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#and dont hurt yourself
stil-lindigo · 7 days
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lead balloon (the tumblr post that saved me)
if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.
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no creative notes because this isn't that kind of comic.
I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.
I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.
If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.
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runningwithscizzorz · 6 months
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I feel a deep sense of anger and grief for Palestine. I’m angry at God, at the world powers donating to those who are killing civilians, angry at people looking away and encouraging you to worry about yourself when people can’t even walk down their streets without being attacked. I’m angry that my friend donated, only for it to be stolen and taken by the soldiers abusing Palestine. I’m angry that I can’t do much of anything but tell you to at least CARE about the people being bombed and slaughtered. Please, if you can’t do anything please just CARE about these people and listen to their stories. Hold them in your hearts at the very least. Don’t pretend they don’t exist or just brush it off as “its been going on for centuries, there’s no point in stopping it.” I want to do more, I want to make people care and love those who need it, rather than continue spreading anger and hate.
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These are real people I’ve drawn. Keep the people of Palestine in your heart at the very least please.
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fromdarzaitoleeza · 1 month
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Spring is here , the true beginning of the year , the season where my soul reborns and blooms .
I have made some progress in terms of the person I am becoming, truly in all my honesty all that i have done is to stop caring for everything that once used to matter , the less I care about anything in particular the less I am bothered and the happier i stay. And i really hope everyone here is doing well and I appreciate all the love that was sent.
The problem is I care a lot about everything and i don't even get the bare minimum in return and when i do get it it's too late, so much time has passed by then ,when it comes by then i do not want or need it because it's the not care that came out of love it came out of their guilts. And the longer i wait for it to come by -the more I learn why I don't need it anymore .
I am slowly learning to value myself ,trying to put myself in a position where I can agree that i too deserve all the good things and love even on the days when i have nothing to offer .
Idk guys I am just here to rant and to be stupid
Better late than never they say , I guess it's not too late for me either, I will start my life and live up to what I want & how I feel ,i don't have to care about anything else as long as I feel alive in my bones things will eventually flow, I will fall in love with myself little by little day after day.
I will choose myself instead of choosing others and I will fall in love with my solitude instead of bearing it with me , i don't care if I end up alone if I do end up all by myself I will be with someone who i know has a tendency not to give up .
Life is really short i just don't want to sit and watch it pass by , if I am lucky enough I will have 40 more springs to experience , I have clear boundaries and thoughts in my head now, eventually i will find peace through it I hope so.
Ramdan kareem to people who celebrate it here please remember gaza in your prayers and fastings
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crabussy · 3 months
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IS ANYONE ELSE FEELING KIND TODAY!!! IS ANYONE ELSE FEELING GENEROUS TOWARDS OTHER PEOPLE!!! IS ANYBODY ELSE BEING KIND AND TRYING TO UNDERSTAND EVEN WHEN ITS HARD!!! IS ANYONE ELSE ASSUMING THE BEST OF OTHERS INTENTIONS AND RESPONDING IN KIND!!!! CAN ANYONE HEAR ME
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manda-kat · 5 days
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I'm so sorry and I know if you're like this it means you have a lot of struggles- but like constantly talking about how much everyone hates you and how terrible and miserable you are and making suicidal jokes every time you talk to someone makes them NOT want to talk to you.
There is such thing as too much personal information and bringing the mood down in every conversation will make people associate you with bad moods. And if someone knows that every time they see you you're going to launch into a speech about how much they must hate you and how you should kill yourself, then they're going to see that as a sign that their presence is actively upsetting you.
You hurt the people around you when you can't keep a handle on what you say. For your own sake you need to change how you interact.
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sankatsuka · 2 months
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Backlit Lens Flare and CYBERPUNK DEAD BOY Discussion - Reigniting The Passion Lost to Peer Pressure
Everyone wants to have a place to belong, where the hard work we pour into the things we love will be seen and appreciated by people. But what happens when you decide you will never find this place and resign yourself to a life of solitude, only to be proven wrong by a group of people who insist on your wholehearted hard work? And it only later dawns on you that you will someday have to part ways and you will lose the miraculous place you finally found.
This is what I like to think Rui Kamishiro encapsulates - the battle between being yourself and wanting a place to belong. How easy it is to get swayed from what you love when you think you've found this place and start to subconsciously dedicate your passion to this place instead, to the point that if you're not aware enough, you can forget the feelings in your original passion (resulting in the hesitation and doubt in Curtain Call). After all, nobody is the same, and if you focus too much of your passion on them, that passion becomes about them and not yourself. Ultimately, it is how not acknowledging a healthy boundary with people who are different from you can affect your passion (Shiho as a character is very integral to this).
Warnings:
I believe the entire WxS plot is meant to be misdirection.
Personal interpretation of Rui and several characters by inferring from text.
I believe Rui is a flawed person with no bad intentions, so there will be criticism of his character here. I really suggest turning away if it upsets you.
Spoilers for all WxS unit stories up till Backlit Lens Flare (as well as for Saki, Shiho, Akito, Mafuyu and Mizuki's characters up to their most recent stories)
Edit (11/2/2024): Made multiple edits as always, but biggest change is talking more about the foils in CYBERPUNK DEAD BOY and Kitty's message. Edit (12/2/2024): Compulsory mention of Rui's mom and how he was set up for failure from way back then. Edit (12/2/2024): Expansion on the parallels between Rui and Mafuyu - what it is that makes them the CYBERPUNK DEAD BOY and Jackpot Sad Girl. And a summary on how three commission parallels supports this interpretation of CYBERPUNK DEAD BOY about Rui's characters. Edit (13/2/2024): Lets add a bit more about how Resonate with You criticizes Rui's actions in Curtain Call. AND MANJI ALSO BEING A SLANG MEANING EXCITEMENT, STILL APPLIES TO TSUKASA IDC!!
Rui's character in the story starts off as someone who has thrown the part of himself who wants to have fun making things with people after being repeatedly let down by them. The early times with Wonderlands x Showtime helped him remember that desire from childhood to find a place that accepts that desire, that he criticizes Tsukasa for not appreciating WxS - for not realizing the best shows can't be accomplished without friends.
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"--The best shows can't be done alone."
Following the fallout, Tsukasa and WxS' continued insistence and appreciation of him makes him start to see them as a place he can finally belong to. The place he's searched for for so long since childhood. That when he saw Tsukasa get hurt, he became swayed from doing the things he wanted to do for the first time and he hadn't even noticed it - because Tsukasa might leave him like his classmates had, so he has to hold back so as to not disappoint him further. This resulted in Tsukasa and Ruis second argument, with Tsukasa being angry at Rui for lying and holding back - which I later argue is the exact same feelings in his FUZAKERUNA in CYBERPUNK DEAD BOY.
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"This is surprising. I didn't think I'd ever feel this way." "Being afraid of losing your place, and then being unable to face the actors who seriously respond to you - this is a failing as a director."
However, this entire ordeal ended in Rui acknowledging his weakness, putting the whole deal behind them and moving on with the show, as KAITO advised. (Spoiler: it isn't weird at all to say that this happens again, with how he deals with it so indifferently like this.)
And then in Curtain Call, he becomes painfully aware that everyone may leave someday for their dreams--
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"Someday, the day we will have to depart will come... For both me, and everyone."
Doesn't this just seem like a repeat of Halloween in a different way? He's scared they'll all leave him alone. One can say that Curtain Call ignited the exact same fear of being left alone and losing your place that Rui felt in Halloween - and his reaction feels exactly the same too: acknowledge it, put it behind you and move on to doing what is best for the best shows. After all, Rui lives for the best shows, because it is what makes him most happy - albeit Backlit Lens Flare suggests how he doesn't actually fully remember the joy and passion for shows he had as a child (discussed later). The best way to put it is - Rui feels like a walking corpse of his childhood.
Normally, when you realize this possibility of parting in the future, you talk to your friends about this (see: Saki Focus 3, Get Over It). But Rui refrains from talking to the people he should be talking to (WxS) and proceeds to go for the most obvious decision for his dream by joining Arklands. Only after Asahi turns him away does he go for the next obvious option he sees - the reckless decision that he would do everything in his power to achieve everyone's dreams together. And he can so confidently chase it because he's smart, only to be put down in Backlit Lens Flare lol.
Rui has really just been powering his way through the things he finds unpleasant, as KAITO had told him to in Halloween, ignoring the bad parts and doing everything for the sake for the best shows. You can really, really argue that KAITO's advice in Halloween seems very, very morally ambiguous now lol. He doesn't think ahead of what is the best choice and what would make him happiest - it's as if he's avoiding the very line of thought of how he would do post-WxS. Compared to Shiho in Focus 1, 'Resonate With You', who shows how she has thought it through and is happy enough just spending time with Leo/need for leisure - Rui doesn't even reach this line of thought of what happens next.
I think that he avoids thinking properly about these stuff because he wouldn't have a proper answer to it. Can he really trust Asahi when many other people have disappointed him after showing some interest before this? On the other hand, he's argued with Tsukasa twice and everyone is still enthusiastic - WxS is the only place he's ever felt secure.
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"There were a few people who saw my ideas and said, 'it would be interesting if we could do it'." "But even those people gradually became reluctant with the more new ideas I brought to them."
It may generally be underestimated in the story just how much Rui doesn't inherently trust people and actors.
Even CYBERPUNK DEAD BOY begins with 'Nobody's listening anyway. Music's all just fashion, players leaving the field after devouring dead sounds one night.' which can be interpreted as people who became reluctant after they spent too long around Rui as he says to KAITO above, innit.
And then, Backlit Lens Flare happens and Rui encounters ??? (Sakaki). Sakaki immediately identifies the problem with Bakuno's acting, pinpointing it to the directors instead of the actor. Rui was not able to.
Remember, the freelance option isn't permanent - there's the possibility someone may be recruited away (It's a story for another day that he is only really worried about Tsukasa instead of the whole WxS but doesn't realize this). Rui paying attention to their growths first of all before his own is testament to how he's trying to make sure they quickly grow so they can achieve their dreams together:
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"...It seems it became good stimulation for both of them right away." "...I also need to more proactively study from this opportunity."
So even now, Rui is more worried about WxS over himself. He prioritizes making sure they are getting something out of the freelancing gig over himself. Only after watching them was he stimulated to do his best too - and here comes the question, where did his drive to be proactive for his own passion go to?
Sakaki's ingenuity finally pops this question to Rui's mind. Had Rui's brain not been filled with the worry of losing his place, he may have been able to think more clearly and just as quickly reach the same conclusion as Sakaki. If he had been filled with thoughts of what was satisfying for himself instead of how he could stay with everyone, he may have been able to create a much better film (see: Shiho Focus 3, Stick to Your Faith). In fact, why is he even so bothered about falling behind Sakaki, when Rui isn't even an adult or a professional director himself?
It's not normal to be bothered about that: Nene was never hard on herself for not being as good as Kazamatsuri, because it's a given she's far away. But she does get upset with herself when she realizes she had looked down on Sakurako and naively seen her as an equal. You only react that way with people you see as equals if you're secure.
Perhaps, the passionate person Rui used to be would have admired Sakaki and want to learn from him out of a pure love for shows instead. And not be so bothered about how he was falling behind professionals.
We see Rui fail twice in the story: not figuring out the problem with the scene, and not thinking ahead of personalizing the script like Ohara had. (There is a third time too: how Tsukasa and WxS seem so moved by Bakuno's performance that Rui played no part in - meaning there are others who could easily replace him - if the emotions in this discussion hold true). And it's no wonder it would have him start questioning and blaming his obsession with WxS for it - if he had not been preoccupied with them, he may have avoided his failures altogether, and even if he did, he wouldn't have been this upset.
It's like a hit to his ego. Is how he's acting and behaving really the same boy who loved shows and would do anything for a show that would satisfy him?
Right now, it's as if Rui is trying hard to protect his position as a talented genius that surpasses everyone so WxS will need him for their dreams and want him around. No one can replace him; only he can achieve their dreams for them.
But Sakaki and Ohara prove him wrong.
The closing lines of Backlit Lens Flare, where he focuses on his own feelings towards directing instead of anything WxS learned, implies this self-realization of how he had been behaving. Rui is finally focused on himself.
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"I'm disappointed that I didnt come up with this method, but strangely enough, I feel refreshed." "Directing... really is interesting."
FIRST UP. WHY DID YOU NEED TO COME UP WITH THE METHOD. SECONDLY, WHY ARE YOU REFRESHED. It makes sense to me as someone who's been carried away a lot: when you realize you lost sight of your original intentions and began worrying more about so many unnecessary things, you feel bitter at your mistake but relieved and refreshed you've finally been woken up.
To me, all of these feel like they're pointing to Rui being afraid of losing his place in WxS. So he has to be capable of solving everything, achieving everyone's dreams, so they will need him for it and they can keep staying this way. Before this, it seemed like a normal human emotion he had just never experienced before, but now, it's starting to show it's actually detrimenting his passion.
This is what I believe the theme of trends are playing into in CYBERPUNK DEAD BOY - doing anything you can to make sure there will be people to hear and appreciate your music, and the spite in realizing you've lost yourself in that pursuit. Money is the artificial love you receive by catering to people so they would stay and listen to you. It's heartless, but following his character, it seems the crowd he's referring to is WxS. Because they have their strong individualistic dreams and just won't simply stay with him as he wants them to, he has to keep worrying about keeping up with them (Tsukasa mainly):
But still, here, there, everywhere, loners, manji, Gen Z, even monkeys want it.
Loners=Rui Manji (a sign of good things to come)=Tsukasa (being surrounded by good luck charms; kanji 天 being associated with heaven; inviting Rui to WxS) (edit: manji is also a slang for excitement, which Tsukasa literally is for Rui) Gen Z=Nene (digital age, playing video games) Monkey=Emu (in Rui's picnic card and Emu in Sky's Edge)
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(In NY2, Emu ended up drawing tons of big luck omikuji, and Tsukasa is surrounded by monkeys in Island Panic - so you can suggest their roles are reversed. But the robot monkey Tsukasa in picnic suggests Tsukasa isn't a real monkey.)
Curtain Call and Backlit Lens Flare together show how not addressing and expressing fears properly and simply moving on changes nothing. Self-awareness and powering through is useless advice - anyone who's had troubles with lovers, friends and family know you need to talk and accomodate each other. Or not, is it even feeling loved and cared anymore, isn't it just about control then?
In Resonate with You, Shiho makes Leo/need think through their choice to join her into becoming a professional, rather than accepting them right off the bat. She knows from her prior experience working with people that half-hearted musicians would only fail, suffer and drop out. It is only by Leo/need wholeheartedly declaring their intentions of facing music sincerely and seriously that Shiho is convinced that they can all do it together for sure. This is such a contrast to Rui in Curtain Call where he decides on his own that he will find a way for WxS to achieve their dream together, while barely thinking at all. And he winds up focusing so much on making sure WxS stays together. You need to think it through, face the future seriously and talk properly. NOT JUST LEAVE IT THERE!!
Or else you'll lose sight of your original motivation from focusing too much on things that don't really matter as much to you: you'll just end up half-hearted.
Further proof that Backlit Lens Flare is Rui's realization of his half-heartedness since Curtain Call, is that Tsukasa gets angry at him in CYBERPUNK DEAD BOY like he does in Halloween. It isn't even a desperate shout to save someone - it's like a look of pure judgmental disappointment, as if they've been through this already. Stop lying.
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He already shouted in anger in Halloween. If that didn't reach Rui, then there was no point in being all angry anymore.
Rui was repeating Halloween, trying so hard to protect the place he belongs to and forgot what he himself truly wants. From there, the lyrics in the entire CYBERPUNK DEAD BOY are self-explanatory: what happened to the things you wanted to sing? (I was so happy with the lyrics because it was exactly what I was thinking in Curtain Call but no one seemed to care).
One thing you can never take away from Rui is that he is a very, very passionate guy. He loves what he does that he would spend every waking hour of his day working on it. Even if he's become a shell of his former self, his body is still naturally drawn to shows (Samsa Kanade reference heh). And Rui himself believes himself to be purely passionate too. So when he realizes that passion has been thoroughly dirtied, it makes sense he's as angry as he is in CYBERPUNK DEAD BOY.
In Anni 2, Rui says he didn't know what he wanted to do like Mafuyu, but then he corrects himself to say he THOUGHT he knew.
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"Actually, in the past, I didn't know what I wanted to do." "No... I should say that I thought I knew, but I actually didn't know at all."
For a brief moment, Rui thought he was just like Mafuyu with nothing to call his own. Until he quickly remembers that he did indeed have something he wanted to do, but claims to have been mistaken.
Why did you briefly relate to a girl who felt like she had nothing she wanted to do like everyone else, if that isn't a sign of his current state of mind - feeling like he has no dreams like WxS, and having to keep up with them so that he can feel like he belongs (discussed later in the parallels with Cinema). His lost passion became more evident at this point of the story.
If you 'thought you knew', then that means it was once a genuine feeling too. Even if you're alone, doing what you love is still fun - Shiho in her Focus 3, 'That Day, The Sky Was Far Away' demonstrates this. Although she had been let down by the bandmates, she was still fine alone because music made her feel better. And she even inspired Mihane because of her enthusiasm. After all, what you love to do should make you happy to some extent.
In comparison, Rui seems to have forgotten that shows were actually fun in middle school (probably because Stick to Your Faith never happened for him). When he approached Mizuki, he was standoffish and didn't think to introduce Mizuki to the fun of shows even when they expressed some interest in it. Probably because he couldn't even remember it himself. But being able to make that decision suggests he did still have some semblance of emotions that felt like shows were fun. Once again, a walking corpse of his chiildhood.
In the end, it's like he already lost this original joy for shows since middle school, and then grew even more confused about what made him happiest with the new joy he experienced after finding a place in WxS. He hasn't been able to wholeheartedly enjoy his passion because he's been continuously rejected, and he thought he was having fun when WxS accepted him - but in the end, that fun was from finally finding a place.
Update: Tetrad gives more implications of how Rui had gone astray post-Curtain Call. Tsukasa and Rui sing together, "We're facing the same direction", but Rui appears troubled. It's like Rui can't declare that he is chasing his dreams as confidently as the rest of WxS. Deep down, a part of him probably knew this even before Backlit Lens Flare happened but was afraid of facing it.
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I would further go on to associate CYBERPUNK DEAD BOY to both Kitty and Cinema which its imagery resembles. The card set takes place in Shibuya where Kitty takes place in, and Cinema uses the same director's cut + Tsukasa's trained card directly mentions Cinema on the billboard.
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There's also the naming that is clearly based on Jackpot Sad Girl - which I think just goes to highlight how both Rui and Mafuyu have the power through it mindset that it lands them dead and sad respectively: people need to reconcile their differences with others to truly love and feel alive (Rui) and people can't endure stress for too long without getting depressed (Mafuyu). Both ignored their human needs and thus this is where they wound up.
The parallel with Kitty feels like it's also within the overall messaging - how facing things can lead to losing yourself even more when you aren't mentally prepared and have no clear-cut answer (sounds similar to what Rui carelessly did in Curtain Call, doesn't it?). In Mafuyu's case, she seemed about ready to change herself again to please her mother, and in Mizuki's case, opening up to Niigo would make them more sensitive to what they say and probably even change themselves so as to not be left alone. Mizuki has even expressed this sentiment once by dressing as a boy in middle school, when they already knew they loved cute things since childhood and was even reaffirmed by their sister.
In Our Survival and Escape, the point is made that it's BECAUSE Mizuki never opened up to Niigo that they were able to protect their heart. Compare this to Rui, who bore everything about himself to WxS by not holding back with his performances and past and thus gained their unconditional acceptance. As a result, he becomes swayed by them when he realizes that things would come to an end and becomes preoccupied with stopping it even at the cost of himself - his passion. If Mizuki had similarly put their utmost trust in Niigo like this, it wouldn't be surprising either if they quickly get swayed to stop expressing themselves too if one of them ever expressed dismay (hinting that they would leave).
Thus, in order to find the answer to real love, you have to protect your heart first, even if it means running away and distancing yourself from others (Kitty). But unlike Mizuki, Rui was taught from childhood to simply not care about what people say, so he has never been aware of just how much words can affect you (compare the advice Mizuki's sister and Rui's mom gave them: completely different). This winds him up in CYBERPUNK DEAD BOY, where he's unknowingly adjusting himself for WxS to not leave him.
As for Cinema, both songs capture how Akito and Rui's struggles and fears at the time feel like the exact same - being left behind and losing your place because you weren't enough, to the point of losing who you really are (Akito pushing himself to be passionate to match everyone else, Rui falling into the trap of peer pressure to match everyone else. What they envy in 'everyone else' is how they want things that Akito and Rui don't feel like they really care about and view as meaningless. But in truth, they don't care about it only because they're more concerned about belonging - they've always had it deep down in them.).
But in Akito's case, VIVID BAD SQUAD directly reaches out for him when he pushes himself far too much and forces himself to suffer to make up for his lack of talent. That's why Akito is reassured that even at his weakest and most pathetic, there will be people there who refuse to leave him alone. So Cinema feels like Akito freely lamenting on how he's different from the people, that he can't keep up with them, but with VBS by his side, he feels like it's fine to find and pursue who he truly is.
On the other hand, CYBERPUNK DEAD BOY feels like Rui's suppressed spite from having to keep up with WxS in order to not be left alone. Because everyone else will betray him, it has to be and can only be WxS who've endured him until now. It's the first time he found people who would stay, so he's desperate not to lose them that he would subconsciously change himself so he can keep matching their needs. And the realization makes him spiteful, because he's lost what was fun for him from that need to change for others to stay. And he's left to stay lost to the very end, because the only way right now for him to be himself and stop worrying is by others matching him instead, but there is no way to 100% control people - compared to Akito who found his answer by coming to terms with the impossibility to control yourself to be someone else. Because VBS was there to accept him as he was when he was trying so hard to be someone else.
Rui will probably eventually realize he has to just accept he's lost his passion from the fear of being alone and stop lamenting controlling everything around him, once he gets tired of it and reaches his limit like Akito in Stray Bad Dogs.
Suddenly everyone started up onto a nonsense scenario (Whatever you do, wherever you look, there's a traffic of influencers.)
It's just like a movie, exactly like a movie. (But still, here, there, everywhere, loners, manji, Gen Z, even monkeys want it.)
No matter where you go, there's a story. (Just give me a punchline, its meaning can be whatever.)
Cinema and CYBERPUNK DEAD BOY are like the perspectives of two boys who feel like outsiders to the world, but one is actively trying change himself to belong somewhere and the other finds himself suddenly facing peer pressure when he used to not care about belonging somewhere. It's even contrasted in Akito's customer service front and Rui's indifference to school terrorism that they are foils of one another in a society. And probably why Akito hates Rui too - for taking any means necessary to achieve what he wants without a care for people, when Akito has spent his life working hard to be equals to people in order to belong.
[More similarities in lyrics, in no particular order (CYBERPUNK DEAD BOY in brackets):
Traffic’s already jammed up now. Oh well, nothing I can do about that anyway (Whatever you do, wherever you look, there's a traffic of influencers.)
“It wasn’t supposed to be like this.” "What was it supposed to be like then?" (What happened to things you wanted to sing about?)
Back then I'm sure it was there. The thing that I envisioned was there. When was it that I... (There must have been something you wanted to sing about.)
What are you playing at? Who are you trying to be? There's no way you could be that, right? (At this rate this will never end. What you want definitely isn't money.)]
Maybe it's coincidence, but the lyrics in Cinema also reference Curtain Call very early on:
Someday it'll be bye-bye when the end comes, so Smile for the curtain call and applause.
Cinema is accepting of it and faces it head-on. Rui still avoids it.
And Cinema also captured what happened in Backlit Lens Flare with Bakuno. Something Rui couldn't figure out on his own without Sakaki and Emu:
If you're not suited for the role, Then just rewrite the script!
This is as if implying Akito realizes early on that people are all different, and there may come a time you have to part because of your differences. So you don't have to keep worrying about fitting in - try your best to be yourself instead and smile when it all ends.
This is something that Rui hasn't faced at all, so it's pretty meta that he hadn't thought of matching the actor's individualities. It seems he's lived with the belief that directors have to adjust themselves according to the level they believe the actors are on and actors have to work their hardest to live up to the director's wishes at all times - because the director knows best. Instead of truly understanding their actors for who they are as individuals and what they individually need.
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"I always try to cast actors in a way that brings out their strengths." "That's why I always get you to play the role of a type that is easiest for you to match."
And this becomes a regret for Rui in the same story - realizing that he hadn't thought enough about what Tsukasa really wanted and needed.
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"...I feel a little regretful that I hadn't thought that far."
Nene's surprise at Rui's words further imply that this isn't how he normally is. That he wouldn't be thinking so much about people and their personal needs.
It isn't therefore surprising that he agrees with and commits to the mindset that he has to power through his emotions without speaking to anyone. He expects that from his actors, and applying it to real life, it means that your role and scenario have already been decided from birth and what was left was living up to it. It's frighteningly similar to the lyrics in Engeki, which I wasn't even thinking about. Except it wasn't forced on him but rather something Rui decided on his own, with no harmful intent from the people who fed that mindset. Even before KAITO - it was his mother who unknowingly instilled this in him:
"People are people, I am myself. If you take care of what you like, someday you'll be able to make friends too. Like how I met your dad." (i.e. don't bother with the painful things around you, just keep doing what you do and keep going until you get there.)
And hence why this commission is full of firey anger. The story tramples on the way Rui has lived until now, proving him wrong when he thought he finally found his answer by powering through his fear of losing WxS. How it made him realize that he had at some point been driven by something petty like being with friends forever and lost the passionate part of him, the one who would do anything to satisfy himself. He's realized he's no longer having fun like the child he used to be, evident from the lyrics that start off with how he no longer has anything he wants to convey.
"Now let's all laugh. Aren't views more important than art? A terrible price for the virus. So what will you do? Is that really fine?" The lyrics are as if Rui is finally realizing that everything he's been doing, making people smile up until now, has been just for views (for WxS to stay around), and it finally makes him question, is this what he really wants??? Where did all the passion, fun and self-satisfaction that he thought he was making shows for went to???
(This is a more literal translation, the popular TL translates it as Then what do we do? Was that how it was supposed to go?)
I don't know if it's clear now - but in conclusion, CYBERPUNK DEAD BOY feels very much like Rui realizing how he was more focused on protecting his place over enjoying what he does. The first lines of the song do seem to be screaming a spitefulness in not being able to just do what you enjoy: "No one wants to listen (...), I don't have anything I want to convey (...)"
That's why CYBERPUNK DEAD BOY is an ironic name, appearing on the director's cut to imply they're filming a movie of Rui's life. How Rui had been living dead against his own self - falling victim to peer pressure (trends) to protect his place in WxS. Until Sakaki reminds him of the heights his true self wanted to reach and reignites the passionate fire for theatre inside him.
In summary, to simplify it, CYBERPUNK DEAD BOY's parallels come together to tell a complete story about Rui Kamishiro (biased but idc): 1) Jackpot Sad Girl: The unhealthiness of Rui and Mafuyu's mindset of powering through what they think they want without properly talking to people. 2) Kitty: How putting your trust in people can sway your heart and steer you away from what you truly want, something Mizuki knows and thus avoids but not Rui. 3) Cinema: A combination of Jackpot Sad Girl and Kitty - how a person with Rui's mindset is left feeling angry and confused when realizing he has lost himself from having his heart unexpectedly swayed by people. This is foiled by a complete opposite like Akito who has lived a life with no reason to truly call his own and is bitterly aware of how it is all because his life has always been completely defined by other people.
(Man, I LOVE the Cinema foils so much. Akito and Rui are such perfect opposites I LOVE THEM.)
And finally, from the end of CYBERPUNK DEAD BOY:
Devoid of soul, music remains silent Unheard lyrics conceal their essence; without playback, music loses its meaning. Thus, modern music is pronounced deceased.
YES. YES. DEVOID OF SOUL AS I SAID, HOW RUI KAMISHIRO FEELS LIKE A WALKING CORPSE OF HIS CHILDHOOD. PLAYBACK!!! LOOK BACK AT YOUR PAST AND FIND YOURSELF!!! REMEMBER THE JOY AND PASSION YOU CAN'T GIVE UP RUI-KUN!!! Stop trying to keep people around, face solitude and be brave: what's most important is to be yourself!
Backlit Lens Flare felt like a reawakening for Rui, and it's why it's one of the best stories alongside Pandemonium for me. If Tsukasa is completely avoidant, then Rui is full of blatant lies. But of course because the writers will never clearly describe the emotions in WxS stories, I can't confirm this is the intended interpretation. It's just my own personal interpretation that I enjoy best and makes most emotional sense to my personal experiences.
But my opinions are bound to change because there are soooo many ways of seeing things. For now, this is what I think of Rui Kamishiro in Backlit Lens Flare and CYBERPUNK DEAD BOY.
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mishapen-dear · 10 months
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thinking about the elections tonight... bad, cellbit, baghera, and forever are four candidates who are devoted to the island- more specifically, to the residents of the island. They care for the eggs, and they care for each other, and the way they exhibit that care through their primary presidential strategies is fucking fascinating.
Bad is who I watch the most, so I know him best. He's a classic mother hen. He doesn't like to take risks with the eggs, and he likes to prepare. If there's any sort of variable that could hurt an egg then he wants to control it. They have a stable relationship with the federation right now- it's not great, but they know the parameters. Don't trust cucurucho. don't follow cucurucho. send the eggs to NINHO every time there's a threat. the time of day changing means you need to run. Other than that they're p okay and roughly safe. But adding a president could potentially change everything. What if the president makes a rule that makes it easier to kill the eggs? And what about the way a president could cause tensions between the players to rise even higher? The dynamics of the island could change drastically. It's safer to neutralize that threat before it ever becomes a threat. It's easier to stop a war before it can start.
Baghera's primary concern is the way the election is designed to pit the residents against each other. All of them know that the Federation is a threat and she, like Bad, is focused on not letting them hurt more people. But, unlike Bad, she's less resistant to change. If the power is spread to multiple players rather than just one, it will be harder for the Federation to corrupt any one of them. Each time before the Federation has gotten to someone it's done so by isolating them. Felps, Cellbit, Jaiden- they've all spent a lot of alone time with Cucurucho. A council isn't just to consolidate the ideals of the island; a council would protect the players themselves. Sure, there might be disagreements and arguments, but they've had those before (and they're having them now!) and there's no reason to think they wouldn't be able to get through them again.
I hit a bit of a wall with Forever and Cellbit's pov here. Everything I know about their plans are from the debates and paraphrased discussions that have been translated here on tumblr, I'm going to talk less about their explicit plan and more about what the result will entail- a single president who takes responsibility for the island. It seems to me like they've recognized the presidential seat as the powerful opportunity that it is, and they want to take advantage of it. Here's some extra personal speculation but, adding rules, adding or removing mods, proposing public works, enforcing laws- those are just the abilities that are listed. Those are incredible opportunities to make the Federation take action, which is more than they've had before. We've seen before that the Federation isn't perfect; the Federation makes mistakes.
By working with the Federation, by making them take action (in a semi-controlled, semi-predictable way) you open them up to more opportunities for them to fuck up (while benefiting you). And, maybe, one of those fuck ups will be the key to taking them down. Maybe they could reopen ender chests. Maybe they could open the nether. Maybe they could learn why the Federation is holding an election in the first place. It's possible to do all these things with Baghera's plan, sure, but that's not a guarantee and, if someone like Bad is on the council, there's absolutely no way to be sure it would get done. And, if there's a council, then that opens up everyone on the council to the Federation's wiles. If there's just one president, then that's where the Federation's focus will be. By using a single person to build a relationship with the Federation, they only risk that single person. By electing ministers instead of a council, they can ensure that the island residents' needs are being heard while placing the federation's focus on that one person. A point can be made that they've done that before- with varying results. like kidnapping. selling your soul. etc. But! overall, I think they've gained more than they've lost by singling out one person. Because of them, we know that Cucurucho can't be trusted. We know that the Federation has a series of tunnels underneath the island. We know that the Federation not only has some sort of cryo technology, but had some unknown reason to use it. We know that there was another person working with Cellbit to take care of Felps (theorized to be ElQuackity), so we know there's at least one more Fed that isn't Cucurucho + blank-faced workers. There's been risk, but there's absolutely been rewards. This is just a very long meandering way to say that their plan to sacrifice Forever to the presidential seat reminds me very much of Cellbit's plan to sacrifice himself to the federation. They're saving their friends by potentially damning themselves and I, for one, think that is cool as hell.
they all care about each other so much. bad's plan means taking on no more risk. baghera's plan means spreading that risk evenly to stand strong together. and cellbit and forever's plan means taking the risk onto themselves so they can reap the rewards for others. am i reading too much into things? no this is tumblr and this smp is about LOVE and i really genuinely think that their election plans are a fantastic example of just how much they love each other
#qsmp elections#qsmp#qsmp analysis#again i haven't been following cellbit and forever's exact plan too closely but i've gotten the sense that their pushing of public works is#just to get people to vote for them and the true reason they want forever to be president is to infiltrate the federation#if that's not it tho feel free to let me know i'd love to know these cubitos reasonings#but with my interpretation i like the silly little extra headcanon of mr cell “sold his soul to the cops” bit#subconsciously sacrificing forever to the feds and pushing him into corruption#which ALSO makes the forever-killing-cellbit-to-kick-him-out-of-the-running plan Even More Tasty#'what if i let you kill me. what if destroying me destroyed yourself. what if i have already destroyed you on purpose and you forgave me#now what if i dont mean it when i do it again'#if anyone wants to examine the other candidates (or these same ones) and figure out how their election strategy is an example of their love#please do#i don't know enoguh about the others#but i know that gegg is love-turned-grief burn-the-world-down#and foolish is love for Item. love for cloud. love for being a silly#i don't know etoiles' plan for if he gets elected but i know he also deeply loves the island and the residents#him and his security <3 and the care packages for new players <3 and the way he Craves Violence but absolutely refuses to hurt anyone who#doesn't deserve it. most guy of all time#personally i want foolish to win because i think it would be really fun#but i think that any of them (even the candidates i don't know) would be a Fantastic president#we're going to get some good roleplay any way it goes so ill be happy :3#the only mechanic thing i want is for them to open the nether but that feels like a given for anyone so im not worried about it tbh#ty for coming to my tedtalk#hello if you're reading this tag. i see youre just as un-normal about these characters as i am. or you just like to read. respect either wa
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snakeguy999 · 5 months
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heya! do you have any tips on drawing, you have a good style that is very pleasing to the eye.
Yess my best tip is to always try to draw something youve never drawn before otherwise you never learn(ie. Get good) and to do that in a sketchbook to see progress clearly. Also a sketchbook is not meant to be pretty and beautiful, it meant to be full of notes, thoughts and art. It is a reflection of your mind if you let it be. You dont need to show it to anybody. You dont need to polish every doodle. It doesnt matter. Also watch Proko.
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WHY do pjsk fans love ai covers sm im losing my mind over a spotify podcast poll because so many people are in favor for the podcaster to upload ai covers
I THOUGHT WE HATED THAT BITCH WHAT IS WRONG WITH YOU GUYS
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biillys · 2 years
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billiestevies: the question was “why does billy hate lucas so much?” - i think that really probably answers your question in more of a back-story sense, of why was he the way he was. because - his dad.
dacre @ stranger con, chicago (9th oct 22) bonus:
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atlanticsea · 11 months
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reading through brendan hunt's reddit ama and seeing him completely dismiss jane as being abusive, seeing fans say that calling jane abusive is "being judgemental instead of curious" despite basically every scene she's in featuring textbook abusive behaviour, seeing fans argue that being concerned at how jamie is made to forgive his father when the fact that his father facilitated him being sexually assaulted at 14 was never addressed is "not understanding the show" because the show preaches forgiveness as the end all be all of everything (and isn't it so interesting that victims of abuse have to do all the work to recover and grow as people meanwhile abusers are just expected to be forgiven because "forgiveness is a gift u give yourself uwu 🥹🥹🥹")..... here's a sentence i couldn't imagine typing six months ago but ted lasso's understanding of trauma and mental health is limited to "panic attacks feel bad" and promotes actively harmful rhetoric about abuse and victimes of abuse, as well as toxic positivity lmao
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toffeecoco1 · 2 months
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I see vampire!Hua Cheng a lot and like. I get it. It makes sense. Aesthetically, it works. But that doesn't mean I agree.
The whole theme for vampires is taking. And for Xie Lian, Hua Cheng does nothing but give. Literally. Their spiritual energy transfers are kind of the opposite of how vampires work.
So instead, I raise you vampire!Xie Lian. He's a vampire who never drinks from humans, and would rather let himself starve. He exclusively drinks animal blood, even if it tastes bad, even if it's stale. He's terrified of hurting someone.
And he meets human Hua Cheng. And at some point they're in a situation™ together, and Xie Lian hasn't gotten his hands on animal blood in days. He's clearly not doing well. Hua Cheng knows he will protest, but he also can't see him like this. So, without saying a word, he draws a cut across his hand and holds it up to Xie Lian's lips.
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merr-murr · 28 days
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CW : L0l1, CSA, CSAM, Harassment
Apparently there's a hate brigade running after me because some people cannot separate fiction from fantasy. I've had to say it on my Twitter and despite my lack of adult content on this account, people have made it their prerogative to harass me on multiple platforms.
if you genuinely think that drawings of fictional characters is equal to the suffering of real children put in abusive situations, get the FUCK off of my blog. I dealt with CSA my entire childhood and all of my teens years, including being groomed. I tried not to let this whole thing get to me, but people calling me a child predator because I made a fucking DRAWING that they found icky is one of the most insane things they could have possibly done. ESPECIALLY to someone who was a victim and would never wish that pain on anyone else.
My ASSAULT is not equal to demon children in a cartoon. Real people are not equal to fictional characters. You can say it's gross, you can say you don't like, hell, you can even be a fascist and say we should censor art you don't agree with! But don't ever compare me to an abuser because I drew naughty art of cartoon characters without sentience.
I will not apologize for having tastes that don't align with some online fascists who save art that THEY think is CSAM to their own hard drives to "call people out." You're a freak if you are saving material that you think is genuinely CSAM. You're a freak if you are encouraging people to go interact with someone who you think is a predator. You're a freak if you think human children are as worthless as cartoon drawings. You're a freak if you equate the real abuse and suffering of real people in any capacity to a factitious scenario created for kicks.
If you actually give a fuck about protecting children, stop wasting your time on a random artist (a CSAA victim) who drew a singular piece of l0l1 art and maybe volunteer your services to charities that help REAL CHILDREN.
Get over yourself and go touch some damn grass.
TLDR; If you think real children being abused is even remotely equal (legally OR morally) to cartoon drawings of fake demon characters, I do not want you following me or interacting with me as a CSA survivor.
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bonetrousledbones · 8 months
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my biggest irl secret is that at some point i started telling people i like drawing skeletons because i was too embarrassed to say i draw undertale fanart and that snowballed into getting more skeleton themed things which i liked but didnt really go out of my way for and now its not a lie anymore and whenever i need to buy something i will try my very best to find a skeleton version of it and now i’ve fallen to my self fulfilling prophecy of becoming the skeleton guy
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hayaku14 · 9 days
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kuroba toichi you need to stay dead or im going to fucking kill you myself
#you sick son of a bitch#if you truly love your son you wouldnt be alive#it's bad enough that you basically left the mantle for your teenage son to take up but you actually being alive????????#you just out there living your life while your son is destroying his relationships chasing after something that you started????????#his very motivation is your death and it's not even real??? the utter fucking betrayal???#and maybe being kid has kade him a better magician and has helped him find out more about himself#but he shouldve been able to have a choice if he even wanted to be kid at all it shouldnt have been a responsibility pushed upon him#AND IF YOU ARE FUCKING ALIVE AND YOU'RE JUST WATCHING YOUR SON RUNNING AWAY FROM THE POLICE WITH PRIDE INSTEAD OF GUILT YHEN YOU CAN#GO FUCK YOURSELF#Honestly the worst#also that theory that maybe chikage is travelling the world because she KNOWS toichi is alive and she's with her elevates this fuckery into#a whole different level#anyway go read cuethesun's tomorrow and the next day#good fucking food and bad parent chikage and toichi enjoyers will be pleased ;>#lol#dc prattles#as much as i want happy everybody is alive kuroba family#i need touichi and chikage if she knows too to feel the repercussions of their horrible parenting and i need kaito to be able to let himself#feel the hurt and betrayal that he is justified to feel even if he is happy that his dad is alive#but i dont trust gosho to handle that nicely if anything i think hes gonna just handwave it and wont address it properly#anyway my point is i just need more hurt and angry kaito also if shinichi is there im happy#sorry i sneaked in a kaishin i cant stop the brainrot unfortunately theres no cure 🤚😔#ALSO DONT GET ME STARTED WITH BAD PARENT KUDOS OOOOOHHHH
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puppyeared · 4 months
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Me: Happily rebloging everything
One post: Reblog and put what you ate in the hashtags.
Me:….
Me: Haha anyway—
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go eat!!!!
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