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vidavalor · 16 hours

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Great Balls of Fire

Ok, I've got a Final 15 theory on the kiss and the elevator and... pie?

This is for-- and in thanks to-- @indigovigilance, @ineffablelunatics and @somehow-a-human, as their metas reminded me of the idea of something in Aziraphale's mouth after the kiss and their talk of ball bearings and The Bullet Catch has eaten my brain alive and so here we are. Thanks also to @kayleefansposts for drawing my attention to 2/3rds of the metas. 🤗

What, exactly, happened in The Final 15? Maybe this...

As observed by many of us and discussed in the metas of the people I mentioned above, Aziraphale visibly has something in his mouth when he pulls back from the kiss. We also see him move the object around in his mouth-- or, we do, if his expression doesn't distract us first.

Because it's on his tongue, this isn't just light being weird or showing a filling or something. This is, clearly, a piece of metallic-colored something in Aziraphale's mouth. @indigovigilance pointed out how aspects of this parallel aspects of The Bullet Catch and I would agree with that. @ineffablelunatics, off of @somehow-a-human's post on the object, said it looked like a ball bearing and that's actually when I realized that I think the show might have subtly told us over the first two seasons what it is. And if it is what I think it is? The object is the reason for Aziraphale's reaction after the kiss-- not the kiss itself.

So, what is it?

To explain that, we have to start with two scenes, one from each season: 1601 and Crowley in Heaven with Muriel in 2.06.

In the 1601 scene, we learned that Crowley & Aziraphale experimented with their powers after they got tired of canceling each other out and that they discovered Heaven's dirty little secret in the process. That secret is that basically the only differences between them are the colors of their feathers and the lack of immunity to hellfire/holy water. Heaven has been telling everyone that some magic was "demonic" and that angels couldn't do it and they also had told everyone that demons no longer possessed angelic powers. Crowley & Aziraphale realized that this was bullshit-- Aziraphale could do temptations and Crowley could still do blessings. It's this discovery that allowed them to start fulfilling each other's assignments. They didn't tell a soul because of the danger of admitting they knew, especially because admitting it would be acknowledging that they had worked together to figure it out. This means that, with the exception of holy water being dangerous to him since he fell, Crowley is effectively still an angel in terms of the power he possesses.

This would mean he can magically make just about anything he could make when he was an angel. It's relevant because Crowley, as we'll see, made the object he slipped into Aziraphale's mouth during the kiss.

When Crowley is in Heaven with Muriel in 2.06, he opens the file on Gabriel's trial, which we are told can only be accessed by "a throne, or a dominion, or above"-- further showing that the truth is that Heaven actually can't strip angels of their power to do miracles. They're just simply telling them that they have done so as a form of social control and casting some to Hell to use them as way to discourage rebellion. This scene also reminds us of Crowley's awareness of this and shows him using his "angelic" powers to get information to help Gabriel.

The same scene with Muriel and Crowley that showed us that Crowley still retains his angelic powers reminds us again of the rank of throne/dominion in Heaven. (I say "throne/dominion" because Muriel's verbal commas and the way the sentence is structured-- along with the scene in S1 when Crowley goes from his throne to dominate his plants lol-- suggests that it is possible to be both ranks of angel at once, which is another topic so we won't go too far into that right now.) Crowley was undoubtedly a throne/dominion-- and it's not even just the fact that he had that hilariously tacky throne in S1. It's relevant here because of ties of throne-related things to what it is that Crowley made and slipped into Aziraphale's mouth.

Thrones are apparently God's chariots. They are concerned with justice and reside in the areas of space "where matter originates"-- which feels very Before the Beginning, right? They are symbolized by big wheels that rotate and by eyes that change color.

Yes, by wheels and eyes that change color... seems very Crowley, no?

The eyes repeat on the symbolic wheels and are in the position of what we on Earth would call ball bearings, apparently looking kind of like this:

...and remember the interconnected, turning wheels in the scroll that Crowley had Aziraphale hold in the moment they met, at the start of 2.01?...

It could be said that Crowley... a throne, a polymath, a scientist, an inventor... a being whose signature thing is the sexiest old car on four wheels... could make ball bearings from his body when he was an angel and, since we know that he still has basically everything but the ability to make holy water from his angel days, it means that he still can make those ball bearings...

...but we also know what else he can make from his body since he's also a demon-- and not just from his hands but from his mouth...

...hellfire.

Yes, I'm saying that it really was a ball bearing in Aziraphale's mouth-- but it was not hollow or empty. Not by a long shot. It was full of hellfire. It wasn't for Aziraphale's memories as Crowley didn't think that Aziraphale had time or opportunity left to extract them.

It was a suicide pill.

The story was calling back to The Original Ineffable Divorce in 1862...

Think about what Crowley saw when he was up in Heaven in S2...

Crowley is the one who put together what happened to Gabriel. He watched the video of Gabriel's sham "trial" and he saw The Metatron basically order Gabriel killed and cast down through the ranks and he knows that Gabriel only evaded Hell because of how it would have diminished the power of the institution of Heaven to send him there. Crowley knows that Aziraphale does not have this same amount of political power. He knows that The Metatron is a shifty motherfucker and that Michael cannot be counted on. He knows how much danger Aziraphale is in.

So, he takes a page from Lord Beezlebub after seeing that they protected Gabriel with the fly... only it's not exactly the same thing.

Beez's fly was given to Gabriel to help save him. It was a place to store his memories to help protect him long enough to keep him safe until they could make sure he was safe and intact. It worked because Beez and Gabriel had time to make a plan together. By the time Crowley is in Heaven watching the video of what happened to Gabriel and then getting back to the bookshop to sort it all out, there's no time for he and Aziraphale to make a plan. They are not alone again until after "The Metatron" has already shown up and, by then, Aziraphale is already on his way to being lost.

Beez is actually the first character we ever see make their signature thing on-screen and when they do? I mean...

Evocative of a kiss, with that big closeup on Beez's mouth. We watch them push the fly gently out of their mouth with their tongue. It foreshadows Crowley making something in his mouth and ties delivery of it to the kiss. We know that Crowley knows that he can make a single object that is of aspects of both Heaven and Hell combined-- like a ball of hellfire tempered, unless consumed, by a ball bearing.

Plus, earlier in the season, there's Gabriel tying The Fly-- which came about as a result of Beez trying to help him manage his depression by helping him to feel safer-- to metaphorical suicide when he spends the scene where the angels show up chasing it around the bookshop, trying to kill it with one of Aziraphale's Bibles, symbolizing just what Heaven is doing to everyone's mental health here...

But this is just where this possibility starts, really... because why else do I think it's a hellfire-full ball bearing suicide capsule that Crowley gave Aziraphale?

Well, for starters, there is all the holy water that is all over this plot at the end of S2... At the end, Crowley stands in Whickber Street outside The Bentley right across from The Dirty Donkey in a nod to-- among other scenes-- the 1967 scene, when Aziraphale brought Crowley the holy water.

Aziraphale knew that Crowley also secretly wanted holy water as a last resort and Aziraphale initially couldn't handle the idea of losing Crowley and reacted badly before eventually coming around to the idea that maybe Crowley needed to have some supernatural cyanide at his disposal in order to feel safer and that he should have that option. Based on the holy water story, Crowley, then, would be the first person to think that Aziraphale needed a suicide pill as an option if he found himself in trouble he couldn't get out of.

In 2.06, Crowley knows how likely it is that Aziraphale could be harmed by the angels and/or sent to Hell-- which is the domain of Crowley's assailant, who is literally Satan, and who hates both of them for, among other things, turning Adam against him. Crowley knows Aziraphale is a good person who wants to believe the best is possible but he also knows how unlikely it is that this is going to go well for Aziraphale. Crowley can't stand the thought of Aziraphale suffering so he gives him a way out as an act of love because Crowley would sooner lose Aziraphale for eternity than see him suffer.

When it becomes clear that Aziraphale is going with "The Metatron" and Crowley is out of ways to convince him not to, he sees Aziraphale look away and start to cry. Crowley goes back and kisses him as a last resort but Aziraphale is initially resistant-- not because this is their first kiss and not even just because they're upset (though that's part of it) but because to kiss Crowley then would be to let him in... (after all of those symbolic doors and "let me in"s happening in the story)... when Aziraphale making the mistake of trying to shut him out.

Aziraphale eventually, though, can't help but let Crowley in a little...

...because, ya know, it's Crowley...

...and, when he does, he opens up a little, and Crowley slips a suicide pill into Aziraphale's mouth.

It's also definitely worth noting that one of the reasons-- the primary reason, even-- why Crowley kisses Aziraphale is because he needs a cover to both make and give the fireball to Aziraphale without being noticed-- and to do so in such a way that Aziraphale would be assured of the ability to have it on his person when he got to Heaven-- even if he lost his clothes in the process, as like what happened to Gabriel when he was cast out. It has to go in Aziraphale's mouth for easy consumption for it to work and kissing him is the only way to do that. What's really worth noting, though?

Crowley's plan hinged on Aziraphale eventually giving in and kissing him back. He couldn't tongue the fireball into Aziraphale's mouth without Aziraphale parting his lips and Crowley knew he would... because he always does. Not that they're regularly trying to kiss while being super miserable lol but mah point is that Crowley knows that Aziraphale can't ever not kiss him. That's not indicative of this being a first kiss-- that's indicative of the complete opposite of that.

Anyway...

Aziraphale knows what Crowley can make and what it is that he just gave him and that's why this is his reaction after the kiss:

The devastation isn't over the kiss itself. It's because Aziraphale trusts Crowley's interpretations of things more than his own sometimes and, by secretly slipping Aziraphale a suicide capsule out of fear and love and delivered in a kiss, it really hits home for Aziraphale that Crowley thinks they are now in a situation where there probably isn't going to be another way out. It's not because it's a first kiss-- it's because it's likely a last one-- and things are so dire that it came with supernatural cyanide.

It's the realization that Crowley really thinks Aziraphale has been fooled and Aziraphale can't bear it because he knows, deep down, that Crowley is probably right and he's embarrassed. 'Pride goeth before a fall' and all that... Aziraphale is lovely-- an absolute poppet-- but he's imperfect, just like us all. One of his worst traits is that he doubles down when he's been embarrassed as a way of trying to save face and retain pride. It's maybe his worse flaw and it gets very dangerous for him here. Crowley is no stranger to trying to stop situations where it could happen, like this paralleling time in 1941:

Some other reasons why it's a fireball suicide pill before we get to what then happened in the elevator...

There's the fact that the show had a scene set in S2 in The Dirty Donkey-- where the elevator is. (As the start of the scene, Crowley & Aziraphale even walk through the door where the elevator will materialize at the end of S2.) Part of their conversation is very possibly Crowley recounting their first kiss-- at minimum, it's about kissing-- and then Aziraphale makes it also about balls, combining the two to, among other things, foreshadow The Final 15:

The wordplay here is already threefold in this scene off of Crowley's joke that follows Aziraphale remembering Jane Austen's balls: balls (testicles), the phrase that x person "has balls" (is badass), and balls (of the cotillion/dancing variety). This continues into the meeting that Aziraphale hosts-- the disaster of a ball that goes straight into the end game of the season. Here's Aziraphale making yet another ball-related wordplay joke-- this one, during The Meeting Ball:

"We're having a ball" as in they're literally having a ball-- a party-- but also the idiom "we're having a ball" meaning "we're having a great time." We are now up to four different meanings of the word 'ball' in S2, stretched across different scenes, emphasizing the importance of it. One of the missing ones still needed here to complete this idea is a literal ball-- and the ball bearing would not only meet this idea but would then make all of the ball-related wordplay have had the purpose of building towards it. We think it's building towards The Meeting Ball-- and it is-- but all of it, including The Meeting Ball, would actually then be building towards the hellfire ball, which is the actual ending of S2.

Then, there's what this all has to do with the eccles cakes...

Yes, eccles cakes lol... Eccles cakes, as a lot of us already know, are popularly referred to as "fly cakes", off of how the currents sometimes look in them, but the significant thing here is that, despite their name, eccles cakes are not actually cakes at all-- they are really pies.

Ball bearings are also used in Good Omens' favorite metaphor of food to weigh down dough when baking pie crust. Pie weights and ball bearings are basically the same things, just put to different use. It means you literally cannot make eccles cakes from scratch without a jar of pie weights... which are just, structurally, the same thing as ball bearings... and Crowley can make them. You also make pie dough by first rolling it into a ball.

Which is likely why this hilarious moment exists:

Please hold The Cake-Pies of Symbolism, my pie (and Pi)-loving dear...

Crowley's face at having to stand there holding some little pies 😂...

The eccles cakes-that-are-really-pies go along with this theory as well because look how the show presented the forthcoming apocalypse to us back in 2.01:

The horse is Crowley, the rider is Aziraphale, and they're headed for Armageddon-like mental health disaster-- all ushered in by the four eccles cakes, representing Gabriel, Beez, Nina (who suggested & gave them the eccles cakes) and Maggie.

Presumably, The Lords of the Flies are the two eccles cakes that are already canoodling on the back of the plate while Maggie and Nina are the two in the foreground who are aligned but not yet together. Crowley's S2 plot is largely working at the behest of these wonderfully rebellious pies. He looks after Gabriel, finds out what happened to him and connects it all to Beez... and this is after he spent the season on his vavoomy Operation Lovebirds to get Maggie and Nina together. He's responsible for the pie crust-- the containers of the eccles cakes-- in a show obsessed with containers. Crowley is, symbolically, a jar of pie weights in being form by way of his actions-- which is suggestive of the fact that he can probably physically make them. (There's also: "Just a few million years to bake," which Crowley said of his stars-- which he made-- in the opening scene of the season.)

"Nina, what do you sell that calms people down?"

Calm is from the Greek kauma, which means the heat of the day. Heat, as in slang for a weapon. Heat, as in hellfire. Heat, as in what's needed to bake. Heat, as in passion. Heat, as in "bringing the heat." The heat of the day-- the sunny daylight of The Final 15. Eccles cakes-- really: pies-- calm people down... they bring them heat, in every possible way, and it sets them on a path down-- to Hell.

Then, there's Agnes Nutter...

When The Witchfinder Army came to kill Agnes, she hid gunpowder (a weapon) and roofing nails (the construction-related metal that enabled it) in her dress. Agnes blew up-- she became a literal. fireball. Crowley wasn't necessarily suggesting that Aziraphale turn himself into an Agnes-like bomb in Heaven when he gave him the capsule but he was giving him a weapon involving fire with which he could kill himself if he had no other way out.

Then, there's the theme of suicide in examples from earlier in the season:

Crowley saving Elspeth (on the night Crowley was dragged to Hell)... The bit when Aziraphale then calls Crowley from Edinburgh in the present and tells him that he's read that Dalrymple left in disgrace and killed himself... "The Bananafish" being a short story about trauma by J.D. Salinger which ends with a traumatized man suddenly killing himself... Crowley setting Gabriel up to jump from the window and then stopping him from doing it...

There's also the fact that the end of S1 was Heaven and Hell forcing Crowley and Aziraphale into forms of suicide (getting into hellfire/holy water) and the "Aziraphale" in the Heaven part of it was Crowley spitting hellfire-- at Gabriel, no less, whose story is what jumpstarts S2.

Then, there's that the song that is The Clue to everything in S2 is "Everyday", the significance of which is that it's a foundational song of American rock 'n roll. Rock 'n roll is a blend of musical styles that actually wouldn't exist without first the big band/swing that Aziraphale loves that came before it-- symbolizing how Crowley & Aziraphale paved the way for Gabriel & Beez. There's another song, though, that, like "Everyday", is from the pivotal rock year of 1957 that is equally influential and is enormously Good Omens-y, in the sense that it cleverly uses wordplay to the effect of barely disguising sexual euphemisms and often through amusingly church-y language:

You shake my nerves and you rattle my brain/Too much love drives a man insane/You broke my will/But what a thrill...

Goodness gracious... great balls of fire...

[Also: less part of the theory and more just a possible nod but... "The Metatron" brought Aziraphale a coffee, there's a threat of non-existence, and Aziraphale might have gotten a 'kiss of death' from a being who is, essentially, a cherry pie lol... so, those of you who know that other greatest television show to ever television show might see a bit of a nod to Twin Peaks in here as well.]

Speaking of kisses of death... the film that popularized the word "vavoom"-- and which GO S2 is homaging all over the place-- is called 'Kiss Me Deadly.'..

So, after the kiss, Aziraphale gets the capsule and keeps it tucked into his mouth and he's gone too far with the conversation and doesn't want to admit that maybe he's wrong and Crowley is right. Crowley goes out, "The Metatron" comes back in, and Aziraphale keeps looking at Crowley staying by the car out the window and he's a bit more nervous now ("what about, um, my bookshop?"). Even if he still wants to be right, he's beginning to doubt even more that he is.

He almost tells "The Metatron" to go. He almost goes to Crowley. We see him start to say that he thinks he made a mistake but he doesn't go through with it. He's too embarrassed. Fraulein Maria can't face The Captain and is trying to run back to The Abbey over here.

Aziraphale goes out with "The Metatron" and the significant moment is this revelation: "We call it 'The Second Coming'."

This is the moment that Aziraphale realizes for sure that he's been tricked and there is no Supreme Archangel job for him. The Metatron doesn't want to change Heaven or save anybody-- he wants to destroy the world, same as he always has-- and there's no way that he'd ever trust Aziraphale to carry that out when Aziraphale is who stopped the first round. Heaven will never admit they did wrong by Crowley-- to do so would be to collapse the system because then every demon would want to appeal their own status and demand justice and the Heaven/Hell regime would fall, in the sense that their little supernatural empire would crumble. The Metatron would never allow that and Aziraphale realizes in this moment for sure that he has been played for a sucker.

It's still possible that, at this moment, Aziraphale might still believe that this being who has tempted him with the possibility of the justice he wants for Crowley more than Crowley actually wants for himself-- and with false reassurances that he and Crowley could be together forever-- actually is The Metatron. Or, Aziraphale might be starting to get the sense of what's actually happening but, either way, he now knows that he's been fooled. He knows now that while he and Crowley both got some things wrong (suggesting they run off and proposing suddenly were not great moves on Crowley's part)... about this bit anyway? About being in danger if he believes the being who came to the door? Crowley was right.

So, Aziraphale has a choice: does he go to Crowley or does he get in the elevator, knowing now that to do so is to go to a form of death?

He can't face Crowley. He knows Crowley would forgive him and just wants him to be safe but, in the moment, Aziraphale is too ashamed and too embarrassed to admit that he was fooled and to deal with how awfully he just behaved. He's also exhausted from being hounded by the weight of his halo and Heaven for thousands of years. Negative thought cycles in overdrive-- he's never truly believed that he deserves Crowley and he has convinced himself that maybe Crowley might be better off without him. Maybe they just don't get a happy ending and maybe Aziraphale is so tired and can't run and hide anymore and just wants it to end.

Imagine spending thousands of years in service of an organization that also doubles as family and who abused you and abandoned you and who now wants to kill you... and you so hoped that change was possible that you clung to the idea beyond a point of reason-- to the point of hurting the one you love, with whom you have the only real love you've ever known. And you know he'd forgive you in a heartbeat because he loves you and he just wants you to be safe but you can't face him because you can't yet face yourself... that's Aziraphale deciding between Crowley and the elevator.

Aziraphale can barely glance over at Crowley and when, he does, it's also The Bentley he's looking at because he's telling the car to play Crowley their song. Crowley said "no nightingales" but Aziraphale says, in response: "A Nightingale Sang in Berkeley Square." His last moment on Earth and he uses it to basically leave a suicide note for Crowley that says nothing but I'm sorry. I love you.

Their song plays when Crowley starts the engine of The Bentley, which calls back to the first time they met in the Before the Beginning scene that began the season and showed how they started the engine of the universe together.

Aziraphale might be trying to warn Crowley about Armageddon by sending an "engine trouble"-type of message or he might be calling back to when they first met or, as I suspect, he might be doing both but the show, at least, is referencing Before the Beginning here with this, whether or not Aziraphale intentionally is.

So, Aziraphale? He makes his choice. He gets into the elevator...

...and he swallows the fireball. Which we can see him do here:

Or, as this was foreshadowed in S1 by the being whose own fall and subsequent arrival at the bookshop door set all the events in this season into motion:

(The eerieness of the fake grin on Gabriel after seeing how it foreshadows S2 ending with Aziraphale's mad grin...)

Because, when all is said and done, this poor bastard really would have a death-by-swallowing-something story over here, wouldn't he? Can they just hurry up and destroy the Heaven/Hell system so Aziraphale can have food and sex in peace already, please? 😄

Aziraphale knew he'd been played and he didn't want to go through whatever came next. He didn't want to reach the top floor of Heaven because he knows that only forms of death await him there. They'll take his memories. They'll cast him to Hell. Being a demon is no picnic and Aziraphale has seen that in being with Crowley for so long. Satan is not exactly the biggest fan of Aziraphale and Aziraphale, better than most, knows what Satan is capable of. He doesn't want any part of that. He ingested a suicide pill to avoid being captured by the enemy.

Crowley gave him the pill because angels are not immune to hellfire. That's what made it a suicide capsule, right? It was supposed to kill him within seconds. It was supposed to be quick and relatively painless-- a way to escape the horrors that might await him. Even when Aziraphale is at his worst-- as Aziraphale was in their last scene in bookshop-- he is still a pure-of-heart, lovely being to Crowley because Crowley loves Aziraphale as he is-- imperfect. Just enough of a bastard to be worth knowing. It never occurred to Crowley that the capsule might fail. Why? Because Aziraphale is, always and forever, his angel.

Both Crowley and Aziraphale thought the fireball should have protected Aziraphale from pain and suffering by killing him almost instantly once he ingested it.

By that measure, Aziraphale should have burst into flames in the elevator, seconds after he swallowed the pill just after stepping inside.

But he did not.

We watch as the seconds start to tick by... and we see the realization play out on Aziraphale's face as each second that passes is another one where he's still here...

...the look gets more and more unhinged as the elevator keeps climbing until we get the slightly mad dark grin as the last shot of him before a fade to a deathly black... with Aziraphale having spent the final splitscreen since he got into the elevator on the other side of Crowley, symbolizing what's happened.

In the elevator scene, we are watching the dawning realization play out on Aziraphale's face as the fireball doesn't work and there's only one reason why it wouldn't-- because he's no longer an angel.

Aziraphale has been sauntering vaguely downward for the season and maybe for awhile before then. He's been letting the darkness in, more and more, throughout all of S2. We have been watching his fall happen. The 'falling from a great height into a pit of boiling sulphur' part of falling? Ceremonial. An aftermath of sorts-- an additional punishment. It awaits Aziraphale when he gets off the elevator in Heaven but it's something we likely don't really need to see and never have seen in the show yet because that's not actually the main point of a fall. By the time you're literally falling from a great height, you've actually already fallen.

Aziraphale's determined-- but also just really half-mad-- final grim smile in the elevator over his understanding of what's happened is both the pain of thousands of years of religious trauma and abuse-related misery and a bit of completely unhinged I'm gonna burn this place to the fucking ground fury.

Aziraphale swallowing the capsule also parallels Gabriel having to "consume" The Fly to open it. The Fly went through Gabriel's eye and allowed him to "see"-- it give him realization and understanding by returning his memories to him. For Aziraphale, he swallows the fireball and it also gives him a kind of sight-- realization and understanding of what's happened and what's to come... all of this also in the moments before his memories (and, so, his sense of self/his life) will likely be taken from him.

(For a time-- he'll be fine eventually. *mantras* South Downs Cottage, South Downs Cottage...)

"And from his mouth go burning lamps and sparks of fire leap out." The Job quote on the matchbox. The matchbox contained the fly-- it's the equivalent to the ball bearing containing hellfire. Works now on several different levels but one of them then is: And from his mouth (Crowley's mouth/the kiss/the fireball/Aziraphale swallowing the fireball)...

...go burning lamps (the light that goes out in the bookshop when Aziraphale is in the elevator)...

...and sparks of fire leap out. Several meanings:

Literal sparks-- in that Aziraphale can now spit hellfire, like how Crowley did in his body in Heaven in S1.

Sparks of fire leaping out, in the sense that Aziraphale has made the leap-- he is a demon now.

Lastly, though... sparks of fire leap out... as in, Hell (and Heaven) hath no fury like this very, very, very pissed off Angel of the Eastern Gate whose whole thing is freeing those imprisoned by corrupt systems...

Visually paralleling the elevator with a grey wall behind him and light/darkness alternately striping Aziraphale is the 'Aziraphale and God' scene in 1.03, setting up its sister elevator scene in 2.06, where Aziraphale realizes that he has been tempted by Satan and has fallen. (Ironically, a realization about having fallen that happens while going Up in an elevator.)

God: "Aziraphale. (dryly) Angel of the Eastern Gate. Where is the flaming sword I gave you, Aziraphale?"

Aziraphale, unintentionally foreshadowing the fuck out of the plot:

"...must have put it down here somewhere."

Yeah. 😉 Give 'em hell, Aziraphale.

Bonuses:

The awning of a new age/Dawning of a New Age joke. An understanding/a daybreak that begins a new era...

"Oh, listen, I think it's about to happen-- the 'awning' of a new age." Yes, indeed, Crowley. A dawning of a new age was imminent...

...and, finally, if you substitute 'Aziraphale' for his parallel of 'Job' in these sentences, Bildaddy summarized the season endgame quite nicely in 2.02:

#ineffable husbands #good omens #good omens meta #crowley #aziraphale #good omens 2 #good omens theory #aziracrow #good omens speculation #good omens clues #good omens analysis #good omens parallels #long post but worth it #tw suicide #tw depression

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zuko-always-lies · 3 days

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Azula's Strong Emotional Empathy Skills

Often times, people assume that Azula is bad at empathy, or at least emotional empathy. However, I would dispute that, and argue that her compassionate empathy skills in particular are actually extremely strong and off the chart, at least when it involves someone she cares about.

ATLA gives several examples of Azula showing off her empathy skills. The first comes in "The Crossroads of Destiny":

Azula: We've done it, Zuko. It's taken a hundred years, but the Fire Nation has conquered Ba Sing Se. Zuko: I betrayed Uncle. Azula: No, he betrayed you. [She stands up from the throne.] Zuko, when you return home, Father will welcome you as a war hero. Zuko: But I don't have the Avatar. What if Father doesn't restore my honor? Azula: He doesn't need to, Zuko. [She puts a hand on Zuko's shoulder.] Today, you restored your own honor.

She notices Zuko is uneasy, and does a pretty good, if not entirely successful job trying to reassure him and make him feel better.

Next we come to "The Awakening":

[Meanwhile, back at the Fire Nation Capital, Zuko feeds turtle ducks in a lake with some bread. Azula joins him.] Azula: You seem so downcast. Has Mai gotten to you already? Though actually, Mai has been in a strangely good mood lately. Zuko: I haven't seen Dad yet. I haven't seen him in three years, since I was banished. Azula: So what? Zuko: So, I didn't capture the Avatar. Azula: Who cares? The Avatar is dead … [Zuko looks away.] unless you think he somehow miraculously survived.

It's easy to miss out on this with where the scene ends up going, but what's actually the inciting reason for the scene to happen in the first place is that Azula knows Zuko is out of sorts, and wants to reassure him. She knows exactly where he is likely to go when he's sad or anxious, the turtleduck ponds which reminds him of Ursa, and easily finds him there. However, in her attempts to reassure him, she begins to suspect that he's hiding something from her, and the scene gets derailed.

Next up is "The Beach":

Zuko: [Cut to closer view of Zuko and Mai. Angrily.] Doing nothing is a waste of time. [Rises from his seat next to Mai.] We're being sent away on a forced vacation. [Walks over and grips the railing of the boat.] I feel like a child. Azula: [Frontal view.] Lighten up. So Dad wants to meet with his advisors alone, without anyone else around. Don't take it personally.

Azula instantly tries to reassure Zuko here, although she's less skillful about it than in some other cases.

Next up is the famous "Azula apologizes to Ty Lee" scene. As I've argued elsewhere, Azula is very skillful in comforting Ty Lee there. She knows exactly what she needs to say and do to make Ty Lee feel better.

Then, after Zuko gets kicked out of the party, we get this scene

Azula: I thought I'd find you here. Zuko: [Side-view.] Those summers we spent here seem so long ago. So much has changed. Azula: Come down to the beach with me. Come on. This place is depressing.

Azula's empathy is really impressive here. She apparently not only realized that Zuko would end up in a bad funk and cared enough to do something about it, but she also knew exactly where he would go in his depressed emotional state.

We then have the famous "fireside" scene. Azula isn't always the nicest person here, but her ability to understand the emotions of others is on full display:

Zuko: [Turning around.] For so long I thought that if my dad accepted me, I'd be happy. I'm back home now, my dad talks to me. Ha! He even thinks I'm a hero. [Close-up of Azula, who smiles.] Everything should be perfect, right? [Aerial view of campsite.] I should be happy now, but I'm not. [Turning back to the others.] I'm angrier than ever and I don't know why!

Azula:[Frontal view.] There's a simple question you need to answer, then. Who are you angry at? Zuko: [Close-up.] No one. I'm just angry. Mai [Side-view of the three girls.] Yeah, who are you angry at, Zuko? Zuko: [Close-up.] Everyone. I don't know. [Becoming frustrated.] Azula: [Frontal view.] Is it Dad? Zuko: [Close-up.] No, no. Ty Lee: [Frontal view.] Your uncle? Azula: Me? Zuko: [Close-up.] No, no, n-no, no! Mai: [Close-up.] Then who? Who are you angry at? Azula: [Camera pans left, past Ty Lee, to Azula.] Answer the question, Zuko. Ty Lee: [Close-up.] Talk to us. Mai: [Extreme close-up.] Come on, answer the question. Azula: Come on, answer it.

Finally, we have this scene from Nightmares and Daydreams:

Azula: Hello, Zuzu. If you've come for a royal hair-combing, I'm afraid you'll have to wait. Zuko: So I guess there's a big war meeting coming up, huh? And apparently I'm not welcome there. Azula: What do you mean? Of course you're welcome there! Zuko: Oh, yeah?! I guess that's why no one bothered to tell me about it! Azula: Oh, Zuko. Don't be so dramatic. I'm certain Dad wants you there. You probably just weren't invited because it's so obvious you're supposed to be there. Zuko: Well, were you invited? Azula: Of course! I'm the princess. Zuko: And I'm the prince! Azula: Exactly, so stop acting like a paranoid child! Just go to the meeting. Zuko: Forget it! I'm not going!

Although Azula instantly moves to try to comfort Zuko, this is in many ways her least successful scene. She struggles to contain her frustration with Zuko's behavior.

Still, overall Azula displays an impressive record, and shows very strong compassionate empathy skills. However, it's only toward the people she's close to, as she has no reason to display them toward enemies.

#Azula #Azula meta #Zuko #Ty Lee

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where-theres-smoak-2 · 2 days

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I was watching a reaction on YouTube to dune part 2 and when I looked at the comments section there were a few people saying that they didn't understand why chani was angry and felt betrayed at the end of the film, that she should have recognised that Paul's proposal was political and been OK with it. Honestly I was a bit flabbergasted because how do miss the point that badly, how do you get to the end of the movie and not understand why chani is so angry and why she feels betrayed by paul?

Like to me it's very obvious why she's rightly upset and heartbroken and it actually has little to do with paul proposing to irulan, like chani knows it's political and this isn't a jealousy thing, its what the action represents, that paul is making a play for more power. Throughout the film paul makes a series of statements or you could even call them promises that he then breaks.

The first is that he is not the mahdi and that he doesn't want to lead the fremen. He says this at least twice, the first time after his mother drinks the water of life and the second after he and chani make love. He then breaks this promise at the war council when he publicly declares himself the Lisan al gaib and says he will lead them to paradise, making himself their leader.

Speaking of when they made love, in that scene he also promised her that he would always be with her, as long as he breathed, then when he drank the water of life he risked her losing him, she went through that moment of grief and trauma when she thought he was dead. Also he couldn't guarantee before drinking the water that he would survive it, so understandably, she is angry about him taking that risk.

He also promised her that he didn't want power and then he grasped for power again and again, he took on the family atomic arsenal, he took control of the fremen fundamentalists, he made a grab for the throne of the Known Universe when he proposed to the Princess, this was the issue that chani had with paul proposing.

Finally he promised to be her equal. Right before their first kiss she tells him that here on arrakis they are equals and what they do is done for the benefit of all. His reply, his promise to her is that he would like to be her equal but come the end of the film he has placed himself in a position of power over her and her people as the Duke of Arrakis and as Emperor of the Known Universe. Not only that but by asking for the princess' hand he has placed a foreigner, another woman in a position of power and control over chani and her people. The cherry on top is that paul also then commits her people to a holy war that most definitely does not benefit them.

I think the fact that a few of these promises made were done at vulnerably open and emotional moments between them, their first kiss, after they've just made love, makes him breaking them even more painful for her. It's like it now taints those moments because now whenever she thinks back on those moments she'll be reminded of those promises he broke.

I think the situation is so much more complicated than just the man I love has proposed to another woman and now I'm smad and I think that was made really clear in the film. If a guy made you a series of promises and then broke everyone of them you'd be upset. If that same guy had found his way into your heart, if he knew how passionately you felt about your people and how much you hated this prophecy and then still embraced the role of prophet and used your people for his own gain, you'd be upset. Him proposing to another woman was the least of her concerns. Sadly I think the only promise paul does/will keep is the last one he makes her, that he'll love her as long as he breathes, but it's not enough.

And I'm saying all of this as a die hard paulxchani fan who hopes they somehow find their way back to each other.

#paulchani #paul x chani #paul atreides #chani kynes #dune part 2 spoilers #dune part 2 #dune part two #dune part two spoilers #dune

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not-poignant · 1 day

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I didn't understand how it was possible to be doing so much work, and I'm glad you're finally taking a break ❤️

To be fair, I am lucky that I type very fast! I've had an awful lot of practice writing and so I'm faster at it than someone who is starting out or even someone who is 5 years into a writing career.

That being said, I have no idea how I was doing so much work as well. Prior to 2023 it was normal for me to only be working on 2-3 stories at a time (with around 5-8 chapters a week max, and my main story updated only once every 2 weeks). Not the amount I'm doing now. Things exploded with Underline the Black and my lack of impulse control (as well as the appeal of offering side stories) meant I started up two more stories alongside it. Then calm Palmarosa and Constellations and suddenly I had a lot on my plate that I felt like I had to be regularly committed to.

I was pretty burnt out prior to getting Toby (our puppy), so on that side of things, I was a little too ambitious in thinking I'd be able to juggle everything.

I have known that like, once certain side stories finish, my schedule quietens down and I think what I've been hoping for is like 'just hold out until this finishes, and then this finishes, and then this finishes. Just hold out.' But my stories take some time to complete, and 'just holding out' means sometimes waiting 1-2 years.

So yeah instead of doing that I'm going to try something sooner. I was doing the week break from Underline the Black in 2024 but it just hasn't been enough.

So like, I am very lucky I type fast! When I'm comfortable, I'll always be prolific to the point that at least some people will be like 'I don't know how you do that' - a lot of that is just experience. My typing speed is around 120-140 words per minute and I can comfortably finish a 3,000 word chapter in about 2 hours (with room to think / imagine what is coming next etc. and pausing to reread sections for clarity). Sometimes faster. Sometimes slower if the chapter is challenging. On very good days, I can write 2 chapters in a day. The last time I had a day like that was March 11th.

Editing takes me a lot longer though, and weirdly so do things like the Birthday Spotlights. I think I really underestimated how much time each one would take to do in terms of the graphics + hyperlinks + finding quotes etc.

I'm still going to be writing here and there over the next two months. But even just an update/posting hiatus and a slow down will help an indescribably amount. The reality is I haven't actually done very much at all this April and I still feel very overwhelmed (even more so because I knew I was running down my buffer of chapters for May/June), so taking the next step, and hope that's enough!

The good news is I've taken hiatuses before and I've always come back afterwards raring to go, and I'm hoping that's the case now too. :)

#asks and answers #personal #pia on writing #i just stepped on my puppy's back paw by accident #he was behind me and i didn't see him and he yelped #and i feel so bad #we'd just done some really good training sdlfkjas and i'd told him to wait on the mat #and he slipped in behind me lol #anyway i'm like 'i write fast!' 'but also actually yeah anon this is completely insane'#part of me is like 'if you were superhuman you could smash UtB behind the scenes #but i am not superhuman #i did plot it out though and i know it's finishing around chapter 135

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justsomeopinions · 2 days

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Some thoughts/comments on the Sunshine Court bc I'm going INSANE

- I have no idea how Nora manages to create characters I care so deeply about

- This bisexual French bitch is MY CHILD

- Despite the drama the gay players keep making me cry of laughter

- Like Neil telling the FBI that Jean got beaten for being a French idiot

- Is he autistic??? I mean when he finds out that Jeremy is gay he puts it in a very neurodivergent way (and Jeremy's "more exclusively than you" bc this guy is NOT subtle)

- Cat and Laila you have MY ENTIRE HEART

- "Jean knew better than looking at a man for too long"????? Kevin Day you better watch your back

- The frustration of people slut shaming him when he was literally SAd (good for him for saying he's better than the whole lineup without fucking anyone)

- Kevin and Jean being so complicated, but caring about each other above everything despite everything

- Jeremy absolutely losing his cool when he heard Jean say his name with the accent

- Jean thinking Kevin is sabotaging him for making him live with hot people is the funniest thing I've ever read

- I love Jean not hiding his attraction towards Jeremy

- Jeremy asking him to tell him if he ever feels unsafe (bc he knows about his history and is worried that Jean will be uncomfortable if he's attracted to him)

- And Jean only saying he doesn't feel safe when Jeremy was trying to get him to tell the truth about his injuries, IT KILLED ME

- And "letting go of Jean was the hardest thing Jeremy had ever done"

- Kevin was so much more sane from Jean's perspective lol

- Also Jean asking if Cody was safe

- When he looked at Jeremy after going to the salon and just said "blonde"

- Lucas is a fucking idiot, like not even bad, he's just stupid, I mean wtfdym BAD BREAKUP????

- "Drake was not a biter, then" MY MOUTH HAS NEVER DROPPED AS MUCH AS IN THIS SCENE

- And Neil immediately getting rid of the r*pist

- Glad to see Neil is still an absolute menace

- Anyway I can't wait for the second book, AO3 will be my bestie in the meantime

#aftg #the sunshine court #tsc spoilers #jerejean

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alwaysakin · 3 days

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Buffy the Vampire Slayer Fanfic Rec

Guys I have so much useless fanfic knowledge -- one of my friends asked me for a list of Buffy fics and this happened.

Non-Buffy Centric, One-Shot Fics

Potential Friend by srmcd1 - a cute little ficlet that looks at what might have happened if Jesse lived.

Age Difference by Amina - for all the Oz fans out there! A time-travelling Oz gives Buffy a new perspective on life and relationships. Slightly Angel-bashing.

All that I wanted was just to be haunted by you by chasingfictions - After the events of "The Body," Jenny's ghost bullies Giles into moving in with the Summers girls. This one made me BAWL.

Appropriate conduct by The_Eclectic_Bookworm - an increasingly angry series of memos between Principal Synder & Jenny, Giles, and the other teachers of Sunnydale High. Absolutely hilarious.

i belong to time, you belong to me by chasingfictions - Dru knows when she meets Spike, that he will fall in love with a slayer. She forgets, until she doesn't. Beautiful, poetic, and very Dru.

One Girl in All the World by zedpm - a trans!Buffy AU, where she was born in a boy's body and is still the slayer. A beautifully done AU, with Oz and (surprisingly! Riley) as particular standouts. Minor Spike/Buffy.

The Holy Grail of Buffy Fics: Long, With a Focus on an Ensemble Cast. Absolute Masterpieces.

hit rewind by untiljanuary - Hands down, the best Buffy fic I've ever read. Buffy (from some time in season 6, but unclear when), is sent back in time to season 3. What makes it so interesting is that it's from everyone else's perspective! The author writes Cordelia, Willow, Faith, Angel and Spike in particular so well. Lots of interesting character work, though the plot hasn't deviated too much from canon so far.

Ships: Buffy/Spike, Angel/Cordelia, Willow/Tara, Anya/Xander. The Buffy/Angel ends on mutual terms.

two roads diverged (and that has made all the difference) by RoseyPoseyPie - a Buffy season 5/Angel season 2 crossover. Hoping to escape Glory, the Scoobies end up in Pylea with the Fang Gang. This fic is absolutely hilarious (the scene where everyone gets high and drunk together is a notable standout). The author writes Anya, Lorne and Cordelia in particular super well. Dawn and Angel's dynamic is also amazing.

Ships: Buffy/Spike, Angel/Cordelia, Anya/Xander, Willow/Tara.

don't know how to stick around, but I wanna by chasingfictions - a series in an alternate universe where Faith, instead of going to prison, joins Angel Investigations. Very Fang Gang centric, but really builds up their family bond. Darla, Faith, and Wesley were stand outs to me in this.

Ships: eventual Faith/Buffy, and minor canon pairings. Faith briefly pursues other girls, including Darla.

Best Spuffy Centric Fic

wouldn't it be nice? by SummerFrost - an alternative universe, where the will-be-done spell in season 4 goes a little differently, and Spike and Buffy start a slow crawl towards friendship that becomes... something. So soft and sweet. Has two sequels, and the season 6 one in particular is WONDERFUL.

Every Letter That You Write Me by othellia - the obligatory fandom soulmate AU. Young Buffy is absolutely adorable in this one, and Spike and Buffy's relationship is bittersweet, raw, and believable.

Choices by lafillesauvage - An AU. After Season 5 of Angel, Spike becomes human. Angel does not. Buffy still chooses Angel, and these are the consequences. Slightly excessive Angel bashing, but the characterization of Buffy and Spike, and little notes like Buffy's relationship with Giles being slowly fixed and Willow getting a non-Kennedy girlfriend are great! Buffy/Angel with a happy Spike/Buffy ending.

The Darkling by OffYourBird - the iconic time travel Spuffy fic. Buffy goes back in time and meets Spike... in the 1970s. His slow path to redemption starts differently, with tons of interesting changes in the timeline. Be warned, this one is LONG and smutty. Shout out for making me believe Giles/Anya could work as a couple!

Inside Man by HollyDB - An Angel season 5 fic. Spike calls Buffy. This shows all the things that change when Buffy has a spy on the inside of the Fang Gang. Follows canon up until the last episode, but provides fun context.

Short, Cute Cangel Fics

give them all that they can drink by eagle_eyes. The one where Cordelia is ace. Amazingly written, and the Cangel relationship is so soft and believable.

Another Chance by NikitaDreams - After the events of Angel: the Series, Cordelia travels back in time. Focus on Cangel and Connor. Lots of cute family dynamics.

Halloween Happily Ever After by GeckoGirl89 - cute, mutual pining between Angel and Cordelia in season 3. Angst with a happy ending. Really highlights how oblivious Cangel were to each other's feelings.

#buffy the vampire slayer #fanfic rec #cangel #spuffy #angel the series #bvts

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moghedien · 21 hours

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honestly I'm just constantly obsessing over the Lae'zel romance scenes, but like I think I've finally decided which version of the duel (you winning or her) I prefer from just like a character standpoint.

because in the moment I went back and forth with both versions because I wasn't sure, but then ended up staying with the version where I win, and I think that's my preference now because it just feels like a subtler but more intense mind fuck to Lae'zel if you take everything that happened up into this point into account.

and do not get my wrong, i think the version where she wins is absolutely a mind fuck to her for many reasons, and I do love it. like her realizing that you aren't weak and she's like horrified at having hurt you and that very concept confusing her? amazing. we love her for it.

but if you win the duel, I feel like that forces her to recontextualize soo much more if you played the romance how I did at least. because basically any time she told me to submit, i did. I never tried to be the dominant one. I never even really teased her for being soft in certain circumstances or got snarky with her or got upset when she'd be like possessive and demeaning.

and I imagine that the githyanki sex rituals dictate that like the weaker one is submissive one and so obviously Lae'zel was the stronger one your relationship and if you did nothing to dissuade her of that fact then you obviously agree. there's no love or preference in it. There's just like desire and physical need and ability that decides who's doing what.

and I feel like this is backed up by the conversation when you can turn the one night stand into a two night stand, where she's like "you look weak and pathetic when you look at me. you look terrified." And also the fact that you can request that she stay and cuddle you afterward in that scene and she's like, baffled and upset by that suggestion. She calls it pointless grappling and a waste of muscles. like sex is combative to her. If you're not fighting for dominance or directly getting off in that moment, then what's the point? and if you embarrass her by suggesting she's never cuddled before, then she tries to get back at you by pointing out that she killed some kind of creature and you haven't. like do not get it twisted. dominance in sex is like expressly tied to actual strength and weakness outside of sex to her.

So if you win the duel? If you've been unquestioningly letting her dominant you in every sexual encounter and then only to turn around and fucking annihilate her in battle the first time you're actually going head to head, 1v1?

Imagine how much that must fuck with her perceptions what your relationship has been up until this point.

Because now its not even just her realizing that she has feelings for you that she doesn't know how to deal with. Oh no. She's realizing that every single time she's told you to submit and you did, its not because you couldn't dominate her. Its not because you were afraid of her or thought you were weaker than her. Its not because you couldn't flip things around on her. its not just that you were so lustful toward her that you submitted just to be able to have sex. It's because you specifically wanted to be the submissive one and you wanted her to do what she wanted with you.

You coulda kicked her ass at any time. And you never even tried. You never even hinted at it.

and god, the cuddling? You didn't want that just to distract or as some trick to exhaust her? You just wanted to cuddle? you wanted to be soft and hold each other just for the sake of it?

and the fact that its only after the duel that she asks you to be gentler with each other now and she says its the most terrifying thing she's ever done just kinda hammers that home for me. Because she realized it isn’t weakness that makes her (and you) want those things. It’s still scary to ask for though…

Like I'm just saying, if you've just unquestionably submitted to her and then you kick her ass, then she's not just grappling with the fact that she's having feelings. She's grappling with the fact that you've been having feelings this entire time and were much more aware of it than her, and that didn’t make you weak, so maybe it doesn’t make her weak either?

#lae'zel #bg3 #baldur's gate 3 #lae’zel

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rojacatmisa · 20 hours

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Starting over in Madrid

Chapter 1 Chapter 2

Holà, this is chapter 3. Not sure about the trigger warnings but I don't think it needs one. I think the way I want to tell my story works better by leaving some suspense. Let's say it's a slow burn and obviously and they will make out one day, so at a time there will be some explicit but not crude scenes.

Reminder : I'm french. Don't hesitate to tell me if there there's very strange sentences or things you don't get. Sorry I hope to get better by keeping writing.

Chapter 3 : Calmly panicking

"That one’s actually very good, Hayley !" The camera screen displayed the goalkeeper in the air, her jumping body suspended as she grabbed the ball in her gloves. Droplets of sweat nimbed her forehead and spred all around her. Her thick brows were frowned in the effort. In addition to her beauty, what made the photo stood out was the technically tricky to capture action of Misa s’moving body.

Things were surprisingly going well at the Ciudad. Nothing had changed between Misa and I and as I was getting very fond of my job, I had commited for it to stay that way. We were having photo lessons almost every day after training sessions. We were occasionally joined by the northern girls Sofie, Freja and Caroline. But most of the time, it was the three of us that sat in a pitch corner, talking for hours until the staff would finally kicked us out of the stadium.

"Thanks Nicky! I’m thinking about buying a camera, I love photography for real!." Boasted Hayley.

"You should, teacher says you’re ready". Hayley has indeed proven herself an implicated student. She had applied my technical advices but she had also been willing to experiment on her own. As a result, she was showing she had a taste for moving models and lights effects. Sometimes she would take neat actions with sharp details, sometime she’d rather set the presets to create blurry scenes where the bodies outlines melted in the background.

As to Misa… well Misa’s photos were Misa’s. She was having a hard time to concentrate and her taste level was really questionnable. She would put too much grain or contrast. Every shots were oddly framed. When I tried to guide her toward subtler artistic choices, she would say "Pero me gusta el efecto !" or "Vale Nicky, but I am the artist" with her now well known over the top manners. Misa was much: pretty, athletic, funny, goofy… and stubborn. She was doing everything at a hundred per cent, perhaps except listening.

So, I have been rather irritated when she sat on the grass, ostentatiously sulking because I had not compliment her own work. Hayley, of course, wasn’t helping. "Maria Isabel hasn’t done her homework but wants to be praised!".

"I did but teacher doesn’t like me !" She moaned.

"Maria Isabel should be in detention." I said calmly.

"Por qué !? No !" She shot me an offended look and grumpily crossed her arms on her chest.

"Porque no escuchas nada and teacher is fed up." I was clearly enjoying myself at teasing Misa with the most calm.

"You don’t like my style, that’s all." She laid on her back, arms still crossed. Hayley walked over her, bent and angled the camera into her face and started taking pictures of the moody girl. "It’s because you don’t have one sweetie" She said. Misa opened her mouth wide, outraged. She rolled over on her belly, hiding her face from Hayley unceasing photoshoot. "Come on Misa! I’m sure you can do better, you’re not even trying!"

"I may have one last idea to help Misa get it…"Both head turned to me." There is a photo exhibit at Matadero Art Center just now. Maybe we should give it a try. And Misa will find what she likes."

"That would be great !" Said Hayley. She had stopped taking pictures and was now sat besides the goalkeeper. Misa moved to the side. "I already know what I like" she said frowning. We stared at her, eyebrows raised. "All right, we’ll go to your museo…". She sat up still pouting. "But before…" She stood up and reached out to me with an incredible speed. She easily heaved me in her arms and had me laying on my back before I got to know what was happening. "Misaaaa what the fuck ?!"

Misa, on all four over me, smirked and pined me to the ground with her strong hands. "Let’s switch roles ! Hayley come over and take some silly photos of Nicky for a change !" I was laughing hard and… getting aroused by Misa topping me. Her firms grasp and her weight were burying my hands into the grass. A naughty smile appeared on her beautiful face. "Let me go !" I shouted. I was breathing hard from struggle against her and from growing frankly excited. Hayley clicked madly on the camera trigger. She couldn’t see Misa’s penetrating gaze. Was it me or was she breathing harder too while keeping me lying down didn’t seem to cost her in the slightest? I closed my eyelid, too aware of the lens focused on me to look Misa in the eyes. Too turned on by everything that was going on… appart from the oppressing clicking noise and Hayley’s presence.

"I think we’re good and that it will be ugly, I promise" I heard Hayley. I felt the pression of Misa’s hands disappeared. I opened my eyes to find Misa had straighten up. Her legs on each side of my waist, she was peering down at me intensely. "I think you deserved that" she said, satisfied.

"I don’t think I deserved that much" I responded, catching my breath.

"You two, go get a room it’s becoming embarrassing ! Cuidad is closing, we have to leave". I had almost forgotten Hayley. Her voice was taking me back to reality. We both smiled nervously.

Misa got up, held out her hands to help me standing. As I took them she pulled me a bit too strongly, I lost balance and landed against her. My mouth touched the base of her neck only a second. She smelled a mix of sweat and perfume. She steadied me in her arms an instant. "I just saved the teacher, does it mean I’m no longer in detention ?" She released me. She hadn’t lost her smirk.

I composed myself again and took my authoritarian tone at once. "You are grounded for a month, both of you ! And in detention at the museum without question!"

***

I have called Angela on the evening. I have felt the urged to talk. Not especially about me. I just wanted to feel the connection with my best mate again but surely the conversation topic went on my new footballer friends.

"… and you’ve given them photo lessons almost every day ? Wow, Nicky I didn’t know you had that kind of patience !"

"How you would you know Angela, Madrid is changing me. I am a much more sensible and patiente personne."

"Still hard to believe… Anyway, I’m glad you hang with them. I like this Hayley, fuck the clause I would have seen you getting together. She has a sensitive fiber like you and seems fun !"

"humm, no Hayley’s a friend." I was laying down in my bed, calling Angela for at least an hour and a half now. I pictured Hayley in my mind. In derry, she was the total package and the two of us were really getting along well. But as pretty as she was, I wasn’t attracted by her. I was, despite all my efforts, always caught up with my attraction to Misa. Her poor photographer skills and moody behavior were so endearing to me and I felt more and more charmed by the goalkeeper’s whole personality.

"Nicky are you there ?" I didn’t realized I had stopped listening.

"Sorry ? What ?"

"I was saying I admire you, just being friend with such hotties ! I couldn’t !

"Yeah, incredible right ?! I closed my eyes, I was sure Angela had heard the nervousness of my tone.

"Oh no Nicky !? Which one ?!" I was smiling. It felt good she knew me so well.

"You won’t believe me…"

"Spit it out !"

"It’s Misa…" I was gazing at the celling, my absent smile widened as I spoke her name.

"Misa?? But she seems… I mean you don’t seem to have a lot in common."

"I know, anyway I shouldn’t even think about it…"

"But you do… ?"

I heavily sighed. Misa’s smirking face appeared in front of my eyes. "Yes… but I also think about the clause, the fact that I’m bound to it, that my working visa depends on this job that I love, and so is my lease…"

"Ok ok Nicky it’s alright, calm down. You’re finding a girl cute, what a big deal? You’re at least allowed that ! You are not doing anything wrong, you’re not doing anything at all, relax !"

"You’re right" As usual, Angela had found the words to reassure me."But still, fucking clause !" I sweared.

"Fucking clause…" echoed Angela.

***

I received a message from Hayley on the morning before the exhibition visit.

My family are paying me a surprise visit just now. They came from Sidney I had no idea !!! This is crazy sorry for the museum I really wanted to go but I’ll spend the day with them. Im so happy

I answered it was ok and to enjoy her family time. Then I texted Misa.

"Hayley’s family’s just showed up and she can’t come. Do you still wanna go ?"

Misa’s text bubble appeared and disappeared a few times leaving me wondering what answer I was wishing for.

"Do I have the choice ? I thought it was my punishment…"

I grined, loving her playful side. Or was she … flirting ?

"You’re right but teacher would rather you go to your detention willingly."

"huh teacher wants a lot. What else teacher wants from me ?"

I gasped. She was flirting ! My mind ran wild, imagining the numerous things I craved from Misa. I breathed out deeply, tried to focus again as I pictured myself fiery kissing her. I had to take control of my brain again. I had to bury the surging wave of desire I felt at the simple idea of Misa wishing to give me what I wanted.

"Teacher wants you to have a good time" was the most diplomatic and sober answer I could come up to. I quickly added "See you then" to put a stop to that dangerous conversation.

"I’d say let’s see what’s going to happen. See you Nicky"

Wow, she was going for real ! How the hell was I going to survive the afternoon ?!

***

I was gulping down hard when I joined Misa at the entrance of Matadero Arts Center of Madrid. I felt so tensed when we hugged but Misa appeared to be her usual self. Once again, she gave no sign that something was going on between us and once again I wondered if I hadn’t misjudged her intentions.

We headed inside. The center was formed by many huge bricked houses which happened to be old slaughterhouses. None of the previous gloomy functions of the place has remained, it was now very pleasant to walk in the large aisles between the red buildings. In the middle of the afternoon, the sun was knocking hard on our heads. Misa was looking all around us, her hand above her dazzled eyes. "It’s a shame I’ve never been there before, living all these years in Madrid"

We reached the exhibition hall a few minutes later. I bought the tickets. Misa was following me closely. She clearly wasn’t in her element as we moved forward inside the vast hall. The exhibition was called "Deportes: fotografía en movimiento" and shown various approaches of taking picture of athletes. I was surprised to see Misa very focused. She looked at each photo, paused a long time when she seemed interested or intrigued by something.

"Misa, look at this one" The framed picture was showing gymnasts doing incredible acrobatic tricks. "Look at the geometric composition, that's what I was trying to explain about framing." Misa shook her head with enthusiasm. "I think I get it now, yes. But I have found what I want to do."

She took my hand and led me to a more hidden corner where another series of photos were displayed on the walls. "Wait, what ?" I let out. There were cats and dogs on every pictures, and even a baby pig. "They are the athlete’s pets" She said happily. She hasn’t let go of my hand. "I think I want to photograph animals, or nature." She came to face me with the cutest smile, and thought I had severe doubts this was going to help Misa progress technically, I replied "Yes! Ok! Let’s give a try on naturalistic photography!".

She smiled more widely, her hand still in mine, and her fingers softly stroked my palm while she loosened her grip. I started to panic. Her lips has worn a more discreet smile as she was watching me unsurely. She took a step forward. I had to react quickly but I didn’t want her to feel rejected.

"Come on, I’m taking you to the park along the river. There is plenty of birds and plants for you to shoot." I grasped her hand back to take us out of the hall and out of the prickly situation.

However, as we arrived at the park, I realized I had put myself in an even more perilous condition. The sun was setting. A light breeze was blowing in the trees. Birds were melodiously twitting nearby. An empty bench shield from the view was waiting for us at the end of a very lovely flowery path. I tried hard not to look at Misa. She was walking close to me, unusually quiet. I dared to take a look at her. She caught my side-eye and a shy smile appeared on her lips. What did I do? She was probably getting all wrong, imagining I had picked such a romantic place on purpose!

We reached the oh so welcoming bench. None of us spoke as we sat. I starred at the distance. I was feeling my heart pounding hard in my chest. Misa was looking at her laps, timid all of a sudden. I had to say something.

"You should try to shoot those flowers for a start" I tried as a diversion. "The red and bleu ones that look like the Barça kit. See, I’ve learnt about football." I added wanting to diminish the growing tension. "Oh no Barça please…" She rubbed a hand across her face. I had clearly said the wrong thing.

"Sorry, I didn’t mean to upset you" I put my hand on her shoulder. Her long hair was partially hiding her face. "Do… do you want to talk about it ?" I said hesitantly. She tensed.

"You don’t know about the Clasico. We keep loosing against them every times and honestly, I’m used to it. It’s ok even though I’m doing my best but…" her voice trailed down as she took a deep breath. "Next Clasico is one week away and that’s the finale of the Copa de la Reina." She lifted her head to look me in the eyes. "I don’t know if I can take the pressure this time..." She was talking so openly to me. The fierce and funny goalkeeper was allowing her unsecured part to finally surface. And that was when I realized I cared for her.

I took Misa into a hug. She sighed and buried her face in my neck. "You can do it Misa. I don’t know you for very long but I am certain that you can." She stayed there, her heavy breathing gently blowing my hair. "I really want to win!" She almost cried. "We keep doing better but we haven’t won any Spanish championship! Quiero ganar ostia!" She lifted her head again and I stopped hugging her. I was glad to see a frustrated grin back on her face. "You can do it! Hala Madrid! I feel part of the family now." I genuinely said to boost her up. She let out a soft laugh and ran her fingers through her hair. She took my hand again. "Gracias" she muttered. Her brown eyes found mine again. Her expression was so soft at this very moment. Her gaze went down to my mouth. I wanted to kiss her so bad. Her slightly parted lips quivered. My chest was about to explode as I was slowly moving my face closer to hers.

At that precise moment, a loud buzzing sound came from Misa s’pocket and had us both jump in fear. Misa straightened herself and took her phone out. I sled appart on the bench, breathing out a mix of relief and deep frustration.

"Holà Jenni" Misa answered in a slightly irritated voice. "no, no conozco las noticias…" She rolled her eyes at me. I was too shaken to be amused by the situation. Misa and Jenni kept on talking on the phone. In fact, it was more like Misa was listening to an unstoppable Jenni. I wasn’t getting much of the quick flowing Spanish of Misa. Besides, I was once again buried deep in my thoughts. My heart and reason were battling heavily against each other. Misa was getting seriously annoyed the call wouldn’t finish. She was founding hard to even speak a world between the endless sentences of her best friend. She turned for me to read the word "Perdón!" on her lips several times as I scrolled mechanically on my phone.

Minutes went by and night started to fall when Misa finally hung up. "I’m so sorry I should never have taken that call !" She sighted. I got up quickly "No prob. But it’s getting late, we should get going". Reason had won over heart for now. Or at least, chance had buy me time to really sort things out. Misa looked up at me, surprised. She hadn’t expected that. This time I didn’t dared to even take a glimpse at her. As I gave her no reaction, she let her head fall down in her hands. I heard her taking a deep breath before she finally stood up and started following me.

Lulled by the light swing of the train, a part of me had cooled down. An other part was going crazy for real. Misa was wanting me. A calm, almost pleasant panic have filled me entirely on the way home.

#woso #misa rodriguez #espwnt #fanfic #futbolista #real madrid femenino #spain wnt #misa rodriguez x reader #misa rodriguez fanfic #woso community #woso fanfics #woso imagine #womens football #hayley raso #fanfic art #woso blurbs #woso x reader

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hualianisms · 2 days

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TGCF Audio Drama Ep 12 pt 2: XL gambles himself in exchange for one night of HC's company

[context: see part 1 translation. basically, after the Gambler's Den dice-throwing scene, SQX & LQQ need a distraction to investigate Ghost City, so XL gambles against HC to cause a distraction. XL asked for HC to accompany him for one night as the prize if XL wins. HC has just agreed.]

HC: Alright.

Ghosts: (shocked) Chengzhu agreed!

HC: However, what this gege seeks is of considerable value. It's also my first time.* Accordingly, the stake you bet on must also not be arbitrary.

XL: Of course, it cannot be arbitrary.

HC: However, there's a small matter gege must be reminded of. The last thing gege has on his person, he has already lost to me yesterday.

XL: Ah… Yes indeed. Please wait. I will search again. …Um… I…. Here… (searches his sleeves and pockets and finds nothing)

Ghost 1: I say, Daozhang, if you really have nothing to gamble with, why not just use your clothes to gamble with? Every time you lose one round, take off one layer of clothes!

HC to ghost 1: Shut up.

Ghost maiden: Daozhang, what is that which you're wearing on your neck?

XL: (takes out the necklace of HC's ashes) Are you referring this?

Ghost maiden: This ring looks like a really amazing treasure.

XL's thoughts: This is what San Lang gave me…

HC: This gege, do you wish to bet on this ring, and gamble with me in a game of victory or defeat?

XL: …I can't do that.

HC: Oh? Why not?

XL: This item is far too precious, it cannot be carelessly handled and disposed of.

HC: It's been given to you, so it's yours to do with as you please. Why can't it be carelessly handled?

XL: That's all the more reason I can't. This is the kind of gift I do not accept. If I do accept it, then of course I must treasure it, only then I can be worthy of the sincere intentions behind it. How can I possibly use it to gamble, and squander it away frivolously?

Ghosts: So that's how it is, there's even these sincere intentions behind the gift!

Ghost Maiden: But this can't be used, that can't be used, then Daozhang, what do you have left?

XL: (Sheepishly) …It seems… The only thing left is me.

HC: Alright.

XL: (blinks) …What?

HC: You.

Ghost maiden 1: Wonderful! If you lose, you can sell yourself and come here to wash clothes and fold bedsheets for old Chengzhu, serve tea and pour water for him!

Ghosts: What a great idea! Yeah! Yeah!

SQX: You'd better not agree. This bet has no winning odds!

XL: Alright, I will place my bet!

HC: (chuckles) Great.

Ghosts: Xiao Daozhang, you will definitely lose!

SQX: (gloomily) This time, we're really done for!

XL to SQX: Don't worry. This time I might not lose. You guys, go quickly [to investigate Ghost City].

[Translation notes:]

*This line is likely also innuendo (subtextually). the CN line here literally means "It's also the first time for me", which on the surface mean HC's first time accepting such a request. But the subtext seems to imply it can also mean HC's first time (sexually). The ghosts clearly interpreted the sexual meaning as they were gossiping later in this episode that "Someone wants to gamble for Chengzhu's 初夜!" 初夜 refers to "wedding night" i.e. the first night of a marriage where the marriage is expected to be consummated for the first time.

Essentially HC is saying, since XL wants something of such great value' (HC's company; subtext implying HC's first time), then XL must also give something of equal value i.e. "You". I interpret it as HC deliberately trying to leverage the value/rarity of XL's request as an excuse to get something just as intimate from XL in return. The way HC said "You." was so slow and seductive hahaha

Bonus: there's also a part later in this episode where the ghosts are gossiping and hilariously misinterpreted. A ghost said "I heard that Chengzhu's brother wants to gamble him and steal away his wedding night" (aka first time) 😭 As that line is from the uncensored revised novel, I assume MXTX wrote it to make fun of how censorship wants to turn hualian into just Very Good Bros.

#tgcf audio drama #hualian #xie lian #hua cheng #my translation #tgcf audio drama spoilers #unfortunately i cant translate the actual xl vs hc gamble bc its a whole ass game of 5 riddles (sort of)#where xl uses too much literary/classical style of speech thats way above my pay grade 😭😭#when I'm free I'll translate the part where XL lost and basically says he hands himself over to HC (since he had betted himself)

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lttawnymadison · 1 day

Text

TGCF Revised Version Afterword by MXTX

Since I kept seeing snippets of this, I wanted to read the whole thing for myself. I'd already bought the book on JJWXC and did an MTL for this. It's so wonderful that she's back and sharing new things and that the revised is finally done! - Tawny --------------------------------------------- ■ Finally done!

Long time no see! It's another afterword starting with "finally." Without further ado, seasoned readers would know that I make substantial revisions. For instance, scenes like the Bai Feng Mountain Hunt and the ending recognition of Sizhui in the serial version of "Mo Dao Zu Shi" were not originally there.

The revisions in "Heaven Official's Blessing" are the most extensive of all my works. It was a huge project, as it is also the longest in terms of length, serialized over eight months. Due to poor health and other reasons, the revision process was interrupted for a long time before I picked it up again, and it sporadically took about five to six months over several years.

In the era of web novels, there are endless new entertainments, and honestly, not many people re-read a story. Plus, some problems in the serialized version are structural and can't be changed, but I still tried my best to address my regrets. After all, when I was serializing it, I was almost always in a feverish and sick state, barely pushing through. Additionally, I often enjoy comparing different versions of my favorite authors' works back and forth, finding pleasure in the process. So, for readers, discovering "Wow, this part has changed!" is like starting a new journey with Easter eggs in a second round.

■ The new revised version includes about 100,000 words of new content!

These 100k words are mainly concentrated in the latter half of Volume 1 and Volume 3, but there are plenty scattered throughout the text. For example, I fulfilled a promise to A-Hua, giving him several new outfits. Seeing A-Hua dressed beautifully in a new hairstyle to meet his gege made me happy.

In terms of the intensity of revisions, personally, I feel it goes like this:

Volume 1 and Volume 2 > Volume 3 > Volume 5 > Volume 4.

Additionally, the new version cuts some redundant words and plots that weren't very meaningful. However, I tried to keep all the original interactions between Hua Lian as complete as possible. If some minor interactions are missing, they weren't deleted but moved around.

■ One day, I suddenly dug out something.

An antique from 2017, a folder called "Heaven Official's Blessing Setting Collection."

Curiously, I opened it and read with interest.

● Comparing the original setting outline and the main text, the highest fidelity is in the main storyline between Hua Cheng and Xie Lian.

A-Hua, restored at a ratio of 1:100.

Hua's character setting is the most detailed, and virtually every point made it into the main text, including details like "ghosts don't like the sun, so Hua Cheng sometimes drapes a red cloth over his head"...

Points not used, listed a few:

As a child:

· After being saved from falling off a city wall, he foolishly followed a parade over and over again, grabbing people to ask, "Who is that? Who is that person?" People told him, "That's the royal son, the future Celestial God, the most outstanding Crown Prince of Xianle Nation ever!"

(This point couldn't be used because in the text A-Hua was held in the Crown Prince's arms after being saved)

· At home, he was often punished to stand or kneel, not given food, and wore old clothes, accused of stealing money. Whenever he argued with his family, he would stubbornly sleep in the Prince's temple overnight.

· Went to Mount Tai Cang to volunteer sweeping red leaves at Huangji Observatory, just to sneak peeks at his future wife happily swinging.

After becoming the ghost king:

· One of his hobbies is buying and building houses everywhere.

· Very protective of his leather boots, would (badly) polish them until they shone.

· To other devout followers of Xie Lian, he said: "You have good taste."

· Secretly prepared many betrothal gifts for his beloved god, wanting to marry him!

The character setting of Xie Lian as a teacher in the serialized version compared to the initial draft, the serialized text subtly differs. The initial draft was more... exquisite and elegant, very serious. The serialized text is more... humorous. I think perhaps because some plot points were tragic, Xie Lian thought he should be happier to make the readers more relaxed, so he drove me to adjust his mental state! But due to the spiritual oppression at that time, the character's depth was not enough, while in the new revised version, I hope he can show a more self-content state on the same core basis.

Excerpts from the unused original setting:

· Super easy-going. Easy-going means: if given fifty bucks, he would happily dress in drag and dance. Accepts haggling. Thirty bucks works. Twenty bucks too!

· The observatory is small, the house is broken, wants to grow flowers. Leaks during rain, so he uses a bucket to catch rainwater.

· Because he can't afford a caretaker, he cleans himself, and also feeds chickens. Chickens eat flowers. Keeps a cat.

· Completely engrossed in discussing serious matters, he unknowingly finished all the broken sweet dumplings!

● Water, Earth, Wind original setting:

The highest fidelity is the main line between Hua Cheng and Xie Lian, followed by the Water, Earth, Wind subplot.

The main conflict hasn't changed. Just... how could the original setting of Water, Earth, Wind be so dark and terrifying!

The character morals in the main text improved a lot, otherwise, the original Black Water would be sheer scheming + murderous! The ending for the Wind Master would have been more tragic.

The Plain Speech True Immortal [TL note- maybe this is the Venerable of Empty Words - 白话真仙] suddenly became an improvised character. It seemed like an ancient fable-like monster, making the main text more interesting than the original setting.

Overall, the formal version is a bit better written than the original draft.

● The unfortunate life of Lang Ying:

Lang Ying? Is there such a character? I don't remember!

Ah? It seems there was such a person, but I don't remember any of his plotlines.

This is most people's feeling towards the character of Lang Ying. It's not a delusion because he barely had any significant plot. In fact, any valuable scenes could have been replaced equivalently, so in the new revised version, I deleted this character.

But, in the 2017 setting collection, I suddenly found that I had actually opened a separate document for Lang Ying, and his role was defined as a "growing-type BOSS!"

I was silent.

And immediately opened the document, curious about my initial setting. A "growing-type BOSS," how did he become someone whose deletion went unnoticed...? (I even don't know how to address him!)

Who knows, perhaps out of excitement, I accidentally pressed the wrong shortcut, and somehow it became irreversible, leaving only an empty document for me to stare in disbelief. The once "growing-type BOSS" has now forever become a mystery!

This is the unfortunate life of the deleted Lang Ying.

· There was another document in the setting collection called "Swordsmith." I opened the document and read it with interest.

I was shocked. Because I completely forgot I had conceived this story. Why didn't I write it?!

Darn.

I know why I didn't write it. This story... it had no ending!

——————— Thus, the magical glimpse into the "Heaven Official's Blessing Setting Collection" concludes!

■ I like men with stories!

Maybe because I watched an outstanding work as a child. It was a memoir, the protagonist in the biography was gentle and affable, and the protagonist in the memories was cold and ruthless. The story was scattered with the poignant fragrance of white plum blossoms amidst bloody and stormy circumstances.

This almost perfect work deeply influenced my aesthetics, leading me to be most interested in the memory parts of characters in various works. Although many viewers prefer the present scenes, often asking when the memories will end, I actually find these intense and painful memories to be the most fascinating!

A story is the history of a character, as well as the key to their personality. A person with a story stands before me like a puzzle. The way to solve this puzzle is to understand their story. Because the biography makes one curious to know more about a character they like, loving them more now because of their past. When serializing "Heaven Official," my greatest pain initially was telling myself, "This time I don't want to write a memory slaughter," deliberately trying to avoid a structure similar to previous works, yet I still hadn't found a better way to express it, resulting in my deep dissatisfaction with the later part of Volume 1. I was also hesitant to fully commit to the memory scenes in Volume 2, and with the heavy mental burden, this part was very painful to write. When revising, looking at Volume 2 was almost unbearable, because I'm the type of person who, as a child, would immediately switch channels when a TV show's protagonist was about to be wrongfully accused or embarrassed. I couldn't help but knock on a friend's door and ask:

Me: Was the author suffering some kind of mental trauma at the time? This negative energy is too horrifying, the protagonist is so pitiful, I really admire anyone who could read through Volume 2 completely.

Friend: Do you even have the right to say that?

But the memory slaughter in Volume 4 was much freer, written in one breath, so the revisions for this volume were also the least.

So, will you still write large segments of memory slaughter?

Um, well, we'll see, haha, hehe...

■ Closing Remarks:

Lastly, I'll address the question some asked me, "Will the new revised 'Heaven Official's Blessing' be more torturous?"

Me: You're talking nonsense. 'Heaven Official's Blessing' is a sweet pampering story, thank you!

Acknowledgments:

Shi Nai'an wrote in the preface to "Water Margin": "On snowy nights, about five or six people listen to my storytelling; on rainy days, about seven or eight; on bright and sunny days, about ten. I read, everyone listens, and we are all happy, with no other thoughts." When I read this as a young person, I was delighted. What divine days! Writing first to entertain oneself, then to entertain others. Self-expression and self-acceptance are certainly primary, but the affection of others is also a significant positive feedback. Thus, first, I thank the steadfast readers who have accompanied me all this time. I've thought about just walking away amidst the noisy disputes; abandoning the account amidst the tumultuous world! It seems not bad. But looking back, I can't bear to leave some truly sincere readers.

I've had authors I liked disappear from the internet, and I always feel like a part of my youth has vanished, a feeling quite distressing, reminiscent of overly grand and harsh things like the tears of the era or the torrent of history. So, I want to accompany my readers as long as possible, hoping that the day of parting comes later. Perhaps I'm not good enough now, but I will strive to be better in the future. Or perhaps you've never truly understood what kind of person I am, or even completely misunderstood me, but as long as you genuinely like my stories, we can sit down and chat.

And, I must mention my friends, who can be described as having the courage of a hero. Long time no see, Teacher Changyang's illustrations are still as beautiful as those of a celestial being, I hope Teacher CAS can go to bed earlier and worry less, and Teacher Kuohao, who despite a heavy workload, still fully honored our agreement. The "Heaven Official's Blessing" radio drama is really fantastic! It reminded me of the original intention of writing this story, and I was very moved. If it weren't for the silent companionship and efforts of these old friends, Mo Xiang Tong Xiu might have stopped writing back in 2016, disappearing from the world of martial arts, and thus, "Heaven Official's Blessing" would not have been born. I look forward to retracing the paths we once walked together when gathering ideas. And many friends who reached out to help and encourage me, thank you for accompanying me through the snowy nights.

#tgcf #tian guan ci fu #hob #heaven official's blessing #墨香铜臭 #mxtx #mo xiang tong xiu #天官赐福 #tgcf revised version #mine

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