when everything's made to be broken (i just want you to know who i am) by @hoteadepresso pt 1
‘Stop.’ Will forced out, shaking his head in disbelief, hurt painting his features ‘Mike, that’s not funny. It’s mean.’
He thought he was joking. Mike was throwing his bleeding heart onto his floor, and he thought it was some sort of a prank.
Fuck.
‘You really think I would joke about it?’ his voice sounded like it came from far away, weak and broken. His hand twitched, yearning to touch Will, to take his hand, to brush his fingertips against his warm skin for just one second even if that was all he could ever get.
late happy birthday present for Alex, the bestestest person out there!!!
a little bit of backstory;
Once upon a time user @hoteadepresso wrote a fic (click here!!) (read it, its fucking amazing!!!!!!) which I immediately wanted to make fanart of, so, ofc it took me like, over a year to finish just this pt 1 <33
thus, the artstyle changes, which are a thing in this thing
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strongly dislike the idea that harry would become an auror after the war. give the boy a break. he deserves to live in a little cabin in complete isolation for a few years to discover himself
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Peeped the horrors
[First] Prev <–-> Next
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Do you think Sans have tears. On that topic, what would make him cry?
i think he can, after all payrus seems to be able to cry just fine (post asriel battle when he thought frisk was dead), sans just. doesn't. ever, lol. i think he's much more likely to shut down and go aloof—if not completely unresponsive—than to outwardly show his emotions in situations of extreme stress.
however! i also like to think that his dialogue dropping his font and shaking during the lost SOULs battle meant that he was crying. it's not just a matter of that segment making the characters confront their deepest regrets/problems/faults, it's the fact that they're all very clearly not lucid as it happens. one of sans' distinctive character attributes is the iron grip he has over himself. it's what makes him desperately slamming you against the walls of the battle box at the end of his fight hit so hard. sans doesn't lose it. that's just not what he does. and you have to push him to the edge of his powers, to the edge of his energy resources, at the brink of exhaustion, with his back pressed against the wall and universal annihilation as an alternative, before his grip actually falters.
so. uh. other than that and having his consciousness overtaken by the power of a literal god?
a really bad high probably. wouldn't count on it tho
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it’s that no one ever believed him that gets to me the most. this is a society of telepaths. and yet when the doctor finds out that the drums are real, he’s surprised. the master is surprised, elated, by the confirmation that he’s hearing something that’s really there, that this thing that’s been following him and hurting him for so long is real.
after a certain point, given that the master is Really Fucking Good at mind control and such, you have to imagine that no one could just pick up on the noise in his head with a little general telepathy. he had to choose to let the doctor in to share it. and. and okay. we need to put aside him striving to be The Best At Controlling People’s Minds in the context of him having his mind violated as a child because if i think about these two things in relation to each other i’ll throw up.
but there has to have been a point before he was so accomplished that he couldn’t have defended his own mind as easily. that he couldn’t keep someone, anyone, from delving into his head and hearing the drums. which means i must conclude, because we find out who put them in his head at all and it’s the most powerful guy on gallifrey, that when he was younger, the people around him did know. they could hear the drums. they could figure out what was done to him. but they did nothing, they said nothing, they told him he was hearing things. because if the lord president wanted to use a child for his own ends, who was going to stand up and stop him? easier to sweep it under the rug. and the master lived with that for so long that finally having just one other person hear the drums was a shock to him.
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It was his brother's idea.
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The compelling thing about Jason as a character is that I never doubted that he cared about the world just because there weren’t panels of him being overly zealous about “restorative community care”
I’m not coming after anyone who wants to see that kind of stuff, but I do think seeking | that | as confirmation that Jason cares about the world is pretty narrow
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
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I feel like theres something that could be said about how roier said to pepito that he was fond of pepito since pepito reminded roier on when he was younger.
Something could be said that also reflect how roier is treating pepito, hitting pepito with a chancla and seperating pepito from the other eggs.
Something could be said that could reflect on how roier treated himself drowning himself in his pool and secluding himself from the others after bobby's death..
Likes theres something there!.. but idk how to put my thoughts together and this could be so wrong, BUT IT FEELS LIKE THERES SOMETHING THERE
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“Peter Lukas gets sent back to the regency era” “Jonathan Sims gets sent back to the regency era” valid points valid points but i raise you
Tim Stoker gets sent back to the regency era
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What if the Pale King locked himself away in the Dream Realm to recreate what he did to the Hollow Knight? After the Vessel leaked and he realized that it most likely had capability enough to suffer, but far far too late to even hope to do anything to fix it. He was beyond the point of no return, there was nothing he could do to undo the Sealing. And even if he could, there were no other options that he could think of of what to do about the Blazing Light.
He had no choice but to keep the Vessel sealed. No choice but to watch his kingdom crumble. There was nothing he could do.
Nothing, but to seal himself away in a self-imposed punishment in the exact same way he imparted onto his only (known) living child.
A weak attempt to impose the same agony onto himself as he forced onto them.
And should the people of his kingdom stop worshiping him and forget he exists, dwindling his power and life to a pathetic end?
Well...
Perhaps that might've been for the best.
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spock's characterization in requiem for methuselah is actually quite interesting. he shows a very good understanding of human emotion, he understands the dudes plan before anyone else, he observes his jealousy (i wonder if it is at all connected to what he himself might (try not to) feel), rayna's love and in the infamous ending scene he understands his captains pain and goes to the extreme to ease it. by his own admittance he himself is 'close to feeling human emotion', that is when he sees the flint's amazing art collection- because oh yes btw he loves (or at least he's very knowledgeable about) music and figurative art. amd then oh god an then the fucking 'you'll never understand love. the broken rules, the glorious victories, the highs and lows of high-school football' bones speech but the thing is. he does. he really does. and he shows it in the most obvious blatant way
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the darkest of nights, in truth, still dazzles.
a halsin fanmix [listen]
01. Heart of Spring - david arkenstone | 02. Cé Hé Mise Le Ulaingt? / The Two Trees - loreena mckennit | 03. Pussywillows, Cat-tails - gordon lightfoot | 04. Maybe Tomorrow - f&m | 05. Don't Stop Me Now - queen | 06. I Was Born Under a Wand'rin' Star - bryn terfel | 07. A Tenuous Bond - derek duke | 08. Closer - nine inch nails | 09. Into the Darkness - jeremy soule | 10. Colorblind - counting crows | 11. Natural Light - ludovico einaudi | 12. Under the Greenwood Tree - royal shakespeare company | 13. The Grove - bear mccreary | 14. Blood Upon the Snow - hozier & bear mccreary | 15. A Quiet Darkness - houses | 16. Spellplague - alderfall | 17. Empty Chairs at Empty Tables - jonathan antoine | 18. Only Everyone Can Judge Me - crywank | 19. Blue Skies - kathryn calder | 20. The Buzzard - old blind dogs | 21. Constant Craving - k.d. lang | 22. The Cave - mumford and sons | 23. Jim Cain - bill callahan | 24. I Won't Back Down - johnny cash | 25. The Ash Grove - laura wright | 26. The Wind - yusuf/cat stevens | 27. To Someone From A Warm Climate (Uiscefhuarithe) - hozier | 28. The Logical Song - supertramp | 29. Tapestry - don mclean | 30. Big Yellow Taxi - joni mitchell | 31. Eat Your Young (Bekon's Choral Version) - hozier | 32. The Flock - david maxxim micic | 33. Changes - david bowie | 34. Ri Na Cruinne - clanaad | 35. The Moments of Happiness - ken page | 36. My Back Pages - the byrds | 37. If This Journey - tom hanford
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Betty is so relatable I would do the same shit for my wife
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What makes no sense about Andrew killing Tilda is the fact the he must have known that after her death, him and Aaron would probably end up in the foster care system, which would go against everything Andrew ever tried to achieve for Aaron. After everything he’s done to protect Aaron from everything that happened to him it would make no sense for him to change an abusive mother (what is bad enough as it is dont get me wrong) for sexually abusive foster families he went though. And while yes, there was a possibility that Luther and Maria would adopt them and take care of them, that option is bullshit too since Andrew knows too much how big of a piece of shit Luther is, so he also wouldnt let a man he didnt trust take care of Aaron too, mostly since he couldnt even know if he would even survive the car crash to be able to protect him. That takes me to a conclusion, that the only way Tilda’s death could work out for them and actually fix things instead of making them even worse was to make sure that Nicky, the only family member that wasn’t a danger in Andrew’s eyes, would take care of Aaron (and possibly Andrew too). So i suppose that before the whole accident happened, he talked to Nicky about the whole “would you take care of my brother” thing in a “what if” way, and that Nicky actually did know about the coming of Tilda’s death before it happened, even if he never realised it.
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"お前は失ってばかりじゃねえ"
"you haven't only received loss"
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