Going buckwild at the way Hilda The Series portrays adulthood and loneliness. Kaisa has no one to go to to ask for help getting the due book back, even though all it would take was someone she could minimally ask to knock on an elderly lady’s door and ask for a favour; she’s in the library after hours, is shown to have no allies aside from the woman who raised her and who she lost contact with. Johanna is only ever seen working or caring for Hilda, and her lack of a life aside from those two activities is pointed out by her own daughter when she thinks that this is going so far as to affect their relationship. The bell keeper lives alone in a small cabin on the edge of town, barely within city limits and away from everyone, a house barely even inhabitable and clearly only a place to sleep and eat. He works a solitary job and he’s the only one in the town still working it, meaning he’s probably overworked and forced to pull inhumanly long shifts. Victoria hyperfocused so hard on her projects that whatever friends she had before - and she must have had some from college time at least - lost contact with her, and she never made any other connections in Trolberg, anything that would tie her to the city and it’s inhabitants and make it so it wasn’t worth it to live by herself at the top of a hill. Even when that was over, she still chose to isolate herself somewhere abandoned and keep what was essentially another machine she’d built as her source of company, something she could understand and control instead of an unpredictable human being. Gerda works a job she likes but is shown to be disregarded by the person she works the most around, her abilities and intellect thrown aside for the good of someone she has to bear because of a hierarchy she was forced to accept in order to keep working. She’s appreciated by the town, but other than the main characters, we don’t see anyone paying her any mind when they don’t need something from her.
Meanwhile no kid has ever been alone in Trolberg. The mean kids are a group, the good kids are a group, even the gloomy teenage girls are a group. One of nightmare inducing entities, but a group nonetheless. All children in that world seem to operate on a ‘no man left behind’ code, looking out for each other even if they aren’t exactly fans of one another, helping even grown ups without asking why and working together. And this logic seems to extend to the adults who work around children too; especially the Raven Leader, who we see that through the children works as a vital part of the community and a way through which it comes together.
This isn’t very articulate but do you see the point? Do you see how clever that is? That a show about growing up has these themes? You can be magical, kind, strong, intelligent, competent, but none of that will make you truly happy if you don’t keep the most important thing from childhood? If you don’t keep your friendships, your bonds, something to tie you down to your reality and your community? The adults in the show all made their choices, and it’s okay to want to be alone, we all need it and some more than others (this is coming from someone who needs it a lot), but isolating yourself completely is the one thing that will make growing pains truly painful. I’m just so emotional over it. It’s so subtle and so clever considering the whole Mountain King plot that Hilda is willing to change species because she feels detached from her main relationships and surroundings. I love this show so much.
57 notes
·
View notes
People need to learn to hate a character without coming up with the most BS excuses.
You cannot actually tell me Naruto learned more from Jiraiya, or Sasuke learned more from Orochimaru than they did from Kakashi
Jiraiya taught Naruto Rasagan and Summoning.
All we see Sasuke get from Orochimaru is his summons, and he also has an eagle summon so clearly he couldn’t even just have only the snakes to connect him to his ‘master’
Meanwhile, Kakashi taught Naruto chakra nature, how to use his shadow clones, Basic Chakra control, is stated to have improved all three of his students exponentially before the chunin exams, and of course he taught all three of his students the importance of teamwork and protecting their friends over the mission. A lesson that Naruto and Sasuke both take to heart in their own way.
He taught Sasuke the chidori, which Sasuke evolved into other types of chidori style jutsu’s. He also helped him improve his taijutsu so much in a month that Gai, the Taijutsu master, was impressed and concerned about the training Kakashi put him under for that month.
Sakura is the only one who we can confidently say learned more from her master, and Kakashi can’t teach medical ninjitsu (he only knows basic medical ninjitsu and that’s only after the way) and states himself he’s not the best at teaching chakra control (hence why he asked Ebisu to help Naruto with that during the month between chunin exam fights)
Like…
Hate Kakashi all you want but calling him a ‘Bad Sensei’ is factually incorrect for what we see. Even when he screws up it’s not out of malice or thinking he just knows better. He’s genuinely trying to help his students and just screws up.
It happens.
32 notes
·
View notes
[ID: 1. jet from hsmtmts. he says to kourtney, who’s off camera, ‘And I don't know if I'm to stay here without my sister.’
2. screenshot of lyrics on the blue background that read ‘Both: I can't lose you, try to see / Anna: Why can't you turn to me? / Elsa: I'm trying to tell you that’
3. jet says, ‘She's my best friend, which I don't tell many people.’
4. lyrics that read, ‘Both: I can't lose you, like before / Elsa: As much as I wish, I can't open that door / Anna: Why can't you open that door?’
5. looking down at the floor, jet says, ‘I mean, including her.’
6. lyrics that read, ‘Both: If you loved yourself the way I do / Then you'd see why I can't lose you!’ END ID]
elsa: what do you want, anna?
anna: this! just you and i talking and chatting, and taking up space…
tim fedelre, high school musical: the musical: the series / kristen anderson-lopez and robert lopez, frozen: the broadway musical
13 notes
·
View notes
oooooo please tell me (who knows nothing on the subject) about orv swap au
hehehe. hehehehehehe. hehehehehehehhehehehhheheheh <- guy who is so normal
the premise of orv swap au (name has yet to be finalized) is this: what if kdj and yjh swapped narrative positions (reader <-> character) but very little else? what if a video game player enters a time loop to save his favorite character from dying over and over again and also to end the apocalypse?
admittedly it's not super fleshed out yet (a lot of the changes this premise would introduce are still not hammered out yet) but here are some points under the cut (novel spoilers ahead!)
orv swap au starts with pro gamer yjh who feels :/ abt his job, but hey, it pays the bills. despite (or maybe because of) his relative popularity as a pro gamer and networking with the agency/sponsors/people to impress, he's kind of isolated in a way that's detrimental, a facade of someone he's not whenever he's on camera
something to play around with is the idea of agency? maybe this yjh doesn't feel like he has any and has his hands tied between the lifestyle and being under public scrutiny and not having enough of a support system to leave everything behind. maybe he doesn't know what else he would even do. maybe he's aimless and drifting with nothing to hold on to.
his favorite video game is what i've been thinking of as World's Hardest To Play Indie Game (not based on difficulty but just on the experience of consuming it) a boring, exposition heavy, player-hostile, poorly designed, slightly buggy mess of a barely-playable game: twsa, a game that was not finished upon release and experiences with sporadic updates every now and then.
the ending tree to this game is so convoluted its insane. also theres no save states so if you die (very likely) u restart babeyyy.
twsa (video game) does have multiple endings, all of which happen when kdj, your main character, dies. some are farther into the apocolypse than others, some paths require meta knowledge of future events or character actions or items or whatever. the "true ending" is either analogous to the original 1863: kdj makes it to the end at the cost of everyone he loves, or hsy's modified 1863: kdj makes himself enemy of the scenario to secure a way out for the kimcom remnants.
there's branches on the choices tree where everyone dies and everything sucks and is bad forever and theres choices to make where kdj gets to make a family and they don't really get to settle down but they can get pretty close to it among the ruins of the apocalypse. through all his testing, yjh finds that these endings are nice but peter out - to get to the end of the apocalypse yjh has to claw his way there inch by painful inch, through betrayal and sacrifice, and he still cant fully get past it
i originally wanted to finagle a yoohankim 3 way swap but i couldn't figure it out. swap aus are a lot easier to work with when they're even numbers, at least to me, so this au features a ysa who is a video game company employee by day and by night she really has become god this time (and also a terrible indie dev). and this is how jungdoksang can still win !!!!
also yjh's coworker from Real Life hsy :) i haven't decided if she's like an employee for the same agency, or if she's someone else in the gaming circles that yjh interacts with sometimes (in my heart theyre in like some sort of discord server together), or something like that but she's around. whatever she does she is twitter cancelled for something. to me.
the only other character swaps are lsk and yma. yma is yjh's estranged sister (in broad strokes there's a vague bad parent situation going on here) (they used to be close until they drifted apart and slowly started hating each other [there is an abyss between them that neither of them can bridge]) (he feels that she betrayed him and threw him under the bus so he left [maybe he gets kicked out]) (she feels that he abandoned her to whatever situation they have going on [he didn't even try to take her with him]) and he has to find her when the apocalypse starts. yjh older sibling to yma gives us a whole different little dynamic to explore from kdj ysk (there's different levels of responsibility and guilt and blame when you're talking siblings that are soooooo interesting to me. sorry that i see any set of siblings and immediately try to figure out how to make them worse)
lsk is kdj's mom who appeared into existence at some point with kdj and they were both just adults. that's weird isn't it. oh well. i guess she can become a transcendent later too for funsies
everyone else stays in the same configuration of Real Person vs Character to me this is a very important aspect
this point has no precedent with the swap, nothing particular that would change to cause this, but it would be so funny if lgy was a little gamer boy who is an avid yjh hater. hates that guy. shows up to competitions to boo him. tunes into yjh's silent no-mic speedrunning streams to mald in chat but yjh +mods don't ban him bc its kinda funny.
anyways the apocalypse starts when yjh and his coworker/fellow gamer hsy are on a train to twitchcon and lgy is also there (also headed to twitchcon) and he brings bugs because he likes them but also to sabotage yjh specifically. its just funny if this happened. you understand
instead of having reader-related skills and abilities, yjh's skills are video game player based! he gets flavor text insight on people, location, and items, things like that. notably, he has the ability to reset, to bring himself back to the beginning of the apocalypse
orv swap proper follows yjh as the Player of the Game (Consumer of the Narrative) who lives hundred of lifetimes in this ruined-world-become-reality "replaying" [read: time looping through] the game to reshape it to save his fave character from self implosion (kdj with no dissociation is very prone to dying. all the time.). to revisit the idea of playing with yjh and the idea of agency, of creation, the only way to get past the apocalypse is to go off the beaten path, to choose options that weren't even there in the game. when in space, at his darkest point, yjh becomes a writer. in this story, at his darkest point, he has to become a creator too
please do not ask me how the epilogues go i dont know how the epilogues go (i don't want to throw yjh back into a train for milennia after he Just went through a thousand resets so i'm sending kdj for that but i havent fully planned how or why)
anyways, hope that helps!!! :)
11 notes
·
View notes