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brookheimer · 1 year

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looking at the 'midseason trailer' and seeing roman fighting his siblings, roman shitting on gerri, roman working for fascists, roman walking proudly through ATN like logan did just two days prior... it's not surprising, but it is fucking sad.

logan's death will not free roman. instead, it will reforge the chains he's worn all his life, casting them in iron -- that's what roman deserves for thinking, for the first time in his life, that maybe he wants the chains off. that's what roman deserves for killing his father by not loving him enough, by not loving him correctly or at the right times. logan's death will not free roman at all. if anything, it will imprison him.

(as always, this got very long, so keep reading under the cut!)

this was the worst case scenario for roman. not just logan dying, but the exact way everything played out. he betrayed his siblings, he fired gerri -- for nothing. he could have been on the plane with his father in his last moments -- he refused. his last interaction with his father was leaving logan a voice message that called him a cunt -- the first time roman has ever, ever, questioned or stood up to his father, and also the last. we don't know what killed logan. we probably never will. but god if it won't feel awfully coincidental to roman: the one time he fought back against his father or even showed the slightest hint of doing so, his father died. is it likely that logan heard roman's voice memo and keeled over because he called him a cunt? no. but is it just as possible as anything else? entirely. roman might have killed his dad. roman murdered logan when he could've been on the plane with him holding his hand, if he were a good son. he didn't even tell logan he loved him. not that he needed to, it fucking oozed from his every pore and the desperate nature of that love was one of the reasons logan could never quite stand him -- but that's not the point. roman's one attempt at agency, at setting boundaries, at standing up for himself killed his fucking father.

logan dying would never have been good for roman, at least in his current state, no matter how the actual death came to pass. people often talk about abusive relationships as if the end-all-be-all fixer to abuse is independence, and it's not. independence isn't always enough to heal, especially not when it's forced upon you rather than something you choose. this is especially true for roman, i think. what roman needed was not just to gain his own independence, but to realize that independence and love are not mutually exclusive, that gaining one does not mean losing the other. logan's always hammered in roman's weakness, his wrongness; roman was never someone who deserved to be loved on his own terms. roman's never considered himself to be someone with agency and authority in his relationships -- he's been told over and over again that he isn't a real person, that there's something deeply wrong and unfixable in him, and he believes it. he's never set boundaries with his father or even his siblings because i don't think he really realizes he has the power to do that. he's simply there until people decide they no longer have use for him or want him around, and he'll always come crawling back after a kick because he doesn't realize he's not on a leash -- that he doesn't need to be on a leash. independence has been unreachable all his life, he isn't normal or real enough to be a real normal independent capable person, but if he grovels and shows his use enough, then maybe he can be loved. but his dependence and loyalty is all he's good for. independence means no love, no family, no relationships. and roman desperately wants, needs, those relationships in a way that none of the other characters do (or at least can admit to) -- he wants his father in his life, no matter what; he wants his siblings in his life, no matter what. but independence, being his own person, separating himself from logan's side means he'd lose everything else, everyone else. he's not good for anything anyways. it's not like he has other options.

...until the start of season four. that's why this is all so tragic -- more than anyone else, it seemed like roman was on the road to healing. it seemed like he was finally realizing that independence and love might not be as mutually exclusive as he's been made to think: maybe he could be independent while still having a relationship with his siblings and even his father. maybe he could have his cake and eat it too. he's realized that he's capable, that he has his own worth, and that he can be successful without living under logan's thumb -- and, more importantly, could still text him on his birthday and try to rebuild a relationship, this time outside of business. outside of "that room" in waystar royco. an actual fucking family relationship. that's what escaping the cycle would look like for roman — not complete separation, not a metaphorical killing of his father, but the ability to live alongside him, to have a life outside of him, to love his father without living for him. so simply removing logan from the equation wouldn’t help roman, not when what he needs most is to realize that self-respect is not mutually exclusive with love, that being your own person isn’t a betrayal, that family and love aren’t dependent on how low you can kneel and won’t be whisked away the moment you stand up. and for the first time in his life, it seemed like he was on track to discovering this. maybe he and the siblings could have the hundred, logan could keep going with atn, and in a few years down the line they'd all get together to talk shop and joke around and coexist -- for the first time, he had started to think of himself as enough of a real, okay person to be allowed to coexist with his family, rather than naturally subordinating himself in every interaction.

roman could’ve been his own person, could’ve escaped the cycle, could’ve started a business with his siblings and tried to heal, but now he won’t. he can’t. roman can’t become his own person now, not when his first attempt to do so is exactly what killed logan. it’s his fault. he fucked up and now there’s no dad. he gained his independence, but at what cost? love. that’s the cost. it always has been and always will be. nothing could be more detrimental to roman roy than the exact series of events that occurred in this episode, because just as he started to see a world beyond his father, logan dies -- proving once and for all that the only world beyond logan is one without him in it at all. that’s been roman’s fear all along and why he’s stuck so close to his side: roman loves and loves and loves and is terrified, terrified, of death. of loss. but in a moment of 'weakness,' roman wobbled (he tried to stand up to logan rather than just taking the kicks as he's supposed to, as he always has), and his father paid the ultimate price. there’s no more dad. there’s no reviving him.

…unless, of course, there is. unless roman can undo his error by choosing his father again, and again, and again. becoming logan is the closest roman can get to resurrecting him, after all. and besides, doesn’t he owe it to dad after killing him? after calling him a cunt, choosing not to be with him on that plane he ended up dying on? after forgetting to even say “i love you dad” before the end? roman needs to fix things. needs to make it like dad's still here. needs to make it like he didn't kill his own father by refusing him for the first time in his life. so roman will be the firebreather logan wanted -- he'll do ATN, he'll push for mencken, he'll do whatever it fucking takes to try and make things right. if it's his fault logan's no longer here, then he needs to do everything he possibly can to fulfill his dying wishes, to do what logan would've done, were he alive.

"dad can't die, he's dad." he can't ever die. he's immortal, and his immortality was solidified by the circumstances of his death -- logan will not die. he’ll live on in roman, as roman.

roman will make sure of it.

#to clarify -- i do not think this is roman's endgame. i Hope it is not his endgame. i just think based on the previews and everything we #know about both him and the upcoming episodes... i think this is where his arc is heading for now. and it will be UNBEARABLE to watch #i'm hoping things get better by the end. that there's reconciliation and an ending open enough to allow for a slim possibility of future #healing. but as of right now... i think things are going to get a lot - a LOT - fucking worse before they get better (if they get better..)#k it's 1:30 am i haven't read over this at all so fair warning there. but yeah. told yall i had a lot of thoughts re: what this might do to #roman. hats off to jesse armstrong for creating the literal worst situation imaginable for him. fucking ingenious. i too love putting this #sad little man in situations! but yeah. gonna be watching thru my hands but eating it up while weeping etc etc etc #succession #succession spoilers #roman roy #succession meta #succession s4 #connor's wedding #logan roy #casey shut the fuck up about roman roy #100 #500 #succession speculation

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campchitaquamemories · 2 months

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One thing I love, love, LOVE about the Netflix ATLA is that you *really* get a sense, very early on, for each of the past 3 incarnations of the avatar and how their struggles and their age of the world shaped them into who they are. (Spoilers for the animated show, if you care - and S1 and potentially future seasons of the live action)

Kuruk's age was plagued with threats from the spirit world (a history that rhymes with what we see when the cycle rolls around to Water again with Korra), that is where his focus was, and that is what cost him his closest connection to the living world. It left him crippled and bitter and unable to see the strength in Aangs connections with others. This is really something that was only hinted at in the anime, and I love seeing it fleshed out.

The next avatar, Kiyoshi, was born into an age of strife - warring kingdoms and tyrants and terror. She HAD to become a mighty and fearsome warrior, becuase she had to clean up the mess that Avatar Kuruk left in the living world. So of course, this is the lens through which she sees the troubles of Aang's age. This is the advice she gives him: only the strongest can bring balance and peace.

Then we have Roku, born into a golden age of peace and diplomacy, the remnants of Kiyoshi's iron fist holding the nations in their places. He was allowed a full childhood, friends, and you can see it in his manner, his sense of humor. You can also see the terrible pain of the wound that his best friend's final betrayal left in his spirit, when he counsels Aang that he cannot always trust his friends.

I just. I love that we are seeing all of this, and so soon! The stories of the previous avatars, and the way each of their lives impacts not just the rest of the avatar cycle, but the life cycle of their entire world, is so fascinating to me. I really, really hope they continue to deepen Aang's connection with his past lives if the series continues!

#i'm just feeling a lot of feelings right now #i finally finished season one and i am ready to scream about it #sorry to everyone who follows me but i'm never gonna shut up about how much i love both versions of this story #atla #avatar #avatar the last airbender #netflix atla

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ourfag · 5 months

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i think part of the resistance i’ve seen in response to the view of ed as an abuse victim—not just the view of izzy as someone who abused ed, but of ed as someone who was abused by him, as opposed to interpretations that pursue an image of Nuance and Complexity (unnecessarily, because their dynamic has heaps of both, but there seems to be a popular impulse to conflate complexity with shared culpability) by characterizing their relationship as being toxic/unhealthy in equal reciprocity, or as “mutually abusive” (oxymoron)—i definitely see the influence of racism there, but i think the racism is also working to amplify an adjacent issue where we tend to receive very specific cultural messaging about What An Abuse Victim Looks Like, and ed is excluded from a lot of that criteria.

he’s outspoken. he’s boisterous. he’s Very Cool and he Wears Leather. he’s physically bigger and browner than the person mistreating him. he spends the first season with a big grey beard, he’s covered in tattoos, he projects the image of A Man’s Man, to say nothing of his being a man in the first place. we see him get aggressive and we see him get angry (and sometimes we even see both at the same time). we see moments where he’s surly, prickly, insensitive, arrogant. his survival techniques and trauma responses incur collateral damage to other people, and in the second season this extends into affecting people we actually sympathize with. he’s extremely private about expressing fear. without examination, his professional relationship to izzy seems to position him as the one with the power slanted in his favor.

most damningly, we see him react multiple times to izzy’s abuse with physical violence. this is behavior that gets referenced all the time in the construction of narratives condemning subjects of physical abuse, let alone emotional abuse. which is why writing that intends for its audience to interpret a character as being unambiguously A Victim Of Abuse will often, for simplicity’s sake, avoid showing the character regularly engaging in anything of the kind.

and again, all of these departures from the image of The Model Victim are compounded by his being a man of color.

without any of the shorthand designed to point a big flashing arrow at his mistreatment, all we have left to work with are the words and actions we see from ed and izzy onscreen. who instigates conflict, and how does the other respond? how are they able or allowed to respond? how do we see them speak about each other to outside parties? does one go out of their way to control or isolate the other? what consequences does either party stand to face in saying “no” to the other? in acting against the other’s wishes? in trying to leave the relationship? when either of them attempts these things, how do we see the other respond?

i realize and appreciate what people are driving at when they garnish their analysis with disclaimers that they’re not saying ed’s just a poor innocent abuse victim, they’re not saying he’s a perfect angel who’s never done anything wrong, and that’s true, but these are points already contained implicitly in statements like “this show’s protagonists act like human people” and “ed’s emotional struggles are portrayed in a realistic and believable way.” my assumption is that these disclaimers are anticipatory responses to worst-faith interpretations of any discussion that attributes any victim status to ed whatsoever, so i definitely sympathize with their inclusion, but a (very small) part of me still worries about them potentially reflecting or reinforcing a belief that there is any way for someone to behave towards their abuser that imparts a responsibility for them to make right whatever damage the abuser receives, or for that matter any degree of ambiguity over their status as an abuse victim in the first place.

part of what i find so gratifying about ed as a character is that i don’t feel like the show’s writing is pressuring me to consider that ambiguity at all. which was a really nice thing for me to discover!

and tbh—did using ed to deconstruct The Model Victim even factor into the writers’ agenda?? ive got no clue. im guessing no? ??maybe?? probably not?? but if you create a main character whose central premise is that he feels trapped in a performance of exaggerated masculinity that he’s desperate to escape, and then you set him up with a character premised on embodying a tangible obstacle against that escape, then i guess that’s the natural shape your story’s gonna be inclined to take

#man thats a lot of words when i couldve just said ‘im not an ed apologist bc he has nothing to apologize for’ and yalld get the message #had to get it off my chest though #abuse tw #sorry about the verbosity Im Aware. Its An Ongoing Issue #this is actually after i went through and edited to make it as concise as possible #the good news is ive finally managed to limit myself to a mere half dozen commas per sentence #the bad news is all these words are mush in my brain now and i can barely tell if theyre actually saying anything #are any of these paragraphs related to one another? i dont fuckin know #i do know i agreed with them when i wrote them though #am i procrastinating in the tags because im nervous about posting this? maybe. shut up #im gonna go do todays wordle

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zivaninja · 6 months

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I am seventeen years late to the party I know, but I have just watched doomsday for the first time and I'm having a complete tenrose breakdown.

#doctor who #tenrose #rose tyler #tenth doctor #GOOD FUCKING LORD #I knew it was gonna be painful but that was even fucking worse #genuinely don't know what i'm supppsed to do with myself now #watch the doctor show they said. it'll be fun they said.#LIES #I am so 😭😭😭😭😭#shut up g #I need to go to bed in an hour but like. I am wrecked.#gonna spend all day at work tomorrow thinking about this

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the-real-list-of-ominous-threats · 1 year

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I will make your weird masochist friend call you a tsundere and beg for you to hit him

#read the tags #this is entirely my own fault #i am very aggressive and use threats in real life just like i do on here #and to be fair i kept doing it after i found out because i crave chaos #i mean the whole situation is objectively really fucking funny so here we are #tw kink mention #figured I'd better mention that just in case #adam if you did decide to make a tumblr and follow me then uhhhh #sorry lol #i'm threatening people with you now because that's just how it goes #mod lore #(i feel so weird typing that but also i think it's an objectively funny tag)#(haha. i have lore.)#lizzy is going to see this and laugh at me #my friends know about this blog if they ever check it I'm never gonna hear the end of this one #because of the tags not because of the post itself #like to be fair i did once choke him to make him shut up. in hindsight i have no idea why i thought that was a good idea

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aspennntree · 23 days

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since we only see the fucking. what do i call it. this thing.

when theyre alone do we think oscar has told the others about these weird merge episodes? because it doesnt seem like they know...

#chat i am thinking about this so much #no cause ren said 'oscar just...isnt himself' like does he know whats wrong. does he know. oscar are you talking to your friends.#also im pretty sure oscar was implying that this like. isnt a normal part of the merge. which im now thinking about what the fuck this is #makin another post about it #rwby #tree talks #oscar pine #ozmosis #ozpin #tree can't shut up about oscar pine #no you just know theyre isolating themselves when they can also. like he is not talking to them #i know that because ren is like how the hell did jaune get these bitches to talk to him.#like i feel like they dont know #'like minded' = emotional repression #i dont even know if oscar told them what magic does to them #like if there was any time to bring that up it was when telling everyone about oz being back and that what he did was magic #and he. didnt.#like hes not gonna bring it up of his own accord. hed probably only mention these like merging episodes #is if someone was with one while one happened #i dunno im rambling #i just want to make angst...

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gregoftom · 11 months

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alright nero damn

#WHERE do i even start with this ohahnd m #ok first of all TOM why is your voice so fucking low???????????????????? like girl.........#i know he's being quiet but it's also so LOW. so murmuring...... so .... IntimateTM #the way they act so TETHERED to one another. the way greg is like OH YEAH for a second i forgot #i am bound to you. so am i gonna be okay bc are you? are WE?#YOURE GONNA GET CASTRATED ON PAY SHUT THE HELL UP NERO!!!!! I KNOW HE AINT SAY THAT ON ACCIDENT #he's still thinking about nero sporus he hasn't forgotten what he said to greg in that office he still feels the same way #greg is his sporus now and forever i'm suprised he didn't drop the sporus right there tbh #but i think i can keep you girl i KNOW that is all you are thinking about. that is a top fucking priority for you. you want to keep greg #at all costs. your job yeah you want that and all but the Real reason you want it all is to keep greg with you just SAY that #i mean. you did but still #also stop looking at him like that by talos!!!!!! it gets worse by the day i s2g #tom [looking at greg like he's his entire world]: die #ALSO THE WAAAAY HE TOUCHED GREG TWICE AFTER #cant just touch him once huh. touching his face tenderly is NOT ENOUGH i Must touch his shoulder too. more touching. he is mine btw #tomgreg

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daddy-long-legssss · 3 months

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The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

#I could talk about 'A Certain Romance' until I'm blue in the face or a sobbing mess #lucy did a good job on this one #she perfectly encapsulated how this song makes me feel #the moment I heard it I knew that this band was something incredibly special #it is so near and dear to my heart I will never stop singing it's praise #the fact they made this song that is so compelling and takes you an emotional journey from the beginning to end over 20 years ago????#and how protective they were of it when making the first album cause they knew it was something special #and Alex drawing similarities between 'ACR' and 'The Car' & letting the instrumental moments of the song convey more emotion than the lyri #like he always said they continue to follow the same instincts from the very beginning nearly 20 years later #i just want to write an ode to ACR so i can ramble on about it #but im gonna shut up for now #anyways please enjoy this article LOL #arctic monkeys #wpsiatwin #whatever people say i am that's what im not #a certain romance #alex turner #jamie cook #matt helders #nick o'malley #andy nicholson #far out magazine

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felizusnavidad · 5 months

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"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.

a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.

first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:

USNAVI: abuela, my fridge broke, i got café but no con leche ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk

so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).

let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.

i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).

one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).

ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.

i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?

i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.

so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.

paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.

when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.

as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).

and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.

i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).

ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.

i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).

everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.

if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.

one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.

and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!

#if you were able to read the whole thing: congrats #also another note from me: i apologize for all those “they get it” “they dont get it”#i swear to god i am not making fun of anyone #you guys just know how much i am into it #and if other people were just there to enjoy it it's totally fine!#not everyone has to be obsessed!#but i am!#so i just wanted to explain it ok?#good.#also i apologize for it being so long but i had so much to say and i still feel like i didn't say everything i wanted #feel free to leave a comment or ask any questions if you want #now if you think i will finally shut up about in the heights on my silly little blog think again #i love it even more now if that's possible #and another explanation: i'm gonna tag this as my countdown because again i want all my ith posts in one place #thank you for your attention #it won't be long now*#why do you write like you're running out of time*#(not gonna tag this as ith cause this is only for my moots cause you guys get it)#(the last time one of my ith posts was seen by people who dont even know what that is i was depressed for days but that's another story)#(iykyk)#(and you know cause you left me tons of sweet messages guys i love you)

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crimeronan · 5 months

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i used to not relate at all to the existential dread that's sorta ubiquitous for a lot people my age, which is mostly bc i've been dying for three-ish years, so i had fully made my peace with my life being over soon. like i was in a mindset a lot of people enter in hospice care where my body was winding down and i was just getting as comfortable as possible and being content with the life i'd already lived.

however.

now. that it looks like i could not only have, but also Enjoy... another 50 or 60 years on this earth.....

......HOOOOOOOOOOO BOY.

#GOOD GOD A LOT IS GOING TO HAPPEN WITHIN THE NEXT 60 YEARS.#I KNOW NOT TO BORROW GRIEF FROM THE FUTURE BUT LIKE #I DIDNT EXPECT TO DEAL WITH ANY OF IT AT ALL. I WAS NOT GONNA *BE HERE*#literally every night for the past week i've lain awake with my heartbeat in my throat just thinking #I Am Going To Be Here . For So Much Shit #Oh God. Oh God . So Much #and i CAN'T SLEEP #this post brought to you by an hour and a half of me trying to sleep and now being exhausted and still So Anxious #like. CHILL. GIRL. IT'S FINE #YOU CANT DO ANYTHING ABOUT IT!! PROBLEM FOR FUTURE YOU!! SHUT THE FUCK UP!! OH ! MY ! GOD !!!!#autoimmune tag

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isdalinarhot · 27 days

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YES my stomach sticks out past my boobs YES this is great for my dysphoria because it allows me to pretend my full blown tits are just extra juicy moobs yes god loves me by making me big and huge and large and fat <3 I love you My Body once I go on T I will love you even more <3 <3 <3

#INSURANCE GET YOUR SHIT TOGETHER #I’m gonna be soooooo real I think about 50% of my ‘dysphoria’ as a teen was just dysmorphia about having a skinny body #now that I’m fat even though I’m less Conventionally Attractjve I feel more like myself and confident in my own skin <3 #once I go on T and get top surgery I’ll be unstoppable I’ll never shut up about how fuckable #I am #dude I can’t wait!!!!‼︎ so enthusiastic to become a proper bear!!!!!‼︎ please!!!!!!‼︎#not cosmere #sorry just had to brag about how sexy I am now #don’t worry little baby 14 year old me! your weight will double and you will have short hair and a happy trail. there’s hope for you yet #luke.txt #drunkposting

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brookheimer · 1 year

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truly do not understand how people are JUST NOW seeing roman as a geniune character with depth and not just "haha funney man mommy issues sexual problems lol!!! 🤪" like listen i started watching succession like. 3 weeks ago. and people that were watching this from the second it came out couldn't see the importance of his character until now?? fucking eleventh hour??? anyways hes the queen of my heart 4 ever and ever

no literally like i genuinely just... cannot conceive of someone watching multiple episodes of the show and still not taking him seriously or seeing how tragic he is. it's one thing to think he's an asshole -- he is -- and it's another entirely to think he's a one-note sex-freak funny-guy who isn't written just as carefully and tragically as kendall and shiv. and it's not like this is new news either -- in the second episode, when logan was in the hospital, everyone was trying to figure out who would run waystar and roman was like can you guys shut the fuck up and worry about our dad? and then roman made greg go back to the penthouse to get him something that smelled like logan?!?! this was, again, EPISODE TWO!!!! and somehow people are only saying just NOW that, like, 'turns out roman roy is the most caring/empathetic/family-oriented/etc of them all'! like oh wow turns out logan roy is a bad father. turns out kendall roy is an addict. turns out shiv roy is not the best feminist activist. we have known all of this for a very long time and none of it contradicts the other parts of the characters -- logan is a bad father and a good businessman who is honestly not wrong about his kids, kendall roy is an addict and he is trying so hard not to be and to escape the cycle of abuse, shiv roy is a bad feminist and entirely the product of a family and an environment that refused to value her for her entire life simply by nature of her gender. why could everyone acknowledge these things for the other characters but not roman? why couldn't roman be both an asshole and a deeply tragic character like everyone else?

like, just bc you can't reconcile the unlikable aspects of a character with the nuances of their backgrounds/psyches/etc doesn't mean those depths don't exist, it just means you fundamentally missed the point of his character for at least 3 entire seasons. crazy how articles are really out here saying shit like 'improbably, roman roy shows emotion' like that is actually so incredibly embarrassing ? like, you're a cultural critic at a well-known magazine, your job is literally just getting paid to watch and analyze television shows, and it took you until the final season of succession to realize that roman roy is an interesting character and not just perverted comic relief? why would you admit that to the world for real

#queen of my heart 4 ever and ever 4 real. like . so real #idk what i'm gonna do w myself now that i no longer have to defend his honor. just kidding i am going to spiral about him anyways #also welcome to the lovely world of succession anon! enjoy your time here and by enjoy i mean undergo severe emotional pain #<3 #succession #asks #anon #roman roy #casey shut the fuck up about roman roy #<-- i have made a new tag for me rambling about roman #shouldve done this with like amy brookheimer and people too tbh but cest la vie #100 #this time on posts i didn’t expect to get notes

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