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savrenim · 3 years

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I’ve got to say there’s something kind of depressing about only having 7 folks following my patreon just bc, like.... I put so much work into it! I have really cool posts every week! and cool longer posts every month! it’s really cool content that I really want to share and it’s, like. kind of depressing that only a handful of people are getting to even see that content! to the point where honestly I’m mildly tempted to make my patreon be “all content for paying patrons is early release that following patrons will get after a month” just to see if more people will follow me, but, like. mildly worried that even that won’t happen!

but, like. more than that it mostly solidly feels like my work isn’t valued?

like. I started publishing ifmlam in dec of 2015, which was kind of me re-entrance since high school into publishing things onto the general internet. ifmlam is 204233 words. that is two full-length novels. it was meticulously researched to the point where most end-of-chapter notes basically have a works cited, and needed to be meticulously researched because it was in a field that thoroughly was not my own I had not had a US history class since high school type deal. I worked on it during my last year and a half in college, in time that I could have spent studying for GREs, applying to grad school, and writing my thesis-- all things that certainly would not have been hurt from extra time spent. people left comments going “if this were a physical book I would buy it.” which, like!! mostly was just flattering!! it was a labor of love that I started out writing for myself and didn’t really expect anything to come from it! but it did kind of transform into a burden that I kept writing because it had a following, and, like. any future work that gets put into it is mildly coming from a sense of obligation to finish for the people who care about it, and it kind of makes it feel in hindsight like I was creating a product and it was a product put out there for free and the only thing that resulted is a lot of people who want more of that free product that is no longer a labor of love, it is meticulous research and meticulous writing and meticulous editing and time out of a graduate thesis and job applications and writing papers in my field and things that are so intrinsically more important than when I was writing it in college

and, like, I have boundaries, I’m only going to write when I have the time and inspiration to write, but gods has ifmlam turned into a burden and was a burden for a fair portion of the end there of writing it and it’s a mild bummer that it’s a burden that people do not care about throwing me $1 a month or, like. hell, people have bought me two ko-fis in the entire five years I have been writing. and I know I haven’t advertised a lot. and I know that mostly I haven’t needed the money. but, like.

I have published 387735 words on ao3 in the last five years, and certainly have more than 20k of drafts that, like. honestly should be ready to post in the next month or so. so, like, round up, that is more than four full novels length. and back when it was just fanfiction that I was working on, like, yeah it’s just fanfiction and that is not the sort of thing that I hell even would feel comfortable making money from. and I know nothing is published so people can’t see it now, but, like. my primary writing isn’t fanfiction anymore! it’s an actual proper full novel! draft 1 will be done and going out to betas in the next week or two! that I am going to be putting out there for free!. and my patreon really isn’t about “support me bc I’ve been writing fanfiction”, it’s a “hey you’ve seen my writing samples over the course of five years and wordcount of four novels so you trust that I’m a good writer, right? do you maybe want to hop on the bandwagon to try to support my original work too?”

I’ve run the costs from cover to ISBN to copyright filing to actually setting up a personal website to getting print drafts of the book and, like, esp given that I decided screw it I’ve been saving up for years I really want to commission one of my friends to make a professional cover, Opus I is going to cost me out-of-pocket more than $1000 to publish. and it’s being released for free. even if thousands of people read it, as I have set this up, I will not make a single penny from it. and that is okay, I knew that going in. but I definitely can’t afford to pay $1000 out of pocket to publish Opus II, or like. any of the dozens of books that I really do want to publish and have them look polished and professional going forward, that even cutting out cover art carry a price tag of ~$300 for me to do on my own.

and I guess I just...really hoped that there would be enough people either that went “yo your work is cool we trust you on this” to throw what comes out to $12/year, which, like. is the cost of a more expensive ebook if the goal is to be able to release about a book in the Opus series per year, or even just who are enough interested in the content that I have to put out that hey $1/month really is not a lot and the thought process behind my writing is interesting and valued.

and it feels like I’m being dumb and whining complaining in the first place and I’m stupidly lucky to have any sort of following at all or anyone willing to read even the fic I put out or comment on it, like. it’s super cool that my work is acknowledged and read period end! and honestly I think it’s mostly bothering me because, like. I am super self-conscious about “is anyone even going to bother to read Opus” and the fact that this thing that I set up to lay the foundations for and support my original writing only has seven people following and five of those people are close personal friends really does not bode well for feeling like there is any sort of interest in what else I can produce other than the fanfiction that I already have up, but, like

my patreon is cool!!! my content is cool!!! my book is going to be cool!!! and I just really wish there were more people seeing it!

#my life #my writing #it feels so dumb and tiny and petty to care #esp bc so far all I've put out is fanfiction and like. I'm well aware that on the scale of broke writers on the internet #I sit in the 'well it's at least not paycheck to paycheck' category #and my work being accessible and being read is the most important thing to me #and it feels dumb and selfish to center my writing around those principles and then surprised pikachu feel not valued #but whatever I'm allowed to have contradictory emotions #also hella not trying to guilt anyone into signing up #honestly mostly just wanted to vent

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nighttimepixels · 5 years

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Heyhey Night! I have a buncha questions after seeing all your animations and they're just so cool so! I hope this is ok!! Can u animate normally too, or only pixel? Not that that's bad, just wondering! What's ur preferred kinda animation? Do u prefer lipflaps or lipsyncs? What's the hardest part of the animation process?? What's ur favorite?? Any part u don't like? What's a thing people don't see that u put a lotta time into? Do u have a fave animation u've done? Thank u btw for all ur art!!

Oh stars, okay, yeah- I’m happy to answer all these!! I’ll break them up so it’s easier to read X) And awww geez thank you so much for your support, sweet anon! It really makes my day when people say they like anything I’ve made, and stars knows it’s all the more true with the sweet sweet time sink that is animation (´•̥̥̥\\ヮ\\•̥̥̥` )

I’ll also put this under a cut since it gets a bit long :)

Can u animate normally too, or only pixel?

This one cracks me up a little, don’t worry about it XD I totally can! In fact I enjoy it a lot - and... gods, animation software is a nightmare and a half, to be honest. That’s the biggest hurdle.

I do just straight up love pixel art and the aesthetic I can achieve with it, but I do at times miss ‘normal’ (non pixel?) animation, heh. Especially sound-syncing! I do all my pixel art in Asesprite which imo is the best pixel art program, not to mention made by an actual pixel artist - buuuut it doesn’t have a sound file option. Which makes sense! Er, frankly, most pixel artists wouldn’t... use it to animate like I do? More for games, or for looping gifs? So I can’t complain much, it makes a lot of sense that it’s a low dev priority.

Now, when it comes to other animation programs... I’ve tried a lot. Unfortunately, the ones that are preferable for the feel I like are either way out of budget (stares at TVPaint in the distance) or... well, have too high a learning curve for my single-person workflow, really. (OpenToonz, sigh...) And a lot of the free programs are good for getting a start in animation, but once you get to a certain point you really feel the limitations (whether it’s workflow, sound import, exports, trying to make something more finished than a rough...).

Then... there’s animation programs I just don’t like, and a lot of those are angled towards bone-style animations (nothing wrong with those, they just don’t fit my style? and are too much time investment for a single artist to output more quickly...), or are, well, freakin’ Adobe Animate.

I... gods, I do not like Animate (formerly Flash). And I made a whole 2 minute+ animation in it a couple years ago! (It’s very rough and bad and doesn’t make sense, pfff, not gonna link it XD) It’s... clunky, and vector oriented, and freaking lines don’t go where I want them too, and it tries to predict too much?? It’s hard to put to words, gah. For me, my animation style would be much more... raster oriented. Flow, hand drawn inbetweens, yaddayadda. Animate’s great for... plenty of things, but not for that kind of animation. There are far better animators than I who make it work with freakin’ aplomb though! So really, it’s just my taste, haha.

.... Er, that got long! I’ll cut off more rambling about animation software and tl;dr boil it down to “I love animating period, but turnaround is something I have to keep in mind as a freelancer, as well as budget, and my current focus is pixel animations for a number of reasons.” X)

What's ur preferred kinda animation?

I’m not exactly sure what this one means! Between pixel and non-pixel? Er, they both have their pros and cons, so I couldn’t say! But if I have to break down my current animations into categories, I’d say I have cutscenes, loop environments, and the broad game-like animations...

The first would be something like this animation feat. teasing Edge, the second would be something like this one with skesgo’s Starlan and Cinnamon, and the third is... everything else! From headsprite loops to ‘small’ characters running and so on.

Honestly, they’re all a lot of fun for different reasons! Cutscenes are generally the most challenging, but they give me the chance to push my limits and try and pull off something cool, whether I’m having to conserve frames (to keep the cost of a commission down) or whether I’m going more all out (which is a pricey commission, or a fun personal project, lol).

Loop environments are their own challenge - it may not look like it, but I put a lot of thought into how to make them look as natural as possible! From timing of talking characters, to where to place a blink, to exactly how many frames it’ll take to ‘soften’ a motion (so people aren’t just snapping between major poses) and so on - it takes... a lot of time to animate even simple scenes well, so I do a lot of mental math on how I can keep things affordable when someone approaches me for a commission. And frankly, I totally undercharge;; but I do my best!

Game-like animations are just fun. They range, they’re silly, to intense (I’ve animated fight animations before for game concepts), to indulgent, and beyond! Headsprites are always a delight, especially if I get to push the expression X) and I love tiny things (I mean... I am a pixel artist...) so getting to make lil tiny babs even just walking can be fun - and also, a lot more time consuming than you might thing, esp if you wanna make it smooth, like this lil Frisk I did last month or so:

Do u prefer lipflaps or lipsyncs?

oTL

B... both??

Okay, lipsyncing basically is very time consuming. AND, I freakin’ love it. I love puzzles, and when it boils down to it, that’s what super fun & expressive lip syncing is (some Ghibli animations are the heckin’ best for this)...

and, I’m a pixel artist, without sound-syncing capabilities in her main art program oTL Yeah, I can export frames and line them up and check but... gods, it’s so time consuming. I’ve tried it out of desperation - but for even five seconds of sound (sayyyyy a lil Vine...) that’s hours upon hours of transferring back and forth just to check.

So even though I love lipsyncs, they’re too time-consuming (and ergo, if I’m being commissioned, often too expensive) to do often! Someday I’d like to get back to doing them more often, but for now, practically I stick to/’prefer’, in the loosest terms, to do lipflaps. For the layman, this is that ‘two frame’ (maybe three) open-closed style of animating mouths- however, I’m working on ways to keep that style, but make it more expressive! It depends on the project - and in commissions, I’ll pretty much always prioritize giving the client a little more body animation than mouth animation, unless it’d really fit what they’ve requested.

What's the hardest part of the animation process??

.... damn, this is a tough one! Sometimes I’d say it’s the initial concept work - but it depends on what I have to work with. Sometimes that parts a breeze - and honestly freeing, bc I can take the time to try and push what I’ll do with it!

Roughing is one of my favorite parts, tbh. It can be tricky, sure, but getting to go from keyframes to in-betweens & smears to adding the flairs of secondary motion (think hair swishing, or coats flaring, etc) is so exciting and satisfying.

From there it’s all refining, and tweaking...

Hm. Honestly, the hardest is probably the initial cleanup and lining. It’s cool to see it come together, but it feels so much slower, and it can drag - and then you find bits that actually don’t translate well from the rough stage, so you have to go back and rework, and oof it can just drag in this phase, heh. Plus, I’m always tempted to add more frames, but it’s not always realistic - I’m a perfectionist, to say the least, so I’m constantly having to leash myself back so I don’t turn a project into a half-a-year undertaking, pff.

What's ur favorite??

Probably gave myself away talking about the roughing stage X) It’s just loose and fun and free! But seeing it all come together is also damn satisfying too, so that’s not to say I don’t like the refining portions either...

Outside of that, I also really like the beginning of the color stage! .... Before having to translate shadows/highlights to each and every frame *shudders*. That gets tedious, but it’s so critical! Anyways, though, I heckin’ love colors. I always have a rough palette in mind at the start of the process, but I go ham and play with it as a little break and a true test when I get to actual slap together a full frame with full color, highlights/shadows included! It’s exciting, like a preview of the finished product, basically :D

Any part u don't like?

Heh, by the time I get to shadows/highlights, I tend to be getting impatient, I suppose. It’s not that I don’t like it - I definitely highly value it, and if it was the only thing I was working on in an animation that’d be different, but as a one-woman team I’m just raring to be done at that point; it’s very nearly the last thing I do, after all, so it’s a struggle to focus. X)

I suppose one that always gets me is more complicated backgrounds. It’s a work in progress, as I’m getting better and finding the fun in them for sure! But I’m still not where I want to be in translating ‘background concept’ to ‘finished background’ - it feels more stiff than my animations, I guess. So it’s a frustrating part... but hey, it’s part of it! And learning to embrace the challenge is a big help.

... I just always have to make sure I have a big cup of coffee and a good jam playlist going when I sit down to do ‘em, in the meantime.(=▿= ||||)

What's a thing people don't see that u put a lotta time into?

Definitely the coloring. This goes for both backgrounds and the animated characters themselves. It’s... never as simple as it looks? It’s time consuming, and while some parts of frames can be copy-pasted, I also put subtle work into the animations that mean that some pixels are off so it ends up being marginally faster to just recolor, but then there’s shadows, and working in pixels means that if I miss one then there’s a flickering pixel mid-animation, and sometimes there’s an unconnected line and then you bucket fill the whole damn thing, and gods know I’ve got colored lines so I have to be exacting with keeping the same ratios highlighted vs darker in shifting frames...

*deep breath*

... Yeah, basically the coloring is super time consuming. And balancing bg coloring with animated elements in the image itself is a whole extra challenge on top of that. For 99% of my animations, I can damn near guarantee I’ve spent at least twice as much time coloring it as I have animating it.

Do u have a fave animation u've done?

*looks at my goblin hoard of animations in horror like I’ve been asked to choose a favorite child*

... Stars above, I can’t choose! I love them all, and at this point a good portion of them are commissions- it wouldn’t feel right to choose!

*...carefully covers the hoard’s metaphorical ears*

... also, that said, I can admit a soft spot for any of them that involve humor. I tend to get to do extremely expressive faces and action there, even if I have to ration the frames, so it turns out really fun X)

And though rough and I’ve definitely done stuff I’m more proud of, I still crack up at this one I did a while back of the nonsense ‘ass’ joke between Red & Stretch... their faces were too much fun XD I’ve gotten waybetter since then though, Big Oof, I see so many things I can fix; might go back and redo it someday.

Honestly, though, I just freakin’ love animating! They all have their ups and downs andI always put a lot of love into them and find a way to have fun with it and try to push any emotion/theme (when applicable). I like to think it shows, but idk, that’s something I have to leave up to you guys X)

#night answers #about animating #phew there were a lot-!#thanks so much for your interest #hope these answers made sense! :D #Anonymous

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runningwolf62 · 5 years

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@wardencommanderrodimiss @pachelbelsheadcanon

The new chapter is here featuring emotional whiplash and allegiances finally.

On AO3

What happens next is a series of incidents so coincidental and yet so perfectly aligned Larry would be tempted to call it fate. He had headed to a book store to chill and he would swear he’d just gone in to look for a book for Nick or Edgey as a Christmas present. Nothing dramatic, he’d just been caught up on his word count for the day and he’d wanted to shop and treat himself and get things out of the way so he didn’t come out of December confused and lacking presents for anyone.

And while he was there he’d remembered his promise to himself to get Tallstar’s Revenge, after WolfDragon had recommended it. So there he was in the children’s section, looking through the Warrior cats section - which he had half a mind to sort because someone respected neither series nor numbers and honestly it was a disaster trying to find anything, was this supposed to be alphabetical, because he was not going to find Tallstar’s Revenge at all like this - when the book caught his eye.

The Magic Bottle.

A simple title really, but the art on the cover was beautiful. Larry abandoned the Warrior Cats books for a moment to pick up this one, whoever the cover artist was they were fantastic at their job because Larry was for sure curious now. He flipped it over to scan the back, and cracked it open.

Well it turned out Elise Deauxnim could both write and draw, and Larry was enthralled. God where had she been when he was a kid, this shit was fantastic. He ended up buying it and after asking a worker, maybe making an excuse of shopping for a niece (listen that was the simplified version of what Pearl was and if he liked the book this much he might tell Nick to get it for her for Christmas so you know, valid) he also got Tallstar’s Revenge.

Now Tallstar’s Revenge was great, especially by Warrior standards, but he kept coming back to The Magic Bottle, the art, the characters, the pacing, it was fantastic. It made him want to write kid’s books.

Why not? You’re a really good writer and it’s not like you’re unfamiliar with kid’s lit

Thanks!

But she’s super good and I wouldn’t even know where to begin!

Stripes stop selling yourself short you’re a fantastic writer

Stripes?

I’ve mentally called you that for years deal with it

I guess it beats Orange.

“Graypaw what have I told you about talking to basketballs”

What?

Okay I’m sending you that parody as soon as I find a link to it but you should go for it! You’re talented currently inspired also unemployed

Thanks

Hey, I meant now more than ever is your chance

So what should I do?

Google this author see what else she’s written and maybe write her some fan mail

“Hi I’m a twenty-something dude, huge fan”

Look Mr. smartass if you don’t want my help

I’m just worried I’ll come off as weird!

Then lie, say it was for a nephew or something and you were really impressed too and it made you want to try writing children’s lit, how did she get started

Think she’ll answer?

She might

Worth a try

Well I did read it so only fair I review it.

Atta boy, go get ‘em

Larry grins to himself and does exactly as Wolf suggested, googling Elise Deauxnim to find that she had a PO Box. With some help and a little more encouragement from Wolf, he sends off the letter. Then he tries to calm down by focusing on his NaNo, which is mostly just him writing oneshots and a chapter or two of the fic. He hasn’t brought in Godot yet because he’s not sure what the absolute hell is going on there and he doesn’t like thinking about that day in court. He keeps sending out his resume but after how he lost his last job he’s thinking it’s a good thing he has as much in savings as he does, and he’s thinking about emergency commissions.

Until the letter arrives. He’s not sure he believes what he’s seeing but a photo sent to Wolf on discord proves that not only did Elise Deauxnim not think he was a creepy loser, she was encouraging him. She wanted to see some of his art and writing so she could tell him where he might find some agents interested in him.

DUDE

RIGHT I’M FREAKING OUT RIGHT NOW!

AGGHHHH!

That’s amazing!

AGGGHHH!

I told you you were an amazing author

OH GOD WHAT DO I SEND HER

Not the Warriors Fanfic

OBVIOUSLY

Look, take a deep breath, and like, think of a story

Doesn’t have to be great, just some kids story thing

Do some art with it

Oh god, dude that’s terrifying, every idea I had just vanished.

Alright, listen you don’t have to write the damn thing just the first three pages of something

Uh, what are kids into these days?

Great question

I’m super good at drawing cats, what do I do with that?

Write Warriors but gay

Don’t we call that Wings of Fire?

Shots fired

More seriously, what do I do with that?

Well you’re good with a very open world series with a set of rules that is easily adapted to a setting

And cat anatomy

So I’d take those elements and make it into something

That’s a horrifying Chimera.

…

You know, that could be a plot hook

What?

Well like kids love monsters right?

Write a series with a Chimera as the main character, it’s part lion

Dude, you’re a genius, I owe you my life, and the response of “no thanks I’ve seen it, I don’t want it” is probably valid

Well get to it writer-boy, you’ll do great

What he ends up with is a book series about various mythological monsters on an adventure, and an offer from Elise Deauxnim to be an apprentice under her. He says yes, of course. He moves out of his apartment and to a smaller and cheaper one closer to where she works.

It’s awkward at first, on both ends. He can tell he’s not what she expected but he tries. She helps him with his writing, telling him what his strengths are first and then slowly moving to where he needs some polishing. It’s still strained though.

The breakthrough comes one afternoon, when Larry’s phone alarm goes off. He reaches over, swipes it off, and then flips the sketchbook page he’s on to start drawing something else.

Elise, - she insist he call her Elise which is weird to him but she’s a firm but matronly woman and so he obeys – looks up at the sound.

“Sorry I didn’t mean to disturb you,” he offers a quick sheepish grin but she only looks more confused.

“Did you force yourself to get a drawing complete in a certain amount of time? You know that won’t make it turn out well.”

“Oh, no,” Larry flips back to the previous drawing to show her that it’s far from complete, “I got art block so rather than sit here and think about how I had the perfect image if I could only draw it for the next hour I worked on something else for ten minutes.”

“You’re quite talented at drawing cats,” she remarks, and Larry grins.

“I’d hope after how long I’ve been drawing them.”

“So this ten minutes of drawing, does it help?”

“Kind of yeah,” Larry pulls his sketch book back to him, looking at the sketch of Cherrywing and Spiritstar, he should draw Maya and Mia sometime. Maybe- no probably not for Christmas but at some point he should. “It forces me to relax and focus on something else, and get the creative juices flowing while I work on something that’s just for me so there’s no pressure or anything. That’s why I can only do it for ten minutes or I’d never get any actual work done!”

“That’s very clever,” she’s focusing on him now and Larry can only shrug, it’s just something that’s worked for him.

“Are those your cats?”

Oh no.

“Uh no, they’re-” he scrambles for a moment, “they’re just cats.”

Elise looks at him with a look of doubt but doesn’t press, instead she turns her focus on the picture, her eyes softening as she looks at Spiritstar and Cherrywing sitting together, “you have a real talent for capturing the emotion of a scene, there’s something very peaceful and loving about it, even for a sketch.”

Larry blinks in surprise, “thank you!” That was very much what he had been going for and he was pleased that he had succeeded at such.

Elise smiles at him, “you have such a talent for landscapes too, the nature looks natural while still framing them.”

Larry rubs the back of his neck with a grin, “now you’re going to give me an ego,” he jokes but he hopes she understands how grateful he is.

By the way she looks at him she does.

Merry Christmas Nick!!

merry xmas

Hey Maya, Merry Christmas!

Message failed to send.

Figures.

Message failed to send.

You okay man?

I appreciate your concern Larry but yes, I am fine

If you need to call just let me know

Before you joke yes I’m single this Christmas

That’s a kind offer but I am with my sisters

THERE’S ANOTHER ONE?!?

Her daughter has a dog named Phoenix

Holy shit

Quite

Merry Christmas Stripes!

Merry Christmas Wolfman!

Larry has to say, having your mentor frame and hang your finished and signed piece because she likes it so much is like having your parents hang art on the fridge but somehow a thousand times better.

They spend the winter working, her on her story and on helping Larry grow as an artist and writer and working on her own story.

Larry helps where he can with that, mostly by trying not to bother her when she looks busy but she does ask him to do some illustrations for her, citing his abilities with landscapes. He accepts and pours his heart and soul into it.

SHE’S GOING TO HATE IT

NO SHE WON’T JUST GIVE IT TO HER

AAAAAAAGHHHHHHHHHHH

Dude

Fine! Fine!

You’ve got this, you’re a really good artist and you’ve said she’s proud of you

As she should be

So you’ve got this

Thanks man

Go get it writer-boy

You gonna buy my book Wolfman

Of course

Larry can’t help but smile at that.

But you’ve got to publish it first

Rude.

Larry tucks his phone into his pocket and hands the portfolio over to Elise. She accepts them with a smile and begins to flip through them, seeming oblivious to Larry’s nervous shuffling. She pauses at one and studies while Larry does his best to not explode or start nervously babbling.

“These are beautiful,” she remarks and Larry can feel his shoulders sag in relief, “you’ve done fantastic work.”

“Thank you, I went to the park a lot to try and get all the details right.”

“It shows,” she continues to leaf through them, Larry feels more confident so he begins to point to details he feels proud of or wants to make sure she notices.

“These are just the illustrations my book needed if you’ll allow me to use them.”

“I, uh, yes!” Larry stares at her eyes about to jump out of his skull, wait until he tells Nick! He’s successful now, look at him!

Elise laughs fondly and hands them back, “hold on to these and let me talk to my agent but that’s exactly the kind of work I couldn’t find anywhere else, your watercolor style is just what I needed.”

Larry is going to cry and just manages to thank her long enough for him to slip out and tell Wolf everything.

I’m proud of you Stripes

I’m proud of me! I feel like I’m really making myself a new person!

He’s tempted to also tell Nick but he decides to wait. To drop the book on Nick’s desk at his office. That’s how he’ll do it.

Okay so get this

Yeah?

Apparently my last name “can’t be taken seriously by publishers”.

And I thought elementary school kids were hurtful.

Oh my god

So she’s going to have me use her last name.

WHAT

Her publisher loves the idea too.

Makes me look like family.

Which sells or something?

Hey I’ll take it, I’m getting paid.

So what name should I keep an eye out for

Larry pauses, they’ve never told each other their real names, years of being Wolf and Stripes and now occasionally Writer boy and Wolfman on top of having internet safety drilled into them has always stopped them.

Look for Laurice Deauxnim.

As your number one fan I want a signed copy at some point

“Larry,” he looks up from his typing craze at the sound of his name, he’s made a lot of progress on this chapter and with Elise’s help he’s hoping to get it done and sent to publishers by May. That’s his new year’s resolution, getting published this year.

Elise pauses her typing and he hears her sigh. He looks up to her, her face is set and determined but when she looks to him he thinks he sees regret.

“Larry, I’m afraid a situation has come up and I know it’s very last minute but unless you want to come to a monastery with me I’m afraid you’re going to have to spend the next week or so without me.”

“What?” Larry feels a surge of panic not unlike the time he discovered he hadn’t saved in an hour, “a monastery? Why are you- where are you going?”

“Hazakura Temple,” she replies with a pause, Larry has never heard of it but he pulls it up on google quick enough. A teaser for an upcoming edition of the “Oh! Cult” Magazine pops up with some lovely images. Looks cold but interesting.

“Sure I’ll come. I’ve had art block for the past week maybe trying to do some temple scenes will help!”

Elise pauses and smiles kindly, “if you really want to…”

“I need some winter scene practice too,” Larry is not looking forward to wandering around the cold but Elise was going there for some reason, maybe he’ll find a muse there as well.

He flicks his finger over the picture hanging on the wall, the one that still made him smile to see there, “and I’ll give you a winter scene to compliment the summer one.”

Whatever hesitation Elise seems to be having vanishes as she laughs softly, “alright. Make sure to dress warm.”

And in honor of @pachelbelsheadcanon‘s fantastic art, here’s a list of the allegiances.

SpiritClan

Leader

Spiritstar – a cream she-cat with darker paws and face

Deputy

Darkleaf – a dark brown tom

Medicine Cat

Cherrywing – a cream she-cat with darker striped paws and face

Apprentice: Splashpaw

Warriors

Firebirdstorm – a bright orange tabby with spikey fur

Orangestripe – an orange tabby tom with scruffy fur

Beetlelight – a brown tabby tom with a white chin

Apprentices

Splashpaw – a white she-cat with brown paws and face

Demon’s Group

Demon – a dark gray tom with thick fur, especially on his chest, formerly Sharppaw of SpiritClan

Viper – a gray she-cat with cold blue eyes, formerly a rogue

Timber – a brown tabby tom with messy fur

Bird – a calico she-cat with mostly dark red patches

Wolf – large thick furred gray tom

#Ace Attorney #Thank you now I get to rewatch Bridge to Turnabout and probably cry #Larry Writes Warrior Cats

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mysticsparklewings · 5 years

Photo

Arteza Expert Colored Pencils Review

Hu-boy, have I got a story for you guys! So I've been seeing Arteza's Expert colored pencils floating around in both ads and as freebies to Art Youtubers for a while now, and finally, it was too much and I threw up my hands and said to myself OKAY LET'S TRY THEM. (even though I very sincerely don't need any more colored pencils...) Previously, I've tried their Woodless Watercolor Pencils and liked them, and I've specifically heard good things about these pencils. So I went in with measured, but positive expectations. The full 72 set goes for about $30 either on Amazon or Arteza's own website, which is the same price point as the Schpirerr Farben colored pencils currently on Amazon. So they aren't the super-duper cheapest, but the price is pretty fair compared to companies like Derwent, Faber Castell, or Caran D'ache. So, some tea first, and then I'll talk about how the pencils handle (tea in small text in case you don't care): My set came in the mail and I immediately opened them and went to swatching, as I do. It was when I was writing out the color names (I write the names out first, then go back and put the color down) that I noticed I had two "Charcoal A120" pencils, and likewise discovered I was missing "Peacock Blue A008." And suddenly I was filled with dread; oh no something's wrong I'm going to have to contact customer service ohnononoohno. So I contacted their customer service through the Guarantee address ([email protected]) on the back of the tin, hoping to get the issue resolved as quickly as possible and wanting/expecting nothing more than the one pencil I didn't have. About two hours later, they got back to me and through a bit of back-and-forth, I provided pictures (which I expected them to ask for), then a screenshot of the Amazon Order Details and my shipping address (also expected). It was just after 4:00, last I heard from them on a Friday, so I figured either that was that and I should be on the lookout in the mail, or they had closed up shop for the weekend and I'd heard from them again on Monday. I woke up Saturday morning with an order confirmation email that confused me, and another reply informing me they couldn't just send the one pencil, so they'd be sending me a whole new set, and I didn't have to return the original set; I was welcome to keep or donate it. This made the confirmation email make sense, as it was for the shipment of the new set. This naturally was a nice surprise. (And I must also add the reply email had a timestamp of 4 in the morning so I have to applaud the magical soul that was coherently responding to customer service emails at such an hour as I would be loathed to do the same.) With that issue at least temporarily dealt with (as I wanted to wait and see the new set before "officially" closing my mental books on it), I moved on to producing the test image you see above and otherwise evaluating the pencil. However, I decided to wait and not fill out a Colored Pencil Testing Workshop for these until after the new set arrived, just in case. And I'm glad I did. The replacement set came in on Wednesday, and I was practically bursting at the seams to get it open and see what was what. All 72 different colors were present and accounted for. However, the "Emerald A094" pencil's tip was broken/missing. I did sharpen it back up, and it appears completely fine. Probably what happened is it was broken during sharpening or something at the factory. Not a big deal, but noteworthy when combined with my previous experience and considering that there are other signs of minor quality control issues. For example, the company/color names and information printed on the pencils are not aligned consistently, and if you go on Amazon and start looking at the negative reviews you'll find a lot more than just these relatively small things. My point in including all this: As I'll talk about in a second, the pencils themselves work just fine and I don't think Artexa is maliciously producing defective sets of colored pencils and just trying to make a quick buck. Quite the contrary. I think they are dedicated to making the best products they can while still keeping them affordable compared to their competition. It's just that they have some issues here and there like every company in existence does, and part of that, in my theory, is likely because they have less in the budget for certain quality control measures when compared to the more expensive brands. This isn't a dealbreaker by any means, but I do think it's important to keep in mind. So all of that out of the way, how do these pencils actually work in the field? They're not as soft as Prismacolor, but I went in expecting that from what I'd already heard. They're not as hard/rigid as the Faber Castell Polychromos, so they land somewhere in the middle. They layer pretty well; they don't seem to build up wax quite as quickly as Prismacolor, but they aren't nearly limitless with layers like the Polychromos. Blending was better than I expected and overall pretty good. The white surprised me a little. The Prismacolor white is still the best I've used, but this one did better than I expected. It also worked well with blending other colors. Speaking of; Color selection is interesting. In the plastic trays, they seem to be arranged from in color order...but in three separate "sets," rather than in typical "all the yellows are together, and the pinks are together," etc. color order. This bothers me a little since I'm used to the other way, but that's just me. The colors themselves though seem to sit somewhere between typical color choices and also trying to be different, which is. (Also a lot of them have really fun color names, which I really appreciate personally.) (And while we're here, I will say the tin and trays are nice/pretty standard, but the trays are pretty snug in there so I have a little trouble moving things around, but it's not so much of a deal-breaker that I feel I need a separate case for them.) They seem to generate a lot of dust/crumbs, but the weird thing was that when I went to wipe it away, it didn't smear specks of color on the paper. Good, but odd. Honestly, they measure up about the same as the Schpirerr Farben pencils in terms of falling somewhere between Prismacolor and Polychromos in terms of performance, and that makes a lot of sense considering both sets are at the same price point. (Though the Schpirerr Farben pencils do still behave and feel different, most likely because they're oil-based to the Arteza's wax-base.) They aren't my new favorite, but they are pretty decent and if Prismacolor is just too expensive for you, I'd say they're not a bad second choice. I did notice something exceedingly peculiar during my testing though: These pencils have basically no water resistance. They melt down almost like watercolor pencils, or at least like the Derwent Inktense (which dissolve pretty well but compared to typical watercolor pencils they do take a little more water and working to melt down entirely). Typically, regular colored pencils do move when hit with a lot of water, but not to this extent, and it usually takes a lot to really pull a noticeable amount of pigment out. The thing about this is that Arteza sells a set of regular watercolor pencils, and as best I can tell from the pictures (as I have yet to procure a set for myself) the only differences between that set and this one are the colors on the front of the tins, and the Expert pencils are round/circular, while the watercolor pencils are hexagon shaped. Other than that, there aren't any visible differences between the two. Granted, this isn't really fair, as the main differences would normally be in how they perform on paper and you can't really tell that from stock photos. And yet, and I can't help but wonder if there's something fishy going on there. Could they be the exact same cores, just packaged differently...? I am very tempted to order a set of their watercolor pencils just to compare...But until then, I am planning on trying a watercolor piece with these just to see what happens. Maybe I'll try and they won't turn out that well and my theory will be busted, or maybe I'll have to order the other set and find out for sure that way... ____ Artwork © me, MysticSparkleWings ____ Where to find me & my artwork: My Website | Commission Info + Prices | Ko-Fi | dA Print Shop | RedBubble | Twitter | Tumblr | Instagram

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crowsister-archive · 5 years

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What's your favourite fandom? What do you want to make but not have time for? Do you have a go-to comfort trope?

I don’t so much have a favorite fandom as I have favorite playgrounds.

…fuck that was an incredibly Selina Kyle thing to say. (I was a Catwoman fan first, Batman came later)

This got really rambly, so put things under the cut so I don’t take up too much of people’s dashboards.

Right now, I’ve been nestled into a large cacophony of DC and Marvel comics, partially because I’m playing Meddling Metas (the tabletop that Ada’s from and that @superkamigodespurrdragonofmars is running) and partially because there are so many interpretations of characters and that’s fucking fascinating for me.

Like right now, I’ve been doing this experiment in playing Avengers Academy. Because it’s the most high key 2013 thing I’ve seen, all it’s missing is Homestuck and OFF references. The characterizations of various Marvel characters is so odd and I mean odd in the most fond way possible. I can send Nebula, galactic assassin and daughter of Thanos, to go graffiti her name on Nick Fury’s office. The main three students, the Harry Potter-esque “Founding Three” is Tony Stark, Janet van Dyne, and Loki. It has an energy that’s very similar to whenever I go and read Golden-Silver Age DC comics. Watching the Fire Emblem-like social interactions is the highlight of the game because everyone has the same animations and the dialogue is just so. So. 2013. I can’t really pin it down other than that timestamp.

On the DC end of things, I’ve been having a blast catching up on @chrisdee‘s Cat Tale’s series. I wasn’t expecting to like Doris as much as I do, but she’s an intensely fun character that stands up against Dee’s fun characterization of Catwoman. Is there a Doris fanclub? I want in. The Russia thing was, to paraphrase Dee’s Kyle, “my kink”.

Other than that, current fandoms I’ve been having fun interacting with have been ROTTMNT (though on a much more laid back basis than a couple months ago due to accidentally pushing myself too hard with socializing on that front) and GW2. With Fortuna coming out today, I might delve back into Warframe fic-writing. Maybe.

Second question, big thing I wanna do but don’t have time for. The projects I have don’t necessarily have time concerns so much as it’s energy.

Low-Key is going to be an on-going project for the next several years, because I’ve got the next “book” in the Rogue Hero trilogy (Hackity-Hack, Cold Front, and [CENSORED]) planned, along with Interlude: Key Distribution, the next duo part of Low-Key (which I’ll name drop as An Opportunaty to Learn. It’s all set in Atlantis and it heavily features La’gann because man, does that boy need fic in his tag that actually has him as a main character), then an interlude for Theo’s origin story, then Network Takeover, and then the planned pay off to the Pen Pals subplot (the Arbitrator stuff name-dropped from time to time). Then there’s a whole other “book” and an interlude that’s gotta do with one of Theo’s bio-family coming up and that whole thing shaking the setting I’ve got going over there (long story short in a confusing manner, Theo’s gonna get some good volunteer work done and Leonard’s gonna be in hysterics).

I’m gonna finish Mean, but cute, but progress on that is slow because right now it’s mostly my vent fic for “Things Mare wants to do in Meddling Metas, but cannot because Stage Fright”. It’s also a neat playground for some magic mechanics that I’ve been working on for a bit that might feature in Low-Key because DC is a lazy bitch and doesn’t actually HAVE an established magic system that SON OF A BITCH COMPANY. It’s also a place where I get to write a Catwoman-esque character and honestly, that is so utterly my Thing that it’s not even funny. Astraia is a walking, talking example of all of the things that go into my character design process and it’s not even funny. Okay it’s a little funny considering she was an accidental creation.

Other than that, I don’t have any huge dream projects that’d require more time. If I had more money, I’d go and commission so many artists. So many. I’ve got a spreadsheet of artists and their commission posts and what I’d want to commission them for. Fuckit, lemme shill a few of them.

For Low-Key, I’d commission filibusterfrog because their lines and colors match a lot of what’s going on in my head as I go into Theo-mode for narration. It’s actually frog’s indirect fault that Theo’s theme color went from green to blue: a lot of frog’s art that feature’s blue kinda vibrates with a Theo energy? I don’t know how to describe it other than that. Like I’m a noted Blue Bitch when it comes to colors, but Theo was very strongly gonna be green until I saw some of frog’s magic scar pictures. I think it was specifically the Cold variant of Chaos Bolt?

For Meddling Metas, my go-to artist is hyperbali. Kyla has really great lines, colors, and a very wonderful sense of pulling together outfits. Their picture they did of Ada? Is amazing and I love it to BITS.

For Mean, but cute, I’d go with either frog again or Floh. Floh’s got a really nice lineless style that I super love and could see being very good for Astraia. Her tarot cards are also super legit and something I’ve been tempted to grab for a specific Meddling Metas character.

Now, go-to comfort trope. In general, I am a huge Romance fan, like I will go into Character x Reader tags because there’s such a plethora of content that’s constantly put out that fits that. More specifically, I will always, always enjoy Found Family (sighs deeply, motioning at Low-Key) and Mutual Pining (SIGHS LOUDER, MOTIONS AT UNRELEASED LOW-KEY CONTENT). In general, the easy way to tell is if I write it as a celebrated thing (like the grumpy pants dad nature of Leonard in Low-Key or the sci-fi nature of Theo’s magic as examples), I most likely deeply enjoy it. Something else I deeply enjoy reading too is reading about a character working through childhood trauma inflicted on them by their parents. When done well, it’s a really comforting experience because I can point at them and go “I can do it too”.

#in which mare rambles #keyword in that tag being rambles #i ended this on such a weird note but i did it because if i allowed myself to go on you would've gotten an essay on the subject and this is #peppersandcats #absurdly long #i mean i don't have the word count but it's gotta be high-ish

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ukcps · 3 years

Text

Congratulations to Monique Castellani-Kraan for winning Best in Show at the UKCPS Keswick Exhibition 2021.

Monique has kindly share some background information on her wonderful piece Kisses in Blue.

I drew my first hyacinth macaw back in 2015, and it was wonderful being able to revisit the same subject again with “Kisses in Blue”. Parrots are honestly such a delight to draw. Their colours are bright and happy, and they have so much character. I will also always jump at the chance to get out my blue coloured pencils!

I started work on this piece back in January. After a long spate of only making miniature pet commissions over the Christmas period, which was slowly sending me into a spiral of madness, I decided to overcompensate by starting my largest drawing to date, at 40 x 50cm (16 x 20 inches approx).

As someone with a background in digital painting, I like to do all of my sketches and compositions digitally nowadays to transfer to paper. That way my expensive watercolour paper stays free of eraser marks and errant sketch lines. It saves a lot of time in the long run, and if I mess up I can very easily just print out the sketch again to start over. I don't know what I'd do without my iPad!

This drawing proved to be a little intimidating because of the size I was working at. I ended up setting it aside for a few months. You know that famous "fear of the blank canvas" we've all experienced? This one hit me hard. I got a tiny section of the eye and surrounding feathers done and then proceeded to swiftly run away, back to the safety of drawing miniatures! A few months later, I finally decided to stop hiding and to give this piece a proper go. As I got into the rhythm of it I quickly felt myself being sucked into that "zone" of intense focus - where time just slips away until it's suddenly dark outside and you've skipped a meal!

Now that I had finally got my toes wet, I was gaining confidence. Art is a bit like exercise - it takes effort and routine to get into the swing of it - but once I do, I feel like I'm flying! With every new drawing I'm reminded of just how much I adore coloured pencils and how fun the process is.

Translating the reference photo’s feathers on the left macaw’s cheek was proving to be a bit of a challenge. I could only stare for so long at the complicated mess of shadows without going cross-eyed - so I decided to treat myself to tackling the beak first instead. If ever you find yourself in a rut with a painting, look for the deepest, darkest shadows in your reference, and block those in first. You will have a much easier time once they're there. Here, the darkest shadows were the inside of the macaws' mouths, so I put my much-loved Polychromos black to work, blending with paint thinner in between each layer and tinting it with Luminance Dark Indigo to get it nice and deep. Now that the darkest shadows were blocked in, I would have a much easier time in the areas surrounding it. That shadow became my reference point for judging the values for the beak, skin and feathers nearby.

I used Daler Rowney Low Odour Thinner to blend my pencils in between layers, with a flat taklon brush. I primarily used it in the first few layers of the underpainting. The yellow skin on the beak was a tricky customer with this - my blending brushes had to be impeccably clean, or else I would end up turning it green with the blues being so close by. In addition, I didn't want the very pale yellows getting contaminated by the oranges that are in the shadows. I made sure to carefully wipe my brush off thoroughly on some paper towel before blending in small areas at a time.

Beaks are so much fun to draw! They have a lot going on, from subtle colour shifts, to chips and cracks and ridges. The texture is a treat for the eyes! Here, I started by creating a gradient of soft earthy purples, greys and creams in the underpainting. At this stage I used mostly a mix of Luminance and Polychromos pencils. For underpaintings, I like to go darker than what the final result will be - though some would say I go a little TOO dark (coloured pencil is technically a light to dark workflow because they are mostly transparent).

After blending it with OMS, and making sure it's still a little damp, I go in with my pale tones from the Derwent Lightfast, Caran d'Ache Luminance and Holbein lines. These brands are soft and have more wax than oil in them, making them very creamy and more opaque than brands like Polychromos. Because the paper is still saturated with paint thinner, the pencil melts as it makes contact with the paper, making it go on super thick, even though I'm only pressing gently. This is my dirty little secret for how I work from dark to light in all of my coloured pencil pieces. The paper you're using, of course, is paramount for this technique too. If you're not using a good paper, you're going to run out of tooth extremely quickly using this technique. This piece was drawn on Saunders Waterford Hot Pressed 300gsm- and I wholeheartedly recommend it!

However, I just want to add that if you have an area or texture you want to keep REALLY light, for example a large white crack in the beak, you should draw that in first before doing anything else. That way, when you put your underpainting over it and blend with paint thinner, the white detail you added first will show through, clear as day! (This is great for whiskers on cats and dogs for example) You can also use a ceramic cutter to do this afterwards instead, though personally I have yet to use one myself.

After finishing the beaks, it was time to face the feathers on the birds’ bodies head-on. As always, I block in my darkest shadows first and then my underpainting, giving it a good blend out with plenty of OMS. This is so that I don't get lost in a sea of repeating shapes. Without doing this, I find it's very easy for your artwork to end up all the same value with not enough contrast between the highlights and shadows. I also rough in where I want each contour feather to be on the bird’s chest with a dark blue, though I only very gently line them in with my pencil so I can still move things around if needed while I build on the textures and detail.

Once the underpainting is done I am free to start pulling out those details. I went feather-by-feather, preferring to go in with my lighter coloured pencils first, gently pulling out each feather’s barbs. After that, staying mindful of how the lighting is hitting each feather, I used my mid tone and darker pencils to work in between each barb, gradually building up shadows. I also glazed in shadows over this with a very gentle hand to give the overall shape of the feather form and depth.

It can be tempting to rush through areas like this where there is lots of uniform texture, but it’s important to stay patient and take your time. Body feathers especially can become indecipherable after a certain point, because they all overlap and merge into each other. Sometimes even though the reference photo is sharp as a tack and super clear, there is just so much going on that it wouldn't 'read' well as an artwork. So I used my reference to help me with the general structure and composition, and to inform me on how the shapes and textures should look. But I didn’t stress about getting it exact.

Once you have good knowledge of a subject, after doing study sketches and looking at lots of different references, you can be a lot freer with how you approach your final artwork. A lot of the colours, textures and feather placement in ‘Kisses in Blue’ were not there in the reference. I opted to go for a much warmer, cheerful blue. The reference I was using was also fairly flat as it was taken on an overcast day, meaning the lighting was quite diffused. I made my artwork brighter than my reference material, pushing the overall contrast between the midtones and the deepest shadows. I also found myself intermingling soft lilac hues and subtle teal with my Polychromos and Luminance pencils, almost over-exaggerating the birds’ vibrancy. I tried not to stress too much about feathers either - while getting the shape and placement of feathers right on wings can be paramount to a realistic piece, the same does not apply for contour feathers and down feathers. As long as you stick to the right shapes and sizes, paying attention to the bird’s form, you don’t need to get it looking exactly like your reference.

I try my best to bring myself out of my comfort zone with each new drawing. This piece was my biggest challenge yet – quite literally. I’m glad I pushed myself to draw larger than I am used to and I can see why a lot of coloured pencil artists like working at this size – while it is more time-consuming, you have much more room to breathe and fit details in, that would normally get lost in a smaller piece. With my choice of composition and lighting, I wanted to convey a feeling of intimacy and closeness with the birds that I don’t think I would have been able to achieve were this drawing smaller.

#colouredpencilsuks #drawing #animalart #art #colouredpencil #painting #coloredpencilartist

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runningwolf62 · 5 years

Text

SURPRISE IT’S UPDATE TIME! It’s so bizarre being writing this at the same time Larry is because there’s like this weird overlap, we’re like ships passing in the night he’s finally caught up to my time and now is about to pass me.

Anyway, there’s some lovely art in here and a reference to a blog that actually exists, @ask-potoo-firestar. Art belongs to @lavendersongs, thank you for your amazing contribution to the Warrior Cats fandom and for giving me permission to include references to it in this fanfic.

Beep.

Larry curls up deeper under his blankets.

Beep.

He covers his head with his pillow.

Beep.

Fine, he’ll crawl out of his nest and see what had happened, maybe Nick was in trouble again, that Godot guy seemed to have a grudge against him for something.

u ok?

Only Nick texts like that.

haven’t seen u in few days

u alive?

Larry almost fires something back before thinking better of it, Nick had far too many people around him die to joke about that.

Yeah I’m fine, and you usually don’t see me for awhile.

yeah but u had a rough time

Larry hesitates before deciding to just call Nick. The phone rings a few times before Nick answers.

“Hey Larry,” he greets him, Larry can hear voices in the background, he thinks one is Maya, the other is young and high so probably Pearl.

“Hey Nick,” Larry runs a hand over his jaw, aw gross he’d ended up with that scraggly beard, he never looked good with that, he needed to go shave, “you in a crisis?”

“No?” Nick has the gall to sound offended, “I do not only call you during crisises!”

“Mmm might wanna check you phone bill there Nicky Boy,” Larry teases him, his voice is rough, he should haul himself out of bed and start putting himself back together.

“You want to talk about having a crisis you sound like you’ve been on a bender,” Nick fires back, Larry frowned and groused at him.

“Don’t be an ass Nick, I’ve been taking a week off, chilling and relaxing before I remake myself! You called while I’m still in the cocoon man!”

“That metaphor started strong but you took it somewhere very weird,” Nick replies, Larry laughs roughly.

“Alright, alright, you’re the one who texted me,” Larry points out, wrapping his blanket around him like a cloak to hide his shame from the world and stay warm from the chillier October day. He crossed to his laptop to open his resume, he’d need to update it and he might as well do that while chatting with Nick rather than sit around feeling shitty about it.

He chats with Nick, and Maya and Pearl when they demand a chance to chat with him. He interrogate Nick, or tries, but he doesn’t know what’s up with Godot either, other than he’s got one hell of a caffeine addiction, came out of nowhere and claims to be from hell.

Given half the stories Larry’s heard about Nick’s cases he’s tempted to believe it.

“Maybe you ought to have an exorcism performed,” he teases, he’s on speaker phone now and he’s sure they can hear him typing away as he adds his latest job to the long master list of jobs he’s held, “Maya, Pearl, can you do that?”

“I’d have to exorcise the entire Prosocution’s office!” Maya bemoans, Larry grins as she outlines everything she’d need to do to Nick.

“Maybe you should, it sounds like it has a few too many demons over there even before this guy,” Larry muses, saving his resume and opening Fanfiction.net. His stomach drops and his jokes trail off. There’s several messages from XxWolfDragonxX. Shit, he’d just dropped off the map after talking to the guy daily.

He immediately types a response, assuring the guy some stuff just came up, he got fired from work, etc. but he’s doing alright. He misses a question Nick asked him until he repeats his name.

“Larry.”

“Sorry, what?” He tosses the message to WolfDragon off, his friend is probably off work it’s well after six for him.

“I asked what were you typing?”

Larry glances at his messages and then at his minimized programs. “My resume.”

He refreshed FF.net and got a message from WolfDragon.

Man it’s fine, life happens! It’s just good to hear from you again. I’m sorry for all the shit that keeps happening to you.

Again I’m so sorry, and yeah, it’s just been that kind of year.

Do you have a discord? I have something to show you but I don’t think ff.net will send it.

Oh? Uh yeah actually, one second let me find my ID number.

It takes him longer than he should be tosses the information to Wolfdragon. After a moment he gets a friend request on Discord, from a XxWolfDrgonxX surprising absolutely no one. The avatar is a gray anime wolf with yellow eyes snarling, which also doesn’t surprise Larry though he wonders where it’s from.

However he’s still on the phone with Nick, so he accepts it and turns away from the computer, “so what are you all up to asides from calling me?” He hears Pearl giggle and Maya’s voice in the background, they’re moving away, “how are they Nick?”

“They’re good,” Nick sounds happy and Larry can’t help but hurt even as he’s happy for him.

“We’re probably going to do a few things today before they have to head back,” Nick’s chair creaks audibly, “do you have plans for Halloween?”

“Uh, not really?”

“Do you want to come over to the office and hand out candy with me?”

“People come to your office for candy?”

“Surprisingly yes,” Nick sounds equally baffled by this fact, “so, are you in?”

“Do you want me to bring anything?” Larry asks, glancing at his Discord occasionally, where he can see WolfDragon typing. “Beer, Soda, popcorn and terrible horror movies?”

“Popcorn and let’s go with lighthearted movies,” Nick suggests, and Larry wonders if Pearl will be there. He’ll bring soda then, just in case. That or Nick’s gotten to be more of a scaredy-cat since their last Halloween movie festival.

“Have you seen that one cartoon thing that everyone raves about?” Larry’s seen so much art for it for Inktober so he needs to actually sit down and watch the show obviously is what that means.

“I don’t know what you’re talking about.”

“Okay, I’ll find it, it’s some kids show but everyone who’s seen it loved it,” Larry sends a quick message to WolfDragon while Nick talks.

You sure are dedicated to your brand.

It’s who I am

Furry.

WHAT IN GOD’S NAME IS THAT?!?

That’s Potoo Firestar you fool

I want to hate it but I’m laughing too hard, it’s amazing.

“Larry are you okay?” Nick asks, and Larry can’t answer, he’s wheezing at the damn Potoo Firestar, he cannot believe WolfDragon got his discord just to send him this, and that it’s somehow made him feel so much better.

“Yeah, yeah I’m fine,” he wheezes, and clicks the link that WolfDragon sends him to this person’s blog, “just saw something funny.”

He hops off the phone with Nick promising to see him on Halloween and bring candy and popcorn and the cartoon he’s seen everyone drawing if he could just remember the name.

He spends the next hour teasing WolfDragon on Discord for his avatar and username, all the while scrolling through this blog, which WolfDragon has dubbed “the only pure Warrior Cats blog”.

It doesn’t take long for him to agree though he does have a few questions.

So I miss all the discourse but I also miss blogs like this?

Listen man, some people are still stuck in the can cats be gay discourse?

Seriously?

Yeah, like sure the Erins just made a mistake making some tortoiseshell cats toms. OR they made several trans icons.

I can’t believe Tigerstar was transphobic.

Firestar made the first call out post

“OP is literally a Transphobe and murderer but go off I guess.”

Scourge: *goes the fuck off *

Listen, he wear dog teeth on his collar he can do what he likes, I’m not gonna be the guy to try and stop him.

Oh you do know they made Scourge and Firestar half-brothers right?

THEY WHAT

Yeah they have the same Dad

Oh shit I’d heard that theory but I thought it was just a fan theory

Nah they confirmed it. Also Tallstar was super gay for him

Like canonly gay or the fandom has shipping goggles glued on

Like so canonly gay that the publisher calls them good friends

What?

One of the authors says Tallstar’s heart always belonged to his Jake, but the publishers say they’re just good friends

What’s better than this, guys being dudes.

You’d probably like Tallstar’s Revenge actually, there’s a lot of your fic in it

Seriously?

Yeah man, like leaving the Clans to discover yourself the themes of forgiveness and parents and family there’s a lot of good stuff in there

I guess I’ll have to read it then.

Yeah, that blog I linked you even did fanart of Jake and Tallstar

Oh my god.

Did you find it?

Not yet, but I’m looking.

FOUND IT!

THAT’S IT

Okay that is gay.

Much like my fic.

Now I gotta man.

He did just lose his job but Larry’s got some money saved from his last paycheck and the commissions. What the hell. He makes a note to buy Tallstar’s Revenge next time he’s at the book store, and gets up.

Thanks for this.

Of course!

Is this the best way to contact you, or should I howl out the window?

Haha

FF.net or Discord works I’ll probably review your fics on FF.net still but we can chat here

Larry grins and tells him he hopes he has a good evening. He needs to clean himself up and try and rejoin society.

He showers, shaves, and pulls himself together. He also draws Wolf as a Potoo and sends that back to WolfDragon which is obviously loved, if the fact he turns his avatar into it was any indication.

Larry spends Halloween crashing on Nick’s couch, Maya and Nick fighting over candy while he snags some and occasionally slips a piece or two to Pearl. The kid’s clever and smiles shyly at him every time he does so.

They do settle down to watch the cartoon though Maya grumbles at points about how she wanted to watch the Steel Samurai Halloween Special.

They enjoy Over the Garden Wall though, even if it sends the girls diving to hide behind Nick at one point from the Beast. He lets Nick comfort, while he cleans up some of the trash into the popcorn bowl which he sets to the side, making sure it will not be grabbed by mistake by someone hurrying to give candy to trick-or-treaters.

He’s honestly astonished at the number that turn up at the office, until Nick says he thinks Mia used to hand the candy out, which makes sense. It’s tradition now. And Nick must’ve gotten paid because he’s got the good candy and he’s letting kids take handfuls.

He doesn’t touch that stuff only the bag Nick bought for them to share and the stuff he traded Pearl for because she didn’t like nuts in her candy. Said they got stuck in her teeth which Larry felt was a valid reason to not like them.

He tells himself that means they have protein as he pops a handful in his mouth. While Nick’s busy with some teens at the door and Maya’s tucking Pearl in on the couch he sends a message to WolfDragon.

Happy Halloween.

Technically it’s November, and I didn’t grow up in America

Spoilsport.

WHY ARE YOU AWAKE?

Work

Work can suck my dick, it’s what- oh

It’s six in the morning

You’re going to work

Yup

Listen, I don’t need your sass

It’s not sass I just woke up Writer boy

Don’t you sass Wolfman

Tell me you at least watched terrible werewolf movies in my honor

I did not.

Watched kids cartoons instead.

Warrior Cats Authors

There was an actual child in the room!

Ah what’s being introduced to fear at a young age?

Trauma I believe, and the kid’s had enough of that

You’re a good guy you know that, don’t let people tell you otherwise

“Texting a girlfriend?” Maya’s teasing voice made him jump, she wasn’t peering over his shoulder yet but she might’ve been. She might’ve seen the teasing and… no, she was looking at his face.

“Nah, just a friend,” he shoves his phone back into his pocket, she and Nick are both staring at him intensely now, he’s not sure why but they are.

He swears he sees Nick counting to three but he’s not sure why that happens either. He and Maya share a look, and Larry feels himself tense more.

He looks to Nick, whose eyes pierce him as he looks at Larry, “I thought you said you were taking a break from dating.”

“I am!” Larry insists, careful to keep his voice low, glancing to Pearl because however much they want to interrogate him he knows they’ll kill him if he wakes her.

Nick and Maya look confused again but it’s not his fault they can’t accept that he’s just friends with some people. He’s not even into guys anyway!

He shakes his head and grins at them, “glad to hear you think I have that much game though Nick.”

Maya smothers a laugh, while the edge flows out of Nick’s eyes and a smile takes its place, “you keep getting girls to date you somehow.”

“It’s that I have an artist’s soul,” Larry pulls himself up and rests his hand over his chest, grinning at the two of them.

“I went to art school too you know,” Nick points out, relaxing and smiling.

“And who taught you all those tricks for backgrounds?” Larry fires back, he’s always been the better artist for backgrounds and forms, Nick just had more practice with human anatomy. Nick huffs and shakes his head.

“I showed you how to draw men’s jawlines, ‘cause you only paid attention when the model was female-”

“Nick I’ve accepted my heterosexuality and horndog ways will be my downfall,” he fires back which obviously takes his friend by surprise, Maya too, “hey, I can have some self-awareness you know.” He glances over at Maya, “Nick, Edgey and I are allowed the common sense of one person but we have to share and Edgey came back and took it all from Nick.”

“Excuse me?” Nick looks so genuinely offended and Larry laughs, shoulders shaking.

“You took some back, TSA wouldn’t let him take it all with him.”

Maya’s grinning and apparently not taking sides as he and Nick begin to playfully jab at each other about who has more common sense, and it’s nice to be able to talk about Edgey again without Nick’s anger, to have him laugh as he talks and recounts stories from elementary school to Maya is worth the few bits of his dirty laundry that Nick airs.

They end up on the other couch, Maya curled up on Nick’s one side, Larry on the other; with jackets draped over themselves as make shift blankets.

“Larry?”

“Yeah Nick?”

“Who were you texting earlier,” Nick’s not judgmental now but he is obviously curious, maybe hoping that in his exhaustion Larry will let something slip.

And he does.

“He’s a guy I met online, we talk about like books and stuff. You wouldn’t understand, you nerdy lawyer.”

Nick laughs softly as Larry slumps against him, “that so?”

“It is,” Larry lays his head back against Nick’s shoulder, “very so.”

They wake up in various states of aching and trying to hide it, all of them trying to deny they’re getting old while Pearl buzzes around the office. Larry wonders briefly if she’s gotten into the Halloween candy for breakfast.

He checks his phone and there’s a few messages from WolfDragon.

You still there?

Don’t eat too much candy, aren’t you doing NaNoWriMo this year?

Larry only barely manages not to curse in front of Pearl as he realizes that he’s going to have to write his first 1667 words with one hell of a crick in his neck.

#Ace Attorney #Potoo Firestar is a gift and you can quote me on that #Larry Writes Warrior Cats

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