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ink-flavored · 21 hours
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Magnet Monday Week 38: Marble
use this as inspiration to smash a statue or something
If you’re interested in being able to choose the topic of the next poem, make sure to vote in the weekly Magnet Monday polls! Or if you want a commission just like it, check out my pricing sheet!
Transcript under the cut!
[Ko-Fi] [Magnet Monday]
Magnet Monday Taglist (Check out my Google form to get added): @elegant-paper-collection​ @polyphonetic @qelizhus @liv-is @maxdamax @auroblaze @stardustanddaffodils
Marble
decorate my marble body
with dirt and ceremony
sit by all my art
and smash the porcelain
a broken arm presents
a silence
as cool and strong
as your concrete
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willowiswriting · 1 month
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the-walrus-squad · 2 months
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Any Writing Professor: Do not name any two characters with the same letter, it will confuse your audience.
George RR Martin and Hidetaka Miyazaki: This is Radagon, who married Rennala, mother of Ranni who likes to pose as Renna, enemy of Rykard and Radahn. He is really Marika, Maliketh's Goddess, mother to Morgott (AKA Margit) Mohg, Malenia mother of Millicent, Miquella, possibly Melina and now Messmer, and she had them after she raised Godwyn and Godefroy with Godfrey, from whom Godrick is descended.
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alex-wrtng · 1 year
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Dialogue tips that actually work:
You are not writing a movie (ignore this if you are). The reader doesn't need to know every word the characters say for the duration of the story. Less is more.
Dialogue can happen within the prose. "And they awkwardky discussed the weather for five minutes" is way better than actually writing five pages of dialogue about the weather.
Balance your dialogues. Surprise yourself with a monosyllabic answe to a dialogue that's ten sentences long. Don't be afraid of letting your character use half a page for a reply or nothing at all!
Don't write accents phonetically, use slang and colloquialisms if needed.
Comma before "said" and no caps after "!?" unless it's an action tag. Study dialogue punctuation.
Learn the difference between action tags and dialogue tags. Then, use them interchangeably (or none at all).
Don't be afraid to use said. Use said if characters are just saying things, use another word if not. Simple. There's no need to use fancy synonyms unless absolutely necessary.
Not everyone talks the same way so it makes sense for your characters to use certain words more often than others. Think of someone who says "like" to start every sentence or someone who talks really slow. Be creative.
Use prose to slow down the pace during a conversation.
Skip prose to speed up the pace during a conversation.
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bg12sofia · 1 year
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sas-soulwriter · 2 months
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How do we write characters authentically?
Hello, my dear writer! I assume we've all wondered at the beginning of our writing journey, "How do I find my own writing style? How do I stand out, and how do I make my characters sound authentic?" This post is dedicated precisely to the latter question. How do we write characters authentically?
Observe Different Personalities: Observe people of different age groups, from various cultural backgrounds, and with diverse life experiences. Pay attention to their language, gestures, and behaviors to develop a broad understanding of human diversity.
Take Time for Character Development: Invest time in developing your characters, including their background, motivations, goals, strengths, and weaknesses. The better you know your characters, the more authentically you can portray them.
Utilize Realistic Settings: Place your characters in realistic environments and situations that are recognizable to your readers. Describe the details of their surroundings, such as landscapes, buildings, clothing, and everyday items, to create a vibrant backdrop for your story.
Be Open to Change and Development: Allow your characters room for growth and change. People evolve over time based on their experiences and decisions. Permit your characters to learn from their mistakes, gain new insights, and undergo development.
Everyday SituationsAn additional tip is to place your character in various small situations, even if they are a fantasy figure. For instance, have your character order coffee. What happens if they encounter a ghost? What are their feelings about Christmas? Accompany them while shopping. How do they react when meeting their greatest hero? Describe everyday scenarios that aren't part of your official story but are meant for you to better understand your character.
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Quote
Don’t say you don’t have enough time. You have exactly the same number of hours per day that were given to Helen Keller, Pasteur, Michelangelo, Mother Teresa, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein.
H. Jackson Brown Jr.
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writingdotcoffee · 4 months
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A non-writing writer is a monster courting insanity.
Franz Kafka
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achronicleofblasphemy · 2 months
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Don't go anywhere.
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writing-with-sophia · 8 months
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Common misfortunes for characters
Death of a loved one: This can be a profound and devastating experience for a character, leading to grief, guilt, and a sense of loss. It can also serve as a catalyst for character development and exploration of themes such as mortality, coping with loss, and the fragility of life.
Serious illness or injury: Physical or mental health challenges can test a character's resilience and force them to confront their limitations. It can also provide opportunities for exploring themes of perseverance, the importance of support systems, and the fragility of the human body.
Loss of a job or financial ruin: Financial struggles can lead to desperation, uncertainty, and a loss of identity for a character. It can also present opportunities for growth, reinvention, and exploring themes of resilience, resourcefulness, and the true value of material possessions.
Betrayal by a trusted friend or ally: Betrayal can shatter trust and lead to feelings of anger, betrayal, and a loss of faith in others. It can create complex moral dilemmas for the character and explore themes of loyalty, forgiveness, and the dark side of human nature.
Imprisonment or wrongful accusation: Being imprisoned or falsely accused can lead to feelings of powerlessness, injustice, and a struggle for redemption. It provides opportunities for exploring themes of justice, personal agency, and the lengths one will go to prove their innocence.
Natural disasters: Natural disasters can be catastrophic events that disrupt lives, challenge survival instincts, and test a character's resilience. They can explore themes of human vulnerability, the power of nature, and the strength of community in times of crisis.
War or conflict: War and conflict can have profound impacts on characters, leading to physical and emotional trauma, loss of loved ones, and moral dilemmas. They provide opportunities for exploring themes of heroism, sacrifice, the futility of violence, and the long-lasting effects of war.
Addiction or substance abuse: Characters grappling with addiction or substance abuse can experience a downward spiral, strained relationships, and a loss of control. It allows for exploration of themes such as self-destructive behavior, the road to recovery, and the impact of addiction on oneself and others.
Mental health issues: Characters dealing with mental health issues like depression or anxiety can face internal struggles, isolation, and difficulties in functioning. It provides an opportunity to delve into themes of stigma, self-discovery, and the importance of mental health support.
Loss of a child or miscarriage: The loss of a child or experiencing a miscarriage can be emotionally devastating for characters, leading to grief, guilt, and questioning of one's purpose or identity. It allows for exploration of themes of parental love, coping with loss, and the complexities of grief.
Failed relationships or divorce: Characters going through failed relationships or divorce can experience heartbreak, loneliness, and a sense of failure. It presents an opportunity to explore themes of love, forgiveness, personal growth, and the complexities of human relationships.
Alienation or social isolation: Characters who feel alienated or socially isolated can grapple with feelings of loneliness, rejection, and a sense of not belonging. It allows for exploration of themes of identity, acceptance, and the importance of human connection.
Identity theft or fraud: Characters who fall victim to identity theft or fraud can face financial ruin, loss of reputation, and a struggle to reclaim their identity. It provides opportunities to delve into themes of trust, deception, and the lengths one goes to protect their identity.
Accidental injury or disability: Characters experiencing accidental injury or acquiring a disability can face physical and emotional challenges, adjusting to a new way of life, and overcoming societal barriers. It allows for exploration of themes such as resilience, self-acceptance, and the meaning of true strength.
Loss of a treasured possession or heirloom: Losing a treasured possession or heirloom can evoke feelings of loss, nostalgia, and a connection to the past. It provides an opportunity to explore themes of materialism, attachment, and the value of intangible memories.
Being stranded or lost in a remote or dangerous location: Characters finding themselves stranded or lost in a remote or dangerous location can face survival challenges, fear, and the need to rely on their instincts. It allows for exploration of themes of resilience, self-discovery, and the inherent strength of the human spirit.
Struggling with poverty or homelessness: Characters experiencing poverty or homelessness can encounter hardships, discrimination, and a constant struggle for basic needs. It provides an opportunity to explore themes of social inequality, resilience, and the power of compassion and empathy.
Encounter with a dangerous or malicious antagonist: Characters facing a dangerous or malicious antagonist can be subjected to physical and psychological harm, manipulation, and a fight for their lives. It allows for exploration of themes of good versus evil, moral choices, and the strength of the human spirit in the face of adversity.
Political or social persecution: Characters experiencing political or social persecution can face oppression, injustice, and the fight for their rights and freedom. It provides an opportunity to explore themes of social change, courage, and the power of collective action.
Being framed for a crime they didn't commit: Characters who are framed for a crime they didn't commit can face wrongful accusation, a loss of trust, and the pursuit of justice. It allows for exploration of themes of innocence, perseverance, and the search for truth.
These misfortunes can be used individually or combined to create layered and complex narratives where characters face adversity, overcome challenges, and ultimately find strength and growth through their experiences. Remember to balance the misfortunes with moments of resilience, hope, and eventual triumph to create a compelling narrative.
If you want to read more posts about writing, please click here and give me a follow!
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gaywizardemporium · 4 months
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Must I "talk" about my book to my "audience"?? Is it not enough to just reblog things under the title tag and have people vaguely understand from the fever dream of images I've assembled?
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altamont498 · 4 months
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Reblogs to improve sample sizes would be greatly appreciated.
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Things to say about your writing instead of “this is so bad”
My writing doesn’t have to be perfect all the time
The dialogue in this scene feels stale (or another adjective), but I can revise that later
The descriptions lack specificity (or another issue), but I can revise that later
The [another specific craft element] isn’t working the way I’d hoped, but I can revise that later
I don’t feel like I can objectively judge my work at this current moment
I’m not happy with my writing right now, but that doesn’t mean I’ll feel this way forever
I’ll reread this writing at a later time and move on for now
This scene isn’t turning out how I’d pictured in my head, but I can accept that for now and tweak it later
I trust myself to edit this in the future
I’m afraid people are going to judge my work, but I’ll accept that I can’t control the reactions of other people—my reaction matters most
This scene/subplot/character/etc is overwhelming me.
I’ll take my time through this scene/chapter/subplot as more time may allow me to immerse more in the draft.
I’ll write this scene/chapter/subplot as quickly as I can—I would like to get through this part ASAP.
It’s okay to make mistakes in my writing.
I’m not feeling very confident in my craft right now, but I know this will pass
This scene might be bad, and that’s okay. Sometimes I write gems, and sometimes my writing needs a bit more work (that’s normal)
This scene relies on [certain skill] that I’m still honing. I understand to get better at something, I have to practice and practicing requires mistakes.
I’m not excited about this scene right now
I had high expectations for this scene, and unfortunately, I don’t feel like I’m hitting them. However, it’s okay for expectations to change.
I’m disappointed with how my writing is turning out. That’s normal, even though it sucks.
I’m going to remind myself what I DO like about my writing because this feels bad, though I know this feeling won’t last forever.
Sometimes writers need to say “my writing is so bad,” and that’s fine too! Sometimes though, it’s good to note what is specifically wrong in case you need an extra boost forward! <3
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ink-flavored · 27 days
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i wear women’s deodorant and men’s cologne i mix pink and blue to match my birthstone amethyst, creating a synthesis a dialectic speaking my singleness womanly chivalry and masculine grace a twist of the wrist that turns on its face bending borders into a threshold equal parts silver and gold i lead and i follow a solo in parts it’s hard pill to swallow if you’re scared of the arts i’ve never been more one than my two perhaps this will give you a breakthrough— the illusion that arose of oil and of water proves that opposition serves those opposed to the other as for me, i’ll keep my duality it beats a boxed-in, binary, banality
                                       – bigender means
Poetry Taglist (Check out my Google form to get added): @elegant-paper-collection​ @polyphonetic @qelizhus @liv-is @maxdamax @auroblaze
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simplesh29 · 6 months
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I mean even if they leave a bad review, they have heard of you. 😂
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girlfromthecrypt · 2 months
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Such Happy Campers is an interactive horror/romance novel made in Choicescript.
DEMO / COG FORUM POST
status: demo consists of three chapters + prologue, sitting at 64.385 words [excl. commands]
You are an employee of the Cloverleaf program. Your job is to organize and oversee their seasonal vacation for kids from low-income backgrounds and troubled homes. This summer, said vacation will be hosted at the rustic Camp Solace, a cabin campsite situated right next to the picturesque Lake Solace and flanked by acres of woodland.
Camp Solace is idyllic, calm and far removed from the bustle of civilization. 
V̵̲̂e̶̝͆ŕ̸͍y̷͎̏ ̷͚̎f̵͈̀ā̸̦r̵̀͜ ̸͓͘r̴̜̂e̴͉̕m̵̺̎o̷̢̓v̶̒͜è̴̘d̴̳̐ ̴̀͜i̵̡͊ñ̷̘d̸̼̀e̷̪̽ȇ̵̯d̴̜͒.̷̰̚
It'd take you quite a while to reach the nearest town in case of an emergency…
Ý̷̭ö̸͎́u̷̘͗'̴̘͘d̸̛̰ ̶̢̐ḇ̸̌ẻ̸̦t̴̝̅t̷͚̒e̷͓͑r̸͔̿ ̷̱̆m̸̜̔a̸̳̍k̵̰̍ě̸̖ ̸̦̚s̷̛̺ṵ̴̔r̵̘̅e̸̝̽ ̸͈̑n̴̡̛o̶̬͑t̶̺̊h̸͖̋i̵͎̽ṅ̵̜g̸̗̽ ̴̹̿ḧ̵̘́ā̷̦p̸̖̎p̵̻̑e̴̗͌n̵̡̒s̶̜̈.̶̥͂
But you're not alone in this! Working alongside you are Basil Laurier, the free-spirited scion of the wealthiest local family, Anita Merrick, the smart but skittish university student intern, and the Malak siblings, both skilled and experienced teachers. 
Now go take care of those happy little campers.
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Customize your MC’s name, appearance, outfit and apartment!
Be a good camp counselor and protect the kids in your care!
Romance a charismatic heir, a chronically sleep-deprived psychology student, a temperamental musician or a reserved martial arts instructor!
Get to know your team and form lasting friendships!
Uncover the lakes long-forgotten secrets and save Camp Solace from the horrors that are slowly closing in on you.
TW: mentions of bullying, troubled childhoods, mental illness. Non-graphic.
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