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#also trying to write again
melverie · 4 months
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Sometimes I'm doing well, and then other times Lucifer's level 35 intimacy phone call in Nightbringer suddenly comes back to mind, and I am once again reminded how Lucifer is so utterly desperate to connect with Satan in any way. It doesn't even have to be meaningful; just having his brother despise him a tiny bit less than before would already be more than enough
And when they finally do make the tiniest, most insignficant amount of progress imaginable, Lucifer is so overjoyed about it that he ends up celebrating with a horn of Demonus......or two, maybe three... Might as well finish the bottle. Let's open another one! And another, and another, and another! We've got to celebrate tonight, after all! Hm? No, he isn't drunk MC, what a stupid question to even ask. Here, he'll drink some more just to prove it! Then after that--!
And all that because he and Satan managed to hold a conversation for a minute longer than usual
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tusks-and-claws · 11 months
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The Death of Peace of Mind
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Miguel O’hara x female reader
Summary: "I miss the way you say my name/the way you bend, the way you break"
You think your fearless leader needs help relaxing, but another door is opened entirely
Tags/warnings: smut (18+), oneshot, fingering, blowjob, pronebone, blood, biting, unprotected sex, paralytic venom, dominant Miguel, dirty talk, God there’s so much to list : )
Word count: 3.3k 
Can also be found on Ao3 here. Please give it some love if you enjoyed ;_;
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"I know better than this, I shouldn't be… we shouldn't be doing this."
Miguel O'Hara sat at the edge of your bed, your room softly illuminated by a candle on the bedside table. He liked the dark. His back was to you, his broad shoulders slumped forward, as you had your back against your headboard. He was still in his suit, his mask off.
"Miguel…" you said, starting this conversation again for the umpteenth time. "You have needs, too, y'know." 
He waved a hand dismissively. "What are my needs when compared to all this?" He gestured to nothing. You weren't even at HQ. You were both in your dimension. A vacation, you had said. You could never get him to leave HQ for long. "I know what happens when I try to get what I want. When I go where I don't belong."
You furrowed your brow. "But you do belong here, I invited you."
"You know exactly what I mean." He spoke quickly. Trying to expel the words as fast as possible. 
Your arms crossed over your chest as you eyed him. He'd been through a lot, yes, but what Spider hadn't? How long was he going to keep ignoring himself for the greater good? What purpose would he serve if he tore himself apart? 
"You're right," you said, finally. 
"What?" He asked, peering over his shoulder to look at you, incredulous. 
"You're right," you repeated. "You can leave."
"I… well. I suppose I can leave. Do you… want me to?"
You suppressed a smile. "I don't really care," you lied. 
"You…?" He turned around at that, hands on the bed as he swiveled his torso to meet your eyes. "You can't be serious. I- I made the effort to make sure Jess could cover me so we could come here, I… it's a huge waste of time. You see that, don't you?" 
"I guess so." It was hard for you to break eye contact with him, but you managed to do it, and stared pointedly out the window. 
"You 'guess,' I can't-" he rubbed his face with his hands. "You're so frustrating, I can't read you, you-" 
Your face broke, betraying you, a smirk cracking your façade.
He narrowed his eyes, fully turning around now, bringing his knees up onto the bed to crawl to you. His claws came out, and they pulled at the threads of your comforter, threatening to tear holes. "Is this what you want? You want to make me mad?" 
You blushed as he made his way to you, his sudden intensity stirring you into silence. 
"Well?" He asked. "Suddenly so quiet." He reached you now, looming over you with both hands on the headboard on either side of you, his muscular thighs straddling your legs. His huge frame took up your whole vision, his presence overwhelming your heightened senses. Heat was radiating from his body. His scent washed over you. He was all clean musk and warmth and something deeper, something primal. It played to your baser mind, telling you to lose control and give in. 
You swallowed. "You have no need to stay here." You weren't done teasing him just yet. 
"But you have need, hm?" He looked down to study your form, releasing his hands from the headboard to touch the hem of your shirt. "Don't you?"
You held your breath, nodding.
"Say it." His tone was casual. Flippant.
Your breath left you as your lips parted to speak, the words far from you as your brain grew foggy. He always liked to hear you admit how much you wanted it, how much you wanted him. And he always asked you when he knew you'd struggle to form a response. 
"Yes." It was the only thing your brain made abundantly clear. Yes. Yes, you have needs. Yes, in this moment, he was one of them. 
"Yes what?"
How cruel. Under his gaze for this long, intense and bloodshot, you grew more flustered and delirious. 
"Yes, Miguel, I have need of you." You impressed yourself with the eloquence of your reply. 
"Oh? Oh, do you?" His hands finally moved again, snaking under the bottom of your shirt, the fabric of his suit keeping your skin from touching his. "That's kind of selfish of you, isn't it?"
You nodded, biting your bottom lip and closing your eyes as his hands moved to firmly hold the sides of your waist, thumbs stroking soft skin. He was being careful to not scratch you. Though his claws were retractable, you noticed throughout your encounters that he had a hard time keeping them hidden when his passions were running high. But part of you didn't care if he marked you up. Part of you wanted to keep something from him. Something more than awkward passing glances and intimate encounters that were few and far between. 
"M-Miguel?"
"Mm? What is it?"
"You don't need to be gentle, y’know."
His gaze flicked to meet yours as he raised an eyebrow. He seemed amused. 
"It's just that," for some reason, you felt the need to elaborate. "I'm strong, too. I can handle it. You've been so stressed."
"So… you want me to use you?" His voice was low and level. 
Use. The word sent a shock up your spine. He could see the emotions flashing across your face, the thoughts of him, of what he might do to you. Was this safe? Could he control himself? He'd have to. You'd just have to trust him. 
You released a breath you hadn't noticed you were holding, meeting him in his bloodshot eyes. "Yes. Please."
He grinned, bearing his pearly fangs in the flickering candlelight. The fog in your head grew thicker at the sight of them. Would he bite you with them? How would they feel against your skin? How would they feel piercing you? Would it hurt? Would it-
The feeling of his bare forefinger, claw retracted, gently teasing your slit quickly shut you up. When did he move his hand under the hem of your shorts? You were so deep within your own clouded thoughts, you hadn't even noticed. He caressed you there before carefully plunging his finger into your heat. The feeling was immediately maddening. You bit your lip to keep yourself from asking for more, for another finger, for his mouth, for his- no. You were following his pace. This was what you wanted, yes, but it was mostly for him. You somehow knew that he needed this more than you did, though he'd never admit it.
The whole time, he kept his reddened eyes on your face, studying every reaction. "You're wet, you're so wet…." His voice was quiet. "So, this is what does it for you, huh?" He pumped his finger at a steady pace. You could hear the wet sounds he elicited with his efforts. You braced yourself on his hulking shoulders, preparing for him to quicken at any moment. But he was agonizingly slow. His free hand gripped the headboard above you as he leaned down to whisper into your ear. "Me, your leader, using you." There was that word again. You lightly arched your back into him upon hearing it, trying to keep yourself calm for now. Falling apart could come later. "I try so hard to hold it all together. But you… you threaten me. The looks you give me, your smiles, your smell, estoy cachondo, fuck." Your eyes widened. He only spoke Spanish when his emotions were heightened. He was unraveling. 
Good.
He slipped his digit out from inside of you and circled your clit with a slick fingertip. The feeling was intense and electric, and even though you were still half-pinned by his muscular thighs, your upper body curled into him. "Seeing you like this…" he swallowed, his heartbeat quickening. "Rendering you helpless… It's revenge for how you make me feel when you look at me the way you do. If I can make you feel half of that… that might be enough. You're going to come for me. Feel what I feel." 
You nodded fervently, unable to speak under his attention, his words, his touch. That delicious, warm feeling was building up and coiling in your core as he kept expertly circling your clit, until the coil finally snapped and you came, lifting up off of the bed and throwing your arms around his neck as you whimpered. Miguel continued as you rode it out, reveling in the newfound wetness that came with your orgasm, until you finally settled down, your heart still thumping in your chest. You released your hold of him, your arms weak, your gaze heavy. He seemed to match your labored breathing, his chest rising and falling in time with yours. You had hardly even touched him and he seemed as much of a mess as you were. 
He stared at you like that for a brief moment, seemingly awestruck at your reaction to this newly opened door. 
"God, I need… I need your mouth around my cock." He flipped unceremoniously off of you to lay on his back at your side. "Come here." Before you had time to react, he had a hand on your head, guiding you downward. Despite the forceful movement, he fondly scratched at your scalp with bare fingers, his hand shaking just enough for you to notice. You positioned yourself so your head rested on his hard abdominals while you admired the display he brought you down to see. His hard cock pushed against his nearly metallic suit. The sheen of the fabric left almost nothing to the imagination. You could see his thick shaft, prominent veins like rivers flowing over a landscape, all leading up to the bulbous head. He twitched eagerly as he sighed, trying to calm his heart. 
You reached your hand up to touch Miguel through his suit, and his reaction was bodily. He hissed a breath in through clenched teeth. You played with his hard length, running the flat of your palm up and down the underside of his shaft, until he couldn't take it anymore. He seemed to be able to dismiss parts of his suit at will, and he did just that, creating an opening so he could spring free. It was always an impressive sight, sizable and thick. His golden skin slightly red with anticipation at the head of his cock, soft dark waves of short hair at the base. Reaching up, you gently held it. You couldn't quite wrap your whole hand around it. He exhaled at your touch, skin on skin. The hand he had in your hair gently pushed your head until your waiting lips met the tip of his cock, and you accepted it, closing your mouth around it.
Miguel threw his head back, slamming it against the headboard and shaking the two of you on the bed. The sound startled you, but you knew the headboard would've taken more damage than Miguel. He gave no indication that he was hurt, and so you kept going, sucking on the tip of his cock and being as noisy as possible so it would overwhelm that heightened hearing of his. And overwhelm it did. The soft, wet heat of your mouth was nearly too much for him. And as you started to take him deeper, he reached his arms up and behind him, taking the headboard into a vice grip. You could hear the wood splintering. 
That should've worried you, you should've cared about your furniture being destroyed. But you didn't. You couldn't, not with Miguel O'Hara melting underneath you. He could destroy a thousand bed frames. So long as you could touch him, could hear him moaning, could watch him as he barely held his composure. This would always be worth it. 
You took him further into your mouth, humming around his length at the pleasant,  full feeling. You were slow, holding him there, savoring the taste of him and the weight of him on your tongue.
"M-move-" he croaked.
You turned your gaze towards his face, raising an eyebrow. He was straining. Muscles bulging, chest heaving, fangs displayed in clenched teeth. You could see the prominent cracks in the wood.
"Move your shocking head, amor."
His hands came down to tangle with your hair, grabbing handfuls so he could move your head for you. You happily let him, and he bobbed you up and down on his shaft as you opened your throat to him. 
"Oh, fuck, yes… that's it. Good girl. You're- you're taking me so fucking well." 
Your eyes started rolling into the back of your head fondly. Good girl. He'd never called you that before. You'd be good for him. You'd be so good. 
The sounds coming from you were the very definition of lewd, as were the strands of thick saliva that connected you to him. You closed your eyes, continuing to breathe through your nose, when you felt something prick your scalp. His claws. In and out, in and out. He was struggling to keep control of them.
"Ay, coño, I can't fucking do this." His voice barely a whisper. "You're gonna," he paused, swallowing. "You're gonna make me lose control, you know that?" Despite his words, he kept going, kept moving your head, even started to thrust his hips up to fuck your throat more thoroughly. His moans turned into what could only be described as growls, and the sound of them hit you like an electric shock, making you want him even more. If that were even possible. 
His claws kept scraping you, threatening to fully unsheath. But Miguel never let them. He finally let your head go, bringing his hands up to his face and rubbing it in exhaustion. You stayed on his cock for a moment longer, carefully lifting your head away and disconnecting from him with a wet pop.
He groaned to himself through his hands. 
"Miguel…? You alright?"
"No." He finally said, "no, I'm fucking not."
You cocked your head in surprise at the response, opening your mouth to question him further until you were cut off by him quickly grabbing you and positioning you underneath him. He was pinning your legs again, but you were faced down this time, your cheeks pressed against the soft sheets as he pushed you into the mattress. He finally let his claws out, and with one swift movement, tore your shorts and panties into ribbons. In that moment, you were glad he couldn't see your face. You were grinning like an idiot. Finally. You're finally seeing the side of him that you always knew was there. That you desperately wanted him to let out. Your previous encounters had been tame compared to this. He'd been holding back. 
"Because now," he grabbed your waist with both of his large hands, holding firm. "Now I know that you like being treated like a little fucktoy. I know that you'll be good for me and that you'll listen. What a rarity." He started to line up the tip of his cock with your entrance. "And if I thought you took up too much space in my head already, well-" he chuckled, pushing his tip into your pussy. "I'll never have peace of mind again."
He thrusted into you, and you were immediately seeing stars. With each pump, he took himself nearly all the way out of your warmth before plunging all the way back in. You could feel every delicious, hot inch of him. So deep and so filling. He fucked you into the mattress so thoroughly and so hard that you were convinced a crater was forming underneath the both of you. You felt the sharp points of his claws pricking your skin but not quite puncturing you. Your head swam as you grew dizzy. 
He released your waist, left hand steadying himself on the low headboard, which was bound to break again. His right arm snuck up underneath your right arm, reaching around your collarbone to grab at your left shoulder, pulling you up so you were close into him. His chest was flush with your back. You reached up to hold onto that arm for dear life, as he brought his mouth down to your ear. 
"Wanna bite you so bad, amor," he growled. "You smell so shocking good. Drivin' me up a fucking wall."
"Do it," you said, your voice strained.
"Wh-what?" His pace wavered. "You can't mean that."
"I- fuck- I do. Bite me, Miguel. Please."
"Are you," he exhaled a shaky breath. "Are you sure? It's a paralytic venom. I've- I've used it on Spiders before and we can withstand it a bit, but, shit… I need you to know what you're getting into." 
"Do it," you said again. 
His entire body shook against you. "Unbelievable…." His voice sounded reverent. "Hold on tight."
You listened, gripping his arm harder, shutting your eyes. His mouth came down to meet the crook of your neck. He inhaled, letting your scent wash over him, before carefully sinking his fangs into your skin. The pain was sharp and fast, and was quickly replaced with a wave of warmth and laxity. Your muscles loosened, allowing him to easily pull you in even closer. He moaned against you, his thrusts quickening, his cock feeling like it was hitting your cervix. With every smack of his skin against yours, he buried himself to the hilt. That incredible, intense feeling was building within you again, deep inside your core.
"Fuck," he hissed into your skin, releasing his jaws and lapping at the light trickle of crimson blood. "Good girl, good girl, I've got you."
He held you and didn't let go, caging you against his huge form, fucking you until that feeling turned into a huge sunburst that sent spots across your vision. Your body trembled involuntarily as you clenched around his cock. 
"Yes," he encouraged, "yes, come for me. Give it all to me. I've got you, bebé."
You smiled against the venom, and he was right, it wasn't too potent in your system. It was just enough to comfortably loosen your muscles. You came down from your high as he kept pumping into you, his pace merciless. His body started to shake again, his right hand's grip on your left shoulder tightening. 
“Too much for me to handle,” he rasped. “I’m gonna come… gonna come inside you.”
“Yes,” you croaked, finding your voice and gaining back enough control of your muscles to push yourself up into him. 
His tempo stuttered as he slammed his hips into you, curling against you as he came. His cock twitched inside of you, spilling hot seed in thick spurts. He held you there for a long while, savoring the feeling of being inside you, like he knew he'd miss the warmth once it was gone. Despite what he wanted, he let go of you and flipped onto his back beside you, placing a hand over his heart as his chest heaved. He closed his eyes, trying to compose himself. Silently reaching for you, he pulled you in so you could rest against his chest, your head rising and falling with each heavy breath he took. He stroked your hair as you stared up at him, his face glowing in the yellow shine of candlelight. 
"That…" he started to say, then stopped, pinching the bridge of his nose. "I…. I needed that." 
You smiled, nuzzling into him. "Thank you." 
"You're thanking me?" He asked, laughing at how ridiculous it sounded. 
"Yeah," you said. "I feel like I finally saw Miguel tonight. Not Spider-Man. But Miguel. And I really like him." 
He rolled his eyes but still smiled, petting your head until you fell asleep on him.
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cappydoodle · 1 year
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rereading my own fic and yeah I'm a comedic genius I think
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luxaofhesperides · 5 months
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Ghostlights cuddling for comfort, but also they're oblivious idiots who are pining over each other but thinks its unrequited
“Ugh,” Duke says, dropping down onto the bench besides Danny.
Danny nudges him with his shoulder. “Rough night?”
“Slept for like an hour,” Duke mutters, “This sucks. My head’s going to burst like balloon and my eyes are about to fall out.”
“Yikes. You know, you could have just canceled for today. I wouldn’t have minded.”
Duke sighs and presses the heel of his palms against his eyes. “Maybe, but I would have minded. We barely see each other anymore, man. I’ve missed you.”
“Oh.” Danny bites his lip, trying and failing to stop from smiling. Something soft in his chest glows at the words, a growing spark of happiness in knowing that for this, at least, the feeling is requited. It’s nice to hear that he was missed, and it would be even nicer if Duke wasn’t in pain, pushing himself just because he didn’t want to cancel. Carefully, Danny reaches for him and pulls his hands away from his face. “Here,” he says, “Let me.”
His hands are always cold. Most of him is cold, really — side effect of having an ice core. Sam told him once that his hands were better than an ice pack, and he’s hoping she’s right or this is going to be weird. 
Danny gently presses his fingers against Duke’s temples, his hands cradling Duke’s face. Duke is tense for a few seconds, then abruptly relaxes, leaning into Danny’s hands. 
“Is this helping?” he asks, voice hushed to keep from aggravating Duke’s migraine.
“Mhm. Yeah, it feels great. Thanks, Danny.”
Duke goes completely limp, leaning against Danny. They sit there for a minute in silence, the rest of the world feeling far away. As nice as it is to just exist together, he knows what Duke needs most right now is quiet and stillness. Gotham is very much not that, and every honking car that passes by makes Duke wince, trying to turn away from the road even more.
“Hey, let’s head back to my place. It’s close by, and a lot quieter than out here.”
“Are you sure? I know we planned to go to the arcade today…”
“The arcade can wait. You’re more important.”
Duke blinks open his eyes and looks at Danny with something soft in his gaze. Being so close together, barely any space between them, with Duke looking at him like that makes Danny’s cheeks flush red, unable to think anything but please kiss me.
Which is never going to happen. Duke is his friend, and just his friend, no matter how much Danny wishes they could be something more. It’s a pipe dream, something so impossible it’s almost laughable. 
Duke likes being friends with normal human Danny. He doesn’t want to imagine how he would react if he found out about Danny being half ghost, assuming this imaginary reveal happens without Danny being hunted down and cut open by GIW agents. 
He’s still in hiding, always waiting for the worst as he stays in the apartment his friends (living and dead) had set up for him. The building is for ghosts so it technically doesn’t exists, which means it’s the safest place for Danny while he’s actively being hunted by the US government. 
He can’t be honest with Duke. Can’t be as close to him as he wants to be. Duke deserves more than to be dragged into Danny’s problems and put in danger.
Even so, Danny can’t help but want him around, pushing his luck each time they hang out.
“Come on,” Danny urges, standing up. He pulls his hands away and Duke’s brow immediately furrows, his pain returning. “It’s only a few streets away.”
Duke sighs, then visibly braces himself before he stands up. Danny tucks himself into Duke’s side, taking as much of his weight as he can as he walks them down the street. It’s times like these that he wishes he could reveal his powers safely and just fly them to his apartment. But even without the GIW gunning for his head, showing off powers in Gotham is a sure fire way to get a target painted on his back.
“Almost there,” he says as they turn a corner. 
His apartment doesn’t have a fixed address. It doesn’t have a fixed location at all, drifting around, but it likes this street the most, so this is where it usually is. Danny takes them halfway down the street, then turns into an alley, following his ghost sense. 
Where there’s usually a dead end is instead a building, looking as if it’s always been tucked away in this alley. Danny keeps a tight grip on Duke as they climb the front steps, silently asking for the building to let him stay while he’s with Danny. The door opens easily, which is as good as an agreement, and they’re inside without anything going wrong. The small entrance lobby is empty, with an area for packages filled with clearly magical artifacts carelessly wrapped in bubble wrap. 
Danny drags them past that quickly, hoping Duke doesn’t notice, and calls the elevator down. It arrives silently, the doors opening to let another tenant out. Carefully, Danny positions himself in front of Duke, making sure he doesn’t see how the tenant, who nods at Danny, has a still bleeding wound in his stomach that has him nearly split in half. 
“Alright,” he says, ushering Duke into the elevator, “Just a little ride up and then you can lay down.” He hits the button for the fourth floor and they ride up in silence, Duke dropping his head down to onto Danny’s shoulder again, wrapping his arms around his waist as he stands behind Danny. He’s glad Duke can’t see his face; there’s no doubt that he’s blushing like crazy and if that doesn’t give away his feelings, he doesn’t know what will.
Thankfully the elevator ride isn’t long. If Danny had to go for more than a minute with Duke breathing softly against his neck, his warm hands on his stomach, Danny would have collapsed into a pile of flustered goo.
He opens the door to his apartment and kicks his shoes off. Duke follows in suit, still plastered onto Danny’s back, refusing to let go. 
“Come on,” Danny says, leading him to the couch, “Sit down and I’ll grad you some water and painkillers.”
Duke nods against his shoulder, then slowly detaches himself from Danny and makes his way to the couch. He drops onto it gracelessly, pressing his face into a cushion. 
Danny winces. He must be feeling really bad. He knows how bad migraines can be with sleep deprivation, having suffered through high school with only a few hours of sleep at night, if he got to sleep at all. Frankly, it’s a testament to Duke’s strength that he lasted the entire walk to Danny’s apartment without complaint. 
He returns to the living room with a full glass of water and a bottle of Advil, setting them on the coffee table to crouch next to the couch and place a cold hand on Duke’s cheek. “Hey,” he says softly when Duke turns to look at him, “Is Advil alright? It’s all I had.”
“Yeah, that’s fine. Thanks, Danny.”
Duke sits up and shakes out three pills, then washes them down with water. He drains the rest of the cup quickly, then falls back against the couch with his eyes squeezed shut.
“Is there anything else I can do to make you feel better?”
Duke immediately reaches a hand out for him.
“Um?”
“Sit next to me. I feel better when I’m next to you.”
“Oh! Alright. Bet you’re only saying that because my hands are cold.”
“You caught me,” Duke laughs, pulling Danny onto the couch. He goes easily, tucking his legs beneath himself, and places his hands on Duke’s temples again. “Man, I owe you my life.”
“I don’t think my cold hands are worth quite that much.”
Duke hums, but doesn’t say anything else, so Danny settles in and focuses on keeping his hands a little colder than normal. 
The apartment is quiet. No sound from outside can reach them, one of the few ways the building looks after its tenants. Danny and Duke fall against each other, at ease with each other. There’s no need to fill in the silence, and with Duke’s eyes closed, Danny doesn’t have to carefully shove down his feelings and act normal. He indulges in the warmth of Duke’s body pressed against his, a hand on his knee and an arm around his waist. 
He keeps his hands as steady as possible as he looks over Duke, adoring all the little details he can see; a small scar on his chin, the fullness of his lips, the way his hair falls into his face now that it’s long enough to keep in braids.
“I can practically hear you thinking,” Duke murmurs, “What’s on your mind?”
You’re cute, he thinks, I feel safe with you. I want to kiss you. I wish I could be brave enough to be honest.
I wish I was brave. I wish I was brave. I wish I was brave.
“Nothing,” he says. “Feeling better?”
“Yeah. I might fall asleep though.”
“That’s fine. You know I would never say no to a nap.”
“Come here, then,” Duke says, and before Danny can do anything, Duke gets a stronger grip on his waist and pulls Danny down on top of him as he falls back towards the arm rest and gets his legs on the couch.
“Duke!”
Duke laughs underneath him, and Danny can feel it roll through him. Okay! This is definitely something he’s going to think about… forever. Wow, he can feel Duke’s abs tense up as he laughs, and has he always been ripped? Unfair. Also unfairly hot. 
“Is this alright?” Duke asks, voice soft and quiet. There’s a hesitancy around his words that Danny doesn’t like hearing, and he brings his hands down to sweep his thumbs soothingly over Duke’s cheeks.
“Of course it is, man. I’d never refuse cuddles.”
“Okay. I’m gonna pass out now. Wake me in an hour?”
Danny moves his hands back up to his temples and says, “Sure. Get some rest, Duke. You really need it.”
He feels Duke relax beneath him, breaths slowing down as he begins to fall asleep. It’s peaceful and quiet and Duke is warm in a way Danny never can be with his ice core. He doesn’t mean to fall asleep, but curled up on the couch with Duke in the safety of an apartment that only barely exists has him drifting off in no time at all.
. . .
(Duke wakes up before Danny. Their legs are tangled together and Duke has moved during his sleep, turning so Danny is held tightly to his chest, his back to the cushions, while Duke is balancing very carefully at the edge of the couch. 
It’s been hours, and he should be heading home soon, but he stays as he is, enjoying this quiet moment for as long as he can have it. Danny is in his arms, safe and content with him, his head no longer hurts beyond a residual ache he can easily ignore, and he can admire how pretty Danny is without being worried about Danny catching his lingering stares. 
These moments are precious to him, rare as they are, and he wants nothing more than to kiss Danny once he’s awake and let his feelings be known.
But the Signal has lots of dangerous people after him, and Gnomon has started causing problems in Gotham again. So he’ll bite his tongue and keep his less platonic feelings buried under lock and key until it’s safe enough for Danny to be around him more often.
And when that time comes, he can only hope that Danny will feel the same way.
That’s all far away from the stillness of Danny’s apartment. All that matters is that he has Danny in his arms. Everything else can wait. 
For now, this is more than enough.)
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a2zillustration · 2 months
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I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.
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#Ok I'm gonna ramble in the tags about all this get ready:#I KNEW Larian wouldn't let me actually pull this off but I PROMISE you that stupid flask sat in my inventory since the moment I grabbed it#WAITING for when I could write this little bit about putting Raphael in it#I even threw it at him in the fight with a 30% hit chance and it succeeded so I considered that Larian giving me permission to say it workd#But as I was reading up on it again when I was sketching this I saw the bit about native planes and I cried LMAO. But it's dnd-#so I rewrote is as it would've happened in a game. U kno.#Also I have been waiting to use that fox line for SO LONG bc of Croissant's dad being a fox-like fey creature#So much backstory that's slotted in PERFECTLY with the BG3 narrative#Anyway absolutely wild that we managed to take out this ancient powerful devil - and on the first try!#Lae'zel with a potion of speed did WORK. Gale came in clutch with hold monster. Astarion gave Raph stage fright. Croissant made him dance#(I'm pretty sure he just doesn't have a dance animation in ascended form lol)#Hope didn't even need to use divine intervention - this party is terrifying#Croissant hated him but in the end I loved Raphael I see why all you people like him#bg3#baldur's gate 3#bg3 spoilers#act III spoilers#house of hope#croissant adventures#tav#raphael#lae'zel#iron flask#comics#ALSO shoutouts to you if you both noticed and knew which worthikids animation I borrowed the expression in panel 5 from
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Danny’s parents want to kill him and he’s like “f in the chat y’all dinner boutta be so awkward tonight smh”
Ok so I know everyone loves the angsty headcannons where Danny is terrified of his parents cuz they wanna kill him but we’ve had that hot take since 2005 I’m here for a source material revival, the much more entertaining “Danny’s parents want to kill him and he actively doesn’t give a fuck”
CUZ UH, IM REWATCHING THE FIRST SEASON AND I FORGOT HOW GENUINELY BLASÉ HE IS ABOUT MADDIE AND JACK TRYING TO GET HIS ASS ITS SO FUNNY.
Like mom holding a literal ghost gun to his head: eh kinda unphased he even has time to quip, his parents say they wanna tear em to pieces: meh see u guys at dinner, LIKE OUR GUY IS SO UNPHASED HE THINKS THIS SHIT IS FUNNY! (s1 ep. 14 public enemy)
And he’s unphased despite knowing his parents tech works and knowing that his mother is actually a good shot. So like I love angst Danny and y’all should keep up the good work but where is my s1 Danny ‘COULDN’T give less of a fuck about his parents’ Fenton representation?
Cuz think of this, for your DPXDC AU consideration, Danny would fit in so well with the bat gang if only because they could try to stab, shoot, capture, brainwash, and stalk him and he’d be like “oh cool villain of the week shit? Nice, what’re we having for lunch.” He. Wouldn’t. Flinch.
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starrysharks · 29 days
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would a person on hiatus do THIS?!?!?!?@?@?@?@
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poorly-drawn-mdzs · 1 year
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Advanced Hall Monitor Technique: Go To Detention
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things that seemed reoccurring this update:
- Meat
- peas
- jelly
- Hibernation
- Eddie's absence
- Acting out a script (Sally mumbling asking if it's her cue and Howdy changing the script of the narrator in Homewarming storybook, characters general interactions with the narrator, different moments in the video, like the Sally and Frank ad break or the song a barely silent night, where the two literally fight over who get to sing, Sally mentions she wrote the lyrics, and Frank says she already has a song. yeah all of these are easy to see as meta goofs in the original material, but it's the fact there's so much of it this update) (of course all this wrap up with the end of the video where Eddie and Frank are obviously acting off script)
- Being alone (Eddie not having any news of anyone and not even seeing anyone outside (which is interesting as the story says that Sally was up in a tree near his home and saw him fret over having nothing to do), Wally saying it's so quiet during Homewarming and it's just he and Home for a while (potentially the show putting out a christmas special and then being on break? can a show do that?), and in the normal website material, the end of "An ode to hibernation", Frank saying "Where all that's left is me", the "me" being a "...me?")
- Welcome Home being used to sell stuff (cigarettes, medicine, eggnog, cereals, and the cookbook lists ingredients that are a specific brand)
(I'm putting under read more my rambling thoughts so you can just reblog the list without having to see them)
so I can't really make sense yet of all the food stuff. Maybe there are cultural elements/expressions I don't know that explains it? But I still find it very interesting how fucking unhinged that cookbook is yet the commercial and the website treat it normally. The cookbook is overall extremely interesting, because some of the recipes seem to actually be written by the characters; Barnaby who only presents you weird hot dog dressings with pictures but no recipe (and all jokes), Frank who lists not just the ingredients but also the material, and overexplain each steps (at least overexplain compared to the other recipes. it's actually interesting to know why you do x or y), and Julie who turns her recipe into a game at the end, and felt a bit harder to follow? anyway.
The cookbook, the Homewarming tradition of hanging a ham in the tree, Santy Claus being said sometimes instead of Santa, the ham for Santa? Once again, the christmas commercials being so casual about some of the weird stuff it says and presents? This almost feels like an alien who only has a blurry grasp of Christmas and what humans enjoy made the cookbook and the live commercial.
Sometimes, Welcome Home feels like it never actually aired and produced things, but we're making it retroactively exist. Something is making it exist. Like a retcon of the universe, "What do you mean you never heard of Welcome Home? No, of course it always existed and was very popular, look at all this old material we find!"
So maybe whatever is making it exist doesn't fully get humans and accidentally creates things that are weird to prove its existence. Like a cookbook that tells you a single pea in a buttered plate is a classic meal, or that of course you give Santa ham on Homewarming! (tbh almost getting an AI weirdness feel)
But in total contrary, in its story, Welcome Home also feels like it always existed, but got somehow completely wiped from people's mind, as something caused its sudden stop, and its characters gained consciousness of what they are and their world. As an existential dread fell on them one after the other, slowly realizing something isn't right. As Eddie felt anxiety and nervousness over no one being there or contacting him, to then having the story acts lightheartedly about it, the narrator saying things have been solved but he doesn't feel it, and suddenly Home is staring at him.
Both "It never existed but the universe is being retcon into it existing" and "it existed but something terrible happened that erased it from peoples mind" seem plausible. If two theories contradict each other, that means there's a third one that needs to be found.
Maybe it existed. Maybe it truly was popular, but something corrupted it, leading to its disappearance. A disappearance so big it stopped to exist. And now the thing that corrupted it is trying to crawl back, make it exist again, but it's making it come back completely off.
Anyway.
Also, I think the show may have been on hold during the Holiday season, "hibernating", and the character who got some self awareness realized that something was off. They're alone because there's nothing new, so no one is there bringing life to the neighborhood.
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siren-of-agony · 3 months
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Answers to "please stop"
No.
I can't.
I won't.
I don't want to.
I don't know how.
I will soon.
But then how will you learn?
We're almost done.
It's almost over.
Ask me again!
Oh well, if you're asking that politely…
Fine. For now.
Only once I've come up with something more fun.
Only once you've come up with something more fun.
Or what?
I know you can go a little bit longer.
You know I won't.
I love it when you beg.
I hate it when you beg.
I'm so bored by your begging.
Not until you're too weak to ask me to.
But I don't have anything better to do.
I wish I could.
Alright! See? All you had to do was ask nicely.
I'm not doing anything.
What, exactly?
Just once more, I promise!
Just once more, I promise! (🤞)
You're doing this to yourself.
You wanted this.
You want this.
You know you made me do this.
Are you ready to give me what I want, then?
I will once you give in.
What will you give me in return?
Why should I?
You know there is only one way to end this.
You know there is only one way this will end.
(Answers to "it hurts")
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jemmo · 3 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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scificrows · 8 months
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i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.
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idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.
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I put on my favorite lingerie to take these pics for you🥰🥰 and your followers
~~~
The beautiful and sexy @alexandy99 indulging me in my request to fulfill the exhibition prompt for kinktober. I hope you felt as hot as you look, because this body harness is fucking fire.
Thank you so much - I’m always in love with how hot all of you are. 💕
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cerise-on-top · 2 months
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Hugging, Kissing and Cuddling HCs for König
I'm trying to see him in another light again after everything I've seen about him, so I decided I'd write something fluffy and nice for him. And then came the realization I never wrote some HCs like these for him in my original posts, so I decided I'd change that! He's Austrian, so naturally I have to love him!
When it comes to hugging someone, König is a bit hesitant. Considering he’s not the most physically affectionate person out there, it’s almost an honor to be receiving an unprompted hug from him. Whether his hugs are long or short depends on the occasion: If he’s proud of you for accomplishing something, then the hug will be rather short lived. Though, he might pick you up and spin you around until you’re dizzy. If you’re sad and need some comfort then his hugs could last a while. He’s not the best with words, he prefers to listen to other people, but if he knows a hug is what usually helps you then he’s willing to do so. Despite being a big and strong lad his hugs are surprisingly gentle, he’s worried about crushing you. He could put his all into them, but then you’d likely end up with a few broken ribs and he doesn’t want that to happen. König is also surprisingly warm, so receiving a hug from him is a rare, but nice experience. Although he does go rigid at the beginning, not knowing what to do, but relaxes into the hug eventually.
Again, he’s not a very physically affectionate person, but isn’t opposed to the occasional peck on the cheek or on your lips either. There is some anxiety whether you’d actually want a kiss from him or not, so he doesn’t kiss you very often, even if you do reassure him that it’s quite alright. He’s a bit tense at first when he presses a kiss to your lips, but calms down eventually. It’s especially bad during the beginning of your relationship, but he’s since gotten better at being calm about it. Since there’s a good chance he’s taller than you he loves giving you a kiss on the forehead. It’s a small but sweet gesture. He doesn’t need to bend down entirely to reach you but he still gets to be affectionate with you. However, if you’re on the taller side, or just as tall as he is, then he’d love to receive kisses to his temple from you. It makes him smile every time you do it. If he’s in the mood for receiving a kiss then he’ll lay his head on your shoulder and nudge you a bit. Or try to get his head in your closer vicinity. Kind of like that one bunny video where the bunny stretches to receive some kisses.
Cuddles with him are a bit more common than hugs actually. However, he refuses to lay down on top of you. If you’re shorter and weaker than him then there’s no chance he’ll put his weight on you, he’s just that afraid of hurting you. If you’re taller or just more muscular, then he might, but he’s still a rather heavy lad. Most he’ll do is put his head on your shoulder while you’re cuddling in bed and are both lying down. Although it’d be a lie to say he doesn’t want to be held. König is alright with being the one to hold you, but sometimes he would prefer to be the little spoon as well. That urge gets especially bad if you’re roughly the same size as him. Sometimes just nuzzling into your chest does the trick for him as well, though. Loves it when you run your fingers through his hair as he does so. Another thing he adores is you sleeping on his chest as he holds you. He gets to hold you close, he gets to protect you and he gets to doze off a bit himself, it’s bliss to him. Sometimes he leans down to press a kiss to your head and accidentally wakes you up like that. He feels bad about it and apologizes profusely, but does chuckle a bit when he sees your disheveled hair and your tired expression that shows you just woke up.
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marshymallo · 3 months
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fun little idea that popped into my head:
luke castellan x daughter of hephaestus!reader who, similarly to her father, has absolutely zero luck in the love department
i think what makes it a fun concept is if we take into consideration that luke is obviously very attractive and probably, like, THE camp crush paired with that dynamic for reader
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babyloniastreasure · 4 months
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something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.
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this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.
Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.
The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?
It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.
TLDR;
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