Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an adventure with together. This rocket is our little friend lol
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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Arthur starts out as an insufferable spoiled brat who falls madly in love with his mouthy servant. So madly in love that he risks his life time and again to save Merlin. Thankfully, Merlin’s an oblivious idiot. Unfortunately, the people around him are not. So while Merlin doesn’t notice that Arthur’s so in love with him he can’t function, everyone else is like “he’s so in love with you, he’d die for you” and Merlin’s like “nah, he’d do that for anyone. He’s just like that.”
And now, sweating bullets, Arthur has to start risking his life for peasants and anyone in danger like he’s truly noble, or Merlin’s gonna figure out that he’s in love with him.
Literally, Arthur experienced so much character growth to keep himself in that closet when he could of just said, “Nope, it’s you Merlin. I don’t give a flying fuck about anyone else.”
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i know this has been said to death on here but allow me a moment of earnesty when i say people care about you. people you don’t even know care about you. i have elderly customers that call at the same time every night and my whole team remembers them by name. there’s an old man who calls and tells me four knock-knock jokes every time i talk to him, and i worry when he sounds sick and i’m relieved when he sounds better the next week. there’s a woman who calls to balance her accounts every other night and i know her dog’s name even though she never remembers mine. when i drive home in the morning there is always a man walking down the sidewalk in the same place and i wonder where he is when i don’t see him. the cashier you see at your local gas station probably remembers you. your bus driver remembers you. your neighbors remember you.
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first batch of portal refs done!! the second will come soon (i hope) it will include spin off and mod characters as well :D
android AU: everything stays the same but the robots are more humanoid. thats it really xD
human AU: set in 2010. quite a few things change (i oc-ify the characters pretty much). the main things to note is that it’s a lot of what if scenarios. what if the resonance cascade in black mesa never happened, what if caroline had a daughter (gladys, so glados and caroline aren’t the same person in the AU. i wanted to explore the possibility of them being two separate people haha), what if the disk operating system project was put into halt and AI never took over. in the AU black mesa and aperture are still rivals in the development of teleportation technology, portals are still being experimented on, human test subjects are paid to test, they don’t go through cryo sleep stasis but live their life at aperture in dormitories (let me slice of life portal okay im self indulgent). Aperture still has questionable work ethics and morals but things work slightly more differently. Gladys is the CEO of aperture and she pushes for a lot of work to be done so they can surpass black mesa. Also important to note, Chell registers as a test subject for the cash deal but she also aims to investigate what really happened to her adoptive father who died at Aperture.
that’s the main essence of the au, still working on it and some plots here and there but, like most of my fandom aus, it’s really self indulgent slice of life crap LOL
if you have questions or feedback don’t hesitate to let me know! :>
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While I'm talking about social stuff I had to learn as an autistic person
There's a LOT of social interactions between human beings whose purpose really boils down to being like that thing dogs do where they go "omg YOU'RE a dog??? I'M a dog!!!!!" And that's not a bad thing. Highly ritualized "meaningless" displays of human connection like friendly greetings and talking about things like weather actually do serve a purpose which is like idk ritualized displays birds do. YOU'RE a human? Omg I'M a human!!!! Wow!!!
And they don't have to be your favorite flavor of interaction. You can even think they're silly. But they DO serve a purpose or else they wouldn't be a thing.
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I love all the acting choices David and Micheal made for their characters but one I'm especially obsessed with (and frankly I don't see it being talked about enough) is the body language/posture.
David took one look at Crowley and decided this boy is Bouncy™. He has cooked spaghetti for bones. Ninety percent of his walking is done by his shoulders actually. He might be man-shaped but he's actually a liquid constantly changing form to fully fill the container (chair) he's in.
Meanwhile Michael went - We'll he's an angel, of course he's prim and proper and carefully put-together. He has the posture and grace of a classically trained dancer. There is also One Million Bees under his skin at any given moment.
And they were so right.
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(random s5 finale musings) tbh I don't think Marinette chose to keep The Secrets™ from Adrien because Gabriel asked her to. I feel like Marinette keeping secrets like that is so consistent with her character; she hates giving people bad news, she hates rocking the boat, she hates upsetting people, she always chooses to keep any 'controversial' information to herself for as long as she can get away with (examples: bubbler scarf, telling Queen Bee she was benched, confessing to Adrien, warning Chat Noir about Scarabella or Rena Furtive, never told Chat Noir about Chat Blanc, etc) that I just totally believe she would've done it either way. She was even already having nightmares about Adrien hating her for finding out she defeated his father, so I feel like Gabriel's request was moreso giving her a go-ahead than it was a primary deciding factor, yknow?
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