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hairstylesbeauty · 2 years
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makeuphall · 1 year
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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poorly-drawn-mdzs · 5 months
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We could have had it all...
[First] Prev <–-> Next
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aiartespresso · 3 months
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akai-anna · 1 month
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it's been a while on my rewatch, but i'm watching the fake wedding case and... can we just talk about how shinichi's reaction is so different in the anime compared to the manga?
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bland. boring. WHERE IS THE FEELING IN THIS. just. No.
THIS THO
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SMITTEN. BESOTTED. A TRUE SIMP. JUST LOOK AT HIM. HE'S A BABY YOUR HONOUR. BABY IN LOVE!!!!
bonus: shinichi peeking at ran with a blush on his face at this bit (and ran blushing too, pretty please)
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We Were Robbed.
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willowser · 1 year
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my guilty pleasure trope is like. trash reality dating show au LOL
like you and bakugou on love island ??? HELLO ???? he is 100% the show-stopper that comes in as a twist at the very end, after everyone is already coupled up. thinking they're happy in their pair. ready to move forward and get to know one another. AND THEN BAM. bakugou katsuki. huge and tan and toned. probably a firefighter or something, been single for a long time because he finds it hard to put himself out there — and coming on live, national television was the perfect way to get himself out of his comfort zone LOL
let's say. you're coupled up with denki and you love it ! he's great and funny and charming and will make someone happy — but that someone is just not you. from the get-go, your relationship feels more friendly than anything, but he doesn't try to cop a feel on you in bed and he's a good snuggler and maybe you kiss him once, just to see how it feels, and that's not so bad either. but there are no sparks, no fireworks. you'd be content to even ride out the rest of the challenge in a couple, because he's comfortable, but that's not what either of you came on the show for.
after the first week, bakugou couples up with jirou. her sharp wit and dry humor draws him in enough (and he's always kind of liked that edgy look that she has) — but he very quickly realizes that she's really not that into him POOR GUY. bakugou really isn't her type; besides finding his attitude funny every now and again, they really don't have much in common. don't do much of the same things, share hobbies or interests, so it's a little bit of a bust.
i like to think you're just friends for a week or two. another guy comes in, two new girls come in, but nothing really changes for either of you. keeping your respective couples, just because no one else has really caught your interest — and it's not until a challenge has you kissing him square on the mouth that either of you start to take a second glance across the villa.
you watch him work out in the mornings, make a second cup of tea for when he's done. somehow, you both always end up in the same section, leaning back in the lawn chairs or sitting side-by-side on the beanbags as you chat about how the challenge has been going so far for either of you.
the part of this trope that is so funny to me is that — bakugou really is not the kind of guy that should be on this show LOL he's hard to approach and intimidating and if you don't understand his attitude, then you won't like him. and what little game he has isn't played like this: approaching someone in front of everyone else, nabbing you from your couple, having to put himself out there so that he doesn't get sent home. all while on live television.
but — it's not until you admit, casually one day, that you and denki are just friends that he decides to do anything about it. the two of you have gotten along so well in your couple that bakugou didn't think he stood a chance but after talking to you, he's awkwardly telling kaminari in the kitchen, alone, that he's planning on pursuing you. and denki thinks that's great ! thinks you deserve it !
the week continues on much the same: you and bakugou chat here and there, eat breakfast together away from everyone else, he makes you laugh and you make him smile his crooked little smile at the floor, embarrassed, as he tucks his face and pulls his hat further over his eyes. it's cute and you're having fun with him, but the recoupling is surprising, still.
when he has to stand up there, in front of everyone, red-faced, and grit out that you've caught his eye, that he's enjoyed his time with you, that he'd like to get to know you better — and you're floored. ecstatic, but floored. because he is certainly intimidating, and regardless of the fact that you were with kaminari for so long, you might not have ever approached bakugou, because he's just. so huge and handsome and striking.
and then you're settling in for the night, crawling in to your shared bed for this first time. and he's not like denki, not a cuddler, but you still make a point to wiggle around to him, wait until the lights are off and even breathing sounds throughout the room — and then you tell him, quietly, grinning in the dark:
"i'm really glad you picked me."
you feel bakugou sigh, a bit heavy, and you wonder if you're going in to strong — but then his hand skates over your arm, rests carefully against your hip, and he murmurs, "'m really glad, too."
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i wrote this a lil bit ago and have since been made aware of luna's love island bkg !! 🥺 it's so detailed !! there's a whole show for the two of them !!
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ryuusea · 6 months
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“I win, Mr. Holmes.”
(I think Sherly also feels he’s winning 🤭)
More i7 x Yuumori crossover sketches, Liam in Tenn’s TRIGGER Hidden Region MV outfit.
Funny enough, first piece was supposed to be a Liam only drawing, but then Sherly decided to drop in between his legs.
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weirdmollyy · 4 months
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Wow lady vamp 🙀🙀
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TW: loud screaming! Alois's 2 moms or Ciel's nightmare AU slowly evolved from THIS shitpost. Where Alois gets to have two competent moms and Ciel gets two absolutely incompetent demon dads. Also Claude moves in. Mostly @eemoo1o-animoo fault tbh. I had that fucking trade offer "you receive Claude Faustus" image as my lockscreen for the past week. So i wouldn't forget to make this.
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hairstylesbeauty · 1 year
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makeuphall · 1 year
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spookythesillyfella · 3 months
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i drew a scene from a fic im writing because uhhh i can X3
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sunglassesmish · 10 months
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he’s so
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daguerreotyping · 11 months
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Magic lantern glass slide entitled "Man in His Strength" depicting a very fit fellow running in very small shorts, c. 1890s
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girlthatyoufear · 19 days
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