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#also this was just going to be a sketch but then i went wild with it
atanxdoesstuff · 2 days
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nejisasu doodle! a universe where the hyuuga's slavery bs doesn't get ignored and Neji and Sasuke are better off for it (and also they're married)
#digital art#naruto fanart#artists on tumblr#hyuuga neji#uchiha sasuke#doodle#nejisasu#sasuneji#i personally have hit them with the aspec and qpr beam#but it can be read as romantic lol#sasuke is totally a huge ass brat in a happier world#but like in an adorable and funny way#i really wanted to draw sth digitally so i just went through my sketchbook and drew a scene i liked#also i experimented with brushes a bit because normally i start with a flat ass no texture colour layer#and i think csp did not like that because when i first exported the file it was like 21 fucking MB#like normally my pngs end up around 5 MB#and the canvas was the same size#i figure since there was no real continuous plane of colour more information has to be saved? anyway i scaled the png down by like 50 perce#this is inspired by an au of mine in fact the sketch i adapted was for that au but i decided fuck it#vanilla characers (-ish) it is#yall i cant fucking believe how the hyuuga side branch is treated in the series#and how sasuke is treated!! kakashi fr acts like hes a spoiled brat when his entire family was murdered and he was fucking tortured#and has been alone since he was like 7#yeah he is a bit of an ass but spoiled??#also kakashi fr saying in the prelims that the hyuuga are konoha's best clan like excuse me what dojutsu do u have in ur eyesocket??#its wild ive been reading naruto parallel to writing my fanfic for the first time and its certaintly... something#also the sandaime going like each person in the village is my preicous person uhuh each person except all of the uchiha apparently#and except the hyuuga side branch. and all the people sent on traumatising missions#and all the people he lets danzo kidnap and brainwash#and naruto who he let grow up all alone. and all the people he sends to die fighting for a perpetual cycle of violence :D fun stuff!
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keeps-ache · 2 years
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i finished the got darn piece i am i am i am
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geezmarty · 6 months
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ooo what inspired your tav design? like did you go in with a specific character in mind, or did it come from playing around with the character maker?
Oh boy ok. You’re about to find out just how insane I get over RPG character creation. “marty you don’t have to disclose it” I can’t believe you guys are forcing me to do this.
SO, I actually started bg3 with another character entirely, a ghityanki bard, which I thought would be fun and for a bit it was! But I wasn’t feeling crazy about her and when I play an RPG I love to turn my PC into a proper OC I can be obsessed with, so I restarted the game and before I went to character creation I literally sat down with a sketchbook and started brainstorming.
I wanted my pc to have an aesthetic of her own separate from the main companions but I also wanted her to blend in with the rest of the cast, I went for dark urge bc I heard that it gives you a personal quest and I landed for half drow and wild magic sorcerer, which is another class no major companion has (and also, I’ve always wanted to play wild magic even in regular dnd and this was a nice excuse to!)
Her aesthetic pretty much came up as I was sketching her and thinking about all the info above, what could set her apart but still feel like she could blend in? And most importantly, what would be fun for ME to draw? And so I went for witchy goth woman and luckily the design I sketched was very easy to reproduce in the character creator - and the rest came up organically as I drew more of her.
(I also named her after my very first dnd character Brigha, a half orc warlock, and it’s only after I finalized her design that I realized I’d borrowed some elements from hers eheh)
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Witch goth was especially fun to play with bc I feel like most companions have a goth vibe about them but we’re missing the mean, spooky, feminine witch archetype (yes, morrigan from dao was part of the inspiration I love my wife <3). You could argue that Gale sort of fills the witch role already but I feel like they stand very nicely at opposite ends of the witch spectrum which is also fun considering their wizard-sorcerer one sided animosity.
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sneakertin · 6 months
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if anyone is still interested in the bounty hunter tentoo au, here's my huge little ramble about it!! it's a bit wild. sorry not sorry.
also, there's some more details in this post, in case anyone missed it.
and here's a couple of sketches, of course^^
ok so. when tentoo finally finds thirteen and yaz it's almost like an episode-style kinda story with him as the villain of the week, simply because i think in this format. after he has his hysterical little explanation of everything that's happened the doctor is visibly traumatized and yaz is profoundly concerned. predictably, he tries to kill the doctor(but not yaz). they manage to get away, and now she has to tell yaz about who tentoo is. she basically sits her down like a grandpa and tells her the entire long ass story. reasonably, yaz has very conflicting emotions about him. yes, his story is heartbreaking and all, but he does want to murder the woman she loves?? anyway. tentoo soon finds them again. he's a very tough enemy, maybe one of the toughest the doctor has ever met. he spent years preparing for their confrontation, he has her memories and her mind, her thought process. not only that, he knows all her weak spots and all her insecurities(he's a bit like the master in that respect). at first it seems like he's always a step ahead of them, but that soon changes. after all, he is extremely mentally unstable. he has been running on spite for the last ~15 years, and the doctor is much older than when they last met. he may have her memories, but she had plenty of time to gain new ones, to become wiser. this goes on for a while, tom and jerry kinda shit, but tentoo looses in the end.
also, there's this little scene where he stumbles upon the tardis while chasing the doctor and yaz. he sees her, stops dead in his tracks. he hasn't even realised how much he missed her. he approaches slowly and feels a faint presence in his mind. his telepathy is very weak, his time sense practically gone. he leans his forehead against the door and tardis welcomes him. he almost cries. that's the first friendly telepathic contact he's had in years. he feels at peace as he reaches for the door handle and.. it doesn't open. he tries again. she doesn't want him there, he realises. anger rises in him. he kicks the door.
"Oh, I see how it is. You want to protect her. You know that I'm going to hurt the Doctor. I mean, of course you do. I don't know what I was expecting."
he gives her one final, longing look before leaving.
initially, he dies during their battle. killed by his own weapon or something like that. it's all very dramatic and tragic, he forgives the doctor right before dying and asks her to live the life he couldn't. she gives him a gallifreyan funeral. she and yaz hold hands as they watch his body burn. the doctor has a strong sense of deja vu.
BUT then i thought that i don't want this story to end so soon because i need something to think about during the day, and i'm not ready to let go of this au yet. so, i made tentoo travel with thirteen and yaz!! this doesn't make much sense but it's fun so i don't care. the doctor feels insane amounts of guilt over tentoo and she desperately wants to make it better(it's a rather selfish decision, very typical of the doctor). and tentoo probably just realises that the doctor is not nearly as evil as he thought all those years. meeting her in the flesh reminded him of when he was her, of the fact that he never did anything out of any malice and yet people still blamed him for the things that weren't his fault. he's completely burned out, all the fight leaves him. on a subconscious level he just wants some company, wants to travel properly again. and after all the shit he went through, the doctor is probably the only person who can understand him. so, to his own surprise, he agrees. yaz is not too excited about bringing a serial killer aboard, but she sees the potential in him.
their battle was messy. his spaceship is destroyed, and it feels like the end of an era. they walk back to the tardis in silence, there's rubble all around them.
he realises, as he stands in front of the blue box, that he's trading one stolen spaceship for another. that brings a laugh out if him and yaz gives him a weird look. by that point, the doctor is nearly vibranting with excitement.
"Ready to see what she looks like?"
right, the tardis must have redecorated. he nods. the door makes a familiar creak as he takes a step forward. his jaw drops.
"Oh, you gorgeous!!"
he rushes ahead and moves around the console, touching the corals and admiring their colours. yaz is a bit shocked at his surge of enthusiasm. he seems so... doctor-like, she thinks. yes, his smile is manic and his eyes are filled with pain. his face is marked with a scar and there's nothing but an empty space where his right hand used to be. but in that moment, he is human.
slowing down, he runs his fingers along some buttons with a solemn expression. he lifts his gaze up at the moving column.
"I'm sorry for kicking you. You were doing the right thing and I... I was just upset that you didn't let me in. You understand, don't you?"
the tardis makes a low, gentle noise. he smiles.
"I missed you too, old girl."
he startles a bit when the doctor approaches from behind.
"I take it you like her new look." she laughed, awkward. "Erm, listen, I wanted to ask... About your name. Or, the lack of one. We couldn't very well keep calling you the instantaneous two-way biological metacrisis, could we? Now that you're not trying to kill me anymore, you could be the Doctor ag-"
"No!" he blurted, suddenly. "I mean, I... I don't wanna be you. I'm not you." she stared at him, open mouthed. "I think I wanna be my own person now. Fresh start, you know? Not the Doctor, not the Verisian Slayer or whatever it was that they called me." he looked lost, scared by the thought of his own future, but determined.
"That's the spirit!" she grinned and slapped him on his back. he grimaced. "Sorry. Anyway, we still need to come up with a name for you! How about good old John Sm-"
"Absolutely not!"
"Alright. John Handy?"
"Be careful, I might change my mind about not trying to kill you. By the way, you owe me a new hand." he angrily flapped his empty sleeve at yaz. she raised her hands in defence, laughing. she felt a bit guilty now, for nicking and breaking it earlier that day. oh, what a mad day that was.
"I'll make you a one! Back on the topic, how about James? You know, like Jamie Mccrimmon."
his shoulders sagged and she saw his eyes fill with memories of an old friend.
"Yeah, I think I like that."
...
AHEM!! got a bit carried away there. this thing nearly turned into a fic, but i'm not a writer so it's probably very messy. i don't wanna pull the "english is my second language" card so i'll just apologise for the ungodly amount of grammatical nonsense. sorry.
ANYWAY, they start traveling together and it's literally the most dysfunctional friendship ever. you may be thinking: "how is this gonna work? are they just gonna forget about the fact that james spent the last ten years killing people left and right?" well, he can't be any worse than the master, right? but he is a very troubled character and he spends a lot of time trying to recover from everything that's happened. the doctor and yaz are there for him all the while.
as for their relationship... basically, the doctor is very protective of james. as i said earlier, she feels directly responsible for what happened, even tho he doesn't really blame her anymore.
also, damn. that name change is very sudden, isn't it? i still can't tell if it's cringe or not. but i don't want him to go back to being the doctor, so it's not like there's any other options. the way it works is that he doesn't actually reject his past. has the memories of being the doctor and even tho he didn't actually live through them, to him it feels like he did. he was the doctor up to a certain point and then he became an entirely new person, albeit with a mutual past with her. he finally embraces his humanity. during their travels he is surprised at how refreshing it is to be in the role of the companion, to not be the doctor anymore. he no longer feels the weight of all the responsibilities and expectations that come with that bearing that name. people no longer blame him for every little thing gone wrong, for the most part. he's relieved to feel that kind of freedom, but at the same time he feels sorry for the doctor who is still being treated like that, and probably always will be. tho he is faced with his own bad reputation occasionaly. someone recognised the doctor and james once and called them "the doctor and their personal assasin".
relationships, yes. james has no problems getting along with the doctor, for obvious reasons, but he and yaz take some time to get used to each other. in the end, they bond in a way that i can't really explain. he sees right through yaz, and it kinda freaks her out. he immediately recognises the exact kind of relationship she has with the doctor and oh boy, he turned himself into a fucking matchmaker. you'd think he'd be horrified at the prospect of the doctor falling in love with a human again, considering the massive trauma he has regarding this topic, but no. i guess that as a human he takes it much easier this time around. he is mortal, and so is yaz, and that kinda makes her seem less fragile to him.
OH!! i forgot to mention the little running gag i came up with. so, every now and again james gets his prosthetic broken, or stolen, or eaten or absolutely obliterated in the most unpredictable comedic way possible and he gets soooo mad every time. at one point they meet the pting again... you can guess what happens.
oh, i was also thinking about bringing jack into this whole mess because i'm obsessed with tenjack, but i'm still not sure about that. i was just wondering how different their relationship would be if the doctor was human. we already know that jack loves the doctor and will probably never stop. but james doesn't have much of his time lord senses left now and therefore he wouldn't be able to feel jack's "wrongness". moreover, he spent years with barely any human connection and now he's desperate for it. most importantly, the majority of the doctor's relationship hang ups are based on their immortality, and guess what!! james doesn't have that anymore. he's not the doctor, he's changed, but he still has the memories. jack is still his friend. with nothing holding james back, i truly think he would be able to return jack's feelings. or maybe I'm thinking to much about it. maybe i just everyone to be gay, who knows?? i honestly don't know just how weird it would be if they were together but, my god, i just want them both to have some comfort, something that goes farther than friendship.
anyway, jack joins the dysfunctional trio post revolution of the daleks(for him) so he already knows thirteen and yaz. you can imagine his shock when he sees james. james is no less surprised. a wave of insecurity hits him and he immediately tries to explain to jack that he's not who he thinks he is. that's he's not really the doctor, that's he's that weird little guy who grew out of The Hand. jack hears his words, but goes for a hug anyway. james sighs in relief. at least he doesn't have to deal with rejection again. he's also startled to realise that jack doesn't feel wrong anymore. it's supposed to be a bad thing: his mind can no longer sense the timelines. but instead of panicking about it, he just chooses to relax in his friend's embrace. the doctor looks at them, and smiles.
...
aaaand that's all i have for now!! when i tell you i nearly died trying to convert all my loose thoughts into a semi-comprehensible text. you a real soldier if u read all that. hope you enjoyed<3
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firespirited · 1 year
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It's always funny to me how a company says "we own everything an employee makes even on their own time" when the employee can just...
not tell them. Sit on it until they're unemployed.
well... about that... Carter Bryant waited until his contract was over before pitching the full Bratz concept while trying to get work elsewhere.
When Bratz made it big, someone at Mattel did manage to remember he had at some point vaguely tried to pitch a teen doll line and it'd been rejected and they went digging. In court, they used the fact that he'd done some sketches on the free notepads they hand to their designers as evidence it probably wasn't done on company time but on company "property".
For a while there Mattel owned Bratz until the decision was reversed. And you might be thinking like I did, ah good the property reverted to its original owner.
Nope, Bryant gets nothing. MGAe are using the work he did in the early 2000s on the repros and he gets nothing. Both big doll companies won't employ him. Same for Garrett Sander: he sells artwork of "teen monsters" and does conventions.
It was part of their job to keep coming up with ideas and pitch as many as possible but it's also part of their job that they're disposable as designers... but if they pitch old ideas there's a chance it could result in litigation. I can't be certain but I think Sanders is hamstrung by having worked extensively on the (non cartoon) She-Ra: he couldn't pitch a warrior princess, magical girl or superhero line to any company without Mattel saying they own it or some design elements like a cape and sword combo, look they have these files in their vaults!
This, from companies that copy liberally from each other, from celebs and from fashion. The whole thing is absurd. These two designers have less ownership over their work than your local painter.
So a doll designer can't sit on anything unless they keep their ideas in their head and it's literally their job to be not just spitballing but sketching ideas all day and the company will only produce a few (but own them all).
I don't know many many industries this spans but it's wild: imagine Disney suing Taika Waititi for a new film he wrote the super basic outline for while he was bored on a plane for a press conference for Thor 4 because he used a company rental tablet to rehearse for questions and send himself an email, what if it had jokes he pitched in a writers' room at some point not knowing someone was keeping minutes?
Steven Sumners currently works for MGAe but I've been following on flickr since the 2010s and he's worked at Spinmaster, Mattel and Hasbro. They're expected to bounce around the industry as doll lines come and go but somehow keep the ideas flowing but also locked in their heads? Also no royalties, no copyright. Baffling.
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freuleinanna · 2 years
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It's always trauma o'clock somewhere! Especially for these kids who had to come home and lie about why they returned from the camp a day later. They hardly had a chance to unpack the recent trauma, but I think this is how the HQ massacre affected their lives afterwards.
Jacob, as many others, chose a half-truth and told his parents that some jerk broke the car to stay with his girlfriend. He omitted the part where that jerk was him. Couldn't bear that guilt.
He was a decent swimmer and wanted to maybe take it professionally, but the next time he found himself at the pool, he completely froze at the signal. He never dived in that day. He stared at the blue-tiled water, and he saw the chains and the overblown body.
He found Emma on Instagram and, for a while, he was checking it obsessively, hoping she'd talk about what happened or mention it in some way, any way. He wanted to stop being so alone in knowing the truth and living with it. Emma never did that.
Emma, actually, fell silent for almost 2 months after her return. She'd speak the bare minimum, but never an actual conversation, never a joke. The happy, bubbly girl simply wasn't there. Her parents even took her to a teen therapist with little to no result.
Emma had stopped streaming for a while, although she still kept her Insta. One time she almost posted a selfie from that day, before the nightfall. Almost.
Some time later, she set up a really non-Emma-esque live stream. She was sitting in silence, looking at the sunset, the comment section was overflowing, and sometimes Emma would pick a question to answer from there. Many thought she was doing some sort of spiritual cleanse. She only spoke without a prompt for the first time when she saw Abi joining the stream.
For Abi, it was nightmares. That simple, that efficient. Dark forests, mist, dangerous beasts lurking around. What else to screw with the sleep of a sweet, tender person?
Movies on the background didn't help. Music didn't help. Drawing made everything worse, because in every shape, form, and shadow, beasts were lurking. Whenever she'd pick up a pencil to sketch, she left monsters on the paper. Wherever she looked, she saw monsters. Monsters always looked just a little bit like Nick.
It went on until the night she looked Emma up on Insta and, by pure coincidence, got to her live stream.
Nick blocked most of it out. There wasn't much to remember, but some memories still bled through.
He became the snack guy, the guy who always had something to chew on. It was a small quirk nobody was really paying attention to, but its trail led back to the only thing he did remember: hunger.
Whenever he emailed, Abi never replied.
Ryan, on the contrary, was replying to and receiving a LOT of emails. He was the one to send all the evidence to the Bizarre Yet Bonafide studio, and he also kept in touch with a few other Hacketteers, including Kaitlyn and Dylan.
Another thing he did is meticulously go through all his favorite media (TV & films mostly) and unbooked/deleted everything that dealt with guns being shot or vivid descriptions of wild animals (or their victims). This took him several hard days, but he finally felt safer when he did it.
He only watched something new if Dylan watched it first and gave him an okay.
Dylan, as opposed to Ryan, consumed horror content like his life depended on it. At some point, he even had a special notepad with details of how to defeat or protect yourself from all supernatural dangers and their mother. He kept this notepad on him at all times and often re-read it.
Getting used to not having a hand was slightly easier than he expected. What wasn't easy? That one time when his dad asked him to bring him sth to work. His father, a crane conductor on a construction site, did not expect his grown son to have a full-blown panic attack over a pb&j.
On the other hand (his joke, not mine), he got really close with Ryan and Kat, and they were planning a getaway together.
Kaitlyn was the one to propose the getaway. Despite the general total mindfuck, she managed to keep a cool head on the night of, and, surprisingly, it didn't cost her a hand and a leg (her joke, not mine!)
Thus, she became a healer. Reaching out, making sure. Helping. She didn't make it her sacred goal to help all others, but she tried, and that's what counts.
She kept tabs on Jacob especially. She knew he'd never ask for help. He didn't have to ask. That's what best friends are for.
Max never met any of those people, except Emma. That one time he bit his lip and nearly puked because he thought he remembered the taste of blood.
He topped his steak-cooking up to inventing the well-well-well-done steak without any possibility of there being blood.
Mostly, he just wasn't sure if he knew his own nature anymore. As the whole night was blocked in his mind, he could only trust Laura. And he did. The fact that she looked at him even more lovingly than before told him that if she trusts him, if she loves him, than it's okay.
Laura did trust him and loved him. But she also ran a gazillion of drills per week and kept at least two take-and-run bags in the house, and one in a special place. Clothes, flashlights, crackers, compass, you name it. She was an amateur that last time. Now she was ready for anything.
She took up running as well. She continued with vet studies. Even years after, the first thought that sprung to her mind if someone was butten by an animal was: CUT THE FUCKING LIMB.
Max kept her grounded with his laugh and his honest, sincere warmth. She could have gone really cold inside if it wasn't for him.
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maniculum · 29 days
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Bestiaryposting Results: Slagzogg
This is, interestingly, our third consecutive Beaſt that's actually a common everyday animal pretty much all over Europe, including the area where this manuscript was produced. This is interesting to me because the three are handled very differently. First we had the salamander, which I'm pretty sure got mentally separated from the actual animal somewhere, probably because people use different terms for the real-life amphibian in different regions and languages, and not everybody is going to recognize that it's just the Greek word for the same animal. Second we had the deer, which it seemed like the manuscript producers did recognize, because the illustration is clearly a deer... but elements of the entry are just nuts (As @sweetlyfez said, "How do you make up this many wild myths about a guy you live with"). And now we have the [redacted until end of post], which is just given a completely mundane, if engaging, description with the only weird part being the symbolism attached to it.
I think it might also be our first domestic animal -- the entry even talks about the difference between wild and domestic varieties -- which seems like it's worth noting.
Anyway, as usual people who don't know what I'm talking about should check https://maniculum.tumblr.com/bestiaryposting. The entry this week's artists are working from can be found here:
This is another one where I almost didn't put it in because it seemed super obvious what it was, but the artists have done a superb job not drawing that. Excellent work on everyone's part, and it can be found below the cut:
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@silverhart-makes-art (link to post here) shows us both a domestic and a wild Slagzogg; the design of the domestic one makes me think of fancy pigeons, which I think is a pretty good direction to take here. The vulture-like faces really improve the design also. Very good birds, and you should go check out the linked post to hear about the design decisions and real-life inspirations behind this one; I think it's pretty interesting.
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@pomrania (link to post here) observed that, though the entry mentions beaks and flight, it doesn't actually say "bird", so they can draw a pet dragon and have it fit the description. Fair call, and I think it turned out well. I like the contrast between the fairly dignified-looking creature on the left -- this is a Slagzogg who is on its way to win Best in Show -- and the sketch on the right of someone forcibly preventing it from getting into a fight. If you check out the linked post, you can see Pomrania's progress thread for this design.
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@coolest-capybara (link to post here) has made the eminently-understandable decision that if they're going to draw a bird with no specific anatomical details given, it's going to be a potoo. On the left we have three domestic Slagzoggs socializing, and on the right we have a wild one perching alone. I like how this incorporates the symbolism of the entry: we're told that the wild type is meant to signify people who choose a religious life ("those who keep apart from this world wear the modest garb of penitence"), and this wild Slagzogg does look a bit more serious and... monastic? Like, that bird is a nun. (Also, thank you for including alt text.)
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@cheapsweets (link to post here) also went with the direction of "well, it doesn't say 'bird'," and so we have this really charming image of a medieval person feeding their domestic... pterosaurs. Love it. Honestly, these alternate visions of the Middle Ages where people have entirely different domestic animals than our timeline are really appealing to me. Too much Dinotopia as a child, perhaps. Anyway, check out the linked post for substantially more detail, it's worth it. In fact, everyone reading this should just go ahead and follow all of the bestiaryposting participants. (Also, thank you for the alt text.)
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@strixcattus (link to post here) is clearly thinking of the modern day's feral pigeons, formerly the result of selective breeding by pigeon fanciers. We can see the "fancy" domestic version on the left contrasted with the wild version on the right. (I think it's interesting that everyone who's drawn both has put the domestic Slagzogg on the left and the wild Slagzogg on the right.) Anyway, as is usually the case with Strixcattus, the writing included in the post is absolutely worth your time and you should read it. And again, follow them, as well as everyone who has ever contributed to bestiaryposting. Go do it; you won't regret it.
Now, to the Aberdeen Bestiary.
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Beak shape aside, these are clearly geese.
I think the degree to which people guessed that varies somewhat; Strixcattus made a post suggesting they were leaning "pigeon", but Pomrania probably clocked it, because they described two Slagzoggs fighting as a "hissing match" despite hissing not being mentioned in the entry. I have no idea where everyone else landed.
Honestly, what I find interesting about this entry is that it's pulling symbolism while remaining pretty much entirely grounded in reality. Check this out:
The goose marks the watches of the night by its constant cry.
Okay, I don't know to what degree it's useful in marking time, but I don't doubt that geese make noise at night.
No other creature picks up the scent of man as it does.
That one I'm not sure about.
This next bit I cut because if anyone knows Roman history they'd nail it right out of the gate:
It was because of its noise, that the Gauls were detected when they ascended the Capitol. Rabanus says in this context: 'The goose can signify men who are prudent and look out for their own safety.'
Okay, that might be less history and more legend, but still, people know it, I think.
There are two kinds of geese, domestic and wild. Wild geese fly high, in a an orderly fashion, signifying those who, far away from earthly things, preserve a rule of virtuous conduct.
I can absolutely see medieval people looking up at geese flying in that V formation and going, "look how orderly these birds are; clearly they are virtuous creatures."
Domestic geese live together in villages, they cackle together all the time and rend each other with their beaks...
Yeah, that sounds like what geese would do in a village.
All wild geese are grey in colour; I have not seen any that were of mixed colour or white. But among domestic geese, there are not only grey but variegated and white ones. Wild geese are the colour of ashes, that is to say, those who keep apart from this world wear the modest garb of penitence.
This bit falls into the category of "I believe it, but it does not accord with my personal experience." Because if you told me that in Europe they had a variety of different aesthetically-pleasing domestic goose breeds, I'd have no problem believing that. And I'm sure some wild geese are gray. But I live in North America, so to me wild geese look like this:
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And domestic geese look like this:
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But again, I have no difficulty believing that the experience of the medieval Europeans was different from mine.
What really sticks out to me here is the fact that the characteristic behavior of domestic geese is to make noise and get in fights -- I think the Untitled Goose Game would have made perfect sense to a medieval audience.
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(After the Smithfield Decretals)
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oobbbear · 1 year
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Ello! I love your work!! Question, how do you come up with your au's and designs so easily? Also, catch!! *Throws you lots of love and support and runs*
Okay so my process is a little bit all over the place, they are not easy but they are hella fun, here we go ->
Most of my ideas come from shower thoughts and 2 am random spark of inspiration
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Once I have a general direction of where I’m going I go research related info and reference photos for designs
I often do a few silhouette designs and see which one I like the best (I value shape language more than anything and I don’t know why)
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Then I give the silhouette more details
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I should be doing a sketch before line art but for time reason I skipped it
Here are the final designs
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They went from ✨magical mailmans✨ to messagers who travel between life and death
The coloring part go ask anyone else other than me I have no clue how I color
The small comics and lore came to me when I was brain storming ideas idk it just happens
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Boom, now you have the base of an au, now go wild have fun with your imagination
I suggest reading books about ‘story writing’ and videos about ‘how to make character designs’
AUs are often completely new stories using the base of a pre existing character so learning the basics of story creating is the key to it
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bunnymajo · 6 months
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Time to fill out that OC questionnaire but for Thistle this time!
He'll be in the @sonic-oc-showdown so be sure to give him a vote!
Name: Thistle the Tenrec
Species: Highland Streaked Tenrec
Home: Central City
✨How did you come up with the OC’s name?
Since he’s inspired by Amy I wanted to pick another prickly flower name. Thistle flowers can have a lot of negative connotations in flower language just as much as positive ones (aggressiveness, unwanted intrusion). If roses are known for being noble and lovely, thistles are more wild but pesky, they’re also hard to let go if you end up stuck by one. The image of thistle flower suited him the more I thought about it.
🌼  - How old are they? (Or approximate age range)
Same age as Surge.
🌺- Do they have any love interest(s)?
Currently Surge and only Surge. He’s had previous partners but they usually don’t last very long. Current record is 1 month.
(The only tragic thing about Thistle is that he's not trying to be the worst boyfriend ever. He really wants to do good but he's too self-centered and stupid to realize that he's the problem)
🍕  - What is their favorite food?
Key Lime Pie, he likes anything tart but sweet.
💼  - What do they do for a living?
Works part time at a flower shop in central city, he’s actually quite popular with customers. 
🎹  - Do they have any hobbies?
Flower arrangement and astrology charting. Loves reading romance novels and watching old classic movies even if he gets the meaning of them completely wrong. He’s good at baking and also spends a lot of time online on social media. He’s a jack of all trades and always ready to learn something new to get closer with people in his life. He’s here for you. What more could you want from a guy :)
🎯  -What do they do best?
Anything that’s considered traditionally feminine Thistle excels at. Baking, shopping, event planning, crushing your enemies. But even with all of that he’s incredibly good at finding information. Does his new crush have a favorite band? Well Thistle just doxxed every band member and knows the rest of their schedule for the next 3 months.
🥊  -What do they love to do? What do they hate to do?
Thistle likes doing anything that will get him lots of compliments and attention, especially if it’s something he already finds fun. He’s the type to get really wrapped up in tedious side project so probably mapping out his and Surge’s life together via astrology 
Hates doing something that doesn’t serve him in some way, like doing volunteer work for strangers. He also isn’t much of an adventuring type unless it’s to chase Surge down, he’d rather not though, he’d rather keep her tied down close to him and they can live a cozy domestic life.
Running around beating up robots getting sweaty and gross and for what? just to protect the masses? Awful, blech, Sonic can have that. 
❤️  - What is one of your OC’s best memories?
One time he and Surge accidentally shared a soda, therefore doing the incredibly scandalous “indirect kiss”. She vaporized the soda can to destroy the evidence and then punched him in the gut when he told her. He passed out for about two days.
✂️   - What is one of your OC’s worst memories?
His first relationship was an online one where the other person ended up blocking him and then publicly warned other people about his creepy behavior.
Thistle made one of those “am I the asshole?” posts about their relationship and everyone in the forum went “yeah, you were totally the asshole.”
Thistle deleted all his accounts and started over. He learned nothing. “It’s the forum that was wrong, they were all just jealous.”
🧊  - Is their current design the first one?
There’s a few initial sketches I did to get the overall idea going and there’s a few minor tweaks but he’s basically the same design as when I started.
🍀  - What originally inspired the OC?
It was a bumblekast question asking about what a glitch Amy would be like and I liked the answer so much I wanted to develop it into a real character. 
I really like aggressively-in-love characters like this in media actually, something about them being not shy at all about the person they’re in love with leads to a lot of funny or interesting situations, also since Surge is my favorite sonic character at the moment it’s fun thinking about how she would react to someone like this too. It’s a win-win situation for me lol.
🌂  - What genre do they belong in?
The villain in a shoujo romance manga
💚  - What is your OC’s gender identity and sexuality?
Identifies as male, Pan, he/him/they pronouns
🙌  - How many siblings does your OC have?
Zero. Probably for the best because he’s terrible with children.
🍎  - What is the OC’s relationship w/their parents like?
He’s an absolute mama’s boy when she’s around. (It should be noted that Thistle doesn’t really have a tragic backstory or bad childhood. He really is just like that for some reason.)
🧠  - What do you like most about the OC?
Thistle can be a lot of things I like about male characters (a goober in love, not afraid to appear “feminine”, a polite good boy, twisted priorities) and also be the worst person I’ve ever wanted to write thoughts for. He’s a very fun punching bag.
✏️  - How often do you draw/write about the OC?
Probably too much haha, I don’t usually write a lot of actual terrible people so he’s a refreshingly fun rom-com villain.
💎  - Do you ever see yourself killing off the OC?
It’s funnier if he stays alive imo. If Surge ever changes her ways in canon or something drastic happens to her he might lose interest in her and move on to his next victim, that’s about as close as I’d ever get to “killing him”. It would have to be a very drastic personality change though.
💀  - Does your OC have any phobias?
Whatever the fear of being unloved is. 
To him, being loved by someone is the ultimate goal. “I can love so easily, why is it so hard for someone to stay in love with me? I must not be loving hard enough, I need to love someone who craves love just as much as I do. Yes, then it would be the ultimate romance”  - is basically the rationalization here.
🍩  -Who is your OC’s arch-nemesis or rival?
I mean probably Amy, not just for Surge’s sake, Amy will fight anyone she finds being a selfish creep in the name of love.
In Thistle's mind anyone who even smiles in Surge's direction is a rival. She's spoken for, who do they think they are??
🎓  - How long have you had the OC?
A little over a year!
🍥  - What age were you when you created the OC?
33
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loregoddess · 9 months
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As promised, the theory heights of the Octo2 crew based on my best guess from the official arts. These are not canon heights (or headcanon heights), they're my best theory for the general heights the art team was using based on recurring heights in official arts.
I used several official arts, but this was the main art I used for ref:
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This is (currently) the only official art where all the characters are standing more or less on the same plane, without being too far in front of or behind others. Also they're spaced out nicely, which made sketching mockups of their proportions much easier.
I also went ahead and threw my lineup onto an actual height chart (US system, sorry) to try and guess at their heights, and got...these:
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Again, these are super not canon (or headcanon), and even for theory territory this falls more into the wild speculation side of things. But this was my best guess, since placing Osvald in the 6' range made Agnea and Hikari way too short. Ochette is a beastling, and as far as I can tell they have a different set of proportions as well as anatomy, so I'm assuming her smallness (which is very consistent in official arts) is intentional on the art team's part.
(I also didn't include Ochette's ears in her height estimate, but it should be noted that while I used the concept arts from the artbook bc they provided the most consistent "character is standing in an upright pose" artwork, Ochette's ears are actually a bit larger in all official non-concept artwork).
Anyhow, I also included my entire process for how I extrapolated under the cut. As a treat.
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So I started with the main art I showed above and drew out quick mockups measuring each character from the top of their head to bottom of heel, not counting heels on shoes. For characters in dynamic poses, I sketched out a quick "puppet" using major anatomical points (head, torso, hips, knees, heel) as guidepoints, which I then "straightened out" separately to figure out the "height" (as seen with Ochette, Partitio, Hikari, and Throne; I forgot to save a copy of my Osvald sketchover but since his stance was so wide I knew he was going to loose a bit of height if I didn't sketch a puppet).
Agnea is mostly upright, but she's leaned forward a bit, and I wasn't going to be able to figure out how tall she was if she wasn't leaning forward with a puppet, so I gave her a bit of height in her mockup using my best guess as an artist for where the top of her head would be if she wasn't leaning forward. I took the same liberty with Hikari after straghtening out his sketch-puppet, since he's also leaning a bit forward. I couldn't actually see the bottom of either of Partitio's heels, so I went with my best "I'm an artist how would I have drawn this" educated guess.
Then I grabbed images of the concept artwork from the artbook scans (special thanks to @octopathartbooker for the scans) and adjusted each character to the mockup, and then put all the mockups so that the bottom "heel-line" was level for every character, getting this:
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Note that Throne is in a wide stance for her concept art but that I still scaled her to the mockup for ease of visual reference (even though as I've scaled the art, it looks like she'd be taller if she were to stand upright, but I needed the visual more than I needed the pose accuracy). I also ignored the position of Agnea's foot in favor of having her heel on the heel-line, so she looks kind of awkward. These things happen, but considering how a few of the heights bounce around a tiny bit in official arts, I think this is the best I could do.
Because a few of the heights just...didn't look right (Partitio being that tall, and Ochette being that small) I also referenced a few other key official arts. First off, the "thank you" art:
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This was useful for checking Throne's height against Osvald, since if I were to draw perspective lines then the top of Throne's head would be about level with Osvald's shoulders. This art also shows Ochette as being about half Throne's height, which is also consistent with my mockups.
I also checked the "nighttime" artwork for the soundtrack:
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This art isn't actually as useful given how much perspective depth is used in the illustration (Agnea looking taller than Osvald bc she's in the midground and he's in the background being a good example of the depth I'm referring to), but it does show Ochette next to Hikari, and again, she is small. Also Partitio towering in the background supports the idea that he's actually just like, really tall.
The final official art I used to check heights was the endgame artwork, which is naturally a huge spoiler, so go ahead and skip this if you don't want to see it, bc aside from my notes on the artwork there isn't anything after it. (J is the hotkey that'll let you skip to the bottom of a post, though I dunno how this'll look if you're on mobile, sorry).
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This art is...somewhat helpful. I can't see anyone's feet and Ochette appears to be floating (although again, she is tiny compared to everyone else), and there's still some depth of perspective at play, and some of the characters look like they're standing on a higher elevation than others. But! Here we can see that yeah, Partitio is about as tall as Osvald and that's with his head leaning forward (tall enough to use Osvald as an armrest, Parti buddy). Agnea also looks like she could be about two feet shorter than Osvald and this art does nothing to suggest that Hikari isn't short, but again it's hard to tell with some of the perspective choices. Mostly this the art that convinced me that, okay, yes, Partitio is that tall.
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variousqueerthings · 7 months
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I think it's also interesting to see how things change depending on the time in which they're being engaged with. so I see things about rose today that point out that she's written to be 19 when she meets the doctor and that's a big age difference (which... I understand the point is it's a big age difference because billie piper was 23 and eccleston was 40, and then dtennant was like 34/35 when he started which isn't so big of a shift but anyway the optics I get what people are getting at, but also I think it does oversimplify a lot of what's actually going on in the written dynamic, anyway-)
and also that the rtd run's Themes start coming together properly around s3 (although they are present from day one), and in some ways at this point, because nu!who has been running for... fuckn. actually quite a few years, which is wild to me as someone who started watching as a kid, and I wonder if classic!who fans felt the same way about their show and anyway -- she shifts from being Literally The First Companion You'd Seen For 17 Years (not counting the movie and fan things and the sketch) Who Was Defining A New Era For A New Generation to... a companion
comparable to other companions, comparable to the rest of the show
we sift through the writing to see what worked and what didn't (in our opinion), and we know how the ten-and-rose storyline Really ends, and how the ten storyline ends (sort, of because now that doctor and donna are Back), and we know what happens afterwards, and we talk about tenrose with a 2020s eye, and rose is "just" one of the people that travels with the doctor, one of several, and notably the one who gets most of the sunshiney doctor that buries a lot of the (wonderfully portrayed) angst of the latter half of the rtd show, and doesn't have as much lore as everything after that, so the story is "just" more simple overall
and to me she's kind of incapable of being just that. doctor who was still a risk that first season, it wasn't a done deal that it would have legs at all, never mind that it would continue for as long as it has. rose was created to be the Face of what nu!who was, moreso than nine/eccleston, because even with the extra angst and the eccleston gravitas, we know the doctor, the doctor is established, it's not actually the doctor that needs to sell what the new show is going to become and what the Feel of that new show is going to be (I mean, partly ofc, but-)
rose was doing so much heavy lifting and she succeeded! she was the face of who before dtennant or any other doctor or companion of his era and subsequent eras. she was created to appeal to a demographic of girls who wanted someone relatable in science fiction, because rtd wanted this to be for the girls, and billie piper came into it off the back of being a popstar and it changed her entire trajectory (for the better I think/hope -- there's a lot of bad shit in billie piper's past and I'm always sending her a fond thought)
nine/ten-and-rose were It! not calling it romantic or platonic or any secret third thing (haunting the narrative), but simply It! that's why it has so much staying power as a ship (which, my opinion on shipping has been somewhat *eh shrug* in later years, but in early-days when that was how you engaged with dynamics that got to you, of course it was going to be massive). it's so hard to properly describe how "for the time in which it was made" that this dynamic was written for, and how successful it was. it was rose that breathed doctor who -- and the doctor's character -- to life, as much as herself
she sets the stage for everything that comes next, both within and without the show proper
and I'm always so pleased that rtd at the time was thinking about what was needed to create this character and he opened with a shot from a girl on the estate with messy hair, clumpy eyeliner, and a minimum wage job, and went "that's the girl who's going to go on the adventure of a lifetime, that's the girl we're seeing the story through and relating to, because that's what girls (and uh... those who were girls at the time - and their parents and the boys) should be seeing."
I know rose isn't the first working class companion including classic!who, but she set the tone for nu!who and her family and background are important to why she is who she is, and is explored
"I've got no A-levels, no job, no future-" said the girl about to see the universe
she was very much for teenagers, and so she reads differently when you're an adult watching it back (much like those "teenager saves the world," novels you loved as a kid), but that's why she's 19 at the beginning. that's why she's billie piper (who does a perfect job). she was there to bring a new generation into this story, and it was perfect. and then she grows up. and we grew up. and she had adventures and it was brilliant and she survived and she made a life for herself. that's her story
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showing pedro pascal fan edits ~ h.c
warnings: the tiktok edit (y’all know the one)
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it started as a harmless q&a you were doing on twitter
through the sea of questions you were receiving about your upcoming work and your recently announced relationship, you were linked a video with the question: “have you or pedro seen this yet?”
when you clicked on the video, pedro’s familiar face popped up on your screen with his normal voice being replaced by his southern accent
“i’ve got a six pack of cold ones on ice and my roomies out all night, so you can scream my name as loud as you need to sugar”
“hey sexy lady, i like your flow”
you giggled to yourself as you let the video repeat a couple of times
well, now that you knew this existed, and apparently it was such a big thing in pedro’s fandom, you knew you had to tease them a little bit
you answered the fan’s question: “can confidently say this is the first time i’m seeing this video, but it certainly will not be the last time”
and of course, the internet went wild over your answer
that one fan edit was all it took for you to download tiktok, and it did not take long for your page to be completely full of pedro fan edits
you were keeping this to yourself at first
you weren’t sure what pedro’s reaction would be, not only to the videos, but also to the fact that you watched them so religiously
but one day, he entered the room while you were deep into your fan edit viewing time, and you weren’t quick enough to turn it off before he heard his own voice
“what are you watching?”
he was quite amused
knowing you were caught, you decided to show him
he didn’t seem to understand at first
“what is this?”
“it’s a fan edit”
“what’s a fan edit?”
“it’s when fans put together some of their favorite clips of the person they like with music playing in the background in a stylistic way”
you offered to show him more since his curiosity had now peaked
of course, you had to show him the one that started it all off
his face blushed so hard when he watched it
“people make these for me?”
“people make a lot of these for you, honey. i’ve been watching a lot of them for, like, a week now”
you showed him a couple more
with each video, he just becomes more flustered, but also more flattered
“they love you, baby! you’re the internet’s favorite person”
“i don’t think i’d go that far”
“i would”
he wasn’t too interested in seeking out these edits on his own, but he definitely shows interest when he catches you watching them
“what are they making about me today?”
and when he is chosen to host snl, of course he has to make a joke about it
“they’re gonna lose their minds when they see this sketch”
you may have some apologizing to do to the internet for what you have done
but at the same time, you loved to see how happy and flustered pedro got whenever you showed him a new fan edit
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colleendoran · 9 months
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I went to a lot of comic cons in college. My impression was that most of the creators were… creatives. People that spend long hours in front of a drawing board or a typewriter, building worlds out of the aether that is their brain(s). That’s illustration to me. Physically manifesting the metaphysical, moment by moment. Picking the best moments for each beat of the story.
I -flat out- went to school to be a comic book artist. I just cannot fathom feeding my wife and my boys by manifesting the images in my head into a monthly income. But hey, that’s me. Your work is a continuous source of inspiration and joy for me.
My eldest son loves the power rangers. He he drew the green ranger in pencil on a canvas. He then painted the drawing with acrylic. He had a full-on meltdown when the painting didn’t look as good as he wanted it to look.
I sat with him and explained the process of creating comic book artwork. From blueline to publication. I spoke with him about the value of perseverance, and the value of using mixed media. He waited a day and then outlined his painting with Sharpie. He BEAMED with pride when he showed me the final product. Made me so, so happy.
Rodin was a hack. Dude had no deadlines, and no narrative outline.
Keep being awesome. You are an inspiration to me, to my boys, and to generations to come.
I am so glad you are encouraging your son to make art and enjoy it, and it is great that you find so much to appreciate in comic art and have so much respect for those who make it. We all truly appreciate it.
A few thoughts, if I may.
If you want your son to understand and appreciate mixed media, you might want to move him away from using markers like Sharpies.
If you are concerned about the longevity of the original art, I regret to inform you alcohol based markers such as Sharpies and Copics are not lightfast. That is to say, they fade on exposure to UV light. They do not use pigmented inks, they use dyes.
The fading may not happen today, it may not happen tomorrow, but it will happen sooner than you would like. Many well-known cartoonists who used Sharpies on their original comic pages, or did commissions sketches using them, have seen the art fade markedly (pun intended) over time.
Here's what that looks like.
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This Klaus Janson commission has just about gone home to Jesus.
Try to switch to pigment based markers, such as those from Faber Castell, or go wild and learn to use a crow quill.
Also, while I truly appreciate your kind compliments, it's not necessary to do that at another artist's expense.
Rodin was the complete opposite of the definition of "hack".
A hack is a term originally used for one who works on tight deadlines to publisher specifications, and produces poor quality work.
That's not Rodin.
Rodin was a spectacular talent who earned his place in the canon. He came from humble beginnings and spent the first two decades of his career sculpting decorative architectural elements. He obtained his place as a fine artist after many years of struggle.
And even then, a fine artist often works to deadline, as there are salons and exhibit specs that must be met, as well as the requirements of patrons and clients, to say nothing of the grueling formal training aspiring artists were subjected to in the ateliers.
His work often contains strong narrative elements as well, as evidenced by his design for The Gates of Hell.
In fact, for most of the history of modern art, narrative elements were considered anti-art. As someone who prefers 19th century genre art, this attitude is bummerific.
The term "hack" comes from the 17th century term "Grub Street Hacks".
Back in the day writers did not get royalties. Bookstores usually published books and paid writers a flat fee and never another penny, which resulted in a lot of very broke writers, or writers who came from wealthy families who could afford to scorn the sordid topic of coin.
Grub Street was located in London where a lot of book publishers were housed next to brothels and flophouses. It's now known as Milton Street. This area was the location of the lowliest of the low publishing joints.
The great Samuel Johnson was once a Grub Street Hack.
I've just read the most wonderful book about Samuel Johnson which has many amazing details about the development of publishing. The Club: Johnson, Boswell and The Friends Who Shaped an Age. My highest recommendation, though some will be very upset by attitudes and behaviors toward the women in these men's lives.
Johnson, despite many years of poverty, was able to escape after his work eventually earned him a royal pension. When well-thought of creative people couldn't make royalties, they were supported by wealthy patrons and the royal pension system.
While I don't have a formal education, I spent many years doing research for auction catalogues and ghost writing articles about art history, which is why I am annoyingly pedantic about it all to this day.
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pleucas · 9 months
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Would you ever consider doing a colouring tutorial?
Heyooooooo
I've done a coloring post before (a few months prior), but somehow, my coloring/painting process has changed a lot since then lol. I'll give a breakdown of my process (and go into specifics on coloring) here, but please do take it with a grain (or a spoonful) of salt... I'm still very much learning, and though you can use my process as a guide, experiment on your own to find what works for you! This post got a little long I'm ngl so. open at ur own risk. it's really just me rambling and being a bit too pretentious for my own good
using my recent post as an example, my process is basically just:
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first i get a clean sketch (after many hours of pain finding detailed references lol), not gonna go into that since you asked abt coloring
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then i immediately go to block out shapes over the sketch. For big paintings, I don't do lineart (because i find that it eliminates a lot of depth that can be achieved with shapes and shading) — for smaller sketches and pieces, i'll do lineart tho.
I started darker to lighter in this painting because I knew I wanted harsh light. For me, it's a lot easier to project "additions" onto a surface — ie, if there's a harsh light, that's the addition vs. a shadow in neutral lighting as the addition. dunno if that makes sense, but breaking tones down like that helps me understand how i want to chronologically color smth and choose my bases:
for example, since I knew I was gonna have harsh light here, I felt comfortable with just getting the tones for my shadows down immediately. There won't be many midtones due to how extreme I saw it to be, so there was no point in finding a neutral base tone.
how i choose colors varies from painting to painting, but for this one, I decided to lean purple-blue because skk are just one of many red and blue gays (same reason why most of my other skk works lean red-blue-purple), and also because I knew I wanted my light to be on the warmer side — thus, the shadows and unlit areas will be cooler.
i also wanted it to recede (to emphasize the perspective and for depth), so for the base colors, i made them cooler + darker as they went back. This wasn't as clear in the finished product, but i think it did a good job at reminding me the vibe i wanted as i rendered
By how much I've written for this step, I guess you can assume that it's the step I put the most consideration into — and you'd be right. I think base colors really determine the vibe, and it sets you up for the rest of the painting. Sometimes I have to color adjust my bases over and over (with hue adjustments, color balance, curves) until I'm satisfied. I think that satisfaction is obtained w/ more ease as I've painted more and more. Alongside the sketch, this step takes me quite a while. Sometimes it's fun to mess with really wild color combos, but that's another topic.
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Then I block out the lighting, which is probably the most drastic step but also somehow the quickest for me. Once you understand how light affects color (warmth, tone, etc) and you gain confidence with it, blocking out values in relation to base tones isn't too hard. That ofc takes practice and a lot of fundamental understanding of Shapes & Colors but there's a lot of stuff online abt the theory specifically from professionals, so I'm not gonna lecture y'all as a fanartist for glorified literary author rpf
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then i just start rendering, layer by layer. above is a screenshot i took mid-rendering; at this point, dazai's clothes were basically done but I later worked on the face + hair more and textured the tie.
I try to do the stuff I want people to focus on first, because at least for me, that's when I have the most energy to make smth detailed — the more detailed an area is, the more naturally drawn you eye is to it (this is because the brain likes areas of high contrast, and details are entirely founded on the placement of contrast).
My art has never been too extremely detailed — I enjoy flatter + bigger shapes, styled texturing and silly patterns, but I find that "detail" still translates into "effort". When I look at paintings, it's very clear where someone put most of their effort — and when I can't tell, then I know I have a very confident + experienced artist who can effectively distribute their workflow (goalz). So yeah, I render in my very silly poly style but still keep that in mind.
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eventually, I finish rendering. This part is kinda a blur tbh, and it always varies from artist to artist. I'd say the things I keep in mind are:
shape + form (making sure my rendering doesn't mess up gesture or vibes, and that it keeps things loose)
composition (making sure i don't overdo areas where i don't want people to focus on)
and tone (ensuring that the depth and believability of the scene stays intact so that my non-realistic style can work)
I added the bullet because i wanted a reason for the goofy expressions, just a bit more pizazz so that skk's drama was also believable lol. also visual storytelling or whtv (but that's not something i usually prioritize, it mostly comes with the concept and sketch).
I also added the bullet for some compositional spice. the dark shadow on dazai's arms was there to also emphasize the warped perspective, but it also left a weirdly empty vibe that I didn't enjoy lol. So yeah, bullet! and ofc my favorite, weird flowy line pattern thing that doesn't adhere to the laws of physics
I think a lot of my traditional painting experience leaks into my digital painting practice. I don't like lineart too much, and since I mainly work with acrylic, I rely on opaque color blocks, layering, and "carving out" shapes. probably explains my affinity for solid flat brushes in Procreate,,,,, but yeah. It's a little all over the place, but at its core, it's a lot of technical stuff mixed with habits after finding what works for me.
Dunno if this helps at all, or if it was interesting lolol. Thank you for reading until the end if you're still here! I appreciate it. I'm still learning but I've definitely learned a lot since I started this blog so it's exciting to track my progress. I'm sure I'll see this in a few years and laugh lolol.
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sashoopsieart · 1 month
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i've been gone for a bit, technically i should be finishing my other like... 4 wips but instead I decide to dip into the Secretary amity parkers au that i saw in the dcxdp tags... ALSO does anyone know who actually made the secretary au promt, I know it went a bit wild with Paulina being a WE secretary while Danny was working for Lexcorp or something along those lines honesty i just want to credit the og creator of this au and maybe make more art for it?
i'm guilty as charged your honor
On the other hand, i am recovering from surgery so i kinda have more free time to draw? technically i should be working on my art assignments but also i want to do so much. I'm currently fleshing out a short comic about Alfred and barghests, i also want to dip back into the au of ember mclain having been a gotham teen hero, but also i'm busy drawing more talia art? but also i want to make some phone backgrounds to sell on my ko-fi... I want to do too much but i might put it into a vote? The alfred comic is going to take quite a while to finish so i'm thinking of just making some phone backgrounds for now, i'll sketch out some designs to put to vote tbh
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ladytesla · 3 months
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The Great Faerun Baking Show (part three)
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For those of you who are just stopping by, I had a horrible idea a while ago and this is the result. I have no idea what's going to happen or who's going to win. I’m just going to roll a D20 ‘bake check’ for everyone and write out the results, including what everyone rolled so y’all know I’m not cheating just so my druid boyfriend can win.  The person with the lowest total score (out of a possible score of 60) goes home.
We've got the main 6 companions, Jaheira, Halsin, Minsc (and Boo), Minthara, Dammon, and my tav Medora (who y'all can just pretend is Alfira if you don't want someone else's tav in the story, since they're both female bards)
Week One, Cake Week: Star baker was Karlach, Minthara went home
Week Two, Biscuit Week: Star baker was Halsin, Shadowheart went home
Week Three: Bread Week, or "No you can't use Mage Hand to knead your dough"
Signature: Cottage Loaf
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Astarion: Sun dried tomato and paprika. Unfortunately somehow he never turned on his oven, so all he had when time was called was a big ball of dough that wasn't able to be judged.
Dammon: Greek spices and olives. Or whatever the Faerun equivalent of Greece is. Maybe Waterdeep? Anyway, there were a few too many olives and it was a little underbaked, but it wasn't too bad.
Gale: He really wanted to keep with a magical purple theme, but ube and red onion really don't vibe with each other. It was way overworked thanks to the mage hand he totally didn't use to help with the kneading process.
Halsin: Rosemary and wild mushroom. All of which he'd gathered himself, of course. Nearly perfectly done, and beautifully decorated with little sprigs of rosemary.
Jaheira: Cinnamon pumpkin bread. Very autumnal, but the moisture in the pumpkin threw off the consistency of the dough and left it underprooved. The decorative pumpkin seeds on top could only hide so many sins.
Karlach: Jalapeño cheddar. Just the right amount of heat, from someone who's an expert on it. She even decorated it with a few slices of jalapeño for presentation.
Lae'zel: For some reason she decided to put smoked salmon, herring and tuna in the same bread to make a fish loaf? It was also underbaked, and didn't go over well at all.
Medora: Saffron, rose and pistachio bread. The rose was a bit too overpowering, and the loaf was overworked. It looked nice, though.
Minsc: He used Indian spices in his bread like garam masala and curry powder, which gave it a really unique flavor. It was slightly overprooved, but overall a successful loaf.
Wyll: Gluten-free garlic and herb. He wanted to challenge himself to make a classic flavor more available to those with dietary restrictions (because he is a Very Good Boy) and it was a resounding success. He earned a Hollywood Handshake for his efforts.
Technical: Baguettes
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I was surprised to find that the lowest roll for this round was an 8! So they all did pretty well. I think that, from now on, if there's a tie I'll roll for them a second time. The second roll won't contribute to the score at all, it'll just determine the order in the technical.
Worst to best:
10. Halsin
9. Dammon
8. Astarion
7. Karlach
6. Minsc
5. Jaheira
4. Lae'zel
3. Wyll
2. Medora
Gale
Showstopper: Bread Sculpture
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Astarion: He recovered from his disastrous signature round to make a masterfully-done sculpture... of himself, with a dagger in one hand and a glass of wine in another. He had to reference the face from a sketch someone had made of him, but thankfully it had been a skilled artist. Paul and Prue had to look really hard to find a flaw.
Dammon: He made a bread dinosaur. A stegosaurus, to be exact. And thanks to its sturdy bread-roll legs, it was able to stand upright unaided. The tip of the tail got a bit burnt, and to save it he'd had to take it out of the oven underbaked.
Gale: He made Elminster's hat, and colored the bread with paprika and cayenne to get the red color. It ended up being quite lopsided, unfortunately, and overworked.
Halsin: His owlbear was incredibly detailed, and the garlic chip decorations he used for some of the feathers accented the flavor of the bread wonderfully. Some of the chips had browned a bit too much on the ends however, so it wasn't perfect, but it was close.
Jaheira: She had a rough time this round. Dropped one of her doughs so she only had two to work with and underbaked her sculpture of a tree so badly that it had to be propped up to stand upright.
Karlach: She made a tower of bread skulls, with one of four different flavors. And tiny grassini breadsticks to represent swords and spears. A mammoth undertaking that she pulled off very well.
Lae'zel: Unhappy about her gingerbread dragon, she was bound and determined to make a dragon right this time. And thankfully, she succeeded. Otherwise she would have continued to make dragons until she got it right. The bread was quite spicy and had chili peppers in it for good measure, but the heat wasn't overpowering at all.
Medora: She attempted to make a lighthouse on an island. It was really precariously tilted to one side, and the bread making the lighthouse was underbaked, but the bread the island was made of tasted fine.
Minsc: He made a giant bread version of Boo the Miniature Giant Space Hamster. Which he presented next to the real thing. It was a huge loaf of bread so it was underbaked in the middle, but it was visually impressive.
Wyll: His bread version of the Ravenguard family crest had a braided border which took a lot of time. However, with the added colors in the dough to bring the crest to life, Wyll was still able to make something delicious and very nicely baked within the time constraints.
The Results:
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Our star baker for the week, with a score of 52/60, is Wyll!
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Unfortunately, with a score of 23/60, Jaheira has to leave the tent.
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Feel free to play along in the comments! How would your tav or favorite npc compare?
Let's fuckin go we're doing pies and tarts next.
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