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#and I vaguely fit in
anglerflsh · 1 year
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Siblings
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guiiay · 1 year
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gentlemen prefer makima ! 💋
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ramenwithbroccoli · 3 months
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they made AI on a windows95. and it was gay
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suntails · 11 months
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the general’s son
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puppyeared · 1 year
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Remember how ppl used to draw Luz’s Palisman as a blue jay before String Bean was revealed. so she could match with Hunter and Flapjack
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moron-rights · 8 months
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end cards please, an epilogue, please, I’m begging
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so about the header that proceeded today's statement:
Viability as agent: Low
Viability as subject: None
Viability as catalyst: Medium
i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?
the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."
the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."
the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."
so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.
imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?
it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.
and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?
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likealittleheartbeat · 2 months
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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parkitaco · 3 months
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if i wrote a practice kissing fic would you guys promise to be normal about it
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dinoserious · 4 months
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chlamys
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robobee · 4 months
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if trc was a visual medium and I was a tiktoker i would go insane talking about quiet luxury and how Declan and Adam both fall into this position of people with OBJECTIVELY less money compared to their peers and how both of them are trying to replicate luxury (ie: clothing=persona/identity) to varying levels of success. adam wears old gifts from the ganseys and declan is very clearly called out by other characters to be overcompensating. neither are fully seamless and even though thats not an overt plot point it is DEFINITELY very significant since plenty of their story beats echo each other down to their relationship with ronan, who is a different fashion debate (eg. how punk can you get off of a bank account you dont need to look at and a shaved head which needs to be constantly maintained and a BMW you stole w no repurcussion). again I DO think stief implies fascinating plot points that she doesn't focus on but her display of class and economic variation is very very cool & obviously people w more context of specific USAmerican culture can have this debate better than I can
editing to link the video that finally helped me put this thought into words
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gothpersy · 1 year
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very soft-of-core, very very soft, rotting actually
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tigerfancy · 4 months
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tHaT wAs ThE wOrSt TaKe On ClAsS cOnCiOuSnIoUs I'vE eVeR sEeN, eMerAlD fEnNelL iS pOsH aNd ThE FiLm HaD nO bAcKbOne
bestie, idk who lied to you, but that film was never meant to be an eat the rich film. there is a huge difference between messaging and setting and I am begging everyone to understand that.
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petit-etoile · 5 months
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Astarion/Tav prompt (or Reformed Durge): "I would have you smile again. You will live to see these days renewed. No more despair." I know it's a Lord of the Rings quote but gosh if it doesn't remind me of them ;-;
this  is  the  end  of  the  world ( a  time  for  something  biblical  )
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pairing: astarion/tav wordcount: 5,219 content warnings: canonical mentions of death, spoilers for the dark urge storyline & astarion's act iii romance, graphic mentions of injuries, references to cann.ibalism as a metaphor for love, mental health issues & physical ramifications from the tadpole + rejecting bhaal, i highly recommend listening to the exogenesis symphony by muse other tags: canon compliant,  canon-typical violence,  character study,  introspection,  hurt/comfort,  whump,  canon temporary character death,  the dark urge as player character,  codependency,  religious imagery & symbolism,  p.orn with plot archiveofourown: here.
tag list: @azrielshadows1nger, @pandimoostuff, @faevi, @microskies, @foreverthemaraudersera, @queenofthespacesquids, @claryvoyantfray, @6doodlaang14, @anne-isnotokay, @itshimbotime, @yeeteth-the-raven, @sessils,@8-opossums, @worryknotdear, @abirdaboxandachippedcup, @ghosts-and-ink, @b4um3pfl4um3, @gunslingerorchid, @hypopxia,  @m0ssytrees, @erysione, @odette-attackattack, @catching-fire-in-the-wind, @ashrio20, @wills-mental-illness, @queenofcarrotflowers-s, @kirahlene be added to the taglist here
summary:  ‘Stay,’ Astarion says weakly. ‘I don’t want to be alone.’
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‘Your life is mine,’ he says, cruel eyes gazing at you. ‘Accept your inheritance, or I will reclaim it.’
‘I would rather die,’ you say.
His hateful eyes narrow dangerously. It was never a good idea to betray a god, nonetheless one who had created you so lovingly. His voice is a low growl when he dismisses you  —  and suddenly, white-hot pain shoots through your veins and threatens to swallow you whole. Bhaal raises his hand and your blood obeys.
‘You were made to conquer,’ he snarls. ‘To devour!’
‘I don’t need any of this,’ you spit out. ‘I don’t need you. The only family  —  I know are those who fight by my side! I will not be what you made me!’
The sickness in your belly surges until you think it will overcome you. You stagger forward until your knees hit the stone floor. Bhaal is forcing you to submit, to become what he had made Orin. This thing won’t have you, Astarion whispers against the curve of your ear. It won’t win. You’ve got this, darling. And I’ve got you. You want to believe him, but your blood-kin has done damage beyond repair. What were children beyond the sins of their father?
‘You reject my blood?’ Bhaal asks.
‘Yes,’ you whisper.
‘Then I shall reclaim it,’ he says, his promise a growl in his throat.
You were your father’s seed cultivated to perfection by determination and bravery. Now, you were nothing more than a disappointment to be snuffed out root and stem. You choke on the warmth in your throat. Your veins seem to have exploded beneath your skin. You sneeze, red oozing from every orifice.
‘I will make another who is worthy,’ says Bhaal, lifting his hand.
As he raises his hand, you are forced to kneel. Every single one of your muscles contracts in agony. The others might be shouting but you can hardly hear them over the roaring in your ears. Your blood is rejecting you. Festering inside your flesh like a disease. Like the skeleton carved into the wall, you weep blood down your neck. No matter how hard you try to close your eyes to prevent it, your rich ichor abandons you.
No, you want to tell him. The rot of his blood will end with you as it had with Orin. The abomination of murder will never set forth and harm another. You reach for the dagger at your hip and raise it, but the Avatar of Bhaal dissipates before you can strike. The weight of your body collapses  forward.
Like a wounded beast, you keen loudly, shaking your head as if that will free your ears from the blood inside of them. You were born from this blood. You were created by this blood to be who you are today. Rejecting it should be like a sin  —  but if sin is a seed, you have eaten it willingly from the hand of mortality. If Bhaal is to reject you, then you will reject his godhood.
You close your eyes as blood overtakes your sight. You press your forehead into the stone to fight your fever. You shiver and gasp. You gargle on the proof of vitriol and lean into the chilled floor, resigned to your fate. At least you wouldn’t become a mindflayer…
“No!” Astarion wails. Your heart shatters. ‘No, please  —  Not you!’
I’m sorry, you say. You close your eyes and remember the color of the sun in his hair. I didn’t mean for this to happen. This isn’t what I wanted. Your fingers curl against the stone, and then  —  There’s nothing. Astarion touches the sleepless bruises beneath your eyes with such tenderness you forget his strength. You lean your cheek into his palm and sigh sleepily, but even as exhaustion overtakes your body, you shudder. You’re afraid to sleep, to dream. You don’t want to hurt anyone else ever again.
‘You have to rest, my love,’ he murmurs. He allows you to lay on his hand as though it were a pillow. ‘When was the last time you slept through the night?’
‘I’m not sure,’ you confess.
‘I might be a sleepless creature of the night,’ Astarion says, ‘but you… You needn’t fear your dreams when I am here. I’ll protect you no matter the cost.’
‘And who will protect you if I sleep?’ you ask.
You must be frowning, because Astarion uses his other hand to soothe the crease between your eyebrows. He sounds so outrageously heartbroken that you want to cry. You don’t want him to think he isn’t a comfort… You haven’t slept beside someone in so long, and the warmth of his body has always lulled you to your dreams peacefully until recently.
Astarion swallows thickly. ‘I’m not afraid of you. I’m not afraid of this. I’m with you forever and always.’
But what if there isn’t an always?
‘There is always a future for you and I,’ Astarion vows. ‘Now sleep. He can’t control you as long as I’m around.’ When you open your eyes again, you’re greeted by the most beautiful man you’ve ever seen. His eyes are a soft cerise, and his cheeks are high and sleek, his lips plump and his hair soft and curled. An angel. You’re unable to control the way you reach your hand to touch his cheek, smearing a crystalline tear across his wan skin.
‘Who are you?’ you whisper, voice caught painfully in your throat.
‘Hush now, my love,’ he whispers. He presses a sweet kiss to your mouth, and when he pulls away, his lips are ruddy and wet. ‘Thank the gods… I thought I had lost you.’
Oh, you think. You remember now. This is the man from your dream… You try to recall the details of how you know him, but it’s hard to follow a train of thought. You turn from side to side. It’s so hard to move, to focus. Your limbs feel as though they are made of lead and marble. Everything aches. The tips of your fingers and your nails down to the little bones in your toes. Your head, though, is the only part of you free from intense pain. It’s as though a weight has been lifted from the veil of your memories. You rest your arm across your waist, too tired to keep it lifted.
‘Who…’ Your brows furrow in confusion. ‘Who am I?’
‘I know you were once a child full of life and love,’ the angel says to you, gently cradling your face in his hands. ‘I know one day you were afraid and unsure and half-mad. I know you stained the streets red with cruelty and devised a plan larger than all of Faerûn. But I know you are strong and that your heart is good. You saved the tieflings, and you saved the refugees, and now you will save the world that threatens to be plunged into darkness.’
You smile. ‘That doesn’t sound like me at all,’ you confess.
The angel shakes his hand, fingers pressing hard into your skin. His voice breaks. ‘But I know it to be true, so you must believe my every word. You are brave. You are kind. You are good. You are my love, and I know that I am loved by you in return. You are a protector,’ he tells you. ‘You have protected everyone, and now it is time to protect yourself. You have survived two gods and now you must survive a third.’
The knot in your throat grows larger with every word. You think you remember now. Yes, you can remember it all very clearly. You know the weight of his hands like baptism. You turn your cheek and kiss his palm, smudging his skin pink.
‘Astarion,’ you whisper.
Your love smiles down at you, your blood dribbling down his chin.
‘What happened?’
‘Let’s not worry about that,’ he shushes you, massaging the bruises beneath your eyes. ‘Come, let us get you cleaned up.’
‘I don’t think I can walk yet,’ you say. Admitting it makes you feel weak.
‘Don’t worry,’ Astarion says softly. ‘I can carry you.’
‘I will bloody your clothes,’ you say.
‘Bloody them,’ Astarion says. ‘I don’t care.’
Astarion does carry you. He carries you all the way back to the inn, to a private room just the two of you share. He orders a tub to bathe you in and then takes an hour to scrub your skin clean, carefully cleaning your gore from your hair and scalp.
You watch as Astarion passes a bar of soap against the skin of the top of your arm over and over again until it is red then pink then flesh. Then, he gently twists your wrist. He cleans the underside of your arm next, and your palm. He washes your fingers until they do nothing but shake in the cold air. You curl your fingers around his.
‘Was it hard?’ you ask him.
‘I will never forget the smell of your scent,’ Astarion replies.
He moves to wash the hollow between your collarbones, encouraging you to recline in the water. He washes your chest and your stomach until his grief washes over him in waves. His chin shakes until a sob escapes. He presses his face into your hair and wails softly into your crown. When he’s done weeping, Astarion returns to his cleansing. He speaks not of it again. There is so little of you left.
You often wonder how much of your brain is left between the parasite and the hole your father has left you. Sometimes Jaheira still looks at you as though the rot of your father isn’t entirely gone. You don’t blame her. You’re waiting for your control to snap. You were good once. You could be good again. You want to be good again.
Shadowheart smiles at you now. Lae’zel no longer frowns. Even Wyll has taken up eating beside you again when it’s nighttime and the adventure can go no more. Gale pours you an extra serving of wine. He says you need it. Karlach lets you hold Clive at night when Astarion goes hunting, and he goes hunting often now. It makes you wonder if your blood is vile.
Part of you wants to ask him if you’ve done something wrong. You’ve committed no crime, but you feel like you have. Your memories of before are slipping away. Your memories of now seem to do the same.
You wait in your tent that night for Astarion to return, your blanket pulled around your head and shoulders. You rehearse what you’re going to say. You want to reassure him you’re not angry. You just…feel loss. Empty. The loneliness nips at your bones like crows at carrion.
When Astarion slips inside, he looks guilty. It almost makes you want to change your mind, but you have to know. You feel as though you’re going mad. A flightless bird trapped in a cage. Like Dame Aylin trapped in Shadowfell. He refuses to meet your gaze.
‘Have I done something  —  ’
‘You,’ Astarion says through gritted teeth, ‘are perfect. Every time.’
You want to cry. ‘Then why do you avoid me?’
‘Avoid you?’ Astarion repeats incredulously. He looks at you now despairingly. ‘No, that isn’t what this is at all. I would never avoid you.’
‘You’re hunting more often,’ you say in a low tone, a whisper. Accusatory.
‘Can you blame me?’ he asks plainly.
It’s your turn to look away in shame. ‘If it’s too much, you should sleep somewhere else.’
‘I don’t want to be apart from you,’ Astarion says.
‘Then how do we fix this?’
‘You cannot fix what is not broken.’
‘Astarion,’ you plead. ‘Hold me or  —  I don’t know who I am anymore.’
Astarion wraps his arms around you before you can say another word. His lips are like a halo against your head. Each kiss he presses against your scalp is a prayer from a sinner. You turn your cheek, and he kisses you so passionately it makes your empty head spin.
You relearn who are you in his arms that night. And as he regales you with tales of your history, you think you can imagine them in your mind’s eye. He kisses your wrist. He tells you a happy memory when he kisses the curve of your belly, and when he kisses your ankle, he promises you that everything will be worth it.
It wasn’t you that was the problem. There wasn’t a problem, not really. Only an impiety he wanted to atone for. He struggles with telling you, but when he whispers it against your thigh, you understand.
‘Your blood,’ he says, voice strained. ‘I cannot escape the smell.’
‘I’m sorry,’ you say, but he shakes his head and his hair tickles your sensitive skin.
‘No, I  —  It is my shame,’ he confesses. ‘I’ll admit I’m a lech.’
Astarion struggles to put his words in a coherent structure. When you died, he was horrified and distraught. Only the gods know how hard he wept seeing you lifeless. Yet it was his vampiric nature that had betrayed him almost as much as your life’s blood had betrayed you. He felt hunger.
How could he be sad when he was so ravenous? Was he not an evil man, or is this what made him evil? That, in all of his beautiful tears and lamentation, the urge to devour you, bones and all, nearly consumed him? Your death was horrible, ugly, wretched. Your death was beautiful and coveted.
Astarion devours you again that night, mouthing and licking and sucking at your swollen core. He makes you a martyr in his grief. His tongue teases you over and over again. When you’ve climaxed once, Astarion seeks out to make you do it again until your legs are shaking violently and your voice has gone hoarse. He doesn’t take you that night, not in the traditional way, but he swallows you up regardless.
It isn’t until afterwards when he’s laying with his head on your chest that you understand his tragedy. It’s a misfortunate impossibility trying to grieve when you can’t stop salivating. Astarion thinks you’re horrified by the admission, but after knowing your past, it was hard to feel scandalized by anything.
You pet his curls away from his face, watching as he listens to the hum of your heartbeat. He might have it memorized by now, but each time it beats, Astarion’s eyelashes flutter with admiration. It is a hymn, a doxology, a liturgy that only he knows the words to. After all, he wrote them on your skin and immortalized them forevermore. He is so beautiful, you think, when there is no trouble to be seen.
You were once both trapped by your dark god’s design. You had set yourself free. You had sprouted the wings of a swan guided by the empathy you had planted in a garden as a child. It would be Astarion’s soon, and you would carry him in compassion until the thorn crown was placed upon his brow.
Astarion’s eyes are closed. In your perpetually confused state, you mistake him for having fallen asleep and resort to doing the same. The city becomes chilly at night and your skin is decorated with gooseflesh. He rises almost immediately and you try to chase after him, fingers piercing through a ghost.
‘I wasn’t going anywhere,’ Astarion says immediately. He drags his cape from the corner of the tent and lays it across your shins. ‘You were shivering.’
‘I’m not used to this  —  ’ Will my mind ever be the same? ‘  —  chill.’
‘I will be here,’ he promises. ‘Here, let me hold you for the night.’
You clumsily trade places with him, and he tucks your blanket and his cape around your body as tightly as he can. He kisses you passionately and you taste your familiarity in his mouth. It’s so sweet that you sigh. ‘I know what you did,’ Orin says hatefully, spitefully, cruelly. Her voice is like honey.
‘What have I done?’
‘Did you think I wouldn’t know?’ she asks. ‘Filthy rotten blood-kin undeserving of our father’s gift!’
You repeat yourself. ‘What have I done?’
‘You,’ Orin spits, ‘think your grey matter deserves to be loved! I should carve it out! I should make it disgusting and sticky again! Split it’s skull open! You foul traitor!’
Slowly, you pull Orin into your chest. You hug her and smooth her hair down her back. Her arms wrap around you begrudgingly until the lovingkindness causes her to rupture. She sobs into your neck hideously, clinging to you. She wails and she wails until you are both children again staring up at your grandsire for approval.
‘It isn’t fair,’ Orin tells you, hiccuping. She wipes her nose with her fingers. ‘It isn’t fair.’
‘I love you, blood-kin,’ you say. You kiss the top of her head.
‘Slaughter kin,’ she says sadly. She holds your hand with her snotty palm.
‘Sister,’ you say. In the coming weeks, your mind hardly gets better. Memories are still missing. You catch yourself gazing at the mirror longer than you expect to. You used to be so beautiful. It’s hard to recognize the face staring back at you. You touch one cheek and then the other. You turn your head and watch your jawline.
No, it still isn’t you.
You take the knife in your belt to your hair and begin cutting away pieces you don’t remember. You lean forward and smudge your eyes before sitting up straight and trying again. You recognize a part of yourself. You chase that feeling. You press your hand against your heart. You smile faintly. Astarion sobs so hard you think you might lose yourself. You’re at a loss of what to do. He’s alive but he keens like a dying deer. It’s supposed to be healing, you think. Cazador is dead. His reign of terror should end. Astarion is saved and he saved himself. You couldn’t be prouder of him.
Slowly, you step forward one foot after another. You collapse to your knees at his side. It’s easy to pull Rhapsody from his fingers. You drop it by his side. Slowly, as if in a dream, you hold him like you held Orin. Astarion sobs harshly into your collarbone and clings to you so tightly you might break.
‘I thought  —  I thought  —  ’ he cries brokenly.
I thought it would make me feel better, he says without saying. You shush him and pet his hair. Cazador’s blood smears against your cheek when Astarion burrows his face into your neck. You let him linger. You aren’t sure how long you sit on the hard marbled floors, but when you stand up, your knees creak so loud you’re almost insecure about it.
This time, it’s your turn to carry Astarion. He won’t let you pick him up, but you hold him by his waist. You carry him past your allies, past the onlookers who once saw you in opposition. You order the maids to bring you a bath, and as Astarion hiccups in the water, you bathe him.
You wash the taint of Cazador from his body. The soap cleans the dirt and the blood and the memory. You wash his chest and his belly and Astarion thanks you hoarsely. He looks at you, and his eyes are so wide and beautiful that you cry too.
Dying isn’t easy. It isn’t beautiful or romantic or a sweeping gesture. Dying is painful and hideous and ugly, and you have saved Astarion from a lifetime of torment. Rather, he did it by himself with your help. You swipe the soap against his cheeks and use a rag to clear it away. Astarion’s hair is somehow curlier when it’s wet, and you part the curls so they’ll dry without tangling.
Astarion watches you miserably as you towel his hair. You wipe droplets of water off his skin and slowly slide him into his smallclothes. He accepts your blanket and wraps it around his shoulders, staring at the wooden floor, at his feet.
‘Stay,’ Astarion says weakly. ‘I don’t want to be alone.’
‘I would never let you be alone,’ you say.
It isn’t what you bought the room for. Really, you only wanted to wipe the blood from his face but now, you climb into the sheets next to Astarion and hold him tightly. He doesn’t seem to want to talk about the future. He doesn’t want to talk about his siblings either or the thousands of spawn waiting to hang on his every word.
And you can’t even blame him. The gods know how long it took for your tongue to become free from the weight that held it still after you betrayed your father. Karlach said you talked a lot before, but now it’s hard to say anything without wondering if your words are in the right order. Astarion cries softly as if to not awaken you from your slumber, but you can’t fall asleep. You can’t toss or turn either, but dreams evade you.
Dawn peeks through the window. Dawn-bringer, Jergal had called you. You slide out of bed carefully then and cross the room. You draw the curtains shut. Astarion watches you curiously from where he burrows in the sheets. His brow furrows adorably when you climb back into bed and plaster yourself to his spine.
‘Ah,’ you say monotonously. ‘The sun is gone. I suppose we'll stay in until it returns.’
After a day of lounging, Astarion still isn’t ready to talk about what’s on his mind but he watches you do your favorite mundane mortal things with explicit interest. He has you read the book you’re reading aloud, and if it takes you a few hours to struggle through one chapter, he says nothing about it.
Every once in a while, another one of your companions comes to sit in.
Lae’zel tries to commend Astarion for his warrior’s heart without sounding stilted, but eventually she gives up on complimenting him to sympathetically let him know she understands. They had all seen Vlaakith. Karlach brings Clive by and carefully arranges him in the bed next to Astarion. She tells him that he’s fucking awesome and asks permission to hug him.
The touch nearly sends him spiraling.
Gale approaches in his usual manner. He brings Astarion a bottle of wine spiked with blood and lets him know he’s available to chat whenever Astarion feels up to it. Wyll spends thirty minutes apologizing for the bad blood between them, which is funny considering their bickering was hardly vitriolic. Shadowheart visits and gifts him a perfume that makes his lip wobble dangerously.
Jaheira, Minsc, Boo and Halsin come together solemnly. They might be the least offensive of the bunch. Boo gives Astarion a thousand kisses on his cheeks, and Jaheira finally tells them a story of her youth. Halsin has Astarion drink a potion, not because he’s injured physically, but because it should help with his pain. Minsc tries teaching you a Rashemen dance, but Astarion laughs for the first time that day and you do too.
‘It is good,’ Jaheira says, ‘to see you both smile again.’
You touch your mouth shyly. Your cheeks are sore. Astarion’s smile fades slightly but returns in full, timid confidence lighting his features once more. Halsin crosses the room and opens the curtains you’ve closed. The light douses the room in holiness, and you turn your face to watch the sunset, unafraid of what the future will bring.
‘That which troubles you will soon be over,’ she promises. She pats Astarion’s hand, and although she doesn’t say it, you know he’s her son. ‘You will live to see these days renewed. There will be no more despair.’
You’re both left alone again together. Astarion beckons you to the bed instead of your chair and you join him, carefully sitting atop the covers, a respectable distance between your thighs. You inhale carefully.
‘You did the right thing,’ you say. ‘Not completing the Black Mass.’
‘Perhaps I had inspiration,’ Astarion replies. ‘You had a chance to become the Slayer, a being more powerful than you could have known. But you didn’t.’
‘I betrayed my father,’ you whisper, staring at your hands. ‘And he killed me for it.’
‘And if I had completed Cazador’s ritual,’ Astarion says, ‘I would have become Mephistopheles’s whore. I refuse to bow to the whims of others. Being an Ascendent…was blinding me to the truth.’
You look at him curiously then. He confesses to you his sins. He has thought of ascending, and thought of it often but it was never to protect himself. After a certain point, he wanted to protect you too. Your Urges had been mistaken for something else then. A possession, an invasion. Astarion sought to exorcise you of your demons.
But when you had died and the diseased lifeblood fled from your veins, Astarion realized the truth. The ascension would not have helped him protect you. It would have tainted him. It would have contorted him. Rising above all other vampires, Astarion would have become cruel like those before him. He does not want to be cruel to you. He wants to learn kindness as you have. He reaches for it like he chases the sun.
Astarion takes you by the hand, smoothing your skin with his thumb over and over. His skin is cold beneath yours. You curl your fingers into his. He did not want to make you a slave, not again. Not to him.
‘You are the dawn-bringer,’ Astarion says. ‘Even if I never see the sun again, I am free.’
‘I love you,’ you say, voice shaking. ‘I’ll be with you. In the darkness.’
‘You fool,’ Astarion laughs affectionately. He leans across the distance and kisses your temple. ‘There is no darkness. You are daylight incarnate.’
You look at him sharply.
‘I’ve been thinking about something,’ he says. ‘It’s…been on my mind all day, but I think it’s time. Say you’ll come away with me.’
You and Astarion dress slowly. You would follow him almost anywhere, but this is different. There’s something to be done. You don’t dress in armor, and for that you’re almost grateful. You’re tired of fighting. You’re tired of seeing blood.
But it isn’t blood or anything blood related that Astarion takes you to see. One minute, you are wandering Baldur’s Gate at night, and the next, you’ve come to the hollow of a tree where a gravestone is coated in vines.
‘This…is where my old life began,’ Astarion tells you softly. ‘Beneath there, I was turned into a monster. But Cazador is dead now and I get to decide my own fate.’
Astarion tells you in painful detail about his transformation. How his wounds fused themselves shut but the pain never went away. He tells you about breaking through the wood of his demise and the fear that flooded his veins and how, just when he thought he had found his savior, Cazador had laughed wickedly with his cruel glowing eyes.
‘I was his,’ Astarion murmurs, ‘but not anymore.’
He kneels before you on the dirt before his tombstone and bows his head. The prodigal son returned home. The sight of it causes your heart to squeeze. You want to step away but you can’t. You’re afraid.
‘There is nothing left of the person I was before,’ he tells you. ‘I am free to become who I want to be, free to start a new journey. I have all the time in the world to figure out who I am and what I want, but I think I know.’
‘I love you,’ you say again. ‘You’re what I want.’
‘You were by my side through all of this,’ Astarion says, eyes glimmering in the moonlight. ‘And now I want you to christen me. Inaugurate me here on the site of my rebirth.’
This is another dream. You hold your hands over Astarion’s head and sprinkle imaginary water over his head. His eyes close instinctively. Love washes over him, something golden. You kneel down and pluck a flower from the earth and it does not bleed. Relief floods your veins. For once, you touch something and it does not rot. Carefully, like a ghost, you slide the flower into Astarion’s hair and watch as his crimson eyes spill open with tears and devotion.
Astarion kisses you, and for the first time in a long time, he presses his body against yours. He takes you that night in the dirt. His leg is tucked under yours, his cock against your core, his lips never leaving yours. Astarion recites verses in your ears until you burst with ecstasy, tightening around him so much that he can hardly move. He cradles the back of your head to comfort you as he drinks your blood. He cradles your head tonight because he loves you.
‘I am yours,’ he whispers against your skin, ‘and you are mine.’ You aren’t sure when or how Astarion has the time, but he presents you with a gift the night before the world ends. He wears a matching flower from his grave pinned to his armor at all times now. And on his hand, a ring with a silver band. He slides one over your finger as well and kisses your palm as you slowly realize what it means.
The family you’ve chosen throws you a celebration. The next day, Dammon arrives and shows you your repaired armor now dyed white.
You cry for hours out of happiness. ‘This could be the last chance we have for this,’ you whisper to Astarion.
Everyone keeps telling you that a light has returned to your eye, but you don’t see it. It isn’t until you’re laying naked with Astarion again, his skin pressed against yours, that you think you can see it too.
Astarion fucks you tenderly until you’re sore, and you cry and plead sweet things against his shoulder while he holds you safe in his arms. When the pleasure becomes too much and your spine arches from the mattress, he pulls you into his lap and holds you safe against his chest. You kiss him until your lips are sore.
 ‘Your life is mine,’ Astarion murmurs. ‘You belong with me, my love.’
‘I’ve never been happier,’ you moan weakly.
He has taken you again and again this evening. He doesn’t say it, but Astarion is afraid of what tomorrow might bring. You have outsmarted gods and men. You have found goodness where there was nothing but darkness. You refuse to be afraid now.
‘We were made to conquer,’ Astarion says. His mouth is like a fire across your cheekbone. You shudder around his cock.
‘Take my love,’ Astarion commands you, so you do.
You kiss a ruby bruise into his neck, and Astarion fills you with a grunt. He doesn’t part from you. He guides you back down into the sheets and burrows against your body as if determined to climb between your ribs. You smile. Astarion has already made a home in your bones and flesh. He has eaten the rot from your core and recreated you anew. You were not his sin but his salvation. Perhaps he was yours too.
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humanmorph · 2 months
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I step all around the pieces on the floor / Wires and cords, and records, and tapes
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lovesickeros · 3 days
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☆ you sow; & thus you shall reap what you are owed
{☆} characters tsaritsa {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings blood, violence {☆} word count 0.8k
You are dying.
Gold melts into the dirt, bleeds into the very earth that you'd molded by your own hands – a familiarity you do not understand the source of – you know it to be true, yet you do not remember it as Teyvat does. It weeps, in turn, for the way you bleed upon it, the way your lungs strain for breath.
It is fury and sorrow and fear and hatred so raw that your mind buckles.
You will die.
"A dying godling and its judge, it's jury – it's executioners," The voice is hollow and cold, sweeps across your broken body like the first chill of winter, "Archons who saw themselves Gods, now brought to heel by their own hubris."
A cold hand upon your cheek, the brush of a thumb across your lip, the gentle caress of cold across your skin. You know her – you don't remember, you shouldn't recognize her but you do – and she knows you. The cold beckons and you follow, let her kindness settle in the hollow space of your chest. You want to speak, to cry and scream and rage, let the world burn around you in a fit of flames so hot even she cannot contain it – but she silences you, quiets the anger seeping into your blood, quiets Teyvat itself.
"Do not speak, little godling. Guide my hand," She is cold; her hands are not gentle, yet it is bliss compared to the callous, cruel hands that have shattered you. She is cruel and cold and brutal but she is love in the way she kisses the crown of your head. She is love in the way she is the bulwark between you and the world that has scorned you – she is fury in the way she brings them to their knees. "And I shall enact judgement most divine."
They will pray for forgiveness, and they shall find themselves wanting.
"It wasn't our fault!" They cry, but you cannot recognize the voice – it breaks and cracks like glass. "They were too human. How were we meant to know? We– we thought they were.."
Silence.
You watch your judge – the executioner, the blade that shall carve their sins into the very marrow of Teyvat, stand above you like death. As cold as winter and just as brutal. Your temple has been painted in the gold of your divine blood, and she shall complete the masterpiece with their own. The Archons shall become the grandest art in the world – this temple the canvas, their blood the paint and their bodies the palette. The cold that cuts sinew cradles you – it sings to you, whispers sweetly in your ear and carves bone from body in the same breath. The cold presses it's lips to your wrist and it cradles a heart within it's palm – judges them and finds them guilty.
It is her spear that rests between their ribs, her sword that dissects and her dagger that carves – the cold devours.
In the breadth of this divine sanctuary, the Archons dwindle. They become the pieces of a divine work of art, they bleed and bend and break upon her hands. She shakes the heavens and carves mortality into the bones of the divine – your word is Law, and you weave their deaths into the roots of Teyvat itself.
They shall know of their grand folly in every moment henceforth and longer still and they shall weep.
And as the curtain falls, as the world crumbles beneath fist and blade, she cradles your face between hands too cold – as gentle as a shard of ice between your ribs, as brutal as the kiss of gentle snowfall. The world buckles at the loss of six, but she alone does not allow it to break – you will have to mend the wounds of the world when you are well, but today you weep and Teyvat weeps with you.
And alone, the cold remains.
Stone has eroded, the wind has ceased, the flames have been extinguished, the storm has been silenced, the forests have gone quiet and the seas go still.
But the cold remains, bathed in gold.
It wraps you in thick furs, cradles you against the winter storm that brews beneath a veneer of composure. It brings you home – lets the world settle into a stillness and silence that inspires only dread and still she presses a kiss to your brow.
It is cold, but there has never been something so warm.
Where hands have broken you, she drapes you in furs, wipes away the thick gold that clings to your skin. She pieces you back together where you have been shattered, reshapes you where you have been bent – makes of you something new. Not a god and not a mortal but something wedged between them.
But you are yourself.
And you are where you belong.
They shall put you back together and you shall know only the worship worthy of the divine. They shall carve this world into your image, tear out and burn away the rot that festers.
All you need to do is say the word and they shall be your tools to make this world your own.
One word and those who wronged you shall burn, too.
Just one word. That's all it takes, and they shall take away your pain.
#sagau#genshin sagau#self aware genshin#genshin impact sagau#self aware genshin impact#fic tag#genshin cult au#genshin impact cult au#tsaritsa#“eros you left for a month again” yeah.................#anyway. posts tsaritsa fic and leaves#i kept it kinda vague but the fatui are all on your side. whether or not your actually the creator or not though..#now thats up for debate.#did they tamper w teyvat to kill the archons? to break the world to be remade in whatever image they see fit?#using you as the means of their end?#maybe you are the creator and they just saw an opportunity. maybe they are just devoted to you.#i just think lowkey villain au but specifically imposter au where the only ones who side w u r the fatui like OUGH#i love the fatui. them being the only ones 2 side w u is so tasty#prime material for angst bc the self doubt if the only ppl who believe u r the “villains”#a lot of this is just like. tsaritsa posting again though#the tsaritsa who loves so deeply yet cannot love#contradictions all the way down#she loves you but she cannot love you.#she loves you but she will put a dagger between your ribs. she loves you but she is incapable of love#tsaritsa the woman that u r ough#harbingers and their complex relations 2 love my beloved#smth smth tsaritsa seeing an opportunity to install a puppet “creator” which creates a separate imposter!au when the actual creator pops in#did i write this just 2 write tsaritsa being vague and Weird and horrifying and a horror and a lover and just a woman and#yeah :]#please talk 2 me abt the tsaritsa pleas epleas pleas eplease please please please p[lease please pleas
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