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#am i posting this just to rant in the tags
amorisastrum · 2 days
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How to use tone tags! :D
Because @flaming-green asked and also neurodivergence !!
Long post woah
Commonly used tone tags:
/j = joke
/hj = half joke
/ly or /lyr = lyrics
/pos = positive
/neg = negative
/lh = light hearted
/nm = not mad
/s or /sarc = sarcastic
/nbh = no body here (this is used alongside a rant/vent that has not named a specific person- people may think you are talking about them and spiral)
/genq = genuine question
/nf = not forced
/plat = platonic
/r = romantic
/srs = serious
/t = teasing
Why use tone tags?:
Tone can be a very difficult thing to pick up, especially through text. Use of punctuation and capital letters and certain word choices can make a sentence seem completely different. For example, if I received a text saying "Come see me right now." I would instantly think I was in trouble and would panic. However, if I received that same message with a "/nm" I would feel much better about the situation. People use punctuation in different ways as well! I personally use exclamation marks to show how excited I am !! While for others, a multitude of exclamation marks could indicate sarcasm. Same with the use of emojis. I personally use some emojis to indicate sarcasm, but I know people who use those same emojis to indicate... Well, what the emoji is showing. So, to use a tone tag avoids any sort of miscommunication.
When to use tone tags?:
Deciding when to use tone tags can be difficult. I personally use tone tags when I reread a message and realise it is ambiguous in tone, or when I reread it, it sounds more aggressive or rude than I intended it to be.
If somebody asks you what you mean by a message, this is probably a sign that you need a tone tag of sorts. Not all people are going to interpret things the way you intend them to be, so tone tags as a whole are helpful to avoid miscommunication. Sometimes the context of the message being sent can change someone's perception so tone tags are not always needed e.g. "omg I love you so much! You're so awesome!" This may be seen as genuine, while "omg you're so awesome." Can be seen as sarcastic. It depends on how that person's brain works.
If you are talking directly with one person, or a small group of people, and you know their typing habits (such as using emojis for sarcasm or use of punctuation) then tone tags may be needed less! But if you are talking to a group of people, such as on Tumblr, it may be easier to use tone tags as more people will see what you've said and... Well people may not understand what you meant!
Some words may have different connotations through different contexts, such as the word "silly". But sometimes people may not understand that context. I typically use Silly in a positive way, but at one point I referred to a character I didn't like as a "silly man" with my friend who had no clue who this character was. To them, this meant I liked this character, which left them confused when I started talking about them in a bad way. So, I started adding "/neg" anytime I meant silly in a negative way to avoid confusion.
Other tone tag things:
Try and avoid piling of tone tags at the end of a message/post as this can be confusing. Id say try to use no more than 2, 3 at a maximum.
If you're cutting into the middle of a message with a tone tag, you can use brackets, but you don't have to! Do what makes you comfortable.
Use punctuation where you see fit.
You don't have to use tone tags for every message you send/everything you post! Use them when YOU think the tone could be ambiguous or if someone has directly asked you what you mean.
You don't have to know every tone tag ever. I've been using tone tags for a good 2 maybe 3 years now and I mainly use /nm, /j, /srs, /sarc and /pos.
I also use /silly, which I'm not sure is an actual tone tag. I use this if something I say seems passive aggressive or if I am in fact just being silly.
I hope this has helped! Tone tags are something that help me communicate with people and make me more comfortable! And I hope they can make it easier for you to communicate as well :]
Also sorry if this makes little sense it is 2am. Feel free to add any more information in reblogs or replies!!
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local-diavolo-anon · 4 months
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so help wanted 2 is out
and i would die for jack-o-moon
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look at them
they look so cool
i love the colors, they feel like a reference to how the fandom drew eclipse before Ruin! (which makes sense since jack-o-moon kinda looks like the bb minigame eclipse)
Edit: thinking about it, why is this guy's name jack o Moon?
Like this is Sun's model repainted, it doesn't have a nightcap, why would this guy be named "Moon" then?
Edit 2: please not again, please stop liking this
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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royalarchivist · 1 month
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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moonpaw · 7 months
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tblsomedoodles · 7 months
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Meeting Clara (but happy and cannon)
i had full intentions of coloring this. but that would take forever and i reached my limit as far as this comic goes a while ago. i have no idea what it was, but this comic fought me every step of the way. It didn't matter if i was having a good art day or not, as soon as i opened this document, i'd struggle.
But it's done now. so there's that
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messiahzzz · 2 months
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while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.
bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:
Fear of abandonment
Unstable or changing relationships
Unstable self-image; struggles with identity or sense of self
Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).
Suicidal behavior or self-injury
Varied or random mood swings
Constant feelings of worthlessness or sadness
Problems with anger, including frequent loss of temper or physical fights
Stress-related paranoia or loss of contact with reality
source: [x]
i highlighted the criteria that do apply to gale in one way or another in a pretty purple.
i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.
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gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.
gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.
gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.
gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.
he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.
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gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.
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gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?
gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]
the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.
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gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.
neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.
gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.
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(taken from tumblr user galedekarios's post.)
there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.
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player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.
this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.
gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.
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player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.
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gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.
gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.
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gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.
there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.
i personally believe that part of the beauty of gale’s story is him realizing just how ���little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.
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gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.
even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.
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devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.
to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]
gale may be many things to many people, but he is no entitled narcissist.
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givethispromptatry · 4 months
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Tags
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pearlcaddy · 11 months
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LOCKWOOD & CO. 1.05
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butchfalin · 1 year
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Goncharov (1973), dir. Martin Scorsese / Volcano (Shake 'Em Up) - My Chemical Romance
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celestialrealms · 12 days
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I just noticed Mephisto matches with Barbatos (who is matchy with Diavolo) in the anniversary outfits in his SSR memory card
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These three were also the only three who had half masks in the masquerade event!!!
Anyway, The Royals with Mephisto chat group when? We got one for Purgatory Hall with Raphael..... it's just fair !!
And one for Mephisto and Diavolo as well, but also one for Mephisto and Barbatos too. because you can't tell me their relationship isn't deeper than the devs portray when Mephisto has lines like this about Barbatos's room:
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#also obviously chat groups like thirteen + solomon or thirteen + barbatos (+ solomon) as well!!!#but i was pointing this out teehee#..........................Anyway I feel like if I were going to make a meta post about Barbatos at this point#it would definitely involve his biggest flaw being his past self-isolation#+ diavolo being the one to break it (and later mc) means he prioritizes diavolo(+mc) over everything/one else#and it's very clear he has difficulty getting close to people#i usually think it's funny tbh#but i think the context it makes me the saddest in where i'm like... momma go to therapy....#is the obvious distance between him and mephisto despite being around as an adult in both his + diavolo's childhoods#while mephisto was being groomed to be diavolo's protector or whatever#i just feel like there's so much room to develop these threes' relationships#but the devs just don't want to do it because it interferes with the brothers getting all the screen time for no reason#+ how they only seem to want to make jokes about mephisto and diavolo's relationship 90% of the time#also just saying..... this being a flaw of barbatos's is also a reason i want him to interact with thirteen more#+ to know more about their relationship#because frankly she is a LOT like that too what with how she opens up exclusively to mc#......................... sowwy about the tag rant#i am simply cherishing and holding them autism style.#obey me barbatos#obey me mephistopheles#obey me diavolo#obey me#obey me nightbringer#obey me shall we date
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whyamihereat4am · 1 month
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there's something so deeply enjoyable about shipping characters you know would loathe being shipped. Like, whether they have genuine hate for each other or are just offended anyone else would think they tolerate each other, they would definitely rip my head off for giggling maniacally while I draw them smooching in MS Paint like I'm pressing my Barbies' heads together- and not just because that's a generally uncomfortable thing to find, but because it's that person specifically. the knowledge that there is a wealth of erotica that involves them having biologically impossible children would inspire them to destroy the world. but they can't, because they're fictional. the fools. *cackles evilly and posts about who i think would be the bottom when they have hate sex*
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shorthaltsjester · 9 months
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i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:
selfishness ≠ a lack of kindness 
selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves. 
in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's). 
it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party. 
you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.
as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.
the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.
as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).
all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:
“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”
would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!
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joshuaalbert · 10 months
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kai winn’s relationship to religion really is just so interesting to me in a way I come back to sometimes like. she’s the leader of a faith and her gods will not speak to her. they will speak to other people in front of her and they will make a human from a society that did not interfere with her planet’s suffering their emissary but they will not speak to her. and I’m sure she can do a lot to justify it in her mind because she would have to be able to in order to keep any faith, and she has to keep her faith because she says herself that’s all she had in the camps, but that’s still a terrible thing to experience. and I’m sure a lot of people would argue that it’s not real faith, it’s ambition, but I think it’s some of both, and most importantly I think on the most immediate levels she believes it’s faith.
and like I think she and a lot of other bajorans have a reason to have a really complicated relationship with the prophets because the more demonstrably real and powerful they are, the more they’re willing to interfere in things like the dominion war, the harder it would be for a lot of people to justify to themselves why the prophets didn’t do anything to stop the genocide of their chosen people. I think the pah wraiths plotline ultimately fell kind of flat when it kind of boiled down to “dukat’s weird cult” and it was also a victim of the season’s pacing issues, but it has some interesting implications regarding this divide in the bajoran people, particularly when their religious leader’s faith is being so seriously called into question.
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batlovestomarry · 2 months
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A portion of my thoughts on the tomarry t/b discussion going on since probably forever, as a bottom!tom lover
I want to start this off by saying I am asexual. I’ve certainly become more okay with reading smut over the past year, but because of my asexuality (and my slightly less resolute but still prevalent sex repulsion as well as my incomprehension of people’s shockingly stubborn preferences (that I have no issue with, but for obvious, previously stated reasons, I don’t fully understand)), my experience with seeing and interacting with all sides of the fandom, and my general lack of care for who is topping or who is bottoming in general, I can approach this topic with some semblance of rationality that isn’t affected by, you know, a staunch opinion on something that people are as passionate about as sex. This is an opinion that I haven’t always held, because prior to FULLY joining the tomarrymort fandom (to be more specific: being active on social media and meeting people who prefer either dynamic), I didn’t even have an opinion on it. I didn’t even know t/b discourse EXISTED. This is an opinion I have gained after seeing many many many people from both sides discussing it, so to anyone who disagrees with my opinion miss me with that “oh, well you’re just biased from only interacting with one side of the fandom and having always enjoyed bottom!tom” bullshit, lmfao.
That being said, it is abundantly clear that the issue for some people is more than just “untagged dynamics” as they insist. To this insistence I have two things to say: 1. If you are so bothered by one sex scene in the midst of a 200,000 word, novel length, beautifully written with a beautiful plot MASTERPIECE, perhaps don’t read untagged fics. Simple as that! Authors don’t owe you anything. 2. You know so damn well that your issue isn’t just untagged dynamics (which often only happen when authors are simply UNSURE about what they’re going to write in the future, rather than a desire to make fixed shippers angry and to fish for interactions and are NOT a personal attack or “protest” against tagging, contrary to what many believe).
Are you threatened by twink Tom riddle???? Are you disgusted by the concept of big strong masculine Tom being railed senseless ? Just asking the essential questions.
Furthermore, I see many fandom members persisting in the idea that non-fixed shippers call fixed shippers misogynists and that’s why “we” “start discourse” with fixed shippers (I am using the term “non-fixed shippers” to mean basically anyone who enjoys bottom!tom, because, regardless of whether you’re a fixed!bottom!tom shipper or not, it’s easier to do it this way. apologies for the generalization shdkdhdjdjd). There are many other posts that talk about this topic in much greater detail than I ever could, and I have to admit I’m not educated about the history and nuances of this to talk about it, so I’m just going to say that I genuinely do not give a fuck if you like bottom Harry or bottom Tom. I could not care less. I enjoy both. I’m not here to preach about whether it’s misogyny to prefer one thing another or not, because I simply don’t know. However, what I do know is that this whole thing about “bottom!tom enjoyers calling fixed bottom harries misogynistic” is a classic case of an echo chamber!! Non-fixed-shippers aren’t getting angry and upset at fixed shippers because you guys like bottom harry (which, according to them, is something we call a “misogynistic concept”!! who would have known!! i certainly didn’t know we were doing that!!). I haven’t honestly seen any instances of that. No, people are upset because you make “call-out” posts about authors and fics and blogs to say “oh, this fic/author is Bad Horrible Bad Bad because they didn’t tag t/b”, talk shit about people who mind their own business preferring bottom Tom (which can go both ways, but I see content from every side of the fandom and I have noticed that the non-fixed shippers side only really has an issue when the fixed shippers come in and start being senselessly rude. This irrational anger at those who have different preferences than you does tend to come from one side more than the other), and obtain a victim type mentality when an author of a long-form is either unsure about dynamics or just… doesn’t feel it’s necessary to tag. It’s as if certain people have a distorted view of what everyone is ACTUALLY upset about. No, we don’t care if you like Harry James Potter with a cock up his ass. As a matter of fact, I can say a lot of us do enjoy seeing that too!
I genuinely would like anyone to direct me to an instance of a non-fixed shipper calling out a fixed shipper over something that ISN’T retaliation for something ridiculous or simply mean a fixed shipper said about people just minding their business. Some people walk around here talking shit about anything that even dares to whisper the words “bottom Tom riddle” to their cultish circle of friends, calling them “freaks of nature”, “insane”, “detached from reality”, and “stupid bitches” (to name a few examples I’ve read). It is insanity. Some people just live in permanent delusion and insist that they are the poor victims here and that they can do no wrong and that they’re just “minding their business 🥺” enjoying their bottom!Harry yet FREAK OUT when they come across a bottom!tom fic/artwork/enjoyer who never even INTERACTED with them and act like they committed a grave sin of humanity.
In general, I feel it is just SILLY to get so fed up over seeing bottom Tom. the reaction that some people in this fandom have when they see anything that insinuates bottom Tom would make you think the person who created the art murdered 12 people and buried their bodies In a coal mine. It is ridiculous. Your inability to see past someone’s preferences and automatically labeling someone as “annoying” or “weird” over a fictional dynamic is bewildering.
I would like to say that this is not to resurrect any discourse!!! Nor is it meant with any disrespect to ANYONE in this entire fandom. I am appreictaive of every person here, whether I know you or not, because I love the tomarry fandom and I love how much effort artists and writers and everyone in between puts into keeping the ship alive! This isn’t intended as a target to ANYONE. I’m simply giving my opinion that I’ve held in for a long while now.
To sorta summarize:
Authors don’t owe you a certain dynamic or a certain tag in their own fic that they dedicated time, love, and care into.
Talking shit about people existing and enjoying different things than you is embarrassing behavior and makes you appear 14 years old to observers.
Public call-out posts for specific people doing absolutely nothing to you are weird as hell. Like why is this considered a normal thing to do.
Some people in this fandom have entitlement levels that are OFF THE CHAAARTTSSSS.
Telling people to “go outside and talk to actual gay people” over what is not “just t/b dynamics and/or preferences” but is actually normal, real life people being upset that you dragged their name through the dirt all because they posted once or twice about liking a certain character bottoming reeks of a lack of awareness. The moment a non-fixed shipper calls someone out for sending dozens of people to harass them over having a preference, millions of silly think pieces are created and non-fixed shippers are seen as “whiny”, but it’s somehow okay when the fixed shippers do it over much less?? 😭??? The hypocrisy!
How do I get it through people’s heads that NOBODY! OWES! YOU! ANYTHING!!! Everything that I’ve said has already been said time and time again and yet it still isn’t sinking in for many. You aren’t a god, you aren’t more important than anyone else here, you aren’t entitled to automatic perfect tagging on every fic you read. You don’t have to like it, but it’s the reality. There many tropes that people dislike in fics, but usually what they tend to do when it surprises them in an untagged fic is skip and move on with their lives rather than sending nasty anonymous messages, writing criticizing comments, tweeting about how much you hate this one untagged thing and everyone who enjoys this one untagged thing, etc etc
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bugisawesomeasf · 1 month
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you fuckers are really hating on travis when hes literally a he/him lesbian, also the wilderness is literally a metaphor for girlhood do you really think it wouldve let him survive if he wasnt at least a little girl coded ?
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