#and he records all the different sounds

[carnivalcarriondiscarded]

something i've been thinking about:

Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like

first of all, thats an npc. second, nearly everybody else has severe main character syndrome

but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment

Wally, despite being described as Thee character, is borderline background.

& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue

I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?

but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.

of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.

in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend

#its just so fascinating #the whrp: wally's The Guy! #wally (with his friends): the most lukewarm dude ever #then he's alone or alone with home and its like Hi My Name Is Wally Darling & Welcome To Jackass *off-tune guitar riff* #bbg has ✨problems✨ #and like - im giving all of his stuff a re-listen to make sure im not misremembering or completely talking out of my ass #but his phone call? the way his VA is delivering the lines seems So fuckign different than in the shared audios #his tone is flatter. he sounds more sure of his words and himself. he Sounds like he's in control and knows it. #immediately going from that to a shared audio where he puts more inflection in his voice & doesnt talk much #and when he does talk its slow. meandering. his lines are more befitting of his audience surrogate role #which only makes me feel more like he's acting/masking (again: if that time discrepancy does indeed exist) #which - as someone who kinda compulsively masks around Literally Everyone no matter how much i want to Not - it kinda hits hard! #i suspect that he Is masking instead of acting. he's The Most Autism as we all know so it would more than fit #and that could add an extra layer if it's automatic and he can't turn it off. or if he doesn't want to turn it off #but also acting... a misplaced attempt to protect his friends and world? not feeling like he can share his 'true' self? augh #wally darling you make me unwell. i want to dissect you #wh speculation #welcome home speculation #homebogging #and then listening to his little record audios #he starts out talking like he does in the shared audios and then slowly gains confidence until he's speaking more like he does in the call #just. wally not being talkative in the neighborhood to the point where everyone's like 'yeah wally isnt much of a talker' #vs him chatting away to the qa/whrp/Us #of course it could be because he has to carry the entire conversation on his own #But. but. you can still carry a one sided conversation and be hesitant or awkward or um. missing the word rn but short-sentenced #brief? succinct? concise? #wally's fully trying to make conversation with someone he knows can't reply. which is interesting #so many ways to take that. well. three #maybe he doesnt feel listened to in his day to day life / he feels more comfortable and can relax / hes been alone for a long while #anyway there may be more ways to take this but this is all my tiny poppyseed brain can reach atm

[ride-a-dromedary]

Feeling some kind of way about this exchange between Rath and Kagha post if you expose Kagha working under the Shadow Druids and convince her out of it.

Kagha: I see it on your face. You hate me. And I don't blame you.

Rath: I do not hate you. I am ashamed at how far I let your machinations spread.

Rath: I was blind not to see it. Too trusting. A fool.

Kagha: Not a fool. A friend. Would that I'd realised it...

#BG3 Musing #Rath #Kagha #it really is interesting that how Rath and Halsin talk to her changes (sans the Halsin chewing her out scene) if she's redeemed #and the way *she* talks is different #it's *significantly* softer even as they indicate that mercy is not for them to bestow - that is for silvanus to decide #and she's very remorseful - she even suggests that first herself #her remorse does not change what she's done but how she speaks of the refugees post the reveal is **far** kinder #and more in line with someone you can see would have perhaps been halsin's second - rath's friend #which makes people's complaints of 'well how did they not see it' to be moot - because she *wasn't like that always* #*that's* how they didn't see it at first #you are not immune to propaganda and all that #again not to sound like a broken record but this narrative with the shadow druids really is a good metaphorical example #of how...easy it can be to pluck at threads strategically and work at pre-existing weaknesses and flaws and emotions #to get people to fall in line with radicalized thinking and dangerous pitfalls #anyway there's probably more intelligent things to say about this but rath and kagha were friends and that's all you need to know #also rath blaming himself for the failures of others...seems familiar wonder who he trained under? (halsin)

[wonder-worker]

"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."

-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty"

#historicwomendaily #elizabeth woodville #Elizabeth really had terrible in-laws #And these people weren't even the worst of them - that particular award goes to Richard of Gloucester #As complicated as her first widowhood sounds it was a breeze compared to the literal nightmare she went through during her second. #Honestly though: part me wonders what Elizabeth's first marriage was like because we know absolutely nothing about it. #The marriage itself is a blank slate but the fact that her husband's parents & siblings were so indifferent and uncooperative #to her - and their own kid-grandchildren?? - after he died indicates that his family may have been rather dysfunctional imo? #Certainly they (or most of them) don't seem to have cared about the wellbeing or dignity of his young and newly widowed wife which #doesn't exactly suggest closeness or support during the marriage itself from their end. #Elizabeth doesn't mention John Gray in her deathbed will either though she mentions Edward IV. She may have thought it was #'inappropriate' to mention her first husband beside her significantly higher-ranked second husband...but she DOES mention her son by #her first marriage - which would have drawn attention to it anyway - alongside her royal daughter so that's unlikely to have been a reason. #Maybe it was simply the passage of time? She and John had been married for very few years and she lived such a different life after that #So it's possible that her first marriage simply seemed very distant and faraway to her. #Alternatively it may have simply been undivided affection for Edward IV (her husband of 19 years who she married for love) #which fits well into the relatively personal nature of her will. #Of course we don't actually know anything about any of this and this is all pure wild speculation on my end...but I'm curious. #It's really a shame how little we actually know about Elizabeth's life - made worse by the very limited primary records of Edward IV's #reign and the fact that his chamber records don't survive. And it's even more frustrating that this is so rarely actually acknowledged #by historians. I'd argue we know far more about the life & interests of most other 'prominent' women of the Wars of the Roses #(sans the Neville sisters) than we do about Elizabeth Woodville.

[commsroom]

i love to think about the ways eiffel is willing/able to take up physical space for hera when she can’t. i think... with eiffel and hera and minkowski staying together post-canon, one thing that might start to really bother hera is that, like. she doesn’t have any stuff. she doesn’t even have herself to be there in the house, really, not physically. and unlike with the hephaestus, a house that is actually meant to be a home, a place that is designed for human life, is always full of reminders of the people who live there. so i want to think that she expresses this to eiffel and he starts picking up stuff he thinks she’ll like just to put it on the shelves and around the house, so it’s her house too. and she thinks it’s kind of silly at first because it’s not like she can really interact with most of it, but. then she sees all of her stuff mixed together with eiffel’s on the shelves and it’s like this constant reminder that she exists in the world, that she has an impact on it and a place in it. and that does make her feel a little better.

#wolf 359 #w359 #doug eiffel #hera wolf 359 #eiffera #when she finds some favorite albums he buys records #and she's like you know i can listen to this whenever i want to right you don't have to do that #but eiffel is an analog guy i think he's like. yeah well it sounds better on vinyl you'll see. er. hear. #and maybe she kinda agrees with him. a little bit #i think she'd like to have Stuff of her own even if she thinks the idea is a little silly at first #she likes used books specifically because she wants them to look worn and loved. it's not satisfying to have a brand new book #untouched on the shelf. #she likes sea shells and sand dollars and sea glass even though she knows it's just litter and various. maritime trinkets. #i want to say she likes kinda tacky painted statues you might find at a thrift shop because the idea is funny to me #like dragons and fairies and assorted mythical creatures #eiffel gets her flowers because well. no one's ever gotten her flowers before. #and okay. usual caveat that i'm not attaching all of my post-canon thoughts to this especially re: eiffel because that's for #a different type of post. #also yes minkowski would/could/should also get hera physical gifts. however #this is a post about eiffel and hera Having Their Stuff on a Shelf Together. okay? #... i promise i'm done talking about them. for now.

[hwiyoungies]

was listening to an interview fall out boy did for their new album, and one of the things they said really struck a chord with me, they were saying how they would never make an throwback album because it would just sound as dudes that now have swimming pools making a throwback album. and it made me think (because my brain inevitably always ends up there) about how much people were complaining about svt's new sound, about how they should do songs like adore u again, like boom boom again, like pretty u again. it made me think just how odd it would be for groups that are in a completely different points in their lives to go back to their initial sound just because some people want a throwback, when also a throwback varies so much for everyone because everyone tunes in at different times, like for me a fob throwback would literally be 15 years ago but for some it could just be 5. point is, i guess, that sometimes people are too caught up in the what it was, specially sound wise, that they would rather have a group sound stagnant and unoriginal rather than letting them rediscover their love for music and what they do and why do they do it

#if anyone reads this i'm giving you a forehead kiss #it was a very interesting interview to listen to even if i did not really like the host #another thing that they said that i appreciated a lot was that they were never trying to sound like they did in a sense #they were never trying to replicate whatever was it that it worked for their last record #but rather (at least patrick) was constantly thinking this one could be the last so might as well go all out #might as well try all these things that i might not get to try #and i understand that the genres and the industries are wildly different #but that's also something that i feel wz is trying to do as well #giving himself the space to explore and find things and be able to try new things #because he can and he wants #b.txt #i think. i could go on kinda forever with that point because for me it's so so interesting

[grinchwrapsupreme]

love listening to Callum Woodhouse, who has a northern accent, fight for his life to do an RP accent while surrounded by characters who speak with Yorkshire accents

#acgas 2020 #all creatures great and small #callum woodhouse #tristan farnon #he is doing great but learning he's doing an accent has explained some of his deliveries i will be honest #i think the writing in acgas has forced him to really lean into the RP in a way that's not natural for him #it's the calling jim 'old chap' and suchlike that's making it really come out #like sam west sounds incredibly natural doing his accent i think because its (as someone with a canadian ear) super close to his real accen #but callum's is different enough that immersing him in a yorkshire setting is making it... difficult #it was easier to get away with in the durrells #partly because he was a 'kid' with zero class and parly because he was surrounded by people with greek accents #i'm writing all this because i'm avoiding going and getting my laundry for the record i'm not actually that invested

[mori-no-majou]

‘nooo they can’t make an animated zelda movie! if they make a zelda movie it needs to be live action!’ biting you biting you biting you biting you biting you biting you BITING YOU BIT

#urusai majou #it's the videogame equivalent of 'lord of the rings would be better if it was more like game of thrones' #for the record though zelda is something I don't think could ever be adapted into a movie regardless of medium #and I'm saying that as someone who was genuinely charmed by the mario movie #I think the difference is that the mario games have a very consistent identity so like. there's a clear list of criteria there #just make it cute and colourful and not ashamed of what it is and you're golden #zelda on the other hand is a lot more personal. it's a story you're specifically supposed to insert yourself into #everyone has a different idea of who link is #it's telling that the internet can't even agree on whether or not link should have verbal dialogue. much less how he'd sound if he did #adapting it into a movie would naturally mean losing that in favour of one fixed canon version of link #which eiji aonuma has specifically said several times he doesn't want #so like. yeah somehow I'm not altogether sure there is anything to the rumours tbh #and as far as live action nintendo adaptations in general go. have you Looked at the art styles for any of these games #literally the only nintendo ips that wouldn't look straight up weird in live action are metroid and Maybe fire emblem #but again. only if it was shadow dragon or the tellius games #anything else and you'd run into the same issue of steamrolling players' choices with a fixed canon #uhg idk. ultimately it all boils down to the mentality currently floating around that live action movies are the zenith of art #and they're just. not #sometimes the ideal medium for a story is the one it was originally written in #and zelda is definitely one of those things tbh

[hide-your-bugs-away]

🎶✨️when u get this u have to put 5 songs u actually listen to, publish. Then, send this ask to 10 of your favorite followers (non-negotiable, positivity is cool)🎶✨️

thank you for the tag @unchaineddaisychain eeee yOU ARE THE COOLEST 🙏

You're Telling Me/Is There Anybody Out There? - Alan Price

Love Is For All Time - The Animals

I Believe To My Soul - The Animals

Work Song - Georgie Fame

Kicks - Paul Revere and the Raiders

tagging: @tealightwhimsy @dilfstaine @hilton-my-luvx @haileylovestheanimals1964 @quinnallerton

#yes i know the alan song is two songs bUT he played them together on 'performing price' and it sounds sooooo good #two animals songs as well yikes connie are you gay or something? 😬 #yes i am and i love the sillies i mean the medication for my mental illnesses i mean the animals #also was listening to a lot of the man the myth the clive powell when finishing up a graphic design assignment last semester #looooove his 'live at the flamingo club' album. now that i know the difference between the flamingo club and the scene club ERIC #still quaking in my boots that i found a georgie fame album at a flea market of all places 🙏 c l i v e what are you doing there #nothing tops me finding 'performing price' in a kentucky record store though how did i get that lucky #sOBBING. CRYING. ALAN PRICE. AAAAAAA. #anyway. tHANK YOU FOR THE TAG HANNAH EEEEE!!!!!!!!! #things i said today

[sunburnacoustic]

The making of The Defector... since Warner took down the version on YouTube for some reason.

#Muse band #making of #The Globalist #Muse #in studio #2015 #Muse Drones #Drones era #never heard Matt sound as tired as when he says '31 takes Mutt. I've never done 31 takes with anyone.' #honestly Muse are a technically very good band. They don't need 31 takes. Watching them and the way they tinker and write they don't #work things out when the tape decks are running they work it all out together before lol #quite a different album to record in terms of process for them #Matt talked about it a bit to John Kennedy in the X-Posure interview

[currant-owo]

Bruce Wayne will not be able to adopt you if you adopt him first.

#Serial adopter #Sounds like the idea of ​​some chaotic time travel fic #If you find something similar or do it #tag me #In fact #this is one of three effective ways to avoid adoption. #And all of them basically consist in being proactive #For example being quickly adopted by someone else (more reliable if it's a different hero) #The third method is not sufficiently reliable and not well known. #Just start dating someone in this family #however as soon as you break up the threat of adoption will hover over you again #NOT recommended to use UNO reverse card #Bruce Wayne has a great track record as a serial adopter #And we all know what most of his children are like #He absolutely has a few of his own reverse cards in his chest pocket. #Batman #Bruce Wayne #Bruce Wayne #dc #my post

[eomer]

loboloco’s dev blogs are immaculate 

#just all these research trips deep into the heart of yellowstone #recording animal sounds from sanctuaries and in the wild #going not once but twice to the games real world locations to see how they look in different seasons #just the amount of work put into wolfquest is mind boggling to me #and he's an indie dev who works on his own time go support him and his little big game

[detectiveconnor]

thinking about how anorexia has the highest mortality rate of all psychiatric diseases

#eating disorder tw #disordered eating tw #eating disorder cw #ed cw #ed tw #thinking about human verse (2) connor Having Trouble (capital letters) #between being hooked on the feeling of control and not being able to sleep a sound night #and preferring to be Out of the house if he can help it at all #and he's always cold #he will steady out. is already steadying out. is already working hard toward - first of all toward being *able* to think about a next step #but he moved cities and took a new job and he's Damn good at the job and he's starting again and. #once he is steady enough he'll seek out. something. he hasn't thought about it - but connor for the record benefits especially from #support groups. he would benefit from. finding something to attend like that. one-on-one therapy is less ... .... #he's very pragmatic and very quick. group therapy would be more useful for him and he knows it. he'd #take a very long time to figure out what sort of group therapy he'd be looking for though #and he'd eventually find it. #i think a lot of it ... if he were... one on one therapy could be useful for him in an. 'unpack it and name the components' sense #make him give names to the feelings that crawl around about different bits. and see how loud the different bits *are*. #yeah #anyway. this is the unhealthiest connor i have i think #and it is because he is Keeping Going and he is Brave and he is surviving (verb) something that hurt him very deeply #even with it two years in the past he's ... #still steadying out. he's still steadying out.

[kirnet]

this ones for the dancer & this ones for the dancers bouquet is an album that i love but cannot in good conscious recommend to anyone

#its an album told from the minotaurs perspective as he thinks about all of the people from his myth #but it sounds. not great. i fucking love it but ive stockholmed myself into loving it so #ramblings #well half of the album is. theres two totally seperate concepts across every other song that were recorded in different studios

[saphic-with-t]

When joking about how ridiculous it is that Fabian is popular I don’t think people realize how insanely cool the bad kids are in universe. As viewers we see their cool moments but we also see them being dorks and lame idiots. Think about their in universe reputations and how you would react to hearing about them if you lived in the same world as them.

There is a group of six people who saved the world 3 different times before they even entered their junior year of high school.

One of them never showed up to any of their classes until their third year and still passed. She is a rockstar and arch devil of rebellion who owns a recording studio in hell where she plays the bass.

One dude threw the greatest party the entire high school has ever seen, is captain of the sports team, and killed the school’s evil principal without facing any punishment.

One performed a motorcycle kick-flip that was doing a jump off of a mansion’s roof into a pool of flaming tartar sauce. Said kick-flip student has created a god, killed that god, brought herself back from the dead, and resurrected a completely different god.

One of the girls is the chosen oracle of all elves and punched her dad so hard he instantly died. Also if you dig deep enough into the political history books it turns out she caused there to be a feud (bordering on full war) between her home nation and the nation she currently lives in.

The quietest kid of the bunch is a super genius who invented a solar lasso that captured and contained an eldritch horror into his van, took 4 years of high school all at once and passed all of them, is currently acing his arcane mechanics and physical Ed studies, and is the second hand man on the school sports team. He also is the drummer for the arch devil’s band and launched a fully working satellite into space before he even started studying arcane mechanics.

Finally the “dork” of their group is an arcane consultant of heaven, became a P.I. after freshman year, is currently in every extra-curricular school club, and is beloved by seemingly all of his underclassmen. Also after he found out that the dragon his party was fighting ate his dad he fucking ATE IT to avenge him.

Obviously we know the truth behind all of these things and the actual way these six dorks act, but think how insanely sick they all sound in universe.

#dimension 20 #fantasy high #fantasy high junior year #fhjy #the intrepid heroes #intrepid heroes #fig faeth #fig fantasy high #fabian seacaster #fabian fantasy high #kristen applebees #kristen fantasy high #adaine o'shaughnessey #adaine abernant #adaine fantasy high #gorgug thistlespring #gorgug fantasy high #riz gukgak #riz fantasy high

[mariamlovesyou]

tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

#this is all off the top of my head if i remember other key points i will add them

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

#mythology #greek mythology #orpheus #eurydice #orpheus and eurydice #analysis #interpretations #adaptations #long