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#am i over analyzing
cozylittleartblog · 10 months
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a little Postlet. . because i Miss them
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bizarrelittlemew · 6 months
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love that they prioritized letting Ed's hair down (wonder if it was before or after taking off Stede's shirt and Ed's jacket)
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raccuundraws · 1 year
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I was thinking about the NGE women too much, I apologize for this millenial anime watcher moment.
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bitchthefuck1 · 1 month
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It's kind of funny that Kendall and Shiv are both equally delusional about their ability to charm people for business and somehow think they can do it even though they choke almost every single time, whereas it's like the one thing Roman is consistently good at despite being the "least legitimate" option.
I think part of this comes down to the fact that Shiv and Kendall both have very clear ideas of the versions of themselves they're trying to be and the images they're trying to project, and they're trying so hard to be seen that way that they end up coming off as a little desperate and off-putting. Meanwhile Roman "knows" that there's something wrong with him and he's worthless, so he doesn't get sucked into the trap of trying to force people to see his idea of himself and instead molds himself into whatever he thinks the other person wants from him because that's the only way he can compensate for "being him," which works very well in the short term but also means he's the least capable of maintaining any relationship for very long because he has no sense of self.
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kiwisandpearls · 28 days
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ok so I was rewatching Madokami’s Magia Record transformation and I gotta say
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I LOVE this shot of Madokami.
making the shot blurry and so far away from Madoka paints her as this enigmatic figure who no one can get a clear close up picture of (similar to cryptids kinda).
This shot could also be in Homura’s perspective, showing how when Madoka became a god in Homura’s eyes she became so so far away from her.
not to mention the blurriness of the shot could represent how we’re not supposed to know if that’s truly madoka, perhaps representing how everyone’s memories of her was wiped when she became a god, only leaving faint traces of her existence (Madoka’s mom telling Homura that if she had a daughter she’d have her wear the red ribbons Madoka gave to Homura, and Madoka’s little brother sketching out Madoka in the ground).
this shot feels almost dream like, and almost nostalgic. Like you know who that’s supposed to be but you can’t quite grasp at who they actually are.
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sleepystede · 1 month
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My mom saw something OFMD related that I commented on on Facebook and she texted me this:
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UM NO MOM IT'S A COMPLETELY NORMAL REACTION.
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wtfforged · 1 month
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ive been seeing a lot of mermaid zoros lately and i like him and i think that silly octopus that he let cling to him in the jaya arc should be his little-mermaid-flounder-sidekick friend
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internetskiff · 2 months
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Ohh my god I just realized something The Signalis gameplay trailer is fucking genius. It basically encourages you to play in a way that lowers your chances of getting the "Promise" ending on the first playthrough. It doesn't encourage you to play like Elster - it encourages you to evaluate the situation like a Protektor would.
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I mean, it's straight up styled as an in-universe emergency broadcast that Protektor Units would hear in the event of an enemy attack or emergency where a facility's integrity would be compromised.
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This specific little tidbit basically encourages you to play in a way that ACTIVELY lowers your chances of getting the Promise ending, making it more likely you'll get Memory or Leave on your first run. Sure, you still need to weigh your chances in combat if you're aiming to fulfill your promise, but you need to put down as many corrupted Replikas as you can afford if you want to rack up the points necessary for that ending. The trailer encourages players to value self-preservation above all else. Which, y'know, that's how you usually aim to play games - you need to avoid getting hurt and you need to avoid dying, you seek the most efficient way to get to the end, but if you want the Promise ending you need to go out of your way to get hurt and die several times. You need to spend as much time as possible in the game. You need to be thorough. You need to leave nothing behind.
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Point being, I think this is exactly why she doesn't remember her. The whole playthrough, you've basically been Elster in name alone. You haven't been acting like the Elster she knows. You've been dealing with the whole situation like any Replika Protektor unit would have. In her eyes, you may have been an LSTR - an extremely resourceful, versatile combat Replika, but you're not the Elster - the one who spent all those years rotting with Ariane on the Penrose, forever changed by what they shared on that one-way trip beyond the Oort cloud. Elster would raze S-23 Sierpinski just to get to her. She'd leave nothing behind. She'd die over and over if that's what it takes to finally put an end to this. What stands before her is just another stranger, another Replika, not the person she's spent all those years with. You have to show you're not just another stranger with Elster's memories. You need to prove you are her. You need to treat all of this like she would. You need to prove you remember your promise. You need to prove you value your promise. You need to prove you have become the person you need to be to end this. The loop won't end until it's molded you into the person you need to be. At least, that's how I see it.
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atopvisenyashill · 3 months
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why do you think jonsa is happening tho? jonerys is different bc they are going to be enemies, but i don’t see what jonsa does for the story
so let me first lay out roughly what i think is going to happen should jonsa become canon. I personally love going down meta and graphic spirals, so I'm including links to other people’s theories/explanations/graphics of events too - also I would like to shout out @istumpysk because half these metas and gifsets were stuff I found on their blog initially, and also was the one who really convinced me that jonsa is less of a crackship and more of a contender for an actual canon theory, and from there i really found my niche in this fandom. specifically this meta about jon being the mummer's dragon is what pulled me out of my "we're never getting twow and if we do it's just gonna be that stupid dany has jon's magical baby while tyrion watches, then they all die theory" slump and lit my brain on fire again. let's goooo:
The Ashford Tourney Theory - Something Shady goes down at the tourney Petyr has planned that requires Sansa to make a quick getaway, and likely causes her to run into Brienne while fleeing. This theory for me is about hinting at Sansa's romantic future, allies, and how she's getting the hell out of the Vale: both the dark haired, Not Targ Looking Targ Prince that is the son of A Great Prince That Never Was being her romantic endgame but also it's about Brienne (/Dunk) getting her the hell out of there and becoming Sansa's number one ally and protector (with Sansa's number two being Bronze Yohn!! But he's not fleeing with her - if he helps her get out of the Vale, it'll be to cause a distraction or a fight so Sansa can slip away unnoticed. Bronze Yohn is coming with the knights of the Vale later to help defend his girl!).
The Girl In Grey - Out of options on where to go, Sansa & Brienne makes a long, fast, and dangerous trek to the only family she knows is still alive: Jon Snow at the Wall. No, I don't think Alys Karstark is the girl in grey on a dying horse; I think she's a red herring, the same as the scene where Sweetrobin destroys the snow castle, and that the real girl in grey (who slays the savage giant) is Sansa. Melisandre says that she sees "Jon's sister" but doesn't specify more than that, or how she knows it's Jon's sister, even - why would she assume Alys is Jon's sister and not some random Northern girl? Why was she so sure that it was his sister? It's because Alys isn't the girl in grey, it's Sansa, her horse dying because she's traveled halfway across the continent with Brienne and Pod, desperately trying to keep ahead of the dozens of people hunting her down.
The Blood of Winterfell - Sansa and Jon will reclaim winterfell together. This one is similar to above; just like Alys was a red herring, the scene where Sansa rebuilds the castle has a lot of foreshadowing (imo) but that isn't the moment in the prophecy Arya hears. The Savage Giant is Littlefinger, the castle of snow is Winterfell, and Sansa is going to liberate her home alongside Jon and what's left of the Northern lords.
Stone and Snow Remains - THIS is where Sansa and Jon will fall in love while fighting for the North. This is also the part where you lose a lot of people, because they think the evidence is real weak sauce but like, I also think the Jonerys "evidence" is weak af too (and no wonder, we have at minimum 2k pages left to get through!!). There's several believed foreshadowing points to this one, bare with me for this weird ass formatting because I can't do sub bullet points on tumblr:
1. Sansa's linking of snow with love and affection - "drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks...She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams." along with her snow maiden and snow knight.
2. Bael the Bard and the Rose of Winterfell - the chapter where Sansa gets her period for the first time, Cersei refers to it as “flowering” a dozen times, linking being a maiden (a young girl, not quite of age or just barely of age) to flowers and several people refer to sex as ~plucking. Also notice the one who stole her from KL is Lord BAELish.
3. Aemon the Dragonknight & Queen Naerys - Sansa compares herself to Naerys, Joffrey to Aegon, and wishes for an Aemon, among the many similarities between her life and Naerys'. Jon not only calls himself Aemon, he has a deep connection with a different Aemon Targaryen. And if you’re thinking “Sansa isn’t Naerys, X is Naerys” I would remind you that Sansa as a character existed first, George purposefully had her compare herself to Naerys, and parallels don't belong to just one character.
4. Jenny of Oldstones and The Prince of Dragonflies - there's honestly a lot of parallels between them but like the Aemon/Naerys parallel, the Jenny/Duncan one stands out to me.
5. Janos Slynt - I mean. Iconic. This was the scene that made me first think about what their relationship could be in the future and there’s a reason Jonsas fixate on it. It’s about Sansa being desperate for a hero and the hero she dreamed about being Jon the whole time. 6. Societal Alienation - There's the bastard parallels here, the "it would be so sweet to see him again", the "Winterfell belongs to my sister, Sansa." It's about how Jon, through circumstances of his birth, finds himself alienated from the rest of society and reconnects with his prim and proper sister Sansa, who finds herself alienated from the rest of society as well but for vastly different reasons.
Robb’s Will - Howland is going to show up in the North, along with Maege and Galbert, with some WILD news about why Jon can’t rule Winterfell. There’s a lot of contention around this. Bran probably shows up around this time too, and Arya gets to the Riverlands to discover Lady Stoneheart and give her the gift of mercy. This is where all the inheritance stuff is going to happen and I have no idea how it's going to go down besides it's going to be messy as all fuck.
The Pact Of Ice And Fire - Jon & Sansa get secret married bc they’re in love, not siblings, & jon is the only man she trusts not to steal her claim. This isn't the only possible foreshadowing instance of a marriage either - some believe the Sandor/Sansa scene during the Battle of the Blackwater is foreshadowing as well (personally I feel that's a bit of a stretch but I wanted to include it anyway).
Jon As An Envoy - I talked about this in my "what's Jon's ending" a little but I believe Jon will act as an envoy for either Sansa or Bran to Aegon VI, essentially playing out a similar story that he does in the show with Daenerys. By which I mean, Jon is not the King because the ruler themselves do not go as an envoy, that’s stupid and dangerous, but he goes as an ambassador for Sansa or Bran, to treat with a new claimant to the Iron Throne that is gaining support - Aegon VI & Jon Connington. They will probably clash, Jon will probably have yet another identity crisis, there had BETTER be gay incest subtext, then Aegon dies, and Jon has his sixth quarter life crisis in a row.
“King” of the Gift - again, something I touched on in my Jon meta is that I think he’s going to have a hand in resettling the Gift. Personally, I think it's likely that Jon leaves to protect the claims of his siblings (see: Duncan and Jenny) and goes to the Gift to help resettle it to keep out of the way. This ending is typically referred to as the "bael the bard" ending but i like to think of it as the "brandon's gift" ending instead - though he is not physically with his family, Jon feels fulfilled having confirmed his family loves him through reclaiming Winterfell and marrying Sansa, being reunited with Arya, and being given the Gift by Bran. Sansa claims her children were fathered by a wolf.
So…what does all this do for the story?
Well, in my opinion, several things.
I think the main barrier here is that most people in the greater fandom describe Sansa's story as ~growing past childish wants~ and Jon's as ~rejecting love~ and I do not agree with either of those takes even a little bit. This is where (imo) the dividing line between Jonsas and the rest of the fandom is. I don’t think the answer to Sansa’s question “will anyone ever marry me for love” is going to be “nah" - that's not just a sad story to me (wanting to be married isn't childish! craving intimacy and understanding isn't childish! it's also not wrong for a child to be childish!), I think the idea that Sansa (or Jon) will not find another love just doesn't line up with how George approaches his story. Who Sansa's husband will be has been such a big question, and her story is so heavy into the more romantic tropes like courtly love and chivalry and the line between politics and love and identity, that the question of Sansa's hand in marriage will be plot relevant. I also think it's kinda naive of people to pretend like George isn't very interested in the sexual dynamics of the characters he writes about (yeah, sure, no woman needs a man but "needing a man" is not what this is about. look at everything this man wrote in F&B and tell me he is going to write a female character that longs for sex and desire and doesn't get it!).
After AGOT, nearly every time Sansa thinks about marriage involves her longing for love but believing she will never get it because a man will only ever love her for her claim. Giving her a man - like Jon - who not only will not steal her claim and in fact has defended it twice over already, who will love her for who she is and not what she can give him, is a really important aspect of her story in my opinion.
As for Jon, I am even more firmly against the opinion that his story is about rejecting love; Jon’s story is about wanting to be a good man, to measure up to his father ~despite~ his bastard blood. When Aemon asks if Ned would choose honor over love and Jon stubbornly says yes, Jon is wrong and it’s important to not forget that. Ned has never once in his entire life chosen honor over love; he chooses his daughter’s life over his honor, he chooses his sister & her son’s life over honor, he chooses Arya & Nymeria over honor, and on and on!!! Ned chooses love at almost turn but none of his children know that just yet - look at Robb choosing Jeyne’s honor over his own and how upset he is at the idea that Ned would be disappointed despite the fact that Ned would have understand Robb’s decision! Jon's whole arc is tied up in realizing that it is not wrong or dirty to feel and choose love, passion, and desire and if he never has another romantic arc again, I think you lose the second part of that lesson which is "you are responsible for how you act when you feel love but that doesn't mean that simply choosing love makes you a bad person."
There's also the fact that George has talked a lot about "who lives, who dies, who gets married" and yet we have not one marriage at the end of the show AND there's not a lot of guesses at what "who gets married" means besides Jon/erys (and even if Jonsa doesn't happen, I simply do not see Jon/erys happening. they are not similar enough, they will not be in the same space for long enough, and they are on wildlly different trajectories for their story, they are not getting married let alone having sex). I think Jonsa fits that bill very well.
These various theories - from Sansa being queen, Jon living in exile, The Ashford Tourney Theory, the secret marriage, every one of them - are ideas and themes that I have really been thinking about for about 12 years now. I think Jon and Sansa's relationship could fit with the themes in their stories, the overarching themes in the books, and my own personal opinions. I think it gives George a great opportunity to delve into the courtly love aspects he enjoys so much, as well as delve into inheritance, legacy, legitimacy, honor, incest (yes, that too), and above all, what George himself has said the whole series is about - love. The human heart in conflict with itself is what I think Jon and Sansa as a romantic couple does for the series.
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raggedyannedoll · 1 month
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hey Welcome Home community what are our thoughts on the fact that Wally, Julie, and Frank's neighborhood pages say the word "handler" instead of "puppeteer"?
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the only commonality between the three of them is that they only require one puppeteer (as opposed to multiple, as i'll show with the other neighbors) -- so i suppose the phrasing could just be due to that? and while i have found a couple of instances in real life where the world "handler" is used in reference to puppeteering, it just seems oddly specific. why not say "operated by one puppeteer", to match the rest of the neighbors?
also?? these sentences are all exactly the same, with just their names switched out???
and despite details like Frank's rotating head mechanism, there's no mention of what actual type of puppet each of them are. Wally's page talks more about Home than it does about him -- but we technically know he's (presumably???) a hand-rod puppet because of the real life Wally puppet. Julie's page says absolutely nothing about her puppet aside from the final detail about the handler.
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the only exception to both of these words is Poppy, whose section describes her puppet type (being a walk around puppet), but doesn't mention the amount of puppeteers needed to operate her. although i suppose this could be due to. the fact that she has no live-hand counterpart and we're just meant to make inferences
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vagabondjourney · 20 days
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finn family moomintroll is a book abt the queer experience . LET ME COOK !!!!!!
moomin Coming Out the hat transformed and not being accepted as who he is after he came out [ of the hat ] . hes begging for ppl to see who he is , who hes always been before and only moominmamma accepting him as is . it’s the unconditional love that turns him back to who he is deep down , just a moomin .
moomin yearning for snufkin . That’s it . Literally that yearning turning to expectancy and knowing ur ‘ friend ‘ will come back , the trust they share in eachother is not Best friends behavior .
its been very well known that thingumy and bob are meant to be a representation of tove jansson and vivica bandler relationship , and how their red ruby are meant to be a metaphor for them hiding their love and only opening the case to those they trust . even the hobgoblin searching for it could be a metaphor for him wanting / searching for something to make him feel accepted or happy , but coming to the realization that it’s the people he meet that fills those wants he’s had for centuries .
if i dare even say , and this is a reach , the hat could be about how once you come out things can change severely , scary and good things can happen , it’s all just how people and urself continue on .
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sherbetyy · 7 months
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as someone on the spectrum i really felt for red guy in the photoshoot scene with his family, specifically when he’s moving around a lot and just. not doing what everyone around him is doing, and gets scolded for it.. especially his line “i’m just happy. i’m sorry..” like godddd that’s relatable. so many times i’ve had to apologize for simply being happy and i just want to give red guy a hug please. idk if the writers intentionally made it feel that way but damn it got me
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syl-stormblessed · 10 months
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if i cared about school half as much as i care about cosmere lore i could've been one of those child prodigies accepted into harvard when they were 12
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andoutofharm · 1 year
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so much (for) stardust in 3 days
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Open letter to the Avatar (TWOW) fandom:
Hello! Media literacy is free, please utilize it.
Thank you!
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kyrup · 1 day
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ok. as someone who has never watched an episode of fantasy high and has only watched youtube clips and therefore has the vaguest understanding of the six pcs: is kristen applebees called kristen because it sounds like christian
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