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#also i am rambling sorry
bizarrelittlemew · 26 days
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i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us
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nell0-0 · 1 month
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Mask will let the captain have this. Just this once. It wasn't just once.
Poor Mask kept falling to the ground. Luckily for him, either the captain or Tune are there to catch him
A continuation of THIS
Fun fact I didn't know until I started researching for this: apparently when someone looses an eye, it's possible that the other eye adapts. This is not good in the beginning as the remaining eye stops working for a while (???!). While long term it's not as noticeable (just less field of vision and some problems with depth perception sometimes) it's, uh... interesting :,D
Correct me if I'm wrong about this tho. I did my research, but sometimes there's misinformation out there so don't trust it 100% without checking it first.
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caelanglang · 1 year
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injury recovery…
*break an arm or two out there kids!*
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Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:
A house is a place with four walls and a floor,
with a ceiling above and a lovely front door.
There's a bed to cradle you safely at night,
and windows to bring in the morning sunlight.
Your house is a mirror of just who you are,
A reflection that tells you to never stray far.
Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).
ohhhh this. i like this...
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bonus og sketch! big ol eyes...
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& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!
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creed-of-cats · 5 months
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Anyone ever think about how Terry is essentially a failsafe.
He is the worst case scenario. He is the embodiment of the and? At the end of both happy endings and tragedies. He would not exist as Batman if not only Bruce, but the entirety of the batfamily hadn't failed. He would not exist as Batman if Bruce didn't find the last dredge of hope inside him and dragged himself out of the pit he created.
Terry isn't in most universes as Batman because most don't need him. Most have one of the bat kids step up as Batman and the head of the company. He is irrelevant in most. But in at least one, things go wrong, and begins a chain reaction that ends with Terry's father dead on the floor, and a Gotham empty of anyone to turn to, so Terry has to do it his damn self.
While I think Terry does genuinely want to be Batman, I think something else drives his stalwart position. He grew up in a Gotham without heroes, and where the main company decided to suck the city down with it. Everytime anybody ask him to give up the cowl, they are asking for a lot more then just him not wearing the suit. Who else is there? We love Barabara but there must be enough of a conception about her police force that Terry doesn't even considering going to them out of fear of corruption. Who else is there? Nobody. And I don't think he wants to risk that again.
It must be lonely, to be an entire city's last and final chance. To be the universe's attempt at damage control.
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yea-baiyi · 1 year
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i keep thinking about the odyssey i am THINKING about wei wuxian as odysseus. you were dead. its been years since you’ve seen your family. the child you left behind is almost a man. you wear a face they don’t recognise, you sneak in through the back door. the dog gives your identity away. the world knows it’s you when you draw your weapon. the person you love recognises you by the original symbol of your love—a secret that no one else in the world knows about, still, because they kept it safe for all these years. you get the chance to go back and despite everything, you found home waiting for you; he kept your place and raised your son and he was still there waiting for you when you got back. tell me o muse, about a complicated man i am extremely not okay
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sophsicle · 6 months
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kyd chapter 28 sneak
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mad-c1oud · 3 months
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thinking about the Charlie's birthday stream. not the ending, no, we think about that too much. no I think about everything else:
the happiness, the joy, the warmth of it all for nearly two full hours
the lack of mob spawns that night because it’s Charlie's birthday and he has eggs with him. how intentional it is. how funny it is and how sad it makes me because its so considerate
thinking about Tallulah by Charlie's side the whole time, diligently leading him from item to item as his little "guardian angel". Charlie trying to be a good tio and falling a little short sometimes, accidentally leaving Tallulah behind when she crashes but still trying cause that’s his sobrina. how she has to actually hit him to get his attention and how bad she must feel but it's so fucking funny each time
(how can anyone blame him when he never gets to hang out with the eggs enough to know he should wait for her? Charlie had Juanaflippa for what- 10 days? and was practically shunned by several others and himself from interacting with other eggs after his action, which is understandable, but only for so long. can they not see how he plays with the eggs? hear how soft his voice gets around them? don't the other islanders understand?)
this is maybe the longest he's gotten to hang out with tallulah since he got his backpack. Wilbur is his best friend and this was the egg he left behind. He's still learning and Tallulah still loves him despite it. Two people missing someone dearly, yet they have each other even if it's hard to realize
thinking about "Maybe Tallulah, you were the gift. I think you're the gift, Tallulah."
thinking about Richas, his nephew because Charlie has Mike, an actual brother that is equally excited to see him time and time again. A nephew coming around with the slime head and slime balls, like a mini Charlie, who is decked out in a full ghillie suit. Charlie who plays with the egg, pretending to be a spooky monster and richas playing along and getting scared
thinking about Charlie not knowing how to use the ghillie suit properly so he's still clearly visible to the eggs, yet they act like he isn't for his sake. shepherding him around from place to place because charlie is a little clueless yeah (he's in exile, go easy on him), but they are patient and happy to "tag along" and let him lead
thinking about them all taking a picture with him in the school, charlie wanting one with both of them, something to remember the day by.
thinking about how charlie is clearly loved by the eggs, his huevos, and how he clearly loves them back and is trying to be better for them even if he struggles so much
thinking about Charlie Slimecicle on his birthday, for once happy after everything he's been through, Tallulah and Richarlyson by his side
just him, his sobrina, and his nephew on a little scavenger hunt under the stars while the rest of the server remains quiet and calm. asleep while they remain lively
just them
happy
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stressfulsloth · 9 months
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Thinking about Disco Elysium and stars. Something about communal experience and simultaneous isolation, hope and idealism, fear and beauty and terror and burning. The inherent horror in the vast romantic starscape of the sky, the melancholy and loneliness inherent in the untold distance, a communal experience of something too enormous to fathom. Stars bear witness to humanity, to the millions of tiny people crawling on the face of Elysium. They watch the people, and the people watch back, and make up stories about the stars. Stars symbolise love, hope, something unreachable and unattainable.
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The way that the light of the stars reaches every single being in Elysium, from human to phasmid, but no matter how far it reaches it is still a cold and distant glow, always on the verge of going out. A moral brilliance, a holy light to strive towards, something always at risk of burning out, but there's a dichotomy too. A duality between the stars as brutal unfeeling observers, moralists even, like the aerostatics flying overhead, tiny dying lights that watch impassively over every terrible thing in the world, and the flipside; stars as the burning kernels of hope, furious burning flames that parallel Harry and his golden-orange forest fire nature. Stars as the light of communism, the star-and-antlers. They're hope and dreams- a million years in the stars. Rockstars and superstars. The light of a brighter future (however short-term that future might be) coming towards them at the end of the tunnel. It makes me think of Sacred and Terrible Air and the light pollution in Vassa- ending light pollution as the world ends. "You may laugh at this, but in the evening, when the big world in the distance swells into a bloody maelstrom, families come out into the street in Vaasa and are insignificant together. Only distant explosions disturb the deep peace of the winter night, its flawless starry sky. Everyone watches, heads tilted back." The stars are a shared experience. Something that everyone watches, insignificant together, when there's nothing more that can be done. Light in the face of darkness, community in the face of inevitability. Togetherness. The stars are there in the church with the ravers. They're there watching Harry and Kim together. Insignificant together. In dark times, should the stars also go out?
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chiricat · 1 year
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happy cat day🎉
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Well, that was a much bigger shitstorm than I had been expecting.
First of all, kid's ok, they just kept him over night because he's so young and concussions are a bit more of a risk, especially given his extensive medical history. Thankfully though, he seems to be on the mend, and he should be home by the time you Darlings are seeing this post.
As for why you're seeing this post, originally I was just meant to be playing emergency babysitter until the dad finished work and got home, but unfortunately he's just as big of a piece of shit as he usually is (Why they're still together and actively having more kids I have no idea) and decided that since someone was already with the kids, then instead of rushing home like he was asked to by his wife, he was going to make the best of it and go out drinking with his friends.
Both his wife and his elderly mother in law tried to contact him, but after the third set of calls, he turned off his phone. Not once did he ask who was with his kids, or how his injured son was, all he cared about was going out and drinking. (I sincerely hope she leaves his arse soon. Holy shit)
The mum did apologise to me repeatedly, but since their only living family is her elderly mother who is by no means capable of looking after five kids under the age of seven, she really didn't have a choice but to rely on me until her or her (shitty) husband could return home. And for obvious reasons, she couldn't exactly leave a four year old in the hospital by himself.
In the end, the "dad" didn't get home until about nine am this morning, stinking of grog, and I don't feel comfortable leaving them with him. I did quickly head back and grab a charger for my phone so that I could type this up, but since the youngest ones will be waking from their after feed nap soon, and the mum is still a way's off from getting back, I'm probably not going to have time to sort through my reblogs properly.
On a small positive note though, it does look like all my stuff is back now, so I should be able to go back to posting older reblogs tomorrow. For now, I'm just going to focus on the kids and then go back and crash into my own bed.
Thank you for your understanding and patience, Darling ones. Please remember to take care of yourselves 🖤
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aegagrusscholarship · 2 months
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familiarity, the lack thereof, and the only way it could have ended.
the thing is, ultrakill is a very diegetic game. near everything, from the style meter to the bottomless arsenal to the shitass graphics themselves, are explained in some way by some in-universe fact.
so, what with violence and the implication that V1 was designed to counter earthmovers
what with 7-4 and the fact that it is a culmination of this implication
i wonder. when V1 looked up at that earthmover, did it know, with whatever passes for instinct in a machine, exactly what to do? and if it did, then, how is this conveyed to the player?
diegetic as the game is, how does it engineer a situation in which the player, themselves, knows exactly what they have to do?
the biggest factor, i think, is the fact that the earthmover's health bar appears the moment you lay eyes (or camera, or whatever) on it, and it does not leave until you have finally killed this colossus.
but this factor is much more subtle than it appears at first glance. yes, big honkin' boss healthbar on screen for the entire level, what more to it. there's a good deal more, it turns out.
first off- this is the shortest leadup by far to any bossfight in the game. you slide through a single vent, and you are greeted with benjamin right out in the open. even P-1, devoid of any other hazards as it is, gives you a long trek down the spinal staircase before you reach the flesh prison. 7-4 has none of it. you enter the level, you enter the stage, and there you have it. you know exactly what you are up against right from the outset, and it's not quite a feeling of familiarity but it tells you exactly what you have to do. which is the point of this all, isn't it?
7-4 is also... not a bossfight! it is a full level! it is a full level framed as a bossfight. the health bar frames this full complete level as a bossfight.
and on one hand, this is not new news. on the other hand, i think this is the crux of it. the thing is, most bossfights are near-to-entirely new. you do not know how the boss acts. you do not know their attack patterns. you do not know their capabilities. you are learning something new. levels, though, you have done a thousand times over and so the player knows how they need to play through this bossfight in a way that is not quite present with any other boss in the game.
the content of the level is new, of course, because that's how it goes. but you know the motions. you have done this for two acts prior, you know the motions. you know exactly what to do.
also! this level does not exist in a vacuum. what i am saying is this: the rest of violence layer shifts its storytelling and its tone and even its graphics. it is something completely new in contrast to the rest of the game. 7-4, though, returns to environments and graphics more akin to what you have experienced before, bringing you back to familiarity and again knowing what to do here in a way the rest of violence hasn't let the player experience.
one more thing about this level: it plays directly into expectations. which is something that the rest of the game actually does not tend to do.
the game, at base, is just not a typical FPS. it gives you movement like a roguelite or a platformer, it takes guns you expect to know the mechanics of and goes utterly wild with how far the archetype can be changed.
in a smaller scope, here is a comparison of the earthmover and the corpse of king minos as two separate colossal bosses foreshadowed in similar ways. and i mean, minos's bossfight isn't unprecedented in other works. but i think the thing that matters here is that you are not, in fact, the underdog as is the case with so many other bosses of its ilk. riven of many voices, destiny 2, similar bossfight similar scale. you are hiding from her you are a fireteam of many you are triumphing over a dragon larger than life. project gestalt, madness project nexus, you are pulling out every stop you can to take down something so far over your head (both literally and metaphorically). corpse of king minos- V1 looks up, stands its ground, and parries his god damn fist.
and the thing is, the earthmover plays into a different expectation, but it's playing into an expectation nonetheless. you look at this thing and you climb it and you dismantle it from within, like you have done in many games prior. you know what your goal is from the moment you see that healthbar and you hook onto the conspicuously placed hookpoints that tell you- you will climb this machine; you will fight your way up to whatever its core is and you will kill it. you play through the entire level with this expectation and you get exactly this expectation. you destroy its core and it begins a countdown, and so very many games have countdowns before the collapse of whatever level you have just beaten, and you know exactly what you have to do.
i don't know. i love diegetic storytelling. i love this level.
it's just familiarity, i think. this level runs off familiarity. it gives you, the player, things and tropes and designs you are familiar with. it signals to you that you should know what to do, and it lets you do exactly what you expect to do.
if i were any more cheesy i could absolutely end this by restating something about the only way it could've ended, but uh. i am not that cheesy. this time.
aw crud now i don't know how to end this oh well goodbye then
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chaosxcrushed · 12 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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creepypso · 3 months
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Hi. I uh... yeah I was having some fun with fnaf in the last days. And to be more exact: good old Funtime Freddy is taking over my head.
Y'know I would also love to have the brain maggots for the glamrocks or sun and moon because I think I could draw them pretty cool but nope.
I get all grinny seeing this sadistic bastard.
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blobpsycho · 6 months
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This gif perfectly encapsulates what I love about Tome. All girls have been this gif. Like remember having undiagnosed mental issues and your family makes you go on an outing that should be fun but you’re just pissed off constantly because youre a 14 year old girl? Tome gets it.
Like YOU’RE GOING SOMEWHERE TO DO SOMETHING THAT SPECIFICALLY PERTAINS TO YOUR INTERESTS. But youre a 14 year old girl and nobody will ever take you seriously and you’ve just got this pit of hopelessness in your stomach despite the fact that nothing is technically wrong
so even though youre on an outing planned for you you can’t shake the feeling that everyone is just making fun of you for being so upset over seemingly nothing. These are your friends and family, you deep down they wouldnt do that, but why else would they go out of their way?
They certainly wouldn’t do it for you, right? I mean nothing’s even technically wrong. You’re just being a crybaby and they all must think youre just being a dramatic teenage girl. And you are and you know that you are so why can’t you just get over it and be normal?
And when you finally can’t take the pain that’s screaming in your chest because everything feels wrong wrong and everything is going wrong and everything is wrong wrong wrong you can’t help but cry. And you’re embarrassed and you’re furious and you’re supposed to be mature and you’re supposed to not care but you cry.
Crying feels worse than the growing internal discomfort did because now everyone is looking at you. They’re staring in uncomfortable suprise at what you’re sure is the most unsuprising sight in the world - a 14 year old girl crying. You want to go home but you can’t. You’re 14. You can’t do anything on your own.
You react to the terrifying ordeal of being reacted to the only way you know how - with anger. You monologue through hot tears and sobs and snot how you didn’t even wanna be here and how you just *know* everyone is just doing this to make fun of you and how they should just go on ahead and leave you wherever you are (you know this can’t happen. They wouldn’t leave a 14 year old girl somewhere unfamiliar on her own) and something in you hopes that they’ll yell back, that they’ll treat you like you’re irrational and make you feel justified in your anger.
…But that doesn’t happen. The silence persists but you realize that it’s more contemplative than judgemental. They’re not afraid of you, though you think they should be. Rather than letting them say something sentimental about caring and being concerned or any sappy bullshit that will only serve to make you cry more, you wipe your face on your sleeve continue on your journey.
The day gets better. After everyone gathers that no, you don’t wanna talk about it, it almost feels like nothing happened to begin with- besides the slight exhaustion you feel every time you blink and the intense stress sweat you choose to blame on anything else.
By the time you get home, the day is mentally logged as a good day. You decide - albeit tentatively - that maybe you’re going to be ok. Maybe you won’t be a 14 year old girl forever.
You go to bed and have the best sleep you’ve had in months.
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