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#and I get how that can come across
etchif · 25 days
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datcravat · 26 days
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pe ru so na
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delicourse · 2 months
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i miss them a little if im gonna be honest
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lucabyte · 10 days
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Taking pride in One's own appearance.
#you people are becoming my guinea pigs for my finally learning how to communicate information via comics. a thing ive needed to practice at#also BLEGH. YUCK. andrew hussie was right candy makes you sick. this is a little too saccharine for me. yeesh. let me get back to the meat.#isat#isat spoilers#in stars and time#in stars and time spoilers#isat fanart#in stars and time fanart#isat siffrin#isat loop#sifloop#doodlebyte#'let me get back to the meat' i say eyeing something similarly sickly in my sketches. at least it's mildly tormented as a counterbalance...#you people have no idea how much im having to stay my own hand. oh i can draw miserable nudity but the most basic of fluff? visceral#anyway i dont know the logistics of picking up a glass eye or where loop got money (besides pilfering from siffrin) & ive previously drawn#sif with a vague blank middle-grey eye as either being scarred over or a blank occular prosthesis put in quickly at the nearest town#i dont know that they'd have a glass eye during the game but considering prosthesis are reccomended to keep the skull etc from deforming#id imagine it would probably come up postgame as something to do now theyre not on a time limit trying to save the country#plus i assume that having it gouged at by a sadness wasnt exactly a clean wound by any measure#all this to say. idk i just wanted to get some information across in comic form to Test my Abilities#and we're far enough down now to say my absolute most wretchingly sweet fluff headcanon that actually inspired this#which is that i think siffrin gets into the habit of not wearing the eyepatch around loop so they kinda match.#and as a signifier to the other that they're letting their guard down around them. vulnerability etc.#just kinda wearing it around their neck so they don't lose it
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hellenhighwater · 6 months
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The hellsite is eating my posts again. We'll see what gets through.
Edit: this one made it! You've asked for a house tour, I hope this isn't boring. There's some rooms that I don't include because I'm working on stuff and don't want to show the mess. This is still not that tidy but it's... tolerable mess. The audio is just Clair de Lune, no narration. I can answer questions if you have them; I'm always happy to talk about my million hobbies and the house is...definitely one of them.
I could also do a photo post for anyone who doesn't want to watch the whole thing.
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flickering-nightfall · 9 months
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marisatomay · 8 months
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“you don’t owe anyone anything” actually you owe everyone everything!!! you OWE your table server and your coworkers and the elderly person you pass on the street and the dog on its walk and the child toddling along in the park and the driver trying to merge next to you and the pregnant person standing on public transport KINDNESS in return for theirs!! the connections we build are what give life meaning!!!
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fictionadventurer · 5 months
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I have a germ of a theory that good Christian fiction has stories that are less about shaving down your personality to meet some specific mold of what a good Christian looks like, and more about "how gloriously different are all the saints."
Not that the Christian life doesn't involve fighting against our own sinful nature and conforming ourselves to Christ-like behavior, but I think it makes for better, more realistic, and more universal stories when you also recognize that people have different gifts and flaws and they're going to be called to use their unique personalities to serve the kingdom of God in their own unique way, instead of assuming everyone has to conform themselves to a very specific (often secular-culturally based) image of good behavior. It makes for a much more vibrant story.
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robynrocksforbrains · 8 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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The new scene has me in a chokehold
Thank you @andengeu for perfectly capturing the momentary shock of Nayeli and Blade being close to each other, and being aware of each other.
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vimbry · 1 month
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jumping off the back of the post about genres of song lyrics, another thing about tmbg's lyrics in particular is that even when they write about pleasant themes, they still manage to frequently do so through a sinister lens:
the experience of having children and looking after them:
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a nice little nightlight protecting a child muses on the shortcomings it would have outside its assigned responsibility:
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fantasising about getting high in the park with your crush:
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lavenderjewels · 8 months
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Choso and Yuuji having breakdowns:
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Meanwhile, their parent:
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uniquezombiedestiny · 1 month
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come on
please tell me
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uncanny-tranny · 2 years
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The thing about assigned sex labels (AFAB/AMAB) is that a lot of its usefulness comes from discussions around medicine (though there are still issues with this). In a social sense, AFAB/AMAB isn't very useful to describe peoples' lived experience.
Assigned sex happens to people as babies, and "AFAB" and "AMAB" describe very broadly sex categories. Assigned sex acknowledges past assignment, not current reality with regards to one's sex and/or gender.
I find that when people try to apply sex assignment to social settings (e.g., "all AFABs experience this!"), it comes very close not only to misgendering, but also to sex essentialism in many cases.
I simply think there are too many assumptions made about what every person AMAB has (such as a certain body, a certain gender, and certain lived experiences) and what every person AFAB has. We cannot make sweeping generalizations about people, and I think a lot of people seem to forget this especially with regards to transition and/or "rare" sexes.
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kindledrose · 4 months
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more of these guys :] (part 1) (part 2)
classpect thoughts under cut! yippee
these absolute fools gave me SO much trouble. i changed each of their classes and/or aspects like twice while drawing this lmao.
pearle was going to be a rage player initially! i had her down as one for the chaos — yknow, ‘red’s my favorite color’ and all that. but the catch ended up being that in this au, as rage represents in-game chaos and bloodlust, it only exists while the game is in effect, and so rage players don’t have much dominion over stuff that happens after that period ends (which has all sorts of delightful implications for grienn’s character, but anyways). meanwhile pearle definitely continues playing and also grows as a character even in times of peace. i was thinking in terms of comparing her arc in double life to secret life in particular — ‘she left the tower’ and all that, yknow? she went from being terribly isolated and functioning on a completely independent scale, winning only for herself, to being a key member of a team and finding a purpose in helping them. which is pretty incredibly space-coded, in my mind! my personal qualification for space players is that they’re destined to be lonely, often physically separated in some way from others, for a while but not forever — because space is about creation, after all. and if you look at being a witch from the perspective of reinvention — what pearle manipulated or reinvented here was herself. she found her place in the story and the person she wanted to be. witches are also some of the most powerful characters in terms of specifically manipulating their aspect, i think, which is great because i’ve heard she's pretty great at pvp lol
ignore that martyn’s color palette is not particularly great it’s hard to unify the design of a character who is super rustblood-coded but also inextricably linked to the colors green and yellow of all things. i’ll redesign him later. anyways! at first i had thought there might not be any light players in this session — since light is about sort of seeing through the laws of the game and often deliberately defying them, as well as having a certain degree of control over narrative agency due to this. and because, yknow, the life series is a minecraft youtube roleplay series, realistically the ccs aren’t going to be playing any characters that go out of their way to completely ruin the game or refuse to play it by the rules altogether. but then i started thinking — and i don’t know an awful lot about martyn’s character so forgive me if i’m going a little bit off the rails here — does martyn want to understand? because if he as a character tries to understand and affect his destiny even though he’s ultimately limited by the nature of the story itself, then he could totally be a light player. so that’s where i was coming from here. think about how he won limited life in the end, for instance — not by playing into what the game itself had been leading up to, but by acting on and finishing his own story. he’s a knight because i do think knights are a certified Narrative’s Little Guy class — they persevere through so much pressure and often also have that sort of dual persona thing, both of which are particularly endearing to an audience. it’s hard work, keeping up with the narrative and fulfilling his own quest for understanding while he’s at it!! but he does it!!
renn is Such a blood player guys he is such a blood player ohhh my goodness. playing the game in terms of your relationships with others, right? basing how you go about it on allies and interactions, and being a leader above all else? i’d say that’s pretty ren the dog coded tbh. i don’t have too much to say here because i think seer of blood renn is pretty self-explanatory — he sees the entire game as a game of relationships and ties. he has a lot of knowledge about this field specifically, and shares it with his allies in the way he helps direct them and keep them alive. the reason he’s blood instead of light is because he puts his allies over knowledge, i think — he’s far too busy dealing with all that stuff to speculate for too long what the purpose of it all might be, and that would detract from his goal (of winning alongside others or dying nobly), anyway.
again questions abt them are open forever always :3
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ephemerasnape · 14 days
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The sight that greeted Victor Rookwood as he exited the Hog's Head that fateful evening would be forever ingrained in his memory.
The street was dark and eerily quiet, and the dapper wizard had just taken a few steps outside the seedy pub before he realized something was amiss, causing him to stop abruptly and survey his surroundings.
"Lumos."
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Continued below...
At first, Victor was more disoriented than anything - unsure that he could trust what he was seeing with his own eyes. The dark wizard blinked a few times in confusion before, slowly, he began to make sense of the gruesome display before him.
Heaps of... dirty rags? Someone has made rather a mess, it seems. . .
No. That's blood.
Blood and worse.
Before him was a scene of utter carnage the likes of which he'd never seen. A slaughter. The lifeless bodies of several young witches were splayed out in the middle of Spire Alley, a spectacle so macabre that even the dark wizard, well-accustomed to death, felt his stomach lurch at the sight.
A ginger witch lay eviscerated. Another's golden hair fanned around her angelic face like a halo. A brunette was positioned face down in a pool of her own blood. A strange-looking witch with odd-coloured hair... Victor shuddered as he recalled that one. He remembered her as having been particularly annoying.
And yet more still.
Sisters in death. Some he recognized outright, a vague familiarity to the rest. Their faces - doubtless once beautiful, now befouled by their own blood. Twisted limbs at grotesque angles. Internal organs now decidedly external.
Gods..
And in the center a... survivor? Victor tentatively stepped forward, perhaps even to offer a helping hand, as the pale witch clad in black gazed up at him adoringly.
"Victor.. I did it for you. For us."
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Rookwood watched, horrified comprehension dawning on his face as the witch released a bloodied dagger she'd been holding. He barely registered the sound of the steel clattering to the cobblestone over the pounding of his heart.
"I love you, Victor."
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