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vidavalor · 2 days

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Great Balls of Fire

Ok, I've got a Final 15 theory on the kiss and the elevator and... pie?

This is for-- and in thanks to-- @indigovigilance, @ineffablelunatics and @somehow-a-human, as their metas reminded me of the idea of something in Aziraphale's mouth after the kiss and their talk of ball bearings and The Bullet Catch has eaten my brain alive and so here we are. Thanks also to @kayleefansposts for drawing my attention to 2/3rds of the metas. 🤗

What, exactly, happened in The Final 15? Maybe this...

As observed by many of us and discussed in the metas of the people I mentioned above, Aziraphale visibly has something in his mouth when he pulls back from the kiss. We also see him move the object around in his mouth-- or, we do, if his expression doesn't distract us first.

Because it's on his tongue, this isn't just light being weird or showing a filling or something. This is, clearly, a piece of metallic-colored something in Aziraphale's mouth. @indigovigilance pointed out how aspects of this parallel aspects of The Bullet Catch and I would agree with that. @ineffablelunatics, off of @somehow-a-human's post on the object, said it looked like a ball bearing and that's actually when I realized that I think the show might have subtly told us over the first two seasons what it is. And if it is what I think it is? The object is the reason for Aziraphale's reaction after the kiss-- not the kiss itself.

So, what is it?

To explain that, we have to start with two scenes, one from each season: 1601 and Crowley in Heaven with Muriel in 2.06.

In the 1601 scene, we learned that Crowley & Aziraphale experimented with their powers after they got tired of canceling each other out and that they discovered Heaven's dirty little secret in the process. That secret is that basically the only differences between them are the colors of their feathers and the lack of immunity to hellfire/holy water. Heaven has been telling everyone that some magic was "demonic" and that angels couldn't do it and they also had told everyone that demons no longer possessed angelic powers. Crowley & Aziraphale realized that this was bullshit-- Aziraphale could do temptations and Crowley could still do blessings. It's this discovery that allowed them to start fulfilling each other's assignments. They didn't tell a soul because of the danger of admitting they knew, especially because admitting it would be acknowledging that they had worked together to figure it out. This means that, with the exception of holy water being dangerous to him since he fell, Crowley is effectively still an angel in terms of the power he possesses.

This would mean he can magically make just about anything he could make when he was an angel. It's relevant because Crowley, as we'll see, made the object he slipped into Aziraphale's mouth during the kiss.

When Crowley is in Heaven with Muriel in 2.06, he opens the file on Gabriel's trial, which we are told can only be accessed by "a throne, or a dominion, or above"-- further showing that the truth is that Heaven actually can't strip angels of their power to do miracles. They're just simply telling them that they have done so as a form of social control and casting some to Hell to use them as way to discourage rebellion. This scene also reminds us of Crowley's awareness of this and shows him using his "angelic" powers to get information to help Gabriel.

The same scene with Muriel and Crowley that showed us that Crowley still retains his angelic powers reminds us again of the rank of throne/dominion in Heaven. (I say "throne/dominion" because Muriel's verbal commas and the way the sentence is structured-- along with the scene in S1 when Crowley goes from his throne to dominate his plants lol-- suggests that it is possible to be both ranks of angel at once, which is another topic so we won't go too far into that right now.) Crowley was undoubtedly a throne/dominion-- and it's not even just the fact that he had that hilariously tacky throne in S1. It's relevant here because of ties of throne-related things to what it is that Crowley made and slipped into Aziraphale's mouth.

Thrones are apparently God's chariots. They are concerned with justice and reside in the areas of space "where matter originates"-- which feels very Before the Beginning, right? They are symbolized by big wheels that rotate and by eyes that change color.

Yes, by wheels and eyes that change color... seems very Crowley, no?

The eyes repeat on the symbolic wheels and are in the position of what we on Earth would call ball bearings, apparently looking kind of like this:

...and remember the interconnected, turning wheels in the scroll that Crowley had Aziraphale hold in the moment they met, at the start of 2.01?...

It could be said that Crowley... a throne, a polymath, a scientist, an inventor... a being whose signature thing is the sexiest old car on four wheels... could make ball bearings from his body when he was an angel and, since we know that he still has basically everything but the ability to make holy water from his angel days, it means that he still can make those ball bearings...

...but we also know what else he can make from his body since he's also a demon-- and not just from his hands but from his mouth...

...hellfire.

Yes, I'm saying that it really was a ball bearing in Aziraphale's mouth-- but it was not hollow or empty. Not by a long shot. It was full of hellfire. It wasn't for Aziraphale's memories as Crowley didn't think that Aziraphale had time or opportunity left to extract them.

It was a suicide pill.

The story was calling back to The Original Ineffable Divorce in 1862...

Think about what Crowley saw when he was up in Heaven in S2...

Crowley is the one who put together what happened to Gabriel. He watched the video of Gabriel's sham "trial" and he saw The Metatron basically order Gabriel killed and cast down through the ranks and he knows that Gabriel only evaded Hell because of how it would have diminished the power of the institution of Heaven to send him there. Crowley knows that Aziraphale does not have this same amount of political power. He knows that The Metatron is a shifty motherfucker and that Michael cannot be counted on. He knows how much danger Aziraphale is in.

So, he takes a page from Lord Beezlebub after seeing that they protected Gabriel with the fly... only it's not exactly the same thing.

Beez's fly was given to Gabriel to help save him. It was a place to store his memories to help protect him long enough to keep him safe until they could make sure he was safe and intact. It worked because Beez and Gabriel had time to make a plan together. By the time Crowley is in Heaven watching the video of what happened to Gabriel and then getting back to the bookshop to sort it all out, there's no time for he and Aziraphale to make a plan. They are not alone again until after "The Metatron" has already shown up and, by then, Aziraphale is already on his way to being lost.

Beez is actually the first character we ever see make their signature thing on-screen and when they do? I mean...

Evocative of a kiss, with that big closeup on Beez's mouth. We watch them push the fly gently out of their mouth with their tongue. It foreshadows Crowley making something in his mouth and ties delivery of it to the kiss. We know that Crowley knows that he can make a single object that is of aspects of both Heaven and Hell combined-- like a ball of hellfire tempered, unless consumed, by a ball bearing.

Plus, earlier in the season, there's Gabriel tying The Fly-- which came about as a result of Beez trying to help him manage his depression by helping him to feel safer-- to metaphorical suicide when he spends the scene where the angels show up chasing it around the bookshop, trying to kill it with one of Aziraphale's Bibles, symbolizing just what Heaven is doing to everyone's mental health here...

But this is just where this possibility starts, really... because why else do I think it's a hellfire-full ball bearing suicide capsule that Crowley gave Aziraphale?

Well, for starters, there is all the holy water that is all over this plot at the end of S2... At the end, Crowley stands in Whickber Street outside The Bentley right across from The Dirty Donkey in a nod to-- among other scenes-- the 1967 scene, when Aziraphale brought Crowley the holy water.

Aziraphale knew that Crowley also secretly wanted holy water as a last resort and Aziraphale initially couldn't handle the idea of losing Crowley and reacted badly before eventually coming around to the idea that maybe Crowley needed to have some supernatural cyanide at his disposal in order to feel safer and that he should have that option. Based on the holy water story, Crowley, then, would be the first person to think that Aziraphale needed a suicide pill as an option if he found himself in trouble he couldn't get out of.

In 2.06, Crowley knows how likely it is that Aziraphale could be harmed by the angels and/or sent to Hell-- which is the domain of Crowley's assailant, who is literally Satan, and who hates both of them for, among other things, turning Adam against him. Crowley knows Aziraphale is a good person who wants to believe the best is possible but he also knows how unlikely it is that this is going to go well for Aziraphale. Crowley can't stand the thought of Aziraphale suffering so he gives him a way out as an act of love because Crowley would sooner lose Aziraphale for eternity than see him suffer.

When it becomes clear that Aziraphale is going with "The Metatron" and Crowley is out of ways to convince him not to, he sees Aziraphale look away and start to cry. Crowley goes back and kisses him as a last resort but Aziraphale is initially resistant-- not because this is their first kiss and not even just because they're upset (though that's part of it) but because to kiss Crowley then would be to let him in... (after all of those symbolic doors and "let me in"s happening in the story)... when Aziraphale making the mistake of trying to shut him out.

Aziraphale eventually, though, can't help but let Crowley in a little...

...because, ya know, it's Crowley...

...and, when he does, he opens up a little, and Crowley slips a suicide pill into Aziraphale's mouth.

It's also definitely worth noting that one of the reasons-- the primary reason, even-- why Crowley kisses Aziraphale is because he needs a cover to both make and give the fireball to Aziraphale without being noticed-- and to do so in such a way that Aziraphale would be assured of the ability to have it on his person when he got to Heaven-- even if he lost his clothes in the process, as like what happened to Gabriel when he was cast out. It has to go in Aziraphale's mouth for easy consumption for it to work and kissing him is the only way to do that. What's really worth noting, though?

Crowley's plan hinged on Aziraphale eventually giving in and kissing him back. He couldn't tongue the fireball into Aziraphale's mouth without Aziraphale parting his lips and Crowley knew he would... because he always does. Not that they're regularly trying to kiss while being super miserable lol but mah point is that Crowley knows that Aziraphale can't ever not kiss him. That's not indicative of this being a first kiss-- that's indicative of the complete opposite of that.

Anyway...

Aziraphale knows what Crowley can make and what it is that he just gave him and that's why this is his reaction after the kiss:

The devastation isn't over the kiss itself. It's because Aziraphale trusts Crowley's interpretations of things more than his own sometimes and, by secretly slipping Aziraphale a suicide capsule out of fear and love and delivered in a kiss, it really hits home for Aziraphale that Crowley thinks they are now in a situation where there probably isn't going to be another way out. It's not because it's a first kiss-- it's because it's likely a last one-- and things are so dire that it came with supernatural cyanide.

It's the realization that Crowley really thinks Aziraphale has been fooled and Aziraphale can't bear it because he knows, deep down, that Crowley is probably right and he's embarrassed. 'Pride goeth before a fall' and all that... Aziraphale is lovely-- an absolute poppet-- but he's imperfect, just like us all. One of his worst traits is that he doubles down when he's been embarrassed as a way of trying to save face and retain pride. It's maybe his worse flaw and it gets very dangerous for him here. Crowley is no stranger to trying to stop situations where it could happen, like this paralleling time in 1941:

Some other reasons why it's a fireball suicide pill before we get to what then happened in the elevator...

There's the fact that the show had a scene set in S2 in The Dirty Donkey-- where the elevator is. (As the start of the scene, Crowley & Aziraphale even walk through the door where the elevator will materialize at the end of S2.) Part of their conversation is very possibly Crowley recounting their first kiss-- at minimum, it's about kissing-- and then Aziraphale makes it also about balls, combining the two to, among other things, foreshadow The Final 15:

The wordplay here is already threefold in this scene off of Crowley's joke that follows Aziraphale remembering Jane Austen's balls: balls (testicles), the phrase that x person "has balls" (is badass), and balls (of the cotillion/dancing variety). This continues into the meeting that Aziraphale hosts-- the disaster of a ball that goes straight into the end game of the season. Here's Aziraphale making yet another ball-related wordplay joke-- this one, during The Meeting Ball:

"We're having a ball" as in they're literally having a ball-- a party-- but also the idiom "we're having a ball" meaning "we're having a great time." We are now up to four different meanings of the word 'ball' in S2, stretched across different scenes, emphasizing the importance of it. One of the missing ones still needed here to complete this idea is a literal ball-- and the ball bearing would not only meet this idea but would then make all of the ball-related wordplay have had the purpose of building towards it. We think it's building towards The Meeting Ball-- and it is-- but all of it, including The Meeting Ball, would actually then be building towards the hellfire ball, which is the actual ending of S2.

Then, there's what this all has to do with the eccles cakes...

Yes, eccles cakes lol... Eccles cakes, as a lot of us already know, are popularly referred to as "fly cakes", off of how the currents sometimes look in them, but the significant thing here is that, despite their name, eccles cakes are not actually cakes at all-- they are really pies.

Ball bearings are also used in Good Omens' favorite metaphor of food to weigh down dough when baking pie crust. Pie weights and ball bearings are basically the same things, just put to different use. It means you literally cannot make eccles cakes from scratch without a jar of pie weights... which are just, structurally, the same thing as ball bearings... and Crowley can make them. You also make pie dough by first rolling it into a ball.

Which is likely why this hilarious moment exists:

Please hold The Cake-Pies of Symbolism, my pie (and Pi)-loving dear...

Crowley's face at having to stand there holding some little pies 😂...

The eccles cakes-that-are-really-pies go along with this theory as well because look how the show presented the forthcoming apocalypse to us back in 2.01:

The horse is Crowley, the rider is Aziraphale, and they're headed for Armageddon-like mental health disaster-- all ushered in by the four eccles cakes, representing Gabriel, Beez, Nina (who suggested & gave them the eccles cakes) and Maggie.

Presumably, The Lords of the Flies are the two eccles cakes that are already canoodling on the back of the plate while Maggie and Nina are the two in the foreground who are aligned but not yet together. Crowley's S2 plot is largely working at the behest of these wonderfully rebellious pies. He looks after Gabriel, finds out what happened to him and connects it all to Beez... and this is after he spent the season on his vavoomy Operation Lovebirds to get Maggie and Nina together. He's responsible for the pie crust-- the containers of the eccles cakes-- in a show obsessed with containers. Crowley is, symbolically, a jar of pie weights in being form by way of his actions-- which is suggestive of the fact that he can probably physically make them. (There's also: "Just a few million years to bake," which Crowley said of his stars-- which he made-- in the opening scene of the season.)

"Nina, what do you sell that calms people down?"

Calm is from the Greek kauma, which means the heat of the day. Heat, as in slang for a weapon. Heat, as in hellfire. Heat, as in what's needed to bake. Heat, as in passion. Heat, as in "bringing the heat." The heat of the day-- the sunny daylight of The Final 15. Eccles cakes-- really: pies-- calm people down... they bring them heat, in every possible way, and it sets them on a path down-- to Hell.

Then, there's Agnes Nutter...

When The Witchfinder Army came to kill Agnes, she hid gunpowder (a weapon) and roofing nails (the construction-related metal that enabled it) in her dress. Agnes blew up-- she became a literal. fireball. Crowley wasn't necessarily suggesting that Aziraphale turn himself into an Agnes-like bomb in Heaven when he gave him the capsule but he was giving him a weapon involving fire with which he could kill himself if he had no other way out.

Then, there's the theme of suicide in examples from earlier in the season:

Crowley saving Elspeth (on the night Crowley was dragged to Hell)... The bit when Aziraphale then calls Crowley from Edinburgh in the present and tells him that he's read that Dalrymple left in disgrace and killed himself... "The Bananafish" being a short story about trauma by J.D. Salinger which ends with a traumatized man suddenly killing himself... Crowley setting Gabriel up to jump from the window and then stopping him from doing it...

There's also the fact that the end of S1 was Heaven and Hell forcing Crowley and Aziraphale into forms of suicide (getting into hellfire/holy water) and the "Aziraphale" in the Heaven part of it was Crowley spitting hellfire-- at Gabriel, no less, whose story is what jumpstarts S2.

Then, there's that the song that is The Clue to everything in S2 is "Everyday", the significance of which is that it's a foundational song of American rock 'n roll. Rock 'n roll is a blend of musical styles that actually wouldn't exist without first the big band/swing that Aziraphale loves that came before it-- symbolizing how Crowley & Aziraphale paved the way for Gabriel & Beez. There's another song, though, that, like "Everyday", is from the pivotal rock year of 1957 that is equally influential and is enormously Good Omens-y, in the sense that it cleverly uses wordplay to the effect of barely disguising sexual euphemisms and often through amusingly church-y language:

You shake my nerves and you rattle my brain/Too much love drives a man insane/You broke my will/But what a thrill...

Goodness gracious... great balls of fire...

[Also: less part of the theory and more just a possible nod but... "The Metatron" brought Aziraphale a coffee, there's a threat of non-existence, and Aziraphale might have gotten a 'kiss of death' from a being who is, essentially, a cherry pie lol... so, those of you who know that other greatest television show to ever television show might see a bit of a nod to Twin Peaks in here as well.]

Speaking of kisses of death... the film that popularized the word "vavoom"-- and which GO S2 is homaging all over the place-- is called 'Kiss Me Deadly.'..

So, after the kiss, Aziraphale gets the capsule and keeps it tucked into his mouth and he's gone too far with the conversation and doesn't want to admit that maybe he's wrong and Crowley is right. Crowley goes out, "The Metatron" comes back in, and Aziraphale keeps looking at Crowley staying by the car out the window and he's a bit more nervous now ("what about, um, my bookshop?"). Even if he still wants to be right, he's beginning to doubt even more that he is.

He almost tells "The Metatron" to go. He almost goes to Crowley. We see him start to say that he thinks he made a mistake but he doesn't go through with it. He's too embarrassed. Fraulein Maria can't face The Captain and is trying to run back to The Abbey over here.

Aziraphale goes out with "The Metatron" and the significant moment is this revelation: "We call it 'The Second Coming'."

This is the moment that Aziraphale realizes for sure that he's been tricked and there is no Supreme Archangel job for him. The Metatron doesn't want to change Heaven or save anybody-- he wants to destroy the world, same as he always has-- and there's no way that he'd ever trust Aziraphale to carry that out when Aziraphale is who stopped the first round. Heaven will never admit they did wrong by Crowley-- to do so would be to collapse the system because then every demon would want to appeal their own status and demand justice and the Heaven/Hell regime would fall, in the sense that their little supernatural empire would crumble. The Metatron would never allow that and Aziraphale realizes in this moment for sure that he has been played for a sucker.

It's still possible that, at this moment, Aziraphale might still believe that this being who has tempted him with the possibility of the justice he wants for Crowley more than Crowley actually wants for himself-- and with false reassurances that he and Crowley could be together forever-- actually is The Metatron. Or, Aziraphale might be starting to get the sense of what's actually happening but, either way, he now knows that he's been fooled. He knows now that while he and Crowley both got some things wrong (suggesting they run off and proposing suddenly were not great moves on Crowley's part)... about this bit anyway? About being in danger if he believes the being who came to the door? Crowley was right.

So, Aziraphale has a choice: does he go to Crowley or does he get in the elevator, knowing now that to do so is to go to a form of death?

He can't face Crowley. He knows Crowley would forgive him and just wants him to be safe but, in the moment, Aziraphale is too ashamed and too embarrassed to admit that he was fooled and to deal with how awfully he just behaved. He's also exhausted from being hounded by the weight of his halo and Heaven for thousands of years. Negative thought cycles in overdrive-- he's never truly believed that he deserves Crowley and he has convinced himself that maybe Crowley might be better off without him. Maybe they just don't get a happy ending and maybe Aziraphale is so tired and can't run and hide anymore and just wants it to end.

Imagine spending thousands of years in service of an organization that also doubles as family and who abused you and abandoned you and who now wants to kill you... and you so hoped that change was possible that you clung to the idea beyond a point of reason-- to the point of hurting the one you love, with whom you have the only real love you've ever known. And you know he'd forgive you in a heartbeat because he loves you and he just wants you to be safe but you can't face him because you can't yet face yourself... that's Aziraphale deciding between Crowley and the elevator.

Aziraphale can barely glance over at Crowley and when, he does, it's also The Bentley he's looking at because he's telling the car to play Crowley their song. Crowley said "no nightingales" but Aziraphale says, in response: "A Nightingale Sang in Berkeley Square." His last moment on Earth and he uses it to basically leave a suicide note for Crowley that says nothing but I'm sorry. I love you.

Their song plays when Crowley starts the engine of The Bentley, which calls back to the first time they met in the Before the Beginning scene that began the season and showed how they started the engine of the universe together.

Aziraphale might be trying to warn Crowley about Armageddon by sending an "engine trouble"-type of message or he might be calling back to when they first met or, as I suspect, he might be doing both but the show, at least, is referencing Before the Beginning here with this, whether or not Aziraphale intentionally is.

So, Aziraphale? He makes his choice. He gets into the elevator...

...and he swallows the fireball. Which we can see him do here:

Or, as this was foreshadowed in S1 by the being whose own fall and subsequent arrival at the bookshop door set all the events in this season into motion:

(The eerieness of the fake grin on Gabriel after seeing how it foreshadows S2 ending with Aziraphale's mad grin...)

Because, when all is said and done, this poor bastard really would have a death-by-swallowing-something story over here, wouldn't he? Can they just hurry up and destroy the Heaven/Hell system so Aziraphale can have food and sex in peace already, please? 😄

Aziraphale knew he'd been played and he didn't want to go through whatever came next. He didn't want to reach the top floor of Heaven because he knows that only forms of death await him there. They'll take his memories. They'll cast him to Hell. Being a demon is no picnic and Aziraphale has seen that in being with Crowley for so long. Satan is not exactly the biggest fan of Aziraphale and Aziraphale, better than most, knows what Satan is capable of. He doesn't want any part of that. He ingested a suicide pill to avoid being captured by the enemy.

Crowley gave him the pill because angels are not immune to hellfire. That's what made it a suicide capsule, right? It was supposed to kill him within seconds. It was supposed to be quick and relatively painless-- a way to escape the horrors that might await him. Even when Aziraphale is at his worst-- as Aziraphale was in their last scene in bookshop-- he is still a pure-of-heart, lovely being to Crowley because Crowley loves Aziraphale as he is-- imperfect. Just enough of a bastard to be worth knowing. It never occurred to Crowley that the capsule might fail. Why? Because Aziraphale is, always and forever, his angel.

Both Crowley and Aziraphale thought the fireball should have protected Aziraphale from pain and suffering by killing him almost instantly once he ingested it.

By that measure, Aziraphale should have burst into flames in the elevator, seconds after he swallowed the pill just after stepping inside.

But he did not.

We watch as the seconds start to tick by... and we see the realization play out on Aziraphale's face as each second that passes is another one where he's still here...

...the look gets more and more unhinged as the elevator keeps climbing until we get the slightly mad dark grin as the last shot of him before a fade to a deathly black... with Aziraphale having spent the final splitscreen since he got into the elevator on the other side of Crowley, symbolizing what's happened.

In the elevator scene, we are watching the dawning realization play out on Aziraphale's face as the fireball doesn't work and there's only one reason why it wouldn't-- because he's no longer an angel.

Aziraphale has been sauntering vaguely downward for the season and maybe for awhile before then. He's been letting the darkness in, more and more, throughout all of S2. We have been watching his fall happen. The 'falling from a great height into a pit of boiling sulphur' part of falling? Ceremonial. An aftermath of sorts-- an additional punishment. It awaits Aziraphale when he gets off the elevator in Heaven but it's something we likely don't really need to see and never have seen in the show yet because that's not actually the main point of a fall. By the time you're literally falling from a great height, you've actually already fallen.

Aziraphale's determined-- but also just really half-mad-- final grim smile in the elevator over his understanding of what's happened is both the pain of thousands of years of religious trauma and abuse-related misery and a bit of completely unhinged I'm gonna burn this place to the fucking ground fury.

Aziraphale swallowing the capsule also parallels Gabriel having to "consume" The Fly to open it. The Fly went through Gabriel's eye and allowed him to "see"-- it give him realization and understanding by returning his memories to him. For Aziraphale, he swallows the fireball and it also gives him a kind of sight-- realization and understanding of what's happened and what's to come... all of this also in the moments before his memories (and, so, his sense of self/his life) will likely be taken from him.

(For a time-- he'll be fine eventually. *mantras* South Downs Cottage, South Downs Cottage...)

"And from his mouth go burning lamps and sparks of fire leap out." The Job quote on the matchbox. The matchbox contained the fly-- it's the equivalent to the ball bearing containing hellfire. Works now on several different levels but one of them then is: And from his mouth (Crowley's mouth/the kiss/the fireball/Aziraphale swallowing the fireball)...

...go burning lamps (the light that goes out in the bookshop when Aziraphale is in the elevator)...

...and sparks of fire leap out. Several meanings:

Literal sparks-- in that Aziraphale can now spit hellfire, like how Crowley did in his body in Heaven in S1.

Sparks of fire leaping out, in the sense that Aziraphale has made the leap-- he is a demon now.

Lastly, though... sparks of fire leap out... as in, Hell (and Heaven) hath no fury like this very, very, very pissed off Angel of the Eastern Gate whose whole thing is freeing those imprisoned by corrupt systems...

Visually paralleling the elevator with a grey wall behind him and light/darkness alternately striping Aziraphale is the 'Aziraphale and God' scene in 1.03, setting up its sister elevator scene in 2.06, where Aziraphale realizes that he has been tempted by Satan and has fallen. (Ironically, a realization about having fallen that happens while going Up in an elevator.)

God: "Aziraphale. (dryly) Angel of the Eastern Gate. Where is the flaming sword I gave you, Aziraphale?"

Aziraphale, unintentionally foreshadowing the fuck out of the plot:

"...must have put it down here somewhere."

Yeah. 😉 Give 'em hell, Aziraphale.

Bonuses:

The awning of a new age/Dawning of a New Age joke. An understanding/a daybreak that begins a new era...

"Oh, listen, I think it's about to happen-- the 'awning' of a new age." Yes, indeed, Crowley. A dawning of a new age was imminent...

...and, finally, if you substitute 'Aziraphale' for his parallel of 'Job' in these sentences, Bildaddy summarized the season endgame quite nicely in 2.02:

#ineffable husbands #good omens #good omens meta #crowley #aziraphale #good omens 2 #good omens theory #aziracrow #good omens speculation #good omens clues #good omens analysis #good omens parallels #long post but worth it #tw suicide #tw depression

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lyv-writes · 1 day

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OKAYY WE NEED DAD!SPENCER REID‼️

okay so Reader is going out for the day for like a little girls day with her best friends and says bye to Spencer and the cute little toddler! Buttt then the toddler starts missing reader and Spencer isn’t sure how to handle it at first, but then he gets the hang of it! <33

AAAA this is so cute omg thank u for this!!! i hope i was able to do it justice <33

spencer reid x mom!reader

words: 1,395

warnings: none really! just spencer being a good step-dad to your daughter, fluff, baby crying, that’s it!! :]

୭ 🧷 ✧ ˚. ᵎᵎ 🎀

“Thanks again, Spence,” you say, pressing another sweet kiss to his lips before tugging your coat off the hook and making for the front door. “Remember, Lila is allergic to kiwi. And her bedtime is 8, no exceptions. She has to go to daycare tomorrow morning.”

You had spent the morning holding Lila, playing with her and soaking up her laughter as much as you could. Spencer knew you had never really been apart from her—going to work was one thing, but there was a guilt that came with taking the day for yourself. He watches with a fond smile as you ramble through the list that you had already repeated to him twice and does his best to reassure you, nodding along despite having already memorized it.

Pre-made food in the fridge.

Medical information on the fridge in case of emergencies.

Call if she gets too fussy.

“Oh!” You say, halfway out the door before turning back to Spencer, a smile gracing your face. “And don’t let her convince you to give her sweets after dinner. She’ll ask you for fruit snacks, all cute, then she won’t sleep and it will be hell in the morning.”

“No fruit snacks after dinner, got it,” Spencer said, following your line of sight to Lila sitting on her plush rug in the living room, toys surrounding her as she played. Your face softened, affection swimming in your eyes and he could practically hear the thoughts going through your head. Tucking a strand of hair behind your ear, he gently guides your face back to meet his eyes.

“We’ll be fine,” he says, tone soft as your shoulders sag at the understanding behind his words. “You deserve to have a day with your friends. I think Lila can handle playing dolls with me for a few hours.”

His phrasing made you giggle, picturing Lila’s pouting face, wagging her little finger at Spencer when he takes something too literally, or doesn’t do it the way she wants. For some reason, Lila is never happy with the voices Spencer does, and after a year-and-a-half she still gets that same little pinched brow whenever Spencer holds a doll in his hand, high-pitched voice mimicking a princess’s until she yanks the toy out of his hand with a firm, yet cute, “No, ‘Penth.”

Without fail, hearing his name in her little voice makes his heart soar, pride filling his chest even if she’s scolding him, wagging her little finger as she says it. He’d always been hesitant at the idea of being a father, whenever he pictured his future that was always a blurry part, but now he couldn’t imagine not having you and Lila in his life.

Searching his face, you finally come to the conclusion that he’s being sincere and a bright smile covers your face. Spencer had come to terms a long time ago, far before the two of you were even dating, that he would do anything to make you smile. A sense of pride wells in his chest knowing that the smiles you give him are just for him, a special glint in your eyes every time.

Between work, and Lila, there was hardly any downtime to just relax. Your evenings were often spent wrangling Lila into bed, usually with Spencer if he’s not away for work. Spencer made it a point to be home in time to have dinner with both of you as much as he could, slowly getting involved in her night time routine. She was 6-months-old when you and Spencer began dating, and while it took some getting used to at first, Lila began reaching for Spencer with a giggle and a giddy squeeze soon enough.

When your friends suggested a girl’s spa-day, Spencer was quick to encourage you to go. Having a toddler made it hard to have a social life, especially when your friends weren’t moms themselves. Lila had warmed up quickly to Spencer, which was the biggest relief, and it was hard to find a reason to say no when Spencer offered to babysit.

“She’s gonna be my daughter,” Spencer said, a fond smile on his face as the two of you spoke conspiratorially in the kitchen. “I already think of her as mine, I’d be happy to watch her for the day.”

Your heart swelled hearing his words, and you couldn’t help but say yes when he put it like that. Spencer, you, and Lila being your own happy little family was all you could ever ask for, and it meant more than Spencer could ever know that he had been so welcoming and understanding. He was a dream.

With a final glance at Lila and a sigh, you’re pressing another unhurried kiss to Spencer’s lips, that same lil dazed smile on his face that he got after every kiss, even after nearly 2 years. “Thank you, Spence. I love you.”

“I love you too,” he replies, pressing another sweet kiss to your lips, then your cheek, then your forehead—you were gonna be gone all day, he had to get his fill while he could. “Now go before you miss your appointment.”

With a final kiss, Spencer watches as you walk down the front steps, drive away, waiting until he can't see your car anymore before he’s turning around and closing the door behind him. When he looks up, Lila is already looking at him, eyes glancing between the door and him before her small voice is heard over the cartoon playing on the tv.

“Mama?”

“Mama went to the store,” Spencer cooed, lowering himself down to sit on the floor in front of her and her array of toys. “She’s coming back, don’t worry.”

“Mama s’ore?” she whispered in her small voice, her wide eyes blinking slowly at him before her lip began to tremble. It broke his heart to see her eyes, which looked so much like yours, gloss over with tears.

“Oh, honey, it’s okay,” Spencer said, scooping her up in his arms. “She’s coming back for you. She’ll be here soon!”

With a sharp wail for her mom, the tears that had been welling up began falling in big drops, hands gripping tightly to the fabric of his shirt as she cried. Hurriedly, he began to bounce her in his arms, mimicking the way he had seen you do it countless times. He’s shushing her in a soft voice, whispering soothing words in the hopes that they’ll at least calm your crying.

Spencer wracks his brain, trying to sift through the information he had gleaned from the parenting books he had been reading for the past two years—he had started as soon as he came to the conclusion he would ask you out. Would showing her pictures of you work? He didn’t want to make things worse by making her miss you more, but maybe seeing your face would soothe her.

Transferring Lila to one hip, he fishes his phone from his pocket and opens the album of your photos, showing her various selfies, focusing on pictures he has of the two of you. After a couple of minutes her sobs quieted to sniffles and soon enough she was swiping through the pictures herself and giggling every time she saw your face.

With her swiping, it landed on a video, one he had taken of you reading a story to her before bed. At the time he had thought the voices you were using for the characters were so funny, hiding his own laughter behind his hand so that he could capture the sound of Lila’s giggles.

Spencer watches as she giggles along with herself, laughing at the way she reacts when you tickle her tummy. Spencer cant help the fond laugh the slips from his lips at the sight, bright grin tugging at his cheeks at your rosy smile.

When you arrive home that evening, only the kitchen light is on downstairs, the faint light from your bedroom guiding you as you softly push open the door. A warm smile paints your face as you slip your phone from your pocket, taking quite a few pictures of Lila, fast asleep atop Spencer’s chest, her favorite book lying next to his relaxed hand. His soft breaths rustle the hair at Lila’s scalp, her hand loosely gripping the edge of his sleeve as she sleeps.

Tip-toeing around the room, you shed your clothes from the day, slip on some pajamas before placing Spencer’s book on the nightstand. Slipping softly under the covers, you curl yourself around Spencer’s side, hand resting on Lila’s back as you fall asleep, comfortable with the people you love the most.

#theres a lot of firsts in this for me #but dad!spencer is so cute and sweet #thank you for this request!!!#my writing #spencer reid x reader #spencer reid fluff #dad!spencer reid #spencer reid x mom!reader #criminal minds #lyv answers!

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winterrrnight · 18 hours

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rafe loves to hear you talk and talk about things you are so passionate about… <3 a rafe x reader blurb <3 cw: reader is chatty and rambl-y and is insecure about it, in this scenario reader is extremely passionate about japanese legends, lovesick rafe + casually dominant rafe, intentional lower case <3 just something for me to post after a small break as I work on other projects <3 for @zyafics who is one of the biggest reasons I am feeling motivated to write again <3

“oh here’s another one I read about yesterday!” you say excitedly as rafe squeezes your intertwined hands, smiling at you.

“mhm go on,” he smiles as you both continue to walk on the sidewalk, the full moon shining bright down at the two of you.

“this one is about the red thread of fate, this thread connects two soulmates,” you smile at him. he looks at you with his eyebrows slightly raised.

“connects two soulmates?” he echoes, and you nod.

“yeah,” you say. “it’s said there is a man who lives on the moon who comes to earth to show people their futures and who they’ll end up with. he does that with the help of the red thread of fate. he ties this invisible red thread between the two people who are meant to be together. this thread can tangle over the huge distance between the two people, it can stretch, but it will never ever break, and it will always tighten to bring those two people together.

“it also talks about the existence of a red pencil which can trace this invisible red thread, and this pencil gets shorter with its usage.

“oh and, this thread is always tied between the pinkies of the two people. that is because it was discovered a long time ago that our heart is connected to our pinky finger by an artery, which is now called the ‘ulnar artery’. this artery carries oxygenated blood from our heart to our pinky. so, in a way, our heart is directly linked to our pinkies via this artery, so when we make a pinky promise, we are basically connecting our hearts while making the promise. and that is why the invisible red thread of fate is also connecting our pinkies, because it is basically connecting the hearts of the soulmates, and–”

you take a look to your left at rafe, who’s looking down at the sidewalk as you both walk. you got so absorbed in talking you don’t even know if he is still listening or if he has tuned you out. honestly, who can blame him? since you keep on talking too much, anyone would quickly tune you out.

“oh god i’m doing it again aren’t i?” you say nervously as you stop in your tracks on the sidewalk, causing rafe to stop too. he eyes you with furrowed brows and creases on his forehead.

the actual truth is, rafe was thinking about tying a red thread to your pinkies when you both get home, his mind racing on where he can actually find some red thread in his house.

“doing what?” rafe asks softly.

“the, the ramble thing, where i just talk and talk till my mouth falls off,” you sigh, looking down. “I do that way too much, i don’t even know if you want to hear it or not but I just start speaking with no seeming end to my talk whatsoever, and you have to force yourself to listen to it because you got stuck being my boyfriend. and then i just keep on talking without thinking, it’s like my mouth has a mind of its own, I really should start to think–”

you are immediately cut off with rafe’s lips on yours, your eyes widening as you try to adjust to what is happening. rafe’s free hand comes to rest on your cheek to pull you even closer into the kiss, and your eyes flutter shut, letting you get lost in the feeling of him.

rafe gently pulls apart from the kiss, his eyes barely open as he gazes down at you.

“listen to me…” he says softly. “you don’t talk too much. I love hearing you talk. I love the cute expressions you make when you talk about things you are passionate about. I love how much knowledge you have about them and how you want to share it with me. I love the shine in your eyes when you start to talk, and the shine is even brighter under the moonlight. never ever apologize for talking too much because I won’t hear it, and you’ll only end up getting kissed by me each time. you get it?”

you look up in rafe’s eyes with a stunned expression. for the first ever time, you are at a loss of words, and all you can do is nod.

he smiles softly at you, as his thumb caresses your cheek. “words, baby, you hear me?” he says softly.

“yeah…” you let out. “I hear you,”

“good,” he mumbles. “never apologize again, okay?”

“okay,” you whisper.

he presses a soft kiss to your forehead and tugs on your hand gently, both of you now walking again. “come on, continue what you were saying,” he says, urging you to continue about the legend you were talking about.

you nod as you clear your throat before resuming to tell him more, this time not allowing even a single thought to let you stop as the stream of words spills from your lips, and rafe only listens in awe, loving hearing what it is you have to tell him.

#hi hi here's a new blurb :)#hope you all like!! <3 #rafe cameron #rafe cameron x reader #rafe cameron x you #rafe cameron outer banks #rafe cameron imagine #rafe cameron fanfic #rafe cameron fanfiction #rafe cameron fic #rafe cameron fluff #rafe cameron oneshot #rafe cameron x y/n #rafe cameron blurb #rafe cameron concept #rafe cameron prompt #rafe cameron drabble #written by edith! 🪄

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shankss-magnificent-ass · 2 days

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Imagine having deep discussions with the Whitebeard pirates

Ace: Have you ever wondered why the world government opposes people so far away from them, doing what we do?

Marco: [mutters] I wish you would just stop saying odd shit.

Whitebeard: well we're breaking the law, obviously.

You: It's a little deeper than that. It's because what many pirates do, is the same thing the world government does.

Marco: We are not similar in any way.

You: no, think about it, what does the world government do? They lay out a bunch of rules and if you don't follow them, they use violence to force most of the world into following them. And if a nation elects not to join the world government, or can't afford to join, they raid and pillage those islands and take their citizens as slaves.

Izou: On the other hand, if a nation does join the world government, they have to pay heavenly tributes, because if they don't, the Marines will raid and pillage your country. But if they pay the heavenly tributes, the marines will protect their nation from outsiders, like pirates and non-world-government-nations.

Whitebeard: However, on top of paying the heavenly tribute, the average person also pays local and national taxes, so it's a heavy burden for some countries.

Marco: Oh my gods, it's like a protection racket, that common thugs run, just on a massive scale.

Whitebeard: and, like many pirates.

You: they don't like pirates, for the same reason they don't like common thugs, because you all are muscling in on their turf.

Thatch: so most governments are just organized, and socially acceptable, thuggery.

You: Not all, look at Alabasta for instance, King Cobra has a lot of social programs for his people. Food programs and affordable housing for the poor. Medical programs that put a doctor in every village and a bunch of other stuff. The people should receive something back from their government besides 'protection'.

Ace: I know a lot of nations that are in the world government have a large lower class that they exploit labor from and bleed them dry with taxes, tolls, and fines. I can never forget what I saw at the Grey Terminal out of the Goa Kingdom's Great Gate.

Thatch: That's because in "normal society" they value wealth, and look down on and take advantage of people who don't have it. Meanwhile, in pirate culture, we value strength and look down on and take advantage of those who are weaker, like how we raid other crew's ships because we can, and they can't stop us.

Izou: [sighs] That's an oversimplification If I ever heard one.

Thatch: [steps into Izou's space bubble.] You got something to say to me?

Izou: I've been to both world-government nations and non-world-government nations, and I can tell you that they value both strength and wealth. It's just different classes value one over the other. The upper and more privileged class values wealth, and daintiness because they can hire the strong. While the less privileged value strength, because it helps them survive, because they don't have money.

Thatch: I know that, did you forget I grew up poor as shit, mister little daimyo's vassal-boy.

Izou: And I was a wandering beggar minstrel before that, also keep Oden's name out of your mouth.

Thatch: how about you fucking make me?

Marco: [hops between the two men and dramatically claps his hands together like a clapperboard.] Aaand scene, that was a brilliant performance, gentlemen.

Ace: it was almost hard to tell that you two are actually friends.

Thatch: [huffs] Alright, I'll take it back, I'm sorry Izou.

Izou: I'm sorry too

You: you all are too fighty.

Ace: bitch, you're the most stab happy out of all of us.

You: I am not

Whitebeard: Just last night, you stabbed Vista's hand with a fork because he kept reaching over your plate.

You: ... I did do that, but only after asking him to stop three times. Which is more than reasonable, he's a grown-ass adult, and he, and his fuck ass mustache, should know basic table etiquette by now.

Ace: and then you stabbed me for no reason, with the same fork!

You: that was for good measure, just in case you got any ideas!

List of Up-and-coming works || Master list || Twitter| Kofi || Patreon

#one piece #one piece x reader #one piece imagine #one piece scenario #whitebeard pirates #whitebeard #portgas d ace #fire fist ace #marco #marco the phoenix #marco the pineapple #izou #thatch #from the depths of the dragon's hoard #tma original #4/22/24 #no beta we die like men

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atlabeth · 1 day

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dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.1k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake.

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point.

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel.

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there.

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always.

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour.

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.”

“Great,” Prentiss mutters. “How bad is it?”

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.”

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.”

“Our guy probably isn’t trained in anything, then,” Rossi says.

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes.

“Maybe he thinks he’s doing them a favor,” Reid says.

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.”

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs.

JJ sighs. “I’ll draft something on the jet and make some calls when we land.”

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.”

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file.

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene.

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house.

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt.

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control.

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics.

They’ll find whoever did this. That’s what gets him through it.

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything.

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect.

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.”

“What has he been charged for?”

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs.

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind.

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive.

“Remember,” Prentiss says as they come to a stop together, “be nice.”

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh.

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising.

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock.

You don’t live in St. Louis. And your last name certainly isn’t Hartford.

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.”

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?”

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?”

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says.

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…”

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house.

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all.

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub.

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?”

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.”

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?”

He nods. “I had a change of heart.”

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.”

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.”

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.”

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him.

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things:

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be.

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school.

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts.

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says.

You glower at him, but you stay silent.

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.”

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.”

“Ask away,” you say. “Doesn’t mean I’ll answer.”

“Lucas Hartford,” Prentiss starts. “He’s your brother?”

You nod. “He lives with me.”

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away.

“Why is that?” Hotch asks.

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too.

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going.

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.”

“What about your parents?” she asks. “Surely they’re a better option than this.”

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?”

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you.

“Really?”

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him.

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her.

And he didn’t even know when she died.

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad.

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”

“I’m sorry for your loss,” Prentiss says.

You nod your thanks, the notion a bit numb.

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.”

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.”

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even.

“I take it this was as much of a surprise for you as it is for me.”

Hotch nods. “We came here looking for your brother.”

“Does your team know about our history?” you ask simply.

“No.”

“Do you want them to?”

“...No.”

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.”

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.”

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you.

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.”

“Pass that along to your brother, too,” Hotch says.

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.”

Prentiss nods. “Thank you again. Have a good day, and stay safe.”

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door.

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again.

“Garcia?” Prentiss asks after she picks up.

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?”

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.”

“On it,” Garcia says. “I’ll call you back when I’m done.”

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret.

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.”

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case—

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.

You’ve changed a lot. So has he.

And now your brother is a murder suspect, and you could be covering up for him.

That’s the only thing that should be on his mind.

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.”

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!”

Mia draws out a mirthless laugh. “You are not accusing me of this.”

“I don’t have anyone else to accuse!” Cleo shouts.

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief.

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you.

“You have no idea how happy I am to see you,” you breathe.

“What’s going on in there?” Aaron asks, amused.

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss.

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.”

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.”

“You keep saying things like that, and I might not mind,” Aaron muses.

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once.

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck.

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on.

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity.

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs.

Falling in love with Aaron Hotchner has been the easiest thing in the world.

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air.

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

You had sky-high aspirations when you were younger.

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it.

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing.

All you’ve ever wanted to do is help people.

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong.

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you.

Because god— what are the odds?

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother?

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years.

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time.

If the cops want to invade your privacy even further, they can get a goddamn warrant.

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you.

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.”

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties.

You wonder what he sees when he looks at you.

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?”

“Not one for small talk,” you remark.

“I never have been.”

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.”

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now.

You suppose one has to be like that, to try and get anywhere with the types of criminals they face.

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.”

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.”

“And home is?”

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.”

“We prefer to get our information from the source,” he says.

“Sources can lie.”

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.”

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.”

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up.

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had.

You swallow the memory. It still tastes as sour as the day it happened.

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”

“None of those sound like questions,” you say.

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly.

“I don’t know,” you admit.

“You don’t know,” he repeats.

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.”

“And you’re telling me you haven’t questioned it.”

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.”

Aaron’s eyes sharpen. “What did you say to him?”

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.”

“You didn’t tell him—”

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?”

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse.

“Good,” he nods. “You could be putting lives in danger if you do—including yours.”

“Please,” you scoff. “He won’t hurt me. He never has.”

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.”

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?”

“That’s an awful lot of faith to put in someone who hasn’t earned it.”

“I’ve gotten good at that over the years,” you reply.

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly.

“And you’re wrong, by the way.”

“About what?” he asks. Again, unshaken.

“I don’t have a law degree,” you say. “I dropped out.”

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you.

“Why? You were only a year out. You had stellar grades.”

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.”

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.”

“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least.

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.”

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.”

You huff a mirthless laugh. “Excellent profiling.”

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.”

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron.

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?”

“You know th—”

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.”

The room feels a lot colder all of a sudden. “Sure.”

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file.

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking.

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.”

“The profile—”

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.”

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.”

“I suppose we’ll find out,” he says evenly.

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this.

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right.

You have to be right.

The room feels even colder.

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do.

You wonder the kind of things they’ve come up with about you and him.

Morgan whistles when Hotch walks out of the interrogation room.

“She does not like you.”

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie.

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.”

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands.

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor.

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.”

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.”

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him.

And Hotch knows your past is your business—he just can’t believe you never told him.

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things.

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.”

“Other fathers to take his place,” Morgan realizes, and he nods again.

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.”

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.”

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.”

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation.

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.”

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego.

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.”

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.”

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside.

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch…

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore.

Hotch doesn’t get why a side of his brain still thinks this way about you.

“They sent a new one in,” you say.

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual.

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off.

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.”

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation.

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time.

Time doesn’t always heal all wounds, he thinks.

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks.

“The more we learn, the more I suspect him,” Morgan says.

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet.

But for your sake, he hopes his gut feeling is wrong.

Spring has finally sprung in DC, and you couldn’t be happier.

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once.

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron.

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard.

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you.

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round.

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed.

Aaron says your name, and you hum.

“Are you listening?” he asks.

“Of course,” you say.

“Your eyes are closed.”

“I don’t need my eyes to listen,” you say wryly. “What’s up?”

You feel him tense for a moment, feel him adjust his position slightly.

“I got a call from Haley,” he says carefully.

Your eyes open and you frown.

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate.

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.”

“...Okay,” you say slowly. “Do you want to see her?”

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask.

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.”

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?”

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.”

You chew on the inside of your cheek, trying to think as you look at Aaron.

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction.

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up.

“Go for it,” you finally say.

He frowns, like he was expecting the worst. “Really?”

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.”

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you.

“Thank you,” he says.

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.”

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder.

“I love you,” he says. It feels more like a reminder than anything.

You entangle your fingers together and press a kiss to the back of his hand.

Sometimes you need reminders.

“I love you too.”

“Four more bodies,” Prentiss mutters. “God.”

“You can say that again,” Morgan murmurs.

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third.

No one expected this to happen so soon.

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt.

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work.

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation.

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved.

He sees Jack in every single one. He can’t help it.

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press.

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount.

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.”

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.”

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.”

“You think he’s devolving,” he says, catching on.

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.”

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight.

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city.

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information.

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.”

“What are they?” Hotch asks.

“He was on the road all night when the third happened,” Reid says.

“And how do we know?” Prentiss asks.

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.”

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.”

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.”

“What about a second unsub?” Morgan suggests.

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.”

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?”

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.”

“Maybe we’ll figure something out in questioning,” Reid says hopefully.

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.”

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.

“And?” Hotch asks.

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.”

Hotch frowns. You?

“You’re sure?” he asks.

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.”

“And you’re sure about that, too?” Hotch asks again.

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.”

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.”

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up.

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.”

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.”

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.”

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.”

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.”

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.”

“He’s trying to get back at his dad,” Prentiss says. “We know that.”

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.”

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.”

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.”

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says.

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods.

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him.

“His next crime will probably be his last before he goes out himself,” Reid says.

“You think it’ll be a murder-suicide?” Morgan asks.

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.”

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him.

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him.

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?”

“The last victim,” she says as she starts following him. “The one person he never managed to save.”

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.

“What’s up, sugar?” she asks. “Got anymore leads?”

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—”

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.”

“What would I do without you?” he asks.

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.”

“Always,” he responds, and he hangs up.

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him.

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze.

“We’ve got an extra one for you,” Reid says, reading his mind.

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”

And he does.

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear.

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale.

A shiver runs through you, the weather only partly to blame.

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner.

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff.

Of course you have to deal with this now.

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down.

“You’re already packed.”

You shrug. “I’m nothing if not efficient.”

“I could’ve helped you with all this,” Aaron says, frowning.

“Why do you think it’s done already?” you ask.

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.”

“You didn’t have to do that,” he says.

“You know what they say about a clean break,” you intone.

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks.

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?”

His lips pull into a taut line. “I didn’t cheat on you.”

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.”

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit.

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk.

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—”

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him.

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?”

“That’s not what happened,” he says, but you’re already shaking your head.

You take the box from him and smile thinly.

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open.

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.”

“They haven’t been back, have they?”

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail.

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests.

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.”

He huffs, and you can practically hear him roll his eyes, but he stops.

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff.

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.”

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit.

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.”

“I agree with you,” he says.

“That’s it,” you muse.

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up.

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.”

“...Of course,” he says, and he takes it back. “Glad I could help.”

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.”

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?”

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.”

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to.

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.”

You roll your eyes. “I know I told you about him when I visited you while we were together.”

“I remember you telling me how he broke your heart,” Luke says.

“That’s not what I’m saying.”

“Then what are you saying?”

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.”

“What have they said about me?” he asks.

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…”

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.”

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.”

“Don’t worry,” he says. “I’m careful.”

“I doubt that,” you say wryly. “Still, though. I worry about you.”

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.”

“I worry about everything,” you say. “It’s my thing.”

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home.

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up.

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.”

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before.

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard.

Then, there’s nothing.

Hotch has been breaking every speeding law there is.

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at.

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims.

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger.

His hands tighten on the steering wheel.

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters.

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that.

It doesn’t matter that you have history. It doesn’t matter that you likely hate him.

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.

Aaron Hotchner is not going to let you die. It’s as simple as that.

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?”

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.”

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.”

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching.

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up.

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night.

And now…

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not.

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?”

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it.

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.”

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.”

“Thank you,” he says.

“Good luck, Hotch,” Garcia says softly.

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him.

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.”

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words.

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why.

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes.

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs.

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops.

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze.

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.”

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.”

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body.

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life.

And if there’s ever been a fucking time to be persuasive, it’s now.

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.”

He shakes his head. “I know you. You’d run.”

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?”

“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.”

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.”

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.”

“I’ve always believed in you,” you say.

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.”

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.”

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises.

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided.

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?”

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!”

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.”

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.”

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to.

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.”

“I wouldn’t dare,” you say weakly.

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget.

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out.

You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here.

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now.

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.”

“I didn’t,” you insist. “They’re profilers—they figure things out.”

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.”

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head.

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.”

“Put the gun down, Lucas,” Aaron says.

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats.

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.”

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.”

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.”

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?”

“Trust me,” Luke says. “I’m not losing her.”

He flicks the safety off and you flinch. He’s going to kill you.

“Put the gun down,” another agent warns.

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think.

“Really?” Luke chuckles. “You think you hold the cards here?”

“It’s okay,” Aaron says. “Go.”

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave.

“Wow,” Luke muses. “They really trust you.”

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.”

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?”

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.”

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.”

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.”

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.”

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.”

“No,” he whispers. “No—we can’t.”

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.”

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you.

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.”

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you.

And then it happens so quickly you barely process it.

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground.

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you.

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him.

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force.

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead.

The only part you had left of your family—gone, just like that, with four other families ruined in his wake.

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms.

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment.

“You were shot,” he says with your name. “We have to get you to a hospital.”

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers.

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron.

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!”

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours.

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete.

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.”

And as the world goes black around you for the second time, you see his lips form your name.

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die.

You wake up in the hospital alone.

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you.

The real surprise is that you wake up at all.

Lucas is dead.

He tried to kill you. You thought he succeeded.

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real.

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life.

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day.

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all.

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life.

And you can’t stop playing it all over in your mind.

He was going to kill you.

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU.

Had it not been for Aaron Hotchner.

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him.

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you.

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside.

“How long have you been here?” you ask, your brows furrowing ever so slightly.

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.”

“And how long have I been here?”

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.”

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask.

Aaron glances away. “You died on the table. They managed to bring you back, but…”

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.”

He shakes his head. “If anyone’s allowed to joke about this, it’s you.”

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?”

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start.

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.”

“It’s not a crime to want to see the best in people,” he says. “Especially your family.”

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.”

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!”

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.”

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—”

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same.

“And I just don’t know what to do,” you repeat, barely a whisper.

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life.

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.”

“Aaron,” you start shakily, but he continues.

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number.

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.”

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner.

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.”

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together.

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.”

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.”

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit.

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.”

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.”

Aaron shrugs. “I make time for the things I care about.”

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out.

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume.

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.”

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down.

“Okay.”

And he stays.

This time, he stays.

#i was truly possessed while writing this i can't understand it #i wrote 15k words in 5 days #aaron hotchner x reader #hotch x reader #criminal minds x reader #aaron hotchner x y/n #aaron hotchner fic #aaron hotchner angst #aaron hotchner imagine #sadie writes

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littlexdeaths · 2 days

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bye bye bye - e.m.

y2k eddie munson x girly reader

opposites attract masterlist

warnings: gareth is a dickhead, hope y’all like some cheesy fluff, eddie is a complete dork but we love him for it.

a/n: this is a repost of my first y2k eddie fic, with some much needed edits and additions. i will be working on editing and posting the rest of this series soon. i hope you enjoy 💕

word count: 1.5k

Today really hadn’t gone how you’d planned.

You had been hanging out with Eddie and his band mates, something you’d done quite often. Only this time you made the mistake of wearing your *NSYNC tour shirt.

It wasn’t a secret that you and Eddie had polar opposite tastes, it was apparent by just looking at you. You were all pink, bubblegum and boy bands. And your boyfriend was a leather clad, heavy metal enthusiast.

Despite these differences, you fit so well together.

And as they say— opposites attract.

But one of his friends was always more standoffish towards you because of it. While you were always nice to Gareth, he seemed annoyed anytime Eddie brought you around. But today that annoyance had seemingly reached its peak.

And all over a stupid t-shirt.

Eddie had gone to get you both a drink, leaving you in the living room with the three other males. They were discussing the newest Linkin Park album. Which oddly enough, was a band you actually enjoyed outside your normal realm of music.

You perked up at the mention of the album, as it had been the only thing Eddie had been playing since it was released. Feeling eager to see what they also thought of it.

“Oh come on man, you can't say Meteora is better than Hybrid Theory,” Jeff scoffs, shaking his head in response to Gareth’s admission as Eddie leaves the room.

The male rolls his eyes before tossing a piece of popcorn at Jeff’s head, “See that’s where you’re wrong dude, have you tried listening to the albums back to back?”

You take this as an opportunity to add in your two cents, trying to include yourself in the conversation despite your nerves.

“Well, personally I think both albums are great in their own—”

You are interrupted with a loud snort as Gareth rudely cuts you off, glancing down at your shirt before meeting your eyes.

“Why would we care about your opinion of it? All you listen to is boy band trash pop,” he sneers, rolling his eyes as he turns back to his friends.

It felt like someone had punched you in the gut, any other words became lodged in your throat. Jeff and Grant throw apologetic glances your way, but continue on with the conversation as if nothing had happened.

Eddie returns shortly after, completely oblivious to what had just transpired. He plops down next to you on the sofa and passes you a can of coke. Due to your solemn appearance, he knew something was wrong. He just didn’t know what.

A frown tugs at the corner of his mouth as he wraps an arm around your waist, tucking you into his side.

“Hey, you okay?” He asks softly, replying with a shrug of your shoulders.

You let your eyes fall to the open can of soda clutched in your fist. You didn’t want to talk about it, especially not in front of them. The last thing you wanted was to cause a scene, or to give Gareth the satisfaction of seeing you cry.

So you sat quietly through the next half hour, letting Eddie enjoy the time with his friends.

But he couldn’t seem to let it go, far too focused on what had caused this sudden shift in your mood. So he ended the hangout early, claiming to be too tired from work. But all of you knew the real reason, guilt filled your chest as he walked you out to his van.

They must think you’re a buzzkill too.

The questions started the moment the door shut behind him, badgering you the entire way back to your house. You easily dodged his line of questioning, claiming to be tired. But Eddie wasn’t having any of that, he could see right through you. He always could.

“Baby, come on. Talk to me please,” he pleaded as he followed you up the stairs to your bedroom.

You continued to ignore him as you sat on the bed with a sigh. You felt embarrassed, knowing such a silly comment shouldn’t bother you as much as it did. All you wanted was for his friends to like you, but it was made abundantly clear that they didn’t.

All because you favored pop music? It all felt so trivial, like they weren’t even willing to give you a real chance. It hurt your feelings more than you cared to admit.

But Eddie being the sweet, doting boyfriend that he was— wasn’t giving up that easily.

“Just tell me what happened, sweetheart.” He says, kneeling in front of you, palms resting on either side of your thighs.

“It’s stupid,” you mutter, avoiding his curious gaze.

“Nothing that upset you this much is stupid,” he counters as you let out a groan, dramatically falling back onto the mattress and covering your face.

You hear his exasperated sigh, feeling the weight of his chest against yours as he leans over you. Eddie carefully removes your hands from your face, looking down at you expectantly.

“Your friends don’t like me,” you utter softly.

He frowns, confusion settling on his features.

“Why do you say that?”

You sigh, rolling your eyes which causes his frown to deepen.

“Well, just look at me…” you trail off, gesturing to yourself. “And look at you.”

It’s his turn to sigh now, taking your hands as he guides you back into a sitting position. Eddie cups your cheeks in between his palms, leaning forward to press a kiss to your forehead.

“I know what you’re insinuating, but I promise that’s the furthest thing from the truth.” He reassures you, his dark eyes utterly sincere.

And as much as you want to believe him, there’s still a small part of you that wonders if maybe they are right. Maybe you’re too different. He must be able to read the apprehension lingering on your features, as one of determination crosses over his.

“I don’t know what they said to make you think that,” he pauses to press a kiss to the tip of your nose. “But I won’t hesitate to kick some ass, sweetheart.”

Despite the teasing lithe in his voice you know he’s serious, quickly shaking your head. The last thing you’d want is to cause more beef with his friends.

“It’s fine, Eds, I’m just too sensitive.” You give him a quick peck on the lips, “Let’s just drop it, yeah?”

You pull away to scoot further up the mattress, patting the spot beside you. But he shakes his head, remaining on the floor for a moment. His eyes dart contemplatively around the room, stopping on the shelf that held your extension CD collection.

A Cheshire-like grin tugs at his lips as he moves towards it, balancing on the balls of his feet. Your brows knit together in confusion as his ringed fingers graze over the plastic spines, stopping once he finds what he was looking for. Eddie pops the disc out of its case and into the clunky boombox before pressing play.

The beginning chords of Bye Bye Bye fill the once quiet space of your bedroom. Your boyfriend quickly jumps to his feet, spinning around to face you. He plants his feet on the carpet, head falling forward as his hands raise up in a marionette style.

Your eyes widen in realization as you crawl back towards the edge of your bed, suddenly intrigued. Eddie shoots a wink your way once he meets your gaze, beginning to sing along. His voice stood out amongst the others, the raspy quality brought a new edge to the track.

But he didn’t stop there.

You watched in amazement as he nailed all the choreography from the music video. You had no idea when he found the time to study all the moves. Between classes, work, hellfire and band practice he barely had time to think.

But knowing he took the time to do this, specifically for you— made your stomach flutter.

You can’t stop the smile from lighting up your features, giggling as your boyfriend continues to serenade you.

“I don’t want to be your fool, in this game for two…”

Eddie drops to his knees at your feet again, coaxing you onto the floor with him. He presses feather light kisses all over your face, the sensation causes you to giggle more. As hurt as you had been, the male always knew how to make you forget your problems.

At least for a little while.

“That’s my girl,” he mumbled, grinning down at you.

He’s a little out of breath from his impromptu dance routine, bangs lightly sticking to his forehead.

“You’re an absolute dork, Ed,” you giggle, ruffling his curls in a playful manner.

But the way he’s looking at you has your heart racing. His head dips, capturing your lips in a gentle kiss as the song comes to an end.

“Now, admit it,” he chuckles against your mouth, nudging his nose with yours. “I’m a much better dancer than that Dustin Timberlake.”

You laugh loudly, fondly shaking your head at him.

“It’s Justin, baby…”

#the freak writes 🫧#eddie munson x fem!reader #eddie munson x fem!reader fluff #eddie munson fluff #eddie munson blurb #eddie munson x reader #eddie munson one shot #eddie munson x y/n #eddie munson x female reader #y2k!eddie munson #y2k!eddie munson x girly reader #eddie munson x girly reader #my series: opposites attract 🫧#early 2000s!eddie munson #eddie munson fanfic #eddie munson x you

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mysteryshoptls · 2 days

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SR Jamil Viper - Luxe Couture Vignette

"If I let this opportunity pass me by"

[Fairest City – Crystal Galleria]

Jamil: So, this is the "world's most beautiful plaza", the luxury shopping arcade Crystal Galleria.

Jamil: It's no wonder that the passage is lined with high-brand shops.

Ace: Woah! I totally dig those clothes in that shop's window! I'ma check 'em out.

Jamil: Hey, Ace! Ah man, I'll go and bring him back.

[Grim, Vil, and Azul look exasperated]

Shop Staff A: Welcome～!

Ace: Woooah! There's a ton of cool-lookin' clothes and accessories! This's so awesome!

Jamil: Hey… Don't just run off on your own. Come on, we're heading back to Vil-senpai.

Ace: It's just a little peek～ I saw somethin' I liked. Like see, like this T-shirt…

Ace: …Urk, it costs 100,000 Madol [1,000 Thaumarks]! That's waaay too expensive for me!

Jamil: That price is fairly standard for a high-brand shop… Hm?

Jamil: This stitching… It's pretty shoddy. Looks like they're using pretty low-quality cotton, too.

Jamil: Strangely, this doesn't look like the sort of thing that would be sold at this price.

Ace: Huh? Aren't T-shirts all made of the same stuff?

Jamil: Sure. But high-brand T-shirts are generally made with high-quality cotton.

Jamil: Better quality cotton is soft and have a nice feel to it.

Jamil: Not only does it not wrinkle easily, but when the cotton is made into T-shirts, it keeps its shape for longer and makes for a nice silhouette.

Jamil: The design of these other shirts isn’t too terrible… But the fabric quality is just too low.

Jamil: There's no way a shop selling at this level can have a store in the Crystal Galleria.

Jamil: Which means… They must have lowered the quality of their material after opening. Did they run into some kind of business issues?

Ace: Hey! That jacket's so rough-lookin' and cool! Excuse me, I'd like to try this on!

Shop Staff B: Ohh my, I'm sorry. I'm afraid that jacket cannot be tried on here.

Jamil: …

Ace: Huh? Really?

Shop Staff B: That's right. That is a really pricey jacket. If it is somehow dirtied or damaged, it would be on the customer to compensate the loss, wouldn't you say?

Jamil: …So essentially, he has to decide to buy it or not without trying it on?

Shop Staff B: Well, I guess that's right.

Jamil: …Would I be allowed to try these slacks on?

Shop Staff A: Unfortunately, that won't be possible either. Sorry.

Jamil: Ah, right. Thought as much.

Ace: C'mon. Isn't that a stupid rule?

Middle-aged Man: Oh nice, this is a pretty nice shop. The prices seem pretty reasonable, too.

Shop Staff B: Oh, what an important looking customer! Welcome～! Is there something in particular you're looking for?

Middle-aged Man: I'm wanting a jacket, see… Think you have something that'll suit me?

Shop Staff A: Well, if that's the case, how about this one? It's one of our most popular designs.

Shop Staff B: I'm sure it will be perfect for you. Please, try it on!

Ace: Wha―!? But when I asked earlier, they said it wasn't allowed to be tried on!!

Shop Staff A: Students like you can't possibly buy something like that, so there's no reason for you to try it on, is there?

Shop Staff B: Please go home before you start to disturb our other customers. We don't have the free time to be dealing with you two.

Ace: Huh...!?

Jamil: …Not only are their products low-quality, but so are the staff's customer service.

Jamil: There's no reason to stick around in a shop like this. Let's go meet up with Vil-senpai and the others.

[Fairest City – Crystal Galleria]

Ace: Wha was that all about, treatin' us like dirt just 'cause we're students!? That was terrible service. That pissed me off so much!

Ace: First they shoo us out, then they play all buddy-buddy up to the rich-lookin' guy.

Jamil: I bet that since they've been rubbing elbows with the rich and famous while working at that high-brand store…

Jamil: They've completely started to think that they've improved their own social standing.

Jamil: Thinking about those sorts of folks and getting upset about it is a waste of time. Just shake it off.

Jamil: Only the best brands, in both name and reputation, will flourish here at the Crystal Galleria.

Jamil: I can't tell if they had a change in management since opening, or if they've suffered business losses…

Jamil: But from what I saw, I can't imagine that place continuing to be suitable for this passage.

Jamil: Even if we do nothing, I'm sure they'll have no choice but to close down eventually.

Ace: It could ruin a brand's rep if they got kicked out of the Crystal Galleria. That'd feel sooo good to see, though!

―The next day

Jamil: I really can't relax at all while at Vil-senpai's side. I'll have to relax as much as I can during my personal free time here.

Jamil: Maybe I'll check out the café at the far end of the Crystal Galleria.

Jamil: Hm? This shop looks… I guess I can check it out.

Clerk: Welcome! Please feel free to look around.

Jamil: …This place is completely different than the one yesterday. Now, where's that outfit I saw in the window…?

Jamil: Ah, here it is. I thought it looked like a pretty nice jacket from outside, but the pockets and lining give off a more casual feel.

Jamil: This isn't something I see often. The material is good and the sewing and embroidery is delicately done…

Clerk: Would you like to try it on? Come this way.

Jamil: Thank you.

Jamil: Yeah, the size is good and it fits well. I think this color also actually goes well with the clothes I brought with me, too…

Jamil: …How much is this jacket?

Clerk: That would be 50,000 Madol [500 Thaumarks].

Jamil: I see. Would you allow me to think on it?

Clerk: Of course! And please take your time to look at our other items.

Jamil: A 50,000 Madol jacket… That's a bit of a steep price for me… Hmm…

Jamil: The fabric's quality, the design, and the superb stitching make this very high quality…

Jamil: If I think of those factors, even 50,000 Madol is fairly cheap. Also…

Jamil: I've found this in the Crystal Galleria, of all places. If I let this opportunity pass me by, there won't be another chance to buy something like this.

Jamil: …Excuse me. Could I purchase the jacket I tried on earlier?

Clerk: Absolutely. I'll go fetch a new one for you. Please wait a moment.

Jamil: Sure.

Jamil: …I was able to buy a sensible jacket from a reasonable shop here in the Crystal Galleria.

Jamil: Yeah. I'm definitely satisfied with this. And I'm sure this'll be a great memory.

[Fairest City – Queen's Palace]

Shop Staff A: KYAAA! VIL-SAMAAA! YOU'RE SO BEAUTIFUL!!

Shop Staff B: SO BEAUTIFUL! I JUST HAVE TO GET A PICTURE OF THAT STUNNING FACE!

Jamil: Hm? I think I saw those two screaming fans over there yesterday...

Shop Staff A: Oh, look! Do you think those guys walking alongside Vil-sama are models too? Should we ask for an autograph?

Shop Staff B: EXCUSE ME!! PLEASE GIVE US YOUR AUTOGRAPH!!

Jamil: …Hahah! You sure you want my autograph?

Shop Staff B: Absolutely! …Wait, huh? I feel like I've seen him before…

Shop Staff A: Wait! Isn't he that customer that we turned away yesterday…!?

Jamil: I'm honored that a mere student like myself would stir your recollections.

Shop Staff A: Wh-Who would have thought he'd be so famous to walk the tapis rouge…? And he looks so good in that outfit!

Shop Staff B: If we had sold clothing to those boys yesterday, it might've been such good publicity!!

Shop Staff A: H-Hey! Once you're finished here, would you care to come visit our shop once more?

Shop Staff B: We have a collection of garments that would look fabulous on you! Please allow us to design your new look!

Jamil: I have to decline. Your shop does not have any article of clothing that would suit me.

Jamil: After all, just as you said yesterday, there is no need to try anything on.

Shop Staff A/B: U-Uhhh… So when we said that yesterday, uh…

Jamil: If that is all, perhaps you should head home now? Not only are you bothering others around you…

Jamil: But I also do not have the free time to be dealing with you, either.

Requested by @ordinaryanon.

#twisted wonderland #twst #jamil viper #ace trappola #twst jamil #twst ace #twst translation #twst tapis rouge #mention: vil

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piratecaptainscaptainpirates · 3 days

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One of the things that still really frustrates me is how we know the crew of OFMD were so intentional with cutting off any "Ed is abusive!" allegations at the knees.

There are three things from Ed's kraken spiral that we know for a fact did not make it into the show. One of them (the scene of Ed throwing a knife at Izzy) even made it into the trailer before it was cut; the other two I'm thinking of are the bts footage we have of Ed drinking heavily the night he has his last fantasy of looking at the cake toppers and a still of Ed making the bride cake topper push around the groom.

I think all three of these things were very wise to cut and it's obvious why they did it. The drinking and throwing stuff ran the risk of making Ed look too much like his abusive dad (not to mention heavy drinking tied to abusive behavior runs into deeply uncomfortable stereotypes about indigenous men like Ed), and when all we see of Ed is him gently caressing the cake topper that reminds him of Stede, it reinforces a core aspect of Ed as a person, which is how he would never, ever hurt Stede and wants nothing but gentleness and tenderness for and from him.

And it's incredibly frustrating that these things weren't enough. We're shown over and over again that Ed during the kraken spiral, right up until his mutiny-as-a-suicide-attempt, is doing normal piracy (that's why Archie is here! The only characters who are emotionally affected are the ones who know what life was like on Stede's ship!), and the only person who is actually physically harmed is Izzy (for good reason in Ed's mind; he was the trigger for the whole thing and Ed lists him along with booze and drugs as destructive influences on his life). We even get other characters say things to Stede like "do you think Blackbeard is gonna murder you" and Stede, who explicitly knows Ed better than anyone, is always like "what the fuck are you talking about? Of course not," and he's obviously right.

It's just so disheartening that there can be this much intentionality in making sure it's next to impossible to read a man of color as abusive and it will still happen. White fandom has such a tendency to center itself and white characters that it doesn't even matter how much effort they put into taking the audience by the shoulders and saying "this guy isn't abusive, he's being an imperfect victim in response to being abused himself," up to and including having the white guy in question say on his deathbed "sorry for abusing you for years." And people still wonder why fans of color are sick and tired of this shit to the point where some of us just want to leave fandom altogether.

#ofmd #our flag means death

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ironunderstands · 17 hours

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Yapping about why I love Aventio and what I feel makes it a great ship

(If you hate it I urge you to read this, because you don’t have to agree with me, but I want you to get where Aventio shippers are coming from at least)

I’ve just really wanted to talk about why I love Aventio because the people do not get it like I do and GODDD ITS SO GOOD WHEN DONE CORRECTLY UGHHHHH

Also this is gonna be VERY stream of consciousness I do not have a plan besides dragging you through my brain so enjoy the ride.

I guess the best place to start is the fact that Aventurine and Ratio are my two favorite characters in the game. Like even if they have no interactions with each other ever and might as well be from different pieces of media I would ship them, because I like seeing characters I like interact and the fun police cannot catch me. That’s a really shallow personal reason though and I feel like the rest I have will be able to be appreciated by others.

GOD THE DYNAMIC IS SO GOOD RAAAAAA

Two emotional constipated dumbasses circling around each other like black holes trying desperately to deny and run from their feelings when they have both fallen hard. The lack of acknowledgement of feelings on both ends is TRAGIC and it makes me want to rip my eyes out in a good way, let’s start with Ratio.

Unfortunately my glorious king Ratio has been mischaracterized to hell and back but we will get to that (and the Incorrect Reasons Why People Hate Aventio) later. Instead I will go over his actual character; a deeply insecure, intelligent man who desperately wants the rest of the galaxy to come to the realizations he has long since stumbled upon, but has been so isolated from his peers from such a young age that he’s doomed to fail in literally every social interaction he has and be misunderstood by both the audience in universe and irl (the autistic coding isn’t helping him either).

Ratio is tragically misunderstood again, both in universe and by the audience, which is why it means so much that Aventurine Gets Him. Aventurine pushes his buttons, tears down that literal cold marble facade masking the deeply silly and caring man beneath (this man bathes with rubber duckies in the privacy of his own home 😭), and that scares the shit out of Ratio. People aren’t meant to see through him, Ratio acts rude not just because he believes it’s the best way to help people, and because he believes he himself is mundane and the conclusions they come to should be their own, not his.

No, it’s also because on some level Ratio is afraid to be vulnerable around people. As much as he pretends like it doesn’t affect him, Nous’s rejection has hurt and haunted Ratio for his entire life. And I do mean his entire life, even in high school he had already set up a strict routine for himself, something commented on by his teacher, Ratio has quite literally always been striving for some sort of perfection and the fact that he cannot achieve it kills him.

Moreover, the guy just grew up way too fast, he didn’t have time to develop social skills. We see it in that afformentioned relationship with his teacher, in which they recommend Ratio (who is again in high school) to be moved up to college level stuff and transferred due to his success. He has quite literally never been able to just relax in a environment of his peers, Ratio for some reason we don’t yet know has always been dedicated to constant improvement and that leaves no room for dealing with failure.

On some level, he knows this too, that he can never be perfect. Ratio is part of the Mundanites in the Intelligenica Guild for a reason, he doesn’t just see himself as mediocre because he believes everyone is and that’s ok, but also because he looks down on himself for being too mediocre for the Genius Society, being too mediocre for Nous’s acknowledgement, being too mediocre for anything.

Which is tragic because Ratio is very accomplished and he is very smart, and his character stories aren’t even told from his pov, but rather in the style of documentaries and letters (his professor) and other works on his well acclaimed life. We don’t ever get to see how Ratio really sees himself, just the tiny cracks in his marble facade that let the real man behind the character shine through.

Because that’s what he’s playing 90% of the time, a character. Whether it be at the Herta Space Station in which his real goal was to uproot the researchers blind worship of the Genius Society, or in Penacony in which he plays up the arrogant, narcissistic scholar both people in universe and irl make him out to be, both to serve a goal bigger than himself.

Sincere moments from Ratio are RARE but god are they beautiful, his conversation from Screwllum in 1.6 and his note to Aventurine in 2.1 will forever haunt me in the best way possible. If you want to understand Ratio as a character, yes read his character stories, but just watch that damn scene with Screwllum it is phenomenal. He cares so much and is so, so bad at expressing it, he drives me nuts, Veritas Ratio the man you are.

And the thing is, it seems like he’s always been playing a character and doesn’t know where the real him ends anymore so he just sticks to the way people perceive him a lot of the time. Like as a kid he was constantly striving to be the best so he missed a lot of necessary developmental shit, and as an adult he’s a celebrity so it’s hard for him to attach himself to others anyways because society and his students will hound him for it.

And then you throw Aventurine into the mix, and oh boy does shit get interesting.

Veritas Ratio, perfect “unfeeling” Veritas Ratio and the one person who gets him well enough to push all his buttons and expose the vulnerable underbelly he thought he hid so well. On a fundamental level, Ratio understands this, which is why he doesn’t bother with the alabaster head, as pretending the real him is just as unfeeling and uncaring is easier.

So he brushes off Aventurine’s jests as if they are an insult to his very existence, he can’t look in Aventurine’s eyes when he “betrays” him because his poker face would break, he leaves as soon as he’s done talking because lingering would allow the weight of their conversations to sink in. Part of it is because for pretty much all of Penacony, up until the note Ratio gives him, Ratio is acting, trying to play up the role of the arrogant, unfeeling scholar to make Sunday buy the betrayal plan, because to Sunday this behavior is signs of a bad relationship between the two (honestly the fact that the audience also interpreted it this way makes me mad like did yall seriously not pay attention, but also happy because if even the players were fooled that means Sunday buying it is believable).

However, even if it feeds into his insecurities, Aventurine knows that false facade and loves tearing it down. It’s very telling that the second time we see Ratio really freak out (the first being at Herta Space Station) is at the suggestion that he came to narrate Aventurine’s demo not because of knowledge or respect for the show or whatever, but because he genuinely likes the guy. What makes it even better is that Aventurine is the one who suggested it, and already figured out the excuses Ratio was going to use to deny it. Ratio can fool everyone else in the galaxy, but he cannot fool Aventurine, and on a fundamental level that is what makes their dynamic work, because Ratio knows Aventurine in the exact same way.

Aventurine can shove away people who care about him, out of distrust and fear that they will leave him like his family did. He can believe he’s unloveable and a person so detestable that even the actions he performs in order to stay alive condemn him to hate himself as much as the rest of the galaxy hates him. But, Ratio doesn’t see him that way.

Aventurine doubts his intelligence, if he has really earned anything he’s done and in his voiceline about Ratio, doubting if Ratio even sees him as smart or worthy. However, Ratios voiceline about Aventurine is about how he believes Aventurine is smart and worthy, and that his doubt will be his downfall if he doesn’t come to the realization that he isn’t worthless.

Ratio knows Aventurine’s one weakness, the one thing that could stop him; himself. That’s why he gives him the note urging him to stay alive and keep on living because ultimately Aventurine will only ever fail if he gives up. And The Note Is Enough, Aventurine walks into the event horizon of a black hole, confident he can return alive on the other side because someone cares about him, BECAUSE RATIO CARES ABOUT HIM, and wants him to live on even if Aventurine doesn’t feel that way towards himself.

In the metaphorical and literal manifestation of the meaningless of the universe, in the face of overwhelming nihility, Aventurine survives because someone loves him, and with that love he’s strong enough to brave even that.

Even if they can’t admit it out loud, these two deeply, deeply care for one another and trust each other perhaps more than anyone else in the narrative. The betrayal plan would have never worked if there was not mutual trust, Ratio wouldn’t have gone to Penacony in the first place if he didn’t trust Aventurine, and Aventurine wouldn’t have asked him to come if he did not trust him. We don’t just see this trust between Aventurine and Ratio either, and Jade and Topaz both trust him with their cornerstones, but ultimately it’s Ratio who’s physically with him the whole time, risking his life alongside him for the sake of their plan.

As much as people like to ignore it, lying to the Family members, to Sunday, is extremely dangerous and puts Ratio’s life in danger as much as it does Aventurine’s. Ratio is not an irrational person, he wouldn’t have done that if he didn’t have faith Aventurine would succeed, he would not have done if he didn’t think he would return. They have absolutely faith in one another and it’s beautiful.

Aventurine’s first constellation is named “Prisoner’s Dilemma” for a reason. A social experiment in which two prisoners are captured and separated, if they sell the other one out and remain silent, they go free but the other remains in jail for 20 years. If they both sell each other out, they get a sentence of 5 years.

But if they both remain silent, trust the other, they even if they physically can’t communicate and don’t know what the other says, they get the best possible outcome, only one year in jail each. It requires a sacrifice on both ends, they both still have to go to jail, but only for a year, and only if they trust each other completely, as if the other sells them out they will be in jail for 20.

The prisoners dilemma relies completely on trust, and it’s the exact situation Aventurine and Ratio face in the Penacony quests. Aventurines doubts if Ratio’s betrayal was real or not, even if he set it up himself, and Ratio worries about Aventurines survival, if continuing this plan will end well. “You can’t expect a featherless bird to take flight” isn’t just Ratio chastising Sunday, he’s genuinely worried that this plan will put Aventurine at too much of a disadvantage to continue on.

But they both trust each other, and if just like in the Dilemma neither come out completely unscathed (although it’s much worse on Aventurine’s end), they ultimately achieve their goal.

God is it sweet and corny in the best way possible

I want to kill this fandoms perception of stoic, emotionless Ratio because once people realize he’s actually the corniest mf ever is the day I sleep easy. He makes statues of himself doing Jojo poses, he plays chess versus himself, he named himself Veritas (truth), he loves rubber duckies, he literally sits in a bathtub couch, and Aventurine breaths and he gets flustered.

Ratio so deeply silly, chronically corny, it’s a crime he needs to be locked up someone stop him.

And Aven brings that out of him. His teasing reveals the goofball trying so desperately to disguise himself as a serious scholar. Ratio is very smart of course, but that only makes his silliness better, as you watch this absolute genius of a man behave like a tsundere schoolgirl.

It’s not like Aventurine is some paragon of seriousness either, he’s the one teasing Ratio, fucking around even in a serious mission. Yeah it’s partly because he wants Sunday to think he’s incompetent, but it’s also because Aventurine genuinely is having fun, enjoying himself before the serious part of the plan kicks in, and the meantime he does that by messing with Ratio.

Their dynamic of Aventurine messing with Ratio, and Ratio trying desperately to pretend like it doesn’t affect him is as hilarious and heartwarming as it is tragic, and that dichotomy is why I love them so much. It’s fun and it hurts so so much because their interactions being this flavor of silly leaves almost no room for the sincerity they both desperately need from one another.

AND GOD I NEED IT TO HAPPEN. RATIO MENTAL BREAKDOWN SCENE PLEAASEEE LET HIS WALLS CRUMBLE PLEEEEAASEE PLEASE PELADE PLEASEEEE EPLES DOLS AAAAAAAAAAAAAAA

They’ve gotten closer and closer and closer and soon something’s gonna snap because they are so close yet so distant and if something doesn’t change the tension is just gonna boil over AND I NEED IT TO HAPPEN. I need more Ratio scenes I need more interactions with him I need him with his guard down I need him to profess out loud that he cares about Aventurine I need him to break please he needs it, it would be so good for him. It doesn’t even have to be from Aventurine, just Ratio snapping and revealing the fucking mess he is under his facade and not being rejected by the people he cares about for it is enough.

I honestly doubt it will happen in the story though, as much as I want it to. Although Aventurine’s character demo somewhat changed my mind against this, I feel like hoyo is like “ok they get the vibe between these two we can move on” and the shippers are left to extrapolate how this relationship would go beyond what it is now. As much as I want a breakdown scene for Ratio in general, it probably wouldn’t happen in a while but devs if you are reading this PLEASEEEE.

The only time Ratio ever gets slightly out of his element is with Aventurine but I need it to go further because god it would be interesting.

Well I’ve deemed that enough yapping about why I love Aventio (for now 😈) so let’s talk about why people hate the ship and why most of the reasons behind it a fucking stupid. (Massive disclaimer of course you can dislike it it’s just a lot of the “oh it’s a horrible ship and anyone who likes it sucks” shit isn’t grounded in reality in the slightest and I’m tired of the slander)

“Ratio was racist to Aventurine”

Now this is a spicy one because if this post was made in 2.0 I would 100% agree with you (during that time I shipped a non canon version of them in which that did not happen because how dare u do my boy like that hoyo). However 2.1 changed a lot and I mean a lot, and basically reframed the 2.0 quests for everyone.

Essentially, Ratio and Aventurine were both acting in that argument scene, making the things Ratio said to Aventurine not how he really sees him, and actively something Aventurine wanted him to say, so you cannot blame him for what he said. I’m not even joking or exaggerating, retrospectively it quite literally does not make sense if you view it in any other way, and honestly even with just the knowledge of 2.0 the scene doesn’t make sense if played straight, so let’s get to why.

a) Ratio and Racism do not mix fundamentally. Ratio is a person who believes that everyone deserves and education regardless of background, that it is a scholars duty to help others achieve that, and no matter who you are, you are capable of intelligence, learning and becoming the best version of yourself, and that those qualities are just limited to geniuses.

THIS AND RACISM DO NOT MIX. “Oh yeah education and improvement is possible for everyone except this specific group of people for some fucking reason!!” Like not only would this scene being serious contradict Ratios entire character, the man who believes people should not be judged for their educational background judging Aventurine for his educational background (that’s actually what the Sigonian upbringing line meant, it was mistranslated in the EN version)??!?!! Make it make sense.

Moreover, half this perception also come from the fact that hoyo made the incredible writing decision of naming Aventurines planet after a slur for Romani people, so unfortunately literally anytime its name, Sigonia, is brought up you’re essentially saying a slur. It’s much worse in the CN version, in EN it’s not obvious at all, because our version of the slur (it starts with a g and ends with a y that’s all the hints you’re getting), doesn’t look like the version of the slur that the name for Sigonia was derived from, which is partly the source of this misconception as I’m pretty certain most people assumed Ratio (and by extension Sparkle) said a slur elsewhere in the conversation when in reality them referring to Avens ethnicity/background/planet IS the slur.

Anyways terrible writing decisions aside, Ratio supposedly being racist doesn’t just contradict his core motivation, it contradicts his job. He’s a scholar, for fucks sake, and racism is inherently illogical. Mmm yes I’m gonna base my identity around finding truth for myself and I will believe government and social propaganda about specific groups of people! Very logical, very scholarly, we all clapped.

So yeah, doesn’t make sense on a character level, to the point that in 2.0 I concluded that they must be using Ratio as a plot device in that scene to deliver some of Aven’s backstory to the audience due to how OOC it was for him 😭. However I wasn’t necessarily wrong, Ratio was delivering some of Aventurines backstory to AN audience (not just us), and he was behaving OOC in the 2.0 scene, but it was on purpose.

b) The betrayal plan

Aventurine forms a plan in which him and Ratio pretend to betray one another in order to sneak the Aventurine cornerstone into the dreamscape by replacing it with the Topaz stone (red herring + black hole scene dialogue implies she and Jade are there for other reasons) and the Jade stone (perfect dupe).

Now this betrayal hinges on Sunday, their main antagonist buying it, actually believing that Ratio would betray Aventurine on a mission as important as Penacony, and it requires Sunday also buying that he is winning the whole time, that the loss of the cornerstones was somehow a fumble on Aventurine’s end rather than something he planned all along.

So, they stage the 2.0 conversation. Ratio yells at Aventurine for losing the cornerstones, something which was part of their plan the whole time. He then insults Aventurine’s background allowing Aventurine to reveal key details of his past that Sunday would not have learned otherwise, which he uses in the trial against Aventurine. Seriously, Aventurine only found out he was the last Avgin when he became a Stoneheart, do y’all think Sunday summoned that info with his mind or something during the trial (like do you guys genuinely think Sunday read his wiki or something)

Moreover, Ratio not only insults him, but portrays Aventurine as useless, disposable to the IPC because he is apparently already sentenced to death. Why does he do this? Well, so Sunday feels confident enough to do the same to Aventurine. Seriously, sentencing an IPC member, especially a high ranking one to death is a risky move, even for someone as convicted as Sunday, he would need the confidence to do so and learning Aven might already die would give him that ability.

Because well, it doesn’t matter that much if he’s already going to get disposed of in the near future. I also think the IPC plans to use Aventurine’s “death” as leverage against the family because they were pleased to hear of his death sentence according to Dr. Ratio, meaning a) he likely did not have one from them at the time, although in the past he was sentenced to death and b) even if Aventurine succeeded in getting the cornerstone his seeming loss in the rest of the conversation wasn’t actually a loss at all, getting sentenced to death/“dying” at the very least was part of the plan all along as the IPC could still use it as leverage if things went south.

Continually, Ratio treating Aventurine in the exact same sh1tty way the rest of the galaxy does perfectly slots him into the arrogant, uncaring scholar role, which Sunday knows are some of the most easily manipulated people in the galaxy, considering he tries to bribe Ratio with knowledge about Stellarons it seems he bought this idea hook line and sinker. Sunday isn’t even subtle about it either “I heard you and your companion haven’t been getting along lately” where did he hear that from? Ratio didn’t tell him, and even though we know Sunday was 100% watching the two of them on their little adventure pre-meeting him (the bird and hound statues) that scene hasn’t happened yet so where did he get that from?

Some other interesting proof for it is that the Final Victor lightcone likely depicts Aventurine trying to convince Ratio of this plan of his, the events of which must occur pre-Penacony for several reasons, the least of which being that we just never see it happen on Penacony which if you think it did we would see it. Moreover lightcones are canonically condensed memories and the Final Victor lightcone released in 2.0, meaning it’s the memory of something that happened before then.

All signs point to the 2.0 scene, the one people use to paint Aventio as toxic being staged. And I have so much more evidence for this, (Ratio would never agree to go without a plan, Aven clearly formed his pre-Penaocny, so much of the plan like Ratio opening the cornerstone box, which he can’t do up until the betrayal as it’s in Sundays possession, rely on him arriving knowing how to do so, the time discrepancies, the complete 180 in personality Ratio would have to do to go from distrusting Aventurine to putting his whole faith in him, etc), but I will reupload one of my old slideshows to elaborate more on it. Basically the one thing that people use to say it’s toxic is not true and is in fact a greater show of the trust between those two.

“The shippers are all weird and racist”

Now this one actually has some truth to it because yes there are some incredibly fucking weird Aventio shippers and I do not blame yall for disliking them.

HOWEVER, most Aventio shippers are normal and hate that shit just as much as you guys do. Like do you realize most shippers also really like these characters and have something insane called morals so they don’t automatically excuse racist fujoshi goobers just because they are making content for their favorite ship. Trust me someone doing that pisses me (and most other Aventio shippers) off significantly more than people who hate the ship. Also free Ratio from this shit man poor guy is getting mischaracterized as a slaveowner by his fans and haters 😭

And like guys, have you ever been in a fandom before, like ever? Weirdos are always gonna be weird and it’s not Aventio’s fault they are this months victims. For a fun little example of how gross other fanbases can be, one of the most popular Overwatch ships on ao3 is Genji Shimada X Hanzo Shimada WHO ARE BLOOD RELATED BROTHERS. THERES LIKE 300+ FICS OF IT, SHIMADACEST IS LITERALLY A TAG ON THERE. I WAS IN THE TRENCHES SEARCHING FOR GENJI HANZO ANGST FICS (Hanzo killed Genji it’s complicated doomed siblings will always get me) AND HAVING TO COMB THROUGH THOSE ABOMINATIONS IN THE PROCESS.

Like please I’m relatively new to fandom culture but yall cannot be acting like this is weird for fans to do, it’s weirdo behavior but it is not unique to the HSR fandom or even Aventio. And even if understandably this makes you not like the ship, don’t paint the people who enjoy it as being the people who do this kinda sh1t. It’s not our fault peak gets tainted by miserable creatures ok, let normal ppl have their harmless fun and stop lumping people together into a monolith.

?????

Well that’s it that’s all the “valid” reasons people have for hating Aventio, at least the ones I can remember. Everything else is just personal opinion and not at all an objective reason.

“They’re so sibling coded!”

Anyways again obviously you can still dislike it not everything is for everyone, I really just wanted to make this post to demonstrate why I and many others like it, and why the reasons people use to say it’s problematic are incorrect. Feel free to call it mid, block it whatever I don’t care, just don’t harass shippers for having some harmless fun, because the characters aren’t real but the people who like them are and in doing so you are really just being a jerk for no reason. If you somehow hate Aventio and read this the whole way through I congratulate you on your ability to actually listen to other people, and regardless of whether you changed your mind or not I respect you for doing so anyways. Thanks for reading and I would love to hear your thoughts.

#Hsr #honkai star rail #dr ratio #aventurine #aventio #raturine #ratiorine #golden ratio #tags for reach bc I need ppl to read this sorry #Also apologies to the Genji/Hanzo shippers for catching strays yall tend to mind your business and tag ur shit #So I can’t blame you that much for it even if I find it gross bc if I don’t wanna see it it’s very easy to not see it #I just wanted to give an example of how the hsr fandom is not unique in its weirdness #Ppl are horrible at tagging shit in this fandom #The next time I read an Aventio fic w surprise dubcon I’m gonna die #Anyways I hope you enjoyed reading bc this was sm fun to write #Aventio is peak we all cheered #aventurine hsr #dr ratio hsr

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russellsppttemplates · 7 hours

Note

More Dad!Lando, please! How about a colicky Fraiser, a frazzled yn and dad Lando to rh rescue?

Cw: mentions baby's colic, postpartum recovery from c-section

"It's okay, my love, you're okay, mummy is right here", you cooed as you changed Fraser's nappy, "nearly done and then you can feel better hopefully", you sighed, finishing it and rubbing the baby's tummy like you remembered the nurses teaching you how to do in the hospital.

You weren't even sure what time it was, having decided against staying in your bedroom and moving to the nursery so Lando could rest. Even though Fraser slept with you and not in the nursery, you still had all the furniture in there for once you made the transition and right now it was proving to be useful, even if it didn't have a clock anywhere in sight and the lack of sleep was catching up to you.

"I know it hurts, I'm sorry, my love, mummy's doing the best she can - good, good, let all of that wind out", you smiled a little before he started crying again, "Oh, baby, let's have a cuddle", you lowered your top, letting him feel your skin on his after you unbuttoned the top of his babygrow.

The cold bed next to Lando let him know you hadn't been in the bedroom for quite some time, making him stand up and look for you, heading to the nursery since Fraser wasn't in his cot either. The sight before him pulled on his heartstrings. First, because his wife and snuggling your baby, another little one you were blessed enough to bring to the world, and even if you didn't believe it sometimes, the way you looked mothering his children was his favourite - you were the best mummy for them. Second, however, it pulled on his heartstrings because it was noticeable how much it was taking a toll on you. You still looked beautiful - that would never be a question - but he couldn't help but notice the dropped shoulders, the way your movements were still slow and needing you to think before moving a certain way so it wouldn't hurt, and how frazzled you looked.

"Hey, you two", Lando cooed, getting your attention as you bounced the baby around, "would you like daddy's help?", he mused.

Your nod was all he needed to scoop the baby boy and settle him in your chest, rubbing his back as he seemed to nestle into his father's naked chest, "you're not a happy little guy, are you? Is your tummy giving you trouble, Fraser?", Lando cooed as the cries didn't quite settle.

"He was fussing so much and I didn't want to wake you, so we moved here", you explained the reason why you didn't stay in the bedroom as usual.

"You should've woken me up, love, but it's okay, I'm here now", Lando smiled, kissing your forehead softly, "maybe some massages will help? You can lay on mummy and daddy can rub your tummy", he suggested.

"I did them for a bit, but he looked like he needed some comforting too", you mumbled.

You sat on the big chair, shuffling the pillows to make yourself comfortable before Lando set Fraser on your torso, his head nestled over your boobs as his father undid the rest of his babygrow, his fingers starting to massage his belly and slowly working all that was bothering him out, "you like being in mummy's chest, don't you?", Lando smiled, "daddy likes it too, but you've all but stolen it from me these days - it's okay though", he attempted to break a smile on your tired features.

Soon enough, Fraser settled down, falling asleep on Lando's chest once he got him back to snuggle into it, swaying from side so side was you did the same, sandwiching you son between you per your husband's request, "no one is alone in this, darling", he said as he pulled you to hug his waist.

(Thank you for sending this in ✨️)

#lando norris blurb #inês writes blurbs #f1 blurb #f1 x reader

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bluewhitehues · 2 days

Text

I hate you not ♡

Choi Seungchol × f. reader

|Arranged marriage/ forced marriage |

Genre: Angst,fluff,sort of enemies to lovers.

Summary:Married against their will, seungcheol and y/n end up hating each other.

Part 1 | Part 2

Masterlist

After your shower, you wear your sweatshirt and shorts and go out towards the dining table where he's waiting for you. He was standing there leaning back on the counter. He comes forward when he sees you,giving you a little smile. He comes forward to pull the chair for you..you stop in your track looking at his smile cause this is the first time he's smiling at you.

"You're scaring me seungcheol." You say with eyes wide and round.

"Huh? Why? Because I pulled the chair for you?" He asks raising his eyebrows.

"That too but because you just smiled" you say looking & blinking up at him, eyes still round in surprise.

He narrows his eyes at you,"You are not gonna stop teasing me, are you?" He asks you notice his ears turning Red.

"I was dead serious, i got chills. You've never smiled at me ,last time I saw you smile was at the wedding,when you were forcefully smiling at the guests" You say finally sitting down.

He moves to arrange the dishes infront of you serving you, "Well yeah ..but I'm a human, I do smile ...I don't mean to scare you but you'll see it more often from now on " He says smiling again.

"Did you add anything in the food ?" You're half teasing him now but you're also half serious. You watch his eyes go comically wide "Oh my god, nooo ..why would you-" He shakes his head ,grabbing the chopsticks taking the food from each bowls and tasting it "see-" "nothings in there you can eat it." He says sitting down on his chair infront of you. You're trying to stifle your smile "okay okay sorry"

Well technically it isn't your fault. It's a very reasonable doubt. First he smiled at you, now he's giving you food to eat.

The idea of him being nice to you was too far fetched but him wanting to get rid of you, may be murder you, seems kind of right. Because let's be honest, he has always looked like he has a stick up his ass and whenever he talked it was venom. So your doubt is kind of reasonable.

There's spaghetti, spicy noodles, rice and chicken.

"What food do you like? "He asks you, trying to be casual "I wasn't sure so I just- got this" He says gesturing towards the food.

"This is fine I like rice in my meals , I like chicken too, seafood too, what about you ?" You ask back, glancing at him while eating the spaghetti.

"I like pretty much everything I love food..meat, rice, ramyeon everything.."

He says chewing on his food.

He initiates most of the conversations, it was quite awkward because you were not used to this.

"I always wanted to ask this but..did you have any girlfriend when our marriage was fixed? " You ask wiping your mouth with the napkin, looking at him for the answer.

"No I didn't..though I did think about bringing a fake one so I could break our marriage.."his lips twitch .."but I knew it wouldn't work, my father knows too much about me." He says shaking his head to the side.

"Ohh..I thought you had one that's why you hated me so much."

"Again I don't hate you..I never did,it's just I, i was angry i still am but I've got it now you shouldn't be the one on the receiving end of it ..i wasn't in the right mindset since our marriage was decided. You would know, you didn't like me too you were angry just as much, we almost didn't talk in the first month of our marriage..we avoided each other like plague" He chuckles.

"Well yeah I was in bad state too..it took so much for me to actually build some courage or even hope to actually talk to you , I didn't think you'd react so badly" You chuckle.."I just thought I'm trying so you'd open up to me too. But you were an asshole about it." You shrug.

"Okay say that as many times as you want until you feel better." He says in all seriousness nodding at you

"Daily..for two months atleast..i think I'll feel so much better" You say nodding back at him.

He closes his eyes with a sigh and opens them again "okay you can totally do that. I'm ok with it"

"Great then! Good night." You say getting up from the chair.

"Uhm ya good night ..sleep well." He says awkwardly smiling at you.

It's been a month since seungcheol is being nice to you. You're not as doubtful of him now. You've seen him, observed him enough to know that may be he really has changed, he really is showing his real side to you now, he has started to open up to you and he is making you feel comfortable around him now. You eat breakfast and dinner together these days ..sometimes he even texts you to ask if he could come and pick you up from the work. You wouldn't say you became friends totally but you're getting there with baby steps.

That weird look you saw in his eyes is still there when he smiles at you awfully softly when you say something funny or when you talk in general. You haven't been able to figure out what it is but you will confront him about it. The butterflies you feel whenever he gives you that smile are another topic you haven't been able to understand..don't you despise him? Why does he have those stupidly attractive and adorable dimples? why would you like his smile? You're weird seriously.

It's his brother's anniversary party today and you are supposed to go together. As a couple.

"Y/n" He knocks at your door "Are you ready?"

"Yeah coming just 2 minutes!!" You shout from inside.

When you come out and he sees you, his breath gets stuck..heart skips a beat or two and he's just standing there looking at you. You were fixing your hair, when you look up at him, he's just standing there like a statue his ears are somewhat red. And you would be lying if you say you didn't blush looking at him standing there all handsome and just staring at you. You never denied it, you know you've got a fine as hell husband.

"Let's go?" You ask him taking him out of his trance.

"Uh? Yes let's go." He says smiling you walk behind him towards the door when he turns around and says "You look good."

"Thank you, you're looking good yourself." You say While avoiding his eyes, hoping he wouldn't notice your natural blush along with the make up.

"Thank you." He says smiling.

You're wearing a sparkly glitter off shoulder gown with a slit on the one side of thigh. Hair long and deep berry coloured lips. Seungcheol is wearing a white button down with black pants.

He opens the car door for you and closes it after you sit.

Few minutes pass,you are on your way. Seungcheol is sitting beside you,you're in his fancy car, and Ofcourse he has his own chauffeur.

Seungcheol sighs glancing at you"I didn't want to go. My parents will be there." He says with a frown.

"It's ok we can come back early may be" you say giving him a reassuring smile.

"Yeah" He nods.

"Also stick closer to me even if you don't want it. So many people will be there, the photos might even get out in the press. I already don't like this." You blow out a breath shaking your head.

"Who said I don't want to stick closer to you ?" He asks raising his eyebrows at you.

"You do?" You ask.

"Aren't you my friend? I'd rather stay with you than have to talk with them." He shrugs.

"When did I agree to be your friend? I clearly remember me saying I'll think about it."

"I- ok then." He says nodding and looking out of the window. He's clearly sulking. His hands crossed over his chest, a pout on his face.

You let out a surprised chuckle,"Wait are you really sulking right now?" You ask trying to look at him.

He huffs,"No I'm not."

"Yeah? Say that while looking at me" You poke his shoulder with your index finger and he shrugs it off. He's still looking out of the window.

"Ok ok I was kidding. We are friends, you've proved it by now." You say smiling and he turns to you.

He narrows his eyes at you,"Thank you. You're so mean."

You raise your eyebrows at him"More than you?"

"No" He says in a small voice "but it was in past. I haven't been mean to you since the last month,have I?"

"No you haven't and I hope you continue that cheol."

His head snaps towards you at the speed of light, "cheol? Wait did you call me cheol?" He asks eyes big and a happy smile on his face.

You get flustered for a second, you didn't realise you said that ..so you say "decide one thing do you or do you not want me to be your friend? Friends call each other by nicknames"

"No no I want you to call me that ,you just took me by surprise." He quickly explains.

You get out of the car and he holds out his hand for you. You look up at him,he smiles softly at you. You fight off the blooming blush on your cheeks and take his hand. He holds you so gently. His hand is so warm,it makes you adjust your hand properly in his and hold it by your fingers. He smiles at you again. Helps you on the stairs.

You go inside the venue and notice there really are so many people.

"Let's just go and wish hyung and wish wife first then we can go early." He says in your ear. You nod at him, the blush won't leave your face.

"Hey hyung -Noona Happy Anniversary to you both." Seungcheol says smiling at them and hugging his brother. His brother gets so happy seeing seungcheol, that too he brought you with him. You also wish them.Seungcheol nudges you to hold the gift he has been holding in his hand,so you both could give it to them.

He again holds your hand. Guiding you towards an area where you could sit. Just then his old friends call him, they talk to him..you whisper in his ear,"I'll go sit there or else my heels would kill me" You say pointing at the drink and snacks counter where surpringly are very few people. "Ok stay there I'll be there in 5 minutes" He says nodding. stroking your hand with his thumb before letting it go. You go and sit there and order a mocktail. Cheol wants to go to you, he keeps glancing at you but his friends won't stop talking. Just when he was glancing at you he notices a man standing few feets away from you staring at you, cheol follows his eyes going to your exposed leg and instantly feels his blood boil. He clenched his jaw, excusing himself from his friends. He goes straight to you blocking you from the man's view. Putting one of his hand on the counter and the other behind you on your chair,he's standing so close to you.

"Sorry I took so long didn't I? They won't stop talking" He says looking down at you.

You knew it was him,you smelled his cologne as soon as he was behind you. So you don't get startled. You look up at him when he talks to you. You notice him standing so close to you and raise your eyebrows at him. "Well it's ok"

He ignores your silent question and keeps looking at you, "what are you drinking?" He asks.

"Oh ..just a mocktail, I'm lightweight I can't handle alcohol" You give him a toothy grin looking up at him. And god he finds you adorably adorableeee. How can you be so fine and cute at the same time. He has this urge to pinch your cheeks, so he does,very lightly. Chuckling showing his own teeth on full display. Looking at you with that weird look again. "That's ok, I know a few more you'd like ..wait." Then he shifts his attention from you to the bartender, telling him a few names.

As much as you liked him standing next to you, "Aren't you going to sit down?" You ask him tilting your head.

"Oh yeah" He says pulling a chair close towards you and sits down.

You enjoy the drinks he ordered for you complementing him that it really is good. He smiles at you that stupidly attractive dimple smile.

"You want to get out of here?" He speaks in your ear so you could hear him over the music.

"Home?" You ask him with furrowed eyebrows. He shakes his head smiling at you "you'll know let's go" He says getting up. You get up and nearly trip. He instantly grips you by your elbow. "Hey careful.. you ok?" He asks worried. You notice the hook of your heel is undone,he follows your gaze and instantly gets on his knees to fix it for you. Your eyes nearly bulge out of their sockets. And the butterflies? They are tickling your tummy so bad and may be they are sitting on your cheeks too.

You didnt expect him to do that "Cheol you don't need to-" he cuts you off,getting up.

"It's ok, let's go" He smiles taking your hand in his again. God you're blushing and you notice a few people looking at you two.

Seungcheol sees his parents approaching and speeds up instantly. You sigh when you're out in the open air. "Till when you're not going to talk to them. Your mom looked so sad, you should atleast talk to her."

"I don't know y/n ..They need to understand I'm not a robot who's supposed to follow their orders. I've feelings too."

"Sorry I didn't mean to upset you"

"You didn't"

He takes you to a place where it's so peaceful, you can hear the crickets chirping, you hear the water flowing and the best part is the night sky filled with infinite stars. "Woah" you look up in awe. swirling yourself to capture the whole sky in your eyes.

"You like it?"

"Like? Cheol I love it" You say laughing and he thinks the stars you're holding in your eyes right now are even more precious and beautiful than the actual ones.

"I'm glad you love it".. "You're about to love it even more." He says giving you a mischievous smile.

You look at him confused your brows furrowed. He goes to the car taking a white bag from it and bringing it to you.

"When did you even get this?" You look at him eyes wide when he takes out the yummiest looking fried chicken and burgers. "I told hanbin to buy it" He says gesturing towards the car where the said chauffeur hanbin is.

You eat it while sitting on the bench.

You giggle looking at him "what?" He asks cheeks filled with the burger he's eating.

"You look like a four year old baby eating. Look you've got sauce and crumbs all over your lips." You say still giggling.

"Just say I look cute and go." He says narrowing his eyes at you. And he really does look so cute you almost coo.

"And you're no one to talk you've got sauce on your lips too" He says grabbing a tissue and wiping it gently on the side of your lips. You pause eating. Why's he doing this to you?? first he held your hands, then he fixed your heels, he brought you at such a beautiful place and now this. And how can you forget he brought his jacket from the car because he noticed you getting cold, the butterflies, the heartbeats everything has been a mess for you. And him? He seems so casual about it like it's the most normal thing to do, making you feel like you're only overthinking.

You reach home, and your thoughts won't let you be in peace so you hold his sleeves from behind stopping him. He turns towards you,"hmm?" His thoughts were filled with you too, thinking how you'd now go in your room and he can't be close to you, how tomorrow is too long to see you again.

You can't pull him towards you so you step towards him, tightening your hold on his sleeves. "I've questions for you." You say looking him in the eye. And his eyes go a little wide but he's quick to mask it. "Okay..go ahead."

"Why do you look at me like that?"

"Huh?"

"You have been looking at me like that alot these days..are you hiding something from me? " You ask him further.

In one swift motion he removes your hand from his sleeves and envelops it in his own.

"Do you still not trust me?"

"I'm not saying that, I'm asking why are you looking at me like that ..the way look at me it changed..you have been acting so weird since last month and i didnt actually buy it completely when you said you started acting nice to me because i didnt eat dinner and breakfast ..i mean come on that doesnt make that much sense ..look at you holding my hand right now, and do you want me to say every little thing you did today?"

"Will you say anything or am I just crazy?"

You notice his cheeks turning Red.

"You're gonna make me say it, Aren't you?" He whispers.

"Make you say what?" Your own voice not above a whisper as he's looking at you like that

He steps closer to you, hand still holding yours. "Promise me you won't get angry at me or won't forget this past month we spent together?." He says worrying his lower lip between his teeth.

You have not seen him this nervous before."Depends on what you're going to say cheol ..but ok I'll try..what is it" You ask tilting your head at him, for some reason you're nervous too. You liked this past month so much,you don't want to ruin your progress.

"I-" He takes a long breath with closed eyes and then again matches your gaze. "What if I told you I actually like you?"

Your heart starts speeding at his words, "That's something I never thought would be an option ..but do you?" You ask tentatively, your eyebrows furrowed.

"I do" He says tightening his hold on your hand. "I like you y/n."

You keep looking up at him, opening and closing your mouth again not knowing what to say, your brain is covered by fog suddenly.

"Please say something..I'm kind of dying here" He says holding your hand as if you'll go away from him any second.

"Since when?" You ask

"From last two months, since I admitted it to myself. But i think i started to like you even before that,unknowingly. " He tells you, his eyes vulnerable.

" Are you right now saying that was you liking me? Really? I don't understand two months back you were far from liking me" You look at him confused.

His cheeks get warmer again with the embarrassment,"I know I'm sorry that was me being an idiot you know me by now..i- I purposely tried to push you away because I didn't want to give my parents the satisfaction that I did end up liking the girl they chose for me against my will." He says squeezing his eyes shut in embarrassment.

"Huh" You huff in disbelief.."Are you saying you made me suffer, let me think of myself as a fool , just because you were in denial and you didn't want to like me?? You idiottt" You say trying to free your hand from his hold and hitting his chest with the other one. "You idiot of a man you idiot" You say hitting him again and again.

"I know..I know I'm sorry ..I'm sorry,just one last time I swear I won't give you any reason to complain again, just one last time ..I'm not an idiot anymore I swear, I'd rather hurt myself than hurt you again ." He doesn't leave your hand(you stop trying after few attempts) and let's you hit him as much as you want, until you stop and your hand drops by your side.

You look up at him with your own vulnerable eyes, they're glossy and seungcheol curses himself all over again.

Your eyes going from his one eye to another and then you're lurching forward to hug him.. You bury yourself in his neck/shoulder, hands looping around his waist, clutching his shirt in a tight hold. You close your eyes, trying to calm yourself and just dissolve in his arms. On the other hand he thinks his heart stopped beating for a second when you hugged him because he didn't expect that, he thought you'll be mad at him again. But soon he holds you to himself again pulling you closer. Burying his face in your hair, taking a deep breath,finally letting out a sigh. He feels like he'll cry any second. He has never felt such intense emotions for anyone before. You do something to him which he can't quite explain. "I'm sorry." He says in a quite whisper,as if it'll break your bubble if he even let's out a loud breath.

You notice the crack in his voice and say,"shut up ..I hate you." Your own voice a whisper too as you breath in his scent,clutching the fiber of his shirt even more tightly.

"Mhm It's ok..I'll take that too" He says smiling to himself. Pressing his lips on your hair,kissing there a few times.

It's like both of you don't want let each other go because you just keep standing there hugging each other.

You think it's been 10 minutes.

"I like this but my feet are starting to hurt." You mumble in his shoulder. He opens his eyes to look down at you, you pull back to look at him too.

"Oh ..you're still wearing your heels." He says looking down, you both are blushing, your cheeks tell it all.

"Sit here" He says, guiding you to the couch with your hand.

He gets down on his knees for the second time today. Carefully taking your leg on his knee and undoing the hooks of your heels one by one..his soft light touch sends goosebumps on your skin. "Oh..you're whipped for me ..Mr. Choi, who would've thought" You say with a teasing smile. Inside you're a blushing mess but you won't leave a chance to tease him.

"And if I am?" He says raising one of his eyebrow and he's smirking Ofcourse. Oh you're gone..cause there is no reason to find this so hot as you're finding it right now. And that brat doesn't stop at that, he squeezes your ankle in his hand pulling it towards himself. You shiver at his touch, and try to fight off the blush on your cheeks but fail so badly, so you just look away from him, avoiding his eyes. He smirks even more then let's out a chuckle.

He removes the other heel too. "You won't answer me?" He asks Standing up. "No" You reply. He chuckles again saying "ok tomato." "Wha-?What kind of a nickname is that?" You say looking up at him with a huff. "Because you look like one right now" He says poking your cheek with his index finger. Dimples blooming fully on his cheeks. "Yeah? Should've looked at yourself a few minutes ago" You say huffing, standing up. Brushing past him,he instantly catches your hand, "let me walk you to your room you're limping ..are you sure you're ok? Does it hurt bad?" He asks looking down at you worriedly. "It's ok it'll go away..just the side effect of wearing pretty heels." You say pouting at your feet.

"I can totally massage them ..or pick you up if you want." He says. You turn to him narrowing your eyes at him. "Just saying" He shrugs trying to stifle his smile. When you turn again going to turn the nob of your door. He pulls you a little making you look at him. "Are you going to come out again after changing? We could talk.." He says nibbling his lip. He just doesn't want to let you go. "Talk about what?" You ask softly, raising your brows at him. "Just..anything" He shrugs. "Ok I'll see." You say ..he let's you go with a sigh then whispering an "ok".

And you're no different you don't want to go as well. So you turn around calling him, "Seungcheol" This time you're the one catching his hand. "Hmm?" He turns around and you go forward, pulling his hand keeping it on your waist and holding both of his cheeks in your hands.. you stand up on your toes and press your lips on his. His eyes go wide, but he's quick to hold you. After a second of glitching he quickly holds your jaw with other hand and turns his head to the side to kiss you better. He walks you backward slowly,pressing you on the door. Your noses bumping with each other. He's kissing you so gently yet so intensely and you're trying to return it as much as possible. You pull back to catch your breaths.

"Guess you're whipped for me too Huh?" He says exhaling above your lips, wiping his thumb over your lower lip.."And if I am?" You say with a smirk repeating what he had said. You watch his eyes go from wide and round to dark and dangerous in a second before he groans and presses his lips on yours again, more harshly this time. "Mhm" You let out and press yourself further in his arms looping your hands in his neck, and his hair pulling and caressing the hair on his nape.

"A-are you- trying to kill me baby?" He asks in between the kiss,pulling back so you could hear him. "Shit - don't- call me that" You say between the sharp exhales to catch your breath. "Youh-you don't like it? " he asks furrowing his eyebrows, removing the hair strands from your face with his fingers and putting them behind your ear.

"Nah..I like it too much.. that's the problem." You say your eyes going from his eyes to his lips. He smiles, again those damn dimples. He chuckles and presses his lips on yours gently, you feel it tickle your lips. "Thank you for telling me that ..baby" He says,talking over your lips. You feel his smile growing. And looking at him that happy and smiley, you laugh too..pressing your giggles to his lips. "I'm not letting you go now..it's all your fault" He says pulling you to himself again kissing you properly.

A/N: so here's the part 2 ..sorry for being late but look it's so long and my hands just kept going 😭😭 they still want me to write more ..if you want that too then reblog/ comment. AND HOW IS IT PLEASE PLEASE TELL ME.❤️

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