviant · 2 years
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“Some get more than they deserve.”
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okayomen · 10 months
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both the spiderverse villains scratch a huge itch for me
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misfits-of-zaun · 1 year
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❛  you look like you could use a hand with that.  ❜
Ekko went very still.
S h i t.
He was here.
And despite all his furious struggling, Ekko's leg was still stuck under the rebar.
Shit, shit, shit -!
With the dreadful realisation that he was trapped, The Firelight leader snapped his attention to his approaching enemy. He was deeply grateful for the stoic inscrutabillity of his mask. It hid his wide eyes, how frightened and panicked he truly was. What the hell was Silco doing here? This was supposed to have been just a regular Shimmer shipment raid. Things weren't supposed to have gone this badly wrong. Had he fallen for some kind of trap?
Stall for time.
The others would regroup and come for him. They were probably already looking.
Ekko started patting down his pockets as though he was looking for something, reached into one of them as if he'd found what he was looking for, and then drew out his middle finger.
"You look like your makeup needs redoing," he retorted, relying on the distortion of his mask's voice-changer to obscure his breathless anxiety. The blackened, scarred flesh bleeding through the smudged human facade, in combination with that infernal unblinking eye, made his enemy look even more monstrous up close - like a creature the depths had chewed up and spat back out.
Fuck, I'm so screwed.
@saviourofzaun
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the-l-spacer · 1 year
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chip zdarsky get better at writing characters challenge
Seriously tho the way his daredevil run likes introducing cool story ideas that have the potential for really fun character dynamics and then just. not pay that off. and just in general pretend characters have Deep and Meaningful relationships when said relationships were completely unexplored in his writing
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shokuto · 2 years
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A really underrated aspect of Spider-Man's origin is the search for Uncle Ben's killer. There's a small window of time where it looks like he's going to kill this man who murdered his father when he finds him. There's a spider on his back whispering "get him" and he's listening.
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