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#also i kind of want to write this idea
lucabyte · 3 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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Trimax Thoughts Vol. 4 Pt. 3
Alright. Bit of a heavier one for tonight. I want to talk Vash's relation to his own feelings of anger and how these tie into his suicidal thoughts, because it's tragically fascinating and I still can't really make heads or tails out of it - specifically in that I don't think anyone is a reliable narrator in this situation so I'm left a little lost as to who to believe.
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(ID: A screenshot of four panels from Chapter 7 of Volume 4 of Trigun Maximum. A conversation between Hoppered and Vash takes place, in which Hoppered says "I bet you want to kill me too, right? Of course you do... You want to tear me limb from limb." A somewhat grainy image of Rem, smile visible but eyes hidden, is shown, before Vash replies, his eyes narrowed, "Yeah... I do..." End ID.)
Warning! I am going to be discussing Vash's no good, very bad mental health. It's nothing worse than what is obvious from a read of the manga but if you're not in the headspace for it, you might want to skip this one. I had a bit of trouble writing it, if I'm being honest.
Volume 4 basically solidified what had kept cropping up all throughout the manga - Vash is keeping himself going only through his goal of "settling the score" with Knives. On the next page, Vash says the following:
"That's why... you can go right ahead and kill me. But... before I give you that chance... before I let you bind me in chains, lock me up, and torture me to death... I will send Knives to hell!"
Yikes buddy. This has been a running bit of characterization all throughout the manga - Vash survives because he has to. He takes small moments of joy where he can, tries to smile even when he's not feeling it, looks on the bright side even when things seem hopeless, because that's the only way he can survive to do what he has to. <- There's nothing especially wrong with this. This is a coping mechanism and as far as his coping mechanisms go, it's not so bad at all. It's actually pretty good, all things considered.
Problem is, he also has to embody the ideal he strives for - that no one needs to die, that he will never kill. And herein lies the issue, because Vash already feels like a monster because of July. Any deviation from the peace loving pacifist image he tries so hard to maintain brings Vash's self-loathing to the surface.
Ex. Vash sees the moon his angel arm blew a hole in and goes from denying culpability for the destruction of July to hardly resisting and calling himself a murderer.
Ex. Vash expresses that he holds murderous sentiment towards Hoppered. He sees this as a justifiable reason for Hoppered to kill him.
Even the thought that he has or could still deviate from his promise made in Rem's memory causes him immense amounts of shame. Vash does not want to harm people. Is it out of love? Is it out of guilt? I think at this point, there's no separating them. Vash doesn't kill out of a mix of these two emotions that are so intertwined in his core they have become inextricable.
The thing is... Vash's driving emotion appears to actually be anger, specifically, anger against Knives. He wants to "settle the score", which is a pretty retributive mentality for someone trying to embody pacifism. In fact, that kind of motivation strongly clashes with that image in a way that imo cannot coexist. It's reasonable in his mind to take that stance against Knives, who is not one of the humans Rem died to save, but against humans, it's unacceptable. So, Vash represses his anger constantly.
A great example of this is watching the contrast between Vash fighting Leonof and Wolfwood fighting Ninelives. Wolfwood fights with his emotions on visceral display; he is loud and cocky and desperate and violent. Vash, on the flip side, is almost dangerously quiet and composed, to the point Wolfwood seems a bit disturbed by it - but it's all repression. He needs to stay focused, his motions are calculated to reduce harm even against the puppets, he's eerily silent and his facial expressions are controlled and muted for the most part; all methods that Vash uses to stay in control (<- this is important!).
Here's the thing. I don't know that I necessarily, fully believe that Vash wants to kill Hoppered. I don't know that I trust anyone's narration in this scene - first of all, Hoppered is mad projecting his animosity onto Vash because he needs to secure the image of Vash as unrepentant destroyer of July; if Vash isn't the demon he believes him to be, his quest for revenge was for nothing (well, sort of. Vash obviously did destroy the city, but the intent was not there - and the latter seems to be what Hoppered is banking his hatred on). Hoppered earlier accused Vash of enjoying the fight... which is pretty clearly not true, so that it was Hoppered who prompted Vash's admittance above is a little suspect. Second, we've seen what Vash looks like when actually violently angry.
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(ID: Two separate images screenshotted from the Trigun manga. The first shows Vash raising his gun at a recently reborn Knives, angrily shouting the other's name. The second shows Vash having jammed the barrel of his gun into Monev's eye, clearly close to pulling the trigger. End ID.)
To me, I see little indication in the build up to this of Vash legitimately wanting to kill Hoppered. He had no desire to kill Rai-Dei after all, and that was after he knew the GHG were targeting Home. Hoppered is probably the most sympathetic of the GHG. Vash is also in a self-destructive mindset in this scene, having just called himself a murderer after seeing the damage done to the moon again.
Is he agreeing with Hoppered's projection because he wants Hoppered to continue to hate him enough to punish him for the deaths of all those people? (The image of Rem then becomes symbolic of his having already failed to uphold her sacrifice.) Or should I be taking his words at face value and he really does want to kill Hoppered? (In this case, the image of Rem is out of guilt for voicing something aloud that goes against his image of her.) Is it possible that a combination of his self-loathing in this scene and fear of himself has him agreeing with Hoppered out of resignation that despite his best efforts, he is doomed to destroy? (Like in fifth moon's "we were no good from the start". The image of Rem is thus the image of someone genuinely good and kind to him, an image he feels he cannot embody no matter how hard he tries.)
I find it very ambiguous honestly. Any interpretation is compelling from a character sense. Perhaps they all hold merit to some degree.
Regardless of how you interpret the line though, Vash is obviously angry, and for good reason - Hoppered, Midvalley and Zazie have taken Meryl. He's also likely afraid for her too - dude did jump out a window for like no practical purpose whatsoever before Zazie even finished talking. Like that's really sweet buddy but you accomplished absolutely nothing of use lol. Anyways. The point is, even if Vash was angry enough to want to kill Hoppered (and it would be for this reason, since nothing else would really warrant that), then that still wouldn't make Vash secretly evil and awful - first off, having a thought does not mean you will actually act on it, and second, what's the thing we keep getting shown and told, again and again?
Anyone will pick up a gun when their loved ones are threatened.
It's very natural to feel animosity for a person who may have harmed someone we care about. In that sense, Vash is behaving very human.
However, there's an extra layer here that complicates things. Vash has never been shy about his anger, but I think there is a bit of a progression of Vash kind of... tamping down on it faster, reeling it back in a little sooner after an initial flare of rage. ...Ever since Fifth Moon, actually. We also know that he has a strict training regimen, he does not miss a target, even blindfolded - Vash clearly maintains strong control over himself, all to mitigate the potential damage he could cause.
But then there's his Plant abilities. The angel arm. Something destructive he clearly does not understand, and has little if any control over (never mind that control was literally wrenched away from him but whatever). I don't think it's a stretch to say Vash is terrified of losing control.
Any human can feel hatred and anger and potentially cause moderate amounts of harm and damage, but these are likely to be targeted and can be more easily contained. Vash feels hatred and anger and has the capacity to level a city and blow a hole in a celestial body in the blink of an eye, and there is nothing anyone can do about it. That must be terrifying.
Because, see, the no-killing thing is out of respect for Rem, but Vash also strongly wants to, needs to believe that non-violent solutions are possible, that people are good, that anyone can change. Vash, out of some combination of love and guilt, does not actually want to harm anyone, but Vash is also a living gun just under the surface of his iron self-control. And being reminded of that deeply fucks him up, to the point he believes he is a danger by nature, incapable of living up to the standard of kindness he wants to put into the world, so even just the thought of wanting to inflict harm on another is enough to send him spiraling - because what if that is the point he loses his control? "I should never have been born" indeed...
It's interesting to me that Vash should call Wolfwood out on his lack of hope in a future for the world, when he so clearly has little if any hope in a future for himself. He allots himself no place in the world. Maybe you should allow yourself to heal a little, buddy. You have some people pretty close by who, in spite of it all, like you quite a lot...
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liverbiver9 · 1 year
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sorry i know i should stop with my mdzs modern au obsessions but i literally Can’t Stop Thinking about teenxian overhearing teenji play wangxian.mp3 on the piano or violin or something like Once because he was stalking looking for teenji and then he promptly forgot where he heard the melody only to make a Perfect Rendition of teenji’s emotional soulmate love song on his motherfucking harmonica. teenji is confused/furious/horny about it.
please i just need wangxian.mp3 played on wei wuxian’s bright red harmonica covered in random, peeling stickers that he keeps in a case that’s literally attached to his belt like a fucking NERD. teenxian walking around with a harmonica case on his belt all the time. he’s been through three cases because he keeps biffing it on his skateboard.
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This Alenoaheather AU is bringing me an unholy amount of serotonin and I love it- I’m still just now discovering it and I wish I knew about it sooner😭😭 But question if I may!
So, by the time Noah gets eliminated, where would you say his relationship lies with Alejandro and Heather? Like, does he leave the competition like, “You both tried to play each other, but I ended up playing the both of you, L” Like does he just think that Alejandro and Heather only romantically like each other, and he was just their attempt at emotionally manipulating one another, or does he at least have an idea that they potentially may feel romantically towards him? Honestly I’m just curious about how his elimination would play out between the three of them-
I'm glad other people are enjoying this AU as much as I am. Me and Perp are slowly spreading our Alenoaheather propaganda and it's working.
It's been established that Noah's elimination in this AU will take place at some point in the early post-merge game, probably either China or the Serengeti (though Niagara Falls might work too. We haven't exactly touched on how each challenge can/will play out since this whole concept has been put on the backburner), which gives his dynamic with Heather and Alejandro time to blossom from the initial double fake dating ploy into something more genuine.
Well before his elimination, Noah's been caught in his double-crossing ways; or to be more accurate triple-crossing, since Noah initially decided to play along with both Heather and Alejandro's schemes with the intention of throwing them both under the bus (or at least reaping all of the benefits for himself). But, by the time his ploy is figured out, the three of them have developed genuine feelings for each other.
As such, Heather and Alejandro are hesitant to have him eliminated; sure Noah somehow managing to pull the wool over their eyes for as long as he did was infuriating, but it was also impressive. Like recognises like, and the two biggest schemers in the game can appreciate when they've been outplayed, aggravating as it is, especially when the person who bested them essentially used their own trickery against them. Also, though the two of them would never admit it, both Heather and Alejandro know that they'd honestly miss Noah's caustic company.
Of course, at this point in the competition Heather and Alejandro are still deep in their "rivalry" phase, so it takes the two of them a very convoluted and overcomplicated conversation to figure out that they both share the same sentiment concerning a certain cynic- since every encounter they have with each other is practically a game of backhanded compliments and dancing around the true meaning of their words. It takes even longer for them to come to an agreement, given how stubborn the both of them can be, but eventually they manage to co-operate.
Which is what leads to The Confrontation, the point in the story where the two fake dating plots merge into Heather and Alejandro putting aside their differences to rule the game together, utilizing Noah as their shared right hand man since he's shown a knack for strategy and subterfuge. After all, why would they want to get rid of the one person on the jet who's able to go toe-to-toe with them in terms of scheming, when they can instead keep him around as an accomplice?
At least, that's the excuse they both use. But the two of them internally can't deny that, even if it was all pretend, Noah wasn't a bad "boyfriend" by any means, and they genuinely enjoy his company. In turn, Noah's accepted that neither Heather nor Alejandro are as insufferable as he initially assumed, and that playing along with their grand plots is actually really fun. (And maybe he also likes the two of them, but Noah would never admit that.)
But there's a a whole cast's worth of people on the jet who the trio also have to consider in their plans; it would be super suspicious of all three of them if the flirting and Aleheather's animosity suddenly ceased. No matter how oblivious the rest of the competitors are, a sudden public change in their dynamic would be the equivalent of waving a huge red flag and screaming "hey, we're in an alliance, vote us out!" Very counterintuitive to their goal of winning the competition.
So the three of them resolve to act as they have been during challenges, and sneak off to the confessional when it's most convenient/feasible to do so, where they can plot and scheme away from the rest of the cast.
This means that, at least to everyone else in the game, Noah's still in this weird grey area where he's actively flirting with both Heather and Alejandro. Or, well, "flirting", since I imagine most of the advances would be initiated by the other party and Noah would play the part of the blushing damsel- or more accurately the begrudging but highly amused recipient, since I just can't conceptualise snarky, stoic Noah being the type to get flustered easily.
I imagine The Confrontation would happen somewhere around London timeline wise (it just feels like the most appropriate place to have a major shift in the plot happen, for obvious reasons), which would give the initial fake dating aspect of the AU time to run it's course without getting stale, and allow the three of them to establish their dynamic as a trio before the merge hits. It'd give Alenoaheather around five or six episodes worth of time to grow closer as a trio (from Greece's Pieces to Niagara Brawls, at least) and have their feelings grow and develop at a natural pace, to the point where they acknowledge that, perhaps, not all of the romantic tension between them is fake.
And then, of course, the Fake Cheating Arc happens. Noah's elimination is the catalyst for this section of the plot, which Perp and myself touched on pretty heavily in one of our reblog chains, and at this point in the story Alenoaheather are in a sort of vague kind-of-dating situation; the three of them know there's feelings there, but they're all more invested in the competition (and their manipulation of such) than trying to figure out what exactly is going on between them. Plus, World Tour takes place in 2010- concepts like polyamory weren't exactly common knowledge back then, so the three of them wouldn't have any basis of comparison for what their dynamic is/would be.
That, and the three of them are all fairly emotionally closed off, so getting them to admit genuine feelings for each other and show vulnerableness to anyone would be like pulling teeth. As it stands, they're fairly content to continue acting as a Trickster Trio, contented to leave whatever's going on between them unlabelled for the time being in favour of focusing their time and energy on winning the million. There's an unspoken understanding between the three of them; what they have is special, inconceptual and indescribable by mere words... which is mostly just an excuse for the three of them not to breach the subject, since they have the collective emotional intelligence of a spork.
That doesn't mean they don't love each other. Because they do, even if some of them (Heather and Alejandro) aren't exactly familiar with concepts like "unconditional love" and "loyalty/compassion for someone besides yourself" and "lowering your emotional walls and being the most genuine version of yourself in front of the people who care about you". It's a steep learning curve, but they're doing their best.
But that's besides the point; at this point in the plot, the trio are essentially a throuple in all but name at the point of Noah's elimination.
That's why his suggestion of playing off of his "cheating" is initially met with hesitance on Aleheather's part- they don't want the one person on the jet (besides each other) they actually care about to risk his reputation, but they also know that it's a strategically sound idea. There's a conflict of interest between their desire to win the competition by any means necessary, and the budding sense of empathy they've both began to develop as a result of their situationship.
Of course, they eventually agree to his plan, and then the whole Cheating Arc plays out as it's been explored previously.
Which means Noah's actual elimination ceremony is a very tense affair.
He's intentionally playing himself up as kind of a scumbag during it, since he wants both Heather and Alejandro to appear as sympathetic as possible to the remaining competitors, so the three of them stage an altercation during that day's challenge where Noah's caught out in his "cheating", and consequently "admits" that he's been playing the two of them and it's all ingenuine on his part, to direct the majority vote against him. It'd kill two birds with one stone that way; Noah gets himself eliminated without having to do much out of the ordinary, since he's already kind of an asshole so all he really has to do is play up that aspect of himself a little and lie about manipulating his partners, meanwhile Heather and Alejandro can reap the benefits of whatever brownie points they gain from being his "victims" by using their own manipulative prowess to adopt the role of the ex-villains, redeemed by their shared heartbreak. Or something equally melodramatic.
Noah doesn't really care about the specifics of it, he'll be long gone before his partners can start playing up their "betrayal and heartbreak", and then soon enough one of them will win the competition. And spoil him rotten with their money.
So, during the actual ceremony, Noah becomes persona non grata. No one wants to sit anywhere near him on the benches, and the remaining cast members form a protective wall between him and a distraught Heather, who sniffles back quiet tears every time her eyes wander too close to the cynic's slouching, impassive frame, and Alejandro who's sat eerily still and taut with disgraced fury, who's fiery green eyes haven't strayed from the burning glare he's shooting towards the bookworm.
Not that Noah's a stranger to receiving glares; the rest of the cast are also shooting him some downright murderous looks. Though he is impressed by his partners' acting abilities. He's also physically biting back pearls of laughter- the gritting of his teeth only serves to make him look unapologetically indignant, and thus more irredeemable in the eyes of their company- because every time Alejandro knows that no one's focus is on him, he sends his cerebral partner a cheeky wink and a smirk. The smug bastard.
Unsurprisingly, the vote is fairly unanimous. Chris doesn't even bother trying to raise suspense or tension by counting the votes, since the result is inevitable. That, and the atmosphere is already so tense and dramatic, the host is revelling in it. Chris even goes so far as complimenting Noah for outshining Duncan's cheating fiasco, showing the audience "what real relationship drama looks like", and maybe even congratulating Noah on almost being as heartless as he is.
He's escorted to the Drop of Shame, parachute backpack in tow, but before he can take the plunge he glances back at his audience. A raging sea of hostility greets him, but within the depths of animosity two shining beacons of light greet him. Alejandro and Heather shoot him a fleeting wave, the ghosts of smiles flickering across their features before they continue their flawless acts, but it's enough to reassure Noah that everything will be fine.
(Spoiler alert, things don't end up being fine for Noah.)
Of course this is all just an idea I'm spewing out. Nothing in this AU is set in concrete and it's always open to peer review or change. That's the beauty of public AUs; you can do whatever you want with them!
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blindmagdalena · 11 months
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really obsessed with soulmate au’s recently and it got me thinking… what if john’s soulmate was part of the boys? a girl trying to kill him with an entire group of people also trying to kill him… and he’s fated to her? could picture him finding out and just putting his hands on his hips while turning his back to her and doing that click chuckle thing. just in utter disbelief but it is definitely on track for fate’s little play with him and his life lolol
Oohhh, you know, I've never played much with the soulmate au concept, but this struck me just right because I can so clearly see the slow, building meltdown that strikes him when that reveal drops.
The mirthless laugh, shaking his head, the hapless gesture to the ceiling before his hands drop. "Of course. Of course it's you. Why wouldn't it be? I mean—Christ, it makes sense, doesn't it? Every single person who was supposed to love me has-has fucked it, so why—" he keeps cutting into this escalating, unsettling laughter. There's nothing funny about it: you're sure that you're watching someone lose the last shred of their sanity in real time. "Why would my 'soulmate'-", he says, miming big, dramatic quotation marks. "-be any different?" That manic grin has shifted into tight baring of his teeth, a vicious sneer. He closes in on you, stands so near you can feel the heat of his breath when he hisses, "I should put you in the fucking dirt with the rest of them."
It should be terrifying, but it's hard to focus on anything other than the glassiness of his eyes. The sheer devastating heartbreak of it all, telegraphed clear as day in the way he carries himself. His eyes flare red, sizzling up the tears before they can fall. "And then you really will be all alone," you say. Maybe it's the hopelessness of the moment, maybe it's the shock of learning for yourself that he's supposed to be your one and only, but you feel numb. Frayed in a way you didn't know you could be. The crimson light of his eyes disappears in an instant, revealing surprise, followed by a wounded kind of look, before that familiar seething rage returns. "We'll see about that."
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demodraws0606 · 15 days
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You know I think there is something interesting to say in terms of where the fuck WxS is going because like
I think WxS is the only unit where the end goal or overall progression is probably the most unknown out of all of them ???
MMJ and VBS are extremely obvious, they both have the most explicit goals that are said to us in a straightforward way
25-ji, in the end we know the main goal at the end will be for all of the characters to go over their hurdles with Mafuyu finally being able to find herself and move forward
Leo/need is probably the closest in terms of vagueness but we know the end goal is clear for them to grow as a band, probably ending in a big concert or something along those lines
But with WxS...like I guess the closest thing I can see to an end goal is all of WxS preparing a show together with everyone playing their part but that definitely doesn't feel like something you'd build up for an entire arc and definitely not something that feels fitting after the emotional turmoil that was the disbandement arc ???
In terms of physical achievements as well they literally revived an entire parc through one gigantic show, so it just comes into question what they can do now.
Then you look at their first few event for this arc considering usually the first event kinda set up what will be planned for the future but it's...weird.
Yeah, Tsukasa and Rui's events set up they're inexperienced and how they will grow in the future but also there is this weird feeling of something feeling off ?
The plays/scripts all are strangely depressing, the play in Tsukasa's event being about a failed writer planning to drown himself (which I believe is one of the only undeniable explicit description of suicide ever in the game?????) and the second being someone whose given up on life meeting their estranged sister only for her to become ill.
We even have Emu's side story in Rui's event where they watched the movie Rin was watching during the event made by the same producer and Emu herself note how depressing the story is (meanwhile the main character of the movie clearly parallels Rui)
We don't see the conclusion of these in-game stories as well, lingering on their worst moment never really seeing the presumably happy conclusion.
THEN we also have Emukasa fes which....again strangely different in tone from what you'd expect a WxS fes card, they're not really all that conclusive either. Tsukasa never aknowledges how he relates to the brother in the story and Emu doesn't really get a conclusion on her grief.
Then we also have Rui's entire fuckign event with the cards and his cyberpunk deadbo-YOU SEE WHAT IM SAYING
The closest we fucking have to knowing what WxS's fucking endgoal towards the story is, is fucking WL which....TELLS US NOTHING
At least with VBS we know that they're goal is to go even further beyond and conquer the whole world, that is a developpement of their goal.
What I'm saying is I don't know what the fuck colorpalet is cooking wiht WxS but I feel like i'm a fucking twilight zone reading the way they're writing WxS now because I can't be the only one feeling insane at how weird all of this is
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north-winds1 · 6 months
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Been thinking about redesigning some of my designs
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+ me figuring out design stuff
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jazzy-a · 6 months
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I think Destiny really just wants to edit his Book, but there are- for that reason- NO WRITING UTENSILS in the Garden of Forking Ways.
..
Desire when Destiny visits: Well, hello, big brother! Is there anything you desire that I can get to make your visit more pleasurable?
Destiny: I desire a pen.
Desire: ... Srsly? :/
...
Dream: Destiny, it has been some time since you've visited my realm. Is something wrong?
Destiny:...
Dream:...
Destiny: You know... a pen would be a dream come true for me.
Dream: (-'_'-) Not this again.
....
Despair: Back again, brother?
Destiny: Yes.
Despair:... Is it about the pens?
Destiny: .... I think you know the answer to that.
...
(Delirium frolicking with electric butterflies while Destiny stands next to her.)
Destiny: Delirium. Apple.
Delirium: PEN!?
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the-cookie-of-doom · 6 months
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My entire day is just. Studying child development. And I don't like it (it's complicated) but it's making me really want to write a kid!fic?
Look, watching that one episode of Ingredients Did Something To Me, okay??
After some youthful indiscretions when he's a teenager, Kim get's a girl pregnant. Korn finds out and makes the problem go away. Kim might not find out at all, until years later, when the girl - now a woman - presents him with a toddler and tells him it's his. And Kim is shocked to hell, but if nothing else, he's loyal to his family, and holy shit this child is his family.
Or maybe Korn deals with the problem in a different way. He's not averse to raising bodyguards, Kim says as much himself. He could easily take care of the mother (either paying her off, attic-wifing her, or killing her), with the intention of raising his grandson to be the next heir after Kinn. He knows the chances of getting a child out of Kinn are slim to none. Now he won't have to worry about that. He has a grandchild that he can raise in his own image, in secret.
This is going to get long so I'm going to continue under a cut
However it happens, Kim eventually finds out, and like hell he's going to let anyone keep him from his child. It will take him a while to get used to the idea, to lean into fatherhood, but he's not going to let his own father raise his child to be a killer. Kim sees a chance to break his generational trauma and he takes it with both hands and runs.
Kim has no idea how to be a father. He didn't have a good role model. He know show he's raised, and he knows he won't be the same, so he just. Tries to do the opposite of whatever he went through as a kid. (He's probably the overly-permissive type, but that won't be a problem until later.)
Kim also doesn't have time to be a father. He's in his last year of university, he has a career to manage. Korn of course offers to help - with Kinn running the family now, he can play the part of doting grandpa, but Kim refuses. Hires a nanny (maybe the one that took care of him as a child, the only one he trusts with his own) to help him figure this all out.
The official story, as far as WiK goes, to protect his clean image, is that the toddler is his baby brother. WiK is seen as the sweet, doting older brother when they're seen in public together (which he tries to make sure isn't often, but he's not going to raise his kid in a box, fuck that). It melts the hearts of all his fans, and no one knows he was a teen parent, a terrible role model, someone to scorn.
At some point in their interactions, Kim lets it slip that he has two brothers, and Chay is confused. He knows about the toddler, but Kim mentioned two older brothers? So doesn't that mean he has three?
Eventually Kim introduces Chay to his kid, and Chay isn't stupid. He was raised by his own brother, he knows what that looks like, and it's not what he sees now. His suspicions are confirmed the first time Kim lets him into his apartment. He tries to hide all of the baby things, but Chay snoops a little bit. Finds a child's room behind a door that should have been locked. He confronts Kim, very gently, with the truth. He doesn't judge. He sad that Kim feels the need to hide, even from him, but he understands.
He also thinks the image of Kim with his son is so much cuter than the idea of him with a baby brother.
Kim lets himself be a little reckless, lets Chay spend more time with him and his son, and it hurts how easily Chay takes to him. Like they're a little family of their own. But it's not real.
The first time Kim lets - no, specifically asks - Chay to babysit, because he has no one else, his nanny is sick, and there's no one else he trusts with his son (which is a shock for both of them on it's own), leads to a dramatic shift in their relationship. Kim can't keep pretending this is just a friendship of convenience. He trusts Chay, maybe more than he should, but he can't deny it.
It's going to make the breakup so much harder, because his son is old enough to love Chay, to miss him, to ask where he is when he stops coming over, and Kim doesn't have a good enough answer. Is barely holding himself together, without the added pain of consoling his heartbroken child, crying for Chay to come home while Kim has to keep himself from doing the same.
TBH, the kid is probably how they reconcile. Next time SomethingTM happens and Kim doesn't have anyone to watch him, his first instinct is to call Chay. But he's not allowed to do that anymore. So he drops the boy off with Uncle Tankhun (and is barely able to make him leave that horrible house with his child inside, but Khun is fierce, he'll protect him) and at some point Chay comes to see Khun, and finds him playing with the kid who missed Chay so much, and he knows he should leave, but when he tries the kid cries until he throws up (it's gross, but it's also sweet, but it's also so, so heartbreaking) and Chay just. Can't. Kim might hate him for it, but he can't break that little baby's heart all over again.
After, both Tankhun and the kid demand regular visits. (Khun knows exactly what he's doing. Yeah he loves his nephew, the kid is in that excited dress-up stage and lets Khun treat him like a little doll, but he also thinks Kim is an idiot and needs to start talking to Chay again, and if this is what happens, then so be it).
Little kiddo excited tells Chay about anything and everything, and then does the same to Kim, telling him about his day, all the fun things he did with Uncle Khun and Uncle Chay, and. It hurts. Kim was not at all prepared for how much it hurts.
It continues this way for a while, with the kid an unintentional carrier pigeon between Kim and Chay, sharing aspects of their lives to each other. They never cross paths because Chay always makes sure he's not there when Kim drops him off or picks him up.
Until one day he is. Kim was late (his latest mission was particularly bloody, he had to take extra time to get himself cleaned up and put back together, he won't let his son be exposed to this part of his life) and his son is inconsolable. Chay is trying his best. Just got him to sleep in his lap when Kim finally drags himself, looking fierce until his eyes fall on his son in the arms of the man he loves, and he softens, and Chay sees it, and. They really need to talk.
But kiddo is still sleeping, and Kim doesn't want to wake him up just yet, so he just. Sits down. Looking at him because he can't look at Chay, and Chay tells him how worried kiddo was (doesn't say how worried he was, too), and how he's been fussy all night. Kim lets it slip how much kiddo missed Chay/looks forward to seeing him now (doesn't say how much he missed Chay, and always hopes for a glimpse of him, always disappointed when he isn't there)
They have a lot to work through, but it's impossible to fight with the kiddo sleeping in Chay's lap, so they're forced to be adults about it. Talking quietly, with Kim admitting to things he never thought he'd be able to say out loud. Does say how much he missed Chay, and how he never should have left Chay alone, and how he never should have let Chay think he never loved him, because he did, so much he saw a future with Chay that scared him, and he ran, because he couldn't bear it if Chay left him first, better to break his own heart
Chay forgives him. They don't get together immediately because forgiveness isn't the same as acceptance, and they still have things they need to work through. But he stops avoiding Kim, and sometimes Kim calls him instead of Khun when he needs an impromptu baby sitter, and slowly, that little family that Kim never let himself dream about starts to take form in front of his eyes, and he wonders how he could have ever let himself run away from this.
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ricopop · 4 months
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a bynche of self indulgent oscillo dudles ... GIGGLE 😁 @cephalonheadquarters @superbellsubways ooohhh
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lucabyte · 1 day
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i am looking at nohats au 👀 please share more
So! NoHats! I'm going to grab you and use this to ramble. A Lot.
The NoHats AU is @samhainian's it's just that I'm the strange little freak who takes the words said unto me and executes on them. But I can still do a little explainer on what our overall thoughts and vibes are. (And, that we are in fact propping up a little box with some cheese under it here. 🪤 Please (PLEASE) feel free to pick up what we're putting down.)
We're far from the only ones exploring a "what if siffrin fucking died" AU, though the main difference with NoHats is the placement of the death in the timeline. Instead of being 'Mal Du Pays Wins' or 'Act 6 encounter goes horribly wrong', the death is… Just after the (literal) falling action.
(This placement is because Sam is a comic book fan who thus has become used to characters being ripped away at the cruelest times by shitty writers. THANK FUCKING GOD adrienne is not that and isat is delightful yippieee, but, back on topic.)
Giving the party the full understanding of What Happened that you get by putting the death after black hole siffrin, but before the A6 encounter leaves an interesting gap to be filled. See, making Siffrin's death very much not Loop's fault means that… this once again reads (when not read as simply a tragedy...) as the universe doing what it sees fit to fulfull Loop's wish… Thus making Siffrin's death Loop's fault again, but only in their eyes. And only in a way they could express if they were honest about who they were…
And this is where having had excuse to waffle about my general Postcanon Loop thoughts the other day comes in handy, because Sam and I have that as our canon-compliant reading to begin with, NoHats plays off of a lot of the same readings of Loop's character. Namely: Uh Oh Somebody's Lying By Fucking Omission Again. (BECAUSE TO BE FAIR THIS TIME… HOW THE FUCK WOULD YOU HANDLE THAT?)
Now, neither Sam nor I are fanfic writers, so this has been a little bit trapped in our heads and DMs (and my unfinished art but,)
But our thoughts on how NoHats like… Goes.
Siffrin's death is peaceful, but that does not mean the aftermath of it is. I can't imagine the party takes it well, especially after understanding the circumstances of the Loops. (And, of note, in A5 where nobody had the discussion on what to do with each other's bodies should something happen…) But I'd imagine it traumabonds them somewhat (understatement of the century) and now knowing how the rest of the party feels, they resolve to travel together for the forseeable future.
The party track down Loop to deliver the terrible news, since they were clearly Siffrin's friend too, and invite Loop along to travel at least long enough to (let them grieve) get the burial over with. Loop, here, can be helpful in knowing what Siffrin would've wanted where the party would be at a loss. Loop, I think, takes a bit of a lead on the funerary aspects of it all, because, um. (Performing rites on your own body, huh?)
Then, as things are after a death, life just… Kind of has to continue on as normal. The party travel, pick up Nille, and get to know Loop as this mysterious new person. Maybe in this situation they might stay in Bambouche for a while to give Bonnie more stability since. They are probably taking it the worst. It would've come out of absolutely nowhere for everyone in the party obviously but god, for a kid? For A Kid?
It should be stated NoHats is not intended to be grimdark, just y'know. An exploration of grief. This is also why it's got a bit of a lopsided focus on Bonnie vs the rest of the party because hhrrhghghhghghhhghhghhh <- incoherent
Now, a crossroads.
How does the party discover Loop to be Siffrin? How long does it take. How much have the party embraced them as part of the family (especially with something as intense to bond over as this)?
There's the Odile option. Have her put it together and have to bring it up somehow. This could also be done by Isabeau, perhaps. He's smart. (which. God. If anything's the real Isabeau Torment Nexus it's this)
Then there's the other option batted around by Sam and I. The: The Universe Dislikes Duplicates option.
The items in the house that fzzt away when inspected. The Universe doesn't like there to be two of something, at least not when they're acknowledged. But one of something is just fine…?
Which is to say. I'm not a personal proponent of 'Loop getting their body back'. EXCEPT …… except this one time.
There's only one Siffrin now, so they don't need to be obfuscated to exist.
Consider, if you will. Loop swallowing their guilt for long enough to be comfortable. Falling back into old habits. Without another Siffrin around to compete for the niche of, they actually begin to act like Siffrin again. Not intentionally, it's just… The party is as welcoming as they've always been. And the party swears they keep catching glimpses of a face under all the light.
Then, one day, while still not fully human again, the resemblence becomes undeniable. Loop having not even noticed until everyone looks at them like they've seen a ghost.
Has it been months? How long have they kept up this lie? Is it even a lie, to them? They're Loop. But they were, once, Siffrin.
Even after explaining it, does that make it better or worse?
Bonnie cuts through the betrayed, struck-nerve reactions with a sobering "I missed you."
… Anyway !
Yeah so that's the vibe for NoHats. As for LoopLoops? That's more nebulous. I think it can go anywhere really in the NoHats timeline. I err personally toward the "Loop continuously replays the last 10 minutes before Siffrin's death almost immediately after they find out and have to parkour their ass up the House in the most distressing situation possible to try and get them to hold on, just please hold on." (Remember! Siffrin can remember the contents of Loop's loop backs in the A6 fight!)
But there is the possibility that this happens months, or worse years down the road. One last Loop back. Throw it all away for the chance to just get that one thing you didn't know you even wanted but now know you NEED.
Misc:
Okay miscellaneous time.
This is where I admit that I have a bunch of unfinished NoHats art that I haven't gotten around to yet because I feel like a right tool being so obviously Loop-Centric with my fancontent (I AM . . I REALISE I AM NOT DOING MUCH TO BEAT THE ALLEGATIONS.) So like if people want to see that please say because euaghghghhfh <- the nervous.
this is like the most fucked up place to do isaloop fr. anyway.
one of Sam's mid-game observations that I'm just going to share for no particular reason is that Bonnie's hair shares a bunch of shapes with Siffrin's. The flick up at the top, the 3 pronged shape of the fringe… just something to think about.
Without 2 Siffrins around to compare each other to it'd likely be a lot harder to notice Loop's similarities. Doesn't mean that those similarities don't sting more in this context though.
If you do NoHats without LoopLoops. The concept of this all fading into memory years down the line while they just have slightly-glowy but otherwise regular Siffrin hanging out is fucked up to think about. Just like real grief. Augh
6. a peek into the original dms as a treat from us
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tiny-brain · 2 months
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Psst hey g/t writers, I got a prompt for ya
Character A is walking through the woods at night. It's pretty clear they're lost, and they look pretty frustrated. They keep walking anyway, listening to the ambient sounds of the forest around them. Leaves rustling, insects chirping, owls hooting, etc, etc.
Suddenly, they hear a soft snapping noise behind them, and stop in their tracks. They glance behind them briefly, looking more annoyed than scared. Then they continue walking. A moment later they hear more sounds behind them, like something is moving through the bushes. They stop again, looking even more annoyed. They take just a few more steps and hear the loudest set of noises yet, multiple branches cracking in quick succession, followed by a clumsy-sounding thud. Character A finally turns around and shouts:
"WOULD YOU QUIT FOLLOWING ME, ALREADY?!?!"
Silence. Nothing moves. Character A squints into the darkness, locates something, and says:
"You know I can see you, right? You aren't hiding very well."
Silence. Character A groans.
"Look, I know I helped you earlier and stuff, and I'm sure you're just being grateful or curious or whatever, but I'm trying to get home right now. I don't have time to deal with... whatever you are. So..."
The thing in the darkness shifts uncomfortably. Character A sighs.
"Okay, look, could you just at least stop trying to act like you're not there? Either come out and tell me what it is you want or just leave me alone, okay? I'm tired."
There's another moment of silence, before slowly, carefully, Character B comes out of the bushes, looking quite sheepish about themselves.
"Took you long enough..." Character A mutters.
(I'll leave it up to you to decide just what Character B is, what size they are, and why they're fascinated by Character A, as well as everything that happens next! Hope you enjoy!)
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Alenoah Hypnosis AU, where Alejandro offers to hypnotize Noah, Noah says yes but makes sure that Owen + Izzy + Tyler is around to make sure that Alejandro doesn't make him do anything too embarrassing...
But Alejandro only adds a hypnotic trigger... Whenever Alejandro offers Noah a hug, Noah feels a strong urge to cuddle Alejandro... It's Alejandro own way of playfully messing with Noah... Noah hates it (but secretly enjoys the cuddles)... Owen + Izzy + Tyler doesn't stop Alejandro from adding the trigger, cause they think the hugging might help the anti-social grumpy Noah...
I know this version of the AU is weird, but hopefully it's a little less messed up then the 'Noah turns into Alejandro's puppet' AU! 🍥
Wait why is this actually kind of cute though?
It's still a little bit ethically questionable, which sort of comes with the territory, but the idea of Alejandro using his access to Noah's subconscious solely to make Noah want to hug him is actually kind of sweet. In a sort-of-messed-up kind of way.
It also implies that Alejandro already really wants Noah to hug him, which. I don't know if I prefer "already infatuated with Noah" or "incredibly touch-starved and positive attention-starved" as his motivation for doing so (though both is always an option). Either way, this lad just wants a hug from his favourite sourpuss.
And the mental image of Noah, salty pessimist that he is, physically fighting against the urge to koala cling to Alejandro at his prompt is really funny. He'd be so against the whole concept, not for any moral reasons, but because he'd find wanting to hug someone inherently embarrassing (not that he'd let anyone else know that) and "insulting to someone of his intelligence". I'm just imagining him making the most disgruntled facial expression whilst Al's grinning at him, waiting with open arms.
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companionsofusall · 1 year
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[id: fanart of Pinocchio from Dimension 20’s Neverafter. Pinocchio is a wooden marionette doll with a broken off nose, dressed in a bright red shirt with a white ruff and three buttons. His limbs show off the texture of the wood, and his feet are flat ovals while his hands have gloves covering them. He’s hanging in an uncomfortable position by red strings, one of his arms is pulled straight back, the strings attached at the wrist making his hands limp. His legs bend at the knee but one of his feet is twisted the wrong way around. His eyes are small dots, and the wood grain knots at the eyes, giving him a worried, harrowed appearance. His strings are red, and they connect to a slightly open doorway, or perhaps a slightly open book, that only opens to a redness that matches the strings. Surrounding him are the words, “Pinocchio was a young wooden boy who was completely free and able to have fun. End id]
He’s just a kid :(
Rosamund | Ylfa
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anna-scribbles · 2 months
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teecupangel · 3 months
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https://youtu.be/ifCWN5pJGIE?si=MvBHr36xNbHdsjYH
This kinda fits Desmonds mom in some way. Thoughts?
Here’s the embed video version for those who don’t wanna copy and paste the link:
youtube
I’m just imagining her hearing for the first time that her son, the son she hadn’t seen for nine years, could not even seen or talk to for one last time for the sake of both of their safety, was now dead.
Sacrificing his life to save the world.
Savior?
Messiah?
What used were those moniker to her dead son.
She wouldn’t be able to see him ever again.
She wouldn’t be able to touch his cheeks and take a good look of the man he had become in person.
She wouldn’t be able to smile and say “You’ve grown so much.”
She wouldn’t be able to ask…
“Were you happy these past years?”
“Was letting you go to be free worth the pain of not being by your side for nine long years?”
“It should have been you.”
She felt him freeze, the hands on her shoulders trembling ever so slightly.
“You should have died instead of our son!” She screamed as tears fell from her eyes.
He opened his mouth, most likely to call her name but stopped, letting out a gasp as her hands curled around his throat, squeezing him with the strength of an Assassin that have been in the field since she had been a teenager.
“You share the same blood as him! You’re a descendant of that cursed Auditore-Kenway line these beings haunt!” She shouted.
She could break his neck.
Snap it.
She’d done it before.
She’d kill so many people in the name of the Brotherhood before.
She was raised to be an Assassin.
She could just as easily-
She let out a frustrated scream as she threw him away, covering her eyes as bitter tears fell from her eyes.
He called out her name, his voice hoarse.
Was he grieving as well?
Did he loved their child as much as she did?
Who knows?
Who cares.
“Get out.” She lowered her hands as she ordered, the decades of forcing her emotions to shut down coming to the forefront, “Don’t ever show your face to me again, William Miles.”
Her expression turned to one of frigid nothingness.
It reminded William Miles of a recording of a memory of Altaïr Ibn-La'Ahad.
The face the legendary mentor had made when his desire to kill the man who killed his youngest son triumphed over his desire for peace and truth.
“The next time I see you, I will claw open your chest and rip your heart out.” She promised in an emotionless tone.
She watched him leave.
The man she loved and loathed in equal measure.
It should have been him.
No.
It should have been them.
They should have been the one to die in their son’s place.
They both failed him as parents.
And now…
All she had left was a Brotherhood barely afloat and the useless legacy of her blood.
After all…
Those who have the blood of the Ibn-La'Ahad were meant to lose their beloved child.
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